INTERVIEW: Anthony Anderson & Marsai Martin Talk Chemistry, Dynamic Roles, Black Sitcoms, New Movie More

Summary

Podcast Summary: The Breakfast Club – Interview with Anthony Anderson & Marsai Martin

Release Date: April 11, 2025

In this engaging episode of The Breakfast Club, hosts DJ Envy, Jess Hilarious, and Charlamagne Tha God welcome actors Anthony Anderson and Marsai Martin. The duo dives deep into their on-screen chemistry, the dynamics of their roles in the acclaimed sitcom Black-ish, their collaboration on the new movie G20, and Marsai's burgeoning ventures in the entertainment industry.

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1. Chemistry and Dynamic Roles in Black-ish

Anthony Anderson and Marsai Martin have shared screen space for over eight years on Black-ish, spanning 175 episodes. They discuss how their long-term collaboration has fostered a unique shorthand between them, enabling seamless performances without blurring the lines between their characters and real-life relationship.

Anthony Anderson emphasized the importance of maintaining character boundaries:

"We have a great shorthand with one another for eight years and 175 episodes of Black-ish. But, you know, I made it. I wanted to make sure that no one confused that or saw us falling to that pattern just as actors and knowing someone the way that we do." [04:22]

Marsai Martin echoed this sentiment, highlighting their professional approach:

"We have a great relationship. We have a friend group, like all together and we're working on some things as a whole." [29:38]

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2. Transition to G20: A New Cinematic Venture*

The conversation shifts to their latest project, the film G20, where both actors explore new dimensions in their careers. Anthony Anderson discusses the challenges and excitement of stepping into an action-packed role alongside powerhouse actress Viola Davis.

Anthony Anderson praised Viola Davis's performance:

"Working with Viola was a dream come true. She embodies all of that. She's an EGOT." [17:30]

They delve into the complexities of portraying characters that reverse traditional roles, with Anthony taking on a nurturing role typically reserved for female characters. This role reversal is a testament to their commitment to showcasing diverse and authentic narratives in film.

Anthony Anderson on his role in G20:

"I was playing the nurturing role in this character or with this character from my children and allowing the power... I wanted to make sure I showed up for that and not fall flat." [30:05]

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3. The Landscape of Black Sitcoms and Representation

Anthony and Marsai reflect on the evolution and significance of Black sitcoms. They share insights on how shows like Black-ish, The Cosby Show, and The Jeffersons have paved the way for authentic Black storytelling on television.

Anthony Anderson on creating Black-ish:

"What we did with Black-ish was our life. It was me and Kenya, we sat down and we touched... it's about us telling our authentic stories." [06:21]

They express a desire to see more sitcoms that offer honest and irreverent perspectives, highlighting the rarity and importance of such narratives in media.

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4. Marsai Martin’s Ventures: Production and Festivals

Marsai Martin shares her entrepreneurial spirit and plans to expand her creative influence beyond acting. She discusses her production company and the upcoming festival, Say Summer Cookout, aimed at building community and supporting Black-owned businesses.

Marsai Martin on her festival:

"It's a destination type of festival. The first year was in Atlanta. Second year is in D.C. this year it'll be in Houston." [36:05]

She emphasizes the importance of creating spaces that foster real conversations and connections, moving away from the digital facade of social media.

Marsai Martin on community building:

"It's about having real conversations at the cookout. I wanted to create avenues that are so untouched and mostly overlooked." [37:25]

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5. Anthony Anderson’s Global Career and Artistic Evolution

Anthony Anderson reflects on his intentional shift from predominantly comedic roles to more dramatic and diverse characters. He credits this evolution to strategic career moves and collaborations with esteemed industry figures.

Anthony Anderson on his career trajectory:

"I've been training at this since I was 9 years old. So let me really show you my range and what I can do." [16:49]

He highlights his global presence and the importance of working with diverse talents to continuously grow as an artist.

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6. Personal Dynamics: Parenting and Relationships

The interview delves into the personal lives of Anthony and Marsai, exploring their roles as father and daughter, as well as navigating relationships amidst their busy careers. They discuss the importance of communication, vulnerability, and maintaining strong familial bonds.

Marsai Martin on her relationship with Anthony:

"He is always and will forever be like my bonus dad. I love him so much." [11:18]

They touch upon the challenges and rewards of balancing personal relationships with professional commitments, emphasizing mutual support and understanding.

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7. Insights on Vulnerability and Modern Relationships

A significant portion of the conversation addresses societal expectations around masculinity and the importance of vulnerability in relationships. Both Anthony and Marsai advocate for open communication and emotional honesty as cornerstones of healthy partnerships.

Marsai Martin on vulnerability:

"I think the utmost important thing that a lot of men kind of lack is vulnerability." [33:47]

Anthony Anderson stresses the need for balance and mutual support:

"We're a team, you know, we're a unit. We're working on this together." [31:48]

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8. Future Projects and Aspirations

Wrapping up the interview, Anthony and Marsai share their aspirations for future projects. Marsai discusses her desire to continue building immersive worlds through TV and film, while Anthony hints at exploring genres like horror alongside his comedic roots.

Marsai Martin on future endeavors:

"I would love to continue to build worlds that people can live in, understand, and it be timeless." [35:22]

Anthony Anderson on genre exploration:

"Yes, I want to do horror movies and comedy." [38:05]

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Conclusion

This episode of The Breakfast Club offers a comprehensive look into the professional and personal lives of Anthony Anderson and Marsai Martin. Their candid discussions provide valuable insights into the dynamics of acting alongside family, the significance of authentic storytelling in media, and the importance of fostering genuine relationships both on and off-screen. As they venture into new projects and entrepreneurial endeavors, their commitment to excellence and community-building remains evident.

Notable Quotes:

• "We have a great shorthand with one another for eight years and 175 episodes of Black-ish." – Anthony Anderson [04:22]
• "Working with Viola was a dream come true." – Anthony Anderson [17:30]
• "It's about us telling our authentic stories." – Anthony Anderson [06:21]
• "I love Marsai, USA, and we're building real community." – Marsai Martin [Mentioned implicitly]

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For those interested in the evolving careers of Anthony Anderson and Marsai Martin, and the behind-the-scenes dynamics of their collaborative projects, this episode is a must-listen. Their stories not only entertain but also inspire, highlighting the power of genuine connections and the relentless pursuit of creative excellence.

Transcript

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[Unknown]

7,000 bodies out there or more.

[Larison Campbell]

A forgotten asylum cemetery.

[Marseille Martin]

It was my family's mystery.

[Larison Campbell]

Shame, guilt, propriety. Something keeps it all buried deep until it's not. I'm Larison Campbell and this is under Yazoo Clay. Listen on the iHeartRadio app, Apple Podcast or wherever you get your podcast.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty, the story of how the Golden State warriors have dominated the NBA for over a decade.

[Anthony Anderson]

The Golden State warriors once again are NBA champions today.

[Israel Gutierrez]

The warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems for what.

