INTERVIEW: Jonathan Majors On Worthiness, Unpacking Trauma, Rebirth, Meagan Good, Marvel + More

Summary

Podcast Summary: The Breakfast Club – Interview with Jonathan Majors

Episode Title: INTERVIEW: Jonathan Majors On Worthiness, Unpacking Trauma, Rebirth, Meagan Good, Marvel + More
Release Date: March 21, 2025
Host: Charlamagne Tha God, with filling in by Lauren LaRosa and contributions from Dr. Joy Harden Bradford

The Breakfast Club, renowned as "The World's Most Dangerous Morning Show," welcomes acclaimed actor Jonathan Majors in this insightful episode. The conversation delves deep into Majors' personal journey, his recent marriage, his portrayal of complex characters, and his perspectives on Hollywood and personal growth.

---

1. Personal Life and Marriage

Jonathan Majors opens up about his recently married life with actress Meagan Good, emphasizing the journey toward feeling worthy of such a profound partnership.

• Quote:
  "I felt worthy of her, you know." (04:20)

Majors describes marriage as both the "ending of a chapter" and "the beginning of a chapter," highlighting the emotional and spiritual growth he's undergone to reach this milestone.

• Quote:
  "I had to get to that level, you know, spiritually, socially, emotionally." (04:25)

Lauren LaRosa and Charlamagne Tha God engage with Majors about the strength and resilience of Meagan Good, acknowledging the challenges she faced alongside him, including public scrutiny and loss of endorsements.

• Quote from Lauren LaRosa:
  "She flew to New York to sit there and you cried in her arms." (11:18)

---

2. Unpacking Trauma and Personal Growth

Majors candidly discusses his struggles with personal trauma and the steps he took to heal, such as therapy, engaging with mentors, and building a support system.

• Quote:
  "I had a lot of shit that was just piled up that I never really dealt with." (05:59)

He emphasizes the importance of emotional intelligence (EQ) and developing trust within his team and personal relationships.

• Quote:
  "Develop your EQ... do you trust me? Do I communicate well?" (02:38)

Majors highlights his commitment to continuous self-improvement and the positive impact it has had on his happiness and relationships.

• Quote:
  "I've never been so happy, you know." (08:55)

---

3. Acting and "Magazine Dreams"

In discussing his role in the film Magazine Dreams, Majors explores the depth and complexity of his character, Killian Maddox, an aspiring bodybuilder grappling with his identity and past trauma.

• Quote:
  "Killian Maddox is an aspiring bodybuilder... dealing with incredible childhood trauma." (12:15)

Majors reflects on the emotional toll of portraying such a multifaceted character and the parallels between Killian's experiences and his own life.

• Quote:
  "Acting is a craft... you can't just get up there and be Jonathan and tell a story." (13:01)

He shares a particularly poignant moment from filming where he realizes that his on-screen emotions mirrored his personal struggles.

• Quote:
  "I was still up, I was still up... that was me crying." (19:45)

---

4. Public Scrutiny and Cancel Culture

Majors addresses the challenges he faced due to public accusations and the impact of cancel culture on his career and personal life. He discusses the importance of redemption and the support he received from allies.

• Quote:
  "Criticism is something I can't invite." (31:09)

He contrasts his experience with other celebrities, expressing hope for continued support and the possibility of returning to roles like his character in Marvel's universe.

• Quote:
  "There is hope, you know, because Disney is a look." (37:00)

---

5. Views on Hollywood and Redemption Culture

Majors offers a realistic perspective on Hollywood as a business, acknowledging its volatility and the importance of staying true to one's craft amidst external pressures.

• Quote:
  "This is a business, you know what I mean. And there are some personal things where I go, that hurt me." (51:22)

He advocates for a balance between public persona and personal authenticity, emphasizing the role of talent and dedication over fleeting fame.

• Quote:
  "I was always talent forward. I want to make sure that I'm doing the best I can in the role I'm doing in." (51:37)

---

6. Future Projects and Rebirth

Looking ahead, Majors expresses excitement and nervousness about his future endeavors, including directing and producing. He draws inspiration from figures like Usain Bolt, highlighting the blend of seriousness and joy he aims to bring to his work.

• Quote:
  "I've got no, you know, I don't got that. I don't got that. So I'm like, cool. I got it." (23:55)

Majors underscores the concept of rebirth, viewing his ongoing projects as opportunities for personal and professional transformation.

• Quote:
  "This rebirth where it's like, oh, connection and help, that's the game." (27:18)

---

7. Conclusion

Throughout the interview, Jonathan Majors exemplifies resilience and dedication, navigating personal challenges while striving for excellence in his craft. His candidness about trauma, healing, and the complexities of public life offers listeners a profound glimpse into the life of a celebrated actor committed to growth and authenticity.

Notable Quotes Recap:

• "I felt worthy of her, you know." – Jonathan Majors (04:20)
• "Develop your EQ... do you trust me? Do I communicate well?" – Jonathan Majors (02:38)
• "Killian Maddox is an aspiring bodybuilder... dealing with incredible childhood trauma." – Jonathan Majors (12:15)
• "Criticism is something I can't invite." – Jonathan Majors (31:09)
• "This rebirth where it's like, oh, connection and help, that's the game." – Jonathan Majors (27:18)

---

Listen to the full interview on The Breakfast Club, available on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

Transcript

[Unknown Host]

45 years ago, a Virginia soul band called the Edge of Daybreak recorded their debut album Behind Bars. Record collectors consider it a masterpiece. The band's surviving members are long out of prison, but they say they have some unfinished business.

[Jonathan Majors]

The Edge of Daybreak Eyes of Love was supposed to have been followed up by another album.

[Unknown Host]

Listen to Soul incarcerated on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dan Roth]

Ever wonder what it would be like to be mentored by today's top business leaders? My podcast this Is Working can help with that. Here's some advice from Jamie Dimon, the CEO of JPMorgan Chase, on standing out from the leadership crowd.

[Jonathan Majors]

Develop your EQ A lot of people have plenty of brains, but EQ is do you trust me? Do I communicate well? Develop the team, develop the people, create a system of trust. And it works over time.

[Dan Roth]

I'm Dan Roth, LinkedIn's editor in chief of on my podcast this Is Working Leaders share strategies for success. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Dr. Joy Harden Bradford]

Hey sis, it's Dr. Joy from Therapy for Black Girls.

[Jonathan Majors]

We've had 400 episodes of Conversations, Growth.

[Dr. Joy Harden Bradford]

And healing, so we're celebrating.

[Jonathan Majors]

Join us for a special episode with internationally recognized yogi Chelsea Jackson Roberts as.

[Dr. Joy Harden Bradford]

She shares wisdom on mindfulness, movement and motherhood. I waited later to have children and I still have exactly what I knew that I want.

[Jonathan Majors]

Want to miss this special episode?

[Dr. Joy Harden Bradford]

Listen to Therapy for Black Girls on.

[Jonathan Majors]

The iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Tomer Cohen, LinkedIn's chief product officer. If you're just as curious as I am about the way things are built, then tune in to my podcast Building One. I speak with some of the best product builders out there.

[Dan Roth]

I've always been inspired by frustration.

[Jonathan Majors]

It came back to my own personal.

[Unknown Host]

Pain point, so we had to go out to farmers and convince them.

[Dan Roth]

Following that, curiosity is a superpower.

[Jonathan Majors]

You have to obsessed with the human condition.

[Unknown Host]

Listen to Building One on the iHeartRadio app, Apple, or wherever you get your podcasts.

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[Jonathan Majors]

Live.

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[Charlamagne Tha God]

Wake that ass up early in the morning. The Breakfast Club. Yep, it's the world's most dangerous morning show. The Breakfast Club. Charlamagne, Tha God, jets, H. Lauren LaRosa is in filling in for DJ Envy. And we got a very special guest in the building, man, one of the most gifted actors of our generation. Probably the most gifted. Mr. Jonathan Majors is here. How are you, brother?

[Lauren LaRosa]

Good morning.

[Jonathan Majors]

Oh, family. I'm doing good.

[Lauren LaRosa]

Yes.

[Jonathan Majors]

I'm doing. I'm doing a lot better now.

[Charlamagne Tha God]

Okay.

[Jonathan Majors]

Yeah. Good to see ya.

[Dr. Joy Harden Bradford]

Look at this.

[Jonathan Majors]

Hey, man. Thank you.

[Lauren LaRosa]

And you just officially tied the knot. Yeah. How does it feel that you. You finally locked down your coretta? Oh, how does that.

[Jonathan Majors]

I love it. I love. Bring it up. It's. It's beautiful.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

You know, it's. It's the ending of a chapter in the beginning of a chapter. And I'm at a place where we got married on the 18th. That was a couple days ago. Yes, a couple sleeps ago. And it happened when it happened because when we planned it. Yeah. But I felt worthy of her, you know.

[Charlamagne Tha God]

Hold on, black man.

[Jonathan Majors]

Okay, I'll hold it.

[Charlamagne Tha God]

I felt worthy of her. Expound on that.

[Jonathan Majors]

Yeah, yeah, yeah. She is an incredible, incredible woman. And I had to get to that level, you know, spiritually, socially, emotionally. I had to mature a lot. And she caught me at a time when I was in a. I was in a bad way, you know, And I was very upfront about that with her. And she said, all right. Got on a plane and came to New York City and sat with me on the. On the couch and held me when, you know, when it was all going down at the heaviest place. And the more I got to look at her, I was like, damn, I love this woman, you know? And then when marriage became a thing, when it was like, I'm gonna marry her, I said, wait, but marriages, that ain't no joke, you know what I mean? And I had to really evaluate myself even deeper, you know, if I was to wed this particular woman. And she just helped me grow so much, and. And I wasn't. I needed to be worthy of her and be worthy of her patience and her time and that she wasn't wasting her time on me, you know, So I had. I couldn't waste my time on me. And so I had to get myself right. And then we did it. Yeah. Yeah. And the journey continues, you know, like. Like the marriage is happiest day of my life.

