INTERVIEW: Trap Dickey Talks 'The Ville,' South Carolina Upbringing, Music Career & Following The Blueprint + More

Summary

Podcast Summary: Trap Dickey Interview on The Breakfast Club

Podcast: The Breakfast Club (The Black Effect Podcast Network & iHeartPodcasts)
Episode: INTERVIEW: Trap Dickey Talks 'The Ville,' South Carolina Upbringing, Music Career & Following The Blueprint + More
Date: May 8, 2026
Hosts: DJ Envy, Jess Hilarious, Charlamagne Tha God
Guest: Trap Dickey

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Episode Overview

This episode welcomes rising hip-hop artist Trap Dickey, from Hartsville, South Carolina, for an in-depth interview about his new project The Ville, his journey from small-town roots to signing with TDE, and the blend of family, hustle, and street experience that shapes both his music and his life. The hosts dig into his South Carolina upbringing, real estate endeavors, fatherhood, community ties, and the realities of making it out of—and giving back to—the neighborhood.

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Key Topics & Segments

1. South Carolina Roots & The Ville (03:02-03:39)

• Trap Dickey shares that The Ville is a tribute to all “villes” across the country, not just his own Hartsville.
  • Quote: “It ain't just for my ville—you know, you got Nashville, you got Louisville. Even in New York, you got Brownsville... it’s everywhere.” (03:21 — Trap Dickey)

2. Breaking Out from Small-Town Carolina (03:39-04:59)

• Discusses challenges of making it as an artist from South Carolina and how community support made his journey possible.
  • Quote: "I don't feel like it was difficult, it's just putting in hard work and... Carolina support Carolina." (03:49 — Trap Dickey)

3. Real Estate Investments in the Neighborhood (05:17–07:27)

• Details buying foreclosed and abandoned homes in his hometown, emphasizing generational wealth and community protection.
  • Paid off his grandfather’s $60,000 foreclosure, prompting him to keep buying houses.
  • Quote: “If you own four houses on a block of six, you damn own the block.” (06:19 — Trap Dickey)
  • Wants family security: “Only we can call the police.” (07:27 — Trap Dickey)

4. Balancing Fame, Local Loyalty, and Family (07:38–09:38)

• Navigates superstardom while staying grounded at home, mindful of his position: “If the mayor can call my phone and say, hey, what you doing? I know I gotta be respectful.” (07:47)
• Describes being in “grind mode” and treating new attention like small-town familiarity.
• Music inspiration split between survival and “home” vs. hit-making.

5. From the Streets to Music: Motivation and Transition (09:33–11:58)

• Started rapping after his little brother’s influence, shifting from street life as music began to take off.
  • Quote: “When I seen a million views... I was like, all right, it’s really time to just sit my ass down.” (10:30 — Trap Dickey)
• Talks about the trap of small-town policing and the risk of getting “caught up in the system.”

6. Community Love & Staying Local (11:45–13:16)

• Emphasizes authentic community support in Carolina.
• Explains his affinity for “LA”—shouts out Lincoln Avenue, not Los Angeles, tying it to family history.

7. Family, Loss, and Survival (13:19–15:11)

• Opens up about his father dying at 17 and how it shaped his perspective: “In Hartsville, you could die so young.”
• Shares the story of being accidentally shot by his own brother during a crossfire.
  • Quote: “I thought a piece of the tree or something hit me or something... then I realized when I looked in the mirror, like, oh, snap. I think I done got shot for real.” (14:04–14:15)

8. Adjusting to Success & Responsibility (15:37–16:27)

• Says mental adjustment to leaving street life is harder than making it out.
• Now lives 30 minutes from his hometown to balance safety and proximity to family.

9. Authenticity in the Industry (16:27–17:01)

• Stresses importance of real experience vs. pretending, both in music and reputation.

10. Fatherhood & Co-Parenting (17:01–19:41)

• Proud, busy father of seven kids with four mothers—all from the local area; three get along, one doesn’t.
• Candid about favorite kid: “Damn right I got a favorite... But they know, they be getting mad at me.” (18:31 — Trap Dickey)
• Navigates big family logistics, respectful relationships, and makes sure kids feel valued.

11. Family Wealth & Legacy (19:46–25:22)

• Puts priority on home ownership and plans to eventually deed properties to his children.
  • Quote: “After a certain age we going to put these houses... in the kids’ name.” (25:04 — Trap Dickey)

12. Realities of Street Life vs. Glamorization (25:22–26:26)

• Critiques “back-dooring” (betraying/robbing friends) in the current street culture.
  • Quote: “If you did something to your friend, you got in trouble for it... now, rappers robbing another rapper.” (25:52–26:26)

13. Festivals, Collaborations & Hip-Hop Community (27:11–29:44)

• Dreamville Fest was Trap Dickey's first festival stage; describes it as “crazy” and motivating.
• Collaborated with DaBaby after a direct message; DaBaby embraced him into his circle.
• Talks about Carolina’s big contributions to hip-hop, and how local promoters “pay good” but feel overlooked nationally.

14. Following (& Funding) the Blueprint (30:01–31:50)

• Paid for online promo, followed industry blueprints, credits Say Cheese and academics for exposure.
• Cites Speaker Knockerz as a pioneer who used the internet to break from Carolina.

15. Diversity Within South Carolina Hip-Hop (31:50–35:36)

• Points out differences in dialect, culture, and attitude between various SC cities (Charleston, Columbia, Myrtle Beach, Hartsville).
  • Quote: “It sound like a whole different language... you go over here in Columbia, they feel like they the biggest... in my area, we just the countries.” (31:57–32:46)
• Conversation about Geechee and Gullah heritage, and the unique Southern culture rooted in Charleston.

16. Community Perception & Setting Role Model Example (35:39–36:51)

• Embraced as inspiration, not an "escape plan" in the neighborhood.
• Attributes discipline and survival to family, especially grandmother’s influence.

17. Contemplating Life Journey & Legacy (36:27–38:16)

• Grateful for outlasting early life expectancy: “I ain’t think about making it to 60 and 70... Once you accomplish your goals, you really gotta set more goals in life.” (37:00–37:53)
• Making it to 25 seen as OG in his community.

18. Hip Hop Dreams, TDE, and Being Authentic South (38:38–43:34)

• Dreams of collaborating with Outkast, inspired to work with legends.
• No pressure at TDE—wants to soak up knowledge, be a learner, "bring the south to the west side."
• Stays true to his background, not switching up for industry tastes.

