Weekly Review With Clay and Buck H3 - Bawdy Buck and the Culture Shift

Summary

Podcast Summary: The Clay Travis and Buck Sexton Show Episode: Weekly Review With Clay and Buck H3 - Bawdy Buck and the Culture Shift
Release Date: March 29, 2025
Host/Author: Premiere Networks

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Introduction

In the third hour of "The Clay Travis and Buck Sexton Show," hosts Clay Travis and Buck Sexton delve deep into the ongoing cultural and political shifts impacting American society. Central to their discussion is the recent underperformance of Disney's live-action remake of "Snow White," which they argue epitomizes the pitfalls of "wokeness" in modern media. The conversation navigates through the decline of the Democratic Party, the resurgence of Republican strength, and the broader implications of these changes on American culture and entertainment.

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The Decline of the Democratic Party and Rise of Republicans

Clay opens the discussion by highlighting the significant political shifts observed over recent years. He states:

"There's never been a worse time for the Democrat party in our lifetime. And Republicans are probably in the strongest position they've ever been in our lifetime."
[01:00]

Buck concurs, attributing this resurgence to leaders like Donald Trump and the solidarity of "the army of patriots" inspired by figures such as Rush Limbaugh. The hosts emphasize that this political realignment reflects broader societal shifts, setting the stage for their critique of contemporary cultural trends.

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Critique of Disney's "Snow White" Remake

A substantial portion of the episode is dedicated to analyzing Disney's live-action remake of "Snow White," which tragically failed at the box office. Clay and Buck dissect the film's shortcomings, attributing its failure to a misguided attempt at modernizing the classic through forced diversity and "woke" narratives.

Box Office Performance: Clay provides a stark statistic:

"Snow White... made $40 million opening weekend, which is an absolute abject disaster."
[05:46]

He elaborates on the financial implications:

"This is going to cost Disney hundreds of millions of dollars. Yes. When all said hundreds of millions of dollars of pure loss on this."
[07:36]

Casting and Representation Issues: The hosts criticize the decision to replace traditional dwarf actors with CGI counterparts, arguing that it undermines authenticity and excludes marginalized talents.

"They replaced them with CGI dwarves and dwarf actors out there. And there are dwarf actors out there are. We're furious about this because this is like the chance of a lifetime to be in a globally, you know, resonating film as a dwarf actor."
[09:21]

Buck adds to the sentiment, suggesting that Disney's efforts to appear progressive have backfired:

"They could have made a movie that was a 90 years basically later, a nostalgic recreation of the spirit that imbued the original Snow White which made the Disney Corporation possible. But because they have decided that they need to be woke, Disney, they created an awful version of a movie that many people would have loved, of all races and all backgrounds."
[09:54]

Aesthetic and Narrative Choices: Clay critiques the aesthetic and narrative changes, feeling that the new Snow White does not embody the traditional Disney princess archetype.

"This woman is playing the Disney princess. She just doesn't look like it. She's just not that pretty. She doesn't look like a Disney princess."
[15:03]

Buck further underscores the issue by contrasting the casting choice with more fitting actresses:

"If they had put Sydney Sweeney in as Snow White, it would have made a billion dollars."
[16:08]

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Broader Implications of "Wokeness" in Media

Beyond "Snow White," Clay and Buck explore the troubling trend of altering historically significant narratives to fit modern diversity standards. They cite examples like "Hamilton" and "Bridgerton," questioning the necessity and impact of these changes.

Historical Inaccuracy: Clay expresses frustration with the lack of historical accuracy, emphasizing that altering race or gender in historical contexts dilutes the original narratives.

"The idea that Snow White needs to be replaced with a Latina actress or that Captain America needs to be replaced with a black actor... it's about keeping authenticity intact."
[12:26]

Contrasting Receptions: While acknowledging diverse casts in fantasy genres like "Game of Thrones," Clay distinguishes these from historical retellings, where authenticity remains paramount.

"Nobody has to change the historical accuracies. They don't have to do that because we can all appreciate the art for what it is."
[14:33]

Buck adds that such changes often lead to financial failures, using "West Side Story" and "Indiana Jones" remakes as case studies.