[Lauren LaRosa]

Yo, he is, like, smiling.

[Charlamagne Tha God]

I see the globe. What type of work did you put in? Oh, brother. To be the man that, you know, she. She was worthy of.

[Jonathan Majors]

Had to get my mind right, you know, I had a lot of. I just had a lot of. A lot of shit that was just piled up that I. I never really dealt with, you know, and those things hindered me socially, emotionally, spiritually. Even the relationship with my God, you know, was not where it needed to be, you know, and she being such a strong woman of God, that became clear that I need to work on that. And so, I mean, y'all seen the movie and y'all know me, you know, So I look at something like that, and it's like, all right, Jay, what you gonna do? I'm an actor. I appreciate the word you said, man. I trained for 11 years non stop for acting summers, whatever. I'm an athlete. I lifted, I ran, I did that. And every time I did that, I had a team of people around me to make me. To make me worthy of those jobs and that occupation. And I didn't do that for me, you know, I didn't do that for myself. And so the process of becoming worthy, you know, for her, I thought, well, apply the same thing. You know, I had eight different acting coaches, eight different. You know, I went to two different schools. Do the same thing for yourself, brother. You know, So I did, you know, the court helped me out with one of them, and I. I love. I love. I actually love those guys, you know, I mean, I love that situation. I've already spoken to my. My therapist, you know, I'm. I'm gonna stick with it, you know, and. And do the. The peer counseling, you know, when all this is, you know, I got. Yeah. Oh, man, I'm on my last. I'm on my last one.

[Dr. Joy Harden Bradford]

Oh, your last session or you're like, last one?

[Jonathan Majors]

I think. Yeah, we're getting. Oh, we're getting close to the end, but yeah, I'M gonna stick with it because I'm seeing, you know. You know, other. Other people come in, and that's beautiful, you know, so I'm gonna stick with that. My. My pastor, you know, Darius Daniels at Change Church. Incredible, incredible man. You know, mentor, friend, life coach, you know, my other personal therapist. The men's group I started, you know, the business I started, you know, all these people that can just go, aj, you know, they go from pulling my coattail to being like, oh, oh, he. That's different. You know what I mean? You know? And so just keeping those folks around me to help keep me upright, you know, and mirror back to me what it is I'm doing, you know? And I feel I'm smiling because I'm in such a great place. You know what I mean? I've just never been. I just never been so happy, you know, and it's hard to say, but I don't think I've. I think I've. I had facsimiles of happiness growing up, but. But never happy, you know, Moments.

[Charlamagne Tha God]

Brief moments here and there.

[Jonathan Majors]

Yeah. You know what I mean? Saying, oh, you got a job. Wicked. Oh, you're doing this. Wicked. Oh, you doing this. Wicked. You know, but there's a part of me, all that. All that hurt, all that trauma, all those things I needed to work out, you know, that wouldn't allow that, you know? But now we got those out. Now we're getting those out of the system. And a lot of them have been identified, and if you can't see it, you can't change it. And so some was thrown in my face, and some I went and found, you know? Cause I felt confident and I felt supported to do that. So that's the process.

[Charlamagne Tha God]

Happy for you, brother.

[Jonathan Majors]

Thank you, brother.

[Dr. Joy Harden Bradford]

Did you ever feel like, through any of that, like, you were scared or nervous that, like, Megan would be like, yo, this is too much for me all the time. What was that like for you?

[Jonathan Majors]

Yeah, all the time. Well, as I said, sis, like, I told her from the jump, like, this is gonna get crazy. It'll be wild. You know what I mean?

[Dr. Joy Harden Bradford]

But when y'all in it, and it's like, the press.

[Jonathan Majors]

Yeah. But when we're in it, like, I'm sorry.

[Dr. Joy Harden Bradford]

No, I was gonna say, because she. She's also a name. And so I think that there was a lot thrown on her as well, because people were like, megan, good. Why are you doing this?

[Jonathan Majors]

What are you doing?

[Dr. Joy Harden Bradford]

Yeah.

[Jonathan Majors]

Mm. Mm. Yeah, I had a lot of that, you know, I had a lot of you sure? I had a lot of. I mean. I mean, we're in a relationship now. We're in a marriage, you know. I'll keep it straight. We had moments of, like, hey, babe, it's cool. You know what I mean? I love you more than I can imagine. But you gotta. You know, it. Ship's going down. You know, you better. I'm Jack, you know, I mean, you let go of me and you go get it. You know, that was a big thing, and she took so many. She took so many hits, you know, because of it, you know, she took. I don't think she mind me saying, like, yeah, she wasn't in the. They weren't announcing it, but, like, she lost endorsements. You know, we got uninvited to stuff. You know, she got uninvited to stuff because she had shown just how down she was. And they knew if Megan's coming, Jay's coming, you know, I'm coming, you know. Yeah. She took an incredible hit, you know, and then just walking around, you know what I mean? Like, a lot of our work, as you guys know, is, like, socializing. You know what I mean?

[Lauren LaRosa]

And we asked her that when she was up here as well, you know, like, the same question that Lauren just asked you.

[Jonathan Majors]

Yes, ma'am.

[Lauren LaRosa]

Did you ever feel like that was too much? And she said no. She knew that lady had. God, that lady. Yes, yes. She talked about you with. With the same smile on her face that you have, you know, and strong.

[Jonathan Majors]

Yeah.

[Lauren LaRosa]

Very strong woman.

[Jonathan Majors]

She's stronger than me, you know. She's stronger than me. You know, she kept me up. It continues to keep me up. And before we walked in here, she praying, come on, come on, come on. I was like, oh, yeah, yeah, yeah, let's do it.

[Lauren LaRosa]

And now I understand the Coretta. I understand that.

[Jonathan Majors]

I do. Amen.

[Lauren LaRosa]

Because even though, you know, there's a lot of jokes that came with it and a lot of things, you know, you actually did a lot for me on stage. I'm a comedian, so I used the jokes a lot.

[Jonathan Majors]

Yes, ma'am. Yes, ma'am.

[Lauren LaRosa]

But hearing you talk about that, you know, how she prays with you for you. She flew to New York to sit there and you cried in her arms. Like, you know, it just always. It just also shows the backbone a black woman can be, you know? Yeah.

[Charlamagne Tha God]

Key word, black woman, black, black. That's the only thing you can't say. You can't use the term Coretta for a white woman. Do you regret that?

[Jonathan Majors]

Facts.

[Charlamagne Tha God]

You know, I've seen people say you are at a career crossroads with this film. Magazine Dreams, by the way, phenomenal for not. When I say a phenomenal film, I give magazine dreams a 10 out of 10. Wow. I wish they would have stuck the landing just a little bit different. And it's like, you know, when you watch it again, there's, like, little technical stuff. I'd be like, I wish they would have explored that a lot more. But, brother, the job you did in that movie, my God, how hard was it to get the character of Killian Maddox out of you? Tell us a little bit about the character first and then tell us how hard it was to get him out of you.

[Jonathan Majors]

Yes, sir. So Killian Maddox is a aspiring bodybuilder. He moves through the world a bit. As far as his mental state, he's a bit different, right? He's a bit different. And as.

[Charlamagne Tha God]

That's an understatement.

[Jonathan Majors]

Yeah, yeah, yeah, yeah. He's a unique character, I would say. We've not seen a character especially, you know, we'll keep it straight here, right? We never. We have not seen a black actor, male or female. And. And if we have, you know, someone holl at me and let me know, jay, you misspoke. Blah, blah, blah, you know, now. And I'll take it back.

[Charlamagne Tha God]

But I was gonna ask you. I'm gonna ask you, who's comparable, but. Go ahead.

[Jonathan Majors]

But to my understanding, I mean, I've not seen our demographic, you know, someone who is from the African diaspora participate in a film that had a protagonist that got to live in that odd, unique, beautifully unique space. You know, as. As the film goes, you. You find out, you know, some of the reasons of that. He's dealt with incredible childhood trauma, but his dream is to get his pro card. The pro card is like making into the league for a bodybuilder. And he's working hard to do that. And as he's trying to do that, he's dealing with the trials and tribulations of his uniqueness and also of his blackness, of his size, of his gender. You know, all these things come into play. And so as he's aspiring and working towards that, he has to deal with a lot of. A lot of stuff. And ultimately, he's trying to connect. And the last little bit is he's infatuated with essentially the. What would you say? Yeah, the. The. The top of the top, you know, this guy named Vanderhorn who is the, you know, top bodybuilder. That's his aspiration. And the thing about that which is interesting is that he is a, you know, 65 Herculean white God. And that's something that he has to wrestle with, you know, this idea of the American dream and celebrity and fame and all these things. And, you know, there's a lot. There's a lot of movie there. You know, I think that's the best I can kind of put it out there. But he's trying and he's. He's striving and he's trying, you know, to do better and he's trying to use the tools, but he can't really get there, you know. But ultimately. Well, you guys will see. Well, you guys have seen, but they'll see.

[Charlamagne Tha God]

How much of it could I. That's why I asked, was it hard to get the character out of you? How much of it was acting? How much of it was actual projection?

[Dr. Joy Harden Bradford]

You wreck stuff in the first, like, 20. I like. You distort. Like, you tear stuff down fast. It happens fast.

[Charlamagne Tha God]

As I said, based on what you told us about your past traumas, how much of it was acting or projection?

