Notes and Links to Lisa Lee’s Work

Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media’s feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”

Today, March 31, is Pub Day for her novel, American Han.

Lisa Lee’s Website

Review of American Han from Kirkus Reviews

At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book’s unveiling

At about 4:45, Lisa gives info on publishing and buying her book

At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up

At about 6:15, Lisa responds to Pete’s question about her language and reading life in childhood and into young adulthood

At about 9:00, Lisa cites Housekeeping by Robinson and Everett’s Erasure as changing her perceptions of what writers

At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure

At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable

At about 14L15, Lisa responds to Pete’s questions about the meaning(s) of han

At about 16:00, Pete sets the book’s exposition, and Lisa expands on the narrator Jane’s mindset at the beginning of American Han

At about 20:45, The two discuss the competitiveness within the family and expectations of Jane’s mother

At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother

At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships

At about 26:05, Lisa responds to Pete’s question about empathy/sympathy for her characters

At about 29:05, Lisa reflects on Pete’s wondering about han and intergenerational traumas in the book, and expands upon differences in han’s impact in contemporary Korea and among members of the Korean diaspora

At about 33:30, Pete highlights a memorable scene that

At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator’s sister, and his misogyny; Lisa speaks on Kevin’s background and sense of han and sense of gender identity

At about 40:15, Lisa and Pete discuss the book’s timing and pacing and flashbacks

At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter

At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address

At about 45:40, The two reflect on children as the parents’ “identity”

At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin’s horrific act shakes up the family

At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off”

At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses

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Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE’S HOME? (UPK 2026). In 2021, she won the Flannery O’Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing’s inaugural novella contest in 2020 and was released in May of 2021.

She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment).

The episode airs March 31 or April 1.

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You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.