DJ Envy (2:28)

Wake that ass up early in the morning. The Breakfast Club.

Charlamagne Tha God (2:33)

Morning, everybody. It's DJ Envy. Just hilarious. Charlamagne. Tha guy. We are the Breakfast Club. We got a special guest in the building.

Jabril Films (2:40)

Yes, indeed.

Charlamagne Tha God (2:40)

We have Jabril Films in the building. Good morning.

DJ Envy (2:43)

Good morning. What's going on, y'all? How's it feeling? Hey, I feel amazing, man. It's a blessing to be here. I've been a fan of the show for a long time.

Just Hilarious (2:49)

Yeah, that's what's up, man. So he was always Charlamagne, always make fun of, like, my roles in movies. I love her. No, he's a liar. He thinks I belong on tv and that's all I need to. That's where I need to stay. That's my home and everything. And he was shocked to know that I was in a movie that was on. That's on Peacock.

DJ Envy (3:09)

Peacock, yeah.

Just Hilarious (3:10)

And that executive produced it.

DJ Envy (3:11)

Hey, come on.

Jabril Films (3:14)

Stop playing with me. By the way, I love Tuvi. I have no problem with Tuvi.

DJ Envy (3:17)

Thanks.

Jabril Films (3:17)

Okay.

DJ Envy (3:18)

Nah. But I mean, yeah, we're on Peacock now. I hate I Love youe just dropped. It's my directorial debut. Just hilarious. One of the co stars. We got Keria Schroeder, Rhetoric Williams. We got ernestine Morrison, Javier McIntosh, Sean Freeman.

Charlamagne Tha God (3:34)

Little Scrappy.

DJ Envy (3:35)

Little Scrappy man. Lil Scrappy bodied.

Just Hilarious (3:37)

That good. He did really, really well. I love that Sounds like a to.

Jabril Films (3:40)

Be cast, but it's not.

DJ Envy (3:42)

First off, you don't even know this anthem. You gonna see some of these people in major roles.

Just Hilarious (3:48)

Like, this is such a clown. How did you get into film, Jabril?

DJ Envy (3:52)

I got my start, actually through my brothers, Javier and Shaq. Since we've been kids, we've been filming, like, at home videos. And that transition into when I was about 18, I just was running around Atlanta with a camera, going all the clubs, you know, just trying to film any artist that I could. And from there I got picked up and started to go on tour. So I was. When I told who Big baby Drum. So I was his day to day. And so we did his first tour with Ari Lennox, and then that led to touring with Kendrick Lamar. So I did the damn tour with Travis Scott and them. And from there, like, my name really started to buzz in the industry. So I took my expertise in that and transitioned into films and commercials. So I started doing commercials for, like, Under Armours and some of my favorites. I used to direct campaign videos for Stacey Abrams. Sorry, Leader Abrams. And then, you know, from there, I just started shooting movies as a cinematographer doing, like, Keisha Cole's biopic and never would have made it, but now it's transitioning into my directorial debut, which is I Hate I Love youe.

Jabril Films (4:57)

So for I Hate I Love youe, did you film it yourself, produce it yourself, and then sell it to Peacock, or did you.

DJ Envy (5:03)

So Maverick and Freely Films, they kind of put together that play. But I was one of the producers and directors in my team. With a BP 40, we pretty much just use all of our resources to film it like it's all of our own equipment. We brought everything to the table, and I directed, edited, and built a score.

Jabril Films (5:22)

The reason I ask is, you know, all of these screaming platforms, they need content. And, you know, people, they joke about Tubi, but that's essentially what tubi was. But all of these screaming platforms are going to be taking that model.

DJ Envy (5:32)

Facts. Facts. Yeah. And I think it's like, it's just important, like, what we did, which is we just used our whole community to kind of bring it together. Like, all of our friends, family, we brought everybody to make the. Everybody together to make the film happen. Especially because we filmed it last December, which, of course, was, like, right after the film strike. So everybody was hungry, like, pretty much nobody had worked for a year. So we all came together for this one project.