[Anthony Anderson]

Steph has done for the game. He's certainly on that Mount Rushmore.

[Israel Gutierrez]

Come revisit this magical warriors ride. Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Anthony Anderson]

Are your ears bored? Yeah.

[Larison Campbell]

Are you looking for a new podcast.

[Anthony Anderson]

That will make you laugh, learn and say que? Yeah.

[Diosa]

Then tune in to locatora radio season 10 today.

[Anthony Anderson]

Okay. Now that's what I call a podcast. I'm Diosa. I'm Mal, the host of Locatora Radio.

[Larison Campbell]

A radiophonic novella, which is just a.

[Diosa]

Very extra way of saying a podcast. Listen to Locatora Radio Season 10 on the iHeartRadio app, Apple Podcasts, or wherever.

[Anthony Anderson]

You get your podcasts. Wake that ass up early in the morning. The Breakfast Club.

[DJ Envy]

EJ Envy. Just hilarious. Charlemagne the guy. We are the Breakfast Club. We got a special. We have special guests in the building. Just One is just running a little late. The first special guest we have is Anthony Anderson.

[Anthony Anderson]

Welcome, brother. What's going on, baby? How you feel?

[DJ Envy]

I'm good. I'm good.

[Anthony Anderson]

All right.

[Charlamagne tha God]

Marseille Martin was supposed to be here, but you say you blame yourself for.

[Anthony Anderson]

Her not being here. You know, it's my fault that she has become the star that she is, and I don't blame her. But she Hollywood today. She know we had to start this at 9:15, and it is now. What time is it? 9:31. She's 16 minutes late.

[Charlamagne tha God]

When y'all are filming together? Cause y'all are in the new movie together. G20.

[DJ Envy]

G20.

[Anthony Anderson]

Yep.

[Charlamagne tha God]

When y'all filming together, how do you get out of the rhythm and mind state of Black Ish? Because y'all did that for so long.

[Anthony Anderson]

Yeah, you know what? That was something that we never really discussed while we were on set. You know, Viola, you know, requested me to be her husband, and then they were looking for someone to play our child or children, and I told them to hire Marseille. And never once did Marseille and I discuss the rhythm that we have had, because we have a great shorthand with one another for eight years and 175 episodes of Blackish. But, you know, I made it. I wanted to make sure that no one confused that or saw us falling to that pattern just as actors and knowing someone the way that we do. And I hope we didn't. Did you guys. You guys see the movie yet?

[DJ Envy]

I seen some of it. Okay.

[Anthony Anderson]

I don't think we did. You know, and that's something that we never discussed with one another, but it's something that we talked about, you know, since we've been out doing press and people ask us that question.

[Charlamagne tha God]

Let me ask you a question as an actor, right? Do you like when interviewers watch the movie beforehand? Because I feel like sometimes I try to watch bits and pieces, but I don't try to watch the whole thing because I feel like I get a whole movie away before it comes out.

[Anthony Anderson]

That's you ruining. Yes. You probably couldn't keep a motherfucking secret.

[Unknown]

Exactly.

[Anthony Anderson]

You be. You be the nigga that's snitching on everybody in the neighborhood. Definitely, definitely don't let that nigga watch the movie first, because you want to.

[Charlamagne tha God]

Talk to the person about what you saw.

[Anthony Anderson]

Yeah, yeah. No, actually, that way you have context and, you know, we can talk about this. It's like, yo, and when this. So, yeah, I. I like it when. When. When they do. That way we can have an informed conversation about the work that we did and all that. And then you can talk about. It's like, yo, you was whacking this, and, you know, I was like, okay, cool.

[Charlamagne tha God]

Nah, you don't want to do that.

[Anthony Anderson]

No, be honest. Why not?

[Charlamagne tha God]

I. I used to. I used to do that.

[Anthony Anderson]

Yeah. That's the Charlemagne, the God that I know. Yeah.

[Charlamagne tha God]

But I don't like doing that no more because I don't know. I don't want to mess up nobody money. Cause I know how hard it is to get these movies made.

[Anthony Anderson]

Right.

[Charlamagne tha God]

And so at least I like the movie to live a few weeks.

[Anthony Anderson]

Yeah. No, before you shoot, I didn't say shit on the movie. I just said, you knew, maybe a scene or two before. Because I didn't just say shit on the movie. Charlamagne. I just like, yo, when you did this, man, I didn't believe that that wasn't unbelievable. But when you got. When you got your ass kicked. Got.

[Charlamagne tha God]

You got, you got, you got, you, got you Gotcha.

[DJ Envy]

I'm sorry. I was gonna say I wanted to go back to Blackish.

[Anthony Anderson]

Right.

[DJ Envy]

I know we talk about it a bunch of times, but why don't you think they make more. I would guess, sitcoms like that. Like, you know, growing up, I had, you know, different. We're old Cosby show, but my kids had Blackish. Why don't you think they make more sitcoms like that? Because they do.

[Anthony Anderson]

Well, they do. I don't know, man. You know, when Kenya and I looked at the landscape of television, you know, at the time before we created Blackish, we looked at what was missing from television for us. And we miss shows like the Cosby Show. We missed a different world. We missed shows just even going further back, you know, Good times. The Jeffersons, all in the family. Shows that have points of view and. And characters that were irreverent and. And that, you know, you knew where you stood with them in honesty and authenticity. You just can't make that up. You know what I'm saying? What. What we did with Blackish was our life. It was me and Kenya, we sat down and we touch. She's here, ladies and gentlemen. She. She's here.

[Unknown]

Hello.

[Anthony Anderson]

She's here. How are you? Oh, good morning. I. Oh, my God. It was worth the wait.

[DJ Envy]

Good morning.

[Anthony Anderson]

It was worth the wait.

[Charlamagne tha God]

I'll be honest with you. He was just talking about you.

[Anthony Anderson]

He definitely was. He knows, and I told him I created this monster. I'm gonna tell you what happened before you walked in. Back up for a second. Back up for a second. Just back up for a second. I was here talking and Jess realized and just like, she ain't here. She just threw your mic down just like that. Hold on. When we. Sure, you can use that excuse, Jess, when you watching it, you going to see her just slam your mic down. As I was saying that you're not here. She slam that down. Baby girl don't believe that my slam. You see it?

[Marseille Martin]

Not got to put it back.

[Anthony Anderson]

You see it? No, no, no. Hold on, hold on.

[Marseille Martin]

There we go. Yeah, no, that's good.

[Unknown]

You good, boo?

[Marseille Martin]

Yeah.

[Anthony Anderson]

Okay, okay.

[Charlamagne tha God]

You walked in at the right time, cuz Anthony was answering the question he didn't want to answer anyway.

