No Ceilings: Conversations About Drake’s Lawsuit

Summary

Podcast Summary: The Breakfast Club - "No Ceilings: Conversations About Drake’s Lawsuit"

Episode Overview In the January 20, 2025 episode of The Breakfast Club titled "No Ceilings: Conversations About Drake’s Lawsuit," host Glasses Malone and his panel delve deep into the high-profile lawsuit filed by Drake against Universal Music Group (UMG) and Spotify. The discussion centers around accusations that these companies manipulated the market to favor Kendrick Lamar's diss track "Not Like Us," leading to significant repercussions for Drake within the hip-hop community and the broader music industry.

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1. Introduction to Drake’s Lawsuit

[05:23] Glasses Malone:
Glasses Malone initiates the conversation by highlighting the unprecedented nature of Drake's lawsuit against UMG and Spotify. He outlines the core allegations, stating that Drake accuses these entities of using platforms like Spotify and Apple Music to artificially inflate the streaming numbers of Kendrick Lamar's diss track, thereby disadvantaging himself commercially.

Key Points:

• Accusations: Manipulation of streaming platforms to boost Kendrick Lamar's track.
• Legal Claims: Violation of the RICO Act and New York laws.
• Allegations against UMG: Using bots to generate 30 million early streams and paying influencers and radio stations without disclosure.

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2. Hosts’ Reactions and Analysis

The panel, consisting of Glasses Malone, Crooked I, Cam, Pete, and Steel, shares varied perspectives on the lawsuit, reflecting on Drake's standing in the hip-hop community and the potential motivations behind the legal action.

Notable Quotes:

• Glasses Malone [06:46]:
  "So bad he decided to sue his own label that they are both signed to."

• Cam [07:55]:
  "It's the biggest to ever. You know what I'm saying?"

• Crooked I [10:52]:
  "This is the worst. This is the greatest diss track of all time."

Discussion Highlights:

• Authenticity in Hip-Hop: The hosts debate whether Drake embodies true hip-hop culture. They argue that despite his commercial success, Drake may lack the street credibility that is often revered in the genre.

• Impact on Drake’s Image: Concerns are raised about Drake’s reputation, with speculations that the lawsuit might indicate deeper personal or professional turmoil, possibly affecting his mental health.

• Historical Context: References are made to past diss tracks like Kanye West's "Hit 'Em Up," Tupac's "Hit 'Em Up Close and Personal," and 50 Cent's feuds, positioning Kendrick Lamar's "Not Like Us" within this lineage of influential diss tracks.

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3. Implications for the Music Industry

The discussion extends to the broader implications of Drake's lawsuit for the music industry, particularly regarding streaming practices and artist-label relationships.

Key Points:

• Streaming Manipulation: The use of bots and AI to inflate streaming numbers raises ethical and legal questions about fairness and transparency in music promotion.

• Artist Empowerment vs. Industry Control: Drake's legal action could signal a shift towards greater artist autonomy, challenging traditional label power structures.

• Potential Industry Backlash: Concerns that exposing such practices might lead to intensified scrutiny of other major artists and labels, potentially destabilizing established norms.

Notable Quotes:

• Pete [06:47]:
  "He's their first L he's ever taken since the day he was born, what was his first L?"

• Cam [10:03]:
  "If you stuck to his singing hooks and all that he has smashed Kendrick."

---

4. Cultural and Social Dynamics in Hip-Hop

The panel delves into the cultural expectations within hip-hop, emphasizing the importance of authenticity, street credibility, and the role of adversity in shaping an artist's legacy.

Key Points:

• Responsibility of Being Black: Glasses Malone discusses the deeper cultural responsibilities tied to being a black artist in hip-hop, suggesting that authenticity is paramount.

• Street Credibility vs. Mainstream Success: The hosts argue that commercial success doesn’t necessarily equate to genuine street respect, a critical component of hip-hop culture.

• Consequences of Losing Credibility: Drake’s lawsuit is viewed not just as a legal battle but as an affront to his standing within the hip-hop community, potentially leading to long-term reputational damage.

Notable Quotes:

• Glasses Malone [21:08]:
  "Hip hop, that's something we all share."

• Crooked I [32:18]:
  "Being black is the desire to care for other people that have been through the same type of struggles."

---

5. Speculations and Conspiracy Theories

The conversation takes a speculative turn as the hosts explore potential underlying motives and broader conspiracies that might be influencing Drake’s actions and the lawsuit’s trajectory.

Key Points:

• Controlled Opposition: Some panelists suggest that Drake’s lawsuit could be a strategic move to position himself or to incite changes within the industry.

• Universal Music Group's Power: The hosts emphasize the formidable influence of UMG, speculating that the lawsuit might backfire, leading to further entanglements for Drake.

• Potential Backlash: Concerns that Drake might face increased scrutiny, blackballing from platforms, or other retaliatory actions from industry giants as a result of challenging the status quo.

Notable Quotes:

• Glasses Malone [58:32]:
  "This is an emotional response."

• Steel [58:17]:
  "Could this be controlled opposition? Could this be deeper than we think it is?"

---

6. Possible Outcomes and Future Implications

The panel discusses potential outcomes of the lawsuit and its long-term effects on Drake’s career and the music industry at large.

Key Points:

• Career Decline: Predictions that Drake’s actions might lead to a decline in his commercial success and artist reputation.

• Industry Practices Under Scrutiny: Anticipation that the lawsuit could prompt investigations into streaming practices, leading to reforms.

• Artist Independence: Speculation that Drake might seek to become an independent artist if the lawsuit strains his relationship with UMG, though this comes with its own set of challenges.

Notable Quotes:

• Pete [53:46]:
  "What does he benefit from getting out of that deal?"

• Glasses Malone [72:22]:
  "They couldn't give Drake all that money at once. They have to invest in somebody else because there's more money to be made."

---

7. Conclusion and Final Thoughts

As the episode wraps up, the hosts reiterate their skepticism about the lawsuit’s success and its potential to damage Drake’s standing both culturally and professionally.

Key Points:

• Inevitable Backlash: The consensus is that challenging a powerhouse like UMG is likely to result in negative repercussions for Drake.

• Cultural Disconnect: A prevailing sentiment is that Drake's legal actions stem from a lack of understanding or connection with authentic hip-hop culture.

• Future of Hip-Hop: The discussion underscores the delicate balance between commercial success and cultural authenticity, highlighting how legal battles like this could shape the future dynamics within the genre.

Notable Quotes:

• Glasses Malone [86:21]:
  "He definitely, no matter how it go, this was a mistake."

• Cam [95:05]:
  "He's not a fall guy. He's a. I want to speak to the manager."

---

8. Notable Quotes with Timestamps

• Glasses Malone [06:46]:
  "So bad he decided to sue his own label that they are both signed to."

• Crooked I [10:52]:
  "This is the worst. This is the greatest diss track of all time."

• Pete [06:47]:
  "He's their first L he's ever taken since the day he was born, what was his first L?"

• Cam [10:03]:
  "If you stuck to his singing hooks and all that he has smashed Kendrick."

• Glasses Malone [21:08]:
  "Hip hop, that's something we all share."

• Crooked I [32:18]:
  "Being black is the desire to care for other people that have been through the same type of struggles."

• Glasses Malone [58:32]:
  "This is an emotional response."

• Steel [58:17]:
  "Could this be controlled opposition? Could this be deeper than we think it is?"

• Pete [53:46]:
  "What does he benefit from getting out of that deal?"

• Glasses Malone [72:22]:
  "They couldn't give Drake all that money at once. They have to invest in somebody else because there's more money to be made."

• Glasses Malone [86:21]:
  "He definitely, no matter how it go, this was a mistake."

• Cam [95:05]:
  "He's not a fall guy. He's a. I want to speak to the manager."

---

9. Final Remarks

This episode of The Breakfast Club provides an in-depth and critical examination of Drake's lawsuit against UMG and Spotify. Through a blend of factual breakdowns and speculative analysis, the hosts explore the implications of the case on Drake's career, the music industry, and hip-hop culture. While the discussion is primarily skeptical of Drake's motives and the potential success of the lawsuit, it also highlights the ongoing tensions between artist autonomy and industry control.

For listeners seeking a comprehensive understanding of the controversy surrounding Drake’s legal actions and its broader impact, this episode serves as a thought-provoking resource.

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Disclaimer: The views and opinions expressed by the hosts in this episode are those of the individuals and do not necessarily reflect the official policy or position of The Breakfast Club or its affiliated entities.

Transcript

[Charlemagne Tha God]

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[Bobby Bones]

Hey, it's Bobby Bones. Join me and former NFL quarterback Matt Castle every Wednesday for our new podcast, Lots to say with Bobby Bones and Matt Castle. Between us, we have over 17,500 passing yards, multiple New York Times bestsellers, and one mirror ball trophy from Dancing with a Star. So where else are you going to find a show with that much athleticism and football insight? We talk sports, but we talk pop culture and music and a little bit of everything. Listen to Lots to Say with Bobby Bones and Matt Castle on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Jon Stewart]

Jon Stewart is back in the host chair at the Daily show, which means he's also back in our ears on the Daily Show Ears Edition podcast. Join late night legend Jon Stewart and the best news team for today's biggest headlines, exclusive extended interviews and more. Now this is a second term we can all get behind. Listen to the Daily Show Ears edition on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Danny Trehlzer]

You should probably keep your lights on for Nocturnal Tales from the Shadow. Join me, Danny Treheal and step into the flames of Fright, an anthology podcast of modern day horror stories inspired by the most terrifying legends and lord of Latin America. Listen to nocturnal on the iHeartRadio app, Apple podcast or wherever you get your podcast.

[Glasses Malone]

What's up? And welcome back to another episode of no Sillies podcast with your host. Now that with your low glasses, Malone. Check, check, check. Yeah, we finna get to it. We have an emergency broadcast. You feel me for today. Because there's some unprecedented, unprecedented things that's happening in hip hop. Crooked Cam. They've been in hip hop before. I even thought about getting in this thing. We call it the record business. You feel me? They, they've, they've, they've been in this thing before I even thought about being a rapper, anything. And I'm sure this is a first for them. I'm sure this is a first for them. So we go really get into this conversation really quick. Soon as still pops back on here so we could adjust this screen. But it's definitely one of those days. Pete, did you read up on it?

[Pete]

I read up on it a bit. And I don't know that much in this particular area of civil law, but I know this much when a rat beef bleeds into the course. I'll put my money on the half Jewish guy every single day and twice on the shabbos.

[Glasses Malone]

I have zero faith it's gonna work out for him. I don't think he Jewish enough.

[Pete]

It's caught in a rock at a hard place.

[Glasses Malone]

I think he played against the real. This ain't the South Bay Lakers. He played against the Los Angeles Lakers. It's a different game up here. It's a different game up here.

[Pete]

Where this is gonna be the.

[Glasses Malone]

The real Encino Lakers still is slowing the stream down. Come on. Still. Where you at? There you go. There you go.

[Crooked I]

I was looking.

[Pete]

You look great. You've never looked so good. What are you using?

[Glasses Malone]

Did you put it on your phone instead?

[Crooked I]

Man? Hell yeah, I want to put it on my phone. We ain't had time to be playing around.

[Glasses Malone]

We got that bad audio happening.

[Crooked I]

Yeah, man, you know what? I don't know what it is, bro, but it ain't never done that before.

[Glasses Malone]

Anyway. No Ceilings Live. The Lunch Hour. No, no, this is the podcast. We just doing it live. This is an unprecedented time in hip hop, in rap music. Some of this stuff never in life happened. I cannot believe this is happening. This is an important time. So I brought some really special people. I brought Crooked Eye and I brought my big brother Cam. I brought my brother Pete and I brought Steel so we could really unpack this thing. Because I. I've been talking to. To my homeboy Lit Pappy. He lit. Poppy is driving me crazy. It's silliness and people are not being honest about what they are witnessing.

