INTERVIEW: Jonesy Opens Up About Reconnecting With DJ Envy, Radio History, Wendy Williams, Tina Knowles + More

Summary

Podcast Summary: The Breakfast Club – Interview with Ms. Jones

Episode Title: INTERVIEW: Jonesy Opens Up About Reconnecting With DJ Envy, Radio History, Wendy Williams, Tina Knowles + More
Host/Authors: DJ Envy, Charlamagne Tha God, Angela Yee
Release Date: June 18, 2025
Description: The Breakfast Club is celebrated as "The World's Most Dangerous Morning Show," featuring engaging and candid conversations with influential personalities in the music and entertainment industries.

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Introduction of Ms. Jones and Her Relationship with DJ Envy ([02:00] – [04:24])

The episode begins with DJ Envy introducing Ms. Jones, also known as Jonesy, as the first Black woman to host a syndicated morning show. He highlights her pivotal role in his own radio career, recounting how she mentored him during their early days at Hot 97.

Notable Quote:
DJ Envy: "She taught me how to do interviews, she taught me how to tease, she taught me how to not have anything to talk about and just pull a topic out of thin air and make it big." ([04:00])

Ms. Jones’ Early Career and Transition to Radio ([05:05] – [07:43])

Ms. Jones shares her journey from being an R&B singer to becoming a radio host. She discusses her initial struggles in the music industry, including her experiences with record labels and how unforeseen circumstances led her to radio as a means to sustain herself financially after personal tragedies.

Notable Quote:
Ms. Jones: "Once I took the personal out of it, it's easier to just focus and move on and do your other things." ([04:38])

Interaction with Diddy and Impact on Her Music Career ([07:43] – [09:24])

The conversation delves into Ms. Jones’ tumultuous relationship with Sean "Diddy" Combs. She reveals how Diddy appropriated her music to benefit Mary J. Blige's album, effectively sidelining her own musical aspirations. This incident marked a significant turning point in her career, leading her to fully commit to radio.

Notable Quote:
Ms. Jones: "He took the music and went and remixed her first album and released it before we could even get out the Gate with mine." ([08:00])

Challenges at Hot 97 and the Aaliyah Tragedy ([15:00] – [18:04])

Ms. Jones discusses the internal conflicts at Hot 97, particularly around the time of Aaliyah’s tragic death. She recounts the controversial decision by co-hosts Starr and Buck Wild to reenact Aaliyah’s plane crash on air, which led to public backlash and corporate sponsors withdrawing their support. This event strained her position at the station, ultimately resulting in her temporary departure.

Notable Quote:
Ms. Jones: "When they played the screams and the sound of fire burning like a plane crashing... I walked out and I said, I wish you had died in a plane rather than Aaliyah." ([16:00])

Reconnecting with DJ Envy During COVID and Career Comeback ([42:00] – [47:55])

In the wake of the COVID-19 pandemic, DJ Envy reaches out to Ms. Jones to offer support. They discuss the emotional toll her departure had on her and how the pandemic provided an opportunity for her to reconnect with her passion for radio. DJ Envy encourages her to return to the airwaves, leading to a reunion show that revitalizes her career.

Notable Quote:
DJ Envy: "I said, this is what we're gonna do. Let's create a reunion show. We use my platform to push it, and I guarantee you a program director will call you." ([45:00])

Personal Life: Health Issues and Motherhood ([46:00] – [56:42])

Ms. Jones opens up about her personal struggles, including her battles with Glioblastoma, a form of brain cancer diagnosed during her childhood. She also shares her experiences balancing motherhood with her demanding career, highlighting the sacrifices she made and the resilience required to overcome these challenges.

Notable Quote:
Ms. Jones: "I have been diagnosed with Glioblastoma since I was a child and was told I would never sing or have a career that required speaking, which is why God is just so miraculous." ([46:00])

Anecdotes with Wendy Williams and Beyoncé ([57:00] – [63:53])

The interview features entertaining stories about interactions with Wendy Williams and Beyoncé. Ms. Jones recounts a memorable encounter with Beyoncé at Hot 97, illustrating the dynamic and sometimes unpredictable nature of live radio interviews.

Notable Quote:
Ms. Jones: "She came upstairs and she went to hug me. But I was like, I don't hug. I have newborns at home or whatever." ([58:00])

New Music and Future Projects ([65:00] – [71:55])

Ms. Jones discusses her return to music alongside her renewed radio career. She introduces her new song "Best Birthday," emphasizing its uplifting and celebratory themes aimed at her audience. Additionally, she talks about her upcoming TV talk show special on PIX11, marking a significant milestone in her broadcasting journey.

Notable Quote:
Ms. Jones: "Now I have a new single. Let's play. It's the birthday song. Hopefully Envy will give it a spin or something now." ([07:43])

Conclusion and Final Remarks ([71:55] – [72:08])

The episode wraps up with heartfelt thanks from Ms. Jones to the hosts for their support and for carrying the torch in the radio industry. DJ Envy and Charlamagne Tha God reciprocate the appreciation, underscoring the enduring bond and mutual respect among them.

Notable Quote:
Ms. Jones: "Thank you guys, for respecting and carrying the torch on ladies." ([71:38])

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Key Takeaways:

• Mentorship and Support: The enduring support between Ms. Jones and DJ Envy played a crucial role in both their careers.

• Resilience in the Face of Adversity: Ms. Jones' journey from music to radio, overcoming personal tragedies and industry challenges, exemplifies resilience.

• Industry Politics: The episode sheds light on the behind-the-scenes dynamics of the radio industry, including the impact of corporate decisions on individual careers.

• Personal Growth: Ms. Jones emphasizes personal growth, balancing motherhood with career aspirations, and finding new paths after setbacks.

• Reconnecting and Moving Forward: The pandemic served as a catalyst for Ms. Jones to reconnect with her passion, leading to her successful comeback.

Overall, this episode of The Breakfast Club offers an intimate and comprehensive look into Ms. Jones' life, her significant contributions to radio, and the intricate relationships that shaped her career. It serves as an inspiring narrative of perseverance, mentorship, and the power of rebuilding one's career against all odds.

Transcript

[Angela Yee]

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[DJ Envy]

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[DJ Envy]

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[Unknown]

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[Charlamagne Tha God]

Wake that ass up.

[Ms. Jones]

Early in the morning. The Breakfast Club.

[DJ Envy]

Morning everybody. It's DJ Envy. Just hilarious Charlamagne tha God we are the breakfast club. Lauren LaRosa is here as well. And we got a special guest in the building.

[Charlamagne Tha God]

Yes, we do.

[DJ Envy]

Now. She is the first black woman to host a syndicated morning show. She had one in New York and Philly has one in New York right Now she does Entertainment report on PIX11 and she has her own morning show and is where I got my start. Ladies and gentlemen, it's Ms. Jones, aka Jonesy.

[Charlamagne Tha God]

Welcome. Good morning.

[Ms. Jones]

Thank you. Thank you, Envy. Thank you for that. Thank you for having me here.

[DJ Envy]

Oh, look at Envy. So if you don't know Jones is how I got my start in morning radio. And I'll just break down the story and then I'll let you girls take over. Cause I know everything about Jones.

[Angela Yee]

Yeah, so I got it.

[DJ Envy]

So I was doing morning radio with Joe button at Hot 97. This is when starring Buck Left, Sway Left. They tried a bunch of different shows. It didn't work. And they had Joe Button and we were doing morning show. And Joe Button was a rapper at the time, so he was doing his. He was on tour and doing all types of things and it just didn't work. So they brought in Jones. And when they brought in Jones, me and Jones really didn't have a relationship. We knew of each other, but didn't know each other. And I remember the first day, you know, me being nosy, I was air hustling and I found out she was talking, I don't know her manager or whoever at the time. And she said how much they made and how much they were giving her. And I pulled her to the side and I said, look, just to let you know, they paid Joe Button this much, so you should ask for that much.

[Charlamagne Tha God]

And right then and there, that's what's 250.

[Ms. Jones]

That's what he said. They paying Joe 250.

[DJ Envy]

And we became brother and sister. She asked for that. And the.

[Ms. Jones]

No, I asked for. I got more.

[DJ Envy]

You got more.

[Charlamagne Tha God]

That's my fault.

[Ms. Jones]

You a starting point, so thank you.

[DJ Envy]

And that's how our brother and sister became. And from there on, we've been through ups and downs and battles and wars and we always had each other's backs. The good, the bad. We were always there for each other. And even after, we were always there for each other. And that's how it became. So she is somebody that I look up to in radio. So when I talk about radio, she taught me how to do interviews, she taught me how to tease, she taught me how to not have anything to talk about and just pull a topic out of thin air and make it big. Like she was the moments and she was somebody that mentor or idolize when it came to radio. Cause she knew how to do it and she did it so effortlessly. So, Ms. Jones, ladies and gentlemen, I.

[Charlamagne Tha God]

Love how you Advocated for her first of all, like you. Cause you know, nobody would've did you know what I'm saying? Not many people would do that. Oh, this person getting paid this. And you knew that. You knew who she was and that her worth and what she was worth, you know. And that was real your value.

[Ms. Jones]

No one does that anymore. No. Nobody?

[Charlamagne Tha God]

No. So that's really dope.

[Ms. Jones]

Thank you.

[Charlamagne Tha God]

How do you feel about how radio is ran today? The, the, the current state of radio today?

[Ms. Jones]

You know what, business is always business. Once I got that, once I understood that, it just became an understanding of do your show and expect them to perform the business. Once you take the personal out of it, it's easier to just focus and move on and do your other things.

[Charlamagne Tha God]

Yeah.

[Angela Yee]

Let's talk about you getting to radio. So before radio you were a music artist? Yes, R and B singer.