"Snow White is a perfect example of this. It was a cultural signpost of what woke can do to great Americana."
[38:21]

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Box Office Bombs and Their Causes

The hosts analyze historical box office failures, attributing them to factors like high production risks and misaligned artistic visions. They mention "The Adventures of Pluto Nash," "Heaven's Gate," "Indiana Jones and the Dial of Destiny," and "Cutthroat Island" as examples of significant financial losses.

Clay remarks:

"How do you make a West Side Story remake that totally bombs? That's. I don't even know how that's possible."
[24:26]

Buck emphasizes that remakes of beloved franchises often fail because they deviate from what made the originals successful:

"The remake idea in general doesn't make sense. But if you're going to remake something, then remake it basically the exact same story."
[31:15]

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Audience Engagement and Caller Insights

Throughout the episode, listeners call in to share their perspectives, underscoring a growing conservative youth movement. Clay cites an example of an 18-year-old high school senior who, despite being unable to vote, remains a staunch Trump supporter.

"They are going to be a force in these next couple of elections."
[35:52]

Buck reinforces this by linking the youth's support to the show's messaging on masculinity and traditional values:

"They listen to you. They're coming out and trying to prove themselves."
[36:54]

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Conclusion

Clay Travis and Buck Sexton conclude the episode by reiterating the detrimental effects of forced diversity and "wokeness" on American cultural staples. They advocate for authenticity and respect for original narratives to preserve the integrity and success of beloved franchises. The hosts urge industry leaders to align creative decisions with audience preferences to avoid financial and reputational disasters.

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Notable Quotes

• Clay Travis:
  "There's never been a worse time for the Democrat party in our lifetime."
  [01:00]

• Buck Sexton:
  "They could have made a movie that was a 90 years basically later, a nostalgic recreation of the spirit that imbued the original Snow White."
  [09:54]

• Clay Travis:
  "This is wokeness just eating itself."
  [09:54]

• Deck Recommendation by Buck:
  "They have, they have changed. There's a lot that's gone into this, but we are at a peak moment right now."
  [01:00]

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Final Thoughts

For listeners who haven't tuned into this episode, Clay and Buck offer a compelling critique of current cultural trends, using Disney's "Snow White" remake as a cautionary tale. Their analysis underscores the importance of maintaining authenticity in media to resonate with audiences and ensure commercial success. The episode serves as a call to action for creators to prioritize storytelling over ideological agendas, preserving the timeless appeal of classic narratives.

Transcript

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[Clay Travis]

All right, third hour of Clay and Buck kicks off right now. Thanks for being here with us, everybody. I'm sitting here drinking my Crockett coffee, by the way, I got some in the break. Crockett coffee.com go subscribe. In honor of Davy Crockett. That's why we founded this company, a great American, a frontiersman, a patriot, a warrior. And we give 10 for speaking of warriors, we give 10% of the profits to talent, the Towers Foundation. You get a signed copy of American Playbook if you use code book. So please go to crockettcoffee.com subscribe. Today we got K cups, whole bean, ground bean, all that good stuff. And an exciting new product coming out in just the next couple of weeks. We'll tell you more about, maybe even change the way you drink coffee altogether. So we got some fun stuff in the mix. Go check that out. And I sit here and I think that the cultural shift, we've been talking a lot about the political shift and the numbers speak to that with tremendous clarity. There's never been a worse time for the Democrat party in our lifetime. And Republicans are probably in the strongest position they've ever been in our lifetime. Thank you, Trump, Trump's team, the people around him, the Republicans who have rallied towards sanity, those of us who stood strong during COVID I mean, you know, there are a lot of hands, all of you supporting this show and supporting the show for 30 plus years before that by being a part of the army of patriots. That Rush Limbaugh created and brought together. So, you know, there's. There's a lot that's gone into this, but we are at a peak moment right now, and we are even seeing it reflected not just in the fortunes of the Republican Party and of the downfall of what used to be called by many the mainstream media. I agree with those who say we shouldn't call them that. Why are they mainstream, the Democrat corporate media, but also in the cultural side of things. There are changes happening. We will not get into White Lotus right now because I don't think that many of you watch it. And I don't want to argue with Clay about whether it's worth continuing to watch White Lotus. After the most recent episode, I was pretty horrified. I'm just going to say, I looked at Carrie. I'm like, I don't think I can do this anymore.

