The Breakfast Club BEST OF -Best Comedians- Marlon Wayans, Kevin Hart and Will Packer + More

Summary

Podcast Summary: The Breakfast Club BEST OF - Best Comedians - Marlon Wayans, Kevin Hart, and Will Packer + More

Episode Details:

• Title: The Breakfast Club BEST OF - Best Comedians - Marlon Wayans, Kevin Hart, and Will Packer + More
• Host: Charlamagne Tha God, DJ Envy, Jess Hilarious
• Guests: Marlon Wayans, Bill Burr, Kevin Hart, Will Packer
• Release Date: December 30, 2024

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1. Introduction and Guest Announcements

The episode kicks off with the iconic hosts—Charlamagne Tha God, DJ Envy, and Jess Hilarious—introducing a lineup of some of the funniest comedians in the industry. They highlight notable figures like Marlon Wayans, Kevin Hart, and Will Packer, setting the stage for an engaging discussion on comedy, career growth, and Hollywood dynamics.

Notable Quotes:

• Charlamagne Tha God [02:45]: "Today's show is all about some of the funniest comedians that have ever been up here."
• Host (Charlamagne) [02:49]: "When Kevin Hart comes up, you never know what to expect."

2. Caller Interactions and Light-Hearted Conversations

Throughout the episode, the hosts engage with callers who share their opinions on various topics, including disrespectful songs and personal anecdotes. These segments add a humorous and relatable layer to the show, showcasing the hosts' ability to navigate spontaneous conversations.

Notable Quotes:

• Caller from North Carolina [03:30]: "That song is disrespectful... Well, I remember when we used to get down."
• Jess Hilarious [04:02]: "We've heard more disrespectful songs, bro. That's just been the norm in R&B and hip-hop for a long time."

3. Bill Burr on Comedy and Cancel Culture

Bill Burr joins the conversation, offering insights into his journey in comedy. He discusses the challenges comedians face with cancel culture, the evolution of his own career, and the importance of staying true to one's voice despite external pressures.

Notable Quotes:

• Bill Burr [20:03]: "The initial thing, there's these people out there sexually abusing people... That wasn't bad. But then it spun into what are you talking about in your act?"
• Bill Burr [21:02]: "A life without stories is nothing. You need stories, good and the bad."

4. Kevin Hart and Will Packer on Fight Night

Kevin Hart and producer Will Packer delve into their collaborative project, "Fight Night." They discuss the film's concept, the challenges of intertwining comedy with drama, and the intricacies of producing a movie that resonates with diverse audiences. Their conversation highlights the synergy between comedy and storytelling in Hollywood.

Notable Quotes:

• Kevin Hart [40:09]: "We weren't drinking... That's why I didn't show up to the after-party."
• Bill Burr [42:25]: "How do you manage all these big personalities, bro? Kevin Hart, Roger P. Henson, Samuel Jackson, Don Cheadle. How do you do it?"

5. Marlon Wayans on Career Evolution and Personal Growth

Marlon Wayans shares his late-blooming stand-up career, emphasizing the importance of continuous reinvention and dedication. He reflects on his experiences in writing, producing, and finally embracing stand-up comedy to achieve superstar status. Marlon also touches on personal challenges, including supporting family members through significant life changes.

Notable Quotes:

• Marlon Wayans [77:39]: "I got something I love to do, and I'm getting better. The more time I stay on the stage, I think there's more to get."
• Marlon Wayans [82:43]: "Every person should have the opportunity to change. Even brothers that are in prison, there's a reason why there's prison."

6. Addressing Social Issues and Personal Anecdotes

The conversation takes a deeper turn as the hosts and guests discuss serious social issues like toxic behavior, representation in media, and personal accountability. They share personal stories and reflections on navigating fame, relationships, and societal expectations.

Notable Quotes:

• Charlamagne Tha God [35:18]: "They could be military. They can be business owners or they could be radio talk show hosts."
• Bill Burr [60:41]: "A life without stories is nothing. You need stories, good and the bad."

7. Closing Remarks and Final Thoughts

As the episode wraps up, the hosts and guests offer motivating messages about being blessings to others, the importance of laughter, and continuous personal and professional growth. They encourage listeners to embrace change, support one another, and pursue their passions relentlessly.

Notable Quotes:

• Jess Hilarious [93:10]: "We are blessed to be a blessing to others. It's really just that simple."
• Marlon Wayans [89:39]: "People want to laugh, man."

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Conclusion

This episode of The Breakfast Club masterfully blends humor with profound insights into the lives and careers of some of the most influential comedians. From Bill Burr's candid discussion on cancel culture to Kevin Hart and Will Packer's exploration of their collaborative efforts in "Fight Night," the conversation offers listeners a comprehensive look into the complexities of comedy and Hollywood. Marlon Wayans' journey underscores the power of perseverance and reinvention, while the engaging interactions with callers add a relatable and entertaining dynamic to the show. Overall, the episode serves as both an inspiring and entertaining listen for comedy enthusiasts and aspiring entertainers alike.

Highlighted Quotes with Timestamps:

• Bill Burr [21:02]: "A life without stories is nothing. You need stories, good and the bad."
• Kevin Hart [40:09]: "We weren't drinking... That's why I didn't show up to the after-party."
• Marlon Wayans [77:39]: "I got something I love to do, and I'm getting better. The more time I stay on the stage, I think there's more to get."
• Jess Hilarious [93:10]: "We are blessed to be a blessing to others. It's really just that simple."

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Note: This summary omits advertisements, intros, outros, and non-content sections as per the request, focusing solely on the enriching and informative discussions that took place during the episode.

Transcript

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[DJ Envy]

Good morning, USA.

[Jess Hilarious]

Yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo, yo.

[Charlamagne Tha God]

Just hilarious.

[Bill Burr]

Good morning.

[Charlamagne Tha God]

It's Monday, and today's show is all about some of the funniest comedians that has ever been up here. And I mean, that's so funny that we actually have them on our Breakfast Club wall. Of course, when Marlon Wayans always comes through. Marlon Wayne is probably one of the funniest dudes to ever come up here, and he's always up here. And we can't forget about our guy, Kevin Hart and Will Packer. When Kevin Hart comes up, you never know what to expect. And there is no holes barred when he's in the building. So today's show, we gonna be kicking in with Kevin Hart, Will Packer and Marlon Wayne. So keep it locked. It's the Breakfast Club. Good morning.

[Jess Hilarious]

This is your time to get it off your chest.

[Marlon Wayans]

800-585-1051. We want to hear from you on the Breakfast Club.

[Charlamagne Tha God]

Hello?

[Jess Hilarious]

Who's this?

[Caller]

Hello, this is James calling from Lumberton, North Carolina.

[Charlamagne Tha God]

Hey, James from Carolinas. Get it off your chest, bro.

[Caller]

Yeah, that song IDGF with Chris Brown in it, you know, you gonna give it up or whatever?

[Jess Hilarious]

Yes, sir.

[Caller]

That's a disrespectful song, man. This. This woman is telling him that she's in a relationship. She's good, he treats her good. The states are good, everything. And he's steady talking about. Well, I remember when we used to get down. Let's go get a room. Come on, let's go.

[Jess Hilarious]

You know, how old are you, King?

[Caller]

I'm 44. I'll be 45 next month.

[Jess Hilarious]

Okay, so we in the. I'm 46. We've heard more disrespectful songs, bro. I mean, that's just been the norm in R and B and hip hop for a long time. You know, men don't care if you got. If the woman that the woman got a good man.

[Charlamagne Tha God]

You remember Carl Thomas?

[Marlon Wayans]

I wish.

[Bill Burr]

Oh, my God. That man was mad cause he was a stalker.

[Charlamagne Tha God]

Driving by the crib.

[Jess Hilarious]

She needed to build a wall around Carl Thomas. Carl Thomas needed to be arrested.

[Bill Burr]

Man said, but what about me?

[Jess Hilarious]

At the least investigator. He was stalking. He was stalking the woman.

[Caller]

He sure was.

[Charlamagne Tha God]

Thank you, brother.

[Jess Hilarious]

Maybe in.

[DJ Envy]

And.

[Jess Hilarious]

I know she regret giving that man. Hello? Who's this?

[Caller]

This is Jamel from New Bern, North Carolina.

[Charlamagne Tha God]

What Up, Jamel. Get it off your chest.

[Caller]

Hey, I just wanted to call y'all. And hey, y'all. Good morning.

[Bill Burr]

Charlemagne the guy.

[Caller]

TJ envy. That's hilarious. What's happening?

[Bill Burr]

Good morning, baby.

[Jess Hilarious]

Appreciate you.

[Caller]

Hey, I also want to know. I got two questions.

[Bill Burr]

Dj.

[Caller]

I mean, Charlamagne, the cot.

[Jess Hilarious]

Yes.

[Caller]

I need all your books. I got shook one. I'm reading that right now.

[Jess Hilarious]

Okay. I got a new. I got a new book called Get Honest or Die Lying. Why? Small talk sucks.

[Caller]

Okay, say less. Say less. And I also want to shout out my wife and my kids.

[Jess Hilarious]

Damn, I thought you was a stud. You sounded like a stud. He did. This whole time, I thought, hey, I.

[Caller]

Listen to y'all every morning, okay? It's my first time. It's my first time calling, and I got straight through. That's crazy.

[Jess Hilarious]

Appreciate you, King.

[Caller]

Hey, hey, hey, but, hey, but, Charlemagne, can you send me a book or something?

[Jess Hilarious]

I got you. We go. I got. I got a pack in here for you.

[DJ Envy]

I need that.

[Caller]

I need that Black Privilege.

[Charlamagne Tha God]

Hold on. Don't hang up.

[Jess Hilarious]

Okay, all right.

[Caller]

Say less.

[Jess Hilarious]

Say less.

[Caller]

I mean. All right, Zeb.

[Bill Burr]

All right, babe.

[Jess Hilarious]

He ain't sound like a stud.

[Charlamagne Tha God]

I'm confused. Was it a stud at the end?

[Bill Burr]

Very much.

[Jess Hilarious]

No. That was the same person.

[Bill Burr]

The same person the whole time. It did sound. She did something. I mean, he did some study.

[Charlamagne Tha God]

Well, he. Or she could have a wife, regardless if she's a stud.

[Marlon Wayans]

Yeah.

[Bill Burr]

I was gonna say, yeah. Wife ain't kids, but yeah. This ain't never denied.

[Charlamagne Tha God]

She ain't never denied.

[Jess Hilarious]

So she probably.

[Bill Burr]

Yeah, so she probably is like, oh, you got me next for some dust.

[Jess Hilarious]

Don't know. They got a sound. Hello?

[Charlamagne Tha God]

Who's this?

[Caller]

Yeah, my name Official.

[Jess Hilarious]

What's your mama call you?

[Caller]

Nah, my real name is Official Coffee. You can look it up.

[Jess Hilarious]

Official Coffee.

[Caller]

I'm from Florida. North Miami, Florida.

[Jess Hilarious]

I totally understand.

[Coca Cola Advertiser]

Carry on.

[Charlamagne Tha God]

All right, well, get it off your chest, brother.

[Caller]

All right. I just want to get off my chest. I've been. I got vision impaired in 2020. My rap name is Uber Track. I just wanted you. I've been calling all day.

[DJ Envy]

I'm sorry.

[Caller]

I'm very nervous. I watch Breakfast Club every day. I listen to it. I can't watch it. Lol. But I just want to say I'm striving out here. I would just want to know if I could get a shout out, if I could get followed on, get some followers up on Instagram. I'm trying to build my. With my rap career. I'm blind. And I'm stuttering because I can't believe that I'm talking to y'all right now. Sorry for not saying good morning.

[Charlamagne Tha God]

So good, brother.

[Caller]

Good morning, Charlemagne the God.

[Jess Hilarious]

Peace, peace.

[Caller]

Good morning. Just hilarious.

[Bill Burr]

Good morning.

[Caller]

You. You all are doing great things. And you guys give me motivation because I'm a deck of all trades. Even though I'm so. I'm blind, I still strive and keep going on. I sell organic soaps. I don't know if you guys like organic soaps. If I could have an address to send you guys some free samples. I'm just shocked right now. I'm sorry. Like, I don't know what else to say. I rap. I'm on every platform. My rap name is Uber Track.

[Jess Hilarious]

Okay.

[Caller]

U B E R. All right. T H R A X.

[Jess Hilarious]

Okay.

[Caller]

I'm on every platform. Apple Music, iHeartRadio, Pandora, YouTube, Spotify, everything. Now, listen, and I also want to talk about versus Drake.

[Jess Hilarious]

Hey, hey, hey.