[Danny Trehlzer]

Camp.

[Glasses Malone]

You should be in court right now. You should be in court right now because you were in a battle. Somebody should sue you.

[Pete]

A lawyer up.

[Glasses Malone]

The reason we are here is Drake. Drake has sued. He accuses UMG and Spotify of manipulating the market to artificially inflate Kendrick Lamar's diss track. Not Like Us. The court filing claims UMG used Spotify and Apple Siri to push Not Like Us over Drake tracks. Employees perceived as lawyer to Drake were allegedly fired as part of an F in Effort to cover up UMG's action. UMG paid influencers and radio stations to boost Lamar songs without disclosure. A whistleblower revealed bots generated 30 million early streams for Not Like Us, Drake is accusing UMG and Spotify of violating the RICO act and a New York law.

[Pete]

I'm most intrigued by.

[Glasses Malone]

So bad he decided to sue his own label that they are both signed to. Now listen, Crooked, listen, Cam, y'all have been in hip hop for sure, Big bro. You've been in hip hop as long as I can remember. Crooked, you've been in hip hop at least 30 years. For sure, for sure, for sure. Now, not at the professional level, I would imagine. I don't know if he was professionally signed in 1994, but I know it was getting close to when Crooked Eye was getting his first record deal around, not within that six, seven years. Is this by far the greatest diss track of all time? Just at least offer the reaction off.

[Cam]

Of the behavior I see. I know when I'm talking to G.

[Glasses Malone]

He said the greatest, greatest.

[Cam]

So with that being said, I can agree with you on that.

[Glasses Malone]

Big bro.

[Cam]

It's the biggest. It's the biggest to ever. You know what I'm saying? Like, well, it, it, it had, you know, the table has been set for it to become one of the greatest disc records ever because we are in the social media technology streaming era and the globe is connected in ways that the globe was not connected with. Some of our favorite disc records dropped, you know what I'm saying? So the table is set for it to be one of the greatest, if not the greatest disc record. And let me just put this out here. So the same day that it dropped, I went on record on my Instagram same day and I said, kendrick just dropped the top five diss record of all time. You know what I'm saying? And they can go back and check my Instagram same day it dropped because I understood the frequency he was on. I understood that he was touching a nerve and he was moving the street culture in a way that once the youngins in the streets get something, it's very hard to stop. You feel me? So he, he, he, he did that and I recognized it right away. So yeah, I, I ain't mad at that assessment, bro.

[Glasses Malone]

Big bro, you, you, you released one scathing disc tracks in the history of west coast music. One of the most scathing diss tracks like, like Hot Acid Burn, Skin Off.

[Steel]

I think, man. I think it's the greatest, man. You know, every, every generation had a. Had A sound that they think is. Is tight, you know, to. To the youngsters. Now, we might sound outdated or something like that. So this is the language, it's the vibe. It's the frequency that the youth is on. And the youth always run revolution. You know, you got older. His like, like myself, might be behind the scenes trying to. Trying to give guidance to him, but you gonna do what they gonna do, you know what I'm saying? The youth is going. They gonna run it. And from what I can see, this is. This is the greatest dis record of all. Of all times.

[Glasses Malone]

Like, you know, could you imagine if. If Q would have sued you? He did, but, I mean, it happened, big bro.

[Crooked I]

You.

[Glasses Malone]

You. You saw Tupac. You saw hit him up, up close and personal. Yeah, right. Like, still, you saw. Hit him up close. Up close and personal. You saw no Vaseline. You were coming into your adulthood around that time, you know, you was barely hitting 20. You saw ether. Have you ever saw a diss track that made somebody react like this? You even saw 50 Cent. This. Ja rule, man.

[Crooked I]

This is the worst. This is the greatest diss track of all time. It's almost like he pulled this dude into going to go chill.

[Steel]

Absolutely.

[Crooked I]

This dude is crying, man. This dude is really sad right now. And I'm gonna tell you what it is. This dude is almost just being overwhelmed right now, man. Kendrick, you know, not only did he slap him around with the record, but then he comes out with one of the greatest albums of all time.

[Glasses Malone]

It's a really great album.

[Crooked I]

So this dude is just like. He just discombobulated right now, man. I'm gonna be real with you. I'm really worried about Drake right now, man. I'm thinking about calling my people because they ain't gonna play. But I think he's suffering from depression, man. This dude might mess around and jump off a bridge or something, man.

[Steel]

You need that wellness check, huh?

[Glasses Malone]

You need that for real.

[Pete]

Canadians are not a wartime people.

[Crooked I]

And that's not what I'm. I'm. I'm being dead serious. I ain't joking, man. Drake is going through something right now, and ain't nobody in this camp man enough to tell him, man, you looking real crazy right now, man.

[Cam]

You think you care about. You think he care about the optics? Because I'm sure when you are a big a brand as big as Drake, everything that you do is well, at least communicated amongst your team. So they had to understand that it would be some backlash. Even though we in a different era, like this era, it's been proven over the last decade that a rapper can damn near do anything. And if he drop a hot song, it'll be forgiven.

[Crooked I]

He gonna drop a couple duds in a row, dog. It's over with, dog.

[Pete]

I think this is different. Like the house has been burned down. Like I, I In the first 72 hours I was like this song. Not, not the, beyond the verses. I haven't heard this track that had a hook that like rocked like in the club and like that. But beside that, what Kendrick did, he kicked Drake out of the community. He did that in 72 hours. He made him walk the plank. They were all at the. He made him walk the plank and he's trying to sue his way back onto the boat.

[Cam]

So, so do you think, so do you think that is that his personal community that he's built up? That's a pretty big community. I mean when I'm on, when I'm on Elon's app, they already saying he not suing Kendrick, he's suing umg. This ain't about the rap beef. This is about business that he has a lot of people already forming that perspective and trying to push that narrative.

[Crooked I]

But you gotta understand, he's like Taylor Swift, he liked the Backstreet Boys. He's gonna have them little fan base like Beyonce got the Beehive. He gonna have the Drake's or whatever they call himself. The Drakes. You had a little traits in this corner like that. But I'm gonna tell you, man, I heard this man's mama even locked him out the house, dog.

[Pete]

He's this, this is the equivalent of getting knocked out and then like trying to re adjudicate whether or not the guy had juiced up gloves.

[Steel]

Damn.

[Cam]

I think the pro, I think what's gonna happen, you got a worst case scenario. In the best case scenario. Best case scenario, they, they don't, they, they don't even entertain this somebody in his ear, tell him to go on ahead and drop that. Don't even proceed to try to, you know, pursue that. Worst case scenario. This worse than Epstein list, dog. Cause what's gonna happen is, what's gonna happen is, is everybody every like bots. To the people out there who not inside the industry, they might think, wow, somebody using bots. But everybody in this room right now understands that bots and AI gets used all the time. For some of your favorite artists, most of your favorite artists, your art, your favorite artist might not even know that it's being that bots are being used. It ain't like Kendrick is sitting at a computer in a farm with a thousand devices, so it don't touch him anyway. But the whole thing is all these people using bots. So the domino effect and the blowback of trying to bring all this to the forefront and you're gonna bring down some of the biggest artists known to men, and then the whistleblower doesn't usually come out clean on the other side of that. You feel me? So this could be something. This like, this is only the tip of the iceberg, y'all.

[Crooked I]

Like, this man is pissing in the wind though, bro. You don't think he using bots?

[Cam]

I mean, listen, he might not think he using boxes.

[Crooked I]

He might not think he using boxes. I'm gonna tell you, bro, his hubris. His hubris and his arrogance probably got him thinking I'm the greatest. I don't have to resort to such.

[Pete]

That's really interesting.

[Crooked I]

Believe me, the hotline bling and all that stuff got box on here. Bop box and stuff on it too.

[Pete]

And why would he think. Because you said they're both on the same label. So why would he think that his own label only uses bots for the other guy and not for him? Because he's suing the label for doing it.

[Steel]

Hey, I think he keep on playing with Lucian Grange and then he gonna be people alone.

[Pete]

That's what I was about to say. I think Diddy's behind this because now Diddy has the second most interesting trial in hip hop.

[Charlamagne Tha God]

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[Bobby Bones]

Hey, it's Bobby Bones. Join me and former NFL quarterback Matt Castle every Wednesday for our new podcast, Lots to say with Bobby Bones and Matt Castle. Between us, we have over 17,500 passing yards, multiple New York Times bestsellers, and one mirror ball trophy from Dancing with the Star. So where else you going to find a show with that much athleticism and football insight? Based in Nashville, we're more than just your basic NFL show. We talk sports, but we talk pop culture and music and a little bit of everything because we got lots to say. I. I texted you and you texted me back. Now, I don't know if you have the update, but like all the little thumbs up and heart and stuff, like it's all colored. They changed it and the heart's a little pink. It felt like I told you I loved you. I'm gonna be honest, it was a little pink.

[Glasses Malone]

There was something sentimental when you like when you send it, it was like.

[Pete]

Do I send the heart now?

[Bobby Bones]

I don't like the color edition.

[Glasses Malone]

It's extremely pink.

[Bobby Bones]

Listen to Lots to say with Bobby Bones and Matt Castle on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Jon Stewart]

Catch Jon Stewart back in action on the Daily show and in your ears with the Daily Show Ears Edition podcast. From his hilarious satirical takes on today's politics and entertainment to the unique voices of correspondents and contributors, it's your perfect companion to stay on top of what's happening now. Plus, you'll get special content just for podcast listeners, like in depth interviews and a roundup of the week's top headlines. Listen on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Danny Trehlzer]

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[Charlamagne Tha God]

Take a.

[Danny Trehlzer]

Trip and experience the horrors that have haunted Latin America since the beginning of time. Listen to Nocturnal Tales from the Shadows as part of Michael Podcast Network. Available on the iHeartRadio app, Apple Podcast or wherever you get your podcast.

[Glasses Malone]

Some crooked said this Is why I've been saying he's not hip hop, right? Because there's a thing that. And I'll be honest, right? Cam, who is one of the best of us, right? The nation of Islam cleaned him up, got him together. Still, who's a father and a. And a husband and does great things. And crooked, who's been in this business, we all still worry about the optics. That's the thing about being street. Street don't mean you actually have to commit a crime. Street means you protect your reputation differently because you come from a level of poverty, and you need to keep your reputation intact. Every last person on the stage not named Pete definitely overvalues their reputation. And that's the cornerstone of hip hop.

[Pete]

G. However many episodes ago, you asked me why I wasn't trying to get into fights in high school. And what did I say? My dad works too hard for me to get my dad's suit.

[Glasses Malone]

So this is what I told him. Crooked. I said, if you want to know if you hip hop, it's really simple. The first hip hop lesson most people get right, the first hip hop lesson is the first time you go to school and somebody put their hands on you, and you come home and you tell your mom or your father, hey, somebody put their hands on me. If your parents say, you better hit them back, your ass is hip hop. If you outside of your house and your friends saying, you better hit them back, that's hip hop. You know why? Because hip hop is not worried about the rules. The street is a greater sense of justice, and street culture is a greater sense of justice. We understand justice ain't on our side, so we have to take justice in our own hands. That's a cornerstone of street urban culture. Hip hop, that's something we all share. I don't care if our mom was a nurse like my mom, Cam, whatever your mom did, whatever your mom. Feel me? Whatever your mom, yeah, you better hit him back. That father somebody said hit him back. Did nobody tell you to go tell a teacher? Now one person said, you know what? Don't hit him back. Go tell the teacher, tell the principal. Matter of fact, my mama would say, you not gonna get in trouble if they get you in trouble. So I was telling Pete that, and I asked Pete to prove it, and he said his father told him, you better not hit nobody back. I don't need no reason for nobody to sue me, right?