[Ms. Jones]

Yeah, I had singles Where I want to be boy, my first album actually never came out. It wasn't until I left Stepson Records and got with Andre Harrell at Motown. It was going to be the new Motown. And then he got fired and then it was just bringing an A and R bringing a new. It was a mess. So I'm glad that when they asked me to do weekends at Hot 97, although first I was like radio, I'm gonna be a big singer so I don't got time. I'm glad I humored them because that wound up maintaining my lifestyle, which wasn't a huge lifestyle, but paying my bills. Cause my mother died June 26th of 91 right after I got home from college. My dad died freshman year, so I had nothing.

[Angela Yee]

Wow.

[Ms. Jones]

I had nothing. So I needed that little weekend job and I didn't know I would wind up needing it to be my full time job when they offered me. Morning.

[DJ Envy]

Now Jones was the R and B singer. We're talking to Ms. Jones. She was the R and B singer. Kind of like how Fab used to do the Clue mixtapes. She used to do the R and B version of that before Fab. So she would sing on the mixtapes. Whose ever beat was out, she would kill it. And that's how Jones got popular. And she did with Ron G. Legendary mixtape DJ Ron Gammy.

[Angela Yee]

No, go ahead.

[Charlamagne Tha God]

No, no. That's amazing. I never heard of an R and B mixtape.

[Ms. Jones]

Like oh yeah, that's what. Oh yeah. That was the start. And it's funny because once I did it, it started catching on. But I was just doing it for fun. Primarily because I love the beats and I always Wanted to sing. I didn't want to necessarily be a rapper, but that was a good fusion and it was safe because I studied music. I thought I could sing. I know that people liked it. But hearing a mixtape on Jamaica Avenue in front of the Coliseum wall was everything. You already made it when that happened.

[Charlamagne Tha God]

So what happened? Like why. Why aren't we.

[Ms. Jones]

We could blame it on a lot of things now. I'm so glad I avoided the baby oil of it all.

[Charlamagne Tha God]

Okay.

[Ms. Jones]

Yeah. I'm glad, please, that I always wound up with labels that didn't necessarily have the resources. I was always with a small engine. And then when you have the other artists that have the bigger engines and maybe not necessarily the bigger talent or the bigger gifts, you lose. But I flipped it and I just stayed the chorus of radio, never knowing that that would be my full time thing. And that from radio I would then go back to making records. Because last year I went back to music. I have a song called Calling All Ladies that was Grammy nominated. And this is the first time congratulations ever. Thank you so. And I have a new single. Let's play. It's the birthday song. Hopefully Envy will give it a spin or something now.

[DJ Envy]

We'll get it on this morning.

[Charlamagne Tha God]

Yeah.

[DJ Envy]

Do you think Diddy took what you were doing back then?

[Ms. Jones]

I know for a fact he did. You want me to tell the story?

[DJ Envy]

Please.

[Ms. Jones]

So if you remember the. So back then it was Mary J. Blige. And it was well before that it was like maybe Alison Williams, but she wasn't really a contender. Cause she was a little more mature at her marketing. But back then it was Michelle A, Alison Williams, and Mary J. Blige was the new kid on the block. Michelle A. Was from the west coast, so she didn't really have the edge, the New York edge.

[Angela Yee]

Right.

[Ms. Jones]

And they knew. Well, then I came and Ron G was my person and Diddy was behind Mary. So Mary's first album, if you go back and listen, it was really all jazz, R and B. Diddy always had his ear to the street. And so he heard about my stuff coming and he came to Ron G, heard the mixtapes that we were doing. And he knew that my album was supposed to be like the mixtapes, which wound up being Mary's remix album. So when he couldn't get Ron to give him my stuff, because Ron was like, no, Ms. Jones is going to be my artist. I'm getting her a deal. He took the music and went and remixed her first album and released it before we could even get out. The Gate with mine.

[Charlamagne Tha God]

So because he couldn't have you or.

[Ms. Jones]

Not me, he wanted the music for Mary. Oh, he wanted the music from Raunchy for Mary. So every song that was supposed to be mine, that sound, that's on the remix album, right? That was. He got it from. And he tricked Ron, told Ron, just bring all your tapes down here. I just want to vibe. And Ron dumped all the tapes there. And I'm like, why would you do that? In hindsight, he didn't know. We didn't know that Diddy would wind up being, you know, the way it was. But. So that's it. But she didn't know.

[Angela Yee]

Have you and Mary J. Blige ever sat and had a conversation about this? And.

[Ms. Jones]

No. And she doesn't know. She doesn't. Like, I. I probably shouldn't even still remember, right?

[Charlamagne Tha God]

Why shouldn't you remember? Did somebody give you something where you ain't supposed to remember?

[Ms. Jones]

I mean, because it's so many years after so many years, it's supposed to move on, right? So don't get me wrong. I have my moments of Tourette's and going down a rabbit hole. But primarily I realized that she did not know and it wasn't her fault. And that's not to say that even if she didn't, she wouldn't have been the huge star she is today. But I just know that particular situation happened that way. And that is the truth. But I'm not denying her success.

[Angela Yee]

I know after that, Diddy did the reality show for you for free. I've heard you talk about that. He did a reality show for free.

[Ms. Jones]

Remember that? Envy. My God. What was the.

[Angela Yee]

What was the exact reality show?

[Ms. Jones]

We don't even know. We were just kids. Happy to have some cameras because this is before reality shows. This is before Keisha Cole. This is before anything. And they brought cameras into the Hot 97 studios. So Envy was like, it would be good. It would be dope, actually, if you could get Diddy to co sign you, go shoot some scenes with Diddy. I'm like, what are we talking about? He's like, whatever. So we get in there, I get into the office, and he's. First thing he says is, why are you always talking about Beyonce? And I'm like, I don't know. What are you drinking? He's like, earl Grey tea. Do you want some? And I'm like, yeah. And then we just broke the ice and started talking. So the show never went anywhere. Emby said it was horribly produced. It was so bad.

[Charlamagne Tha God]

How old Were you at this time? What do you think?

[Ms. Jones]

30?

[DJ Envy]

Early 30.

[Ms. Jones]

Yeah. Early 30s. Cause. Yeah. Cause then. Yeah. Cause when I went to Philly after that, I had my 35th birthday, and the mayor, it was like they sent me 35 birthday cakes up to the radio station. The mayor gave me the key to the city and all the things. So I remember it was, yeah, 30.

[DJ Envy]

So when you left. So when you started doing weekends on Hot 97, then you started doing mornings, right? You started doing mornings with Starring Buck Wild. How was that being into that? Cause they threw you into the mix.

[Ms. Jones]

Well, actually, before. Starring Buckwild, remember? And before that, it was Steph Lover, Curt Flirt. And they asked me. I was home in the midst of boxes. I had to leave my apartment because I could no longer afford that rent. And I'll never forget Tracee, our boss, then called me, and she's like, what's wrong? Why do you sound upset? And I'm like, nothing. I'm fine. And she goes, so what do you think about joining the morning show? Being like the girl on the streets? And I was like, yes. But I didn't want to let her down. I'm like, it depends how much is it paying, period? So this is before the whole replacement Joe Buttons thing. This is. I'm coming straight off of weekends making union scale was like $120 per shift, which is really nothing to live off of, but I made it work. And now I realize that the record label is like. They're like, okay, we're done with your project. So that call changed my life. And then it was me, Steph and Curt Flirt. And I came back one morning and Steph yelled at me. And we wound up having a fight in the studio, but we didn't know that the microphones were on. So then the salespeople came running down the hall to. Wow, it was crazy. So when we heard that and Tracy, we knew she was on her way into the studio. One of my girlfriends worked in sales, and she was like, before Tracy can come to you, go back there and apologize. Just apologize and say, you know you were wrong. And I'm like, but it wasn't it. She said, trust me. I went in there, I said, tracy, I know I was wrong. I apologize for disrespecting you and the studio like that. I just got really emotional. So she goes, okay. Then she called Steph. Steph goes, what the fuck? I can't believe. So Tracy's gonna calm down, say, I'm not calming down. So she goes, you know what? Stay Home indefinitely to Steph. And then that next Monday, it was me, Fat Man Scoop, and Kurt Fleur. She brought Scoop in to replace Steph, God rest his soul.

[Charlamagne Tha God]

Yeah.

[Unknown]

Yeah.

[Ms. Jones]

It was a lot. It was. And it was in a moment's time. I had to think quick, listen to my friend Corin, shout out to Coryn and do that, or else I could have been the one. Because her and Steph were friends.

[Charlamagne Tha God]

Yeah.

[DJ Envy]

Wow.

[Ms. Jones]

Yeah.

[DJ Envy]

So then from. From that transition went from. After Fat Man Scoop was.

[Ms. Jones]

Scoop introduced Star and Buck Wild to Tracy, and they. He. They would wind up taking over his job in Mornings. I'm like, you walked in our competition. But Scoop had that type of heart, definitely. So they got rid of Scoop, and she told me, tracy, you better not fucking say nothing, because this, like, you got to protect yourself and your life.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

But I'm getting rid of Scoop, and I'm moving him to overnights. And I'm putting you on Mornings with Star and Buck Wilde. Now, mind you, Star and Buck Wild used to write talk shit about me in their little magazine that they had, right. As an R B singer. They always talking about the gap in my mouth and all the things, and I'm like, since when do dudes talk about a woman's features? But that was them. And so when they put me together with them, I was, you know, my Scorpio. It's always on. Are you a Scorpio? I am. Are you?

[Angela Yee]

I'm on November 22nd. I'm on.

[Charlamagne Tha God]

Oh, you.

[Ms. Jones]

Scorpio. Scorpio. Oh, come on. Yeah, I'm October.

[Angela Yee]

Okay.

[Ms. Jones]

But so I still had an attitude. So he apologized, but it don't matter. Like, you know what I mean? And then he used to talk about everyone, which I understood what he was doing, but I didn't necessarily want to be a part of that because I'm still an R B singer trying to make a comeback. Yeah.