[Caller]

Okay, I'm a slow down. I'm a slow down.

[Jess Hilarious]

No, we appreciate you, and we appreciate you seeing us and appreciating us, but this call has gone on way too long.

[Charlamagne Tha God]

But he's blind.

[Bill Burr]

He's excited.

[Charlamagne Tha God]

He can't see. I know, but we appreciate you.

[Jess Hilarious]

And we go, yeah, I'm sorry about that.

[Caller]

I'm sorry about that.

[Jess Hilarious]

It's all good. It's all good. What you want to say about Kendrick drake, real quick? 30 seconds or less.

[Caller]

All right, man. Straight up, I want to say I understand everybody feel like Kendrick Lamar won the battle. He did. Because they're not like us. But Drake let us know.

[Marlon Wayans]

He's a.

[Caller]

He's a soft ass. So all this you said we already knew. Drake said it already. But I respect both of them, boys. But come on, man.

[Jess Hilarious]

Kendrick Lamar won that battle. Kendrick Lamar won that battle. And it's not even close.

[Charlamagne Tha God]

You can't call somebody a soft ass. You didn't say, I respect both of the boys, right?

[Bill Burr]

He already told us that he did not like him young.

[Charlamagne Tha God]

No, no.

[Jess Hilarious]

He actually did, though. He's all right in that. Taylor made freestyle. He said that that was going to be one of Kendrick's angles. But that don't mean it still didn't hit when Kendrick said it.

[Bill Burr]

He never said, I'm a colonizer, y'all. And y'all some.

[Jess Hilarious]

He ain't say he was a caller now.

[Bill Burr]

Yeah. Yo, what if he was like. And I just. Hilarious. You just glowing like, how you know?

[Charlamagne Tha God]

Get it off your chest. 800-585-1051, if you need event, hit us up now. It's the Breakfast Club. Good morning. The Breakfast Club. Ray.

[Marlon Wayans]

Ray.

[Jess Hilarious]

Ray.

[Caller]

Yo, Charlamagne, Envy, what up?

[State Farm Advertiser]

Are we live?

[Marlon Wayans]

This is your time to get it off your chest.

[Bill Burr]

I got an indoor pool.

[Jess Hilarious]

Pool.

[Caller]

Outdoor pool.

[Jess Hilarious]

We want to hear from you on the Breakfast Club.

[Caller]

We can get on the phone right now.

[Charlamagne Tha God]

He'll tell you what it is. Hello? Who's this?

[Caller]

Hey, yo, this is Orlando from the 757.

[Charlamagne Tha God]

757. What's up, Orlando? Get it off your chest, man.

[Caller]

I just want to give a big shout out to all the truckers, you know what I'm saying? We make. We making it happen this morning.

[Jess Hilarious]

Salute to all the truck drivers out there, man. And all you. All the truck driver wives, like, just hilarious.

[Caller]

No doubt. And every man, I just want to know when we gonna bring that car show down to the 757?

[Charlamagne Tha God]

You know what?

[Caller]

I got a food truck. I said, well, when you bring your car show down to the 757.

[Charlamagne Tha God]

The 757 been calling a lot, and I think. I think I'm gonna try to do it next year. I'm not sure when maybe I could get the Hampton Coliseum to do it. But, yeah, Everybody from the 757, you know, I went to Hampton University, so I got. That's my second home down there. So I'm gonna try to put a play together to get it down there, though.

[Caller]

No doubt. Cause we got food trucks. You know what I'm saying? I think we got the best food truck down there.

[Charlamagne Tha God]

All right, well, pull up in New York, New Jersey. You a truck driver. You don't mind it. It's August 17th. Pull up down here.

[Caller]

And I'm not just a truck driver. I'm an auto hauler. So, you know, you need them cars move. That's what I do.

[Charlamagne Tha God]

Say no more. Say no more. Hit me in the DM and you in the truck. Now blow the horn for us. Hey, thank you, brother.

[Jess Hilarious]

Be safe out there on the road, all right, fam?

[Caller]

Be safe.

[Charlamagne Tha God]

Hello? Who's this?

[Caller]

Hey, good morning. This is James calling from North Carolina.

[Charlamagne Tha God]

James from North Carolina. What's up? Get it off your chest, brother.

[Caller]

Yo, I just wanted to say, man, the Marley family is so musically gifted, man. That. That YG Marley. That. Give John a thanks. Oh, man, it doesn't matter if I'm in a bad mood. Whenever I hear that joint, my spirit is immediately uplifted, man. I mean, yeah, man. You know, Damien, brother. Damien. I used to listen to him all.

[Charlamagne Tha God]

The time, but, man, yeah, no, they're all talented. Rohan, Damien, of course, Pops, Bob, like, they. They are all talented. You can just. Just listen to their music all day long. So, yeah, they are a talented family.

[Jess Hilarious]

Fertile too.

[Caller]

Oh, yeah.

[Jess Hilarious]

Listen to that song and give God the thanks. It's called oh, yeah.

[Caller]

Give Jah the Thanks, Give John the Things.

[Jess Hilarious]

I gotta go check that out. I love that. I love a song giving glory to God.

[Bill Burr]

Yeah, absolutely. It's called Praise John in the Morning.

[Charlamagne Tha God]

Get it off your chest. 800-585-1051. If you need the vent, hit us up now. It's the Breakfast Club. Good morning, the Breakfast Club. Morning, everybody. It's DJ Envy, Jess. Hilarious Charlamagne, the guy. We are the Breakfast Club. We got a special guest in the building.

[Jess Hilarious]

The legend man, Bill Burr. Welcome.

[Charlamagne Tha God]

How you feeling?

[DJ Envy]

I'm all right.

[Charlamagne Tha God]

You all right?

[DJ Envy]

Yeah.

[Jess Hilarious]

When you hear the word legend, do you just feel old or you feel like I'm accomplished?

[DJ Envy]

I don't know what I feel. I. I never feel like I, you know, this, you know, this business is. You feel like any moment like whatever you got is gonna go away. So I just, I don't pay attention to that stuff. I obviously like it. No, Legend doesn't make me feel old. Makes me feel good. But when somebody's like, oh, man, I grew up on your comedy.

[Jess Hilarious]

Yeah.

[DJ Envy]

I started listening to you when I was 8. I'm like going like, oh, my God. You see? And they're like, you know, divorced. You're like, oh, God, how old am I? So, yeah, I would say that's the type of stuff makes me feel old.

[Charlamagne Tha God]

I want to. I want to go back a little bit, if you don't mind.

[Jess Hilarious]

I want.

[Charlamagne Tha God]

I want to know, you know, what got Bill Burr into comedy.

[DJ Envy]

Dramatic childhood.

[Jess Hilarious]

Sorry.

[DJ Envy]

Nobody happy gets into this stuff. Then the delusions of fame get into your head and then you somehow get into it. No, I mean, I definitely liked it when I was growing up, but I got into it by chance. So I thought, like, you had to be in Hollywood to get into it. Like, I had no idea. There was this huge stand up scene in Massachusetts. So I was working in a warehouse and I was working with this guy, and he was into stand up the way I was, and he was funny as hell. One night we were. We used to. Used to go over to his house, have a couple of beers before we went out, you know, save some money. And we were watching stand up and he was going, bill, we're funnier than These guys like. And you know, he goes, one, one night I'm gonna take a shot at Jack Daniels and go up on stage. And that's when it stopped being on tv and it was next to me and I started thinking like, oh, wait a minute, if he can try it, I can try. It still took me another five years to figure it out. I started, I started kind of late.

[Jess Hilarious]

Did you ever feel like you had to wear a dress or suck a to get on in Hollywood?

[DJ Envy]

Jesus Christ, no. And that whole theory is ridiculous, that that's what's going on out there, that there's more pedophiles in Hollywood than there are plumbing. It's a problem. I don't know, just like regular jobs. They're acting like every pedophile in jail like created, you know, friggin Star Wars Franchise.

[Jess Hilarious]

Star Wars, Yeah.

[DJ Envy]

It's like, no, it's like they're like, they're going, that's what's going on. What's funny is what's going on in Hollywood is going on in most businesses where it's like, it's a lot of people working overtime, not getting paid, not getting credit and getting pushed down and people at the top taking more and more. But the problem with Hollywood is, is those idiots stay in Hollywood and they look at most of the country like flyover states. And then they go on these stupid, you know, award shows and they talk down to them. That's everybody is like that. But then they just, they just, you know, the sociopaths get the dumb people wound up.

[Jess Hilarious]

What did Bill Burr want to be before he became a comedian? You just always wanted to do comedy?

[DJ Envy]

I was just failing at everything. I did horrible in school, so I just felt like hopelessly behind until I started hanging out, you know, with people that were into comedy. And then somehow I found it. Then I remember doing that and then I was just like, all right, this is what, this is what I'm supposed to do. Because everything else I was doing, I just never felt like this is not it. I don't feel like these people aren't the same kind of weird that I am, you know?

[Charlamagne Tha God]

Did you ever want to quit Once?

[Caller]

No.

[DJ Envy]

One time I thought I wasn't going to make it. It was the only time I ever thought it.

[Charlamagne Tha God]

When was this?

[Jess Hilarious]

You bombed?

[DJ Envy]

No, no, I haven't all the time. That's just part of this stuff. I was doing the. I'm not gonna say where I was because it's a sad story. I'm gonna bum you out.

[Charlamagne Tha God]

Okay.

[DJ Envy]

So I Was doing this. This. This club that I had just been going to for years and years and years and years and years. Every other year, I'd go there. New hour, gonna get them, you know. You know, I'm in with the morning radio guys, and the same 30 people were showing up. So it was after the late show. And I was sitting there, you know, reeking of smoke, because you could smoke. All three shows smelled like I fought a fire. My eyes were all burning, and I was just looking at the waitstaff, and they were lifers. They had been there before, and they were older, a little bit heavier, and they were counting up their money and they were smoking their cigarettes. And the same amount of people had showed up. And that was the first time I, like, this thought went in my head, like. Of like, wait a minute, am I the guy who doesn't make it? Oh, my God, the panic of that. I went back to the comedy condo, and I was just laying in bed trying to turn it around, and my brain was just, no, no, you're. The guy's not gonna make it. So that was. Yeah. Then I got back to New York, and it was better, you know, I came. You know, after the gig, I came back, and then just, like, the energy. I had a couple of good sets. Sunday night at the Boston Comedy Club was a huge turning point for me in my career. Probably how I ended up here right now. And that. That would. That would get me to think positive.

[Jess Hilarious]

And you said you never bombed, right? And I. No, I didn't say you have BO.

[DJ Envy]

Bombed all the time.

[Jess Hilarious]

You have, but I don't think you bomb, Bill. I think that people don't know if they should laugh at what you're saying, you know.

[DJ Envy]

Well, maybe now, but no, no, I remember bombing so bad one time. This was comedy club called Mixed Nuts, that's now called the Comedy Union. That was the black club, right. So I went down there. It's funny, I started doing those rooms because I used to listen to Richard Pryor, so, like, his albums were so live that you could, like, picture the crowd. So I had this idea of what a crowd looked like. It was weird. I'm white as hell. And I, like. That was my idea of what a crowd was. So I, you know, ended up doing those rooms along with the white rooms, right? So I was on stage bombing so bad. Like this right here. Silence. And I just remember hearing this woman's voice in the back. She just goes, I ain't laughed yet. About 10 minutes.

[Bill Burr]

Damn.

[DJ Envy]

And then that was the biggest laugh of the set. Everybody laughed, and then they just started talking amongst themselves. And I did not. I didn't know how to turn it around. It was. And there's something. It's bad enough bombing in front of your own people, but bombing in front of another race of people, knowing that you're taking down a bunch of other white comics with you, like, because you.

[Jess Hilarious]

Represent for all everybody.

[DJ Envy]

It's just like, I. White people ain't funny. This corny ass mother. You know, it's not just me. You know, there are others out there. They're funny. Yeah, it was bad.

[Jess Hilarious]

You liked Richard Pryor. What's your favorite Richard Pryor album?

[DJ Envy]

Maybe it wasn't something I said. The one. I can't say. Half of them have the N word in it. You're gonna get me in trouble.

[Charlamagne Tha God]

That was a setup question.

[Jess Hilarious]

I think I'm lucky.

[DJ Envy]

I got a good night's sleep. I would have been like, oh, I like that.

[Caller]

N word's crazy.

[DJ Envy]

I will say I bought. I bought his albums because he just looked funny. That was the first one I bought that N word's crazy. When he was pointing like that, just. He just looked funny. That's how I bought the first Eddie Murphy up. I bought the first Eddie Murphy album because I was like, well, he's also black. He must be funny. And that was the first one. We had the rose in his ear.