[Cam]

Yeah. And.

[Pete]

And the worst fight I saw in high school, some dude got his block, knocked the off. His dad, had to write a Six figure check.

[Cam]

Damn, man.

[Crooked I]

That's.

[Glasses Malone]

Drake got his block knocked off and he chose to sue.

[Steel]

That's the.

[Cam]

When I send y'all a picture of Dwayne Wayne, that mean I'm from a different world, man.

[Glasses Malone]

Oh, man, I don't know how to feel. This is almost unbelievable. So, yes, crook, I'm with you. I think he's not worried about the optics, but his problem is he's worried about the optics. That's the only thing. Like, because he's not hip hop in culture, and being raised, he don't quite understand what's happening, but because he's idolized his culture like tons of basketball players, he's idolizing culture, like tons of people on the outskirts, right? That they start to participate, right? And then they start to try to live up to the. To the. To the rules, to the. To the foundation of it, you know, to the point where even when he got robbed, he told the police and he felt like, you know, it was things that he did that really threw me off. And I'm like, but I never thought he was street crook when I first met him. I never thought he was street. I'm like, this is a good dude. Like, this is a good kid. You know how you just. We the same. I'm like, yeah, he's a good kid. You know what I mean? So it was weird to me that when his music started to get street and it started talking about hurting people and spending a lot and talking tough, and I'm like, yeah, it's just music. And then I realized when I first started to.

[Crooked I]

Oh, you remember quick.

[Glasses Malone]

When I would call you when I was just getting a grasp on what hip hop was from a true cultural standpoint, I was figuring it out, and I was like, oh, he's not hip hop. And I didn't think anything wrong with it because I thought he was an unbelievably talented musician. I never cared if he was or wasn't right. You feel me? It was like, he was extremely dope. Like, this dude was a master. But then I noticed when I said it publicly, talking to Charlemagne in the interview, and, like, it was like a kind of an attitude from his team to me. And I'm like, wait a minute. Are y'all mad at me for saying this? And it's like they wanted people to really believe that he was street for real. I went through the same thing with Rose. It was like, I'm saying something like, yeah, you know, like, because I make street rap, I have to be honest and be A lot more transparent because, you know, everybody else that's, that's competing in the competing space. I mean, they get to kind of fantasize it. They get to, you know, like I was saying, Ross, you know who's in my top five, like he could say he got $98 million in the bank of America bank account or, you know, or he named himself after a guy that I actually know. And I, you know, I wasn't. It wasn't no shade crook on Olivia, bro. It wasn't no shade. It was just like, these are obvious Truth was mad at me and I'm like, do you think you fooling people?

[Cam]

Yes.

[Glasses Malone]

But the thing about it, I'm crazy. Or if they crazy because I'm like, wait a minute, are they fooling people?

[Cam]

So, so, so that's where we come to this situation at hand. It's like a magician telling everybody how the magic tricks are performed. When you get up here, you start talking about these bots and this AI and extreme. You about to pull back the curtain and show everybody the wizard of Oz, you feel me? And let me tell you, they not playing about this, bro. In 2015, 2015, I did a show called One Shot. I created this show for BET rap competition. All this kind of good stuff. One of the reoccurring judges, good dude. Family man. I met his kids, I met his wife. Family man. You know what I'm saying? Real good, dude. We had a successful season. It was great. Couple years went by, everybody started doing their own little thing. We all went back to our respective corners. This year I woke up and his face was all over the news. And I was like, what is he doing all over the news? Feds yanked him out his crib in front of his kids. And his wife arrested him and charged him with an accusation that he used AI and bots and manipulated streams to generate $10 million for himself. And they are saying that this is one of the biggest streaming crimes since they started passing laws against fraudulent streams.

[Glasses Malone]

Sure.

[Cam]

That man owns businesses, homes. He's a hard working dude. They snatched him straight up. They not playing about that, bro. Unless you are with the machine. Then they turn the other.

[Crooked I]

They are the only ones that permitted to cheat.

[Pete]

Do you know what this reminds me of?

[Glasses Malone]

No.

[Pete]

It's like this is what I kind of think it is. If this is Drake's second L he's ever taken since the day he was born, what was his first L?

[Glasses Malone]

Not push the T.

[Pete]

I mean, that was a speed bump that didn't impact anything. This reminds Me of Hillary Clinton losing the election in 2016 and blaming it on the Russians, like total shock and disbelief. And I like, this can't be possible. I'm me. I don't take Ls like this. It had to have been manipulated by somebody outside of the system, bro.

[Crooked I]

I'm gonna tell you. I think with Drake, man, I think Drake is a delusional guy. I think he's the direct result of the everybody gets a trophy syndrome. That was one of the things I hated. You remember when I was coaching you football, I told you I hate the idea of everybody getting a trophy. This is the same thing. Drake doesn't think he's supposed to lose. He's entitled. His privilege is coming out and showing right now. How dare this dude from Compton beat me. He's not better than me. He's not one season me. This is his privilege. This is privilege. I'm thinking he's having a temper tantrum right now.

[Glasses Malone]

You know what? That actually makes sense.

[Crooked I]

This is his privilege, bro.

[Glasses Malone]

He really is having a privileged moment.

[Steel]

He got affluenza, you know.

[Crooked I]

How dare this little micro beat me.

[Glasses Malone]

I never thought about it like that, but that makes sense. He's having a privilege moment.

[Pete]

Yeah.

[Crooked I]

I wouldn't be surprised if he called Doc Nick the N word with hard R, bro. I'm serious.

[Glasses Malone]

I believe you.

[Pete]

Who would he say that to though? Because for people who probably around him all the time, you know, probably aren't.

[Glasses Malone]

Like on his industry, probably he's still.

[Crooked I]

Sucking her breast or whatever he doing.

[Cam]

Still, still out here with the glamour, huh?

[Crooked I]

This is ridiculous, right? You know, me, me and she was talking, right? Everybody except everybody on this panel except one of us is from the hood, right? Everybody from the get him. We've all lost a fight before, right? But we never told. Like she was alluding to earlier, we never went back and told nobody. We just went and fought that dude again and again until we got a victory or we left him hell alone, right? Whatever it was. But we didn't go tell nobody. This dude really thinks that he has the right to go, man, you lost a battle, bro. And I'm pretty sure he don't heard that album. I'm pretty sure. And he can't. One person you can't lie to, you can't lie to yourself. I'm pretty sure you heard that and said, man, this is really good. I'm going to sue him. He's ruined me.

[Steel]

I'm gonna sue him.

[Glasses Malone]

No.

[Cam]

What are all the farm owners thinking right now?

[Glasses Malone]

This is A deeper conversation, bro, Because I've always thought if you are mixed with black, you are black, right? But then I've always thought, big bro, and this is a good thing to talk to you about. I've always thought of black as a responsibility. It ain't like my skin is black, right? Being black is the desire to care for other people that been through the same type of struggles, like myself. It's a responsibility to be black. And I noticed it and thought to myself, like, I used to always say, he wasn't hip hop. People thought that that was the equivalent of me saying, he's not black. And it's like, no, he's black. His father is a black man.

[Crooked I]

Yeah, he's black, dog. But being black, like you said, is more than skin color, man. It's a condition, man. It's like it's your soul.

[Pete]

Listen here, man, and think about it. Also, like, if you're from a biracial parenting, you know, or, or what do you. What's the word? Like a conception and you're raised by one parent, you're gonna be pretty much that. You know what I mean?

[Glasses Malone]

And that's what I was thinking, right? So that was always my thing.

[Pete]

I got to have a lot of those conversations, right?

[Glasses Malone]

That was always my thing about him not being hip hop, right? He, he, he was raised by his mother in a Jewish community, going to Jewish school. That was always my thought, right?

[Pete]

Orange around or some, man.

[Glasses Malone]

Now I can see if he was raised Jewish in the Bronx, you know, you could be, you hang out outside, guess what, it's you back to the streets. But again, his circumstances, his environment, he was raised as a Jewish man. So I always thought of him as Jewish, but I understood his father was a brother from Memphis, right? But his brother, his father should be like, if that's not going on, and, and like, you like, to me, you, you're not biracial. There's no such thing. You're black if you know, I mean, you black. If you're black, you don't even matter what happened. Because theoretically, everybody come from black people from the stars. So every. For sure, if you cut it back down, you black. So I understood he was Jewish based off culture, minus the conversation of race, minus the conversation of. Because his, again, ethnic ethnicity, you know, I mean, he's a Jewish man, you know, racially, he's a Negro, right? But again, if, if race is not a real construct, he would be a Jewish man. And if you think about how he's going about this battle right now, Saying.

[Crooked I]

That, Jake, word on your man.

[Glasses Malone]

Really?

[Crooked I]

Yeah.

[Glasses Malone]

Is that a bad thing?

[Steel]

You gotta wait till Trump is in office. You gotta wait till January 6, then you can say that.

[Glasses Malone]

Well, I mean, listen, I don't think it's negative. I mean, that's just culturally who his people are. I don't. I don't know. Why would YouTube?

[Pete]

I think that there's a difference in that sense. We're seeing saying like the J's and Jay ish. But I don't know. I'm not in charge of it.

[Crooked I]

I don't even know if that. If that means matters, man. I just think that the dude don't have no culture, man.

[Glasses Malone]

He does, but that's my point. Still, he.

[Pete]

Where would he get it from? He was raised culture.

[Crooked I]

Yeah, but that's what I'm saying. He doesn't like when you've never really been through nothing. Like, you know how you talk about. Him and his mom had a hard time, man. Him. Him and his mom's hard time was way different than our parents all the time.

[Glasses Malone]

I don't want to get into the Struggle Olympics. I'm just saying for sure. I always thought of him as that. But like this is next level. Not hip. Like I always thought he wasn't hip. But like, this is for sure the most unhip thing he's ever done in his life that I've ever saw. That I saw.

[Pete]

Or is it just the most Jewish things ever done in his life?

[Glasses Malone]

That's my point. It. It makes sense when you think of I can't play the Beastie Boys was.

[Pete]

Still been a whole bunch.

[Crooked I]

It's a whole bunch of Jewish people in hip hop, bro. They ain't never dropped the time on nobody.

[Glasses Malone]

I think those people still are street. Like the Beastie Boy still grew up in the punk rock environment to be able to create the music. So there's a level of. Of street urbanness to it. Because again, punk rock and hip hop are step brothers. They both come from street urban backgrounds. Just different, you know, mothers places on earth. We didn't come up in the same places, but the same oppression or whatever. Misunderstood. Like the skaters cam. When I was younger, the skaters was like that. They really felt like they were. You know what I'm saying?

[Steel]

Like, ain't Drake from the Canada streets though. Ain't he rocking with the Hell's Angels and all that? That street?

[Glasses Malone]

No, he ain't. No, no, no. Because for sure they wouldn't be suing nobody. It'd be a rumble.

[Crooked I]

And let me ask y'all this crook. Wouldn't you say that Drake is a good artist? Yeah, you know, Drake was probably one of the biggest. You know, if you want to call him a hip hop or he's one of the biggest recording artists in the industry. I believe that this is going to like be really bad for him.

[Glasses Malone]

Somebody's making a point. Shout out to. We've been trying to figure out what it was. Shout out to David Jones. He said, I think Crooked's mic is too close to his speakers.

[Steel]

Yeah, yeah.