Charlamagne Tha God (5:55)

Why did you cast Jess?

DJ Envy (5:57)

So actually, to be honest, I didn't cast Jess, but when they brought her name up, I was like, oh, she's going to be perfect for this role. Because, for one, I knew she could actually act.

Jabril Films (6:06)

She can definitely act.

DJ Envy (6:07)

So it's like people are asleep on that side of Jess, you know, like, we all know she's funny, but she can actually act. And the good thing about her and those scenes, like, when we're actually going through it, every take, she brings something different, you know, so some actors, they just give you the, you know, the same take back to back to back. But Jess always brings something new. So, I mean, I forever want to put her in my movies.

Just Hilarious (6:27)

Thank you.

DJ Envy (6:28)

Yeah, for sure.

Just Hilarious (6:29)

Yeah. And then a lot of people was talking about my role. Why did y'all have me play that role now? It's so many people, yo.

DJ Envy (6:35)

Because. What's the issue?

Just Hilarious (6:36)

I paid them. What's the issue? The issue is stop sleeping with that man.

Jabril Films (6:39)

That girl's husband.

DJ Envy (6:40)

Hey, man, a little spoiler alert, man.

Just Hilarious (6:43)

I know, right? And then I just had got a role when I was in first lady at bmf, I slept with my best Friend's man too there. And everybody is like, gosh, Liam, Jess, is this. Right? Everybody like, jess, is this what you do?

DJ Envy (6:54)

Nah, we go switch it up next time. We go switch to them next time. Very good. But you did body that role.

Just Hilarious (6:58)

Yeah.

DJ Envy (6:58)

You know, you killed it.

Just Hilarious (6:59)

Thank you. Did you have. Is it. Was it like a. A whole team of writers? Like, because you said you.

DJ Envy (7:05)

It was actually. No. So it was Jay Carter, the executive producer. Yep. He wrote the whole film.

Just Hilarious (7:11)

That's what's up. Yeah. And then in the. I seen, like, you know, I like to look at the comments and get feedback about, like, everybody's role and stuff. They were. I seen a lot of people were saying, like, so what exactly was the plot? Like, what was the plot? I know that, Kiara. No, I want to call them by their name, their characters.

DJ Envy (7:32)

Jacinda.

Just Hilarious (7:32)

Jacinda and Bradley.

DJ Envy (7:34)

Bradley, yes.

Just Hilarious (7:35)

So they owned the agency?

DJ Envy (7:37)

Yeah, they own the agency. Art Life.

Just Hilarious (7:38)

And I want to know, how does Scrappy come into play? How did he come into play with, like, how did he. Did he owe him money? Did JC and Brad owe him money?

DJ Envy (7:48)

So essentially, Lil Scrappy's character, Bones, in the movie, he funded all of Art Life to make it what it is.

Just Hilarious (7:54)

Got it.

DJ Envy (7:55)

So it's this huge conglomerate, and Bradley and Jacinda are married, and Jacinda thinks that it was just their success that made it, you know, blow up this big, not knowing that the whole time it was Scrappy and his funny money which funded their whole company.

Jabril Films (8:10)

Is this Scrappy's first acting role?

DJ Envy (8:12)

No. So he's been in a couple other roles, but this is his first, I would say, like, serious. Serious role.

Just Hilarious (8:16)

Yeah.

DJ Envy (8:16)

Cause he's, you know, typically he's the bad guy. But what I wanted to do with him in this movie is I wanted him to be the villain, but very calm, because I feel like, you know, the undertone of being calm yet also assertive is a lot more, you know, scary and kind of terrifying.

Jabril Films (8:32)

So is it hard taking notes from networks nowadays or screaming platforms?

DJ Envy (8:38)

Honestly, I can't really speak to it because they really let us cook. So they let me cook with this. It was my first one. And I think they just trusted the cast, they trusted the crew. So when we delivered the product to them, they just accepted it as it.

Jabril Films (8:53)

Was, and I feel like that's what they should do, like, get out the way of the creatives.