19. New Music & Collaborations: Key Glock, Big X (43:34–43:41)

• Shares stories of organically connecting with Key Glock and Big X, mostly through mutual respect and presence, not chasing clout.

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Notable Quotes & Memorable Moments

• On Hartsville: “Hartsville’s only six square miles. 7,000. It ain’t nothing but one gas—no, two gas stations open after 12... one Walmart, one high school.” (04:35 — Trap Dickey)
• On Ownership: “If you don’t really own your hood, I’m so sick of people saying it’s mine. But your name ain’t on no property.” (07:01 — Host/Trap Dickey)
• On Local Support: “Carolina gonna show love to the real. Like we show love to authentics. If we can see it, we love it.” (11:58 — Trap Dickey)
• On Surviving Small Town Dangers: “I gotta make it past 17. That was my main goal.” (37:00 — Trap Dickey)
• On Adjusting to Success: “Mental adjustment is way harder than being in the streets or anything.” (15:41 — Trap Dickey)

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Tone and Takeaways

The tone is authentic, candid, and sometimes humorous but always grounded in reality. Trap Dickey presents himself as a product and proud representative of his community, unsparing about the challenges and pleasures of small-town life—a love for the home, family, and perseverance. His drive is tempered by the losses and lessons of street life and a clear-eyed mission to build a different legacy for the next generation.

The conversation gives rich insight into his mindset as a father, entrepreneur, and artist with one foot in the gritty past and another in a rapidly ascending future.

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Recommended Listening Segments (Timestamps)

• 03:21 — Meaning of The Ville and “villes” as cultural shorthand
• 05:17–07:27 — Buying family homes, owning the block
• 13:47–14:33 — Being shot in crossfire by his brother, telling his mother
• 15:41 — The challenge of mental adjustment after leaving the streets
• 17:01–19:41 — Fatherhood, co-parenting, managing a big family
• 27:11–27:23 — Performing at Dreamville Fest
• 30:01–31:50 — Online grind, industry blueprint, and local Carolina legends
• 36:27–37:53 — Reflections on survival and making it
• 40:01–41:03 — How organic connections with other artists happen

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Summary prepared for listeners seeking the full scope of Trap Dickey’s compelling origin story and outlook, as told in his own unapologetic voice.

Transcript

[Host]

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[DJ Envy]

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[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Hold up.

[Charlamagne Tha God]

Every day I wake up.

[Joybox Ad Voice]

Wake your ass up.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

The Breakfast Club.

[DJ Envy]

Morning, everybody. It's DJ Envy. Just hilarious. Charlamagne, the guy. We are the Breakfast Club. Lauren Laros is here as well. We got a special guest in the building.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Heartsville, South Carolina Zone.

[DJ Envy]

Charlamagne says South Carolina. South Carolina all day, ladies and gentlemen. We got Trap Dick in the building. Welcome, brother.

[Trap Dicky]

Let's do it. We here. How you feeling, man? Feeling good. I'm here at a Breakfast Club. You know what time it is? There you go. Got my Carolina brother in here. We live.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Yes, sir. New project. The ville out.

[Trap Dicky]

Oh, yeah, it's coming. It's coming. It'll be here tomorrow.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

You said it's an old to all

[Trap Dicky]

villes, yes to all vils. You know how it is. Especially coming from the south. It's a bunch of villes. But it ain't just for myville, you know, you got Nashville, you got Louisville. Even in New York, you got Brownsville. It's everywhere. Even in California, you got Victorville. So it's like it ain't just for myville, but in the south, and North Carolina is a bunch of them.

[DJ Envy]

Now that you signed a tde, how difficult was it coming out from artists from South Carolina? Cause we don't see too many artists that really cross over into the charts of South Carolina. How difficult was it for you?

[Trap Dicky]

It feel good, but it was a blessing. It wasn't so much difficult when you really got the love behind you. Like I say, you got people from Carolina. Carolina. Support Carolina. And we show love to any entertainment, any entertainer. So it's like we pay good. We love to see people. So it's a blessing to see me make it this far. But I don't feel like it was difficult. It's just putting in hard work and

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

hospital's smaller than where I'm from. I actually was in hospital. I sent him a picture out of the hospital a few weeks ago because I went to the. The racetrack in Darlington. So you had to go through hospital? And I stopped at some place to eat.

[Trap Dicky]

Oh, yeah, yeah, yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I forgot.

[Trap Dicky]

Probably Yogi Bear or something.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I don't remember the seafood spot, but Hartsville's like six square miles.

[Trap Dicky]

Oh, yeah, Mayflower. You went to Mayflower?

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

To Mayflower Mayflower, Hartfield's only six square miles. What's the population?

[Trap Dicky]

7,000. It ain't nothing but one gas. No, two gas stations open after 12, probably. Or one Walmart, one high school.

[DJ Envy]

So everybody know everybody?

[Trap Dicky]

Yeah, everybody granted. Know everybody Granted. For sure. For sure. It's crazy. Fetty walk. Grandma knew my grandma. That's how I was able to just link with Fetty. Cause it's like, everybody grandma know everybody grandma. For real. For real. That's crazy.

[DJ Envy]

And how did you get to td? How did td? How'd you sign with tde?

[Trap Dicky]

It was a blessing. An intern shout out to say cheese. Sean Cotton. I used to pay for the promo all the time. And my intern from TDE was asking Sean Cotton about, hey, what you got new? And they sent him trapped Dicky. And it was just so happened that they liked the music. Wow. And just went with it.

[DJ Envy]

Well, congratulations, man. The record is moving up the charts. Crazy, man. It's a blessing.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

One thing I love that trap did, man. In Hawksville, you paid off your grandfather's foreclosure date?

[Trap Dicky]

Oh, yeah, yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I think it was $60,000.

[Trap Dicky]

Yeah. I'm telling you.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

But from there you begin to just buy multiple properties in the neighborhood you grew up in.

[Trap Dicky]

Yeah. Cause you never know, like when these houses be so old, your grandma be done pay for the house about three, four times paying rent. So when you ask them how much the house is and they sell price, you like, damn, might as well just buy the house. Just going through that made me really get into it. Like, if I'm gonna pay 60,000 to keep a house, I might well find some houses in the hood. They all cheap. I'm about to keep buying houses. I just kind of gotten a liking to it. So that's why I kept doing.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

And you bought a whole block for just you and your family?