[Buck Sexton]

It is clear that I have a darker sensibility when it comes to television. Like, I can put up with more than you or producer Ali can when it comes to. To down the rabbit hole. Crazy.

[Clay Travis]

I do not do well with. You know, maybe my mind is more like a delicate flower these days when it comes to my content and entertainment. I don't like things that are too violent. I don't like things that are too bawdy, perhaps. Is that the right word? I got him to choke on his Crockett. I got him to choke on his Crockett coffee. Look at that. That was awesome.

[Buck Sexton]

I almost spit my Crockett coffee out everywhere. Body. Were you born in 1924?

[Clay Travis]

You know, I'm just saying sometimes, you know, some of us are more comfortable seeing.

[Buck Sexton]

Sometimes there's too many. There's too many bunks of glasses in the television shows of late that you're watching.

[Clay Travis]

Yeah. Bunch of. Bunch of ladies out there being a little too. A little too frisky on the television. My liking. So, you know, it's a little. Little too. My wife.

[Buck Sexton]

I will say this, my wife has had to deal with for the past 20 years. Every time there's an HBO show, every time, you know, they give a content warning before the show, and it'll say, like, there's nudity. And I'll be like, yes. Because it used to be. I literally put my fist like, yes, this is going to be a good show. My wife's had to deal with this for 20 years. Of late, all of the nudity I see in my shows is male. I don't know when they flip, when they. It's not. Not anywhere near as enjoyable I will say used to be almost all nudity was female. The last like have you noticed this? Like the last three or four years in quote unquote prestige television, it's always naked guys now. And a lot of it is not very enjoyable. So I'm not. The first 15 years of HBO shows it was like, okay, probably going to be some good looking naked girls in this show. I'm excited. Even more now. Not a lot more nude guys. Not as enjoyable for me.

[Clay Travis]

So let's talk Snow White. Snow White was at one point the first, I believe the first full length animated feature released in theaters back in 1937. Am I, if I get any of these wrong team, let me know. It was wildly popular. And the, you know, the Disney so much of. I think like the Disney really had two things going for it for a long time. People love the parks, fine. I know the parks have become very expensive now, but people love the parks and they love the animated, those, those animated features. I mean I grew up and we've all seen, I think 90. What do you think 95% of our listeners have seen the original Snow White, the original cartoon.

[Buck Sexton]

Because if you have, I don't know how you wouldn't have seen.

[Clay Travis]

Right. I mean, and if you didn't see it when you were a kid, you have kids, you've seen it, right? So one. And it's really an iconic. It's an iconic animated film. And I think Disney had a number of these over the years. You know, Sleeping Beauty I actually really liked. Some of you are going to laugh, but I really liked the Robin Hood with Robin Hood as a fox. Do you know what I'm talking about as a cartoon?

[Buck Sexton]

I love that. Growing up, Peter Pan was my favorite along with Robin.

[Clay Travis]

Great animation, great music, great stories. This is stuff that everyone really celebrates, is a really amazing part of American culture.

[Buck Sexton]

Let me hit you with a detail that will bring home how profitable Snow White was and you may have had. I was reading because I wanted to do my research on this too. Snow White, adjusted for inflation dollars basically made the Walt Disney Company Disney. Walt Disney mortgaged his own home to be able to finish producing Snow White because it was so expensive at that point in time to make an animated film. It made $4 billion. Okay, let me repeat that because with a B, $4 billion in modern American money. So this thing was so outrageously popular that it basically funded Disneyland eventually Disney World. This was what put Disney on the map as a global corporation that was capable of churning out incredible content. This was what they Created the animation studios, everything. So it is not only beloved buck, it is one of the greatest, most successful commercial art products in the history of the United States.