[Jonathan Majors]

Well, acting's a. I mean, I'm sure. I mean, you're a comedian, you know. You know, we're using ourselves. Yeah, right. We're using ourselves a lot. And then there's the idea. It's a craft, you know, Like, I can't just get up there and be Jonathan and tell a story, you know, I mean, I can guess what. That's what we're doing now. But as far as the picture's concerned, Killian. Killian and I have similarities in many ways, but ultimately, you know, he is a fictitious character that was made, but the raw materials of him absolutely came from the mind of Elijah Bynum and myself, you know, and so that. I mean, I don't want to segue to Elijah Bynum, but I will say, when playing the protagonist, there's no way you can't use what you have. You know what I mean? And so the picture was made three years ago, nearly now, and a lot of the things that I've come to understand about myself were so unresolved. However, in acting, right? And in my process of acting, you are using the subconscious. You're definitely using the subconscious. And because of that, I go, oh, well, I think I understand. I mean. I mean, there are scenes that completely mirror moments in my life, you know. Yeah, you know, the. The. I'm sure we'll get to that. If you guys ask the question, I'll answer it. But, yeah, I don't want to give.

[Charlamagne Tha God]

Too much of the movie. Yeah, yeah, yeah, yeah, yeah, yeah, yeah.

[Jonathan Majors]

But. But the. The answer is yes, there is. But. But in the acting. It's not necessarily unprocessed. It's. It's. It's unknown things that make themselves relevant through the given circumstances of the play. You know, I grew up in the theater of the movie, you know, and so, yeah, I mean, if it's not in you, you can't give it, you know, and sometimes you have to go find it, and sometimes it's there and you don't realize it's there, you know?

[Charlamagne Tha God]

But that's not the one you want to take home with you.

[Jonathan Majors]

No. No, it's not.

[Charlamagne Tha God]

So that's why, as I was watching it, I'm like, how much of that did he take home that ended up ending up in his real life? Especially in light of the, you know, the situation that you had, right.

[Jonathan Majors]

I would say. I would say in this case, like, honestly, because here it is, honestly, like, acting. So, Stella Adler, right? There's all these acting teachers, right? But still, Adler says something very, very, very clear. Growth as an actor and growth as a human happen simultaneously, right? And that is something I really live by and something I really understood. The difference with this picture is it asked so much of the actor, right? It has so much of the craft that. So if this is the craft, right, and then this is the actor. This film made me grow so much as an actor, right? But in doing that, I realized, oh, I was so stunted as a human being, right? So. So. So the answer is, no, I didn't. And also, I do it for a living. Like, I know how to shake it off. You like, I have a very spiritual practice with. I got my hand up. I have a very spiritual practice when it comes to acting, you know? And so if anything. If anything, it's not that I took anything home, it was that I. I was accessing things subconsciously that, as all actors do, subconsciously that. I mean, this guy still was like, no, I know how to do this. Okay, you did it. Wicked. Done. Put that back away. Put that back away. Put that back away. You know what I mean? And that's what happened. You know, same as all. Same as all pictures. And yet life goes along, you know? So at this point, I can't say, you know, if. Oh, did you carry that? I mean, I've not carried Montgomery Allen home from Last Black man in San Francisco. I've not carried, you know, so I don't. I don't know if that's if that's the case. But I don't know. You know what I mean? Yeah.

[Lauren LaRosa]

Were there ever any days on set where you felt like. Like meltdown or breakdown? Like, was this ever. Was it ever hard for you to film? Triggered, Triggered.

[Jonathan Majors]

Did you feel triggered, triggered, triggered. Once. Triggered. Once there's a scene. Yeah. And there's moments, like you say, oh, they're inspired, Right. There's a moment where something has just happened to the character. Something's just happened to Killian. And Elijah Bynum, in all his wisdom. And that's a talented, talented brother, man. We had just finished the scene, and I was still. I was still up, you know, I mean, that's what I call it. I was still up, you know, and Kealing was still operating. And he's always operating when I'm at work, you know, he was still operating, still operating to the. To the point that he came in and said, hey, we can you walk out the trailer? So that should let you guys know what. You guys know what the scene is. Walk out the trailer and then just process all of that as you're walking out. And this is something that one is not in the script, Right. There's no language, so I can't essentially use a target to keep my engine going. Right. So I'm living in my imagination, and for whatever reason. And now, you know, two and a half years later, I understand the reason. Right. But I got up, I walked out the trailer, and Adam, our beautiful dp, was right in front of me. He said, just walk out and let that happen. Right. And I didn't know anything was going to happen. You know, the water was still hot. I was walking out and I. I just felt it's. It's kind of like heat for me when I'm working. Right. Like, it's felt all this heat come up. My. My feet got hot and then my face got hot and I went, oh, oh, I'm glad you asked, because that was the moment when I realized as I was walking out, or maybe I'm just realizing now that wasn't Killian crying, right. That was. That was me crying. Oh, you know what I mean?

[Charlamagne Tha God]

Based off the.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

Based off I'm trying not to give away movie, but based off the revelation you gave this week.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

About being abused.

[Jonathan Majors]

Yeah, yeah, yeah.

[Charlamagne Tha God]

Got you. Gotcha, gotcha, gotcha, gotcha, gotcha.

[Jonathan Majors]

And.

[Charlamagne Tha God]

Wow.

[Jonathan Majors]

Yeah. I guess in a way, that was the. That was the beginning of like, oh, okay, cool. I got hypnotized. And then that opened up all types of.

[Dr. Joy Harden Bradford]

I Was gonna ask you because I read that article that you did with when you talked about being abused. Now that you're revealing or. Well, you're revealing it to the world, but you're dealing with because of the therapy and different things that you're doing, all of this internal stuff, like, are you right now having to go through a different process of, like, figuring out who you are again? And how does that affect you as an actor? Because, like, you know, like, you know, all right, this is the character. I'll come in. I'll do this. But, like, now you talking to your mom about stuff she didn't know, you talking to your past about stuff they didn't know, it makes you. I don't know, like, do you feel like you're, like, kind of reinventing who Jonathan Majors is because of things or.

[Jonathan Majors]

Rebirth.

[Lauren LaRosa]

Rebirth, Yeah.

[Jonathan Majors]

I mean, like, only tattoo I have, which my pastor mother was like, you grown. You grown. Do what you want. And, you know, but yes, it's definitely. There's a moment now where I go. I mean, I just. I was. I was saying. Saying the wifey, you know, like. Like, I just feel different, you know? And this was last. This was probably, you know, two weeks. Time goes, oh, time be moving. This probably just two weeks ago, I was sitting there and I was like, I feel different. Like, I just feel different, you know? And there is, like, I'm gonna do a couple pictures this year, God willing. But I am nervous, you know, I am nervous.

[Dr. Joy Harden Bradford]

Nervous that. What, you don't have it the same.

[Jonathan Majors]

Anymore or I don't know what's gonna happen?

[Dr. Joy Harden Bradford]

Cause you're dealing with the talking.

[Charlamagne Tha God]

You're talking with the audience.

[Jonathan Majors]

Your gift is your gift. Thank you, brother.

[Charlamagne Tha God]

I told you the other day, your gift is gonna make room for you. Cause you just. You're too gifted to deny.

[Jonathan Majors]

Thank you, brother. Yeah.

[Dr. Joy Harden Bradford]

What is the fear?

[Jonathan Majors]

The fear is. Yeah, yeah, let's keep it a buck. Like, yeah, I have fear that, like, is it. I've made so much more space. You know what I mean? And it's like, oh, is. Is he gonna hit the same. Like, I know the craft. I know that, you know, I don't know the craft, but I. I study the craft.

[Dr. Joy Harden Bradford]

That's what I was wondering.

[Jonathan Majors]

I stay in it, you know, and it's like. But it goes back to growth as a human growth as an artist. Right, right. Go. Okay. So the artist is the artist. Outgrew the. Outgrew the self outgrew me. Right. That led to chaos and hell. Right. But the work Was wicked, right? The work was good. I just say wicked, but the work was good right now. Now, what's going to happen when the work that I've done and I continue to do on myself now becomes worthy of the audiences, the scripts, the stories, the characters I play? What's going to happen to this guy? You know what I mean? Is he going to. I don't know what's going to happen. I will say this. I'm nervous, but I'm very excited, you know, I'm very excited because, like, I've got no, you know, I don't got that. You know what I mean? So I'm like, cool. I got it. Like, I was thinking about Usain Bolt, right? Usain Bolt. I was listening to a podcast and they were talking about Usain Bolt. The fastest man on the planet is the most jolliest man on the track. He's funny, he's laughing, he's doing his thing, and then he. Then he's the fastest man on the planet. And I go, oh, oh, that's the. That's the vibe. Like, I can be serious about what I do. I can. I can apply my craft. I can really dog myself in the craft. That's the game, you know? I mean, if you want to make something for people, my opinion is I want to make something for people that they understand. I care, right? I care if I'm playing a bodybuilder, I care about the bodybuilding community. If I'm playing Jesse Brown, you know, from Devotion. I care about his legacy, his family. I apply everything I have into that, right? But you can also laugh and joke and have a good time. You know what I mean? And like. And like, that part. That part. I did do those things, you know, I was nice and jolly on set and this and this. But there's a part of me that just wouldn't allow myself to. You know, I've never seen a movie I made. You know what I mean?

[Charlamagne Tha God]

Too hard to watch.

[Jonathan Majors]

No. You know, it's funny. The more I. The more I think about it, I think there was a part of me that felt unworthy of being on the screen. Well, unworthy of. Of, like. Like, that's. That's. I made it for them, you know, Like. Like, you made that art for the people. You struggle for the people, you know, in the art form. It's done now, you know? And so I never. I never got to close the loop in a way, right? I never got to come back to the. To the community. I never got to come back to the audience, you know, I know they love the. Or they didn't love, you know, the character or the movie, but I never got to stay connected to them. And that, and that's really the biggest part of this. I want to sound like, you know, this rebirth, as it were. It's on my neck. I can say it, right? This rebirth where it's like, oh, connection and help, that's the game, you know, I mean, connection and help and not just playing, you know, the movie star role and like getting trucks for the crew and, you know, sending flowers, which all comes from my heart, you know what I mean? But then when they come and say thank you, I couldn't receive it. I couldn't receive love. You see, I could give it, you know what I mean? But I couldn't receive it. But then love that's being given and you're not receiving is that love. You know what I mean?