[Glasses Malone]

That may be where we get the feedback.

[Pete]

That could be it. Because I had the same thing happen one time.

[Glasses Malone]

I don't know, because I don't think you got a mic.

[Cam]

No, I don't got a mic. I'm just on the phone.

[Pete]

Yeah.

[Glasses Malone]

So somebody's mic may be too close to their speakers.

[Cam]

I might right here, but it ain't even plugged up.

[Crooked I]

But you know what? I think it'd be to a little bit, man, to a certain extent with these things. I think. I don't know. This is gonna be weird, but this is gonna be bad for old boy.

[Pete]

You got. You got your earpieces in or you listen to your thing out of the.

[Crooked I]

Whatever I was gonna say, you probably gotta have an earpiece in.

[Glasses Malone]

No, I mean, I'm just muting my.

[Cam]

Mic when y'all talk.

[Glasses Malone]

Yeah, it's definitely. It couldn't be mine.

[Steel]

It's come. It's coming from crook. It's coming from crook side.

[Glasses Malone]

Oh, it might be coming from crook.

[Steel]

Okay.

[Glasses Malone]

Yeah.

[Steel]

I don't know what it was, but it's coming from that.

[Crooked I]

But we might as well keep going. We can't spend a whole bunch of time.

[Steel]

Yeah, no, it's all good.

[Glasses Malone]

Thank you, brother. You're not causing the issue. Thank you. Well, so no, Ryan.

[Pete]

Right.

[Glasses Malone]

And this is the tricky part, Ryan, that's the bad question I don't really want to deal with, but I'm gonna deal with it anyway. So everyone with African ancestry is black now?

[Steel]

Nah, not, not the. Our definite. Our definition of black really is basically descendants of slave experience. The black descendants of slaves in North America. So Drake is supposed to, you know, he's half of that, but he wasn't raised on, you know, on that side of the fence. So he don't really identify that with that.

[Crooked I]

I don't, I don't want to get into this thing like mixed people ain't black, man. Because I know a whole bunch of down mixed people, you know?

[Steel]

No, we all, we all mix. If you in America and You got a last name that ain't African. You've been cut.

[Glasses Malone]

Yeah, you cut.

[Crooked I]

That's what I'm saying. So it's like.

[Glasses Malone]

That's not. But that, that's what I'm saying. No. So, no, no, everybody that's a of African descent, because Elon Musk is of African descent. It's obvious he's not a black man. So. No, you don't even got to go that far. We don't even waste that much time. No.

[Steel]

Do you think that Drake is. Is kind of going crazy because he know, he know he's a hit maker. He know he make fire music, but he, he don't under. He didn't understand the, the dynamics of, of Kendrick's, you know, lineage in the audience and, and what he represent presents. Because Drake, Drake is a, is a hit maker. But when you start trying to come over here on this fence and get into this warrior type of, you know, street, street warrior type of thing, you're gonna catch an L like you never caught before. I think he, you know. Yeah.

[Crooked I]

Well, I just think Drake just stepped in some, you know, I think Drake just stepped in some mess. I'm gonna tell you what it was. This is my thing. You know, Drake was going to all the URL battles and I think he was just really intrigued by this and he just thought that maybe he can get one off on dot and just kind of bit off more than he can shoot.

[Pete]

I think he's spazzing out because he can't reach the audience he's always been able to reach.

[Glasses Malone]

Well, I, I think, I think so. So here, let's. Let's my man crooked here so I can keep some facts. So this is some facts, right? Since the days of selling records, record labels been buying records. You really can't pay for a hit record. Your record actually got to work, especially at any major market, right? You could try to get a promotional thing going, but eventually your record got to call out. As far as streaming and stuff, I do believe that there are some plus ones and plus twos for streams. I believe that's happening. But your record actually has to stream. You can't take a record that nobody knows and make it work. And the problem is there have been articles. There was an article in a Rolling Stone Stone accusing Drake of the same thing. And before we just start using that P word, right, like the payola word, you can't still be the first one. Camera be the first one crook me. You can't pay for a hit record. It actually gotta Be a hit record only can pay for the promotion to have a chance to have hit record. Maybe if you had a small station that don't have million dollar endorsements deal from Pepsi's and, and. And Universal City, Nissan's. Maybe if you don't have a station that has those. But if you have a station that's making great money off of advertisement you could not pay for a hit record. So that's the first thing your record actually has to perform. That's a fact. I know it. I backed it up a million. I know it's true. So payola is an over stated concept.

[Crooked I]

I want to add something else to that. And Cam, you and Crooked both attested this. We used to see people back in the day that had what you call turntable hits. They would have these huge records at radio but then the first week when sound scam would come out, they sell a thousand copies. Remember though? Remember when that would happen, Cam?

[Steel]

Yeah, yeah.

[Crooked I]

People still have to go out and purchase your record. However it is now, people still have to go stream. Like you said, you can't cheat your way to a. A big record. Not the record. Not as big as they're not like this was though. You can't cheat with that. Everybody will be doing it.

[Steel]

Yeah, Drake. Drake just ain't he. He not from that. That world where he could be battle rapping like real street street dudes. Like it's just the culture won't allow it. It's just like a governor on the culture. It just. It's just, you know, it just won't allow it. If he stuck to his singing hooks and all that he has smashed Kendrick. If Kendrick came over to his side of the fences try to. He would ruin his own career. But he, Drake is the one that made the mistake and came over here and he. He stepped on some landmines and.

[Glasses Malone]

And that's a great point. He net. He didn't have to be this at first. Right? He didn't have to be this at first. Again everybody, this is no Sense Live. The YouTube link is. Hold on, I'm a shooter it on Twitter. It goes live on the YouTube. Excuse me, on the no s podcast. Shout out to my brothers for coming down and making it happen with me. Let me tweet this link. Yes, it's Crooked phone for sure. For sure. Dang. That dude caught. He must be like an engineer or something. I don't know how he caught that. So again he had the game in his hand when he first came to the like when he first came to cash money. Because he was actually the genuine article. He was a. A really great talent actor, you know what I mean? Like, he was. He had been a part of a. He had been a part of a TV show that was doing well. He was well trained, prepared as an entertainer, and he wasn't too shabby on the record side. He was a killer. Like, he was a monster at making records. Like, I remember the first time meeting him and then hearing his records and being like, I can't believe this is the same dude that made both of these. It almost didn't seem possible.

[Pete]

He's the first reverse engineered rapper.

[Glasses Malone]

That's a great point.

[Pete]

Every other rapper has gone from inner city to suburbs. He did it the other way.

[Glasses Malone]

And that's what I think is killing me, right, Pete? Because.

[Pete]

Because he could only go so far in. Before you get too far. You can never go too far out.

[Glasses Malone]

Yeah, he tried to go all the way in. And now, like, he's in this weird space to where he's trying to kind of live, like the culture, right? Where he's doing stuff, you know, taking the situation into his own hands. Justice, different, small things. But it's like, well, these things still apply. Like, in the Kendrick battle, didn't do anything but show everybody that obviously, culturally, he's not what, you know, people thought he was, which is weird. I don't know how they thought he was that. But also, it's like, not only did you turn the culture and have the culture looking at you crazy right within that battle, but also now you're about to turn the business against you. Like, the business was never against you. The business built you, the business gave you all the looks, because you wouldn't have came through the streets. You couldn't have went to all the places you need to do all of that stuff.

[Steel]

He went Tropic Thunder. He went full such and such.

[Glasses Malone]

Yeah.

[Steel]

Yeah. Never go full gangster.

[Glasses Malone]

Never go full gangster. He went full full gangster. That's a great point, big bro.

[Pete]

Oh, God.

[Glasses Malone]

He went full gangster.

[Pete]

He. He says something about bodies to the point where I first heard it. I was like. I thought that bodies meant something else. I. I made me think that I.

[Glasses Malone]

Didn'T know what it. Bodies.

[Pete]

I know, but when I first heard him say it, I was like. All this time, I thought it meant that it must mean something different because he said.

[Steel]

Yeah. I thought he meant girls. Like, he was. Had girl bodies or something, but he was blind.

[Pete]

Yeah. I'm like, man, I thought bodies was people getting killed. It was all this time you know.

[Crooked I]

What I'mma tell you, I don't think color has nothing to do with it, man. Let's take Eminem, for example, right?

[Pete]

Eminem has never pressed.

[Steel]

But, but, and Eminem was raised in Detroit with Ninja.

[Crooked I]

That's what I'm saying. It's a difference, bro. Eminem's really, he's really with the shits, you know what I mean?

[Glasses Malone]

He's a punk rock kid that grew up in Detroit.

[Pete]

Eminem's very respectful of that relationship.

[Crooked I]

And I think that's because he really know what, he really know what time it is, you know? So I just think, man, I think this is gonna be bad for dude. And to be honest with you, it's almost like he just like everybody talking about Dot's album and then he come out with this, right? It's like, man, he just want to make it about him.

[Charlamagne Tha God]

Peace to the planet. Charlemagne, the God here. And I just want you to know, if you're not on Amazon prime, you're seriously missing out. It's not just about the fast free delivery. Although, let's be real, that's a game changer. It especially was for me this holiday season. Prime is like your personal, personal guide to everything you're into or want to get into. Whether it's binge watching the latest hit on prime video, you know, listening to your favorite playlist on Amazon music, or getting those last minute gifts, which same day free delivery. Prime's got you covered. And here's the kicker. Prime isn't just about getting you closer to your passions. It's about helping you discover new ones too. Got a hobby you're obsessed with? Prime fuels it. Trying something new. Prime helps you dive deep into whatever's next. It's like me being passionate about mental health. You can order all kinds of books on mental health on Prime. My favorite is the Unapologetic Guide to Black mental health by Dr. Rita Walker. Prime gets you closer to what really matters, making all times of the year that much more special. Whether it's screaming your favorite movie or getting that perfect gift delivered the same day, prime makes everything easy and stress free. Whatever you're into, it's on Prime. Visit Amazon.com prime now.

[Bobby Bones]

Hey, it's Bobby Bones. Join me and former NFL quarterback Matt Castle every Wednesday for our new podcast, Lots to say with Bobby Bones and Matt Castle. Between us, we have over 17,500 passing yards, multiple New York Times bestsellers, and one mirror ball trophy from Dancing with the Star. So where else you can find a show with that much Athleticism and football insight. Based in Nashville, we're more than just your basic NFL show. We talk sports, but we talk pop culture and music and a little bit of everything because we got lots, lots to say. I, I texted you and you texted me back. Now I don't know if you have the update, but like all the little thumbs up and heart and stuff, like it's all colored. They changed it and the, the heart's a little pink. It felt like I told you I loved you. I'm gonna be honest. It was a little pink.

[Glasses Malone]

There was something sentimental when you, when you send it.

[Pete]

It was like, do I send the heart now?

[Bobby Bones]

I don't like the color edition.

[Glasses Malone]

It's extremely pink.

[Bobby Bones]

Listen to Lots to say with Bobby Bones and Matt castle on the iHeartRadio app app, Apple Podcasts or wherever you get your podcasts.

[Jon Stewart]

Catch Jon Stewart back in action on the Daily show and in your ears with the Daily Show Ears Edition podcast. From his hilarious satirical takes on today's politics and entertainment to the unique voices of correspondence and contributors, it's your perfect companion to stay on top of what's happening now. Plus, you'll get special content just for podcast listeners, like in depth interviews and. And a roundup of the week's top headlines. Listen on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Danny Trehlzer]

Welcome. I'm Danny Thr. Won't you join me at the fire and dare enter. Nocturnal Tales from the shadows presented by Iheart and Sonoro. An anthology of modern day horror stories inspired by the legends of Latin America. From ghastly encounters with shapeshifters to bone chilling brushes with supernatural creatures. Take a trip and experience the horrors that have haunted Latin America, America since the beginning of time. Listen to no Tales from the Shadows as part of Michael Tura Podcast Network, available on the iHeartRadio app, Apple Podcast or wherever you get your podcast.