[Clay Travis]

Yeah, that puts it into context very well. And I remember I saw with my parents in the theaters Lion King. Oh yeah, Laddin. Beauty and the Beast. Beauty the Beast is a great movie. It's a. The animated. It was actually nominated for best picture, not best animated feature, Best movie the year that it came out. The music is excellent. Look, I know some people, cartoons aren't their thing, but I think cartoons. I actually think cartoons can be really impressive and amazing if they're done well. I like the old cartoons, even with Bugs Bunnies, but Bugs Bunny put that aside. Clay, this new Disney. If you and I sat here scripting out a way to ruin Disney to do a like a farce or a send up, if you will, of wokeness. I don't know if we could have done better than this. They have, they have changed. There's a whole listing of all these things. They've changed. They have changed. The Dwarves. This is. Okay, I think this is my favorite part of this. First of all, it made $40 million opening weekend, which is an absolute abject disaster. As we've talked about here, all the movies, money comes in the first month and a lot of it needs to come in the first weekend for momentum. Remember, people haven't seen it now. People have seen it. They say it stinks. They say it's trash. So next weekend's gonna be worse and the weekend after that's gonna be worse. This is gonna cost Disney hundreds of millions of dollars. Yes. When all said hundreds of millions of dollars of pure loss on this. But the fun. What is your favorite thing about the change they made? That they wouldn't use actual dwarf actors. Because Peter Dinklage, who had probably the greatest dwarf role of all time in Game of Thrones job in it. But I think, you know, a little too, A little too high on his own stuff here. A little too big for. Big for his britches.

[Buck Sexton]

Literally.

[Clay Travis]

He, yeah, he decided. He decided that it was weird and out of date to have actual dwarves play dwarves. So they replaced them with CGI dwarves and dwarf actors out there. And there are dwarf actors out there are. We're fear. And I totally agree with them. Furious about this because this is like the chance of a lifetime to be in a globally, you know, resonating film as a dwarf actor. It's like they. This is wokeness just eating itself.

[Buck Sexton]

They could have made a movie that was a 90 years basically later, a nostalgic recreation of the spirit that imbued the original Snow White which made the Disney Corporation possible. But because they have decided that they need to be woke, Disney, they created an awful version of a movie that many people would have loved, of all races and all backgrounds. And I think this is going to be saying, I think you said it well at the end of the last hour. I think this is going to be seen as a cultural signpost of what woke can do to great Americana. And Disney has to a large extent destroyed Star wars by trying to wokeify it as. Look, I don't begrudge any story that is like Lost. Lost was a great television show back in the day. It also happened to have a diverse set of characters, but it fit the story. Right. It's an airplane that crashes on an island. It would make sense that the airplane would be filled with a cross section of American life. Right?

[Clay Travis]

Yeah. The airplane wasn't coming from Finland. Like, yes, there would be lots of different kinds of people on the plane.

[Buck Sexton]

So the idea that Snow White needs to be replaced with a Latina actress or that Captain America needs to be replaced with a black actor or that you need to somehow decide that you are going to change the historic relevancy of a show because it doesn't meet modern day standards of diversity I think is going up in smoke. And the example I'll give of this, that I think is actually the worst two of them. Hamilton. All right. I, I, I, I've made it clear that I'm not a huge fan of musicals. Okay. But I don't like the idea of, hey, we're going to make American historical figures different races because races are so inconsequential. Okay, when is the country and western version of the Obama administration going to occur with Blake Shelton playing Barack Obama? Right.

[Clay Travis]

When. Why is it that in Hamilton the one bad guy is the only white guy? The king of. Why can't the king of England be black? What am I missing? And this whole shot, what's the messaging there? Everybody? You know, I do look at these things. Well, what's the message they're telling people with this?

[Buck Sexton]

And then what is the Pride and Prejudice or what's the name Bridgerton, I think is the show that's on Netflix and it's about 17th and 18th century England, except there are all these different races that are playing the British actors. I'm sorry, I can't, I can't even pay attention to that show because I'm like, well, it's set in 1780s England. These are white people, right? Like, in the same way, if you give me a story about Nigeria in 1640 and there's a bunch of white people playing black people. I mean, I don't. I can't really get into this story. It's so flagrantly historically inaccurate.