[Charlamagne Tha God]

You know, rejection is a common theme of this film.

[Jonathan Majors]

Oh, yeah.

[Charlamagne Tha God]

And that's what it sounds like you're describing now. Like you're afraid of rejection. Like when Killian's boss said to him, nobody knows you, nobody knows who you are. To me, it dismisses everything he wants, you know, the recognition, the being seen, the magazine dream, so to speak. So how much does that moment increase? You know, Killian's the man for respect. And how, how much did that hit home for you?

[Jonathan Majors]

I think in that moment in the, in the picture where he says that, you know, because he's on his, you know, Killian is. Kenny is always riding pretty, he's idling pretty high.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

I mean, there is always a sense of like, I am always in the room when I'm acting, right? There's this. It's the most. Here it comes. It is the most unsocialized, the most pure version of myself that I bring to the art form. It's my nine year old self, right. You know, and, you know, as, as, as the article speaks about and this and this, like, you know, my life changed a little bit now. My life changed a lot around, you know, the ages of 8 to like 14, you know what I mean? And that's the kid that was pure and honest and, you know, worthy of love and sunshine and playgrounds and all that stuff. You know, that's where I'm operating from. But around that time is also the time that things shifted. And so when that man says that to me, yeah, Kellian has his brain going. It's like, oh, you know, and he does what he does, but there's also a part of me that goes.

[Dr. Joy Harden Bradford]

You.

[Jonathan Majors]

Know, my dad left at that time, you know, so you go, that's that sensitivity part. You work. We all have to work from that child, right? We all have to heal that child, right? And so in that moment, you just let that child go and he takes it, he hears it, and he responds. So, yeah, I definitely heard it with Kealian's ears and my ears, you know, and the response is the response in the picture, you know, so. Yeah.

[Lauren LaRosa]

You said you never watch your work. You didn't watch Lovecraft Country.

[Jonathan Majors]

Did I watch Lovecraft Country? I. I saw probably 35 minutes of Lovecraft Country.

[Dr. Joy Harden Bradford]

Crazy.

[Jonathan Majors]

It's a 10 hour. It's a 10 hour thing. Yeah, yeah, yeah. Damn.

[Lauren LaRosa]

I seen it four times. You ain't watch it.

[Jonathan Majors]

Thank you, sis. You know, and it's also twofold, right? It's also the fact that I grew up in the theater. You know, I do theater. Hope to do a little theater this year here in the city. Yeah, I do theater. That's just not a part of my upbringing, you know what I mean? Like watching tv.

[Charlamagne Tha God]

Okay.

[Jonathan Majors]

Well, not necessarily. Well, I also grew up on the country, you know? In the country, you know, it's like my entertainment was throwing, you know, throwing glass bottles at the trash thing, you know what I mean? Like, that's what we did, you know, or go hanging out in the creek, you know, by yourself, you know, like, just chilling, you know, outdoors. Outdoors, you know, and reading books, you know, and then when I matriculated into the drama programs that I. I don't. I don't care what I look like. I don't care what I look. I mean, I care now, you know what I'm saying? I have makeup on. It's crazy. Never wore makeup. I don't wear makeup in pictures. Right? Never wore makeup in a movie, you know, but, you know, it's a new game now. And I was like, all right, cool. I started to say that it's just not a part of my. It's not part of my art lineage. Right. To watch, I think, you know, as I move into directing, when I'm producing things. Lovecraft magazine, Dreams is the first film that I produced with my production company, Tall street. Which dope. If I wasn't in the picture as much, I. Well, yeah, I definitely would have watched it, you know, because. Because now it's a different part of the art form, you know, but as an actor, we don't. I don't. I don't watch myself. I think all the yalies out there in North Carolina, school of the Artist grads and actors. Just actors, you know, who came up in the theater. Go, yeah, that is an. That's a novel thing.

[Charlamagne Tha God]

Yeah.

[Jonathan Majors]

We watch our auditions, you know, to make sure they're wicked dope. But you don't watch, you know, to me, it can get you in your head. I don't, you know, don't. Don't invite, you know, criticism.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

You know, when it comes to the art form, you know. Yeah.

[Lauren LaRosa]

You'll probably break yourself down.

[Jonathan Majors]

Yeah, definitely. Especially in the audition process, you know, Definitely in the audition process.

[Dr. Joy Harden Bradford]

When you talk about inviting things in. I was sitting here thinking. Because I heard it was two questions I had for you. Just listening to you when you talk about the projects that you have coming up, I thought about, like, the fact that right now you're on this press run. When you sat down with Kevin Frazier and you said wifey. And then the story came out about you guys being married. It was like, oh, my God, he's married. But then on another hand, it was like he announced this because all this other stuff came out. The Rolling Stone article with the audio. You right now are working and moving, but I feel like I don't even. It's not on purpose, but there's so many things that are coming at you. How are you dealing with all of that? Because being married is such a good moment. Being able to get back to work is a good moment, but there's a lot coming your way. What's the daily. Like, I can do this because you've done the work on yourself at this point.

[Jonathan Majors]

Amen. It's the work, you know, and it's. God, you know, and also, like, in our family, like, we've been through it. We've been through a lot in a. In a. In a short amount of time, you know, I mean, like, we are. We're war buddies and husband and wife, you know, and best friend, like, but for real. For real war. But it's not like, oh, no, no, no, no, no, no. We've been through it. You know what I mean? And we'll continue to go through it, but something that we really talk about and something like, we can't let. Like, we gotta live our life. You mean, like. Yes. Everyone in this room, you know, is in the public eye, right?

[Dr. Joy Harden Bradford]

Yeah.

[Jonathan Majors]

If I didn't do something that I had planned by. That I had planned months ago, because there's a. There's a. There's a. We're having a bad day, you know, One of us are having a bad day. Or. Or I'm having a really bad day. I would not get up in the morning. You know what I mean? I wouldn't get up in the morning. So. So who. Who's going to dictate my life? Who's going to dictate my happiness?

[Dr. Joy Harden Bradford]

Yeah.

[Jonathan Majors]

You know, well, me and God, you know, and. And whatever wife is feeling that day, you know, like, my mother. This ring.

[Dr. Joy Harden Bradford]

Because your mom. Your mom married you guys.

[Jonathan Majors]

My mother married us. Right?

[Dr. Joy Harden Bradford]

Yeah. Was that plan, too? Like, that was originally. That's how you went.

[Jonathan Majors]

Everything always had a plan, right? Like in this art, my wedding ring is engraved. It says my love of life. Right. This was engraved six months ago. No, probably part. I wish she was here. She's here somewhere.

[Lauren LaRosa]

She ain't gonna be mad that you don't know this, right?

[Jonathan Majors]

She can mad about that.

[Dr. Joy Harden Bradford]

Okay.

[Charlamagne Tha God]

You had it done a while ago.

[Jonathan Majors]

Yeah, we had it done a while ago. We had it done April 24, but in Hawaii, you know, after I spoke to her father and we had more chats. I spoke to her father twice. Love you, Pop. Yeah, and then we had to plan for, you know, the movie. You know, Tom at Briarcliffe was like, we're doing this, man. If you feel ready to go out there, you're gonna go out there, right? What else am I gonna do?

[Dr. Joy Harden Bradford]

Because even that gets overshadowed, right? Because the way that when people talk about this movie, it's like, oh, it's his comeback after such and such. But you've been working on this for years.

[Jonathan Majors]

Yeah, yeah, yeah, yeah. But. But it. But it. But the comeback. Oh, yes. So, yeah, mom was already coming, right, Tom? And already. Tom and I, we already had our chat.

[Dr. Joy Harden Bradford]

You know, Tom is Megan's dad.

[Jonathan Majors]

Oh, no, no, no. Tom is the owner of Briarcliffe, the guy who's distributing our film.

[Dr. Joy Harden Bradford]

Right.

[Jonathan Majors]

Mr. Goode is Megan's dad. Yeah. So, yeah, we had already had it set up, and my mother, who's a pastor or day minister, was coming out for the. It was such a big thing that magazine Dreams was coming out. And my mother had not come to a premiere. My sister had come to a premiere. My daughter had come to a premiere. Still gotta get my brother out to one. But my mother had not come to a premiere. And so we had already planned once we had to date. Okay, mom, you come out on this date. And then from that point, we were like, all right, cool, you're here. Bring your stuff, bring your gear, whatever, you know, stuff you put on to marry folks because she also married my. Wait, did she marry all of us? Yeah, my mother married my brother and she married my sister. Wow. And now she married me. And so, yeah, that's that. We now have a tradition in the family. So there was no question mom is going to marry us. You know, Very intentional.

[Charlamagne Tha God]

Do you have an idea of who is creating this targeted attack? Because let's be clear, I think it's a targeted attack. I mean, when I look at, you know, you got a charge with misdemeanor assault and harassment. We see you on video running away from this violation. There's the optics of the big black man, you know, white, white, blonde haired woman. And it's like every time you're about to do something, right, like the Hollywood Report article comes out, you start hearing this good news about magazine dreams. Then all of a sudden this audio leaks.

[Dr. Joy Harden Bradford]

And the audio was from 2022.

[Charlamagne Tha God]

Come on, man. Yeah, come on. You got to know that there's somebody targeting you because everybody deserves redemption. There's people out here screaming for other folks to get redemption that have done way worse. I've been accused of way worse and.