[Cam]

All right, so I got a question for y'all. What are the ramifications of this case? Because people, people are, people are speculating that he's trying to get off of Universal and he. This is the, this is the movie making.

[Glasses Malone]

But I don't understand. How could this get him off of you accusing another artist? This is like that Gunner case, right? This is like that Gunner case where people are confusing, right? Like what a plea is. As somebody that. That's took two pleas in my life. A plea is when you only admit to the things that you did or you only base it off of the things you did. In Gunna's situation, right, with Thug. The reason he told on Thug is he said he did nothing and everybody else did everything. Now maybe if. If. If Drake's case would have been more like, you know what? The label hasn't been paying me. They inflated these streams. But he's doing the same thing where he's like, no, this guy, they're over here doing this for him. Y'all signed to the same people. They're doing this for him. They're doing this for him. They're not. They're doing this for him. He's not even talking about what they're doing for him. He's not even saying what they did to wrong him. They're saying them marketing Kendrick Lamar song, I have a problem with it because they did it unfairly. He's not even equating it to. He's not even equating the crook to. To his.

[Pete]

But that kind of does support his point, though, because he can't demonstrate standing because he hasn't been damaged by it, you know, in the way that he's suggesting. So if it's. Look, this is going to be ugly and discovery for us as universal. And he says, hey, look, if you guys let me out of my deal, we could drop this right now before it goes discovery.

[Glasses Malone]

Sure.

[Crooked I]

Once these people get involved, it ain't gonna matter.

[Glasses Malone]

It's a civil case to Crooked's point, right? So what Peter's saying makes the most sense. The reality is maybe he kicks up enough dust to where they, like, he. He settles and like, let me out of my deal and I'll drop the case so you don't have to present. But I'mma tell you right now, ahead of time, UMG not going to do that. They are past the point of you bullying them, man.

[Steel]

Come on, man. Ain't nobody bigger. Nobody bigger than the program.

[Glasses Malone]

Ain't nobody bigger than going to bully umg. And if he thought that that was his plan, my question is to learn the hard way, like, you are not going to bully these people.

[Pete]

What does he benefit from getting out of that deal? Where's he going to go? Right now, his value is at.

[Glasses Malone]

At.

[Pete]

At Its all time low. And you want to get out of your deal, that. That in of itself strategically makes no sense.

[Cam]

Don't get.

[Crooked I]

Don't get it twisted got some value.

[Cam]

He will make money as an independent artist. We know that.

[Glasses Malone]

How much?

[Steel]

How much? How much, y'all? How much do a rapper supposed to make before he feel like he don't need to have to make no, more like, I. I don't understand that.

[Glasses Malone]

Hold on, hold on, hold on. What? Which world do you tell on one dope man, right? And get another even crook as an independent? Which world do you tell on one dope man and then people know you told on the dope man. And another plug say, come over here and get this money, Whitey bolter.

[Cam]

Yeah, like, it don't. Like, it's not a smart plan. I'm just telling you that he can definitely be on that perspective. Like, yo, I could just jet out and go independent or go somewhere else and get my bread. I'm not saying it's a smart plan, but his value is still there. He has value, sure.

[Steel]

So do y'all think he's clean? Say, just like, what was really ruining his image is the. Is the A minor that. That subject, right? So is he clean enough to try to do that to Universal? You know what I'm saying? Is he clean enough to. You understand what I'm saying? Like, he'll snap. He just smashed everything moving. Yeah, he just smashed everything.

[Crooked I]

We just saw this whole thing with Puffy. As soon as Puppy start messing with them folks, man, he was sitting up in the jail cell alone.

[Glasses Malone]

Everybody wanted to go to Puffy wants to go to Puffy party. And then one day overnight, I was the only person. I went from being the only person that didn't care about going to Puff party because I don't drink and mess with the broads or do no drugs like that. And now everybody don't want to go to Puffy party. So again, trust me, he already did more than enough for them people to hang him that. We used to have this conversation all the time, Cam. Like, they're not going to let you get that far without having something on you, right? That just. They not gonna make you. That, you know, they not finna just empower you and make you a monster. And. And you could just move about the cabin for free. So I do think crooked is right. There has to be. That would make sense, right? There's a idea and intention to get out of a deal. But the way you going about it, first off, you're exposing business practices that they use for all of y'all, everybody.

[Pete]

And furthermore, do you want to be independent and be blackballed from Spotify?

[Glasses Malone]

And. And the problem is you're not going to be blackballed from Spotify, but they're going to comb your everybody. Because again, the dope trade is very much the do trade. If you tell on somebody in the dope trade. Nobody is going to give you dope.

[Crooked I]

That's real.

[Glasses Malone]

If they don't kill you.

[Cam]

Did you, did you peep the move he made when he was releasing music on a website?

[Glasses Malone]

Yes.

[Cam]

You think that was the testing grounds?

[Glasses Malone]

No.

[Pete]

Just out of curiosity, what does a, an artist of that magnitude, what does his deal look like? Because I would assume he could kind of not craft his own deal, but kind of craft his own deal. What do you think his deal looks like?

[Crooked I]

What you think Universal gave him crook? Maybe, maybe 20 million.

[Glasses Malone]

I think it's 40. Let me let Crook out. Hold up, Crook. Let me get you going.

[Cam]

They said a 400 million dollar deal. That's what they say. Now we understand people be tripping and you know, saying anything for marketing. But they said $400 million. Making it even more puzzling to what. As to why you would go up against them in this, in this situation. It's like what are your intentions? I guess that's the, that's the question. What are your intention? Because the deed is done.

[Steel]

So could it, could it be. Could it be controlled opposition? Could this be deeper than we think it is? You know?

[Cam]

Yeah.

[Glasses Malone]

I have zero faith that Drake is a chess player. And I think the deal. I think everybody industry adds a zero to their deal. So if the deal was supposed to be 400 million, it's 40 million.

[Pete]

I. I'm not gonna mention any names.

[Crooked I]

That's. I think he might have got 40, man. Because ain't nobody giving nobody's too many things that can happen. You get somebody that much money.

[Pete]

It depends like who I was, I guess who owns the masters in that scenario. If he's getting 40, he must own the lion's share of his rights. I just heard on good authority, like really, really, really good authority about an artist whose music I've never even heard getting paid 100 for. For his catalog and future catalog rights.

[Glasses Malone]

Yeah, but all of that stuff, Forgive me, hold up. All of that stuff is fluff. Like all of that numbers. I know for sure. Fact I could prove it. But all of that number is fluff. This has a. This is an emotional response. This is an emotional response to. I believe that yeah, to. To bad event in his life that is really traumatizing him. I know this sounds crazy because losing a rap battle to us would probably hurt our feelings, but it probably. It ain't the end of the world.

[Crooked I]

Emotional breakdown.

[Glasses Malone]

You right. He really is calling this boy the hard er behind the door, behind closed doors.

[Cam]

Yo, so let's go into the conspiracy realm. You know what I'm saying?

[Steel]

Yeah.

[Cam]

Let's take this into the conspiracy realm real quick. The chair of Sony Music recently said, when rap became the number one genre, instead they signed a thousand rap artists instead of a hundred great rap artists. And that's the reason why rap is declining for them. And they foresee it going back underground and coming up a lot stronger after going back underground. So in essence, what I heard was you're gonna try to force rap music to go back underground. You're defunding all these marketing budgets. You're shifting the money to different genres and to catalogs that you already own. And that's the focus of the spending. And now we gonna try to let rap just go underground. So is this part of that?

[Pete]

Let the laboratory pay for itself and then you purchase the. The medicine when it's done.

[Steel]

So is. Is Lucian Grange connection to Diddy playing any part in this?

[Crooked I]

Are they.

[Steel]

Are they doing some diabolical stuff behind it?

[Crooked I]

Pass all that down to his son. His son is about to take over.

[Steel]

Well, I'm just saying that's still connected to the father, though. So if they. If they twist the father up, the son ain't got no action. So is. Is he trying to just sink the ship, you know what I'm saying, and, you know, let the Titanic go down and. And scatter before. Before that happened?

[Crooked I]

I don't think so, bro. I think the Universal Music Group is indestructible, bro.

[Steel]

Oh, no such thing. No, no such thing. That's like saying America is in destruction.

[Crooked I]

You know what I'm saying, Cam?

[Glasses Malone]

I like, I like, I like. I. I like America's chances less.

[Pete]

Right?

[Glasses Malone]

I like UMG chances better of being destructive.

[Pete]

Nothing's bigger, right?

[Crooked I]

I'm just saying, bro, they have a lot of money. They have a lot of influence, bro. And it's just not music, you know, It's a lot of people in that building. A lot of big mega stars. You gotta remember, everybody's over.

[Glasses Malone]

Ain't Sloop over there, G. Everybody is over there.

[Crooked I]

That's what I'm saying.

[Glasses Malone]

It's only. It's. The only thing left to some degree is like two labels left and I'm.

[Steel]

Everybody on the Ain't everybody on the Diddy Party list, the fting list.

[Glasses Malone]

That list will never come out.

[Steel]

I don't know. Never say never.

[Glasses Malone]

And then, and then if it comes out, nobody is going to react. No, listen, this whole Diddy Diddy travesty is all a sham. Don't nobody care about who. Nobody care about Diddy buying no prostitutes. Nobody care about how Diddy was partying. Nobody care because everybody, all of these people, even the people in the chat, party the same way. I am the only the honorable glasses look the only that don't party that way. And Cam the only people that don't party that way. This is normal. People party. The reason this matters to Diddy is because some other stuff is going on. Something else is wrong. You feel me? So again, it's like crooked is making some compelling points. Could he be making a play to get out of his deal? Because I did hear that a couple times today. This is the wrong way to do it. These are the wrong enemies to have if you plan to be in this business after today. It don't even matter whether or not they let him go. It don't even matter if they let him go. It does not matter if they let him go. He made the greatest mistake of his life today in the business. He made the greatest mistake of his life in the culture a couple months ago during the battle, but he made the greatest mistake of his life today. Challenging the business could possibly open the.

[Pete]

Door to what have we seen a whole trend of in the last couple of years. And by a couple, I mean 60, but opportunistic department of justice prosecutors. He could do this, walk away tomorrow and potentially entice actual criminal investigation action by people who want to get their name out there.

[Glasses Malone]

It's impossible.

[Crooked I]

You know what? I'm going to tell you this. Messing with somebody like Universal Pete, it will mess around and reverse back on him. They would around and twist him up somehow and start looking at this stuff. Because I'm gonna tell you, all he's going to do is get himself further scrutinized. So if he got anything done, if he got anything filed in his catalog, dog, he's gonna be in trouble. He might be sitting next to Diddy somewhere. I'm telling you, man, these people ain't nothing to play with.

[Steel]

Yeah, they not. They not nothing to play with.

[Crooked I]

And he like.

[Steel]

He like Biden to me or. You know what I'm saying? He. He ain't making the decisions.

[Cam]

He.

[Steel]

He worth too much to too many people for. For us to think Drake just made that decision. Somebody else, his handlers, his, his advisors, somebody else is. Is making him do that. I think, man.

[Crooked I]

Moving on his own reconnaissance and not talking to them. And that's go mean his further destruction.