[Clay Travis]

You know, I was trying to watch on. I love historical. My brothers make fun of me. They always say, if there's like beard swords and me drinking, I like it. You know, which is pretty much true. Like, I like anything that's, you know, historical piece, European history. I love Gladiator, I love Braveheart. I love those kinds of things. And I tried to watch on Netflix, this show, Viking show, and there's a Jarl, which is like an earl or a prince or whatever in Vikings. In the. I guess it was the 9, you know, 9th century, the 800s. It's a black woman who's the. Who's cast as the head of this. And it's supposed to be like a historic. These are real people's names.

[Buck Sexton]

Is she supposed to be black, or are you not supposed to notice that she's black?

[Clay Travis]

I think I only watched the first episode. I think you're just not supposed to notice. Like, it's just, oh, like, we've made her a black female. And you made him. It was actually a guy, obviously, who was the jarl. So you make it a female and you make it a black female because you think, Clay, people are so sick of this. To the point you're making Game of Thrones, another show, very diverse. Nobody has a problem with diverse characters in. In whether it's fiction or even fantasy genre, that's fine. But when you're setting something in a historical context, you know, you would think that there are some basic authenticity components of it that you would likely. If you're setting a show in Iceland in, you know, the year 1000, you're not going to have a lot of Latinos. You're just not going to have them. Like, it's not a. It's not a knock on Latinos. They liked being warm. They were not in Iceland.

[Buck Sexton]

If we watched a story about the Civil War, my favorite part in history, and there was a character playing Frederick Douglass and it was a white woman, I would be like, you know, this has taken me a little outside of the story, because Frederick Douglass was a black guy, right? Like, some level of historical accuracy for historic fact seems necessary to me. And this is an example of what Disney has done. I think they have taken something that people Loved and decided that they needed to make it more expansive when everybody already loved it.

[Clay Travis]

Right. Well, also they. And the way we didn't even get into all the different ways. So first, the Dwarves are cgi, which is. I also think CGI in general ruins movies. I think it should be used very sparingly. To me, it's like drops on a radio show. Like, you can use them here and there, but it can't be, you know, like, like if you have, you know, you know what I'm talking about. If you have a radio show, that's all just sound effects all the time, you start to be like that, you know, that Kramer guy on the, with the, you know, the finance show. Whatever's like Hong Kong, Hong Kong. I mean, it's just too much. You got to be very sparing with your cgi. So that's what CGI dwarf is. Horrible idea. They changed the music. They've changed the musical numbers from the. Basically the most successful on screen musical of all time. Close to it, maybe, maybe like the Sound of Music or, you know, Gone with the Wind, but they changed the music, which is. Which is madness. And I must just say this. This woman is playing the Disney princess. She just doesn't look like it. She's just not that pretty. She doesn't look like a Disney princess. I don't know. You know, am I alone in this one? I don't.

[Buck Sexton]

I think if they had put Sydney Sweeney in as Snow White, it would have made a billion dollars.

[Clay Travis]

Yes.

[Buck Sexton]

I. I mean, just give me a really pretty white chick and let her actually play the role of Snow White. I mean, the crazy thing with a really pretty.

[Clay Travis]

A really pretty chick. Like, I just don't think this woman is Disney princess material. I'm sorry, I'm just.

[Buck Sexton]

How about the fact that Gal Gadot is way better looking and way more looks like Snow White, but she's the evil princess.

[Clay Travis]

Yes, yes.

[Buck Sexton]

That's a weird decision too, right?

[Clay Travis]

She's Disney princess kind of material. And, you know, if you're just.

[Buck Sexton]

She was Wonder Woman.

[Clay Travis]

You're allowed to want pretty people to play the Disney princess or the queen or whatever. So let's take some. Let's take some Snow White calls here. I'm sure people will be fired up about this.

[Buck Sexton]

No doubt. In the meantime, I want to tell you guys all about our friends at Hillsdale. Maybe they need to start doing some historic pop culture classes. Because my thing, Buck, is if everybody already loves something, maybe do something similar to that again.

[Clay Travis]

Right?