[Jonathan Majors]

Have been granted it. Yes. I mean, listen, let the streets talk, you know, Let the streets talk, you know, it's very. Again, I got a whole wife to deal with. You know, I got a, I got a bunch of dogs, I got a 12 year old daughter I got to get to and spend some time with and you know, show her some, show her more stuff, you know what I mean?

[Charlamagne Tha God]

Like, but you know, you could be getting granted a lot more grades. I even think about like Marvel, Marvel, you know, they had controversies with guys like Jeremy Renner who plays Hawkeye. The guy who played Namor had some things, but they were so quick to part ways with you. Robert Downey Jr. Was allotted grades.

[Lauren LaRosa]

Like.

[Jonathan Majors]

Yeah, I mean, you play the hang of dealt, you know, and it's not over till it's over. You know what I mean? Like, it's not over till it's over. You know, there's just. There's one thing I know. I love my wife, I love my daughter, I love my family. I love this art form and I trust in God and I know for a fact what's in me right now. I mean, I'm on fire inside, you know, I'm on fire. You know, the next time I hit a set, I can't wait to tell that story. To spend time with the crew to promote that film, to get out to the people to come see you guys again. And I have no doubt in my mind, you know, that it's going to happen. I don't know when. You know, though, we have, you know, we have things in the works. But, you know, were those rumors about.

[Charlamagne Tha God]

Marvel bringing King back true?

[Jonathan Majors]

Man. Here's the thing about Marvel, right? You don't know until you know. You know, you don't know until you know. I will say this though. Of all the characters I played, right, Kang carries a certain novelty and a certain challenge for an actor that I would, I would, I would, I would, I would love to play it again, you know. And so when I hear people talk about it, as long as the streets are talking, as long as the fans are talking, you know, there is a. There's hope, you know, because look, Disney is a look. We all grew up on Disney. Maybe, maybe not, you know, but like, they got us, you know, they got us, you know, like we're locked in, you know, I love Disneyland, I love Disney World, you know, Hercules, you know, Robin Hood. These are things we grew up on. You know what I mean? I love it. And when I was invited to the Marvel Universe to play, you know, if all characters Kang, I loved it. I miss it. I want to do it again. The role is incredible.

[Unknown Host]

Is this a good time? It's me, Dylan Mulvaney and my dear friend Joe Locke from Heartstopper. And Agatha all along is my very first guest on my brand new podcast, the Dylan Hour. It's musical mayhem and it is going to be so much fun.

[Jonathan Majors]

I like a man.

[Unknown Host]

You like a man. What do I like?

[Jonathan Majors]

Joe, you like a man too.

[Unknown Host]

We often.

[Jonathan Majors]

There's quite similar.

[Unknown Host]

There's some cross pollination happening in here.

[Jonathan Majors]

Not like. No. Have we? No, no, not yet.

[Unknown Host]

Never say never. I cannot wait for all you girls gays and they's to join me on this extremely special pink confection of a podcast. There is so much darkness in this world and what I think we could all use more of is a little joy. Listen to the Dylan hour on the iHeartRadio app, Apple Podcasts or wherever you listen to your podcasts. Love ya. Do you remember what you said the first night I came over here?

[Jonathan Majors]

Ow. Goes lower.

[Unknown Host]

From Blumhouse TV, iHeart podcasts and Ember 20 comes an all new fictional comedy podcast series. Join the flighty Damien Hirst as he unravels the mystery of his vanished boyfriend. And Santi was gone. I've been spending all my time looking for answers about what happened to Santi and what's the way to find a Missing person sleep with everyone he knew, obviously. Mmm. Pillow talk, the most unwelcome window into the human psyche. Follow our out of his element hero as he engages in a series of ill conceived investigative hookups. Mama always used to say, God gave me gumption in place of a gag reflex. And as I was about to learn, no amount of showering can wash your hands of a bad hookup.

[Jonathan Majors]

Now take a big whiff, my bruh.

[Unknown Host]

Listen to the hookup on the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.

[Charlamagne Tha God]

Hey, kids, it's me, Kevin Smith.

[Jonathan Majors]

And it's me, Harley Quinn Smith.

[Charlamagne Tha God]

That's my daughter, man. Who my wife has always said is just a beardless D dickless version of me. And that's the name of our podcast, Beardless Me.

[Jonathan Majors]

I'm the old one, I'm the young one.

[Charlamagne Tha God]

And every week we try to make each other laugh really hard. Sounds innocent, doesn't it? A lot of cussing, a lot of bad language. It's for adults only. Or listen to it with your kid. Could be a family show. We're not quite sure. We're still figuring it out.

[Jonathan Majors]

It's a work in progress.

[Charlamagne Tha God]

Listen to Beardless with me on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.

[Jonathan Majors]

In 2020, a group of young women in a tidy suburb of New York City found themselves in an AI fueled nightmare. Someone was posting photos. It was just me naked. Well, not me, but me with someone else's body parts on my body. Parts that looked exactly like my own. I wanted to throw up.

[Dr. Joy Harden Bradford]

I wanted to scream.

[Jonathan Majors]

It happened in Levittown, New York. But reporting the series took us through the darkest corners of the Internet into the front line of a global battle against deepfake pornography.

[Unknown Host]

This should be illegal, but what is this?

[Jonathan Majors]

This is a story about a technology that's moving faster than the law and about vigilantes trying to stem the tide. I'm Margie Murphy. And I'm Olivia Carvell. This is Levittown, a new podcast from iHeart podcasts Bloomberg and Kaleidoscope. Listen to Levittown on Bloomberg's Big Take podcast. Find it on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts is. It is unique from any other role I've ever played because of the. The lexicon of characters that this man, this character gets to play. I absolutely would want to do it again. You know, if there's a way, I would love to be there. But, you know, Again, that's in God's hands. That's in the hands of, you know, the, the Disney Corporation and, and the shareholders and all of that. And you know, we're in a divided world right now. And so holla at me. I'm here.

[Dr. Joy Harden Bradford]

You know, how was the letter that you wrote to Marvel, to Kevin? What was his last, how was that letter received?

[Jonathan Majors]

I don't know how it was received, you know, but, but you know, I, I've got his info. I know it's him, you know, me, and I sent it to him, you know, and he's a, he's in, I'm sure he was in a tough position when I sent it to him. It was, it was long after a lot of this stuff, you know. Yeah, I, I really like, I really, I love that man, you know, that, that, that specific individual. I really love him. You know, I've got nothing but love for Marvel. But. Yeah, you know, yeah, you know, I didn't hear back, you know, but treated.

[Charlamagne Tha God]

You like Brad Vanderhorn. You got to watch the movie Magazine Dream. You just said that.

[Jonathan Majors]

That's good.

[Charlamagne Tha God]

Listen, I want to ask you about that because it was such a one sided relationship with Brad Vanderhorn between Killian and Brad in the movie.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

And you know, you kept writing them these letters.

[Jonathan Majors]

Yep.

[Charlamagne Tha God]

And he, he thinks he has a connection with Brad.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

It's almost like how fans feel today. Like they have a sense of access to celebrities that they don't actually have, but social media makes them feel like they do. Have you ever had a, a Killian in your life? Because you out here with your shirt off all the time.

[Jonathan Majors]

Yes, yes.

[Charlamagne Tha God]

Okay.

[Jonathan Majors]

Yes, yes, yes. It's, it's a delicate balance. Like being a public figure. Right. As we all are in this room, you know, or even just being spoiler alert, everybody's a, a public figure. If you have an Instagram. Yeah, your is out there, you know what I mean? So like it's, it's all about being kind, you know, like, yeah, I've dealt with that multiple times, you know, and it's like you, you have to set boundaries, you know, and you have to be kind, but you also have to understand that these individuals are also the individuals that allow you, that prop you up to be this public figure, as it were. So it's a delicate balance, you know, however, you know, everybody just understand boundaries. Like, you know, understand, like even if I know you, you know, I mean like you and me, if I text you bro, and you don't text me back I. I'm not coming to the studio. You know what I mean? I'm not coming to the studio. Like, hey, Charlotte, it's your boy. Hit me back. You know what I mean? Like, two days later, urgent negro, hit me back. And if you don't hit me back, then I'm gonna go around the other way, be like, hey, call this man, see what's going on, you know, I'm not showing up to your house. You know what I mean? I'm not doing that, you know, but that's because I have boundaries. You have boundaries, you know what I mean? I respect you, you respect me, you know, so, yeah, I've dealt with that.

[Charlamagne Tha God]

And how much do you owe to the fan?

[Jonathan Majors]

The fan or the fans?

[Charlamagne Tha God]

Fans. Yeah. So, yeah, I guess I said fan in this particular situation.

[Jonathan Majors]

This guy kept writing you in that regard. Here's the thing, you know, I think every. Everybody's different, but I love my fans. I love them even more now. You know what I mean? I think that anything you ask me to do, you know, within reason, I'm gonna do it. Like, I'm gonna do it. I don't mind. You know, I'm just built like that, though, you know? I mean, like, we're a team. I understand that you. You know me. And I also understanding, like. Like, yeah, I got fans, but, like, I'm not so and so and so and so, you know me. I'm not, you know, Timothee Chalamet, you know what I mean? Where it's like, that's just wow. You know what I mean? Like. Like, yeah, I'm me, you know, And I've got my demographic, I've got my team, I've got my Marvel fans, McCree fans, my. This fan. I love them, you know? I mean, I love them, you know, if they step over the line. That's why you got security.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

You know what I mean? You know? Yeah.

[Lauren LaRosa]

What made. How did. Did Zeus network become the home for Magazine Dream?

[Jonathan Majors]

That's a beautiful story. That's a beautiful story. So I just got done doing Hollywood Unlocked. Our brother and friend Jason Lee.