[Charlamagne Tha God]

And you gotta rub hands and shake hands.

[Ms. Jones]

And I'm outside at night.

[Angela Yee]

You're not.

[Ms. Jones]

You go back to wherever it is you live. I'm in these streets, and I gotta.

[Angela Yee]

Wow.

[Ms. Jones]

Yes. Yeah.

[DJ Envy]

So why did you leave that show? I know all this stuff I'm not saying.

[Angela Yee]

Before we get to why you left, I wanted to ask. Cause it kind of sets up for that question. So just hearing that background and knowing about the magazine and you coming in with the attitude of, I gotta protect myself, is that why, before you left, you chose to protect yourself in the.

[Ms. Jones]

Situation that with Aaliyah?

[Angela Yee]

Yes.

[Ms. Jones]

That was a straight disrespect. And it was too early for the bullshit. And I didn't like the fact that I knew all morning they were whispering. So I knew something was brewing. It was always something brewing with the kids, right? But that morning, it was too soon for the bullshit. And I knew she had just died. So it was. And I was like. But I know they would never, like, go that far.

[Charlamagne Tha God]

But what happened? I don't know.

[Angela Yee]

So. Oh, go ahead. You tell her, Ms. Jonesy.

[Ms. Jones]

So Aaliyah passed away the week before. This was right before nine. Eleven would happen, right? She passed away. This is tragic because no one girl rb, young singer had been dying at all, right? The next week, Starr and Buck Wild, primarily Starr and his assistant Reese, they decide to reenact her dying on the plane crash. And they played the screams and the sound of fire burning like a plane crashing. And I knew they were up to something. To this day, he goes, Ms. Jones knew. No, you kept it from me. And, you know, you didn't tell me what it was, but when I heard it, I walked out and I said, I wish you had died in a plane rather than Aaliyah. And then Tracy used that. She was like, you don't wish death on your co workers. And go home and you cool off. And you think about this like, she punished me, right? She yelled at me, not them.

[Charlamagne Tha God]

That. On the radio.

[Ms. Jones]

On the radio. And then an hour later, McDonald's pulled their money. Burger King, Pepsi, everybody pulled their money. I don't know if it was Jay Z and Dame Dash telling them this is what happened. I don't know, because we didn't have social media back then where we didn't travel that quickly. But we had a lot of listeners back then, and everyone that was listening to Star and buck wild featuring Ms. Jones heard it and knew someone that heard it, right? So when the corporation started pulling the money. Hello, Jonesy, it's Tracy. Tracy, the one that just told me to go home and think about it. We need you back. I have to pull Star and Buckwild off the air. The world, everybody's mad, I bet. Yeah. And we need you to calm the savage beast that is the. And I did what I was told and. And went back on air.

[Angela Yee]

There was a. There's always been a conversation that either Dame or Jay Z either called the station or came to the station or something like that. After all that happened, probably.

[Ms. Jones]

And now that all this other stuff is coming out now, years later, I'm sure they probably took her to breakfast and made the threat that either you get them off the air or else where you won't have any more roc A fella artists. I'm sure of that. I'm finding out now. We're all finding out that those type of conversations were had. You know, Wendy got let go because Diddy allegedly called Tracy and said, by the time I get back in town, she better be gone, or you won't have any bad boy artists. But I want to say this. Star was on his way right then of being let go because the listeners and the corporations would not stop. Be it not for 911 happening the next week, he would have been let go. When 911 happened, everybody forgot about Aaliyah. No one gave a damn about star hour Buckwild. Right. So we got to live to. Or he got to live to see another day under the quiet cloak of let's chill. Let's be easy for a little while. Let's focus on 9 11.

[DJ Envy]

So when they finally left Hot 97 and you were in Philly.

[Ms. Jones]

Yes. Right. Yes.

[DJ Envy]

You got the call to come back to New York. How was that and how difficult was it back then for a woman to have her own show, especially in mornings?

[Ms. Jones]

It was hard. When I went, there had never been a woman in mornings in that format of radio in Philadelphia. But I needed a job because I was fired so abruptly. As soon as things turned around and we forgot about 911 and everyone's back popping, Starr, without me knowing, kicked me off the show. And Tracee, I said, I don't work for him. I work for you. And she's like, yeah, but if Starr doesn't feel comfortable, she didn't even let me know. And I had just gotten this fabulous apartment at The Renaissance on 1 16th at Lennox was brand new. She knew this. They knew it. And she goes, well, go. Go talk to him. Go beg him. Go beg for your job back. Yeah.

[Charlamagne Tha God]

So after she called you and begged you to come and be the saving grace.

[Ms. Jones]

Yep.

[Charlamagne Tha God]

Turned around. I don't know what to do now. Like, go and beg him.

[Ms. Jones]

Yeah. Let me build it back up. Let things get normalized. Let the sponsors come back on. Then she let him kick me off the show, and he only wanted me off the show because I was never gonna be the Robin Quivers. He wanted to be Howard Stern a lot. That was his style and whatever. But Robin Quivers to me, never really had a position. If she did, she never stood up to Howard Stern. That ain't me. That was just not me. So maybe I should have just been a laugh track, and I would have kept that job. But thankfully I was able to go to Philly, be the first woman. I didn't know I was being the first woman. I just knew I needed a job and ain't nobody got time to think about, oh, my God, what am I gonna say? Well, just get in there and do.

[Angela Yee]

Right.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

And so I did that. And now apparently they think I enjoy doing that. Cause I'm by myself at the block talking to myself and Wayne, my producer. But so, yeah, it worked out. It worked out for times like this where companies can't afford to have a fully staffed breakfast club.

[DJ Envy]

So then you came back, right?

[Angela Yee]

Wait, don't let's stay in Philly. Real quick.

[Ms. Jones]

Okay.

[Angela Yee]

Because you going to Philly. Was Wendy Williams giving you a call?

[Ms. Jones]

So I called Wendy. Wait, did Wendy call me? I think she called me, yeah.

[Unknown]

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[DJ Envy]

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[Carlos Miller]

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[Ms. Jones]

Panoramic moonroof, ambient lighting, bows and massaging leather. Appointed seats are optional features.

[Angela Yee]

I've seen interviews where you said she called you because she heard what was happening.

[Charlamagne Tha God]

Lauren, she's so informed.

[Ms. Jones]

That's probably you.

[Angela Yee]

Wendy Williams info Angie Martinez. You guys are like the pinnacle of like if I could have a radio career all combined it is that so. I enjoy all your interviews, especially at drink Chance interview. I've watched it a couple times.

[Ms. Jones]

Thank you. Thank you for carrying the torch and getting in there and getting those stories because I pay attention to you too. I'd be like this. Like what?

[Charlamagne Tha God]

What?

[Ms. Jones]

Thank you.

[Angela Yee]

I appreciate that.

[Ms. Jones]

I appreciate you still having the love of it. So Wendy called. Yes Jones cuz she always had to sneak to call me because her husband Kevin who later would would try to have me murdered in front of Hot 97, that's a whole another story, child.

[Charlamagne Tha God]

Hold up.

[Carlos Miller]

Damn.

[Ms. Jones]

Put you something to drink?

[Charlamagne Tha God]

Sorry, go ahead.

[DJ Envy]

But. But you start. But that was the front page of the paper. But we'll get into that later. There's a lot.

[Ms. Jones]

It's childhood. So much child. I don't even know how I'm still saying the child took care.

[DJ Envy]

Wendy called again.

[Ms. Jones]

So when they called.

[Angela Yee]

Yes.

[Ms. Jones]

She said, I heard what's going on. Call Golden Boy, who was then doing mornings at or the PD for Power 99, and call Luscious Ice over at the the Beat. I didn't know either of these people, but I needed a job. So I called Luscious. Luscious Ice responded quickly, and in a couple of weeks I had the position. I didn't know anyone in Philadelphia except for Charlie Baltimore. And thank God for Chuck. She took me under her wing. She sat in with me on my first week and introduced me to people. Told me kind of where to party, where not to party, what to stay away from. And Derrick Coleman, he from the Sixers and we went to Syracuse together. He helped me find my apartment. And he just was being a real big brother to me when I got to Philadelphia. But it was very rewarding because when I got to that station, they were like number 50 in the ratings. They had no signal and they had little resources. And I brought them to number three in three months.

[Angela Yee]

Wow.

[Ms. Jones]

So for me, that was self.

[Charlamagne Tha God]

What Self proclaiming. That was.

[Ms. Jones]

It was calm. It was because I still had the hurt of Did I mean that little to the Star and Buck Wild show that they think that they could just throw me out. And then I'm like, wait, maybe I ain't shit.

[Charlamagne Tha God]

And then you go somewhere, you revamp it, you replenish it, and then you make it a whole new thing.

[Ms. Jones]

And you just. I just brought the same thing. And they were happy to have the same old thing that they had discarded at Hot 97. Right. They were happy to have me. They were coming to my Grown Folk Fridays, which I created by the way. They were coming. It was everything I did in Philly. I love Philly so much because they gave me what my soul needed. Without being paid or without. Yeah, without being paid to do. So they showed up for me. And at that time in my life, they gave me the confidence I needed to stand in being the only woman doing morning radios like that. And then it was so gratifying when Hot 97 had to call me back to save that ass.

[Angela Yee]

So now we get back to New York or Jess, you want to ask her about the front page with.

[Charlamagne Tha God]

Yeah. So somebody tried to have you killed.

[Ms. Jones]

Oh, Kevin. Wendy Williams husband. Allegedly, according to the court documents. I'll say.

[Angela Yee]

Okay. Yes.

[Charlamagne Tha God]

Break it down. Allegedly. Break it down. Allegedly.