[Buck Sexton]

Like, hey, it's pretty successful. We built the most successful animated film of all time. Maybe people are just actually very fond of what already has happened, but what Hillsdale will do is they'll take you into the history of World War I, World War II, Mark Twain, the rise of pop culture, the Constitution, and let you get hooked up with better learning without the pressure of grades or a set schedule on your time learning for learning sake. I love Dr. Larry Arnett Hillsdale and everything that Hillsdale has done. I was their keynote speaker last year about this time out in Seattle. Hillsdale Colleges professors have created and released dozens of online video courses, variety of subjects. You can get hooked up today by going to clayandbuck4hillsdale.com super easy to get started. Clay and Buck F O R hillsdale.com go check them out. Roughly 40 different incredible, trust me, courses that you're gonna love. Check it out today. Clayandbachforhillsdale.com News you can count on and some laughs too.

[Clay Travis]

Clay Travis and Buck Sexton.

[Buck Sexton]

Find them on the free iHeartRadio app or wherever you get your podcasts.

[Ritual Representative]

Big shout out to you for making it through the hectic holiday season this new year. Get clean quality pregnancy nutrient support off your to do list, including Ritual's best selling Essential Prenatal multivitamin designed with 12 traceable key ingredients to support a healthy pregnancy. With big changes coming up, take the small steps now and start today with 30% off a three month [e-mail] podcast. These statements have not been evaluated by the Food and Drug Administration. This product is not intended to diagnose, treat, cure or prevent any disease.

[Clay Travis]

All right, welcome back into Clay and Buck. We got a quick turn here. We'll come back, we'll talk more about how the culture is trending. Trump and Maga and the Snow White box office bomb is yet more proof of that. Want to take your calls on this? We'll talk box office bombs, how the culture is moving our way. Great things like that. Also talk backs my friends. Remember, go to the iHeartRadio app, go to the Clay and Buck page, press that microphone and get that talk back going. You can take this to the bank. You'll save money every month on your cell phone service bill when you switch to pure talk without sacrificing any quality. If you're with Verizon, AT&T or T Mobile, make the switch and immediately save 50 bucks or more for just 25amonth. You can get a limited Talk text and 5 gigs of data on America's most dependable 5G network give you some perspective. The average sized family of four saves more than a thousand dollars a year. That's right. A family of four on average saves over a thousand bucks a year when they switch to Pure Talk. Pure Talk is my primary cell phone. It says Pure Talk right, right on the top right of my phone right now. I've been trusting them for years. You can too. Clay's got his boys on the Pure Talk network. It works. Plus it saves you so much money. America's most dependable 5G network, PureTalk's US customer service team can help you make the switch hassle free in as little as 10 minutes. You can even keep your phone and your number using your cell phone. Dial £250, say the keywords clay and Buck to make the switch and you'll save an additional 50% off your first month. Again, dial £250, say Clay and Buck. To start saving today. Dial £250, say Clay and Buck. Switch to Pure Talk. Welcome back into Clay and Buck. We're just having some fun here going over before we get to your calls, your emails and your talkbacks. Biggest box office bombs in history. Stealth 2005, adjusted for inflation, lost $155 million. That was when Jessica Biel was really at her at her absolute peak. And that did not help. She ended up marrying Justin Timberlake. So I guess she did okay, but that did not help her career. I'm trying to see who else is on this list of notable. There's. So there's, there's a lot of them. And the thing is, I think all of the movies that are on the bomb list are, are terrible. So that's the thing, it's not there. The Adventures of Pluto Nash 2002, Eddie Murphy, $168 million loss adjusted for inflation. That may. That's like a top contender for all time losses. Clay. Heaven's Gate 1980. I've never seen that. I don't even know who's that. I think it's a western kind of. Some kind of like a western on the prairies pioneer movie or something. Do you know what I'm talking about?

[Buck Sexton]

Yeah, I've heard the name of the title, but I didn't know.

[Clay Travis]

Yeah, there's, there's a bunch of these. A lot of them I've never even really heard of.

[Buck Sexton]

I'll tell you one. And again, I think it's important to adjust these things for inflation. If you're wondering, it's because.

[Clay Travis]

Indiana Jones and the dial of Destiny $150 million loss I didn't know that.

[Buck Sexton]

I went and saw it. It was not great. Cleopatra with Elizabeth Taylor. Fox lost. 20th Century Fox lost so much money on that movie that they had to sell off part of the movie lot. If you're in LA right now and you wonder like the whole Century City development, the Westfield Mall, all of that area, they lost so much money making the Cleopatra movie that they had to sell off acres of the studio.