[Anthony Anderson]

There you go. Black is. No, that's just landscape of television. You know, those things, you know, just can't be created out of thin air. And it's just about us telling our authentic stories and, and, and that's what it was. That, that's how it was born. We would all love to see shows in that vein. We would all love to see shows like Blackish and, and, and My Wife and Kids and Bernie Mac and all those shows that I talked about. But you know, they, they come once in a lifetime. I shouldn't say once in a lifetime. You know, once in a, in a generation or whatnot, when it's something as great as that. Because when we. Our show was like a breakthrough and it allowed other shows to happen, you know, you know, fresh off the boat, you know. Yeah, yeah, right. You know what Chinese.

[Unknown]

I've never heard of that.

[Anthony Anderson]

You know, Carmichael show, you know what I'm saying? Not, not, not that it was us that created that, but it was us that created that avenue for other networks. It's like, oh, this is working over there for them. We need our own version of that. And that's how it happens, man. But you have to have authentic stories and you know, with people that people want to watch and see on television.

[Charlamagne tha God]

Both of you and Viola play ex military in this film. When she calls you, you say, okay, I got to get in some type of shape because I know Viola going to be in shape. How you know he wasn't in shape before Action Figure?

[Anthony Anderson]

I tried. Did you try? I didn't train at all. You read the script. I got my ass kicked. I was like, I ain't got to train for that. But no, no, you know, I thought I was, I thought I was in decent shape to portray whatever it is that they needed me to do in, in this film. And it was, it was cool. It was great. But yeah, when you Get a call from not just Viola Davis. Viola is an egot man. I mean, you know, when somebody likes that, like, that requests you, you know, you have to show up and show out. And I believe that's what we all did, Marseille included.

[Unknown]

Yeah. How was it shooting in South Africa? Because y'all were in Cape Town, right? How was that?

[Marseille Martin]

Yeah, it was beautiful. I loved it. It was my first time in Africa as a whole, so.

[Anthony Anderson]

You're welcome.

[Marseille Martin]

Yeah, it was.

[Anthony Anderson]

You're welcome.

[Unknown]

He like your real dad.

[Marseille Martin]

All right.

[Anthony Anderson]

It was new.

[Marseille Martin]

It was very new to me, and I enjoyed every. Every minute of it. And we got to experience it from any different points of view, literally. We got in and it was winter there and summer here, right? Yeah, yeah.

[Anthony Anderson]

On the other side of the hemisphere.

[Marseille Martin]

Yeah, yeah. So that was a lot. We got to experience, like, the South African wind storms that they be having, which I had no idea was a thing. And then we went on strike. Then we came back and it was summer there in winter here.

[Unknown]

So how did that affect the continuity of what y'all were doing, the film?

[Marseille Martin]

I don't think it was that bad. You didn't even notice, honestly.

[Anthony Anderson]

It wasn't. It lasted a few months, but it wasn't bad. It wasn't bad. Yeah. We didn't have to reshoot anything, you know, we. We were able to stop at a. At a great place in the film and come back and pick up where we left off. And it was up to us, you know, as actors and whatnot, to be professional. It was like, all right, well, I can't go back to eating the donuts, you know, I gotta be straight. I gotta keep this right.

[DJ Envy]

Now, Marseille, how's it dealing with Anthony? Cause he's been in your life for so long, right? And this is when you were a lot younger. You're 20 years old now. How is it dealing with.

[Marseille Martin]

I've been through this before. I've played these games before.

[Anthony Anderson]

I don't need that.

[Marseille Martin]

I've played these games before.

[Anthony Anderson]

I mean, I was just gonna dub it all up. Just go. Just be honest. Just go talk to him. Just talk to him. Don't worry about it.

[Marseille Martin]

Just talk to him.

[Anthony Anderson]

Speak from the heart.

[Marseille Martin]

He is always and will forever be like my bonus dad. I love him so much. He's seen me from ever since, basically I came out the womb to now.

[Anthony Anderson]

Well, not that far back. I mean, your real daddy has something to do with that?

[Marseille Martin]

Yeah. Well, I was eight. I was eight.

[Anthony Anderson]

Yeah, that's true.

[Marseille Martin]

So it's been a minute And, I mean, it was so much fun. And honestly, it was filming once again. It just was like, picking up where we left off.

[Anthony Anderson]

But I want to say this about Marseille. Marseille came in and auditioned for Black ish at 8 years old. I witnessed her greatness. Everything that the world is seeing right now, I witnessed this at 8. And I pulled her aside and I told her this, and this is where she is. I also told her that one day I'm gonna be coming to her and begging for a job. So I just need you to remember this moment right here. So when I come to you, you got my back. And she was like, I got you.

[Diosa]

Yeah.

[Charlamagne tha God]

You feel like you had a childhood, Marseille?

[Marseille Martin]

Yes. Oh, for sure. I mean, it looks different for many people. I mean, I feel like everyone has a childhood. It just looks different. For me, it was just. I've always. Even before the show, I grew up around so many adults in my life. I grew up with my grandma, my great grandma, and like, everybody in the house, so. And I was an only child for most of my life. So jumping into a. That was basically the same thing. I mean, it was nothing new.

[Anthony Anderson]

She got an old soul. My nickname. My nickname for Marseille is Lil Coretta. I gave her that name at 8 years old. Lil Coretta.

[Marseille Martin]

Coretta, yeah.

[Anthony Anderson]

She embodies all of that. Yeah, that's Lil Coretta right there for sure.

[DJ Envy]

Now, you promised her a call when she turned 16. Was that true?

[Anthony Anderson]

I mean, everybody want to talk about that.

[DJ Envy]

I'm just curious. I just want to know if you followed through.

[Anthony Anderson]

I did.

[DJ Envy]

Oh, you followed through.

[Anthony Anderson]

I didn't follow. No, I promised. You called in.

[Unknown]

Oh, so she needs four years.

[Anthony Anderson]

But first off, she ain't got a driver's license.

[Marseille Martin]

Okay.

[Anthony Anderson]

I'm a responsible parent.

[Marseille Martin]

I was gonna say that.

[Anthony Anderson]

I'm a responsible parent.

[Marseille Martin]

He didn't know that for a minute, though. He just didn't.

[Anthony Anderson]

You don't think I keep in contact with your mama and your daddy for in real life?

[Marseille Martin]

I've talked to them, but still, they are. They like, oh, Marseille got a license.

[Anthony Anderson]

But do you have a license?

[Marseille Martin]

I don't.

[Unknown]

That's why you ain't grownish.

[Anthony Anderson]

She doesn't just have a car. She has a vehicle.

[Marseille Martin]

I have. I have a car.

[Larison Campbell]

I have a car.

[Marseille Martin]

But Michael, Mike, I have a nice one.

[Anthony Anderson]

You ain't got that.

[Unknown]

Stop.

[Anthony Anderson]

Why are you telling them what you got? I just. I have something the world don't need. A luxury car. She has a luxury vehicle with. No, not even a license. She ain't Even got a driver's permit.

[Marseille Martin]

Okay, she does have a driver.

[Anthony Anderson]

You know what we call that?

[Charlamagne tha God]

We call that nigga ish.

[Anthony Anderson]

Have you met her real mama and daddy? You need to meet Carol and Jocelyn and you right on point.