[Jess Hilarious]

You see how that works? So you did represent for all white comics because you see one funny black comic.

[DJ Envy]

Yeah, yeah, that's how it works. No, that's how it works. It's almost like I found a genre of music so I. I would listen to. I listened to all of his stuff, and I just. There was something about the way he did it, which I didn't understand it as a kid, but the way he did it, the way he trashed white people, he got you to listen to him and laugh at yourself. Where by the time Def jam came around, crack 80s and all of that black comedy was. It was like. That was like a different thing. But, like, what I loved about Richard was like, you, like, rooted for him. You felt like you knew him. It was really insane. And I think he's the greatest of all time, and I think it's even close.

[Charlamagne Tha God]

All right, we got more with Bill Burr when we come back, so don't move. It's the Breakfast Club. Good morning, the Breakfast Club.

[Marlon Wayans]

Morning.

[Charlamagne Tha God]

We are the Breakfast Club. MV Jess Hilarious Charlamagne Tha God. We're still kicking it with comedian Bill Burr. I got a question. Does Cancel culture scare you at all? Does it make you change your set? You see a lot of comedians change the set, change how they talk, change what they talk about.

[DJ Envy]

Well, that was something that like most movements started with something good, you know, and then was quickly co opted by people with their own interest. And then it just completely lost its way. And like.

[Bill Burr]

Is it good though?

[Charlamagne Tha God]

Because medians were usually the ones that. Well, I think about everything make you laugh, you know.

[DJ Envy]

But if there was people. No, the initial thing, that there's these people out there sexually abusing people, like that was good to get rid of those people. That, that wasn't bad. But then all of a sud spun into. What are you talking about in your act? I kind of like didn't really notice it was happening that I was kind of on stage going like, oh, I just said that. What if somebody just takes that clip? And I didn't realize I was doing that till I did. Dave Chappelle was doing Covid shows and I went there and nobody had a phone. And just the freedom of that. Not like I was going to go up and say something ignorant, but just not having to worry about that when they were really kind of coming for people. Because I think it's like died down. It's weird.

[Charlamagne Tha God]

And I was, I was performing at Fenway Park.

[DJ Envy]

Oh, that was one of those things that was so big, like I don't think I even mentally dealt it with it until like two years after I did it.

[Charlamagne Tha God]

35,000 people.

[DJ Envy]

Yeah, something like that. I felt like I was in Led Zeppelin. They had a police escort. We drove into the thing. Yeah, that was something. So that was, that was a one time only. Because they're like, you want to do it again? It's like, no, no, I don't think there's any point to go back.

[Jess Hilarious]

A lot of requests for tickets. Oh.

[DJ Envy]

From people, you know. It wasn't that bad. You know, it was. Was nerve wracking though. Was my high school reunion also was there? No, they just decided to go to the show and that. And it's just like. That's just like a weird thing where like when I meet people from high school, like, you know, I had a really cool class. So like I'm still the person I was and so are they. It's just I'm doing this weird thing, I think block that out a little bit, right. To be like, you know, all those girls you were afraid to talk to. You go back to being like, you know, little Billy redheaded kid in like 9th grade. So I had to like, okay, I got to block out and do my job.

[Jess Hilarious]

You married, right?

[Caller]

Yeah.

[Jess Hilarious]

To a black woman, if I'm not mistaken.

[DJ Envy]

Yeah.

[Jess Hilarious]

How does that happen?

[DJ Envy]

How does that happen?

[Charlamagne Tha God]

How does that happen?

[Jess Hilarious]

I'm saying a white guy from I.

[DJ Envy]

Watched like, you know, I watched Diff'rent Strokes growing up and I had a crush on Janet Jackson.

[Charlamagne Tha God]

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[Jess Hilarious]

Hey.

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[Charlamagne Tha God]

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[Marlon Wayans]

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[Marlon Wayans]

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[Jess Hilarious]

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[Bill Burr]

Where'D you meet her?

[DJ Envy]

First time I met her. Oh, my God. This guy was blocking me so bad that night.

[Charlamagne Tha God]

Don't blame him, obviously.

[DJ Envy]

No, he was doing it because he was miserable in his own relationship. So, like, he saw me like, and it was like, you know, it was like fireworks. Like, we just like. I. I've only met two people that had like a vibe like her in my life. And the first one was a dude. He was just so. That wasn't. That wasn't you type. No, he was like. No, just walked in the room, you know, and you just knew the person was coming the room. She has that vibe, Right?

[Jess Hilarious]

Hold on. You gotta clear that up. I'm gonna be clear about it. You didn't date the guy? No, I'm just. I just want to make sure black people let go.

[DJ Envy]

This homophobia. You always gotta Check. Like, what are you doing? Manicured eyebrows. Like, I'm gonna sit here and act like you're all good over there. Like you don't swing a leg over the fence every once in a while.

[Jess Hilarious]

Wait a minute. Yeah, yeah.

[DJ Envy]

Sandals on and white socks. You look like you just came from a steam room.

[Jess Hilarious]

Yeah.

[DJ Envy]

No, I just mean like, like I. I always paid attention to energy because my energy was terrible. I was like all introverted and blah, blah, blah, blah. So I was fascinated with people that were just free. So that's what I meant.

[Jess Hilarious]

Got you, got you, gotcha.

[DJ Envy]

Okay, we're gonna go back to sucking for a show again, guys. A one trick pony over here. So we go. We go to like hang out, right?

[Marlon Wayans]

No.

[DJ Envy]

So we're like, Vib and I literally had to say to the dude, he was like a chick. I had to be like, hey, man, sorry, I'm not paying attention to you. That's all that I was just like, you know, I'm hitting it off there, man. I think this is going all right, right? So the end of the night comes, the end of the stand up show. He just comes walking over, he goes, he just goes, so you guys want to go get something to eat, right? And he invites her and everybody. Now I'm at this table and there was like, you know, 10 other people there. And he's all the way down the end and he's still like yelling down, trying to interrupt any of my talking to her, I think. I mean, so long ago. I just remember one point, the check came and I didn't have any money, so I said, I'll put. Just give me the cash, I'll put it on my card. He's like, oh, he's just trying to get the miles. Like that's how he was doing it, right? It was the middle of the dinner, right? And I finally just look at her. I just give up, right? Because he won't shut the up. And I finally just looked at her. I go, can I at least split a cab with your home? So she does that female thing. Why do you want to split a cab with me? I was just thinking, I go, because I want to kiss you. So she put her head down and smiled. And I was like, I gotta this guy. So I let him do all his bullshit. Everybody leaves except for him, me, and who's gonna become my future wife? And he literally goes. He goes, nia. He goes, where do you live? What do you look, do you live uptown? She goes, yeah, I live up town. I go, I live it too. He goes, you want to split a cab? He's trying to leave with her. And she goes, no, I'm riding home with Bill. He's going like, oh, no.

[Jess Hilarious]

But I live up.

[DJ Envy]

He was so in his. Not gonna say his name. She went, so? And so I'm splitting a cabin with Bill. And then he. He left. I don't talk to him for four days, and he calls me up, he's like, hey, what's going on? Like, nothing. What's up? He's like, you didn't call me because you thought I was blocking you the other night. I'm like, you were. He goes, no, I wasn't. I'm like, why did you bring it up? That was the end of that friendship.

[Bill Burr]

Well, that was crazy because I. I'm literally still starstruck. Just like, remember when I just walked past the room and I was like, oh, Bill, but Spielberg, how you doing? And he was just looking like, hey, what's up?

[State Farm Advertiser]

Like, not at all.

[Bill Burr]

Like, oh, yeah, you know, I am that guy. You know, it was just real, real cool. And the first time you. You made me laugh was racial drafts. The Dave Chappelle skit that you did when it came out. But I watched it because I was a big fan of Chappelle's show. And then every special.

[DJ Envy]

That was one of the coolest things. First really cool thing that I ever got on where it was like, I got to experience, like, Beatlemania. I don't know if anything gets that big again with. With, yeah, all of this media, but it was like when everybody brings up, you know, the Rick James one and all of that, I will tell you this, the Law and Order sketch that I was in, the first cut of that I think Comedy Central thought was too dark. Oh, my God. It was like. It was like an Oscar winning movie because it was hilarious. And then it was like when the white dude was in prison in the end, the way they did it, and they cut to Dave laughing on the golf course. It wasn't funny. It was like, this is what you do to us. It was. It was like, wow. Sound like common sense. Like, oh, you know, we thinking there's a different ending. That was another thing too. I remember they used to edit it right up the street from where I was living. And I remember Neil Brennan going, you gotta. You gotta come see this. And I got to see them the Rick James sketch before anybody else. And I remember laughing my ass off. And that just became a point. I stopped laughing. And I was just like, this is like, I'VE never seen anything like this in my life.

[Caller]

Yes.

[DJ Envy]

That was probably the. The first kind of still like, the. One of the coolest things I got to be on. I met Charlie Murphy. Yeah. Rest his soul. Oh, man, the stories that went with that guy. Yeah, he had. Oh, my God. His stories.

[Charlamagne Tha God]

Bill Birdman, thank you for joining us.

[DJ Envy]

All right. Thank you for having. You guys were nice. Everybody got me all nervous like you guys.

[Caller]

Let's not go.

[DJ Envy]

Why? Let's not go. Why? You know why.

[Jess Hilarious]

You know why.

[DJ Envy]

I'm honest with you. I listened. I listened to one clip, and I shut it off after eight seconds. You.

[Jess Hilarious]

What clip was it?

[DJ Envy]

Somebody said something like, well, you know, sometimes. Sometimes I. Whatever the hell he was talking about, and I just hear you go, why would you do that? Just going like, oh, is it gonna be this? But, no, I had a good time. Hey, there's my insecurity. I hope you have me back. I really appreciate what you said. All right. Thank you.

[Charlamagne Tha God]

It's the Breakfast Club. Good morning.

[Marlon Wayans]

It's topic time. Call 800-585-1051 to join into the discussion.

[Coca Cola Advertiser]

With the Breakfast Club.

[Charlamagne Tha God]

Morning, everybody. It's DJ and Envy Charlamagne, the guy. We are the Breakfast Club. Now, if you're just joining us, Charlamagne had a question.

[Jess Hilarious]

It's not me. I told you. We was in the control room, and I was talking to our team, and they asked the question, where do all old hoes go? I think it says it on TikTok, right, Sid? If something happening on TikTok, this is a question that's being asked where the old hoes go.

[Bill Burr]

Yeah.

[Jess Hilarious]

And I'm realizing that it must be young people asking this question, because it's old folks. We know where the old hoes go.

[Charlamagne Tha God]

You know what? That could be a good thing, because if. If some of the young hoes want to know what happened when they become older, they want to know where they should be going.

[Jess Hilarious]

Well, the truth to the matter is, young hoes just grow up to be old hoes. And what happens to the old hoes is life happens. They end up having kids. You know, some of them, you know, go to college. Like, we act like just the term hoe has such a negative twist to it. So when you think hoe, I don't know what you think, but hoes are people, too, okay? And they go to college and they get degrees or they go out there and they get good jobs, and they live lives like. Truth to the matter is, and you don't want to hear this Your mama probably was a hoe, but you ain't never had a conversation with her to see what her sex life was like, you know what I mean? Back in the day, that'd be awkward. Grandma had a life, you know what I mean? And I know we got to be fair and say that men are definitely hoes, too, but we know it's a double standard, so we only talk about, you know, the women right now. So the reality is hoes are everywhere. Hoes make the world go around. There's hoes that are, you know, running Fortune 500 companies. They're in the C suites, you know what I mean? There's. There's holes in the church, you know, there's holes that, you know, own the local grocery stores like that. Like what?

[Charlamagne Tha God]

I hate saying the term hoes, but I would say church, right? And the reason being is because when you get a little older, you want to kind of repent for all the hoism that you did, right? Good or bad?

[Jess Hilarious]

Yeah, you done gave it to everybody, so now you won't give it to God. There you go. Yeah, yeah. You gave it up to everybody, so now you got to give it to the Lord. Give it to the Lord. That's right. The Lord. The only one you ain't gave it up to, Jesus Christ.

[Charlamagne Tha God]

Let's go to the phone. We got Tatiana on the line. Tatiana, good morning.

[Jess Hilarious]

Morning.

[DJ Envy]

Good morning.

[Caller]

How are you? Enzy?

[Jess Hilarious]

Tatiana, how old are you? Tatiana, what's up? Tatiana, how old are you?

[Caller]

Well, I'm 24.

[Jess Hilarious]

Okay, I don't know if you're old enough to have this conversation.