DJ Envy (8:56)

Yeah.

Jabril Films (8:56)

You know what I'm saying? Even if you putting money up, get out the way of the creatives.

DJ Envy (8:59)

Yeah, I agree. Because this Is our full vision. Like, we put our heart into this. You know, we spent probably a year and a half just working on this movie. So I'm glad, you know, they just let us do our thing.

Charlamagne Tha God (9:10)

How long did it take to shoot? You said a year and a half to do the whole movie. How long did it take to shoot?

DJ Envy (9:13)

We shot it in 10 days.

Charlamagne Tha God (9:14)

The whole movie in 10 days?

DJ Envy (9:15)

Whole movie in 10 days. So it was just a grind. Just 10 days straight. And then I spent the next, I don't know, maybe six months editing and building up the score.

Just Hilarious (9:25)

Yeah, yeah. How did the writer strike. I heard you mention it earlier. How did the writers strike affect this film? Was this something that was already in the works when the writers strike came into play, or.

DJ Envy (9:36)

Yeah, so it was in the works. But the tough thing, I would say the way it affected it would be just the timeline, because we weren't sure when we could film it. But also, it was like, assembling the crew and trying to figure out which cast could be involved. That was a really hard thing with the writer's strike. But luckily, we filmed it in December, you know, like, at the end of the year, and everybody was kind of like, all right, I'll do this last joint, you know, before the end of the year to make it happen.

Jabril Films (10:01)

Who inspires Jabril?

DJ Envy (10:03)

I would say definitely my family, my parents, my brothers. But in the film world, it's definitely Spike Lee. Okay, that's my favorite director. And why.

Charlamagne Tha God (10:13)

Why is it your favorite?

DJ Envy (10:14)

It's just the first time I saw do the Right Thing, it just blew my mind.

Jabril Films (10:18)

Classic.

DJ Envy (10:18)

Just, you know, Being Able. That's my favorite movie of all time. And just being able to bring people into your world and actually show them what that looks like is incredible to me. And I would say, surprisingly enough, what really made me want to become a filmmaker is Missy Elliot. So when I was a kid. Yeah, when I was a kid seeing her videos, it was the same thing. Like, my mind was blown. I'm like, how can people do this? How can I figure out how to make these things happen? And, yeah, so Missy Elliott is one of my biggest inspirations as well.

Jabril Films (10:45)

So, see, I wonder what's more important for a director's story or visual?

DJ Envy (10:49)

I think it's a mixture of both. But, you know, me as a director and cinematographer, I come from more of a visual background. But, I mean, you know, it's both. Like, neither one can be failing, but if you have a great story and the visuals are just okay, it can still be all Right. But if you have amazing visuals, story's just all right, you know, as long as something's good, you know, so. But you strive to have both be great.

Jabril Films (11:12)

So what's your favorite film of all time that you feel like you have the perfect balance of both those things?

DJ Envy (11:18)

I would say do the right thing. Do the right thing. Yeah. Yeah. To me. Cause it's like so many iconic scenes and just the imagery of New York and the way he painted it and the color and lighting, but also, you know, the deep messages that the film does portray.

Just Hilarious (11:31)

Yeah.

DJ Envy (11:33)

Is to me, the perfect balance.

Jabril Films (11:34)

What about Belly?

Just Hilarious (11:36)

I love Belly.

DJ Envy (11:37)

Belly's incredible people be acting like the.

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DJ Envy (12:01)

The.

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DJ Envy (12:53)

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Jabril Films (14:58)

Visually they didn't like how dark it looked.

Charlamagne Tha God (15:00)

I love that though.

DJ Envy (15:01)

It's one of the most creative movies ever made. I think Belly deserved, you know, Oscars.

Jabril Films (15:05)

Like, absolutely.

DJ Envy (15:06)

Like, Belly is incredible. And you can still watch it today and it stands the test of time.

Charlamagne Tha God (15:10)

Absolutely crazy.

Just Hilarious (15:11)

I was like 10, 11 watching that movie.