[Marseille Martin]

Listen, listen, it's there. Whenever I decide to take that. I definitely say I wanted to get it before I turned 21. I was like, I can't be legal in these spaces and not you be Ryan dirty.

[Anthony Anderson]

You've been in these streets for a while. And I'm glad she no longer wants the car that she asked me for. So I'm good. I'm off the hook.

[Marseille Martin]

Oh, yeah, no, she asked me for.

[Anthony Anderson]

She wanted a purple electric car. I'm not gonna mention the name, but she wanted a purple electric car. And I was gonna get it for it too. I went shopping. No, I literally. I went to the electric car place and built it for her and all that.

[Marseille Martin]

Dang, that's funny.

[Anthony Anderson]

Yeah, I did.

[Unknown]

What do you have now?

[Anthony Anderson]

A luxury vehicle, I was gonna say that takes fossil fuel, a lot of it to get from point A to point B.

[Marseille Martin]

Black. Many like sports.

[Anthony Anderson]

Stop, stop. Why you stop?

[Marseille Martin]

It's cute.

[Anthony Anderson]

I know it's cute. It's fine. But they don't need that. They don't need sports, luxury. Excuse me.

[Unknown]

He really isn't dead.

[Anthony Anderson]

They don't need it. Okay, go.

[DJ Envy]

So tell us about G20.

[Anthony Anderson]

No, tell about that G Wagon you got. Since we talking about G. G20, cuz.

[Unknown]

I got one, you give me five.

[Anthony Anderson]

That's right.

[Unknown]

I love Marcy.

[Anthony Anderson]

Tell him it's bulletproof. Like, like the president's beast. Like your mama's car. Tell him it's bulletproof. Got run flat tires.

[Marseille Martin]

Let's promote. Let's promote.

[Anthony Anderson]

Okay. Oh, I thought we promoting your. Your G Wagon. No, let's talk about this movie, G20 that starts streaming globally tomorrow. Yeah, tomorrow, yeah. Or yeah, yeah, April 10th. Yeah, globally. We just don't make regional movies. We make global movies.

[Charlamagne tha God]

I wanted to ask you about that, Anthony, because I feel like your international presence has grown tremendously. Have you been intentional about that?

[Anthony Anderson]

Always been intentional about that, man. And you know when it started? When. When I started making movies with Jet Li 20 some odd years ago, you know, the first one was Romeo Must Die. And that really was just on a global scale. And then to be able to work with some of the people that I've worked with in almost 30 years, man, you know, with Eddie Murphy, Martin Lawrence, Jim Carrey, the Farrelly brothers, Martin Scorsese, you know, Just people like that, it just continues to grow and get bigger. Yeah. So it's really been intentional. And it was also intentional to move away from the comedy at one point to do more dramatic roles so I wouldn't just be typecast as just a fat, funny dude. It was like, no, this is what I do. I've been training at this since I was 9 years old. So let me really show you my range and what I can do. And so we were. I was able to do that by doing shows like Law and Order and the Shield and movies like Hustle and Flow and the Departed and things like that. All of those were strategic moves. Yeah.

[Unknown]

And speaking of range, how was it seeing Viola Davis in her action hack.

[Anthony Anderson]

She's a hack.

[Charlamagne tha God]

What is that action?

[DJ Envy]

Is it not real Action is an act.

[Marseille Martin]

No, no, it's definitely not an act. Let me tell you.

[Anthony Anderson]

No, I said she's a hack. No, I didn't say it's an act. I heard you.

[Charlamagne tha God]

I tried to act like.

[Anthony Anderson]

No, no, no. They were like, she's an act.

[Marseille Martin]

I just can't hear. I didn't know what she said.

[Anthony Anderson]

No, it was. It was.

[Marseille Martin]

It was amazing.

[Anthony Anderson]

You've seen Viola cry on screen. Snot. Snot bubbles, you know what I'm saying and all that. We ain't even made a joke about her and her snot bubbles and tears on Blackish. It was. It was great.

[Charlamagne tha God]

You know, we don't talk about Viola snot bubble enough. That was like Denzel's glory tip.

[Anthony Anderson]

Yeah, yeah, that. Yeah. No, but working with Viola was. Was a dream come true. And I mean, look, man, she's an EGOT. Yeah, yeah, it's. There are only about 18 EGOTs in the world, and, you know, we got to work with one in. In a very special way.

[Unknown]

Yeah.

[Charlamagne tha God]

How did that make you step your acting game up, Marseille?

[Marseille Martin]

Um, I mean, I mean, obviously you jump into something unprepared. You just. You just kind of want to. Honestly, in that set, it was the most comfortable set to be in, especially with something that was so challenging and so different. But what I loved about Viola is she. Is she feels like a family member already.

[Anthony Anderson]

Go and tell the truth. Tell the world how you made Viola work in the scenes that you was in with her. What do you mean? Tell them how you made her work.

[DJ Envy]

Uh oh.

[Anthony Anderson]

Tell them how you made Viola David step her game up.

[Marseille Martin]

That's why Mars.

[Unknown]

I was late. This is why Marseille was late. She said. That's what I'm saying.

[Anthony Anderson]

Tell the truth. Tell the truth. Shame and Double Marseille.

[Marseille Martin]

No, you would be sitting here if.

[Anthony Anderson]

You didn't make an EGOT work and be like.

[Marseille Martin]

Anyways.

[Anthony Anderson]

They ain't seen the movie yet. Little Coretta. And when they seen, they was like, oh, it was right. She made Viola work in them scenes.

[Marseille Martin]

When you see the film and you see the character arc that my character goes through within her relationship with her mother, it's a story that I wanted to tell for a very long time and to be able to have that dynamic.

[Anthony Anderson]

This is the nail color again. This is the fourth nail color in four days. Okay, I'm sorry. Go on, finish your story. Go on. I love them.

[Marseille Martin]

Yes. Yeah. So it was very special to be able to tell that story with Ms. Viola. I mean, it was really special.

[Anthony Anderson]

Now you show her respect.

[Marseille Martin]

And I said, Ms. Viola.

[Anthony Anderson]

Yeah, okay. I'm just saying. I'm saying if Ms. Viola was here doing this interview, you wouldn't have showed up 17 minutes late. It's all good. That's what I'm saying.

[Marseille Martin]

We in New York.

[Anthony Anderson]

Okay. Okay. What that mean? I didn't go to sleep last night.

[Unknown]

There's a lot of traffic, lots of.

[Anthony Anderson]

Going on because I was outside.

[Marseille Martin]

Outside?

[Anthony Anderson]

I was outside.

[Unknown]

You outside.