[Ms. Jones]

Suppose. Well, Kevin never liked me and Wendy's friendship. And I think it's because when Wendy introduced me to Kevin, when she very first met him, he and I were sitting in the car together because she had gone in the store to get some gum, and we had a conversation, and I told him to take care of my friend. And he goes, no, when she makes it, I'm gonna make it. I'm gonna take care of her. I didn't like that. I didn't like that. What you mean when she becomes a star, you gonna be right there? I didn't like that. And maybe it was harmless, right? But no, it's not, because look how it ended up. So I knew, and he knew. You know, when your boyfriend, when a boy, a bad boyfriend knows that girl friend.

[Angela Yee]

Yeah.

[Ms. Jones]

That sees him for what he is, he tried to keep her away. Yeah. And Wendy was so happy to have a bulge because remember back in the day when she used to be in the studio, just act like she had a security guard named Bulge, and she'd be like, bulge, close the door. Let me tell you about total bulge. Close the door. There was never a bolt.

[Angela Yee]

It was Kevin.

[Ms. Jones]

Well, later on, she married Kevin and then he became her bulge. Right. Her protection. So when he told her not to talk to me, she used to sneak to talk to me. And so, yeah. And so it would come out later on that when she made her return to New York on 9 11, two weeks after the whole Aaliyah thing happened, Kevin didn't want her having any parts of me. And I guess it got to the point, because I wasn't backing down at that point, she would start saying slick stuff about me on air, and I would start saying stuff back. For many years, I did nothing, but I was tired of being a punk ass bitch. And so I started saying stuff back and he wanted to silence me. And so in the court documents, when their intern, Nicole, I think was her name Nicole.

[DJ Envy]

Yep.

[Ms. Jones]

Sued them. She came out and testified that he attempted to have a murder plot placed on Ms. Jones. Now, three years ago, when me and Wendy Williams reunited, I think this was 20, 22 or 2,022, we started hanging out. I'm spending the night at her house. She's driving all the way out to Manalapan to my House. We still have the ring camera as evidence. She told me. She goes, oh, as far as Kev trying to have you murdered, he was just playing. He didn't mean it, but that doesn't mean he didn't say it. And that doesn't mean that someone who is trying to be in his graces. We see people now shooting and killing people because they think they're doing something in the spirit of. I got her. I got her. So how you playing? How you shooting?

[Angela Yee]

How do you feel right now about the don't catch?

[Ms. Jones]

The don't catch the. It was so regular.

[Charlamagne Tha God]

Yeah.

[Angela Yee]

No, I had to.

[Ms. Jones]

Yeah. Thank you.

[Angela Yee]

Because I almost missed it.

[Ms. Jones]

Wendy. How you killing me?

[DJ Envy]

How you killing me?

[Ms. Jones]

How you killing me?

[Angela Yee]

Oh, my God.

[DJ Envy]

So she. She gets back to New York.

[Angela Yee]

Wait, I was gonna.

[Ms. Jones]

I was gonna. There's so much. Right. It's a lot going on. That was my life. That was our life.

[Angela Yee]

I was gonna ask you. We went out to dinner with Wendy, and she said that she feels like what she's going through right now is because of all of the things that she said and things that have happened because of her karma. Right?

[Ms. Jones]

She said that?

[Angela Yee]

Yeah. She told me in Charlamagne that that's the first step. That's the first.

[Ms. Jones]

I feel like God was waiting for that. I feel like when she had the issues with her feet spiritually, that was God teaching her about kicking people when they're down.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

I said, of all the body parts to get affected publicly be affected. Cause she couldn't hide from that.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

That is you and God. Y' all gotta work that out. You gotta. Gotta acknowledge that despite the fact that Kevin is the one that gave her the foot surgery. Y' all know about that, right? So.

[Charlamagne Tha God]

Oh, he is a foot surgeon.

[Ms. Jones]

When they first got together, he was giving her foot surgery for her birthday. And she went on air. Cause I have the cd. I have all her things. And so she said, I don't know if I should be offended or grateful that my husband's getting me foot surgery for my birthday, but I'm researching the doctors, and I got an appointment this afternoon, and blah, blah, blah, blah, blah. So she went and had the foot surgery to have her bunions removed. Right. This is many, many years ago when this happened. When we got back together in 2022, she came in the room, woke me up, and she said, jones, I want you to look at something. She pulled the robe up. She wear these elongated Versace robes. She'd buy two robes of the same pattern so that her Tailor could cut the bottom and have it long to cover her legs. So she made me touch it, and she said, this is lymphedema. When I had the surgery, the doctor manipulated the nerve in my feet, my lymph nodes, the wrong way. And I said, well, that was years ago. She said, yeah, but it takes so many years for it to get like this. And so in my mind, I'm saying that, mother, he had you have that surgery. So just another way, he's tearing you down. Whether he knew it, I don't think he knew it. I think he really just wanted her to get rid of the bunions. But love my feet as they is. Hello. Love all of that.

[Charlamagne Tha God]

Hmm.

[Ms. Jones]

Don't go changing.

[Charlamagne Tha God]

Right. Cause I got my bunions for my father, and I'm keeping them.

[Ms. Jones]

Keep em. Just keep em.

[Charlamagne Tha God]

I will.

[DJ Envy]

And let me just tell y' all. So when she started doing morning radio in New York, when I was involved, Jones went through mouth surgery for tumor. She went through childbirth and still did the show from her hospital bed and from the bed at the crib.

[Angela Yee]

The childbirth was when you had the. Y' all had something set up where she could isdf. Yeah.

[DJ Envy]

And this is before the stuff that we had. This is like we. She had to do it from the crib.

[Ms. Jones]

$10,000 a month. Okay. The biggest fraud of.

[Charlamagne Tha God]

And your ass in there. Not. Did you have postpartum depression or did you go. You just still. You probably don't even know.

[Ms. Jones]

I had a tsunami song that was.

[Angela Yee]

Gonna say that that worked from home, saved you.

[Ms. Jones]

And they tried to bring it. They. So I'm glad that I was home. I know. You know, you did the research on this.

[Angela Yee]

Is this your baby right here? That you baby?

[Ms. Jones]

That is.

[Angela Yee]

Oh, wow. Okay.

[Ms. Jones]

Yeah. It's so crazy.

[Angela Yee]

This is in real time.

[Ms. Jones]

I know, right?

[Angela Yee]

So talk. Talk to us.

[Ms. Jones]

So now you're hearing about something you.

[Angela Yee]

Brought me in the tsunami song and working from home.

[Ms. Jones]

So I was working from home because Jaylen was just born and it was hard for the cause. I lived still down in the Philly area. Our producer at the time, they brought in a new fancy producer, Rick Delgado, who came from Opie and Anthony. Opie. Anthony was a very racy, charge, shock jockey type of show. They're the ones that had a couple having sex in the cathedral. So my boss Tracy decided that bringing Rick Delgado to be the producer of the. This is when she asked me to come back to New York would be a great idea. So then as soon as he comes in, they let her Go. And he starts just letting loose. So he comes up with this idea to do a tsunami song because the tsunami had just happened. But when the ish hit the fan, people were pissed off, and rightfully so. But they tried to spin it. Our boss at the time, Barry Mayo, he came in, actually, when the tsunami song first aired and high fived, I have to say, allegedly, because he'll sue. Allegedly high fived. And was like, that's a crazy song. You guys are crazy. Laughing all the way. But then when the corporation started McDonald's, Pepsi, Burger King, they come to take their money again. Because who is this Ms. Jones woman that has this tasteless tsunami song that's making fun of Asians and all the things he didn't even tell them the name of the show is Ms. Jones in the morning, but Ms. Jones hasn't even been in the studio to sing on a tsunami song or push a button to make it play, right? So. But no one wanted to hear that. And he was trying to quickly get me out the door. Out the door. Thank God for Mel Sachs. Attorney Mel Saks, the one that will later on represent Lil Kim. Yeah, we had a meeting with him, and he had the head of the Asian. Their coalition or some organization, and he had them come in behind closed doors. It was after hours. And they said, listen, we know that it ain't you. We know that it's the company. My beef is that the owner of Hot 97 had some shady dealings with my dad years ago, and my dad wound up going to prison. Like, it always be something else. It's never, you know, just what is in front of you now. It always be something bigger than you. But they were willing to let me be sacrificed, knowing good and well I couldn't have sung on a zombie song. I wasn't even there. My fault was insisting that it be played again. That was the arrogance of me and the ego of me. And I was only doing that because we had a member on our show at that time that was trying to separate herself from the messiness that was the show. And in hindsight, I understand that. But I just. I always like team to be team for the audience. Yeah, y' all could fight, pull each other's hair out, scratch each other's eyes out behind the scenes, but we always must appear to be a team. And she wasn't doing it. So that's what my. My answer to that was. We'll play it again. Stupid. Stupid, Jonesy. Stupid. To this day, I regret that I.

[Angela Yee]

Feel like I'm asking all the questions.

[Ms. Jones]

You did all the research.

[Charlamagne Tha God]

I am not.

[Angela Yee]

Because this. You have so much. Because. Well, first of all, I wanted to know if you. You and Wendy have spoken recently?

[Ms. Jones]

No, she has not spun my block, but she's spoken to you guys. But you know what? I think somebody took my number out of her phone because she don't have her phone started. And then there's.

[Angela Yee]

She don't have her phone. Would you speak to her now?

[Ms. Jones]

Absolutely. We had good times. When we reconnected, we was going to Caroline's. The night we went to Caroline's, Angela Yee and her friends were sitting at a table next to us. And I told Wendy, and she was like, don't act like you're telling me. She's so shady still. But. But Angela was trying to insist that Wendy come up and take a picture on the stage. And I was trying to not tell that Wendy couldn't get up. I don't want to give her hipaa privacy with her feet. But then the next day, Angela Yee's friend, who was writing for the Post or the something the Page Six, wrote that Wendy refused to take pictures with Angela Yee and Jonesy. And I'm like, we were. We were together, number one. And she couldn't get on the stage because her feet would not allow her. But then I realized the angle of the camera, they were sneaking pictures of us from underneath their table. So now my Wendy knew. Wendy knew.