DJ Envy (15:14)

Wow.

Just Hilarious (15:14)

That in the beginning, that, ooh, that club scene, it's crazy. That's like a music video in itself. And then just the scenes, everything funds. I love it. Will there be a part two?

DJ Envy (15:25)

I think there is a part two in the works. I can't speak on it too much.

Just Hilarious (15:29)

Oh, you can.

DJ Envy (15:30)

I think. I think they're trying to cook something up.

Just Hilarious (15:32)

Yeah. Because the way it ends is like, okay, what else?

DJ Envy (15:35)

Yeah, because it's a rollercoaster throughout the whole movie where you're kind of wondering, like, what is this getting to? What is this getting to? And then right when we give you a piece, you know, we kind of snatch it from you. But yeah, there's. There's definitely a part two in the works.

Just Hilarious (15:46)

Okay.

Jabril Films (15:47)

You did something with the Olympics this year too, right?

DJ Envy (15:49)

Yeah, actually. So I filmed the Olympians that were going to Paris. So we filmed, like, the behind the scenes of their photo shoot and them getting ready to go to Paris. And surprisingly, in a cool way, they're playing it on, like, all the delta flights. So that was, like, a goal of mine that I can check out the list, you know, actually having something that's playing on Delta flights.

Jabril Films (16:08)

Is it hard to write stories nowadays when life is so absurd? Like, it feels like life is satire nowadays?

DJ Envy (16:15)

Like, that's a great question, but no, I don't think so, because I think, you know, there's always something, you know, creatively that you can pull from it, especially with life. So I don't think so at all.

Just Hilarious (16:27)

Do you have any dream projects that you, you know, you see in the future? Any dream collaborations or any, you know, anything you always wanted to do?

DJ Envy (16:36)

Yeah, I mean, I'd love to do something with Jamie Foxx. I love Jamie Foxx as an actor. Definitely Spike Lee. And just, you know, like, bigger movies, I would say, like, bigger movies with, you know, larger budgets, more access, and, you know, us being able to tell our stories.

Jabril Films (16:57)

Yeah, that's on the way. I wonder, you know, with directors like yourself, is. Is it pressure? Because every single thing you do nowadays can be magnified. Right. Like, you know, you. So a lot of these people have the opportunity to grow in the business, but for you, it's like, oh, Jabril, hate I love you. Oh, just hilarious in it. These person in it. I'm a watch. So they're watching you from the beginning.

DJ Envy (17:20)

Yeah, Yeah. I mean, for me, it's. I don't really feel the pressure as much because I disconnect, so I don't spend time on the Internet all day. And I know people are going to say what they're going to say regardless, you know, Like, I've been making films and commercials for 15 years, so it's like, either you like it or you don't, you know? So I know what I created. I know what it took to make it, you know, especially with our team. So I don't really feel the pressure. And I always know where I'm going. I'm always going to something bigger and greater. So if you don't like this one, maybe you like the next one. If you don't like that one, maybe you like the next one after that. But if not, you know, I'm not here to please everybody. Anyway, so that's all good.

Jabril Films (17:54)

What's your favorite way to tell a story? Is it through film? Is it through? You know, I guess the documentary style stuff like the Olympics.

DJ Envy (17:59)

Like, I would say my favorite would be film and commercials. Like, I really like commercials because there's so much intention and there's so much time spent for something that's so small. And you can get really creative with commercials. So I would say, yeah, movies and commercials are definitely my favorite.

Jabril Films (18:16)

Commercials are a lost art.

DJ Envy (18:17)

Yeah, for sure.

Jabril Films (18:18)

Like, think about when we was young, those commercials that used to, like, stand out that you remember to this day.

DJ Envy (18:24)

Yep. Yeah, they don't do it that way anymore. It's, you know, sad, but hopefully we can bring it back. You know what I'm saying?

Just Hilarious (18:29)

I remember when super bowl commercials were the best. Like, people used to love those commercials. Now it's like, nah, I'm tired of, like, the dawn commercials. Like, none of them make sense. Like, I don't have a greasy duck. I got dishes I need washed.