[Trap Dicky]

Oh, yeah, definitely. My little brother, his grandma died. So when his grandma died, he was just like me. He was into it. Like, hey, how much you think my grandma house is? And when he found out it was only 16,000, it was like, damn.

[Interviewer]

Wow.

[Trap Dicky]

So he went ahead, we bought that one. We asked the neighbors, we started like, you know, people lived for so long, when they die, their family don't even be around. So we seeing all these old people die left and right, we just start asking, hey, I'm going sell the house for. Just kept buying them back to back to back to. Eventually it's a. We got six houses or three houses on one block, and there's only six houses on this block. So if you own four houses on a block of six, you damn on a block.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

So you're renovating them? The, the.

[Trap Dicky]

Oh, no, that's for us.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Okay, Okay.

[Trap Dicky]

I can tell who can park here. I can tell what you doing down here. If you ain't coming to one of these houses, what you doing down here?

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

That's if you can't say you own your hood.

[DJ Envy]

Nope.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

If you don't really own your hood, I'm so sick of people saying it's mine. But you ain't got. You don't own nothing here.

[Trap Dicky]

Yeah, your name ain't on no property. At least I can say my brother name on so many properties over here. You can't be here without us knowing. Like, it shouldn't be no reason, the police down here, nothing if we ain't got no phone call.

[Host]

And it's yours to always come back to in the midst of all of this stuff that you got going on now, right? Like, you can go home and really, like, put your feet in the ground and it's really yours.

[Trap Dicky]

Oh, definitely. I was walking anytime of night, you feel me? Cars bumping, music turned up to the max. Only we can call the police.

[Host]

How are you balancing all of that, right? Like, as you rise and you're able to do all these things for your family, but also balancing the superstardom that you're walking into.

[Trap Dicky]

Like he just said, it ain't nothing but 7,000 people. Like, they already knew who I was before. If it's 7,000 people, 3,000, 2,000 people probably know my mama, 500 gonna say, yeah, I'm gonna go pull up on him if I say pull up on me. So it's like I gotta be mindful of what I'm doing. I gotta be respectful of what I'm doing. If the mayor can call my phone and say, hey, what you doing? I know I gotta be respectful. You feel what I'm saying? It's too small. So I look at it as exactly what it is. They being new. I better act like I know was

[Host]

there shocks when you got when the rest of the world started catching on to you, though. Like when it's like you're traveling to these different states and all these different places, and it's like it's not 7,000 people no more.

[Trap Dicky]

Oh, man, it feels good. But I still look at it the same. Like, if I've been getting attention from back home, I look at everybody just like family. I just keep it going. I say my haze smile and keep it pushing. I don't try to. I don't think I took it all in yet. I just. I'm grinding. I'm in grind mode. I'm chasing. So it's like I really don't feel it. You feel. So I just keep going.

[Host]

Yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What part of your music comes from survival versus entertainment?

[Trap Dicky]

Say it one more time.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What part of your music comes from survival versus entertainment?

[Trap Dicky]

I can say, like, my deepest music come from, like, when I'm in that bag, though. Like, when I'm home in the studio, that's when the survival music come instead of just a hit record. You know what I'm saying? When you know you chasing that hit, you chasing it. But sometimes I feel like even like dababy, you give that survival music of what you really feel when you home. That's why I think he stay home a lot. Cause he really feel. He feel good. You feel like you in that bag when you at the crib, when you know you can be home.

[DJ Envy]

What was your inspiration? What made you want to dibble and dab in the rap game at first?

[Trap Dicky]

Oh, my little brother. My little brother, really? The rapper? He the one that was beating on the desk and all that. I just got tired of paying for studio time. He went going, I'm steady paying for studio time. He ain't going like, shit. I know he rapping about what we doing. I can put it together some way. And that's how it went.

[DJ Envy]

And that's how it went. Were you ever nervous? You talk about what you were doing with. The part of South Carolina that you're from is so small, where everybody knows everything. So it's not like anything's a secret. Like, oh, we know what Trapp's doing over there. You know what I mean? Were you ever nervous for that?

[Trap Dicky]

Damn right.

[DJ Envy]

Cause it ain't like it's a big city. Be like, I don't know what he doing on that side of things.

[Trap Dicky]

Definitely every day you think it could be the day. Especially when you young, you never know. Like, it could be the day. They come, photos come pick you up right now. You feel me? So it's like you just. You living in the moment, but you still praying. Like, say, I hope it ain't me.

[DJ Envy]

When was the day you decided to say, you know what? I'm giving that up.

[Trap Dicky]

I can't lie. When I really started getting to, like, big into music, when I seen a million views and I seen people tell me, like, bro, you really can do it, I was like, all right. It's really time to just sit My ass down. Like, for real. For real.

[DJ Envy]

Was you ever like halfway in, halfway out? You always hit a detail of when Jay said, you know what? I know I gotta let it go.

[Trap Dicky]

Yeah. Everybody in, one foot out at some point. Of course, like I say, everybody around me done been through it. Like all of us don't have big boy charges. My mama, husband, I caught big boy charges running around like it's, it's. It's bound to happen in South Carolina. Like you say, everybody know everybody. The police know you, fam. We went to school with you too. I know you, you know me, so it ain't like it's hard to do what they need to do. So it's like I say, you just gotta move respectfully and pray it ain't true when they come.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I mean, shoot, right now, South Carolina got, well, two. Two of our up and coming talents got caught up in the system. Oh, you see what happened with Black Zach and. And our guy Jehovah?

[Trap Dicky]

Yeah, that really, that really hurt me. With Black Zach and Jehovah, shout out to Jehovah. But like I say, just being, being around, being in South Carolina is easy to get caught up in the system. It ain't. It ain't a lot of people there that don't know you. Everybody know you. So one move can turn into the wrong move and it's over with.

[DJ Envy]

With that being said, you know, anytime I go to the Carolina, South Carolina, North Carolina, they show so much love, right?

[Trap Dicky]

Yeah.

[DJ Envy]

With you coming up, did they show you the same love? Cause a lot of times they'll show an out of town or more love than the person that's actually from there. Cause they see you so much.

[Trap Dicky]

I can't lie. I feel like Carolina gonna show love to the real. Like we show love to authentics. If we can see it, we love it. We can't just hear it and think like, you the man. Cause we can hear it and don't see you and be like, oh, we don't know you.

[DJ Envy]

Gotcha.

[Trap Dicky]

We see you and it look real. We love you. That's exactly how it be.

[Interviewer]

You ever think about moving away from South Carolina?

