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In this episode of The Classical Mind, we take on Shakespeare’s most provocative comedy, The Taming of the Shrew. Junius and Wesley dig into the play’s strange structure—from the unclosed frame of Christopher Sly to the unsettling symmetry between performance and identity. What does it mean that the “prologue” is itself a play? And how does that affect the way we read Katherina’s transformation—or her apparent submission?

Along the way, we explore the tension between romantic idealism and pragmatic marriage, trace the medieval roots of love as both commerce and devotion, and consider how Shakespeare’s comedy holds the contradictions of his culture up to the mirror. We talk about mimesis, medieval “speculum” thinking, and why comedy works best when it exposes absurdity rather than preaches morality.

The result is part literary diagnosis, part philosophical reflection: a conversation about performance, freedom, and what it means to find truth in the masks we wear.

Endnotes

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