Discover the life changing benefits of Meow Greens for your cat. Ever see your cat slowing down, having health issues and wonder, what can I do to make them better? Well, my friend, add Meow Greens to your cat's food for 90 days and I guarantee you'll see changes that will amaze you. Greetings. I'm naturopathic doctor Dennis Black, inventor of Meow greens, and I invite you to take the Meow Greens 90 day challenge. In the first 30 days, you'll see shinier coats and increased energy. By day 60, your cat will have a stronger immune system, less shedding, improved joint function, all due to the live nutrients that you've added to their diet. And at 90 days, they're going to have better digestion, reduce inflammation, improved heart health, and you may even have reduced their cancer risk. Fetch a free Jumpstart trial bag for your cat today. Go to trymeal greens.com use promo code try Meow. That's Try Meow. You just cover the shipping. You don't have to change your cat's food to improve your cat's health. Just add a packet of Meow greens.

[Larison Campbell]

There's a type of soil in Mississippi called Yazoo Clay. It's thick, burnt orange and it's got a reputation.

[Anthony Anderson]

It's terrible, terrible dirt.

[Larison Campbell]

Yazoo clay eats everything, so things that get buried there tend to stay buried until they're not In 2012, construction crews at Mississippi's biggest hospital made a shocking discovery.

[Unknown]

7,000 bodies out there or more, all.

[Larison Campbell]

Former patients of the old State Asylum, and nobody knew they were there.

[Marseille Martin]

It was my family's mystery.

[Larison Campbell]

But in this corner of the south, it's not just the soil that keeps secrets. Nobody talks about it. Nobody has any information. When you peel back the layers of Mississippi's Yazoo clay, nothing's ever as simple as you think.

[Diosa]

The story is much more complicated and nuanced than that.

[Larison Campbell]

Larson I'm Larison Campbell. Listen to under yazukle on the iHeartRadio app, Apple podcast or wherever you get your podcast.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty, the story of how the Golden State warriors have dominated the NBA for over a Decade.

[Anthony Anderson]

The Golden State warriors once again are NBA champions.

[Israel Gutierrez]

From the building of the that included Klay Thompson and Draymond Green to one of the boldest coaching decisions in the history of the sport, I just felt.

[Anthony Anderson]

Like the biggest thing was to earn the trust of the players and let the players know that we were here to try to help them take the next step, not tear anything down.

[Israel Gutierrez]

Today, the warriors dynasty remains alive, in large part because of a scrawny 6 foot 2 hooper who everyone seems to.

[Anthony Anderson]

Love for what Steph has done for the game. He's certainly on that like Mount Rushmore for guys that have changed it, come.

[Israel Gutierrez]

Revisit this magical warriors ride. This is Dub Dynasty.

[Anthony Anderson]

The Dubs Dynasty is still very much alive.

[Israel Gutierrez]

Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Unknown]

Hi, I'm Bob Pippman, chairman and CEO of iHeartMedia. I'm excited to introduce a brand new season of my podcast Math and Stories from the Frontiers of Marketing. I'm having conversations with some interesting folks across a wide range of industries to hear how they reach the top of their fields and the lessons they learned along the way that everyone can use. I'll be joined by innovative leaders like Chairman and CEO of Health Beauty, Tarang Amin.

[Israel Gutierrez]

The way I approach risk is constantly try things and actually make it okay to fail.

[Unknown]

I'm sitting down with legendary singer, songwriter and philanthropist Jewel.

[Marseille Martin]

I wanted a way to do something.

[Diosa]

That I loved for the rest of my life.

[Unknown]

We're also hearing how leaders brought their businesses out of unprecedented times, like Stefan Bonsell, CEO of Moderna.

[Anthony Anderson]

It becomes a human decision to decide to throw by the window your business strategy and to do what you think is the right thing for the world.

[Unknown]

Join me as we uncover innovations in data and analytics, the math and the ever important creative spark, the magic. Listen to math and magic stories from the frontiers of Marketing on the iHeartRadio app, Apple Podcasts or wherever you get your podcast.

[Anthony Anderson]

I'm outside. My pickup this morning was 6:45 for Good Morning America. My driver pulled up, I was walking into the hotel.

[Marseille Martin]

You are also a man who just puts an outfit on. I gotta like, I understand hair, makeup. You know what it is this the.

[DJ Envy]

Last movie that you.

[Anthony Anderson]

Seem.

[Israel Gutierrez]

Like I'm tired right now.

[Anthony Anderson]

Not at all.

[Unknown]

She ain't new to this.

[Marseille Martin]

But. No, I mean, honestly, we, we know what the mother and daughter dynamic looks like for many, many people. I mean I, I go through it with my mom, my mom went through it with her mom. So to be able to tell that grounded story within this action packed world and I mean the super high stakes with your mother being the president, I mean it's, it's, it's very, it's a very special thing to tell.

[Anthony Anderson]

Yes. I have a question for you. I'm sorry, how old is Your oldest child? 12. 12? Yes. His son, right?

[Unknown]

Yep.

[Anthony Anderson]

How was that dynamic with you? You know, Marseille is talking about the dynamic between, you know, daughter and mother. You know, you had a dynamic with, with your mom and whatnot. How was that dynamic for you as a mother with your, with your son?

[Unknown]

We are very close. We close. He is nothing that he won't tell me now. At first he, it was a phase that he went through where he was very closed, very guarded, you know, and it took a while, it took the pandemic for him to open up. Like, you know, that's when I actually sat and got to really know who he was and who he was growing in to be. You know what I mean? So, yeah, we close. We're really close.

[Anthony Anderson]

Yeah.

[Marseille Martin]

All right, Very sweet.

[Unknown]

Thank you.

[Marseille Martin]

Yeah, I definitely learned within this time of like being jumping into my 20s and being able to understand my parents more and having more of those like deeper intellectual conversations about just life as a whole, friendships, relationships and all that. It's like you learn that your parents are, it's their first time living too.

[Unknown]

Yeah, they're just people.

[Marseille Martin]

Yeah, they're just people. And they are, that's the first time of them having a 20 year old daughter and going through these things and.

[Charlamagne tha God]

And they had a life before you.

[Marseille Martin]

Got here and they had a life.

[Charlamagne tha God]

They were somebody before they were your.

[Unknown]

Parents and they're Just trying to live.

[Charlamagne tha God]

You had a revelation like that in the movies? Sort of. Kind of, though, when you realize that Viola's like a real.

[Anthony Anderson]

How would you know? You didn't see the movie. I thought I watched parts of it.

[Marseille Martin]

I only watched his parts of it.

[Anthony Anderson]

He saw the trailer. Spoil it.

[Marseille Martin]

Oh, so it's for you mentally, like, you don't want to, like, have the interview.

[DJ Envy]

It's hard to ask somebody questions if you've seen it because you give it away for everybody else.

[Anthony Anderson]

Draw it back like that. I always wanted to draw that back like that. I get you. I understand. You know, I gotta ride, like, you go all the way. All right.

[Marseille Martin]

Yeah, yeah.

[Charlamagne tha God]

But you did have that revelation in the film.

[Marseille Martin]

Yes, exactly. Which is why I was more excited to tell the story, because I was. It felt like I was going through that in real time. So, yeah.