[Trap Dicky]

Nah, I probably moved to another city,

[Interviewer]

but yeah, still stay in South Carolina.

[Trap Dicky]

Yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

You love la. You shout out LA a lot on.

[Trap Dicky]

Yeah, but it don't even be for Los Angeles. Shout out to Los Angeles. But that's like my area. Like. Like that's our area, L.A. lincoln Avenue.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Oh, see, I was confused as. I'm like, God damn, why the hell he keep shouting out la?

[Trap Dicky]

That's the LA gang now. My pops died on the other end of Lincoln Avenue street on Butler. Okay? So I always say LA a lot. Cause that's where he grew up at and where he died at.

[Host]

You talk about Lincoln Avenue on Keep Going. We talk about how you living life like a movie, but at the same time, you think about Lincoln Avenue.

[Trap Dicky]

The balance between that. Yeah, that's what LA is. Lincoln Avenue. I just grew up there. That's like one of the blocks I grew up at. My pops died on the other end, so it was like a chase. I used to always chase to get to Lincoln Avenue. I gotta get there soon as I get to Hartsville. When I get to Granite House, I'm trying to get to Butler at Lincoln Avenue.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

How old are you? 20. How old are you?

[Trap Dicky]

25 right now?

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

39. On the album you said that, you know, your pops is proud of you because you just basically lived longer than him.

[Trap Dicky]

So how old was he when he died? At 17. Wow. Yeah, he died at 17. Like, that's basically what I'm saying. In Hartsville, you could die so young. Cause it's right there. Everybody know everybody. But like I said, he was a preacher, son, so it ain't nothing. It's. Anybody can get into it. Anybody can get into it. But, yeah, he died at 17, so.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

And you got shot before?

[Trap Dicky]

Yeah, I got shot at 21. I got shot in a crossfire, actually. My little brother shot me in a crossfire.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Oh, it was your little brother being

[Trap Dicky]

in the wrong place, wrong time. Wow.

[Interviewer]

What was that conversation like?

[Trap Dicky]

It was after, right?

[DJ Envy]

Yeah, nigga, you shot me.

[Trap Dicky]

I didn't fall or nothing. So it was like a. Like, oh, I thought a piece of the tree or something hit me or something. So it was like, I couldn't believe I got shot.

[Interviewer]

What kind of gun was that? You thought a piece of the tree fell on you?

[Trap Dicky]

Yeah, I thought it was like a little piece like, you know, commotion, we playing basketball, shots going down. I'm just thinking like, oh, snap. But then I realized when I looked in the mirror, like, oh, snap. I think I done got shot for real.

[Interviewer]

Damn.

[Trap Dicky]

So I ended up just going straight to the hospital and telling them, like, I got shot.

[Interviewer]

Damn.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

And it was cross by who the hell. It don't even matter.

[DJ Envy]

Get ready to get deep in there.

[Host]

Who was going to tell your mom? Because neither one of y' all was going to tell her.

[Trap Dicky]

Oh, yeah, I had to make the call because me and him looking. I just called her. She said it on camera before I called her like, mom, I got shot in the face. And she. She like, for real. I was like, yeah, I think I gotta call you back. I think they wanna ask me some questions. So doggone. I don't think she started, like, tripping until she couldn't reach me. She was like, you seem calm. I'm like, you better be calm. I'm straight.

[Interviewer]

But what did she say when she found out it was her other son?

[Trap Dicky]

Oh, I ain't tell her. We ain't tell about that till afterwards. But it was just like, my mama never worried about what we was doing. She already knew what kind of kid she had. I ain't the only son. Like I say, I done been charged with a big boy charge. Her daughter been charged with a big boy char. So she already knew these her kids. I'm gonna just answer the phone without. Gotta press one, you know what I'm saying? So she respected what we was doing. We weren't bringing no trouble to her house, so she went tripping.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What's harder, making it out the streets or mentally adjusting after you get up?

[Trap Dicky]

Mentally adjusting once you get out. Cause you have so much fun and your homeboys be still in. So you gotta really mental adjust to know I gotta leave. Like, you really, like, you gotta get in your mindset, like, damn, I really can't be here no more. Like, no matter how fun it is, you'd be like, damn, I really gotta leave. So I think mental adjustment is way harder than being in the streets or anything.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

But you say you're not leaving, though?

[Trap Dicky]

No, I done left the streets now.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Oh, no, no, no, no, no, no. But you're just still being in the same area.

[Trap Dicky]

Oh, yeah. Carolina. Yeah. Like, I ain't gonna say I stay in Hartsville. You know, I've moved 30. You know how that is. From town to town. I can move in another town, gated community where the police patrol that all. You feel me? So that's what it is. All I did move 30 minutes away.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Do you think audiences can tell the difference between somebody who really lived it and somebody who just pretended to have been too strong?

[Trap Dicky]

Right. That's. They stay away from people that they feel like, really live it. Because that what they feel like somebody. They really feel on that type of timing or really on that. All right, they stay away from that. But I would if. If I know I'm not on what they own, I'm not gonna go around the people that I feel like own that. For real. For real. I'm gonna stay away from that.

[DJ Envy]

Now. You got Seven kids?

[Trap Dicky]

Yeah. Woo.

[DJ Envy]

Woo. You gonna stay working for a long time.

[Trap Dicky]

Dirt bikes, four wheelers, all that, man.

[DJ Envy]

What old is your oldest?

[Trap Dicky]

Nine.

[DJ Envy]

And youngest?

[State Farm Ad Voice]

Three.

[Trap Dicky]

Oh, wow.

[DJ Envy]

Congratulations.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

It's a small town, it's not much to do. Don't judge them too harsh.

[Trap Dicky]

I'm just asking.

[Interviewer]

I was about to ask how many baby mamas you got?

[Trap Dicky]

Four.

[Interviewer]

Oh, okay. And they all from Hartsville?

[Trap Dicky]

From the area.

[DJ Envy]

They all know each other too?

[Trap Dicky]

Definitely, definitely.

[Host]

They all went to high school.

[DJ Envy]

They went to high school together.

[Interviewer]

Are they friends? Like they cool.

[Trap Dicky]

Three of them. Cool. Three of them cool.

[Joybox Ad Voice]

Okay.

[Trap Dicky]

One of them just like. Nah, I'm by myself. I don't really know.

[Interviewer]

Is that the last one or the first one? That's the last one.

[Trap Dicky]

Oh, wow. Other three cool. They straight.