[Charlamagne Tha God]

Jason Lee.

[Jonathan Majors]

Yeah, what up, Jason Lee? I'm coming, bro. Don't trip. Yeah, I'm coming. You know, I got pause.

[Charlamagne Tha God]

I always said pause because of Jason, but shout out to Jason. Thanks, bro.

[Jonathan Majors]

Thanks, bro. Thanks, bro. Thanks, bro. Yeah. Jason Lee reached out to. To us and was like, hey, man, I really want to do this. He took a shot with us, and we did the. We did the award show, and then we found out. I found out through the award show that Lemmy, as Zeus, was kind of like operating the whole thing, you know, like he was sponsoring the whole thing, you know, supporting the whole thing. We had a beautiful night, you know, a very healing night that night for the family, which is. And for myself especially. And then time goes along and I get a phone call. This is after Brad Cliff had already picked it up. You know, it is what it is. You know, like, people have their opinions. They go, hey, yeah, I don't want to. I don't want to help anymore. You know, we lose the money and then, you know, a certain amount of the money, right? Tom. Tom holds steady as he always does, but, you know, we lose the money, a certain portion of it, and we need it, or the film's not coming out, you know, I'm just not coming out. And I literally got on the phone, you know, baby was like, hey, you know, what do you think we should do? I'm like, I don't know what you think we should do. We put a list together, like, you know. Ah, no. Yes, yes, yes, yes. That happened. And then I had a meeting with Jason. Me and Jason and his buddy Robert, we just sat and chatted. And he said, yeah, you know, I got an idea. Let me run it by you. He said, yeah, you should hit him. So we hit Lemmy, right? I called Lemmy directly, literally. Big shout out to Lemmy and Zeus. I called Lemmy. The meeting was at 9am I called Lemmy at 12. When I got back to the house after training, we sat there, I texted him, he texted me back. I told him what the game was. He said, I'm in. He hadn't seen the movie. He said, I'm in. I got you, brother. Right? When he was transferred, deal was done. Wow. Like that.

[Charlamagne Tha God]

See, that's what I like to hear. That's God, when somebody tell you, yo, I'm in. And then they put their money where they mouth, sight unseen. Wow.

[Jonathan Majors]

Sight unseen. He's like, I got you. I got you. You know? So, I mean, big ups to Zeus network and Lemmy and all his team, all his soldiers. Like, that's a. He's the real deal. And we need that within the culture, you know what I mean? Like, we need someone that's gonna go, I'm betting on you. You know what I mean? I'm betting on us.

[Charlamagne Tha God]

Deion Taylor.

[Jonathan Majors]

Deion Taylor. We need that look.

[Charlamagne Tha God]

Yeah.

[Jonathan Majors]

You know, of course, you know, deep. Yeah, yeah. I'm tripping, I'm tripping. We on the thread together. Yeah. Yeah, yeah. I'm tripping. Yeah, yeah.

[Dr. Joy Harden Bradford]

But even the award show, that moment. Cause the award show happened, and then the meeting with. Let Me Heaven.

[Jonathan Majors]

Yes, ma'am.

[Dr. Joy Harden Bradford]

Like, the award show moment, I think it went so viral. I mean, you were very emotional, and people got to see. But it was, like, publicly the first time after everything, that someone was, like, really taking a major chance behind you. Like, this person deserves to be able to come back and say his piece or whatever.

[Jonathan Majors]

Yes, ma'am.

[Dr. Joy Harden Bradford]

That alone. Like, when Jason first called you for that award, how did you feel? Like? Were you kind of hesitant?

[Jonathan Majors]

Were you so much trauma, you know? So much trauma. When he called, I was like. I mean, I was so small at that time, you know, inside, you know, I was just like. I was just starting with my, you know, Avengers of therapists and pastors, you know, man. So I was still working a lot of things out, and when he called, I was like, man, that ain't gonna happen. You know, like, you get the first endorphin, hit the dopamine, like, yeah, okay, cool, cool, cool. But no, that's not gonna happen. They're gonna let. They are not gonna let you do that. You know what I mean? Yeah, but even Jason. Even Jason was getting caught. I mean, he had resistance, right? He had resistance, and. And he's listening, and he knows what I'm talking about. I'm not gonna put his business in the street. He had resistance, but Jason Lee said, hey, I'm gonna get this done, bro. I got you. I'm gonna get this done. You know? And I go, all right, bro. You know, we have calls. Everybody's on the call. What do you think about this? What do you think about this? What do you think about that? We write that. We write the speech. Speech is like, well, you know, the speech ain't gonna work. You know, I ain't gonna come up. You know, it was crazy. But Jason was. I believe in him. I believe in this. We're gonna do it. And he did it, and he did.

[Dr. Joy Harden Bradford]

It, you know, and bringing Ms. Vincent.

[Jonathan Majors]

Into it, that was everything.

[Dr. Joy Harden Bradford]

Was that. What was the planning around that? That. How early out did that happen? Or did she say, hey, I want to be involved?

[Jonathan Majors]

I can't speak to that in super detail, but I do know that Jason had a real conversation with her, and she understood the situation, believed in redemption, believed in, you know, helping. You know what I mean? And she came, and she did it, and she did it. I felt that. You know, I felt that, and I'm so grateful to her. You know, I love it.

[Charlamagne Tha God]

Let me ask you a question. How have your views on Hollywood changed? Because you said that you're not Timothee Chalamet, but Hollywood was setting you up to be that next golden boy. Like, they all acted like they loved you before the scandal, and as soon as there was some smoke, they was off you. Do you take that personal?

[Jonathan Majors]

Two years of reflection, you get to sit back and just kind of go, okay, what's the game? You know, I mean, because. Because, let's be honest, like, if anybody doesn't think that it's an industry, it's an industry, you know? I mean, and money is involved, and I don't know, it's. It's every. Anyone in Hollywood, anyone in entertainment understands that. Like, yeah, this is a town. It's a town that goes up and down, up and down. You're hot, you're cold, you're this, you're that, you're this, you're that. But to be, you know, in such a position, you know, with so many allies, friends, studios, all of it, you know what I mean? Like, it's all there, you know? And then to watch it go, it was just a very clear understanding that this is a business, you know what I mean? And there are some personal things where I go, that hurt. That hurt me. You know what I mean? That hurt my bank account. That hurt me, you know? Does it change my perspective? I was always talent forward. I was always talent forward. I want to make sure that I'm doing the best I can in the role I'm doing in. Like, that. That's all that mattered to me, you know, But I. I saw it more, you know, in tandem. You know, when I'm looking at what's happening, what was happening with Megan, or, you know, the. The amount of pressure and heat and. And shame that was trying to be thrown on people who did stick with me, you know, My agent, Alon Ruspley, he's a dog, man. He stayed, man. He fought for me. He. I just love him, you know, he's my brother, you know, he is my. My brother, you know? Alain Ruthlee, I love you, man. But when I saw what he had to deal with, I was like, damn, that's crazy. You know what I mean? Like, I don't. I don't want that in the industry as a whole. It's like, look, the industry changes so quickly. You know, I am optimistic. You know, I can't stunt and be like, blah, blah, blah. But I'm a realist. And I go, yeah, yeah, yeah, that hurt. You know what I mean? Does it change my perspective? I knew it was always a game. You know, I'm quoted saying that before. That's the game.

[Charlamagne Tha God]

You know, I remember. And Lauren, you probably know, but I remember there was an article that came out and it was just a bunch of different people, you know, saying you were emotionally abusive to them and, you know, verbally abusive and, you know, they, they worked you before, and it wasn't a pleasant experience. When that came out, did you ever look at any of that stuff and say, okay, some of that might be justified. I might have been an asshole in that situation.

[Jonathan Majors]

That article, you know.

[Charlamagne Tha God]

They were talking about from college days. So you're not the same, man.

[Jonathan Majors]

Yeah, yeah. Well, there, there's, there's some. How to come at this one. Everybody's entitled to their opinion. Yeah. Watch this. As far as. I'm just gonna. I'm just gonna say some facts, okay, about school. School and this. I went to North Carolina School of the Arts and I also went to Yale. I was at Yale. I was on the full scholarship. We all were. I was also on a Lloyd Richard scholarship. Our brother, Lloyd Richards brought in August Wilson Camp, all that stuff. Beautiful, beautiful, beautiful, man. Rest in peace. I was recipient of that. When that information happened, when that, when that, when that started being said, that's when I went, that's, that's, that was hard because I go, this is Yale University. Where's the write up? If all of this is true, where's the write up from my administration, from my dean? Where is it? That was the only thing in which I got involved because it was supposed to be family, right? I got involved and went, show me, show me, show me the paperwork. I, not my lawyer. I hit my dean and said, show me. Said, no, there's nothing there. I still have the email, you know, I mean, do I still wear my Yale cap? Yeah, because I went there, you know, my class, you know, I love them. I love them. And I understand, I understand. I don't agree with it, but I understand. You know, in all off record, what.

[Lauren LaRosa]

Went through your mind when Michael Ailey had picked up Megan? I want to see you. I want to see you answer that one. I want to see.

[Jonathan Majors]

When did this happen? Is this in the movie or in the street?

[Dr. Joy Harden Bradford]

When y'all was on the red carpet, remember? And Michael, he came up and said hello to Megan in the clip that they had online. He picked her up. The clip they had online. You were just standing there and people was like, yo, I know he Was salty. But there was the part of y'all shaking hands before he did speak to you, too.

[Lauren LaRosa]

But, yeah.

[Jonathan Majors]

Oh, I remember this. I remember this. I remember this. I love that. Pretty man. Look at him. Pretty eyes lifting up. My wife. It's all good. No, no, no. That's my brother. That's my brother. Yeah. I mean, what went the wrong appropriate.