[Angela Yee]

When was that? What year was that?

[Ms. Jones]

2020. The 2022. 20. Yeah, I think it was 2022. You remember? Because we were doing a reunion show, and she tormented me. And you were like, my phone number is. I don't care what time of the night this is if you need me to come get.

[DJ Envy]

Yep, absolutely. Let's talk about that. So then you left Hot 97, and you could ask questions about that, because that was craziness. We left Hot 97. We left and we were beefing with everybody at that time.

[Ms. Jones]

We were social media.

[DJ Envy]

Yeah, yeah, we were social media. We were beefing. What people don't understand is, back then, it was real beef. Like, we pulled up to parties, clubs, stations. It was really positive.

[Charlamagne Tha God]

I believe it.

[Ms. Jones]

Yes.

[DJ Envy]

You leave Hot 97, you decide not to do Hot 97 again, and you go back to Philly, and you had to run in Philly, and then Philly let you go. Wrongly.

[Ms. Jones]

Yeah. I would realize that the only reason Philly was syndicating me from Hot 97 is because they didn't want me to come back into the market on Power 99. Because Power 99 always had resources. Hey, Thea. Hey. And Thea, who always loved me and they didn't want to get demolished. So when they knew I could not be a threat, they let me go. That was, again, Barry Mayo, the man that brought me back to New York, syndicated me in Philadelphia, because when they fired him, really behind the Tsunami song, he went back to Radio 1 and got a job in Philly and asked me to be syndicated. Right? Now, think about it. If I did all this Tsunami song stuff and you were ready to fire my ass, why are you hiring me back? Which is ultimately what the judges would say. Because I wind up suing everyone.

[DJ Envy]

Jones is sua, by the way. She will sue you in a minute. But so.

[Charlamagne Tha God]

I see, I'm just over here living.

[Angela Yee]

I told. And just all morning, I'd be like, I'm so excited.

[DJ Envy]

So Philly, right?

[Ms. Jones]

Keep us on the guardrails.

[Angela Yee]

Cause who was in Philly at the time? Was it Golden Girl? Like, what era of Philly radio was it Golden Girl?

[Ms. Jones]

It was the hot boys on Power 99. Golden Girl was at night, and she was always trying to nip at my.

[DJ Envy]

Heels, and I'm like, shoot at everybody.

[Ms. Jones]

But she stuck.

[DJ Envy]

Well, they be to this day, Jones will call me and be like, I'm about to go in, and I have to talk her off the ledge at our biggest.

[Ms. Jones]

Cause you don't stand up for yourself enough.

[DJ Envy]

See, See?

[Angela Yee]

Talk about that, would you? Why?

[Ms. Jones]

What.

[Angela Yee]

What you mean?

[Ms. Jones]

No, Envy be trying to take high rolls. He's petty as all petty. But then when it's time for him to. When you got them and it's time to kill, he'll fall back. Cause I guess he thinks about the potential lawsuits, and he's easy prey. And, yeah, she go in before me.

[DJ Envy]

If something happens, she's gonna go in before me. I know, Jones, but the Scorpio will.

[Ms. Jones]

Burn the whole house down.

[DJ Envy]

That's my sister.

[Ms. Jones]

Crazy.

[Charlamagne Tha God]

See?

[Angela Yee]

Exactly.

[Charlamagne Tha God]

See, so when I went live, they can understand it's sometimes. And I ain't a Scorpio. I'm an Aquarius. Oh, I just went live that day and.

[Ms. Jones]

But you had to.

[Charlamagne Tha God]

I didn't know if I was gonna have a job the next day, Jonesy.

[Ms. Jones]

That's what.

[Charlamagne Tha God]

But I did.

[Ms. Jones]

I came in here.

[Charlamagne Tha God]

My badge still worked.

[Ms. Jones]

I was worried for you. And then I called Envy. I was like, tell me this is scripted.

[Angela Yee]

Everybody thought it was fake.

[Charlamagne Tha God]

He can't listen.

[Ms. Jones]

It was real.

[Charlamagne Tha God]

Let me tell you, though, when he. It bothered me the most, That I hurt his feelings.

[Ms. Jones]

Right.

[Charlamagne Tha God]

Because Envy is very loyal. Right. Although I still, you know, I still felt like, you know, I wasn't heard. And I felt like things were done wrong. He has had my back since I started this shit. I'm talking about, like, calling me, checking on me before my pregnancy, my whole pregnancy, after I had the baby, everything. So I understood, like, him coming in here. No, it was whack. It was corny. And I'm like, hold up. Don't say it with the New York accent.

[Ms. Jones]

That's the New York.

[Charlamagne Tha God]

You know, that's what made me cry. And I'm just like, ugh.

[Ms. Jones]

Cause you knew there was a little bit of truth in that. That's big brother spanking.

[DJ Envy]

Yes.

[Charlamagne Tha God]

Yeah, A big brother spanking. And like, no, Would not make eye contact with me. Would not look at me. Would not talk to me. Wouldn't.

[Ms. Jones]

And I don't.

[Charlamagne Tha God]

Like, I did not like that. You know what I mean? But it was like, what I did, I felt like, needed to be done, but definitely. Maybe a different way. Not professional, but it was just like.

[Ms. Jones]

But listen, that was ratings go. Yeah. That was ratings gold. I'm sorry. And I'm sorry that you went through that on air, but that made you humanized.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

Cause you have this tough Persona, and you always have a comeback, and I love that about you. But people need to know that you still bleed, too.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

And they got to see that. So well done.

[Charlamagne Tha God]

So, yes, he definitely is the one that. Yeah, he go hard and everything, but, like, he do, he makes sensible decisions. You can trust.

[Ms. Jones]

Cause he's never gonna let you lose it all. Although he almost lost it all for me. So when I came back to New York after I had had my son, Jaylin Stormbak. Wow. At this point, they were over here and they went on air asking anyone at the hospital where I had my son to send his medical records because he was down syndrome.

[DJ Envy]

He's not down syndrome, as you can see. Guys, I just want to say that.

[Angela Yee]

Nothing wrong with down syndrome kids.

[Ms. Jones]

We love them. But the point is, he was just born. You know what I mean? And he's asking for medical records, right?

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

This man right here stood up for me on the air. Envy stood up for me. The company told him, Ebro, I'm gonna be exact, told him, don't do that. Don't mention the other station. They're still playing those old radio games. We don't mention the other station on air. So Envy jumped in. He got so that same experience you had with Envy. That little passion he got. So he got more angry than I was because I had gone to Jalen's father, and I was like, what are we going to do about it? I went to the uncle's. Oh, just ignore it. Envy said, f that. So he said, a man that will go after a woman and a newborn ain't a man at all. And then Starr went in on Envy's kids. And so Envy and his wife. Gia. Hey, Gia.

[Charlamagne Tha God]

Hey.

[Ms. Jones]

They took that ass quietly took him to court, and want all that money, and I want my cut. Nigga don't care.

[Angela Yee]

Yeah, exactly.

[Charlamagne Tha God]

Whatever percentage at. That's crazy. Yep.

[Ms. Jones]

Hey, Whitney. Yeah. So.

[DJ Envy]

You know how I am about my family. You've seen it up there before. I don't care. I lose it all.

[Ms. Jones]

It was so bad. It was so bad because there was nothing that this company could do but fire him. But it all started because Starr was coming for me and his loyalty and for kids.

[Charlamagne Tha God]

Like, what?

[Ms. Jones]

Their kids weren't off. It's kind of like how America is right now. We're so desensitized to school shootings. We're so desensitized to so many things. We're like, why is this happening? And yet it continues to happen. I don't want to get political in here, but it feels like we're back there where he just thought he could say and do anything. And thankfully, there was a judge that shut it down. And I'm glad I had you as a big brother friend.

[Charlamagne Tha God]

Absolutely.

[DJ Envy]

I would do it again.

[Charlamagne Tha God]

Damn.

[Angela Yee]

He would. And it would be louder, and he would use Instagram as well. He is big bro.

[DJ Envy]

So now when Jones goes back to Philly, leaves Hot 97, I was like, you, me, and Ms. Jones, right? Meaning I was mad. Cause I'm like, how's she just gonna leave us in Philly? We've been doing this show for three, four years, and I was mad at Jones, and I don't think I spoke to Jones for, like, two years. Three years, Right.

[Ms. Jones]

I didn't know you were mad at me.

[DJ Envy]

We didn't speak maybe for five years.

[Ms. Jones]

No, Envy, that's not true.

[DJ Envy]

It had to be longer than that. We didn't speak for a minute.

[Ms. Jones]

No, we spoke because I was at Power 99 and Doc Winter had them conference calls. You were on it. I was on it. And we were talking, and we didn't talk personally, but we were always on those conference calls. So I had no idea you were mad because I thought I did invite you to come to Philly, and you Said you had money in the clubs.

[DJ Envy]

So I thought I was coming. I thought we was gang. Gang.

[Charlamagne Tha God]

Yeah.

[DJ Envy]

So she. She. I child deuces and left. So I was always mad. I'm like, damn. So I had to start over, but. So we didn't really.

[Ms. Jones]

I'm sorry. Wait, wait, wait. No, bring it back. Rewind. I am sorry. Because I wanted you. I don't. Maybe I didn't come to you directly. Maybe I. I knew I couldn't afford you, so maybe I asked somebody in the team. Do you think I should ask Envy? Because he's not gonna come. I can't afford to pay him, but.

[Charlamagne Tha God]

I thought I'd have did it for free.

[DJ Envy]

So when Covid hit, I haven't spoke to Jones, and you was watching the.