[DJ Envy]

Might as well give me a book right now.

[Interviewer]

I just wrote a book. Till death of your parents. It's about how me and my son, I mean me and my son's father raised our son or whatever. And he got five baby mamas, you know, five kids or whatever. And he say I'm the only one he really, really cool with. But you know, it's just working through that's cause he still be doing his thing, you know, sometimes.

[Trap Dicky]

Nah, that one thing about me, I don't dip and dab though. Like, I don't dip and dab. My baby mama's down trip. They respectful. They tell me one thing, one thing only take care of the kids. They ain't tripped. They knew who I was before. And it ain't like all my baby mamas planned to have a child with me. So stuff happened, right? We in Carolina, we keep it going, right. I make sure my kids know me. Try not to treat no one better than the other. I don't know why parents be lying about the favorite stuff, though.

[Interviewer]

Yeah, you got a favorite.

[Trap Dicky]

Got a favorite now you got one. Damn right I got a favorite. Don't say that, man.

[DJ Envy]

You gonna hurt the other kids favorites.

[Trap Dicky]

Nah, they know they be getting mad at me saying I treat them different.

[Host]

Your favorite don't change by the day or the situation.

[Trap Dicky]

Cause I've heard changing and I be getting mad when he be changing. I be like, you can't be the favorite acting like this. Like

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I know exactly what he means,

[Trap Dicky]

you know what I'm saying? You can't be the favorite acting like this, man. He can't act like this.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

The favorite will let you down the most. Cause you like, you my favorite for a reason. So don't start switching up on me.

[Trap Dicky]

Don't start switching up on me.

[Host]

But they gotta be kids, man.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Have the demands changed from the baby mothers now that you?

[Trap Dicky]

Oh, yeah, definitely. I always was big on the shoes. Like I go crazy on shoes. I never used to get the shoes when I was young. So when I get the shoes, I go crazy. So they be on that. Nigga, stop buying the shoes. Do something else. Like you buying all these shoes. We can't match no clothes with the shoes. So I be having to really go hand pick outfits and stuff. Now that shit aggravated like that. I can't get jiggy with it. I don't pick my own clothes out. I can't sit here and pick out each outfit. I'll be able to send somebody to get the clothes for me. That's the only thing I hate. They really making me pick clothes up.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Damn.

[Interviewer]

How are you?

[Host]

I was gonna ask how you balancing your time with the workflow now and the kids and if I wouldn't be

[Trap Dicky]

here, I'm back in Carolina. That way I ain't going nowhere. They right there like, man, I love going home to mine. Like, they'll tell you. Boss man will tell you, if you ain't got no work for me, I'm going home. I got kids. I got. You feel me? Right after this, I got a baseball game to go catch one of my kids.

[Interviewer]

Yeah, that's what's up.

[Trap Dicky]

I really. I like my kids. They cool. I like my kids. Like for real, they mine. So it be crazy. I get to see them grow up.

[Interviewer]

I like my kids.

[Trap Dicky]

I like my kids.

[DJ Envy]

How are they taking your fame?

[Trap Dicky]

Oh, they trapped. They can run around here, man.

[State Farm Ad Voice]

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[DJ Envy]

Yo, what up y'?

[Trap Dicky]

All?

[DJ Envy]

It's DJ Envy from the Breakfast Club. Now check this out. The first phone call that ever happened happened over a 150 years ago. 150 years. That's before any of this. Before radio, before social media, before all the ways we stay connected. Today, that one call really started everything. And fast forward to now. It's springtime, the weather's breaking, people outside vibes are right again. Thank God. And it got me thinking, who haven't you talked to in a minute? And you know, through all these years and all these conversations, AT&T has been there connecting people in meaningful ways. This is more than a story of technological innovation. It's really a story about human connection. Real people, real moments and real relationships. So we celebrate over 150 years of connection. Let this be your reminder. Don't wait. Make that call, send that text. Pull up on somebody you care about. Because at the end of the day, those connections, that's what really matters.

[Shopify Ad Voice]

Connecting changes everything.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

AT&T.

[Shopify Ad Voice]

A lot of you ask how I actually run my business behind the scenes. And honestly, Shopify is the reason it exists. For me, Shopify is the place where I took this little idea I had and turned it into a real business. It's the platform where I own everything. My store, my customers, my community. When I started my storefront, Shopify made it just so easy. With just a few clicks, I was ready to share my vision with the world. And the best part, Shopify literally gets my products everywhere. People Shop, Google, YouTube, TikTok, the Shop app, even ChatGPT. I still remember the first ever sale I made for my fashion brand. Embellished. That little notification Cha ching, cha ching, cha ching is music to my ears. And Shopify made it all possible. I'm so pumped that Shopify is going to show up at our Black Effect podcast festival this year in a big way for all of our small black owned businesses that partner with us. Plus shop pay. The purple button is a game changer. Fast one click checkout. If I don't see it when I'm shopping, I'm stressed. So I love knowing my customers get that same trusted experience. Build your store, own your audience and create something that lasts. Start [e-mail] Ben Most Mother's Day gifts

[Joybox Ad Voice]

end up in a drawer But a song lives in the heart forever. This year tryjoybox.com is giving away 11 million free custom songs to celebrate 1 million incredible moms. Just share a few memories and joy. Box produces an original track in greeting card just for her. Instantly it's the most personal gift you'll ever give. And right now it's completely free. Make mom the star of her own [e-mail] 1 million songs $0 only@tryjoy box.com you can't tell.

[Trap Dicky]

I don't know. I know they get special, special privileges. They called me while they at school.

[DJ Envy]

FaceTime. Hey, it's my dad.

[Trap Dicky]

FaceTime teachers. Hey, son. One time. What's up? What, what's like I know that they me in Carolina. It's small. Everybody know me. The teachers know me. Everybody know Trap Dicky.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Yeah.

[Trap Dicky]

So it's like it's a blessing when I know I ain't had my pops not. I love my grandparents like the most ass whoopings. You feel what I'm saying? Over and over. So it be a blessing. They get the little courtesy that I get didn't get. For real. For real.

[Interviewer]

You ever think about adding to your block? Four more houses, baby mama number one, number two, number three, number four.

[Trap Dicky]

So your kids can be you. No, I, I said I'm get cars for before I get houses. I can't get houses for y' all to do everything. Yeah, you get cars, y' all can ride around. Least you can go n get the

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

house if you can. I mean get the house cuz it appreciate value more than the car. Yeah. And then anything put it in your kid's name, you know.