DJ Envy (18:42)

Right.

Just Hilarious (18:43)

It's like, who are writing these commercials? We need better writing.

DJ Envy (18:46)

There's a couple that I think are cool. The homie Calmatic, he does some cool stuff for, like, the LeBron commercials. But, yeah, I agree, like, they don't go as big as they used to go. So, I mean, I think the Gatorade.

Charlamagne Tha God (18:57)

Commercials were always big. Gatorade and Nike back in the day.

Just Hilarious (19:00)

Were always good music, too.

DJ Envy (19:02)

Yeah.

Just Hilarious (19:03)

So you went to Georgia State University. And I know you told us how you got into film, but you. You majored in business.

DJ Envy (19:13)

Yeah, so I got my marketing degree.

Just Hilarious (19:15)

How do you still dabble in that?

DJ Envy (19:18)

Marketing and business, definitely. So I always knew that I wanted to do film. And my brother and I started our company in college, so, like, I already knew what I wanted to do. So I didn't want to go to film school. I just wanted to know how to build my business. So I just took all those years of college learning business and marketing, and I was writing, you know, my business plan for my actual company while I was in school. So it was cool. Like, my professor is like, make up a, you know, a mock company and I'll review your business plan and this, this and this. But I was using my actual company for the professors to review, you know, so, yeah, it definitely helped.

Just Hilarious (19:51)

And was that your brother? You talk about your brother? Is that your brother that played in the movie as well? He's the actor.

Jabril Films (19:57)

Okay.

Just Hilarious (19:57)

And. And are you an actor as well?

DJ Envy (20:00)

Not at all.

Just Hilarious (20:01)

Behind the camera.

DJ Envy (20:02)

Stay behind the camera.

Just Hilarious (20:02)

He's always been in front the camera.

DJ Envy (20:04)

Oh, yeah, for sure. He's a huge personality. Like, he's a YouTube star. He does. He does it all.

Just Hilarious (20:09)

Oh, yeah, that's what's up.

Jabril Films (20:11)

I wonder. Business has. Has gotten in the way of the creative. Because, you know, creatives to me are creatives. Business people are business people. But nowadays, creatives are forced to be business people because so many creatives be getting got.

DJ Envy (20:24)

That's true.

Jabril Films (20:25)

So you gotta know your business. But I wonder if the business gets in the way of just being creative sometime, having to balance both.

DJ Envy (20:31)

I think so, because it's like, for me, you know, and all our peers, we want to control our destiny, so we want to own our own businesses. You know, we want to have, you know, our foot in the door. We want to be a part of the conversations. But also as a creative, like, sometimes I wish I could just show up and only do art. Like, I don't want to have to handle business and hop on all these calls and figure out where the money's going. It's like, I just want to show up and create. So. Yeah, I agree.

Jabril Films (20:56)

Okay, well, somebody like your brother, obviously somebody like your brother is going to have be probably such a good actor because he got you just watching his back. So you don't worry about facts, the business.

DJ Envy (21:06)

Yeah, yeah, that is true.

Charlamagne Tha God (21:08)

Well, tell them how they can see I hate I love you. Starring our very own Jess. Hilarious.

Just Hilarious (21:12)

Yes.

DJ Envy (21:12)

Yeah. So you can see I hate I love you. Right now, out on Peacock. Please go stream it everywhere. We put our heart and soul into this.

Just Hilarious (21:19)

Absolutely.

DJ Envy (21:20)

You know, shout Out Freely films, Maverick, Eli Tedro, my whole family.

Just Hilarious (21:25)

Jay Carter.

DJ Envy (21:26)

Jay Carter.

Just Hilarious (21:26)

Everybody.

DJ Envy (21:28)

Everybody.

Just Hilarious (21:29)

That's what's up, man.

Charlamagne Tha God (21:29)

Was she acting like a diva on.

DJ Envy (21:31)

Nah. Justin. Ella.