[Charlamagne Tha God]

Well, well, in this thing you said. Listen, your grandma.

[Caller]

My grandmother talk about it all the time.

[Jess Hilarious]

Oh, your grandma was a hoe.

[Charlamagne Tha God]

Retired hoe.

[Caller]

He is still. But she plays little toys now.

[Jess Hilarious]

Damn.

[Bill Burr]

What?

[Jess Hilarious]

How old is she?

[Caller]

Yeah, she's 53, but she likes Africans. She like them 24 or younger.

[Jess Hilarious]

Oh, okay. So she never stopped home.

[Caller]

She never stopped. She's still out here.

[Jess Hilarious]

I bet you she's young. I bet she got a young, youthful energy to her, too. At 50 something.

[Caller]

For anybody that's listening, by the way.

[Jess Hilarious]

I want y'all to know 50 something ain't old, but it's coming from a 45 year old man.

[Caller]

Okay, I said 53. Charlemagne.

[Jess Hilarious]

53 ain't no 53.

[Charlamagne Tha God]

So you basically saying 53. So you trying to say old hoes don't retire. They still hoeing.

[Caller]

They still out here, man.

[Jess Hilarious]

Salute to your grandma, okay? God bless her. I hope she ho until she gotta Take her dentures out. This.

[Charlamagne Tha God]

What? Hello? Who's this?

[Caller]

Thomas from Brooklyn.

[Charlamagne Tha God]

Thomas, good morning.

[Caller]

What's up, man?

[Charlamagne Tha God]

Where do all the old hoes go, Thomas?

[Caller]

Oh, all holes go to heaven, man. They cook, clean, and they do that thing.

[Marlon Wayans]

You feel me?

[Jess Hilarious]

Where's my. Listen, here's the other thing. Thomas, I love the enthusiasm in your voice because here's the thing that we don't talk about enough. We love hoes.

[Bill Burr]

Yup.

[Jess Hilarious]

We do. We do. Like you even. You even want the woman you marry? You want your lady to have to have some hoe in her? Damn right. Yeah, so they say. Lady in the. Lady in the streets.

[Charlamagne Tha God]

But a freak in the bed.

[Jess Hilarious]

Freak, hoe. Whatever you want. Need a whore.

[Caller]

Need a whore in the bed.

[Jess Hilarious]

Whore.

[Charlamagne Tha God]

Jesus Christ.

[Caller]

Whore.

[Bill Burr]

Word.

[Charlamagne Tha God]

All right.

[Jess Hilarious]

W H O R E. All right. Real asshole. Word to the city, girl.

[Charlamagne Tha God]

All right, thank you, brother. Nicole, good morning.

[Caller]

Good morning, gentlemen.

[Charlamagne Tha God]

Good morning, Nicole. So the question is, where do the old holes go?

[Jess Hilarious]

I need to know how old you are first, nicole.

[Caller]

I am 40 years old, okay?

[Jess Hilarious]

So you, you, you, you, you, you an old ho.

[Charlamagne Tha God]

She ain't gotta be a old ho. You don't know if she ho or not. Are you old?

[Jess Hilarious]

Talk to us, Nicole.

[Caller]

I am not an old hoe. However I say I'm very experienced.

[Charlamagne Tha God]

Okay?

[Caller]

Now, gentlemen, my opinion is that old holes are male and female. I think some of them go on to be very successful individuals that influence the world.

[Jess Hilarious]

That's right.

[Caller]

They could be milit. They can be business owners or they could be radio talk show hosts. Right, Charlemagne.

[Jess Hilarious]

That's right.

[Charlamagne Tha God]

That's facts.

[Jess Hilarious]

You're right.

[Charlamagne Tha God]

Thank you, Nicole from Nicole.

[Jess Hilarious]

Hold on, hold on. Where you from, Nicole?

[Caller]

I'm from Harlem, but I live in New Jersey now.

[Jess Hilarious]

Okay, we don't know each other, do we?

[Caller]

Oh, no, but you know, my family is from South Carolina. Monk's Corner, Bono.

[Jess Hilarious]

Oh, okay, okay, okay, okay. All right. All right, Nicole.

[Charlamagne Tha God]

Thank you, Nicole.

[Caller]

Good talking to you, gentlemen. Have a great day.

[Jess Hilarious]

Good talking to you, too.

[Charlamagne Tha God]

Let me ask you a question.

[Jess Hilarious]

I think like that little, right, Charlemagne. Yeah, like, you know.

[Charlamagne Tha God]

But you know, her family from.

[Jess Hilarious]

She's been listening to me for a long time. Or she knows I'm a reform.

[Charlamagne Tha God]

Or she knows somebody that knows somebody that knows somebody.

[Jess Hilarious]

I'm a reform hoe. I'm talking.

[Charlamagne Tha God]

You think hoen is a hereditary.

[Jess Hilarious]

Is Hoenn hereditary? I think everybody likes sex. You know what I'm saying? And people. It's just everybody likes it. Who do you know that doesn't like Sex. Everybody likes sex in some way, shape or form.

[Charlamagne Tha God]

Asexual, though.

[Jess Hilarious]

I don't even know what that is.

[Charlamagne Tha God]

I don't know either, but somebody shouted out the back, Back of the class.

[Jess Hilarious]

Stop listening to these young kids. Right? I don't even know what the hell that is. What the hell is does that even.

[Charlamagne Tha God]

Mean I don't know. Hello? Who's this?

[State Farm Advertiser]

Hey, this is April.

[Caller]

How you doing, April?

[Charlamagne Tha God]

Good morning. We're asking where do the old hoes go?

[Caller]

So the old hoes retire and go back to the.

[Charlamagne Tha God]

From high school who always loved them.

[DJ Envy]

That's where they go.

[Bill Burr]

That's a good point.

[Jess Hilarious]

So after you done ran. After you done ran around and gave it up to everybody, you just go back the old faithful from high school, huh?

[DJ Envy]

Pretty much.

[Charlamagne Tha God]

Okay, thank you, April. Paula, Good morning. Paula? Paula, you there?

[Bill Burr]

Hey.

[Caller]

Yes, I am.

[Jess Hilarious]

Hi.

[Charlamagne Tha God]

Hey, good morning.

[Jess Hilarious]

What old are you, Paula?

[Caller]

Hi. So the question of the day should be like a Family Feud question, but I say they go to church.

[Jess Hilarious]

How old are you, Paula?

[Caller]

I'm 38.

[Jess Hilarious]

38, okay, so you're getting up there.

[Charlamagne Tha God]

But you don't know she a hoe, are you.

[Jess Hilarious]

Would you. You think you a hoe?

[Caller]

I just. No. Hell no. I just dropped off all these damn kids at school.

[Jess Hilarious]

How many kids you got?

[Bill Burr]

I got three girls.

[Jess Hilarious]

Oh, for real? How many? Baby daddy.

[Caller]

Oh, my God.

[Jess Hilarious]

How many babies, Paula? Okay, two baby daddy. All right. How many boyfriends?

[Caller]

Yeah, how many what?

[Jess Hilarious]

How many boyfriends I got?

[Caller]

None. I'm married. I've been married for 10 years.

[Jess Hilarious]

Oh, okay. Okay. So you married to one of your. One of your baby dogs?

[Charlamagne Tha God]

Yeah, babies, Yep.

[Coca Cola Advertiser]

Okay.

[Jess Hilarious]

Good job, good job, good job. Did you tell them about your, like. Did you show them your whole facts before y'all got married? Did you show them, like.

[Caller]

No, no. I was actually the uncle. Unexpected young mom at 20, out of my friend group. So I was the one that, like, graduated with my V card. And all my friends were, like, you know, I guess, trying to push me to, like, give love a chance.

[Jess Hilarious]

Oh, they were trying to push me to give love a chance because I was too busy out here hoeing.

[Caller]

Hell, no.

[Charlamagne Tha God]

Thank you, Paula. Jesus Christ.

[Jess Hilarious]

When your friends gotta push you to give love a chance? You doing too much out here.

[Marlon Wayans]

Hello?

[Charlamagne Tha God]

Who's this?

[Caller]

Hey, this is me from Detroit.

[Charlamagne Tha God]

Me from Detroit. We're talking about where do the old hoes go?

[Caller]

I'm gonna say about 70% of them go to Facebook.

[Jess Hilarious]

Jesus Christ, boy, you ain't lying. You are not lying. You telling the Truth.

[Bill Burr]

Jesus.

[Charlamagne Tha God]

Thank you.

[Caller]

At least about 70%.

[Jess Hilarious]

Cause Facebook is the place you go, and then you be seeing all of the girls that you knew that used to be hoes. And you'd be like, oh, that's what she doing now.

[Charlamagne Tha God]

What's the moral of the story? Jesus Christ.

[Jess Hilarious]

The moral of the story is City Girls Real asshole is coming soon. I can't wait. They gonna have the world in shambles.

[Charlamagne Tha God]

October 20th is the date.

[Jess Hilarious]

October 20th.

[Charlamagne Tha God]

Yeah, that's right.

[Jess Hilarious]

No.

[Charlamagne Tha God]

Yes. Wow.

[Jess Hilarious]

Next week.

[Charlamagne Tha God]

Yeah.

[Jess Hilarious]

Why? Why?

[Coca Cola Advertiser]

What happened?

[Jess Hilarious]

The City Girl's coming out next week.

[Charlamagne Tha God]

Yes.

[Bill Burr]

Wow.

[Jess Hilarious]

Wow, man. They about to have the fall in shambles. Real assholes coming out next week.

[Charlamagne Tha God]

October 20th, man.

[Jess Hilarious]

Come on, now. Come on, Jake.

[Charlamagne Tha God]

You sounded like an old whore right now.

[Marlon Wayans]

See how excited he got?

[Charlamagne Tha God]

Next week.

[DJ Envy]

What?

[Caller]

What?

[Jess Hilarious]

Let's go. I hope they got a record with Sexy Red.

[Charlamagne Tha God]

Shout out to Karisha and jt, all right?

[Jess Hilarious]

They gonna have all. They gonna have the conscious community in shambles. The conscious community is not gonna know what to do with themselves when that real ass hoard by the City Girls drop. You hear me?

[Charlamagne Tha God]

All right. Gets the Breakfast slow. Good morning, the Breakfast Club.

[Bill Burr]

Morning, everybody.

[Charlamagne Tha God]

Is DJ Envy Jess. Hilarious Charlemagne, the guy. We are the Breakfast Club. Jess is out. Out today.

[Jess Hilarious]

That's right. She's on maternity leave.

[DJ Envy]

So.

[Jess Hilarious]

Lauren larosi. Congratulations.

[Charlamagne Tha God]

And we got some special guests in the building. Ladies and gentlemen, we have Will Packer.

[Jess Hilarious]

That's right.

[Caller]

What's happening?

[Charlamagne Tha God]

And we have Kevin Hart.

[Jess Hilarious]

Kevin Hart.

[Charlamagne Tha God]

He's here. He's here.

[Caller]

We have what's left. Kevin Hart.

[State Farm Advertiser]

Is that too loud for you?

[Charlamagne Tha God]

So Kevin was supposed to be here.

[Jess Hilarious]

Can I tell you the irony of this? Right. Kev's hungover right now. But if you read the first chapter in Will Packer's book, he has a chapter called We Gonna Die Tonight.

[DJ Envy]

Right?

[Charlamagne Tha God]

This is true.

[Jess Hilarious]

True. And it's essentially this story. This is what you were worried about, Will.

[Bill Burr]

No, on all seriousness. So last night, you know, we're doing promo and everything for fight night. We're rolling out all the carpet of the carpets. So before the actual premiere. Premiere, we announced it, but I had to leave because I had to do Seth Meyers. And Seth Meyers has a segment called Drinking with Seth. You go to a bar and Seth makes these drinks or whatever. And it's like, you know, for hour and a half to two hours, you're drinking throughout the interview.

[Caller]

What could go wrong with that?

[Bill Burr]

And, you know, I don't drink anything outside of my tequila at this point. In my life. So, you know, grand carbino. Anything else? Anything else I'm very unfamiliar with. And Seth said, let's close it out with your tequila, but let's start it with everything. So he threw it all at me. Like, I'm talking, it's Jagermeister and Wild Turkey. I mean, we were brown, we were dark.

[State Farm Advertiser]

Kevin, you too old. You too old for Buster.

[Jess Hilarious]

But no is a complete sentence.

[Bill Burr]

But you have to understand the beauty of good television. And it was a good conversation. Great interview. And while we're drinking for good reason behind the answers, and we. We finished it with the tequila. We went through a lot, and I just don't remember the back half of the time. And that's why I didn't show up to the after party. I missed that. And this morning at 6am I would have been here, bro.