[Glasses Malone]

For the $5. The p. The petition is filed under a vague LLC. He didn't want this to go public, but they're trying to flip it. Like he's looking out for indie artists. That is a major boy, that David Jones. He. He figured out the audio problem. We couldn't figure it out with crooks.

[Pete]

I feel like my square is gonna get replaced by David Jones real quick.

[Glasses Malone]

Squishy is the number one. Get off no s. Lunch hour Monday, Wednesday and Friday at noon. Dave, I need you at the lunch hour at 12:00 Pacific Standard time, Monday, Wednesday and Friday noon. You got, I don't know what you got going on. You cooking. It's kind of late to be cooking, but you cook where you cooking.

[Crooked I]

You know what I'mma tell you though, man. We see this all the time and especially in music, man. People allow their. You bridge to start thinking, man, that they can, that they almost on a deity level, man. And they find out the Icarus and fly too close to the sun. I wound up getting heated up. I'm telling you, man, this is gonna end bad for dude.

[Glasses Malone]

Yeah, it just, it just, it almost can't work out. Like he's not like he's empowered by the business, like without the business.

[Steel]

How he like he effed on both, both sides. Like he already got something he can't handle from, from Kendrick and these west coast and now the United States fans, street, these street people, the soldiers. And now he want to throw a fit against daddy or mama or whatever, you know what I'm saying? A lose, lose situation he had to do, man.

[Crooked I]

I'm pretty sure his advisors told. Told him this. All he had to do was shut the up and go somewhere.

[Glasses Malone]

You know, it's funny that we keep thinking his advisors is telling that. I'm starting to really believe. No, they're not.

[Pete]

I agree with Glasses.

[Glasses Malone]

I think a long time ago he said, glasses, people be telling these people whatever they want to hear. He told me that at an elephant bar in Lakewood. He said, glasses, these people telling these people whatever they want to hear, they're trying to keep their business. And I equated, I equated that to people trying to keep their positions at the job. So they telling the, the, the, the, the, the, the payroll, whatever they need to hear to stay on the payroll.

[Steel]

I, I can see that because I, I can see like Diddy Diddy did the same thing. So I guess he didn't have no advisors to tell him to try to sue Deon or whoever that was the city. So I guess you, you could be right about that.

[Glasses Malone]

It would be kind of funny.

[Crooked I]

This is all arrogance, man. This is all his arrogance, man. This will be his undoing. Because he seems to think, I'm Drake. I can do whatever the hell I want to do. And he do this. He go find out the hard way.

[Glasses Malone]

He already did it. That's the problem. Like, he already, he already put that out there.

[Steel]

Yeah, you can't call it did.

[Glasses Malone]

His lawsuit was like, it wasn't about that. Like, he, he filed this so they could force. So he could force them to deliver material, paperwork and stuff about the claims. Like, if you start getting, you know, the government in these people business, you're gonna have a real problem.

[Steel]

Ain't the best question, though.

[Crooked I]

Universal pay a lot of money? Universal pay a lot of taxes, bro. It's a lot of people making money off of Universal. You gotta remember it ain't just music. Music is movies, it's licorice. All kind of stuff they got their hands in, man. And they make, they pay a lot of money. They make a lot of money, and they make a lot of other people money.

[Steel]

So the question is why then? Let's, let's look at why. If Drake is, is accusing them of that, why would they do that to Drake? Why? What would the motivation, big bro.

[Crooked I]

That's Drake in his mind.

[Steel]

No, I mean, just let's, let's, let's humor that, though. Let's. Let's just try to go down that little rabbit hole for a second. What would they have against Drake? Why would they favor Kendrick over Drake?

[Pete]

It would be almost kind of like the way you see, you know how like with regard to certain, like, virality algorithms, when something starts to get hot, they go like the algorithm identifies it. It went from zero to a thousand, like really fast. So it'll flip flooded. So it goes from a thousand to ten million. And perhaps they were just looking. All right, What Kendrick just did is bigger than what we foresee Drake doing in the near future. So we're going to flood this and capitalize on this moment because it's that this is the moment that we're going to get the most out of at Drake.

[Steel]

At Drake's. At Drake's expense of being called the A minor. So they don't care nothing about his no character.

[Crooked I]

We all know that. Let's say he did get 400 million. You don't get all that money at once. And there's some stipulations in there too. Let's say they don't want to give them the rest of that money and they do kind of want to F him off.

[Pete]

And sometimes, you know, this it might be like Jerry Krause and the 1998 Bulls. Look, you've peaked.

[Glasses Malone]

Honestly, I cannot think of one single reason that the business would empower Kendrick over Drake.

[Steel]

Me neither.

[Glasses Malone]

I can't think, I can't think of a sole reason, five year outlook. The business wouldn't. They're the same age. Not one sole reason. Can I think of why the business, business would empower Ken. Like Drake has had so many records, smash hit records. I think he's like 13 in 14 in like he has more number one records on the Hot 100 than Michael Jackson.

[Pete]

Kendrick forced their hands. Kendrick kicked him out of the community. He forced their hand.

[Glasses Malone]

I don't know if that's even true.

[Crooked I]

Because I gotta ask Trick this question. At any point, man, did Drake reach out to you for you to rescue him, man, for you to donate your opinion?

[Cam]

Yo, still man, that's. That's hilarious. You know what I'm saying? That's hysterical. But real talk, it is kind of like why would they like it would have to be some behind the scenes stuff that we not privy to that could be the only reason why they would choose to push Kendrick and push Drake out. You know what I'm saying? Because even a mid tier Drake is bringing in money. You know what I'm saying?

[Glasses Malone]

So.

[Crooked I]

And I'm gonna tell you, dog, people gotta twist. The Drake was a bigger artist than Kendrick.

[Glasses Malone]

Yeah. Oh yeah, me. But, but, but mine is. Hold up, I got you quick. But minus the bigger artist, I cannot think of one sole reason the label chooses Kendrick over Drake. It, it doesn't make sense. Like he had to actually win the. I mean, listen, he had better records. I, I think during the battle, I think Drake didn't lean to his strategy of making really good records that could be played all over the country. I think he really went into it with a battle mind. I'm gonna battle this guy. Like, you know, he, he believed all of the hype of battle rap and, and you know, when he went away from what worked for him in the Meek Mill battle, right, which was back to back. And then he gets to the. Well, even when he gets in the Pusha T battle, he dropped a rap song like where he's just rapping and then he gets in the Kendrick battle and the Push up record is dope, right? This is good. Catchy. But then every other record is not a really great record, right? So I think he lost, I think he lost the battle on his own, right? And, but I could not find one reason why the business would ever favor Kendrick over Drake. I can't find one reason in my.

[Crooked I]

Mind I don't think. I think that's kind of reaching right there. I think it's kind of reaching, bro. And I'm gonna tell you what it is, man. Drake has been living out his fantasies over the last 10, 15 years, right? He's been messing with girls that he probably would have never had the chance to knock down if he wasn't Drake. Gotta remember that dude used to look corny, G before he got the money.

[Glasses Malone]

Not getting used to.

[Pete]

He looks corny yesterday.

[Glasses Malone]

Yeah. Right now today he just looks like he's impersonating us being corny.

[Crooked I]

That's what I'm saying. He gets a real corny dude when you really think about it, right? So he's been living fantasies. He's been going. He's been really fascinated with battle rap. He's been going to leagues, been sponsoring leagues. He sponsored the whole URL. But then, you know, they look stream the thing they had going on and he really thought in his mind, this is going to be my chance to immortalize myself in the battle.

[Glasses Malone]

I mean, he did an incredible job with the Meek Mill battle. Hold on, let me get through these super chats real quick. Shout out to Captain D hard. Thanks for the $5, brother. It's been reported he is in contract negotiations before the battle started. Don't know if that's true, but it's on Twitter now. He had did that a couple years ago. Maybe he did for an extension, but I know he did that a year or two ago. Shout out to Caleb Production. Thanks for the $2. My brother is spiritual. I really believe God writers. I think that's. I agree with you in the innate sense of the battle, but that is not what universal music group is pushing. Righteous people. Not like, forgive me because I don't want to say that they don't have any talent. That's righteous. I'm saying I don't think that's a weighing factor for them to market and act is if they're a righteous person. I just think that's the furthest thing from their mind. I think, you know, I don't want to make it. I don't want to go too hard on them, you know, because I don't know business practices. I ain't been in there. But the last thing that I get from them is righteousness. That's. I don't get that as far as artistry.

[Charlamagne Tha God]

Peace to the planet Charlamagne Tha God here. And I just want you to know if you're not on Amazon prime, you're seriously missing out. It's not just about the fast free delivery. Although, let's be real, that's a game changer. It especially was for me this holiday season. Prime is like your personal guide to everything you're into or want to get into. Whether it's binge watching the latest hit on prime video, you know, listening to your favorite playlist on Amazon music, or getting those last minute gifts which same day free delivery. Prime's got you covered. And here's the kicker. Prime isn't just about getting you closer to your passions. It's about helping you discover new ones too. Got a hobby you're obsessed with? Prime fuels it. Trying something new. Prime helps you dive deep into whatever's next. It's like me being passionate about mental health. You can order all kinds of books on mental health on Prime. My favorite is the Unapologetic Guide to Blood Black mental health by Dr. Rita Walker. Prime gets you closer to what really matters, making all times of the year that much more special. Whether it's screaming your favorite movie or getting that perfect gift delivered the same day, prime makes everything easy and stress free. Whatever you're into, it's on Prime. Visit Amazon.com prime now.

[Bobby Bones]

Hey, it's Bobby Bones. Join me and former NFL quarterback Matt Castle every Wednesday for our new podcast, Lots to say with Bobby Bones and Matt Castle. Between us, we have over 17,500 passing yards, multiple New York Times bestsellers, and one mirror ball trophy from Dancing with the Star. So where else are you going to find a show with that much athleticism and football insight? Based in Nashville, we're more than just your basic NFL show. We talk sports, but we talk pop culture and music and a little bit of everything because we got lots to say. I texted you and you texted me back. Now, I don't know if you have the update, but like all the little thumbs up and heart and stuff, like it's all colored. They changed it and the, the heart's a little pink. It felt like I told you I loved you. I'm going to be honest, it was a little pink.

[Glasses Malone]

There was something sentimental when you, like when, when you send it, it's like.

[Pete]

Do I send the heart now?

[Bobby Bones]

I don't like the color edition.

[Glasses Malone]

It's extremely pink.

[Bobby Bones]

Listen to Lots to say with Bobby Bones and Matt Castle on the iHeartRadio app, Apple Podcast, or wherever you get your podcasts.

[Jon Stewart]

Jon Stewart is back at the Daily show and he's bringing his signature Wit and insight straight to your ears with the daily show Ears Edition podcast. Dive into John's unique take on the biggest topics in politics, entertainment, sports and more. Joined by the sharp voices of the show's correspondence and contributors, and with extended interviews and exclusive weekly headline roundups, this podcast gives you content you won't find anywhere else. Ready to laugh and stay informed? Listen on the iHeartRadio, Apple, Apple Podcasts or wherever you get your podcasts.

[Danny Trehlzer]

Welcome. I'm Danny Thrill. Won't you join me at the fire and dare enter Nocturnal tale from the Shadows presented by iheart and Sonora. An anthology of modern day horror stories inspired by the legends of Latin America. From ghastly encounters with shape shifters to bone chilling brushes with supernatural creatures. Take a trip and experience the horrors that have haunted Latin America since the beginning of time. Listen to Notormi Tales from the Shadows as part of Michael Tura Podcast Network. Available on the iHeartRadio app, Apple Podcast or wherever you get your podcast.