[Trap Dicky]

See, listen, I told my brother after a certain age we going to put these houses that we got in the kids land. My mom, I don't think I'm gonna buy no more for them though. I'm gonna just do what I had planned. The houses that we already had. I was like, yo, a certain time we gotta put these in a little guy's name. Yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What's something you think people glamorize about street life that you know firsthand is actually miserable

[Trap Dicky]

back door like they. I feel like these niggas pushing the back door right now. Like I don't know. I never been with the back door. I feel like back in my days the OG is just a. If you did something to your friend, you got in trouble for it. If you ain't had no right reason. I feel like people pushing the back door right now and I don't Know, I ain't never got with the back door.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Explain to the back door. Explain what?

[Trap Dicky]

The back door is basically robbing your partner. Like, people getting high off the drugs. They robbing their partners now slobbing their partner, he might leave a gun. They taking his gun, taking his jewelry or whatever. You can't leave your jury around your homeboys and certain stuff now. And it's crazy. A rapper's robbing another rapper. It's like, damn, it's crazy. I ain't want to be in no situation like that, though. Like going to the studio with another rapper and you gotta worry about making it out the studio. Yeah, yeah. It's like, damn, it ain't used to be like that. I don't think Busta Rhymes and them had to go through that.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

There was a level of loyalty, basically.

[Trap Dicky]

Yeah, basically it was a bunch of them in the studio and everybody rocking out. Like, people gotta take security to a studio. Yeah, crazy.

[Interviewer]

Did your circle get smaller once you got to fame started being on the rise?

[Trap Dicky]

I always had a small circle. I always had family. Like, I'm proud to see more people come around me. You feel me? So many people didn't want to be around, so it's a blessing to see guys take that chance to even be around. Yeah, so we always had a small circle, so I appreciate all the love that do come around. My grandma went playing that shit. You couldn't come out her house after a certain time. So my friends knew. I met you at school after school is over with my boy.

[Host]

Dreamville Fest was your first festival.

[Trap Dicky]

Yeah.

[Host]

That is a huge first, like, festival stage to be on, especially because it's, you know, the Carolina love. Talk about the experience and even getting to the stage, like, how it all happened.

[Trap Dicky]

Oh, man, I'm from the Ville. So to be at Dreamville, you already know we. We here Dreamville. We don't even feel like we got enough money to go to Dreamville. And we from the ville. So it's like me being on that stage was crazy. My first time performing at a festival, I'm at Dreamville. Like, man, I'm trying to take extra hoodies and all they giving me and all. I'm trying to take this back home to the people. Like, they giving me hoodies. So it was a blessing to be at Dreamville. In the C code, it was like, oh, this nigga just walk around. So to see him just walk around made me feel even more, like, motivated. Like, oh, you can be the big dog of this and you still can walk around. And act like it's all normal when it ain't normal. Like, man, that's how I'm trying to be.

[DJ Envy]

And how's your relationship with the baby? How did you and your baby get a good relationship?

[Trap Dicky]

A blessing. Just inboxed him, like, really following up something DC Young Fly said. Just inboxed him and he responded saying he already knew who I was. It was go time. It was go time. He came to the city and all. Really? Yeah, he brought. He pulled out the cars and all, shot the video. Yeah, you're a real one. The baby a real guy.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Yeah, he did the blue. The Blue Devils remix.

[Trap Dicky]

Yeah, he did the Blue Devil remix with me, man. He a real man. Like I say, he came down, brought his family. Not only that, invited me to the Carolina Panthers game. I got to chill. Like, really around his mom and family. Like, he really brought me in.

[DJ Envy]

That's dope.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Do you think South Carolina artists still have a chip on their shoulder because the industry overlooks the state so much?

[Trap Dicky]

Yeah, I feel like a lot of people from South Carolina, like, I feel like they don't look at it as how I look at it, but it's because we see everybody come through here. Like, we. I feel like we. I feel like we paid enough to get that attention, though. Like, we done paid everybody. Every artist, we done bought everybody change for them. Like, y' all come through. We. We pay good. Whatever you need, we pay. Pay it. The promoters pay good. I don't see no other state booking artists like the Carolinas. Nowhere and nowhere. Nobody's bragging about no other state like the Carolinas. No other promoters like Tim Boss. Like, we really pay good. So I feel like we should get a bunch of attention if we the reason a lot of people first sold out shows and concerts be in our backyard.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

First six figure bags, you getting your

[Trap Dicky]

first 10,000 or 40,000 in the Carolinas. Why shouldn't we be promoted like that? Like, I feel like we should get a lot of time, like, to be soft because we really put in that work. We pay hey good.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

And, you know, do you feel like you had to build your career without an industry blueprint? Because there's no blueprint for an artist from South Carolina.

[Trap Dicky]

Yeah, I definitely just grind it. I can't say without the industry blueprint because I kind of followed the say cheese and I tried to do all that. I even pay academics one time. So it was like, I think I went through the little blueprint, but it just costed so damn much.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Would you pay him to Post something.

[Trap Dicky]

Yeah, like, damn right. You had, like, just paying, like, once you want to be up there and they say 2, 3,000, you're like, damn, but I gotta pay to get up there. I want the world to see me. So it's like, I ain't gonna say I didn't follow the blueprint because I definitely was paying. Promotion page that I seen, I felt like the labels was paying for these guys. So I. I can't say I ain't

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

followed the blueprint because there was a time where it's like there wasn't enough artists from South Carolina utilizing the Internet. Like, the person that I saw who really utilized the Internet and took off. God bless the day. With speaker knockers. Yeah, yeah, knock was he. He had it.

[Trap Dicky]

Yeah, he definitely did. He took it to another level, though. Like, he. And he was on a different type of level of music. Like, he was bringing more than just hip hop. Like, you could tell it was pop. More people was really. They really liked the speaker knockers, too. And I don't think a lot of people knew he was from Carolina at first.

[Interviewer]

So I literally didn't see y' all just said that.

[Trap Dicky]

You see what saying, like, a lot of people didn't know he was from Carolina. It's a difference. When you coming from Carolina, you letting the world know, like, oh, no, I'm from Carolina. I'm gonna go ahead and kill all the. You feel me how you feel right now? Cause I'm saying this where I'm from. That was my goal. I'm gonna let you know I'm from Carolina. So if you don't know nobody from Carolina, you know I'm from Carolina.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

The funny thing about South Carolina, though, a Hartsfield dude is totally different from a Columbia dude. Totally different from a Charleston dude.