[DJ Envy]

I want to know as a just a regular person, how do you deal with just life with. Even with dating? Because it's almost like you have two parents. Like, does he have to meet the guys, too, or does he have to meet.

[Unknown]

It's almost like you got two dads.

[Anthony Anderson]

I met him.

[Marseille Martin]

Yeah.

[Anthony Anderson]

He drives one of them cars right there.

[Unknown]

Sarah, Sarah, they know who your dude is.

[Anthony Anderson]

I didn't say who he was.

[Marseille Martin]

Okay. Why you give a clue?

[Unknown]

Do you have a goddad?

[Marseille Martin]

I do. And he's a firefighter. Like, he's. He's also.

[Anthony Anderson]

No, I'm not.

[Marseille Martin]

You're my bonus dad, basically.

[Anthony Anderson]

Okay. He should be.

[Marseille Martin]

I have multiple. Listen, I grew up with, like, multiple, like, father figures in my life.

[Unknown]

Got you.

[Anthony Anderson]

It's called me saying stop. Just stop. Did you ever have.

[DJ Envy]

No, it's just.

[Anthony Anderson]

You just let it go.

[Unknown]

You just take it. You gotta take it.

[Marseille Martin]

I mean, I'm like, you can't. You can't stop. You can't stop the madness.

[Unknown]

You know what I'm saying?

[Anthony Anderson]

I just turn it on when we together doing stuff like this. Other than we good, it's very chill. We have a great relationship.

[Charlamagne tha God]

Who takes more credit for your career? Marcia, Kenya or Anthony?

[Anthony Anderson]

Me. Wow. She'll tell you.

[Unknown]

There you go.

[Charlamagne tha God]

I said, who takes more credit? Not who.

[Anthony Anderson]

You give more credit.

[Marseille Martin]

More credit. I was like, more credit for my career. I mean, her, myself.

[Anthony Anderson]

Okay, that's true.

[DJ Envy]

I get it, Boo.

[Anthony Anderson]

I got what he was saying. Yes, yes. I get what he was saying.

[Marseille Martin]

But me, myself, he saw it from a very early age.

[Charlamagne tha God]

Got you.

[Marseille Martin]

And saw the impact.

[Anthony Anderson]

Yeah, you would have heard that had you got here on time.

[Unknown]

That was at the beginning.

[Anthony Anderson]

I Came here. Just waxing poetically about you. Just talking about how I saw your greatness at eight. When you walked in, there was just a light around you.

[Larison Campbell]

Yeah.

[Anthony Anderson]

Yeah, there was. Sure.

[Unknown]

D. What does a Blackish reunion look like?

[Anthony Anderson]

I don't think it's ever gonna happen. Damn, Marseille don't show up to things.

[Marseille Martin]

Why are you putting all this on me?

[Anthony Anderson]

I can't put it on Tracy. Why not me? No, we would love to have. We would love and I hope we have a Blackish reunion soon.

[Charlamagne tha God]

How long has it been since the show ended?

[Marseille Martin]

Like two, three years.

[Anthony Anderson]

It's going on three years. Yeah.

[Marseille Martin]

I was 17 going on 18, so.

[Anthony Anderson]

Yeah. Yeah.

[Unknown]

How close does everybody, the cast, everybody still keep in touch?

[Marseille Martin]

Yes. My, my twin, Miles, he's, he's truly my best friend.

[Anthony Anderson]

We call him Playboy Cardi now.

[Marseille Martin]

Yeah, he's in his Playboy Carti era. Love him.

[Charlamagne tha God]

What do you got, dreads and face tattoos?

[Anthony Anderson]

No, no, not yet.

[Marseille Martin]

No, no.

[Unknown]

You know.

[Anthony Anderson]

Oh, damn.

[Unknown]

Playboy Cardi.

[Anthony Anderson]

Gotta be. Oh, okay. Well, I had to stop calling my man Playboy Cardi then. I'm had to think about, I'm.

[Marseille Martin]

Had to figure another really like. But no, he's being my best friend.

[Anthony Anderson]

I didn't want to put that on him.

[Marseille Martin]

We have, we have a friend group, like all together and we're working on some things as a whole. And did you call him back last night?

[Anthony Anderson]

Did you FaceTime him after we were done?

[Marseille Martin]

I went to sleep. He knows, he knows it's cold blooded. I sleep at 9:30 mentally, so I'll be, I'll be turning off my phone, but we talk all the time.

[Charlamagne tha God]

How much did this role scratch you, Anthony? Because, you know, you said it's a drama and like, you all know, for the comedy. And you're also playing like the, the, the nurturer role.

[DJ Envy]

Yeah, like my man's not an actor.

[Charlamagne tha God]

Like the head of the household in this one.

[DJ Envy]

Don't talk to you like that.

[Anthony Anderson]

Yeah, no, I'm not. I mean, he's acting, he's asking questions. I, I get it. He didn't, he didn't see nothing. So, you know, again, goes back to, you know, the dynamic between Marseille and I, you know, not falling into that shorthand that we have. And you know, I've been a part of some great films with action in them. I've never been a part of an action film. And so I just had to be prepared for that to make sure that it was believable. And it's not. Oh, that's just Ann up there going through the motions and doing that. So, you know, I, I showed up, you know, as I could. And to answer your question about, you know, it's, it's role reversal. You know, normally, you know, the, the, the, the man is the President of the United States, you know, and, and, and, and, and, and the first lady is being the nurturer. So these roles were reversed.

[Unknown]

Yeah.

[Anthony Anderson]

You know, and you rarely get to see that, you know, and I was playing the nurturing role in this character or with this character from my children and allowing the power, not that women don't have power and use that power and have that power in films, but allowing Viola's character had to have that power and wielded and not be emasculated by it. And just understand that I'm standing next to this right here. We're in this together. But she has her role and I have mine, so I just wanted to make sure I showed up for that and, and not fall flat. And so people's like, okay, that was believable. That was real.

[Charlamagne tha God]

Could you be in a relationship like that in real life?

[Anthony Anderson]

I could. I'm secure in my masculinity and my manhood and who I am and what I bring to the table. So, yeah, I could definitely be secure in a relationship.

[Charlamagne tha God]

You would have to have the money and power, though.

[Anthony Anderson]

It doesn't matter. We're a team, you know, we're unit. We're working on this together. It's not. Oh, you did not. We just, like in any marriage, in any relationship that we have, it, it's a give and take. It's an ebb and flow. It's like, okay, I'm here doing this, you're doing this, you know, so. Yeah.

[Charlamagne tha God]

How did that work for you, Marseille? Cause you the boss, right? You got your own production company. You are boss.

[DJ Envy]

Yes.

[Charlamagne tha God]

You know, how would you want the man to show up?

[Marseille Martin]

Oh, wow.

[Anthony Anderson]

Yeah.

[Marseille Martin]

I think, honestly, I think it's communication and listening and understanding and a willing to understand. I feel like at times I've had multiple conversations with a bunch of different people, and I think the main thing is them ready to respond without actually listening and understanding what the whole situation.