[Jess Hilarious]

Why couldn't you miss the after party after the Garden that night? So y'all could have just got back to, you know, Atlanta.

[Bill Burr]

We weren't drinking. That's why. I don't understand why he's being a. Like me.

[Caller]

Kevin. It was our movie.

[Bill Burr]

We weren't up, like, oh, man, where's my jacket? We weren't just out. I had a show.

[Caller]

Biggest movie of our career. Okay, where's your Tampa? And he leaves.

[Bill Burr]

Jesus Christ.

[Caller]

He books a show at Madison Square Garden. He tapes a comedy special in the middle of our movie. He booked it, right? Right. And so he left the show in the middle of it, right? Biggest movie for Universal Studios. He leaves. But you know what he does? Because this is the evil genius of Kevin Hart. He goes, hey, man, I got to do this show. It's next week. You know, he tells me a week before he goes, hey, you know what? You and Tim Story did the record. Like, he's like, I got the jet. You know what?

[Jess Hilarious]

Bring your wife.

[Caller]

Bring the wine. So my dumb ass. I'm like, you know what?

[State Farm Advertiser]

He brought the.

[Caller]

And you know what he said? He said, that way you can make sure that we get back on time. Because I knew we had to shoot the next day. So we were shooting one day. He's going to go do the show that night. And then we had to shoot the next morning on a location we could only get that day.

[Jess Hilarious]

You know what it's called?

[Caller]

He's like, come with me.

[Bill Burr]

An alibi. So to get. He's absolutely right.

[Marlon Wayans]

Absolutely right.

[Caller]

He's absolutely right.

[Bill Burr]

Think I want confession because the director and the producer are with me, right? You can't think I'm an asshole. They Would beat an.

[Caller]

Kevin has an amazing show at Madison Square Garden. All the celebs come out. Afterwards. We had an after party that he did not tell me about. I'm in there with Carmelo Anthony buying bottles, going, oh, we dying tonight. We turning up tonight.

[Jess Hilarious]

Why? Wars have power. Why are we gonna die tonight?

[Bill Burr]

This is what. Well, we gonna die tonight means we're having a good time. And you're choosing to die over life. How good of a time as that, huh? Last night, I didn't say, we gonna die tonight. I was like, oh, this is work.

[Caller]

When I was in that club and I saw my career flashing before my eyes. Cause I realized there was no way we're gonna be able to get back in time. I had that moment. Cause I'm sitting there looking at Kev, and I realized we're not gonna make it. And Kev looks at me, he goes, well, we tried. We tried.

[Jess Hilarious]

That was it.

[Caller]

I looked at Kevin Hart and I realized that he had convinced me, the producer and director of the movie, to get on a jet with him. So that when Universal called and said, why are y'all over budget and not able to finish the movie? And they say, well, Hart, Will Packer, and Tim Story were there. So the producer went with them. It would be on me. I was complicit. I realized that was his evil plan all in.

[Jess Hilarious]

It called him a diabolical rascal spawn of Satan.

[Caller]

That's true.

[Bill Burr]

He means that I love him.

[Caller]

I love him. But that's truer. Words never spoken.

[Bill Burr]

Sir, I will ask you and your listeners, what is a life without a great story? It's something that can't be talked about.

[Jess Hilarious]

About.

[Bill Burr]

It's untold. A life without stories is nothing. You need stories good and the bad. He's about a great story. And by the way, that story did what? Amplified our relationship. And look at where we are now.

[Jess Hilarious]

Fight night, huh?

[Bill Burr]

We're talking about something else that we're yet in business. And we produced and developed together. Do we get here without that moment? No, we do not.

[Charlamagne Tha God]

So why did you still want to be his friend after that?

[Bill Burr]

After you figured that out, you could.

[Charlamagne Tha God]

Have said, you know what? This relationship no longer happens.

[Bill Burr]

See what I'm saying?

[Marlon Wayans]

But you decided to.

[Bill Burr]

You needed me. You need a.

[Caller]

You need a little get to that envy. I'm so afraid that if I leave Kevin Hart's life, he'll just implode, right? He just burn up on the spot. I just don't know what he'd do without it.

[Jess Hilarious]

I'll Be honest with you.

[Bill Burr]

It's close to being over. It's close.

[State Farm Advertiser]

What is it about you two that works so well, though? Cause even like just here with you guys in person, it's like I could listen to this back and forth all day long.

[Jess Hilarious]

Real talk.

[Caller]

We're each other's most frequent collaborators. Kevin done a ton of movies. I've done a ton of movies, TV projects. We haven't worked with any. Anybody else more than we work with each other.

[Bill Burr]

I'll give you. I'll give Will this on air. And half of it is because I'm still drunk and drunk. By the way, offer some of the best tequila in the market. Commercial. But it's just a time to let.

[State Farm Advertiser]

People know when it comes to smooth.

[Bill Burr]

Taste and it comes to.

[Marlon Wayans]

Product.

[Bill Burr]

Well, you got to understand what and why Gran coramino is that and has been that, which is why drink at the level that I do. But it's not about that right now. It's not about the product. It's about the passion. And let's get to that. And we'll toast to that after with Gran coramino. I will say this about Will. I don't get to where I got in career or business without the information and relationship of Will Packer. You know what I mean? Like, when it came to producing and when it came to development or it came to packaging, Will Packer is the guy that was the definition of what that was. So from the early days of think like a man, he was the producer that came to me and said, hey, I got this thing, I want to do this thing. And I think you're the guy. And those are words. Words without action are just that. He put action behind the words. Everything he said he would do, he did. He got the people he wrangled, wrangled the directors, the actors, the actresses, the producer, partners, writers, etc, he configured a way to formulate and activate. And I was like, God damn, man. Like, how do you do that? And he taught me. Will taught me how to do it. And as I progressed, I never forgot who he was and what he was. So our relationship today is based off of never forget. Like you don't. You don't forget the real side of success attached to just care. He gave a about me then, he gives more about me now. In return, I double down on my level of give a about him. So I don't want to win win if I can't figure out a way to win with my brother. So the commitment that we made was, hey, man, let's figure out a way to continue. Although, Kev, you're doing and you have, but how do we still do? And I love the fact that we still are. And we're committed to figuring out more ways to do more. And what you're seeing today is a definition of what we want people to follow through with. Like, we are no egos. We are help your brother so he can help you. We are are that. And I think it's the best story in Hollywood if people were more privy to how deep and like, in depth it actually is.

[Jess Hilarious]

Facts, right?

[Bill Burr]

Yeah.

[Jess Hilarious]

Real talk.

[DJ Envy]

All right.

[Charlamagne Tha God]

We got more with Kevin Hart and Will Packer when we come back. Don't move. It's the Breakfast Club. Good morning, everybody. Is DJ Envy. Just hilarious. Charlemagne the guy. We are the Breakfast Club. Lauren's filling in for Jess and we're still kicking it with Kevin Hart and Will Packer.

[Jess Hilarious]

Charlemagne, the fighting TV show, right? It shows these characters operating within a black world where they all hold power. So to your point, Kev, how effective has that concept been for for you both in the world of Hollywood?

[Bill Burr]

I think. I think it hasn't been.

[Charlamagne Tha God]

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[State Farm Advertiser]

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[Bill Burr]

Seek terms and conditions effective enough. And I think you know when you look at the ice cube and Kevin Hart of it all, the middle common denominator, Packering. All right guys, let's do this. But let's make it and cube come in and like. Like there's always a through line of connectivity and that person has to be willing to go above and beyond. Fight night is the definition of going above and beyond. All right, Kev, I got this idea. The idea came after I was supposed to do Uptown Saturday night. Uptown Saturday night was gonna be me and Chadwick Boseman. Rest in peace to the legend himself. I had no idea. Well, I don't wanna do this anymore. I can't do that without Chadwick. That project is dead to me. Me Will had the actual rights, the original story, the true story. So Will came to me, I said, will, I can't do a comedy because of this. Can it be serious? Can we do it in a way to where it's like, a lot deeper, raw, real? He said, kevin, absolutely. Hey, the podcast was. Point me to the podcast that he was a part of that understood. Etc. All right. This is like real information now, real knowledge. Well, I'm a with it because it's you, but let's make sure that we try to go above and beyond to package it correctly. How do we do a premium cultural, like, piece of IP that has the bandwidth to live forever? And you can't do that without big stars. To get big stars, you need real relationships. So the leverage of understanding that we both shared and that we had at the top of get the studio's commitment, get the studio to back and support, then go get the talent. I got to be honest with you, my guy was a big part of all of that conversation. And I followed the lead of most, and I think where we were collaborative was dope, and the outcome was amazing. Talent configuration. And now an example of what the business should follow through with.

[Caller]

That part is true. I will tell you that.

[DJ Envy]

Like.

[Caller]

Like, Kevin's definitely reached a part in his career, a moment in his career where, you know you've had success, and it's like, how do you grow? How do you work with people that you respect? And how do you build a machine that then empowers others? It's interesting, Charlamagne, you talked about, like, the world of fight Night. Fight Night is really about a group of hustlers, dreamers, entrepreneurs who are trying to take Atlanta and turn it into something. This is back in 1970, right? Martin Luther King had just been shot a couple years earlier. Atlanta was, like, seen as a small country town that had a couple civil rights folks. Like, people didn't know if it was gonna be the next Charlotte or Birmingham, and nothing wrong with those cities, but it definitely wasn't looked at on the level like a global superpower or New York, Chicago, Louisiana. You know, it was Atlanta, and it was not respected. But you had a group of folks, which is not unlike how black Hollywood is right now, where you got a group of dreamers trying to figure Out. How do we work together Now? Of course, in Fight Night, you got, you know, a character who's Kevin's character. He's a hustler. He's going, yo, give me a shot. Give me a chance. I can just turn Atlanta into something great.

[Jess Hilarious]

Chicken man.

[Caller]

Chicken man. Weirdly, Sam Jackson, who plays the big gangster, the black godfather in the show, he actually has also got a dream, too, right? Even though he's a big gangster, he's running the black mafia. His dream is saying, you know what? The white man's been holding me down for a very long time. If y'all give me a shot and opportunity, I can take over Atlanta. I can turn Atlanta to a black Mecca. Oddly, even though, like, Kevin, Sam's characters are at odds for most of the series, the reality is that they have the same kind of a dream. That's kind of how it is right now in terms of, like, folks like us in Hollywood, in real life, who are all trying to work together.

[Jess Hilarious]

Is it true that Samuel Jackson was really there in Atlanta during that?

[Caller]

Yeah, right there, dog. He was at Morehouse.

[Bill Burr]

Yeah, Sam, Old as Sam might hear this. I remember, like, we were. We were on a call with Sam at the start of it when Sam said, like, yo, he liked it, he would do it. We were on the call, we going through the material, seeing what Sam said about the characters. Sam's like, yeah, man, y'all got to change a lot of this because more happened then I was like, well, Sam, you know, I think we got the story, you know, because we, you know, the podcast and everything, we got the real information. What do you mean by that that happened? He's very adamant about telling you where he was, what he knows. So the story of Fight Night got better. It got so much better as we went on.

[Jess Hilarious]

How do you manage all these big ass personalities, bro? Kevin Hart, Roger P. Henson, Samuel Jackson, Don Cheadle. How do you do it?

[Caller]

That is the hardest part of the job as a producer, you know what I mean? And in real talk, it's awesome when you got somebody like Kev who gets it, who understands at the end of the day what the bigger picture is. But a lot of time, I don't care if it's, you know, Hollywood music, you know, stock market, whatever it is people say. You say, Kevin, right on air, huh?

[Bill Burr]

Can you talk to them for me? Is what you say.

[Charlamagne Tha God]

How much do you argue with Kev, though? Because he seems like he's a lot.

[Caller]

Let me tell you something.

[Bill Burr]

I'm the least problem that you Will ever have in any work environment.

[Caller]

That's true.

[Bill Burr]

Unproblematic.

[Caller]

He's unproblematic. I mean, the challenge with Kevin is that he will overdo things, right? He would do things like have a show in Madison Square Garden at the same time that we have a big scene in our movie. Now, he's definitely.

[State Farm Advertiser]

That's the one.

[Caller]

He's not. He's not a moderation guy. You know what I mean? That's part of the challenge. That's why I'm here on the Breakfast Club. He eating this. This turkey sandwich, trying to get some.

[State Farm Advertiser]

Grease in his gut. It didn't burn you.

[Caller]

You should at least let it cool a little bit. Come on, Animal.

[Bill Burr]

This is what I needed.