Just Hilarious (21:33)

Cool, wasn't I?

DJ Envy (21:34)

She was super cool.

Just Hilarious (21:35)

Thank you.

DJ Envy (21:35)

In between the scenes, cracking jokes, like, you know, like, she was very, very professional and even, like, taking, you know, criticism or like, maybe let's try it this way. She's like, all right, Boom. Got it. You know, not a diva at all.

Jabril Films (21:47)

Were you pregnant when you were shooting?

Just Hilarious (21:48)

I was pregnant.

Jabril Films (21:49)

Wow.

Just Hilarious (21:50)

They didn't know. Yeah, they didn't know.

DJ Envy (21:51)

I just found out today.

Just Hilarious (21:53)

Yes. I was pregnant.

DJ Envy (21:54)

Yeah. Yeah.

Just Hilarious (21:55)

I was. I think I was a month already. Yeah. Yeah.

Charlamagne Tha God (21:57)

Oh, so you couldn't even smoke.

Just Hilarious (21:58)

You was just, man. What? Mad. I just. But I was like, oh, okay. All right. And I ain't want nobody to know because I, you know, we tell somebody that, they start treating you like you need crutches like, nah, yo, I'm good. Like, we definitely didn't know, right? So, yeah, I was pregnant in the movie, y'all. Y'all just can't see.

Charlamagne Tha God (22:13)

All right, well, Jabril Films, we appreciate you for joining us. I'm sure you'll be back in the next movie that comes out.

Just Hilarious (22:18)

Absolutely.

DJ Envy (22:18)

Definitely. I appreciate, too.

Charlamagne Tha God (22:19)

It's the Breakfast Club. Good morning.

DJ Envy (22:20)

Wake that ass up early in the morning. The Breakfast Club.

Coca Cola Advertiser (22:29)

The holidays are about spending time with your loved ones and creating magical memories that will last a lifetime. So whether it's family and friends you haven't seen in a while or those who you see all the time, share holiday magic this season with an ice cold Coca Cola. Copyright 2024, the Coca Cola Company.

Kate Max (22:50)

Hey, guys. I'm Kate. Max. You might know me from my popular online series, the Running Interview show, where I run with celebrities, athletes, entrepreneurs, and more. After those runs, the conversations keep going. That's what my podcast, Post Run High is all about. It's a chance to sit down with my guests and dive even deeper into their stories, their journeys, and the thoughts that arise once we've hit the pavement together. Listen to Post Run high on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

DJ Envy (23:26)

Hey, Beau. Hey, Matt. Can you believe we have a whole bunch of Wicked episodes coming up? Oh, I can't wait to share all of these amazing episodes with the readers, Katie's publicists, and finalists. That's right, we're talking all things behind bringing this iconic musical to the big screen. And of course, we're taking you inside the world of this epic movie with all the exclusive details you won't hear anywhere else. It's Wicked in a way you've never heard before. Don't miss it, and be sure to go watch Wicked in theaters starting November 22nd. Listen to Las Culturistas on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Had enough of this country? Ever dreamt about starting your own? I planted the flag.

Coca Cola Advertiser (24:06)

This is mine.

DJ Envy (24:07)

I own this.

Jabril Films (24:08)

It's surprisingly easy.

DJ Envy (24:10)

55 gallons of water, 500 pounds of concrete.

Jabril Films (24:13)

Or maybe not.

DJ Envy (24:14)

No country willingly gives up their territory. Oh, my God. What is that? Bullas. Listen to Escape from Zakistan Vets. Escape from Zaq is stan on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Mike Tyson's journey to recovery reminds us that no fight is easy. With every bumpy start, each setback, and moments that could have broken him. He kept pushing forward.

Jabril Films (24:41)

I never knew what the spiral was coming up in my life. I never knew I was going that deep. Just hopelessness and how so many millions of people feel like that but have no help.

DJ Envy (24:52)

Listen to the C show on America's number one podcast network, iHeart. Open your free iHeart app and search the C show and start listening.