[Trap Dicky]

They don't understand. I'll be trying to tell them. I'll be trying to tell them. Like, we were just talking about that. Like, you can be from Charleston, you two, three hours away from me. You don't talk like me. You don't sound like me. You don't even act like me. I'm talking about it sound like a whole different language. Then you go over here in Columbia, they more feel like they. They feel like they the biggest in the area. And then you go down to Myrtle beach where they feel like they the littest in the area. And then you got my area where we feel like we just the countries. Like, we feel like we got a lot of stuff going on, but all we got is, like, you said the drag Script the racetrack. So it's so many places in Carolina where they act totally different. And it's four hours, three hours away, and we never get to see these guys.

[Host]

How far is where you're from, where he's from again?

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Monster Corner in Hartsville, I don't about

[Trap Dicky]

two hours on gps.

[Host]

But what's the difference between where Moncks Corner and Hartsville?

[Trap Dicky]

They got a Geechee accent a little bit.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

A little bit. I mean, but I would say Monks Corner is closer to what? No, Hartsville is closer to what Mount's Corner used to be back in the day.

[Trap Dicky]

Okay.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Because Mount's Corner, when I was growing up, it was only the population was like six, seven thousand people. Couple of fast food restaurants. But now Moss Corner, boom grew. Yeah, boom and boom.

[Trap Dicky]

When you hear Morris Corner from us, we thinking like, you going to Charleston. Like you going down 95. You gotta. You finna drive somewhere. If you're going through Mars Corner, you either going to Florida, you going to Charleston. Cause you finna get on 95.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What part of the South Carolina experience do you think hip hop still hasn't properly captured and you want to bring to the lake?

[Trap Dicky]

I feel like Trim is doing a great job bringing the culture to it. Because I feel like they don't see that we really got different accents in Carolina. Like, I'm bringing more of a southern soul, something like 803 fresh, you feel me? And Trim is bringing the culture. Like you hear it in her voice. You hear it. It's like a different sound. So I feel like it ain't no missing scene right now. It's coming real soon. But how can I say it's different. We bring a different culture. But I feel like Trent gonna do that. I feel like I'm just authentic.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Well, Trim is different for Trim. Cause Trim, from Charleston, to me, that's South Carolina. That Geechee Gullah is. That culture is really the essence of South Carolina. Cause you gotta think that's what we can. What an international African American museum is. I think they say 60, close to 60% of all enslaved Africans came through that port. So so much of the black experience in America started right there.

[Trap Dicky]

Yeah, slavery. Slavery. That's why I feel like all of them was dropped off at. That's why I feel like that culture's still there, the sound still there. People really sound like you would think that's a whole. No disrespect. Like you would think that's a whole, like, African the way they talk or. I done took some people from Charleston to Atlanta they asked me, is that my British partner? Wow, the lingo's so different. But they really from South Carolina.

[Host]

I didn't know that until I started working here. Yeah, I had no idea.

[DJ Envy]

Sound Caribbean to me. Sound West Indian. Sound really West Indian to me.

[Trap Dicky]

So it'd be like, crazy how people. They live two hours away from us, but sounds so different. I barely can understand. They barely can understand me.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Right?

[Trap Dicky]

Right. I say over they. They say something else. You ain't even gonna try to say

[Interviewer]

it how they say it?

[Trap Dicky]

And I say both. They don't say bo a lot.

[Interviewer]

What's bo? What is that?

[Trap Dicky]

Bo.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What's up, Bo?

[Trap Dicky]

Like, what's up? Oh, oh, okay. They say bro. Or some people say cuz.

[DJ Envy]

Bro.

[Trap Dicky]

Cuz they say bo. You feel me?

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

When you go back home, do people treat you like inspiration or like an escape plan?

[Trap Dicky]

Inspiration. I think they be scared to try to treat me like an escape plan. Cause they. A lot of people, like, I say back home, they know exactly who I am. So it'd be more inspiration. Like, I feel like they love to see me. They love to see me. It'd be crazy to see me. Cause I really don't be outside. I ain't a clubber. I ain't in the clubs. I ain't. I ain't at the gas station chilling. So when they see me and they see me by myself or something, they'd be happy as hell just to see me. I'm still around. They definitely be on that. Like I said, my grandma was on my AD bad, so I don't play around. Grandma went playing that.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

She said, discipline.

[Trap Dicky]

You heavy. Oh, yeah. Oh, yeah. I don't need to see why they be tripping by all the other parents when I know, I know I got it terrible.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

If young Trapp Dicky could see your life now, what would shock him the most?

[Trap Dicky]

Keep going. That's crazy. I kept going. That's crazy. If I could see myself like, damn, boy, you really kept going. You really kept going. And you ain't catching no big boy time. You kept going like you really. You did it. You stayed out the way. You stayed out the way long enough to make it to the Breakfast Club.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

I can't remember what song it is on the album. It's when you keep talking about you, your mama's oldest son. But it's like, you really sound surprised to still be here.

[Trap Dicky]

Yeah, like I said, man, where I'm from, you don't. I got so many partners that I seen die. 1821, a kid's life. Like, I'm talking about real life sentence. You ain't coming home. You feel what I'm saying? So like I said, my dad died at 17. So that was a goal I'm chasing. Like, I gotta make it past 17. Like, that was my main goal. If I could make it there, I know I did what I was supposed to. I know my granny did what she was supposed to. It was like, once I made it there, it was like, damn, I ain't think about making it to 60 and 70. Like, man, you got a whole life to live. So once you accomplish your goals, you really gotta set more goals in life. So, like, that was. It's crazy to me to see a lot of my partners or homeboys lose they partners at 21, 18, 19, and to still be here when I know I'm a product of exactly what they're a product of.

[Host]

So now you feel free of that feeling or does it still sit with you? Sometimes I'm old.

[Trap Dicky]

Nah, I'm up there now. So it's a blessing.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

You 30. Cut it out.

[Trap Dicky]

No, I'm just saying I'm glad. 25, they say, yo, OG, where we from? So when you make it a 30, then you unk, basically. You feel what I'm saying? You feel me? It's like, damn, I wasn't a grandpa. Grandpa, you older than me.

[DJ Envy]

He said, in South Carolina,

[Interviewer]

that means I'm on TV.

[Trap Dicky]

Listen, we 34. I feel good to be here. I feel good to say I made it from where I made it from. Like, I know my grandma, and I'm happy to say that my grandma was my grandma at a young age. You feel me?