[Jess Hilarious]

Yeah.

[Charlamagne Tha God]

This is it now what?

[Marlon Wayans]

Hollywood.

[Jess Hilarious]

This why I can't take.

[Charlamagne Tha God]

Listen, I can't take him.

[Jess Hilarious]

He does a phenomenal job as Chicken man, but I can't take him serious in dramas. Cause it just always seemed like he.

[Caller]

Was trying to make you laugh.

[Bill Burr]

Always jokes.

[Caller]

But can I tell you something? Real talk. Chicken Man's his best work yet. I'm telling you. You look at what he's doing with his eyes, and, you know, a lot of people, you know, it's known that comedians, they pull from pain, right? And that's how they deflect. And that's where a lot of the comedy comes from. Kevin, no exception. But the reality is that when he said, we gotta do this as a drama, that was a big risk. Because people say, all right, fight night. Kevin Hart, starring this.

[Jess Hilarious]

Let's go.

[Caller]

I'm ready to laugh like you said, Charlotte. But the reality is that this is serious now. You have moments of levity, but the tone, make no mistake, is dramatic. Like it goes there.

[Charlamagne Tha God]

You challenge yourself to do things outside of this comedy. Say, I just don't want this comedic role. I want this serious role. Do you challenge yourself or do you just take roles that come.

[Bill Burr]

None. None of it is a challenge, by the way. I'm developing the things that I do. Nothing is coming to me. I'm creating the things, or I'm a part of the process of how it gets to the final stage. Ages. I'm at that point. But I have no desire for the star of Kevin Hart to get bigger. That's so gone and done with. I'm more about the success of others, the success of the entity, the success of the brand. And I'm more importantly, the success of what we represent and what we can look back and say we did. Yo, that's bigger now than a Conversation of myself. I did it. I'm done. What else am I going to do at this point?

[Charlamagne Tha God]

All right, we got more with Kevin Hart and Will Packer when we come back. It's the Breakfast Club. Good morning, everybody. We are the breakfast club. Lauren LaRosa's filling in for Jess, and we're still kicking it with Kevin Hart and Will Packer.

[Jess Hilarious]

Charlemagne, was it hard to find someone to play Muhammad Ali? And did you ever consider Will Smith?

[Bill Burr]

We kind of poor Will Smith.

[Caller]

Very, very challenging. Right. And I think that you gotta understand, obviously, that's an icon. He's been portrayed before. For us, it was about finding a newcomer that wouldn't pull you out, because these other characters you didn't know. Nobody knew Chicken Man, Kevin Hart's character, or. Or Vivian Taraji's character, or Frank Moten, you know, Sam's character. But, you know, everybody knows Muhammad Ali. So I think to have somebody in that role who you had some familiarity with and who you associated with, something else would have pulled you out. And we really wanted to immerse you, even with these big stars. We really wanted to take you to a time period.

[Jess Hilarious]

Right.

[Caller]

50 years ago and really drop you in and be as authentic as possible. And we've paid a lot of attention to the detail and the nuances to try to get this thing right.

[Bill Burr]

Boy, oh, boy, did we choose right.

[Caller]

Yeah. Come on, man. This cast. And by the way, not just the big names that, you know, like, there's some cats. Oh, Dexter D. Dexter D. You're gonna be hearing a lot from him. There's some young gunners in this cast that you're gonna be hearing that I predict you're gonna look back and go, yo, remember when so and so went toe to toe with. With Kevin Hart and Sam Jackson, Melvin Gray. Melvin Greg Miles Bullock, Sinqua Walls. Chloe Bailey does her thing. Yep. Lori Harvey jumps in.

[Bill Burr]

I think. I think you have the feature.

[Jess Hilarious]

Yeah, my wife said that. And I was like, I don't think that's Laurie because she looks. She looked so different. Layla Hathaway. No. Lola Falana.

[Bill Burr]

But I think you're seeing an amazing example of baton passing. You're looking at people that are established, have been established for so long, and Sam and Taraji and Terrence and Don. And then you also have the second tier of talent that is a valuable piece of this puzzle where they're toe to toe with the big names, and you don't blink an eye. You understand why everybody is there, and you respect the talent on screen, and you will still Respect the story. You're never taken outside of the story. So for that younger generation that we were able to onboard, no question, it's a great example of what we want to do.

[Caller]

No question.

[Bill Burr]

We want to be the example for the next generation, the bridge. We want to be the example for global success for or the new star that popped on. If we're part of those stories, then how dope is that? Like that's the bigger side of the conversation of one.

[Caller]

Teresa, Celeste, Jalen Hall. These are names you gonna know.

[Bill Burr]

I was late here. I'll be late. Go ahead, Lauren.

[State Farm Advertiser]

Monique and Lee Daniels just did the Deliverance.

[Bill Burr]

Yes.

[State Farm Advertiser]

Are we ever gonna see a reconciliation with you and her? Because she.

[Bill Burr]

Wait, I don't have a problem.

[Charlamagne Tha God]

I know that.

[Jess Hilarious]

There's no problem.

[Bill Burr]

Reconcile.

[State Farm Advertiser]

No, but she has said that. Like I know when she was doing Club Shay Shay and they talked about it and she was talking about the phone call that happened from your team or whatever. Right. Is there ever going to be a conversation that we hear you talk about where y'all two have another conversation about that and move forward?

[Bill Burr]

I'll challenge your question with a better question.

[State Farm Advertiser]

Go ahead.

[Bill Burr]

You've been doing this for me. Ever hear me talk about anyone? Do you ever hear anything bad come from me? No. There's no problem between me and Monique. There never will be. There's never. There's no problem between me and anybody else. There's nothing to reconcile. There's no problem. So all these problems that have been attached to Kevin Hart, they're one sided. I don't have a problem with anybody.

[Caller]

I agree with that. It takes two people, right, to have a conflict.

[Bill Burr]

That's what it has to be.

[Caller]

It's not a thing.

[Bill Burr]

Social media has us up to the point of what you hear is what you're forced to believe.

[State Farm Advertiser]

Gotcha.

[Bill Burr]

You do not understand, like the common ground for a truth is always a conversation. And if there ever is a conversation, then you're not forward facing in a public statement ever. I didn't say anything about what I did for Monique or my gestures. You never would have heard it. That's a, it's a one sided version or reason for. And by the way, I have no rebuttal to it. I stand on the side of. I'm unproblematic. And if me and Mo want to do or could do or would do, we will. But that's a me and Mo thing. Like the, this new thing that people are like. Like let me tell you something, world. Yeah, that's a very Like, I want to be honest. I'm 45 years old. I'm 45 years old. And by the way, team or not, it's not hard to find me. Like, you know, my schedule is online.

[State Farm Advertiser]

So she hasn't hit you since all of that stuff?

[Bill Burr]

Me and Monique have had conversations, and those are me and Monique's conversations before and after. That's called adulting.

[Caller]

There you go.

[Bill Burr]

I don't. I don't unadult.

[Caller]

Yeah.

[Bill Burr]

So all of these new ways of conversation and finger pointing, it's very easy.

[Jess Hilarious]

But, you know, that's what I like about the movie Fight Night, Right. Because it seems like they show each character in the movie as a hero in their own story, but a villain in somebody else's. Different perspective.

[Caller]

It's a super complicated narrative, which are my favorite kind because your protagonist. Right. Your quote unquote heroes, are very gray and are very flawed, like in real life. And your antagonists are people that you root for.

[Jess Hilarious]

That's.

[Caller]

Those are my favorite kinds of narratives. I love that. Because we all know the world is not black and white, right? And so you're absolutely right. It's about complex people at a complex time. And that's really what the show was.

[Bill Burr]

There's not a bigger supporter for the movement of people doing good and Monique Lee Daniels reconciling that relationship, however it happened, Great dope for them. Did a movie together after. Great story story dope for them. I want to see more. Keep doing great. The conversation of anything else negative attached to a person's and their reservations or feelings. To me, I want to see nothing but good for all. Like, I would love to see us all win. I would love to see us all at a table where we all can do. If it happens, great. If it doesn't, I guess it wasn't meant to be. But you can't have a stance of negativity. Also, like a real initiative to move forward and like motivate, inspire, create or do whatever. You can't be both. So it's either like you're one or the other. And if you are part of creativity, inspiration, collaboration, motivation, connectivity, then that has to be it. And whatever you gather along the way and whoever you align yourself with along the way, well, y'all all a part of the same story. If things fall apart through the duration of. It wasn't meant to be on that train. Some people miss a train. It's just life. Some people don't make it in time to catch. Catch the train. And the train is going to go is going to go. Why do you think trains can't stop fast? They're moving. So either you're on the train or you're not. And if you didn't catch the next train, that's life.

[Charlamagne Tha God]

What makes it successful? Because, you know, Hollywood didn't change before was blockbuster movies, but now, I mean, there's so many other platforms to put your movie on. So what is successful for?

[Caller]

But, you know, there's still quantitative metrics that they use to determine.

[State Farm Advertiser]

Quantitative.

[Caller]

Learn that at hbcu, brother. Just. I'm just. Well, why is it. Because the reality is that you still have ways that you can determine how, you know, how many people watched it, if the audience was into it, if they were engaged. And that stuff is important. And so that is definitely a part of what we do. Honestly, though, right now it's about. I just want people to feel stuff. You know what I mean? I want to feel like we're touching the culture. You know, I want to feel like whatever it is that we do, we don't have people feeling like we wasted their time. That's. That's the point that we at.

[Bill Burr]

In conclusion, the big takeaways for audience are very simple, man. The first one, of course, is fight night now. Now streaming on Peacock. Do yourself a service and us a favor. Go watch it. A very good show. An amazing story that I think should have been told a long time ago, but for the city of Atlanta that we all know and love, it's a great highlight of how Atlanta of got to be what it is now. Understanding the early stages of it, understanding the origin for us all, especially people of color culture. We need to know. It's a great story.

[Caller]

Eight parts, eight part limits. Three parts out right now, dropping one per week. If you. If you're like a lot of us, you're looking for what's that next series I can really get into and really get into the characters and follow. We're challenging you. Let this be your next series.

[Bill Burr]

That's what I want you to do.

[Caller]

Lastly, I want everybody to vote. That's the last thing I was saying I'll tell you to vote for. But we would be remiss if we didn't get on this platform and say that it's real. It's real. And these are challenging times. Make your voice heard one way or another. It matters. You can tell Kamala Harris.

[Jess Hilarious]

I'm voting for Kamala Harris.

[Caller]

No question. I appreciate that, black man, because we need more of us saying that.

[Jess Hilarious]

That's right.

[Caller]

But that's My choice.

[Jess Hilarious]

That's what I choose to do.

[Marlon Wayans]

Politics.

[Caller]

Because I need everybody. Thank you, family.

[Jess Hilarious]

We appreciate y'all.

[DJ Envy]

It's the Breakfast Club.

[Jess Hilarious]

Good morning.

[Bill Burr]

He gave me Donkey of the Day and I deserve it.

[Jess Hilarious]

People need to know.

[Bill Burr]

Well, you need to tell them. I am. You have the voice.

[Caller]

Tell them.

[Jess Hilarious]

Tell them it's time for Donkey of the Day.

[State Farm Advertiser]

It's a read.

[Coca Cola Advertiser]

But you're so good at it.

[Marlon Wayans]

You trying to be a fake ass.

[Bill Burr]

Charlamagne.

[Marlon Wayans]

There's only one Charlemagne involved.

[Jess Hilarious]

Everybody's on stand.

[Bill Burr]

Who you giving Donkey of the Day to? Now?