[Glasses Malone]

Shout out to the homie Omar. I do. Thanks for the $5. This is some great dialogue salute fellas. Glad you enjoying it man. We tackling it right now this late because like this is just breaking events. It just matters.

[Cam]

Yo yo Glasses, let's go back to the battle real quick. I feel like it, I feel like what still is talking about going into all these battle rap events and all that one first thing you peep in that world is people use angles and you know what I mean? His angle was to Lil Bro Kendrick. He just wanted to lil Bro in, you feel me? And Kendrick was coming with concept records like Meet the Grams and he was taking it all the way around the world with his pen as far as coming, you know on some battle shit. And I feel like if, if he was really paying attention in them battle events then we would have different records right now. And on the tip of the, you know, the spirituality tip, I don't think he talking about universal music specific spirituality and they practices. I'm. I think you're talking about just period like it's time for you know, something else to, to come into, to play because of all of the, the, the, the demons in the, in the music playground right now.

[Glasses Malone]

Totally, totally agree that there's a real demand for it. The universe is demanding for it. But trust me, Universal Music Group is not at the, they are not the hands for the music group.

[Cam]

Universe Music Group.

[Pete]

Swear glasses. You got a painting or some sort of an artistic piece as the result of this battle, correct?

[Glasses Malone]

I do. I have.

[Pete]

What does that Depict.

[Glasses Malone]

I forget Drake doing push ups while Kendrick as the master is watching him.

[Pete]

Indeed, indeed.

[Steel]

Okay, drop down. Give me 50.

[Glasses Malone]

There you go. Yes, I agree with Crooked. The Universe music group is definitely demanding more of a righteous fold. And I mean something I've talked to Cam over the years about, you know, when it comes to health and, and being street as I am and the language that I use, like you could always be a street guy and be very much a righteous person. They don't, they're, they're not mutually exclusive. They can go together. You just have to be willing to stand up and be who you are. Even in the face of friends. Right. You still gotta be stern. I just don't know if that's the business of Universal Music Group. I, I think Universal Music Group do. I think behind the scenes they have some backdoor deals that can encourage people.

[Crooked I]

To do the wrong thing.

[Glasses Malone]

Sure. But I also think, you know, people like to share in silly. You know, you like, I don't do drugs, but people like drugs. I don't know why. I will probably be the last person to tell you why somebody like drugs or alcohol, I could never understand it.

[Crooked I]

Why do you think, why do you.

[Steel]

Think Drake wanted to get involved in the battle rap scene? Do you think that he wants a army or a brotherhood? He wants to, for his, his manhood nature to be respected, you know what I'm saying? Because you can, you can have all the females liking you all over the world. But I really think with him.

[Crooked I]

I'm gonna tell you something, Cam. Everybody like going to the zoo, right? Because you know, everybody. What's the favorite thing people like? What's the faith? What's the biggest attraction at the zoo? The gorillas. And the gorillas and lions, right. Because they behind the cage, right. How many people you think would go to zoo if the was running free? When you go to the park a lot, you know, gorillas just swinging tree to treat when you come in and just, just bombing on people lines, you know, biting people's head off and wouldn't nobody want to see that live. I think Drake has been going to the suit man now he think he could walk among the beasts, shout out.

[Glasses Malone]

To ECDC tech academics talking about glasses Malone to 20, 000 viewers. Story of my life, brother. Story of my life. I always did something, always somebody that's entirely too famous upset at me. So I'm used to it. I mean, hopefully it's not bad.

[Steel]

Yeah. The beautiful thing though is people that, like I said, the poverty, you know, produces a Army, a brotherhood. So there ain't. Ain't no amount of money, ain't no amount of females and popularity or whatever that can equal a real army, you know what I'm saying?

[Danny Trehlzer]

That's.

[Steel]

That's riding and sliding for love and respect. So I think that's what he deficient of, you know what I'm saying? All of us on this panel, you know what I'm saying, Including Pete, got more respect, I think. You know what I'm saying? Than. Than. Dude, do.

[Pete]

That's fair where it counts. And I think it's also. Yeah, because of that deficiency, he's not going to go get it in the streets. This is the closest place he can.

[Steel]

Go to get it, man.

[Glasses Malone]

That's true. Shout out to aj. I think it's pronounced or a job, but I think it's AJ. The only. Thanks for the $5, Brody. The only reason I can foresee UMG pushing dot over Drake at any moment is if they know some nefarious on his jacket that might hit the streets. That's a great point. That's possible. I think they for sure. They for sure will unconnect from your ass if you got some.

[Pete]

And what was the theme of the song?

[Steel]

Right.

[Glasses Malone]

No.

[Pete]

Right?

[Glasses Malone]

No.

[Steel]

Right.

[Glasses Malone]

But. But I'll be honest. When I asked Doc, I ain't gonna lie. Did ask Dot, he said, glasses, you ain't know me to be no liar.

[Steel]

I'm saying all is fair. All is fair, right?

[Pete]

And I. I think there's, you know, hip hops are kind of genre where when it goes, it goes quick for a lot of artists. You know, you can have a run for a long, long time. And when it. When you're no longer the sound anymore, it's it. You have to wait until you're like, now. Now you're like old school hot. Because people remember you. Yeah.

[Glasses Malone]

Shout out to Captain D hard. Thanks for another $5, my boy. It's a new contract. In the lawsuit, it says he owns his masters in copyright. Well, that could be another thing, too. That could be another thing too, Cap. Like if. If you own your masters and your copyrights, they might invest in somebody else because there's more money to be made. I know that's true, too. You know, I mean, that could be a good point.

[Crooked I]

Let me ask y'all something real quick. She started to cut you off.

[Glasses Malone]

Go ahead.

[Crooked I]

How many artists do y'all know, man, that really were big deals that. That their finances don't reflect it right now. You know, guys like from the 90s to have really huge records and really big careers. That was the Kendricks back in the day. How many of those guys do you see that their finances may not be all the way right? And not trying to, you know, just them dudes and number. Just trying to make a point.

[Steel]

Most of them meet me included, you know what I'm saying? So, you know, it's a business. It's a business, but it's also a boys club. You know, people get to work that stay in the circle. It's a such thing as gatekeepers or whatever. You know, a little boys club that they gonna. They gonna keep you working if you. If you get down like they get down. So I never got down like them, period. So, you know, I was never invited to the Reindeer Games.

[Crooked I]

I say all that to say this, man. You can never. You can never get in the position, dude, where you think you too big man? Cause I don't see some big dudes fall, man.

[Glasses Malone]

He definitely. He definitely, no matter how it go, this was a mistake. There's no way he could come out on the other end. And this not be a mistake because now you're making enemies with really powerful people who are. Happen to be a lot further vested in the business you want to succeed in than you do. Not to mention again, it's like, maybe, you know, I don't know, man. I don't. I don't know. Like, I'm trying to think of what makes sense. Maybe he's gonna quit. Maybe he's like, you know what? I'm done with this. I'm gonna blow the lid off of it, and then I'm gonna ride off into the sunset.

[Crooked I]

Maybe it'll be that easy.

[Steel]

I think he just retired.

[Glasses Malone]

Yeah. The sunset gonna be crazy.

[Pete]

You know, in Canada, you go far enough north and the sun doesn't set for months during the summer.

[Steel]

Yeah. You're stuck in the daytime.

[Glasses Malone]

Yeah. I don't quite know how this works out. Again, the culture kind of. They're done with him, right? Which he does have a fan base to crook. His point earlier that, you know, he got from obviously years and years of great music and success, right? That. That he's going to have an audience. But Universal is tied to the people that own the arenas. Universal is tied to the people that actually stream the music. Universal is like, you get what I'm saying? You. You start to put yourself into a disadvantage because these people are connected to everybody. You know what I mean? And they will stop. So I don't quite know what the thought is. I Just think it's a bad thought real quick.

[Crooked I]

What was his last three records? Because didn't his last three records do, like, unbelievably bad? His last three singles he tried to drop.

[Glasses Malone]

I mean, bad for Drake is probably not in the top 20.

[Crooked I]

No, I don't think these records even hit the top 100 from what I hear.

[Glasses Malone]

Well, I think he put out a lot more.

[Pete]

Listen to Drake anymore.

[Glasses Malone]

Yeah, he's obviously been struggling. He's obviously been struggling, but I also don't think he went in there and started to try to make really great records. That address where he's at and gave people what they wanted to hear.

[Pete]

I don't think it would matter.

[Glasses Malone]

I mean, it still like how J. Cole was able to do with that song where he tried to rewrite history and act like, oh, yeah, I didn't do the battle.

[Pete]

Didn't get hit like this.

[Crooked I]

He was smart.

[Steel]

I don't think.

[Pete]

Like this.

[Steel]

Yeah.

[Pete]

This Ja Rule. Oh, five.

[Crooked I]

You know, this is way worse.

[Glasses Malone]

Came out with a platinum album in a gold album and top 40 songs. Ja Rule still is street, so he understands what not to do.

[Pete]

Ja Rules Persona non grata for a decade.

[Glasses Malone]

Yeah, but this is worse.

[Pete]

I know this could be why the company pivoted.

[Glasses Malone]

Like this could be. And remember. And remember, like to John them's situation. Remember, they caught a fair case and that's when the label walked away from Suge, walked away from Jay, and walked away from Irv at that same time. They all had coffee. People didn't realize, but they all caught Fed cases at the same time. So Drake trying to give off that.

[Steel]

So Drake trying to give universal affair case. Right?

[Glasses Malone]

Yeah. His attorneys to mention RICO in the paperwork like that is.

[Steel]

It's not going. It's not going to end good. It's not going to end good.

[Pete]

That's trying to get them investigated.

[Crooked I]

Drake could be going through some kind of crisis right now, man, where he, like, he's gonna sing too much and about to tell it all. You know, you got that one, homie, that you take on the mission. You see that probably shouldn't be going.

[Pete]

He's gonna pull a Martin Lawrence the next day.

[Crooked I]

He might be about to drop the bottom, bro.

[Glasses Malone]

Shout out to George Williams. He said, that's why we never get ahead. He's not scared to be the fall guy for the future guys. This has nothing to do with fall guy for future guys. All he's going to do is stop record companies from marketing wreck. He's not even gonna stop anything. There's nothing for anybody else that's going to. And he's not himself being a fall guy. He's pointing at another guy. Be like, no, that guy, he's not saying, hey, you know what this is what the record label. If he wanted to be the fall guy, and he did it a long time ago. Yeah, he could do it for himself. He could be like, this is how they marketed me. This is how they spent the money. I have the paperwork right here. Here's the proof. Look at this. This, this, this, this. But he's doing what Gunner did. He like, no, look what they did for him. Look at that guy over there. They did this for him. You know, it's rico, so forth and so on. You feel me? They did that for him. Now, if he wanted to be the fall guy, he would say, this is what they did for me. Hey, you know what? They. They falsely marketed my stuff. They made me bigger than I was. My numbers caught up and I was in arenas, so forth and so on. That's. If he was trying to be a fall guy or a martyr or. Or Jesus type of person in that regards, he would take the responsibility. He would not be pointing at who he could consider his Judas as Jesus. Didn't be like, it was Judas on the cross. It was like, whatever. Feel me? Drake is like. Drake is like Dino Brown in the courtroom on New Jack City.

[Steel]

Damn. Hey, Drake.

[Glasses Malone]

Drake.

[Steel]

Low key, like Howard Hughes. You ever seen a Howard Hughes story? And the eccentric went crazy in a big ass mansion story. Start peeing in bottles and lining them up, Growing his fingernails all along. Drake might. He might need to get that little 5150 watch.

[Glasses Malone]

My boy was like, Nino. He was like, it was Kendrick.

[Pete]

He's not a witness. Drake showed up to the police department with the rape kit.