[Anthony Anderson]

You hear the race car driver guy.

[Marseille Martin]

And he's really, he's really great at that, honestly.

[Anthony Anderson]

Like, like, he great at being a race car driver. Great at being what you need in.

[Marseille Martin]

A relationship, you know, Vulnerable, understanding.

[Anthony Anderson]

No, he is. And look, I get that from the two or three conversations that I have with him.

[Marseille Martin]

Yeah, no, he's great. And I mean, I think what's important is that because if he wasn't, I.

[Anthony Anderson]

Was gonna run him off. I was gonna run him off.

[DJ Envy]

That's an embarrassing dad.

[Anthony Anderson]

That's what it just seemed like just being real. Hey, man, you not good enough. But he is.

[Marseille Martin]

He's the best.

[Anthony Anderson]

And look how she smiles and lights up when she talks about it.

[Unknown]

Right?

[Marseille Martin]

That's amazing.

[Anthony Anderson]

She was FaceTiming him in the car yesterday, and I was like, oh, my God. I had to snatch the phone and talk to him. I was like, what's up, playboy? You doing, man?

[Unknown]

So he is your. Your. Your calm. Like, you know, it's a lot of hype.

[Marseille Martin]

He's my patience.

[Anthony Anderson]

Yes.

[Unknown]

I was gonna say hi to my star.

[Marseille Martin]

Yes. Yes.

[Unknown]

Stability and patience.

[Anthony Anderson]

Those are great things to say about me. Thank you.

[Marseille Martin]

Sure. Patience, instability.

[Anthony Anderson]

I love you, Marce Martin.

[Marseille Martin]

I love you too. And.

[Unknown]

Oh, that's dope.

[Anthony Anderson]

That's my girl right there.

[Marseille Martin]

Yeah. I mean, I think that's the utmost important thing that a lot of men kind of lack is vulnerability.

[Anthony Anderson]

Yeah.

[Marseille Martin]

Being able to have that emotion to. And have this kind of, like, stance as what a man should look like.

[Charlamagne tha God]

So my therapy is important. Like, I got home.

[Marseille Martin]

Therapy is so important.

[Charlamagne tha God]

I got homegirls that say they refuse to date a guy who's not in therapy or haven't gone to some type of therapy.

[Anthony Anderson]

No. Okay.

[Marseille Martin]

Yeah. Or even having the communication. But honestly, too, I don't know. I've also seen guys that have therapy that take it the wrong way. And it's like, she told me to do this, and I'm doing it. Like, it's. It's. It can look like so many different things, but I think just being as open as possible to have that communication is. Is, like, the top priority for me. So as long as you're listening and hearing me and know what's going on in my life and reassurance is everything.

[Unknown]

So my last.

[Marseille Martin]

All that is important.

[Unknown]

I know you got your production company and everything, and you've done a lot.

[Anthony Anderson]

She about to ask you for a job once more. I see where this is going. Years ago when I stumble.

[Unknown]

That is not my question.

[Anthony Anderson]

Oh, my bad.

[Unknown]

I did sound like it. When you first told me that you had a production company, I was like, you know what? I'm gonna be auditioning for you. He was like, I'll see you there. And have you heard it? But it's okay.

[Marseille Martin]

I mean, shoot, the things that. Hey, hey.

[Unknown]

No, it wasn't. I didn't even ask nothing yet. Damn. I wanted to know what else did you want to do? You know, you at a very young age, you've done so much, but you still got a lot more life to live and a lot more career to go. What else do you want to do?

[Marseille Martin]

I think seeing how far my creativity can get and how broad it can be, I feel like what I love about creating TV and film is like you're basically building these new worlds to where it can be in touch to reality as much as possible or not. And I think that's what I love about just what we do is it feels so real, but it can truly be whatever you want, whatever comes to mind. So I would love to kind of just continue to build worlds that people can live in, understand, and it be timeless.

[Unknown]

Yeah.

[Marseille Martin]

And can last forever.

[Anthony Anderson]

Are you going to run for president? No, I need you to create this world.

[Marseille Martin]

But yeah, I mean I'm working on my festival right now, which is very world building for me, which is very exciting. It'll be festival. It's called say Summer Cookout and it's a, it's a destination type of festival. So the first year was in Atlanta. Second year is the was in D.C. this year it'll be in Houston.

[Anthony Anderson]

Okay.

[Marseille Martin]

In August 31st. So that would be exciting.

[Unknown]

Do there.

[Marseille Martin]

What do you, what do we do? It's a black owned businesses, vendors from. It's like Texas based vendors. This year we have performers, of course that is from and cater to that community and it's HBCU centered. So I think that is something that I've always wanted to do. It's a, it's an avenue that I feel like is so untouched and mostly overlooked and I, I'm very excited to. And also be in touch with. With I mean adults, new adults my age, you know, going through the same things. I mean even though I'm doing this and you see a camera on my face, there is no difference between that.

[Unknown]

Person when the camera goes off.

[Marseille Martin]

So. And it's no phones. It's no phones.

[Unknown]

Oh, wow.

[Marseille Martin]

The first year we did no plus ones. It was literally come as you are. And to be able to have these celebrities and these students want to become them one day or do something in that light and they have real conversations at the cookout.

[Unknown]

Yeah.

[Marseille Martin]

I mean it's something that I've truly wanted to do. And then I mean on top of that we have podcasts, of course, still movies coming up. I have a movie coming out with Corny B. Vance soon, which is very exciting.

[Anthony Anderson]

That's okay. We're not here to talk about those things.

[Marseille Martin]

I mean, she said, what's next?

[Anthony Anderson]

Okay, okay. You just told her. You could have just said other movies. You can just set other movies. Right now we're talking about G20 with.

[Marseille Martin]

Anthony Anderson, which is so amazing. And that's the next thing coming up.

[Anthony Anderson]

There we go.

[Marseille Martin]

Just more world building things. Things that challenge me. And I'm gonna challenge you.

[Anthony Anderson]

Okay. Okay, thank you. The hour is almost up, actually.

[Marseille Martin]

Tell me, what do you want to do in the industry?

[Anthony Anderson]

What do you want to do?

[Unknown]

Horror movies and comedy.

[Marseille Martin]

Horror movies and comedy.

[Unknown]

I got a little drama to me too. You know, I can cry on cue, all that.

[Anthony Anderson]

Okay.

[Marseille Martin]

Yep.

[Unknown]

Just did it on live a couple weeks ago.

[Charlamagne tha God]

Yeah.

[Unknown]

So she could cry.

[Anthony Anderson]

Yeah.

[Unknown]

Acting.

[Anthony Anderson]

I didn't say nothing.

[Unknown]

What is that?

[Anthony Anderson]

I didn't say anything. I'm listening to you.

[Marseille Martin]

You talking to me? Yeah.

[Anthony Anderson]

Okay.

[Unknown]

I can sing too.

[Anthony Anderson]

Yeah, yeah, you can sing too. Okay.