[Jess Hilarious]

Listen, Donkey of the Day goes to Charles Christopher, who's 24 years old. Jordan Leonard, who's 25 years old. Taja Rose, who's 22. And D'Angelo Spencer, who's 26. Every single one of those individuals are part of a nine count federal indictment charging them with committing armed robberies at several businesses in Los Angeles County. Question man, what's going on in prisons nowadays? I seriously want to know. Because when I. When I was growing up, I saw Oz, where men, you know, were getting their chocolate starfish stretched and, you know, things like, things like that, like watching these turd burglars breaking into other men's booties, that let me know prison wasn't no place to be. Okay? They had a documentary called Inside the World's Toughest Prisons. They had Beyond Scared Straight. They had all these images of prison that let us know this isn't where you want to be. Clearly, that has changed because I feel like there are young men out here literally campaigning to be America's next top inmates. See, according to people magazine, these four young men allegedly had what is described as a LA robbery routine. They would drive up to a 711 or CVS pharmacy in their blue BMW with the poosheisty mask on. They would pull out a gun and demand cash from the register or drugs from the store. Okay, armed robbery. I get it. The problem is it doesn't stop there. After they would do these robberies, I mean, literally every time they would post on Instagram, okay, over a seven week period from early November until Christmas Eve 2023, these four young men committed a slew of robberies. Okay? When an article says you have committed a slew of something, that means a lot. A large number of things. Jess, say slew. Slew. Okay? Now, they robbed all these 711 and got about $7,617 in cash, along with thousands in CVS pharmaceuticals, which the article says they would later sell. But I don't know, okay? When I hear what they were doing, sounds like they might have been using more than selling. Now, these guys. I told you. Would pull up In a blue 2011 BMW 328i four door car every single time. The indictment describes it as distinct, meaning everyone knew this car. Everybody knew it was them. This is what happens when you watch Powell one too many times. Okay? Tommy had a blue Mustang at the scene of every damn crime he ever committed. So y'all decided to do the same with a blue BMW. Delete your Stars app right now. Okay? This is too much. Now on November. Back in November, D'Angelo Spencer made a series of posts to Instagram before and after the alleged robbery. I really want to know where y'all think y'all be at when you be on social media. Okay, folks, act like social media is some whole other dimension, some whole other earth. Like we earth616 and social media. Social media is earth10005. All my marvel heads know what I'm talking about. But some of you really act like what happens on social media doesn't have any impact on you in the real world. I don't get it. But Christopher would post on IG all the cash. On another post, he would. He would be in all black clothing with his Pooh shiesty mask pulled up to expose his face. Yes, the indictment claimed his all black outfit matched with the robbery suspects wear. We're wearing. Okay, let me describe some of these posts for you, man. One post, one of the men published photos of a bunch of hundred dollar bills with the caption loading up okay, with. With a sunglasses, wearing emoji with the smiley face and a green check mark. These guys also robbed the same 711 twice. Okay. Took cash out of three registers, then posted on IG later, all the money with the caption stacks of cash. Another time, one of the guys posted on IG following a robbery robbery a picture of a bunch of piles of cash. He professed his love for his homies by putting my bros. And he tagged all the bros who helped him commit the robbery in the picture. No, listen to the caption of this one. This is a good one. One of them put stacks of cash that they just stole from 7 11.

[Charlamagne Tha God]

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[Coca Cola Advertiser]

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[Live Nation Advertiser]

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[Jess Hilarious]

Seek terms and conditions and he captioned it with love my bros. We go hit every time. Time.

[DJ Envy]

Oh boy.

[Jess Hilarious]

Oh, this one is good too. After they stole about $2,130 worth of pharmaceuticals from the LA CVS, one of them put all the medication on Instagram and advertised the stolen medication for sale. The caption said, I got syrup. Now they in jail. Okay, with no lawyers. As of this past Wednesday, they have no lawyers. All right. Two of them pleaded not guilty to the charges and were ordered jailed without bond. Another one hasn't entered a plea yet. The other is slated for arraignment. These young men need to have courses. How to go to prison for dummies. I mean, you can't not tell me that these guys aren't purposely trying to go to prison so they can do some poop shoot plundering. There's nothing left to do here before we give them the Hee Haw other than play a game of Guess what race it is. All right. Charles Christopher Jordan, Leonard Tayzar Rhodes. D'Angelo Spencer robbed a bunch of seven 11s and CVS's. Every time they would rob the seven 11s and CBSs, they would put everything on Instagram. DJ Envious. Guess what racing is black. Why are they driving a BMW? And the BMW is a black man's wish.

[Charlamagne Tha God]

Everything that you said.

[Jess Hilarious]

Everything.

[Charlamagne Tha God]

Pooh Shiesty mask.

[Jess Hilarious]

Okay.

[Charlamagne Tha God]

I love my brother. Rose showing the cash online.

[Jess Hilarious]

Jess Hilarious. Charles Christopher Jordan, Leonard, Taja Rose, D'Angelo Spencer. They would rob a bunch of 7 11s in CVS and post all of the stolen items on Instagram. Jess Hilarious. Guess what race it is. Why y'all think these people black?

[Bill Burr]

Just everything on social media. We're literally our own own detriment.

[Charlamagne Tha God]

I don't know any white Asian D'Angelos either.

[DJ Envy]

What do you.

[Bill Burr]

D'Angelo? His name is D'Angelo and his name Leonard. One of them named Leonard.

[Jess Hilarious]

I know a biracial. D'Angelo Listen, Charles, Christopher Jordan, Leonard, Taja Rose, and D'Angelo Spencer are not black.

[Bill Burr]

Hell no.

[Jess Hilarious]

They're powerful.

[Caller]

Surgery at work.

[Jess Hilarious]

There's a difference. All right, please give Charles, Christopher Jordan, Leonard, Taj Rose, and D'Angelo Spencer the biggest he. Huh? There is a difference.

[Bill Burr]

There is a difference, but not the er. Why couldn't it just be niggas?

[Jess Hilarious]

No, no, no, no, no, no.

[Bill Burr]

These are.

[Jess Hilarious]

Oh, they not. They not. They're not my. They. Okay, the difference between them thinking my and then them. They stay away from them over there, okay? Stay away from them. Those stay away from me. Okay?

[Charlamagne Tha God]

Yeah, I didn't agree. All right, well, thank you for that. Donkey of the day, the Breakfast Club. Morning, everybody. It's DJ Envy. Jess. Hilarious Charlemagne, the guy. We are the Breakfast Club. Justice to no maternity list leave. Lauren LaRosa's filling in, and we got a special guest in the building. I didn't even know it was him. I seen him in the hall. I stood inside, I was like, looking.

[Jess Hilarious]

Like, what rapper is that?

[Charlamagne Tha God]

What New York rapper is that?

[Jess Hilarious]

The funny thing is we said Marlon look like a rapper. Don't know. Rappers love the stage. Like, Marlon. This stage, he never want to be home. He on the Watch all comedy tour right now.

[Marlon Wayans]

He hate his house. No, you know what? I do kind of hate my house. But the thing is, I just love working. I've always loved working. And finally I got something I love to do, and I'm getting better, and I just go the more time I stay on the stage. And I think because I started late, it's not like I'm tired of it yet, right? So most. Most of the time, I'm, like, dyslexic with life in my career. Like, you're supposed to start out doing stand up. I started out writing and producing and creating. Creating my TV show when I was Wayne's brother, when I was, like, 20, you know, writing and producing my own movies with my brothers from Don't Be a Menace, the scary Movie, you know, doing my own stuff. Haunted House. And then at 39, I was like, yeah, I think I'm gonna take stand up serious and I'm gonna go do stand up. And everybody's like, why the would you do that now? You already made it. And I was like, Cause I think there's. There's more to get. I think I could be better. I've been a star for 20 something years. I want to be. I want to be a superstar. And the only way to get there is just doing the work So I just started doing Stand up.

[Jess Hilarious]

And you. You had your force. I remember one time you came here, you said you have four specials planned. It's gonna be God Loves Me. Good grief. Now you're doing the Wild Child. So. Wild Child, the third installment.

[Marlon Wayans]

No, because I did my first two already. It was. The first one was Wokesh. Second one was, you know what it is? It's on hbo. Max. Third one was God Loves Me. The fourth one. Good grief. And between that, I had the headliners, which was me and my. My boys. Sidney Castillo, Tony Baker, D.C. irvin, shout out to all my people, Esau McGraw. And then now I'm working on the Wild Child tour, but I probably named this one Skittles. And I'm. I'm ready to film this, like, now. The more I keep doing it now, I got, like, two hours, and that's really hard to cut down to an hour, so I want to hurry up and do it so I could. I know my next three. So for me, I'm. I want to get this done and retire it so I could, you know, clear the canvas and paint something new.

[Jess Hilarious]

So what is Skittles? Taste the Rainbow. You really about to just say.

[Marlon Wayans]

Nah, it's. It's kind of ode to my. To my. My trans child.

[Jess Hilarious]

Got you.

[Charlamagne Tha God]

Shut your ass right up, huh?

[Jess Hilarious]

That's what I mean. I think you're gonna tell everybody. Everybody was giving you flack. Yeah, because you posted all the pictures.

[Marlon Wayans]

I tripled down.

[Bill Burr]

I don't.

[Marlon Wayans]

I don't. I don't believe in. No, no, no.

[DJ Envy]

You.

[Marlon Wayans]

You want to start this? We gonna. We gonna keep going. We gonna keep on going. No, I'm gonna keep on going. We gonna keep on digging. No, you started it, so, you know, but it's a. It's not even about them. It's really about me and my transition as a human. I throw myself under the bus because I wasn't with. I wasn't like, yeah, this is great. When they first, you know, decided to go down this. This. This road, I was against it because I'm like, yo, you're not looking at life. You know, you're doing this now in your youth. You may regret this. When you, like, 45 and you have a kid and you ain't got no to breastfeed with.

[Bill Burr]

Jesus Christ.

[Jess Hilarious]

So.

[Marlon Wayans]

You know, as a parent, I was like, you know, protesting. But at the same time, I went through this journey from ignorance and defiance to complete acceptance. And I just think a lot of people need to hear the truth and hear a story I tell funny truths, things that, you know, hurt me or things that, you know, I. I'm. I'm imperfect and I'm not all the way, you know, there. I don't always have the right answers, but I think it's good to be human and be human on the stage. Because when you talk about truth now, you're not just telling jokes now. You're actually healing. There's people in the audience. I got people coming up to me after my shows crying, like, oh, my God. And they did it with. Good grief. And they doing it now with the Wild Child tour. It's crazy.

[Charlamagne Tha God]

Does your son get offended? Does your son said, dad, enough now. Like, this is. You've been on the Breakfast Club twice talking about it. You've been talking like, enough is enough.

[Marlon Wayans]

Oh, they tired of my. But see you like your college paid for. So what? I. I got the news. I. I got to talk about things. I'm sorry, baby. You know, dad. Dad gonna do what he do.

[Charlamagne Tha God]

I always wanted to know with your son, did you have to sit down and say, okay, well, explain it to me, break it down, because we come from a different place where jokes is jokes. Did you have to sit down and be like, explain what you want me to say, what you want me to call you, how you feel, this, then the other. Did you have to go through that?

[Marlon Wayans]

Yes. And it was so damn confusing because, you know, they started with pronouns, and I'm like, look, I went to public school in New York City. I don't know about no pronouns. I know nouns and verbs. That's all they taught us.

[Jess Hilarious]

You know what I mean?

[Marlon Wayans]

So they broke it down and all this, and it's just. It's too much. And then I gotta change from calling them she to now he and they. And I'm like, they, two of you?

[Charlamagne Tha God]

What's.

[Marlon Wayans]

What's. I don't. I don't understand.

[Bill Burr]

Oh, my God.

[Jess Hilarious]

They is the most confusing one.

[Marlon Wayans]

I'm just so confused. But they took me through the tutorial, and they know that sometimes I still. Because, you know, for 23 years, you were her, and now they. And they give me grace.

[Charlamagne Tha God]

But, you know, he knows you still love him.

[Marlon Wayans]

They know I love him. They know I love him. I fight. I die for them. No matter what. Don't matter. You know, that's my child.

[Jess Hilarious]

You know what I mean?

[Marlon Wayans]

And I think all parents should defend and pull up for their children. You know, that's my child. I want them to be happy. And if that makes them happy, I'm happy. For them.

[State Farm Advertiser]

We saw you come to Boosie's defense when the back and forth was happening online with his daughter. Have you guys spoken like, do other parents call you because you're very open about your journey?

[Marlon Wayans]

No, I didn't. People fried me up for coming to his defense. They did, for sure, but I wasn't coming to his defense. I'm telling people, hey, man, y'all mind your business and let families work out. They. That's private between him and his daughter. And they don't need your fuel. They don't need my fuel. But I'm telling you, when you're ironing out your personal problems, that's between him and his daughter. And everybody got something to say. That's what I don't like about social media. That man is dealing with his child and they need to express themselves and hold space. We live in a society where we're unforgiving and all we do is add fuel to fires and watch it burn and applaud. And I'm. I'm just like, yo, let them let that man hold space. It takes him time. When it first happened to me, it took me time. You can't expect somebody to instantly be like, I accept everything. It takes time. And God has his way of talking to each and every one of us. We all gonna have our sit down with God. I had mine, you know, and he will have his. And I hold space that that man changes his point of view and that him and his child come together and love each other like any black father and black daughter or white or daughter father, period. That's what I want.

[Jess Hilarious]

I agree with that. But I agree that. But the. The. You and your child didn't work it out through social media.

[Marlon Wayans]

No, we didn't.

[Jess Hilarious]

Like, Boosie was in interviews talking because.