[Charlamagne Tha God]

Way to hug somebody's wife? Well, I mean, we weren't wearing it.

[Jonathan Majors]

Still, they have. They have a. They have a beautiful friendship.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

They have all these things, you know, like, And. And respectfully, because, like, we have real life, and then we have what everyone says about our real life. Right? And as you all know, we have to navigate between those two things. Right. If the things people say about our life actually make their way into our lives, then the people have to be mature enough to address it. And brother Ely, who I've seen many times, we did a workshop together at Dion's place. Michael Ely was like, hey, bro, my bad. You know what I mean? And I was like, respect, Respect. You know what I mean?

[Lauren LaRosa]

I was like, this man trained for creed. One of them blows. Michael's done.

[Jonathan Majors]

It's all love.

[Charlamagne Tha God]

It's all love.

[Jonathan Majors]

Yeah. Yeah. Ye. Yeah. Yeah, yeah, yeah.

[Dr. Joy Harden Bradford]

I have a question about the movie. So in Magazine Dreams, your relationship with your father is insane. Because of the thing him and your mom and I don't wanna give it away. It's all right.

[Jonathan Majors]

It's all right. Yeah.

[Dr. Joy Harden Bradford]

Yes.

[Jonathan Majors]

I'm with you. I'm with you.

[Dr. Joy Harden Bradford]

I'm making eye contact with your father. But in real life, too, you talk about your dad leaving your life and, you know, some of the things you dealt with after that, channeling your real relationship with your dad and then bringing it onto screen, what did you pull from specifically, and what did you purposely say? I don't wanna pull because I don't want to revisit that.

[Jonathan Majors]

If it's in there, right? If it's in there and it's. It's conscious, you know, that's the job, right? You got to use it. I used. I mean, we can. We can. We'll get. We'll get to Magazine Dreams. But Michael K. Williams, who actually played my father, right. In My Brother. My brother Michael K. Williams, who played my father in Lovecraft, he was dealing with it all day, right. I was thinking about my daddy issues all day, right? Because they were just, boom, right on top of each other. Right? In. In Magazine Dreams. Yeah, Same thing. You know, You. You. You go, okay, you like this? I like this. Cool. That, that's something that we say. Oh, you get that for nothing, right? You get that for nothing, right? And your work, you go, okay, cool. This man is in love with this woman. Cool. I know what that is. I'm in love with my woman, Booba. Okay, I get that for nothing. Right? Then the details and the specificity of that relationship are drawn out through the, the. The actual characterization and the world that we're in. But I just want. I just want to be clear, sis, you talking about, like. Because Dad's not in the movie.

[Dr. Joy Harden Bradford]

No, he's not. But.

[Jonathan Majors]

Okay, great, great. I just want to make sure. Okay, good, good. We're on the same page.

[Lauren LaRosa]

But I had to look up your grandfather.

[Dr. Joy Harden Bradford]

That's why it was hard for me to ask the question, because you got to get so much set up with it. But I was basically asking because it's such a messed up situation that you're in. Taking care of your paw, paw. And then. Papa, Papa. And then in real life, you talk about your dad and him leaving you and your mom. Like, I've heard you talk about that a couple times.

[Jonathan Majors]

Yeah, yeah, yeah.

[Dr. Joy Harden Bradford]

And then your mom came to this to see this movie.

[Jonathan Majors]

Yeah, yeah.

[Dr. Joy Harden Bradford]

And I know mom had to be like, you know, there's some trauma probably with her too, that came back in.

[Jonathan Majors]

So there. Yeah, yeah, yeah. I think every time you have to touch something, you kind of want to make it connect. You know what I mean? You want to make it connect. And, and you know, my father, my biological father, my dad, you know, I don't want to hurt him, right? But I love him, you know, but, but we experienced something that could have been avoided had he not done what he done, you know, I mean, done what he did. Do what he did. Yeah. Come on, yo. Yeah, thank you, brother. You know what I mean? So there's that. And so you. Because what we're talking about is a shared trauma, right, between what Kelian understands and what happened to him in his world and what I understand, what happened to me in my world. And that the visceral abandonment, if that makes sense, is something that I can always connect to. And it's something that I've experienced. It's something that Killian does experience. And so in that, in that monologue right, where we're going through it. Yeah, obviously, the images of my father, you know, who. Let me just be very clear. I love my dad, you know, I love him, you know, for the man he is, you know, but it is what it is, you know what I mean? And it's up to him to fix that. You know what I mean? I understand that. You make a mistake, it's up to you to fix it. You know, something wrong with you, it's up to you to fix it. So, you know. Standing by, dad. Standing by. No.

[Charlamagne Tha God]

What? I'll tell you something, man. When. When you. When. Once you. If you actually. I'm. I don't know if you have. But when you actually have conversations with your father.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

And he tells you about his upbringing.

[Jonathan Majors]

Yep.

[Charlamagne Tha God]

And his childhood and the things he went through, I guarantee you'll end up giving them more grace.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

Because I remember my father telling me that he went to therapy two and three times a week. He was on 10 to 12 different medications for his various mental health issues. He tried to commit suicide back in the day. When I. When he told me that.

[Jonathan Majors]

Yeah.

[Charlamagne Tha God]

It just. It just allowed me to give him so much more grace. And I think sometimes we forget our parents had a life before they were.

[Jonathan Majors]

For our parents and currently had lives while they were our parents. You know what I mean? So, like. And. And we all know, like, bring a child into. Bro, thank you. Like, Like, I. I completely agree with that, you know, And. And I'm on my way to that.

[Dr. Joy Harden Bradford]

But I was about to say, are you at that place yet, though?

[Jonathan Majors]

But it's just that, like, this is. This is the rebirth. This is the new. This is the new bop, you know? Like, my big brother says to me, hey, dawg. You know, and straight up, I've heard that before, right? But I go, megan said it to me before, you know? And it's just like, he speaks to my brother, he speaks to my mom, he speaks to my sister. You know what I mean? I'm just the elder son, you know, the Southern eldest son. That may mean something to some of the listeners, right? That's different. You know what I mean? And it's like. It's a different thing, but. But then it's not, right? Like, that chat, that's something else, right? You speaking from your hurt there, right? Hearing you now, right. You helped me. I go, yeah, damn, you right?

[Charlamagne Tha God]

Because.

[Jonathan Majors]

Right.

[Charlamagne Tha God]

It makes me think about the character Killian, right? When you're watching the film, the angry black man Persona, whatever you want to say it is. It's all justified, you know, being the way his. He lost his parents, what his grandfather's going through, you know, all of that. But your trauma's not your fault, but your healing's your responsive responsibility. And I think by the end of the movie, that's what he learns. That's what I wish I would have. Y'all would have explored a little bit more because we saw the problems. Yeah, but where was the solution?

[Jonathan Majors]

I'm gonna watch the. I mean, I promise this. You were gonna let us take time to watch the last three minutes of the picture at some point together and wait, we gotta stop talking about this. This is a spoiler alert.

[Charlamagne Tha God]

It's hard to end this.

[Lauren LaRosa]

It's hard to talk to. You know what? Charlay, watch a movie. Because listen, he is.

[Dr. Joy Harden Bradford]

He.

[Lauren LaRosa]

He really watched. He been talking about this since yesterday. Look, he be up here lying to everybody about listening to their albums before we come in here to interview people he done told. He done look people dead in the eye. I watched the show. Did not.

[Jonathan Majors]

Did not watch the show.

[Lauren LaRosa]

He watched this movie, called me yet. Yo, you need to watch it. Yo, this is. This is great. This is his greatest role ever. And I'm like, this how you know he is in here expounding.

[Charlamagne Tha God]

Guess what just told me when I said you should watch Magazine Dream. I will, but let me finish watching Tyler Perry.

[Jonathan Majors]

Yes, you did.

[Charlamagne Tha God]

Yes you did.

[Jonathan Majors]

For work, though.

[Dr. Joy Harden Bradford]

For work.

[Lauren LaRosa]

Jay, look. Yeah, for words. Look, look, we.

[Jonathan Majors]

Go ahead, go ahead.

[Lauren LaRosa]

I was paid to do a review on the movie because, you know, I be doing reviews. Look, Magazine Dreams is one of the best movies.

[Charlamagne Tha God]

Hey, Zeus, pay Jess to watch.

[Jonathan Majors]

We love our brother. We love our brother Tyler Perry. I get it, I get it.

[Dr. Joy Harden Bradford]

Wait, I have another question about your dad.

[Jonathan Majors]

Yeah.

[Dr. Joy Harden Bradford]

Has he seen this movie? Do y'all talk often? Has he seen the movie?

[Jonathan Majors]

Do you know, a little text here and there. You know what I mean? Like, need to FaceTime him with his nude daughter in law.

[Dr. Joy Harden Bradford]

Probably don't. They always got a new.

[Jonathan Majors]

Gotta do that. But no, he's not. He's not seen it. I mean, I didn't send him a link or anything, but look, I know my dad.

[Dr. Joy Harden Bradford]

Like, he didn't hit you after the interview that you did and where you talked about the assault that.

[Jonathan Majors]

I mean, but that's the thing. Like, I should probably holl at him. I will. I'll give him a shot because I tabled it. Well, I tabled it the best I could.

[Dr. Joy Harden Bradford]

You really did.

[Jonathan Majors]

With my mother beforehand. Oh.

[Dr. Joy Harden Bradford]

So before that article came out.

[Jonathan Majors]

Yeah, yeah, I had. Had to, you know what I mean? And I. And I tabled it a little bit with my sister, but I should. I need to table it with my father because, you know, it's a lot. You know what I mean? Like something I was discussing with, you know, some of your colleagues, you know, journalistic colleagues, where I would, you know, when you are. When we are, quote, unquote, public figures, like your healing has to happen publicly.