[Ms. Jones]

Own network, you and your wife. And I did not know this Jack and Jill mom called and said, I had no idea you're Ms. Jones. Cause I had created a new life for myself once I got fired in Philly. The last. The third time, the last time, I couldn't mess around anymore. So I separated myself from the industry. I couldn't listen to radio. It made me bleed to hear radio.

[DJ Envy]

Industry stuff at all.

[Ms. Jones]

Nothing. I changed my name. I started using my married name just so that no one could trace Ms. Jones back to me and that my kids would have a shame free upbringing, you know? So I was. I was not doing that. So one of my Jack and Jill moms shout out to Jack and Jill of America called and said, I didn't know that was you. And I said, what are you talking about? And then she said, there's a program on own, DJ Envy. His wife just said that were it not for you giving her husband a start in radio, he wouldn't be where he is. And I broke down crying. Cause I hadn't spoken or heard from him in years. And I was angry because I felt like he's doing well. The other co hosts, everybody's doing well. They started on my show, and no one has reached out a hand to even see if my kids had Christmas, if everybody was doing okay or nothing. I was upset. But that gave me the. To get outside of my ego to pick up the phone and call and say, hey, can we talk? He was like, hey, Jones. He was very, yeah, you were very.

[Charlamagne Tha God]

Yeah, yeah.

[DJ Envy]

Aw, y' all made me cry in here.

[Angela Yee]

You're going to make me cry.

[DJ Envy]

So I can't look at it now. So during COVID she was telling me what she was going through. She left the industry. She didn't Want to do radio anymore. She was fine just being a mom. She had two boys. And I'm like, nah, B. I'm like, I don't think you understand what you bring. So I said, this is what we gonna do. Let's create a reunion show. We use my platform to push it, and I guarantee you a program director will call you. Didn't I say that?

[Ms. Jones]

You did.

[DJ Envy]

And then what happened? In a couple of months, you're not even crying.

[Charlamagne Tha God]

I'm crying, girl.

[DJ Envy]

I'm crying. I'm crying.

[Angela Yee]

I mean, we don't know your height of it, me and Jess, but, like, you know what it's like to be.

[Ms. Jones]

Dealing with something and being alone and feeling alone. And I felt so alone all the time that I became numb to. It. Just felt like it was always gonna be me and just me.

[DJ Envy]

I'm, like, crying ahead of them.

[Charlamagne Tha God]

Right.

[Angela Yee]

Especially because in this, I think people look at you, it's like you had a career. People think you're doing well. You just don't know what people are going to do.

[Ms. Jones]

Some people think that you're so resilient that she's not back because she doesn't choose to be back. Look at her. She's out there being football mom, wrestling mom, PTA mom. She doesn't want to come back into the industry, and God bless her, because the industry is poisoned not knowing. I. I would have enjoyed, you know, having a stable check.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

And I was sick, and I had multiple more surgeries with the tumor, which is. I want to say it's gone. It may never leave me completely, but I had. I had been diagnosed with Ameliablastoma since I was child and was told I would never sing or have a career that required speaking, which is why God is just so miraculous. Right. And wonderful.

[DJ Envy]

But can I. Can I talk about the surveys?

[Ms. Jones]

Yes.

[DJ Envy]

This is what made me cry.

[Charlamagne Tha God]

Okay.

[DJ Envy]

So for Jones to make money, she would do surveys. She'd go home, put on a wig, and do the survey again, then go home, put on another wig, and do the survey again. So she would wear three different wigs to get paid to do. Oh, sorry.

[Ms. Jones]

Don't go slowing up the. But you had your baby at this point, right?

[Angela Yee]

You had to feed your baby.

[Ms. Jones]

Look, he's learning.

[Angela Yee]

Oh, he crying, too.

[Ms. Jones]

We all in here crying. Oh, can we not?

[Charlamagne Tha God]

Can we not?

[Ms. Jones]

I'm not going down after all of this time. And I'm back.

[DJ Envy]

We'll bail you out. So she would do these surveys to pay the bills and to pay the rent and to get Food and she would change the wigs.

[Ms. Jones]

Envy.

[DJ Envy]

I was like, nah, that's.

[Charlamagne Tha God]

Although it's hammer in it and you know now or whatever. But like you were doing what you could do to take care of your baby. Well, you know and to pay your bills.

[Ms. Jones]

Right.

[Angela Yee]

But don't you know that feeling?

[Ms. Jones]

That's the part of the story I do. So it's like I just wanted like for me, my kids did not ask to be born to me.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

So why should they have to suffer and go without what their classmates have cause of my reckless mouth or poor decisions. And the last go round I was accused of doing something that I didn't do and didn't even bother to investigate whether or not I did it. And the woman that accused me, who they paid millions of dollars to and they fired me, she wound up going to prison. And then they found out that I wasn't lying and that she had frauded them. And then. But at that point, your name is mud. Yeah, you were. You're blacklisted and blackballed and no one wants to hire you. So you have to do what you have to do. And those surveys like real talk. I like still dope one at halftime.

[DJ Envy]

You stupid.

[Ms. Jones]

They're so easy. This is what your opinion on. Do you like this freshener or do you like that one? It's easy to money.

[DJ Envy]

This is crazy.

[Angela Yee]

Oh my God.

[Unknown]

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[DJ Envy]

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[Ms. Jones]

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[DJ Envy]

So listen, so if we start doing a podcast, right? And within about three weeks she gets a call, right? Somebody, a program director from down south, offers her a Job. And she goes, envy, what should I do? I said, you should wait. And she goes, why? Are they gonna give me a deal? This, that, and the other. I said, you're not from down there. This is your town. This is where you're from. I said, somebody from New York is gonna call you. She was like, you think another month later you got the call from New York.

[Ms. Jones]

But no, but I'm in the phone store buying a phone. I remember. Cause Envy calls and goes, oh, you keeping secrets? And I'm like, what are you talking about, cuz? Remember, I'm doing the podcast, but I'm still in the wilderness.

[Charlamagne Tha God]

I got you.

[Ms. Jones]

No one still knows. So he goes, rumor has it that There's a new 90s station about to open up in New York this afternoon, and that Ed Lover's gonna be doing mornings and you're slated to do afternoons. And I was like, what? He goes, you're not listening to the radio. Mind you, I still can't. So sure enough, I get a call, and it's true. But it wasn't. They didn't know. All they knew was Nick Cannon. And they were still building. And it took about a good year and a half of me meeting with Skip and Chris to convince them that the Jonesy that they're hearing about or the Jonesy that they once knew that was doing shock jock stuff has matured. Has children, has reasons to not come and destroy your radio station, sir. And say reckless stuff to cause us all lose our jobs. Right. And ultimately, that really was who I had grown into.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

I had growed up. Growed. I had grown up. And so it was. I felt like, for me. Because the radio station dropped on my birthday. Yes, that's me. And God's thing, He knows when he does things on my birthday. Oh, that's for me. So I hung in there. I did get discouraged along the course of the way because it was just taking so long. Every air spot, Ed Lover got the job at nights or after, whatever, and mornings were still hanging out there. Then I'm hearing rumors, oh, you know, Fat Joe and Remy are gonna get it. Cause this is when they were filling in for Wendy.

[Angela Yee]

Right?

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

And. And this one's gonna get it. And that one's us, DJ Sus. One's gonna get. It was. And then ultimately Mr. C called me and he said, who is Gary? And I said, an agent that I fired because he was misrepresenting. And he said, get that man out the way. Cause that's the reason why they're not Hiring you because they don't want to deal with him. And I said, but I already let him go. And he said, well, you need to let them know. So I let them know. And in 15 minutes, I had a contract in my inbox.

[Charlamagne Tha God]

Period.

[Angela Yee]

Wow.

[Charlamagne Tha God]

Going back to what you said, it's not always what's in front of you. It's some whole other thing. You didn't even know.

[Ms. Jones]

I had no idea. First of all, when's the last time they opened up a new station in New York? I think it was power 105 back in 2002. Yep. Right. Who's thinking that they're gonna start a whole new station in New York and make it 90s? And I am the 90s girl. Where I wanna B boy, Sugar Hill, period. I'm like, this is too easy. And, God, you don't make things easy for me. A lot of women, and maybe men too, we're so used to fighting and things not happening that we're always waiting for the other shoe to drop.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

But I'm so thankful, I guess, that I had nothing to lose and everything to gain by humbling myself and letting it happen in their time and in God's time. Because here I am. And now I feel like God is moving me up so quickly because I did do a lot of work when I was home. Like, I got into the scripture and I would write down my pastor, Darius Daniels, I would write down everything. And so I could apply it whenever I was faced with a challenge. Because I don't want to go back to being hothead Tarsha. I want to. Right. And so I was doing the work and I was applying the work. And even now I listen to the scripture every morning on my drive into the block because I don't want the listeners that God has blessed me with again to be tortured or tormented with some bullshit that I'm going through. Right. Because it's bigger than me. Right. And so there's always work to be done.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

It never stops. I'm just thankful that I'm able to sit here with you and you and you and Charlemagne, you're here in spirit. But thank you for allowing me in Yalls house. Because I never imagined. I thought it was over. I thought I was going to be Jalen and Che's mom. And I was happy being that.

[Charlamagne Tha God]

Yeah.

[Ms. Jones]

Right. But as my kids grew older, they. They had needs. So I'm glad I'm in position now to meet the needs.

[Charlamagne Tha God]

I love you your story.

[Ms. Jones]

Thank you.

[Charlamagne Tha God]

Everything.

[DJ Envy]

I just. I want to get into Some BS too. Just some fun bs If y' all don't mind.

[Charlamagne Tha God]

I want Jess.

[DJ Envy]

Ask. Ask. Ask her when she met Ms. Knowles.

[Charlamagne Tha God]

When did you meet Ms. Knowles?