[Interviewer]

Yeah.

[Trap Dicky]

To see me doing what I'm doing. I know everybody be happy and turned up. For real, for real.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

What's the loneliest? Oh, go ahead.

[Interviewer]

What's the modest that you want to work with? I saw that you said not too long ago you wanted to work with Outkast.

[Trap Dicky]

I'm still trying to get it, man. I don't care if my boy play the flute. I don't care if his boy come through. Like, I just need them on the credits. Like, I just want to be in the studio and hear them, like, do some old stores or tell me see how they cook up. I want to see how they do it. Like, for real.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

For real or get in line. That's a long line. I just heard TI Say the same thing. You need an outcast.

[Trap Dicky]

Facts, man. I'm just trying to work. I like working with the legends. Like, seeing how they did it from back in the day, seeing the same formula, you feel me? Steal some game, and hopefully it'll rub off and I can easily get one of them trophies.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Do you feel pressure being on tde? Cause, I mean, they got a legacy of some phenomenal artists. Do you feel.

[Trap Dicky]

Nah. Hell, no. I'm hoping they slip and leave me some little knowledge that I can take with me, like, you feel me? I hope I'm catching a studio session so I can hear how they did this and did that. You feel me? Hey, ask me about a pointer. Yeah, yeah, I give you a pointer. I get credits for the Grammy, too. Hell, yeah. I'm trying to learn. I'm a big learner. You feel me? I don't care about. About being first or whatever. I always said I'm. I could be number two. That means I'm the. I know that. I ain't tripping. Yeah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

A lot of people are looking to see what exactly Trap Dicky is going to do with TDE. Because TDE's never had an artist like a Trap Dickey.

[Trap Dicky]

Oh, yeah. I'm bringing the south to it. You feel what I'm saying? I'm bringing the south to the west side, Basically, man, I'm still repping the South. I ain't changing. I'm just gonna have fun. I'm gonna do what I do, and they gonna. They gonna see something real authentic. I ain't gotta lie about nothing. Everything authentic. The story there. I still can go back home. I ain't. It ain't no other side for me. Like, I have fun when I go

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

home, so don't think he's switching up. When you hear the album, you keep seeing La Gang. La Gang.

[Trap Dicky]

Oh, no, don't. That's on trip. I'm Uncle Elroy now. Uncle El Roy. I'm Uncle El Roy now.

[DJ Envy]

Well, let's get into a joint off the album. What you want to hear?

[Trap Dicky]

Oh, man, we could play anything, man. I love the album, actually. We can start it off with one of the biggest records in the world down south. I'm gonna start off just like that.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

With Key Glock?

[Trap Dicky]

Yeah, with Key Glock. Featuring.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

How'd that collab come about?

[Trap Dicky]

Running in New York, running around here? Like, actually seeing him and Icewear Vezo in an elevator. The first thing I thought about was, you know, elevator with Tupac. So it was like being in the elevator with.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

The hell you was thinking about that for?

[Trap Dicky]

It was so small, like, you know, you just coming in. I'm in an elevator with Icewear and We basically touching shoulders. This man don't know me. I know I don't know him, but it's like we both on celebrity standing. Like, how we both end up in the elevator touching elbows and shit. Boxed up.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Did y' all know each other? Did you.

[Trap Dicky]

Nah.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Did you introduce yourself? Like, hey, man, hell nah.

[Trap Dicky]

I just told you. First thing I think about, Tupac. Man, why you try to rob me? Hey, not me rob. No, I'm thinking he got jury on. I ain't got no jury on. I look like the robber.

[DJ Envy]

Oh, you look like the.

[Trap Dicky]

Yeah, you look like you about to do the Lego. I don't want to talk right now. He probably don't want to talk. How you gonna talk? We rubbing elbows.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Yeah, see, we gotta say we from this side. You supposed to say, hey, man, what's up, man?

[Trap Dicky]

My name is. I'm an up in the elevator down in New York.

[DJ Envy]

That's over in Detroit.

[Interviewer]

He ain't know that.

[DJ Envy]

Now. You did the right thing.

[Trap Dicky]

They don't do no talking.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

No, he don't listen to him. Yes, he did. Ain't nothing wrong. Cause you can.

[DJ Envy]

You coming there looking like that.

[Trap Dicky]

I'm like, oh, he about to get me, right? He about to get me. I'm telling my man, yo, watch him. Or he gonna think I was like, listen, this probably ain't the time. We like this. This ain't the time. Hey, how you doing on trap, Dicky? You feel me? Lazy eyes? No, I'm not finna talk. I catch you on a good day. First come to I catch in South Carolina. That's the first thing I thought.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

But you ain't Glock connected, though.

[Trap Dicky]

Oh, yeah. See, that was more open space. You feel me? I could move my elbows. Hey, you doing Glock?

[State Farm Ad Voice]

What's up?

[Trap Dicky]

You feel me? And then I had a little story. You know, I kind of. Hey, what's up? I done seen you before. Boom, Boom. This is my first time seeing you. Elbows touching. Yeah, this ain't the right time.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

So how I gotta ask about the Big X plug? Big X connection, too. Then how'd you connect with Big?

[Trap Dicky]

A small elevator. No, but actually just listening to music from Dallas. One is. One of his partners actually told me about him, so I actually was trying to link. I had got the Big Edge record way before he kind of took off. Yeah, so me and. Me and X been locked in. I actually went to the birthday bash. All the ex was telling me, I could pull up everywhere. So I actually got to meet him and his family to see his pops. With him to see. I'm like, dad, this dude just like me. He got his daddy, got his people, he got his own family with him. He chilling like Big Ed is really having his way. And I'm proud of him to say he doing what he doing. He having fun with it. To have your pops on the stage, your mama on the stage, your cousin, you gotta be having fun, you know what I'm saying? So I appreciate him for everything he did too. For real? For real.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Well, you bout to have some fun too, Trap.

[Trap Dicky]

That's right.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

Keep growing, brother.

[DJ Envy]

The villa's out today. Make sure you go pick it up. And it's the Breakfast Club. It's Trapp.

[Trap Dicky]

Dicky, hold up.

[Charlamagne Tha God]

Every day I wake up, wake your ass up.

[Host/Interviewer (possibly Charlamagne or another Breakfast Club host)]

The Breakfast Club.

[Trap Dicky]

Y' all finished or y' all done?

[DJ Envy]

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[Host]

This is an iHeart podcast. Guaranteed Human.