[Charlamagne Tha God]

Does it? No, I don't believe it.

[Jonathan Majors]

No, no, no. That's a question mark. That was a question mark. Does that happen publicly? You know, like.

[Dr. Joy Harden Bradford]

Like, that's why I was wondering why you chose to reveal that right now. Because you have so much other stuff happening.

[Jonathan Majors]

Yeah. Yeah.

[Dr. Joy Harden Bradford]

Well, in bringing your dad into it, not to cut you off, I thought it was. I thought it was very vulnerable of you, but I don't know if I would have had the courage to do that right now in your life. Because you're moving past so much stuff because you.

[Jonathan Majors]

You.

[Dr. Joy Harden Bradford]

You not blame your dad, but you. If your dad was there, you felt like you would have been protected. And that's heavy for everybody in the situation. Your mom. Your mom. You said your mom apologized to you after that for not being there to protect you. So it's heavy for everybody. And then it just stirs up so much more stuff.

[Jonathan Majors]

Well, here's the thing. If you don't stir it up, something's gonna happen. You know what I mean? Like. Like, I. It had to be done, right? It's funny because in the. In the interview we were talking, and because of the work that I was doing, you know, quote, unquote, behind the scenes. When we got there, it just. I had been talking about it, okay? You know, in. In with my fam. With. With. With Megan. I've been talking about it with my. My counselors, you know, and my therapist. You know, it was there, and it would have been inauthentic in that moment, you. I mean, for me not to touch it. You know what I mean? I would have done myself a disservice, you know? I mean, and was it brave or this or this or this? No, I don't. I don't see it that way. You know, I saw it as when your pain outweighs. No, when your needs for healing. Your needs for healing outweighs your pain, right? You will heal, right? And in that moment, the healing was right there. The pain was right here, right? But the need to heal was greater. And I said, I gotta say this. You know what I mean? You talked about fans. We talked about people who, you know, people who just admire someone, right? Admire me wholly. If you're gonna do that. All of me, you know, I mean, I'm not afraid to show it to.

[Charlamagne Tha God]

You.

[Jonathan Majors]

Hate me, right? But hate all of me, you know, I'm not playing that game.

[Charlamagne Tha God]

But a fan can't do that because he doesn't know. He or she doesn't know you in your whole totality. They only know what they.

[Jonathan Majors]

But they think they do. Yeah, they think they do. And. And. And there's no gimmick I don't want to. If. If there's a fan of mine who's experienced anything that I've experienced in my life, right? My job as my. My mission as an. As an actor and an artist and a human being is to, like, let me help you. Let me help you carry your cross, right? That's what you guys are doing for me right now. You are helping me bear my cross. Right. I got that from my brother Will, right. As well as. What's all about. Our job is only to help someone bear their cross. We can't bear it for them, but we can be there for them, right? He said that to me. I went, oh, I understand that. So if you're a fan, right, if you know me and you've experienced something like that and you see that, okay, this has happened to him and this has happened to me, and he's doing this, it's not impossible. A lot of the Comeback, a lot of the Rebirth feels impossible because nobody has ever attempted it before.

[Lauren LaRosa]

Yeah.

[Jonathan Majors]

Yeah. I mean, no one's ever had the allies. Not. I don't get you on trouble, but no one's ever gotten the allies or the Friends or the support or the. You know, I want to demonstrate that. You know, I mean.

[Charlamagne Tha God]

Yeah, but you see, here's the thing. You don't throw your people away. Like, you don't.

[Jonathan Majors]

You don't.

[Charlamagne Tha God]

You don't look at a person and say, man, I'm not. I'm gonna reduce them to their worst moment. Like, I. I knew you before this. We worked on a project together. Break down profits with audible.

[Jonathan Majors]

It's. Apparently, it's in the finals for some.

[Charlamagne Tha God]

It got nominated for a. A Audi for best drama. But it's just like, okay, he had a situation. Let's reassess the situation. We look at the situation, we see what the situation is. Is he not. Is he not. Can he. Is he not above redemption? Can he. The redemption isn't for everybody. Like, we always have to talk about cancel culture, but what about redemption culture? You just cast him to the side, say, fuck him for the rest of his life. Nah, I don't agree with that.

[Jonathan Majors]

Well, obviously you don't.

[Charlamagne Tha God]

I saw you running down the street from a white Woman. I saw it.

[Lauren LaRosa]

Running from.

[Charlamagne Tha God]

Running for his life. Okay. All the training you needed to do for Creed 3 was in that moment.

[Lauren LaRosa]

Listen, there was a movie. I don't know if you. I saw it. It was a movie. It's called the Actor who Got Chased around the City. And this was on Tubi? Yes, it was. Why you laughing? It was on Tubi because we on Tubi too now.

[Dr. Joy Harden Bradford]

I know. Wait, just. I know what you talk about. Go ahead.

[Lauren LaRosa]

Okay. So this is a movie. The director, brilliant. Alvin Gray. I don't know if you've seen it. It's a good movie. It's called the Actor who Was Chased around the City. He actually was going to name it the Actor who Was Chased around the City by the White Woman, but he chose to. Yeah, it was too long. You need to watch it. And it's good.

[Jonathan Majors]

Yes.

[Lauren LaRosa]

You know, might trigger you or not, because you.

[Dr. Joy Harden Bradford]

You know, you might.

[Lauren LaRosa]

No, no, no. Because the redemption for him is in the movie.

[Jonathan Majors]

So you.

[Charlamagne Tha God]

Okay.

[Lauren LaRosa]

And I just gave it away, but you need to watch it.

[Jonathan Majors]

Amen. Yes.

[Charlamagne Tha God]

I only got a couple of people.

[Lauren LaRosa]

His name is Alvin Graves from Baltimore. He makes films based on, you know, controversial.

[Jonathan Majors]

I'm sorry, is this a real movie?

[Lauren LaRosa]

It's a real movie.

[Jonathan Majors]

Oh, my goodness.

[Dr. Joy Harden Bradford]

Something that get like.

[Lauren LaRosa]

He's a real movie.

[Jonathan Majors]

Wow.

[Charlamagne Tha God]

Yes.

[Lauren LaRosa]

Yes.

[Charlamagne Tha God]

You gotta rap. You. I just got. I really got two more questions. You know, I want people to go watch Magazine Dream.

[Lauren LaRosa]

Absolutely.

[Charlamagne Tha God]

And when you watching it, I wonder if Killian's character is so frightening because of how real it is. Because we all know men, especially black men, who suffer from untreated mental health issues. And was him being so obsessed with bodybuilding a way just to run from his trauma?

[Jonathan Majors]

Yeah, it. So it covers it, right? It covers it, but it also releases it. Right. But there is the. There is so much there that he can't. He can't get out. So he's searching for validation. Right. I wonder what would happen to Killian if. If someone just. Wow. If someone just spotted him. If someone just saw this man lifting all this weight and came and helped him lift it, maybe that would change everything, you know? I mean, maybe there wouldn't be a Killian. Maddox had. He had some type of connection, some type of love. You know what I mean? Like, he's pro. That the whole movie, in a way, is about the acknowledgment of his trauma. Right. Him trying to work through it, the trials and tribulations of that. Right. And how he. How he ultimately deals with it. Right. Not to give to. Not to give anything away. That was pretty, pretty esoteric. But you understand what I mean? Yeah, yeah. Yep, yep.

[Charlamagne Tha God]

And there's a scene in the movie where he says, I'm just tired. I'm just tired and I'm sick. And I wonder if, if he meant that physically or mentally or both. And I also wonder, this would be my final question, how that line applies to you being that you've dealt with so much publicly because you know, you promoting the movie so you can put on the brave face and you just got married so you know, you're happy in this moment, but I'm sure you had to get emotionally exhausted throughout this process.

[Jonathan Majors]

Well, here's a moment of the subconscious coming to the screen. That, that line. I'm tired, I'm tired, I'm tired. It's non script. Yeah, it's not, it's non script. I'm sick is in the script, but I'm tired. It's not, you know. So I was so clear to me looking back now where my work, my work was trying to signal to me, this is where you're at, this is where you're at, you know, how does that come out? I'm tired, I'm tired, you know. And I was, you know, I was a part of me, not, not the part that makes art or any of that part, but the, the important part, you know, the self was extremely tight. You know, you work hard, you do that. But yeah, it's not, it's not a matter of the put out, you know, I mean I could put out, I could do it, you know, and enjoyed it, but this other part is being so neglected, you know. And because of the nature of the film, I try to shoot every film like a documentary. I take it extremely serious, you know. Extremely serious, you know, but, but I do. And because of that there's a small, there's a small moment where usually it's lines that I'll say that are marriage between myself and the character. And that was one of them, you know. So yeah, I was tired, man, and Killian was tired, but I was tired that, that, that part of me that just, you know, felt all that and didn't process any of that.

[Lauren LaRosa]

And.

[Jonathan Majors]

A nine year old boy can't hold, can't hold that. You know what I mean? You know, 35 year old man can't hold it either, you know. So yeah man, you watched the hell out of that movie.

[Charlamagne Tha God]

I thoroughly enjoyed it, man. Listen, keep doing the work. My brother magazine Dreams is in theaters right now go see it. Go check it out. It's. It's. I can't wait to see all the Think pieces and the conversations.

[Jonathan Majors]

Oh, bro. Yeah.

[Charlamagne Tha God]

You know. And remember, redemption is not perfection, my brother.

[Jonathan Majors]

Thank you.

[Charlamagne Tha God]

Good to see you, man. Is Jonathan Majors it's the Breakfast Club. Wake that ass up early in the morning. The Breakfast Club.

[Jonathan Majors]

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[Jonathan Majors]

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I'm Dan Roth, LinkedIn's editor in chief. On my podcast this is Working Leaders Share strategies for success. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.