[Ms. Jones]

And V. Why did you say that? She told me off. You know, I won that argument.

[Charlamagne Tha God]

What happened with the argument? You was argument with Ms. Knowles.

[Ms. Jones]

So, Beyonce, it was a Friday afternoon, and I don't know why. At Hot 97.

[Charlamagne Tha God]

Yes.

[Ms. Jones]

And the staff was trying to rush me out. You still here, Jonesy?

[DJ Envy]

I always would leave Friday. Same thing as now.

[Ms. Jones]

Friday.

[DJ Envy]

Where am I gone?

[Ms. Jones]

Most of the time I wasn't even coming in. I'm at the Borgata.

[DJ Envy]

I wasn't listening. Did I tell you?

[Ms. Jones]

You did.

[DJ Envy]

If Jones is winning at the Borgota, she's not coming to work.

[Charlamagne Tha God]

I ain't coming to work if I'm winning.

[DJ Envy]

She'd be like, I feel weird.

[Ms. Jones]

I'm sick.

[DJ Envy]

I hear, bing, bing, bing, bing, bing.

[Ms. Jones]

Bing, bing, bing, bing. But on that day, I was there, I didn't know Beyonce was coming up, and I don't think she was coming up for us. I think she was coming up for our sister station, kiss, which was two steps away. Right? So Michael, Sean, the comedian on our show at the time, who's now my kind of co host at the Block, he happened to be downstairs because his routine was to go down after the show and smoke, okay? So he said he sees a whole, like, Secret Service black SUVs pull up, and all of a sudden, doors fling open. Doors fling open and hair, blonde hair is just blowing in the wind and these long, beautiful, elongated legs step out of the suv. He's like, Jonesy. So he runs back in the building to let me know that Beyonce, who we have been joking on, laughing on. I mean. Cause we. We always play too much. We didn't have anything personal against her. There was really nothing. So it was never beef. No.

[Charlamagne Tha God]

Okay.

[Ms. Jones]

I was just being stupid, right? And. And I was being paid to be stupid and to mind people's business. And if you ever want me to stop minding your business, you have to pay me a separation fee. So she came upstairs and she went to hug me. But I being just being stupid, I was like, I don't hug. I have newborns at home or whatever. Just something stupid, just to be extra. I didn't know she was gonna be love on top.

[Angela Yee]

I was gonna say, what era Beyonce is this?

[Ms. Jones]

What song? Give us a song. Beyonce was popping from the coochie of Tina Knowles.

[Charlamagne Tha God]

Hey, y' all, not from the coochie. All right. What era Was in.

[Ms. Jones]

It didn't matter.

[Charlamagne Tha God]

Does this say my name?

[Angela Yee]

What was this?

[Charlamagne Tha God]

Ring the alarm.

[Angela Yee]

She just started a solo artist.

[Ms. Jones]

Okay, so she. Beyonce. So she's Beyonce. Beyonce.

[Angela Yee]

You talk Beyonce, girl, I got kids at home.

[DJ Envy]

Don't touch me. Don't hug me. I got kids on my.

[Ms. Jones]

I don't know. I didn't say it like that. I just was like, you know, she went in for the hug, and I did the stiff arm, and she was like, I'm Beyonce. And I was like, nice to meet you. And she. Nice to meet you, too. And she walked on to the studio to do her voice work. Here come that damn Tina Knowles. Yeah, I like how you keep my daughter's name in your mouth all the time.

[DJ Envy]

This is in public. It's fun to everybody. Now everybody, I'm there. It's in the hallway.

[Ms. Jones]

Okay. And now I'm gonna continue to keep it. And now I'm gonna add yours to the list. You need to worry about that red Joker lipstick making you look like the damn Joker. What?

[Angela Yee]

You said that to Ms. Tina?

[Ms. Jones]

I did, yes.

[Angela Yee]

You still feel like that?

[Charlamagne Tha God]

I absolutely feel like Jonesy said that back.

[DJ Envy]

No, I believe I was there.

[Angela Yee]

She did, but you just said that with so much conviction. I just wanted to know if, like, where we at right now with Ms. Tina?

[Charlamagne Tha God]

And she was reenacting what she did. You know what I mean?

[Ms. Jones]

Yeah, the thespian came out. But no, I had. So I didn't have a problem with Beyonce back then. Despite all the parody songs, all the.

[Angela Yee]

Things y' all made parody songs.

[Ms. Jones]

Would you like to hear one? It was a radio show. It was fun. We don't get this in the Charlotte.

[Angela Yee]

And I love that they have grown up and I get it, but it's like, man, to sit and I've been so excited all morning just for you to come in here and do this. Because we don't get this version of you.

[Charlamagne Tha God]

But you see why? Because they old what Jonesy was doing back then, we gotta do that now.

[Ms. Jones]

Do it now. They're traumatized him. And Charlamagne. Charlamagne got it from Wendy. He got a whole nother set of trauma and envy. I'm sure you're trying, Mitch. We're trauma bonded. The things we've done has seen. But yeah, so back then, we could make songs. Well, that's also a special skill set. I can make up songs on the fly. That's the R B singer in me. And I can flip your lyrics and make them be lyrics about you in a funny way.

[Charlamagne Tha God]

We ain't got pipes like Jonesy, no.

[Ms. Jones]

But that the boy is mine. Oh, I love.

[DJ Envy]

Now sometimes your food order be wrong.

[Charlamagne Tha God]

Yes.

[DJ Envy]

Ask Jones what happened if her food order was wrong.

[Charlamagne Tha God]

If your food order is wrong, what happens?

[Ms. Jones]

Jonesy, the new Jonesy.

[DJ Envy]

The old Jonesy.

[Charlamagne Tha God]

Yeah, I'm talking about old. I'm talking about Joneses.

[Ms. Jones]

I might like.

[Angela Yee]

What?

[Charlamagne Tha God]

What?

[Ms. Jones]

I might throw it at you for.

[Charlamagne Tha God]

Real if it's wrong.

[Ms. Jones]

Because this was morning show boot camp every day.

[DJ Envy]

This was morning show boot camp. You had to get it right. There was no mistake. You know how people make mistakes up here and everybody's like, ah, it's okay.

[Ms. Jones]

Same order every day.

[Charlamagne Tha God]

You know what? That's why no Envy and Charlemagne. Every chance they get, they say, man, y' all got it too easy. Cause back in it. Hey, y' all would have never made it. Y' all too soft.

[Ms. Jones]

Oh, yeah.

[DJ Envy]

If the wrong clip plays, it would be hell, yeah. Not just for five minutes, for the whole show.

[Ms. Jones]

Oh, it's still that way.

[DJ Envy]

See, if a curse played, you'd have to deal with Jones. You'd have to deal with program director.

[Ms. Jones]

Music play, and the lawyers.

[DJ Envy]

We get it. Nice.

[Ms. Jones]

But look, y' all need refills. Absolutely. What the hell?

[Angela Yee]

This is like.

[Ms. Jones]

Because there was a lot on the line back then. We didn't know what we were doing was going to be YouTubeable. And people were gonna go back and be like, oh, shoot, Y' all played with Usher like that. Oh, shoot. Y' all did this. Y' all banged on Hammer. We didn't know. Yeah, we were like kids being let loose in the funhouse. Yeah.

[DJ Envy]

Remember when MC Hammer came and you wasn't there that day?

[Ms. Jones]

I wasn't there anymore.

[Charlamagne Tha God]

And you said, be careful.

[Ms. Jones]

Yep, yep. I warned you.

[DJ Envy]

So I made fun of him.

[Charlamagne Tha God]

What the hell happened with MC Hammer, first of all? Because I heard he was down with the get down.

[DJ Envy]

MC Hammer was a gangster from Oakland.

[Charlamagne Tha God]

Absolutely right.

[DJ Envy]

I heard. You know, you see the dance? Can't touch this.

[Charlamagne Tha God]

Yes.

[DJ Envy]

So this is when interviews were live. Like, really live. So when he landed, he was on his way to the station. Jones was in the casino, of course, so she didn't come that day winning. So me and Michael. Sean was making fun of him. But, like, Hammer's coming. What you gonna say? Can't touch this. Like, Hammer, what happened? I got to pray. Like, we were making fun of him.

[Ms. Jones]

Hammer's in the cab. Listen to himself be clowned because he's thinking he's coming for love. A great interview. And It's New York. Who wants to be clowned in New York? And he's never expecting.

[DJ Envy]

Right. So he gets to the station, him and an older gentleman come inside, closes the door, stands at the door, says, I'm here to test a coward's heart. I don't even know what that means, Right. I was like, what that mean? I'm here to fuck y' all up, talk that shit in front of me. Now at that point, he's not letting us out. Yeah, he's not letting us out.

[Angela Yee]

So what you start doing? Dancing.

[DJ Envy]

I was nervous.

[Ms. Jones]

You joked again. You was like, can't touch this. And started dipping and dodging away from him.

[Charlamagne Tha God]

See, he playing around.

[Ms. Jones]

Yep. And then Mike Sean starts going in with his type of comedy. And then somebody called Ebro. Ebro came from the Bay Area, and he had a relationship with Hammer, but it got so real. Like, I think Hammer started sweating and was in their face, like, when you talking and spitting out. Oh, yeah. And then, had it not been for Ebro saying, chill, chill, chill, chill. Hammer, they not.

[Charlamagne Tha God]

They would have had to squabble.

[DJ Envy]

Ebro said. Ebro called me and said, look, I don't know if you know, but Hammer's real. And that little. That. That guy, the old guy you got probably got a gun in his bag right there.

[Unknown]

Yeah.

[DJ Envy]

So he was like, at the time, I used to carry my little tutu. He said, so those little two bullets ain't gonna do nothing. So just know, leave Hammer alone. And I was scared. That was my. Probably my scariest interview. After that, I was like, hammer's about to fuck us up.