[Marlon Wayans]

My child been unfollow me and his.

[Jess Hilarious]

Child replied to an interview he did. That's the problem I be having. Like, don't tell your personal business in these interviews if you don't want the world to have an opinion about it.

[Marlon Wayans]

Yes, but, you know, and that's to their fault, but they figured it out and, you know, as they should. But I just hold space and hold space for prayer and hold space within myself that people can grow up, that people can change. Every person should have the opportunity to change. Even brothers that are in prison, there's a reason why there's prison. It's time for you to sit and time out and have conversations with God and reform. But when they come out, we should applaud them for the Time. They did. They did the time. Now let's hold space that they're better people.

[Charlamagne Tha God]

All right, we got more with Marlon Wayans when we come back. He's on the Wild Child comedy tours, the Breakfast Club. Good morning. Now, we're still kicking it with Marlon Wayans. Now let me ask you a question.

[Marlon Wayans]

Oh, I done got myself in trouble again.

[Charlamagne Tha God]

You said prison. I'm just curious. How many times have people asked you, have you ever been to a Diddy party?

[State Farm Advertiser]

They pulled up that tweet.

[Jess Hilarious]

What the they got to do in prison? How you get that?

[State Farm Advertiser]

Diddy's in prison.

[Charlamagne Tha God]

He made me think about it. I seen the baby oil behind you.

[Jess Hilarious]

Just made me think about it.

[Marlon Wayans]

That's crazy. You do have a baby oil. All right, so here's the thing. I've been to 1015. I know puff since he was Puff. I knew. We went to college together, so I went to Howard. I always, always wanted to go to Diddy parties at the hottest parties in dc, Right? I was too young to get into those. But when I got to LA and throughout the years, the 90s. Come on, man. My biggie and I. I've been around a long time, and I will say this.

[Jess Hilarious]

This.

[Marlon Wayans]

I've never. I've been to maybe 10:15, some of this house I've never seen. I have never. You put lie detector tests on me when they're like, oh, well, there's videos. Great. Show me. You gonna see me sipping Ciroc and maybe pushing the deli on to the side because that's too strong.

[Jess Hilarious]

But you.

[Marlon Wayans]

Can use a little sugar. You gotta put a little. You gotta put a little Sarak in your deli on and. But, you know, I. I'm never seen any of the stuff that they say happened. I never been to a freak off. That's just not. And that's just not my vibes. That's not Wayne's vibes. Beyond that, I gotta honor. I go to a party, whatever, but I always got my mother, my father, and God. And you can be around things and then go, yeah, this ain't for me. That's just never been my vibe. I don't get off. I don't even like watching porn with BBC.

[Jess Hilarious]

No.

[Marlon Wayans]

I want my to be the only BBC in the room.

[Jess Hilarious]

When you hear these stories, though, they be tragic stories. You hope that none of this. You hope. I hope it's not true. But you gotta listen to the, you know, the alleged victims.

[Marlon Wayans]

Yes.

[Jess Hilarious]

Did you have jokes immediately like when you read some of this stuff a billion of them.

[Marlon Wayans]

Oh, my God, I hit Puff up. I said, man, I got some jokes for you. I'm not sure you wanna hear them right now.

[Charlamagne Tha God]

Did he respond?

[Marlon Wayans]

Oh, listen, I hit him. I've known these guys my whole life. I've been growing up in Hollywood. When it happened to Russell Simmons, I hit Russell Simmons up and I said, hey, we having a terrible week. So, yeah, I hit them up on their worst day, you know, and I. My whole prayer, because I know the kids, and I'm just like. And I'm not excusing any of those actions. When I saw the Cassie tape, that hurt my feeling. And it hurt my feelings to see a black man do that to any woman or any man do that to a woman. I wasn't raised like that. But as much as I see that video and I hurt for her, you know, there's a part of me that hurts for that little boy in there that was taught that kind of toxic behavior. And I pray that he hurt, he heals. I pray that he, like, he's sitting with God right now. I don't need to throw that man under a bus. God is talking to Puff right now, and that's between God and him, and whatever happens, happens, and that's between him and God. But I'm gonna pray for those kids. I'm gonna pray for the family. I'm not gonna act like stuff didn't happen, and I ain't gonna act like I ain't got no jokes. I got some wonderful jokes that I got in my show.

[State Farm Advertiser]

You got a baby when you went to the show?

[Marlon Wayans]

Oh, everybody got a baby. Old joke. You got a thousand bottles of baby, y'all. But everybody. Everybody got jokes, and he know what it is, and the kids know what it is. But, you know, I don't want to kick a man when he down. And I think, like I said, man, I. I know that family, and I. I pray for them all, you know.

[Jess Hilarious]

You know, also, too, man, the thing I love about comedians, comedians say things and have conversations that everybody do. Be thinking we have to have comedians in the world. Like God created y'all for a special reason. Like, the same way there's doctors and, you know, lawyers. Like, you need comedians in the work. And you.

[Marlon Wayans]

You need, you know, you need journalists, you need people that, you know, sit there and ask the hard questions. I seen you had that lady sweating. The Trump lady. She was.

[Charlamagne Tha God]

Oh, Laura Trump, Lara Trump.

[Marlon Wayans]

Yeah, she was sweating up storms. Started looking just like her father in law. I said, this, this. This crazy. You made the White lady nervous.

[Charlamagne Tha God]

So let me, let me ask a question.

[Marlon Wayans]

You can't go over there and get no love for mom. She was like, anyway.

[Charlamagne Tha God]

Oh, she was about to roast Laura.

[Marlon Wayans]

Every time she said period, she was on me.

[Jess Hilarious]

So Damon's coming out with Papa House.

[Marlon Wayans]

Papa's house. That's with him and him and Lil Damon and that cbs. Make sure y'all check it out. I've been down to the set. It's a really funny show. And you know Damon, no miss. And him and his son Lil Damon is brilliant. And right now there's like 62 Waynes is working over there. So, you know, the whole set is all Wayne.

[Jess Hilarious]

Do y'all seem like a textile? Like, hey, man, new show. Who want to help, like.

[Marlon Wayans]

Organically? Like, my sister Kim is one of his showrunners on the show. So she's writing on the show. We like to have family now, cuz my family like, see, that's why that magic joke happened. Cuz I had nobody around to be like, no, no. Oh, Damon would be like, keep that one. I got a little something more you can add to it.

[Jess Hilarious]

You realize that's one of the funniest Breakfast Club interviews. I don't even like to talk about it. When Damon Wayans was up here.

[Marlon Wayans]

Oh, Damon, I think that's the one that made him stop doing standoff. That's why Damon don't do stand up. Damon don't do stand up'cause we feel like the world became so judgmental. And I think he's right, but he's not. What I found is the world is judgmental on social media. When I go to comedy shows, that's right. People wanna laugh, man.

[Jess Hilarious]

I agree.

[Marlon Wayans]

The audience wants to laugh. Social media got the studios up. They're not making comedies. Cause they're scared to make comedies. They don't think people wanna laugh. And I'm like, you are so wrong. And that's why we coming back wearing a four or five. We about dunk hard and that people need to laugh. And I know my purpose. You know, I look at how depressed the world feels and we need to laugh again. Like, I don't care where it comes from, how it comes. You take the darkest subject, the darkest topic, and you go, here's what's funny. That is what my job is. You know what I mean? You can't criticize a fireman for not putting out part of a fire. He goes into burning buildings to find bodies. I go into burning building buildings to find jokes. And that's what I do. For a living. And I'm never gonna not tell jokes, period. And if you get canceled, good. You know what canceled means? That means that the. The real is staying and them went home.

[State Farm Advertiser]

Yeah, everybody don't got the backing that y'all. Some communities are scared because they can't just walk away from stuff. Or they're scared that brands walk away from them. They don't got no money, they don't have no ability. Like, you guys have a. It's different for the way they got.

[Jess Hilarious]

The stage, though, because we have.

[Marlon Wayans]

Have a brand, right? Our brand has stood the test of times. We started in the 80s, right?

[Jess Hilarious]

Damn.

[Marlon Wayans]

This is generational. And now probably 40, 40 years.

[State Farm Advertiser]

That's beautiful.

[Marlon Wayans]

Between me, Damon, Shawn, keenan, Kim, that's 230 years of comedy between each one of us. Like, we are masters at joke telling. People trust our brand with finding the light. When we did In Living Color, you know, Damon doing and David and David doing Men on Film, that's the first time gay people were introduced into your living room. And people felt like, oh, this is safe. Even gay people loved men on film. Because the way we do things is we try to do it with kids gloves. We want the people that we making fun of to be like, oh, that was funny. That's why you can't cancel us for white chicks. You don't love white chicks the most. White chicks. So the people that we send up usually laugh the loudest. And I'm sure people need to laugh. So that Wayans brand. We coming back.

[State Farm Advertiser]

Back with the comedy tour, Abs.

[Marlon Wayans]

No, didn't say it was a comedy. But I'm on a comedy tour. Wild Child.

[Caller]

The point is the name of the tour.

[State Farm Advertiser]

Everything was got the Wayans brother. Comedy tours.

[Marlon Wayans]

That was tricky. That was all. You almost got me. You almost got me on that one. But before we drop, drop, I got your number. I'mma call you and I'm. I tell you. And I got your number.

[Charlamagne Tha God]

You got my number. We appreciate you for joining us.

[Marlon Wayans]

You asked me all these hot questions. Now I'mma get a collect call from Diddy from Jail Magic going to kiss me in the lips.

[DJ Envy]

Breakfast Club.

[Charlamagne Tha God]

Good morning, the Breakfast Club. Morning, everybody. It's DJ Envy. Jess. Hilarious Charlemagne the guy. We are the Breakfast Club Charlemagne. You got a positive note.

[Jess Hilarious]

I do. And it's really, really simple. We are blessed to be a blessing to others. It's really just that simple. You were not just blessed for yourself. You were blessed to be a blessing to others. So go out there and be a blessing to others. Have a great day.

[Caller]

Breakfast club bitches.

[Live Nation Advertiser]

Hey comedy fans. The funniest comedians in the world are on tour and you can get tickets to see them live near you laugh at the biggest names in comedy like Atsuko Okotsuka, Chelsea Handler, Jimmy Carr, Kathy Griffin, Matt Matthews, Matt Rice, Sarah Silverman, Sebastian Maniscalco, Stavros Helkias, Wanda Sykes and so many more. All kinds of shows, all kinds of venues, all kinds of funny. Head to livenation.comcomedy to get your tickets today. That's livenation.comcomedy.

[Jess Hilarious]

You wake up, put on your Ray Ban Meta glasses. You're living all in.

[Charlamagne Tha God]

You realize you need coffee so you.

[Jess Hilarious]

Say hey Meta, how do I make a latte?

[DJ Envy]

Brew two shots of espresso?

[Charlamagne Tha God]

After Meta AI gets you caffeinated, you're.

[Jess Hilarious]

Ready for some beats.

[Live Nation Advertiser]

Meta play hip hop music.

[Jess Hilarious]

You head to meet some friends but.

[Charlamagne Tha God]

Can'T remember the place.

[Caller]

Hey Meta, call Eva Ray Ban Meta.

[Jess Hilarious]

Glasses the next generation of AI glasses. Just say hey Meta. To harness the power of Meta AI.

[Bill Burr]

Shop [e-mail] smart glasses.

[Jess Hilarious]

Peace to the planet. I go by the name of Charlemagne Tha God and I wanna introduce you to Uber Teen Accounts, a connected account for your teen with trackable trips and highly rated drivers. Now I am the father of a 16 year old daughter so I need things like Uberteen. Okay? Your teen can feel a sense of independence and you can feel a sense of relief. You can follow their entire ride on a live tracking map. Perfect for those times when you want to be there but can't. When your teen requests a trip, they are matched with highly rated and experienced drivers and you receive real time notifications. Every trip comes with enhanced safety features. Pin verification to ensure your teen enters the right vehicle. Live trip tracking for parents plus you the parent can contact the driver directly from the app. Add your teen to your account today. Available in select locations. See app for details.

[DJ Envy]

Thursday on abc. Get ready to move that bus. The beloved series Extreme Makeover Home Edition is making a triumphant return to kick off the new year. Join the makeover mavens Joanna Teplin and Clee Shearer as they hit the road on a mission to transform lives of deserving families.

[Jess Hilarious]

They have just four days to rally.

[Marlon Wayans]

Communities, demolish old homes and rebuild not.

[DJ Envy]

Just houses, but lives. Extreme Makeover Home Edition premieres Thursday at 8, 7 Central on ABC and will be available to stream next day on Hulu.

[Marlon Wayans]

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