[Crooked I]

Hey, G, I gotta go pick a baby girl. I love y'all, man. I'm holler at y'all in a minute.

[Glasses Malone]

My boy.

[Cam]

Yeah, he. He not. He not a fall guy. He's a. I want to speak to the manager. That's what he doing right now. You know what I'm saying? And you know, if he wanted to talk about how corrupt the industry is, he wouldn't have waited to. To turn the light on on his supposed enemy. You know what I mean? This is. This is. This has nothing to do with anything. Righteous for the future of artistry. You feel me? Now will it end up being something like that? We don't. I doubt it, but okay, that would just be a byproduct of him trying to get vengeance and stay on his mission. You know what I'm saying? It's not in his intentions to. To save. To save the. The music. You feel me? That's. You're not gonna do that.

[Pete]

So he's the first lady, Sue.

[Cam]

Yeah, umg like you said, man, you know, they.

[Crooked I]

They.

[Cam]

When they start activating, boy, let me tell you, if.

[Crooked I]

If people.

[Cam]

People don't think, they had nothing to do with. With that Rico from the color, colorful hair guy, man. You know what I'm saying? They out their mind. So my whole thing is, like you said, they got a lot of power, and this ain't gonna unfold how him and his team thought. Yeah, but I don't know, bro. Like, he crashing out. You feel me? Like he crashing out right now. That's all. That's all he doing.

[Glasses Malone]

If he was smart right now, there he is, Kung Fu Kenny, the educated brother from Compton. That. That's who the real leader of this. Of this. Of this ambition undertaker is doing.

[Pete]

If Dre was smart, he should have paid another artist to sue and paid for the legal fees.

[Glasses Malone]

Oh, man. Shout out to Flaco. He said, come on, big bro. Drake is doing this for the people like us who preach against corrupt infrastructure. We should be celebrating this. This is bigger than Kendrick and Drake. I would buy that.

[Pete]

If it wasn't Drake.

[Glasses Malone]

If it wasn't Drake, what they did for him and his business, he didn't come out and break the industry in half. All you got to do is be like, this is what they did for me. They made this work. I know they spent this money. Here's the proof. He could talk about everything, but when he's pointing at Kendrick. That's why it's not about preaching against a corrupt infrastructure. The benefactor.

[Cam]

He is suing them for a song called Not Like Us by Kendrick Lamar. That's what the this is about, bro. Like, let's not try to. You know, I mean, I'm the most positive thinking brother you could ever meet. You know what I mean? But we're not gonna go into the land of fairy tales. The said, yo not like us is the craziest atomic nuclear bomb that ever dropped on the rapper's head. And I don't like that everywhere I go, they planted in the World Series. He's trying to. It has nothing to do with that Other. Now, like I said, if it becomes a by, if that other becomes a byproduct, please believe it's not his intention. Because simply put, like you said, G, he's pointing his finger, bro. He's pointing his finger and he's saying, yo, this is what they did for him, and I'm going to expose it. If not like us, as a dud. We never had this conversation.

[Glasses Malone]

And poetic, Flaco, when you told me the Al would die, I didn't believe it. This is unbelievable. You were right. I don't know how you predicted it, Flaco. Hip hop is street urban culture. The first time we talk on your platform, on no jumper, I explained it to you. It's artistically expressed street urban culture. It's a way you act, walk, talk. Everything about it is that it's not. It doesn't lead with music first. The confusion is that it leads with music first. No, it leads with culture first. If it led with music, Chief Keith wouldn't have sold three records. No disrespect to Chief Keith, but he ain't quite Herbie Hancock. He's not quite Quincy Jones and Michael Jackson. You know, his music isn't quite, you know, Ray Charles. You know, he's not on a piano playing. You feel me? That type wouldn't work if it was music first. If that was the case, then Leon Haywood's song would be more Thai Platinum, and Dr. Dre's song would have only sold, you know, G Thing would have already sold 5,000 if it was about music, because the music in these other genres is superior. The music. Now, when you add in the fact that hip hop is about culture, it's about discovery and people that don't have a voice in a movement of people that refuse to be ignored and. And determined to let you know they exist and talk about their experience in this very small minute population in America, or it's very few ghettos that create this stuff that we talking about. You know what I'm saying? That's what hip hop is about, and that's what we come for. See, I've never been confused and thought to myself, we come for music again, like right now, people ask me all the time. I don't listen to more new artists. I'm like, because I'm actually listening for music now. Now I'm not listening for culture. I'm like, well, what's actually sounds good? I'm gonna go play hall of Notes. I'm going to go play Prince. I'm going to go discover the third Marvin Gaye album, because I'm going to listen to music. But when I listen to hip hop, I listen for culture, I listen for lingo, I listen for style, fashion, representation, and then music so again, it's like when you was asking me how that battle will play out. It's a guy with culture that understands culture versus a guy with no street, urban culture. Zero. He's been kind of in, like, like impersonating it. It's like asking me, you know what, in a soul food competition, who would win, like M M's Prime, Eminem or Kentucky Fried Chicken? There's nobody in the world that's going to taste both soul foods. You asking me who would win, King Tacos or Taco Bell? Anybody with taste buds is going to work.

[Steel]

Where's a certain type of taste buds? Because to me, it's like also like Godzilla and. And King Kong. Right. The machine made them both global monsters, but when it comes to them battling each other, one of them got way more weapons than the other one, you know what I'm saying? On that, on that scene, to me.

[Pete]

Like, like when I first started seeing the comments and. And some of the posts about this on social media, I. The wagons circled so fast. They circled so fast. And I like, look, this is. It sounds stupid. It's kind of funny. You. You three guys haven't been on that side of the wagons. Like, I've been. I've had the wacky circle on me.

[Glasses Malone]

Yeah.

[Pete]

You know, it happens fast, and you see it boom. And it doesn't unhappen. And everybody in the room knew it. And it was cool for Drake until Drake just did that little thing to give him the excuse, and he did it and he capitalized on it and they just went and he was over there. Man, it happened so fast.

[Cam]

I got a question. Where does Drake go from here?

[Glasses Malone]

He just messed.

[Pete]

He has to wait until he's nostalgic.

[Steel]

I. I think. I think he would never do this, but if he. If he apologized, you know what I'm saying? If he. If he apologized to the culture and embraced, you know, reality instead of playing like he was God and trying to son everybody and, you know, because you on this, I'm rich and I'm balling and I'm playing these money games, you know what I'm saying? You have to break it all the way down and, and get with some real people.

[Crooked I]

Do.

[Steel]

Do a whole lot of charity, you know what I'm saying? Like, you. You got to do a whole lot of Santa Claus.

[Glasses Malone]

You have to actually come clean and be for real. You have to be genuine. Shout out to Big China. A blogger said he bullies people legally and he really wants to sue Dot. I believe that, too. Shout out To Tree. He said, invite him to the podcast, man. Dre wouldn't come to this. Drake wouldn't come to that podcast, man. It's funny because we wouldn't even be talking about this stuff, but he would be so mad and upset that he wouldn't really, you know, be okay with the conversation. Hold on. This is, this is Head calling me. Let me see what he's talking about. Just like, what up? Okay, call it. I got you on the live stream with me, Crooked, Cam and Pete. What's up? Don't worry, Nobody, everybody knows that when you call me, it's required that you say cuz. That's how everybody greets me. All the white lawyers, managers, they got to say, what's up cuz? When Pete called me, like, what's up cuz?

[Pete]

Come on.

[Crooked I]

Thought process behind the goings on of what's.

[Glasses Malone]

What's the goings on is we, we can't figure it out. We've been trying to discover Head what's going on for the Last hour and 35 minutes and none of us is really close because the best thing I heard came from a comment where somebody said he owns his Masters in copyright in his new contract. So maybe that's why they could favor Kendrick over him. But I still don't understand why that would bother him to the point to where he would sabotage his business future with UMG and affiliates.

[Crooked I]

I mean.

[Glasses Malone]

That'S as close I get to. I still don't think so because I would imagine the money with Drake and, and where they have positioned him to is incredible. So it doesn't make sense. So the, the, the most, the most realistic, you know, solution is he's having an emotional outbreak and he has the kind of money that people are not saying, hey, this is not a wise idea.

[Crooked I]

I don't think there's anyone probably around that's going to culturally navigate him.

[Glasses Malone]

And that's again the same problem. Cam said Crooked asked a question. He said, what would it take to get Drake back into a decent position? And Cam said, he'll never do this but to apologize to the culture and to everything else about what he's been doing and decide to himself he's going to become more of a humanitarian and look out for the culture that he's benefited off of and work from there. But again, it would take a level of self awareness, like conscious to where you can understand what's happening. And I definitely do not believe he has the self aware to understand, you know, possible consequences for misusing the culture this way to the benefit of just making money and, and feeling like the, the equivalent is empowering a couple other rappers, which really still gives you the same credibility, you know, I mean, and I don't think Drake is one of these people who don't. I think he definitely schools and he tries his best, but this is something really deep. Like this is a really, you know, we're hard on each other here, community wise over this. We are hard over people who've really been through this, let alone people who didn't go through this. So I mean, it requires shout out to eider78 it the answer is it requires humility and you could forget about that.

[Crooked I]

Yeah, I don't think there's a, there's, there's numerous, there's a couple of individuals who have expressed a lot of humility.

[Glasses Malone]

Over the last few years and I think that.

[Crooked I]

Progress within the ecosystem.

[Glasses Malone]

Sure, sure. All right, I'll meet you once we finish. So. I don't know, man. I, I, I crook. I think we didn't spent a lot of time, Cam. I think we just spent a lot of time trying to figure out I don't have the answer.

[Cam]

So the answer comes back to a Kendrick song. Be humble.

[Steel]

Is that gonna happen?

[Glasses Malone]

And that'll do it. Much love to y'all, man. See y'all Wednesday at noon, man. Thanks, Crooked. Thanks, big bro. Cam. Pete, we back here Wednesday. Make sure y'all go subscribe to the no Sinners podcast when you leave here. It's on Apple podcast anywhere you get your podcast. The no Sillies podcast produced by Charlemagne, the God Black Effect Network and I heart. Get down. Where you get down. Where you mad at, playboy? We out here. Good looking out. For tuning in to the no Silliness podcast, please do us a favor and subscribe, rate, comment and share. This episode was recorded right here on the west coast of the USA and produced by the Black Effect Podcast Network and iHeartRadio.

[Charlemagne Tha God]

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[Bobby Bones]

Hey, it's Bobby Bones. Join me and former NFL quarterback Matt Castle every Wednesday for our new podcast, Lots to say with Bobby Bones and Matt Castle. Between us, we have over 17,500 passing yards, multiple New York Times bestsellers, and one mirrorball trophy from Dancing with the Star. So where else you can find a show with that much athleticism and football insight? We talk sports, but we talk pop culture and music and a little bit of everything. Listen to Lots to Say with Bobby Bones and Matt castle on the iHeartRadio app, Apple podcast or wherever you get your podcasts.

[Jon Stewart]

Jon Stewart is back in the host chair at the Daily show, which means he's also back in our ears on the Daily Show Ears Edition podcast. Join late night legend Jon Stewart and the best news team for today's biggest headlines, exclusive extended interviews and more. Now this is the second term we can all get behind. Listen to the Daily Show Ears edition on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.

[Danny Trehlzer]

You should probably keep your lights on for Nocturne Tales from the Shadow. Join me, Danny Trehlzer and step into the Flames of Fright, an anthology podcast of modern day horror stories inspired by the most terrifying legends and lore of Latin America. Listen to nocturnum on the iHeartRadio app, Apple podcast or wherever you get your podcast.