[Charlamagne Tha God]

So he was the original Birdman, my nigga.

[Ms. Jones]

Yes, he was. Damn.

[Charlamagne Tha God]

Yes.

[Ms. Jones]

But in all perspective. Yeah.

[Unknown]

Yes.

[Ms. Jones]

Yeah, yeah, yeah.

[Charlamagne Tha God]

So your ass at the casino doubling.

[Ms. Jones]

Down on a hard four or something. Split the fours or something.

[DJ Envy]

Don't think about it. You don't think about it.

[Ms. Jones]

She plays no, no, no.

[Charlamagne Tha God]

But I ain't gonna do it.

[DJ Envy]

But she's the one that be like, you know what? I ain't coming into that. I'm a broadcast from the crib, you know? Yeah. The landscape is in the background. Excuse me. Not the crib, the estate.

[Charlamagne Tha God]

I love that girl. I'll be. Yeah. Anytime I could broadcast from somewhere else, I'll be doing it.

[Ms. Jones]

Yes.

[Charlamagne Tha God]

Sorry.

[Ms. Jones]

Damn.

[Charlamagne Tha God]

Yo, so you have new music? I do. You do. Okay, let's get to that. What made you get back in the booth? What is this new music about? Like, what is it? Is it about, you know, all that time that you've Been gone or your hiatus? What is it about?

[Ms. Jones]

It's more. I haven't gotten into that yet. I have a newer. Newer song that's. That's for weddings. Okay, but. And it's a remake, but I don't want to take the light against this. What this was is that when I did start being able to listen to radio again, there was nothing on radio being played that I really loved.

[Charlamagne Tha God]

Okay?

[Ms. Jones]

So I said, let me create something. That's how I did grow Grown Folk Fridays. There was no parties that were just for the adults. So I created Grown Folk Fridays where we played throwback music and invited the throwback artists to come and perform.

[Charlamagne Tha God]

Okay.

[Ms. Jones]

Now it would be called Pastor Mike. I did it first, but. Okay. So the songs are just good feeling music, dance music, and everybody loves their birthday. We all think our birthday signs are the best. So this song is, like, called Best Birthday, Best Birthday. And let's play.

[Charlamagne Tha God]

Yes.

[Ms. Jones]

Yeah.

[Charlamagne Tha God]

Oh, we're gonna have to hear it.

[Ms. Jones]

We can play.

[DJ Envy]

We can get that on.

[Charlamagne Tha God]

That we got to hear it in.

[DJ Envy]

Do you have any more questions for the legendary Ms. Jones?

[Angela Yee]

Well, I just want to know your relationship with Nas today. What's that like?

[Ms. Jones]

What do you mean?

[Angela Yee]

Like what. Like what it like? Because I know, like, you were the first person to put him on air around the ether time, like, today. Are y' all still friends? Are y' all speaking or I mean, not a relationship like that type of relationship. No, no, no, no. I mean, like. Like, are y' all speaking? Are y' all.

[Ms. Jones]

I never slept with him. Okay. I wasn't even leaning into that. Okay, good. No, I mean, I did have a dating question.

[Angela Yee]

Cause I know you talked about Busta Rhymes, but we can go either, like.

[Ms. Jones]

Yep, my son's getting mad. Cause his friends clown him.

[Angela Yee]

I met more so than the mother just wanted.

[Ms. Jones]

Because he's gonna be friends. Cause he's from the bridge and I'm from Astoria. And we have that connection. We're like a cult.

[Charlamagne Tha God]

Yeah, right.

[Ms. Jones]

That's hometown hero, hometown friend. I actually would love to catch up with Nas because Nas is another one that has a lot of stories. And when you reconnect, sometimes it brings you back so you can appreciate what you've gone through to be where you are right now. And he's so bossed up right now. I'm so proud of him. But, yeah, that's the hometown I do wanna ask.

[DJ Envy]

Last question. You were in Biggie's video.

[Ms. Jones]

One More Chance, One more chance.

[DJ Envy]

How was that video?

[Ms. Jones]

That was very, very special because Everyone didn't get invited to be in it. And I was one of the girls whose records may not have been the biggest, but they invited me. Cause Shorty was ill and everybody was showing up and everyone was being regular, like nobody was being nasty. Luke showed up first. You know, my ego, bigger ass. I was probably there first. D. Nice. Before he was DJ D, right. He was still DJing, but he wasn't. But he was there. Everyone came with love and excitement because we didn't even hear the song. Diddy wouldn't let anybody hear. And the only song that was out was the remix. So all night before I'm practicing in the mirror to the remix, not knowing that that wasn't gonna be the one, but everybody was. And there were people outside still trying to get in. So I'm actually glad I got there early. But Patra Johnnae, like, I'm fans of these girls, and I'm now I'm like, in a video with them. And to this day, when those. See, things like that would happen while I was raising my kids when they were little, a video would come on and somebody would be like, that looks like you. Things like that. And I think the defining moment, when the cat came out the bag that Tarsha, Jaylen and chay's mom was Ms. Jones. I was running around this football mom. And before a football game, you have to make sure that the announcer booth, everybody has the names of the players, the coaches, all the things. And then you have to press a button for the Whitney Houston national anthem. Bitch, I'm pressing buttons and nothing's playing. And they're all looking at the black lady in the booth that they probably think should have no business up there to begin with. I grabbed the microphone and bust down the national anthem to the point they're clapping before I even get to the. And the land of the free. And my sons, they're looking. They're like, jalen, that's your mom. And I'm like, in the home. And at that moment, they're like, you're somebody. You know, white folks start Googling.

[Charlamagne Tha God]

Oh, yeah.

[Ms. Jones]

They start Googling the jig and the gig. They both were up at that point, and I couldn't hide. And then I was like, maybe I'm not supposed to. Maybe I need to figure out, you know, some things. And I wanted to sing. I just didn't want to be back in the industry. So I started singing with a little band, and that fulfilled me. And then that and my little surveys. Yes, the money from singing in the band and the surveys. We were good. We were balling.

[Charlamagne Tha God]

And you know why? People was happy, like, oh, she has so much soul in there.

[Ms. Jones]

They had no idea. And then one person was like, this is why. That's who she is. And this is the video.

[DJ Envy]

And, yeah, you got a PAC story, too.

[Charlamagne Tha God]

Birthday was just yesterday.

[DJ Envy]

We'll leave it at that. I just want to say one last thing. I appreciate you, Ms. Jones. I love you.

[Ms. Jones]

I love you, Envy. But you asked Mo about the threesome.

[Charlamagne Tha God]

You had a threesome?

[DJ Envy]

Oh, pix11. Tell them all the stuff that you do.

[Charlamagne Tha God]

You do.

[DJ Envy]

Entertainment Report on Pix11. Thursdays.

[Ms. Jones]

My son is about. Do you see how he jumped in? It was like.

[Angela Yee]

Don't forget to tell you that for a minute.

[Ms. Jones]

All right? Okay. All right. So Envy finished. I love when you give my eyes.

[DJ Envy]

So I was gonna do it. So I was gonna say, we appreciate you. We love you. I appreciate you so much. You could check on PIX11 on Thursdays.

[Ms. Jones]

And now I have a TV talk show special on PIX11. What is that on hopefully June 22, if not. Cause you know me, I'm never, like, satisfied. So I'm still tweaking. If I don't make my June 22nd debut, it'll be July 6th.

[DJ Envy]

Go out and watch that. Of course, she's on 94. Seven the block each and every Monday morning.

[Ms. Jones]

Yes.

[DJ Envy]

And you, young man, and your brother. If I tell you how many times your mom's called me and I talked her off the ledge for whooping your asses.

[Charlamagne Tha God]

Oh, my God.

[Ms. Jones]

Hell, yeah.

[DJ Envy]

Oh, my. No, you don't understand. I know this. I'm about to go up there right.

[Ms. Jones]

Now to the Lawrenceville School. Appreciate all the. All the possible beatings you might have said.

[DJ Envy]

Oh, my goodness.

[Charlamagne Tha God]

Yeah.

[DJ Envy]

And your brother, too.

[Ms. Jones]

Bergen. Kathryn, you're the reason Che's in Bergen. Catherine.

[DJ Envy]

That's right. He's doing well.

[Ms. Jones]

They said he's doing very well.

[DJ Envy]

I love it.

[Ms. Jones]

Yeah.

[Charlamagne Tha God]

I love this. So much history here, man.

[Ms. Jones]

Thank you guys, for respecting and carrying the torch on ladies.

[Charlamagne Tha God]

No problem. That's really good for us.

[Angela Yee]

We here cause you.

[Charlamagne Tha God]

Literally, because of you.

[Ms. Jones]

Well, thank you. Because you're doing it well. And you're looking great doing it. Thank you. Stay focused. Black out the white noise, okay? And just keep going. Thank you, guys.

[DJ Envy]

Well, it's Ms. Jones.

[Ms. Jones]

Jones.

[DJ Envy]

It's the Breakfast Club. Good morning, period.

[Ms. Jones]

Wake that ass up early in the morning. The Breakfast Club.

[Carlos Miller]

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[DJ Envy]

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[Charlamagne Tha God]

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[Ms. Jones]

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[Unknown]

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[Charlamagne Tha God]

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[Unknown]

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[Ms. Jones]

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[Ms. Jones]

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[Unknown]

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[Ms. Jones]

Full [e-mail] disclosures we've all done it. You see a headline but don't have time to read the whole story. Or there's so much news you're not sure what is worth your time. I'm Colby Ekowitz, co host of Post Reports, the weekday afternoon podcast from the Washington Post. Post Reports brings you what's relevant and revealing. Breaking stories, politics, wellness, culture. Each episode goes beyond a headline for the context you need. Find Post Reports now wherever you're listening.

[Angela Yee]

This is an iHeart podcast.