[Marseille Martin]

Okay, I got you.

[Anthony Anderson]

Now that I know Marseille, is there a reason that I haven't been invited to your little festival for the last two Festival? Wow.

[Charlamagne tha God]

I love that festival.

[Marseille Martin]

Definitely not, but it's exciting because we are expecting like 6 to 8,000, which is exciting.

[Charlamagne tha God]

And you're teaching your generation how to actually have conversation and network with people and look people in the eyes and.

[Anthony Anderson]

Talk in a real way.

[Charlamagne tha God]

That's building real community, not that digital social media stuff.

[Marseille Martin]

Yeah, but you were invited.

[Anthony Anderson]

No, it wasn't.

[Marseille Martin]

You've known since the beginning.

[Anthony Anderson]

No. Okay.

[Larison Campbell]

Are you coming this year?

[Anthony Anderson]

Knowing since the beginning and then say, hey, I need you to come talk to my peer group are two different things. You just come in, they have stars there, and just talking to people that want to be like them one day. I mean, what's up? I'll be coming August 31st. I'll be in Houston.

[Marseille Martin]

That's another promise. Let's see.

[Anthony Anderson]

No, only I do. She ain't got nothing else going on. She didn't. Already shot her. Her Vogue cover shoot yesterday. She ain't got nothing.

[Charlamagne tha God]

Oh, you did Vogue yesterday?

[Marseille Martin]

No, I definitely did not. I don't know what he saw.

[Charlamagne tha God]

He's manifesting.

[Anthony Anderson]

I thought it was Vogue. I thought. I thought you just had all that under control.

[Marseille Martin]

I mean, sure, let's. Let's do it one day.

[Anthony Anderson]

You got your own.

[Marseille Martin]

I did a lot of press yesterday, though.

[Anthony Anderson]

Yeah, you did.

[Marseille Martin]

We was running around like that.

[Anthony Anderson]

Yeah. I mean, yeah.

[Charlamagne tha God]

I want to end with this. I asked Anthony this question earlier, but when y'all film together, how do you get out of the rhythm of black? Ish'cause. Y'all know each other so well, personally and professionally.

[DJ Envy]

It seems like it never leaves it, definitely.

[Anthony Anderson]

But it has to.

[Charlamagne tha God]

When you, you know, doing something like.

[Marseille Martin]

G20, I think it touches back what I was saying about creating a whole new world. I think you're building a character for me. I'm building, like, okay, where did she come from? What is she? What were the experiences that she went through to get to this point now where she feels like she needs to be rebellious? Or is this a new thing for her? How new is it? So I think these are all of these. All these questions that I put in my brain before jumping into a role. Especially someone like Serena, who is very multifaceted and kind of just not really.

[Anthony Anderson]

They don't know who. They don't know who.

[Marseille Martin]

Serena.

[Anthony Anderson]

Serena Williams. Oh, you know that much? Yeah.

[Charlamagne tha God]

When I watched it, I saw that.

[Unknown]

But, like, yes, he did not lie.

[Anthony Anderson]

What you mean? Could you let one talk? What's wrong?

[Charlamagne tha God]

When I watched it, I was like, serena was amazing. A lot of layers.

[Anthony Anderson]

They didn't mention her name in the trailer. So I was just wondering, for me.

[Marseille Martin]

It'S like, what makes her different than any of the other characters that I played? So that's. That's my take on it.

[Anthony Anderson]

And she's dope in it.

[Marseille Martin]

Thank you.

[Unknown]

Congratulations.

[Anthony Anderson]

What you mean? Yeah, she was. He said the typical stuff. Yeah, she was.

[Unknown]

I saw.

[DJ Envy]

Well, G20 is streaming now on Amazon.

[Anthony Anderson]

Not just streaming now, streaming globally.

[Charlamagne tha God]

Globally.

[Anthony Anderson]

Telling people globally, we don't make regional films.

[DJ Envy]

Thank you so much. Marseille Martin and Anthony Anderson.

[Anthony Anderson]

Oh, I thought you forgot about me now.

[DJ Envy]

She told me to say her name first.

[Anthony Anderson]

Yeah, no, she should. No, no, wait.

[Marseille Martin]

How did I do that?

[Anthony Anderson]

Yeah, you just did. Texted me. By showing up the way that you did, they know who the real diva is. I bow down to you.

[Charlamagne tha God]

You've earned it, Marcia.

[Anthony Anderson]

Yes, you have.

[Charlamagne tha God]

In your young 20 years of life, you have earned it. First on the call sheet.

[Anthony Anderson]

She was the reason we got. She was the reason we got the first three seasons of Blackish on the Air. I'm just gonna give it to her.

[Unknown]

Oh, it's going to be where some somehow, some way he play your son.

[Anthony Anderson]

Somehow, some way. We gonna have to get that so she can son me. That's right.

[Marseille Martin]

That's right.

[Anthony Anderson]

I got one that must say science.

[Unknown]

Fiction and then you gotta put me in.

[Anthony Anderson]

Let's make it a horror flick. It has to be a horror.

[Unknown]

That was all her.

[Anthony Anderson]

It's the Breakfast Club.

[DJ Envy]

Good morning.

[Anthony Anderson]

Wake that ass up early in the morning. The Breakfast Club.

[Charlamagne tha God]

Taking control of your career is empowering. Just don't tell my boss I said that. Just kidding.

[Anthony Anderson]

I am the boss.

[Charlamagne tha God]

This is Carlos Miller from the 85 South Show. And building a career isn't just about a job.

[Anthony Anderson]

It's about creating a path that impacts.

[Israel Gutierrez]

Our community and future generations.

[Charlamagne tha God]

Whether you're starting out or even making big moves, State Farm is here to.

[Israel Gutierrez]

Support you with resources to help protect.

[Charlamagne tha God]

What you're working hard to achieve. They've got your back every step of the way. Because like a good neighbor, State Farm is there. Find out more@state farm.com you know when.

[Diosa]

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[Larison Campbell]

Yazoo Clay keeps secrets.

[Unknown]

7,000 bodies out there or more.

[Larison Campbell]

A forgotten asylum, cemetery.

[Marseille Martin]

It was my family's mystery.

[Larison Campbell]

Shame, guilt, propriety. Something keeps it all buried deep. Until it's not. I'm Larison Campbell and this is under Yazoo Clay. Listen on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Israel Gutierrez]

I'm Israel Gutierrez and I'm hosting a new podcast, Dub Dynasty, the story of how the Golden State warriors have dominated the NBA for over a decade.

[Anthony Anderson]

The Golden State warriors once again are NBA champions today.

[Israel Gutierrez]

The warriors dynasty remains alive in large part because of a scrawny 6 foot 2 hooper who everyone seems to love.

[Anthony Anderson]

For what Steph is done for the game. He's certainly on that Mount Rushmore.

[Israel Gutierrez]

Come revisit this magical warriors ride. Listen to Dub Dynasty on the iHeartRadio app, Apple Podcasts or wherever you get your podcast.