[Clay Travis]

Cutthroat Island 1995, which is. I think Matthew Modine and Gina Davis lost $217 million and goes down with the ignominious distinction of being the only movie in history that it is believed to have brought down the studio. Bankrupted the studio. That is.

[Buck Sexton]

That's when you're. That's when you got a lot of money at stake. Couple of ones that I remember. And we're talking about this in the context of the Disney Snow White disaster. Waterworld. Remember Kevin Costner, that was like one of the all time losers.

[Clay Travis]

That's an asterisk though. Because my understanding is that they made the sets for real out on the water and there was a big storm and destroyed everything that they had made. So that was a rough one. And I don't know if they really had the insurance they needed for it. So. Because that movie is not good. Have you seen it? Yeah, it is not good, but it is not awful. I would say it is like it is almost watchable. Not quite watchable.

[Buck Sexton]

Wild Wild West. Will Smith movie was a supposedly an unmitigated disaster. But a lot of these have two things in common. One is they're big risks. Like Kevin Costner. I'm gonna build a water world. Frankly, James Cameron has. Has panned out with a lot of what he has done. But you know, when you do the Titanic, it's not exactly a cheap thing to make. When you make. What's the movies that have made so much money, The Avatars, billions of dollars on those big swings. Okay. You shouldn't lose massive amounts of money remaking something that everyone loves. Like that's the entire purpose of the remake is you can't lose that. The way you have a template on this. You can't lose money.

[Clay Travis]

They think west side story in 2021 lost $120 million adjusted for inflation. The bot.

[Ritual Representative]

How do you.

[Clay Travis]

How do you make a West side Story remake that totally bombs? That's. I don't even know how that's possible.

[Buck Sexton]

Well, I would have told you a musical on television. Now they did make a lot of money on Wicked but.

[Clay Travis]

And Chicago. Chicago was a big hit.

[Buck Sexton]

West side story is what, 60, 70 years old? Are there tons of people out there clamoring to go see that? I would have called that into question. The Snow White failure is to me again, why I think it's so fascinating is I think it represents an era. Everybody loved Snow White. You find a pretty girl, you cast her as Snow White. If you're deciding to do remakes, live action, which I think is, you know, it's lazy, right? Like, do we really need to see a live action remake of the Lion King, which is mostly CGI because it's got animals in it. But you create this disaster and it's so foreseeable. And it follows Buck in everybody loves Star Wars. Let's light Star wars on fire, everybody. They built the Marvel franchise up and then they lit it on fire. It's like they can't figure out how to go. Once the Infinity War Avengers endgame thing ended, it's like everything has been on the backside of that a disaster. Um, I just. And the newest, the newest Indiana Jones people had issues with. I went and watched it. But you took what made Indiana Jones great, his rugged individuality, and you instead brought in a girl boss who was like leading Indiana Jones around. And a lot of people said, I watch Indiana Jones because he's the badass. I don't need like a new character to be the leader here.

[Clay Travis]

James in Texas wants to weigh in about Disney. James, welcome. You know, and the thing about it is, is Disney would have already known that the projected opening weekend for Snow White was going to be bad because they based it off of pre ticket sales. So they already knew this as of a couple of weeks ago. And I believe I saw on the news as of last week that it was put before the Disney board to slow down or make changes to their DEI woke program. And the board turned that down. They said keep it the same.

[Buck Sexton]

Yeah, thank you for the call. I'm not sure about that. I will tell you, Buck, this ties in pretty well with what I've seen with the rise of outkick. Everybody loves sports. How about just show sports? You know, like, let's just have sports highlights and debate who the best is or whatever else. Let's not have arguments about politics on espn. Would be an easy fix, I think.

[Clay Travis]

Yeah. Disney. Share this is Fox Business a few days ago or a caller I think is referring to. This is correct. Disney shareholders widely voted against a proposal to reconsider participation in the corporate equality index. So this is an anti DEI proposal that came up and they didn't. Now, we can get into some of the details about this, but.

[Buck Sexton]

Well, a lot of times with those proposals, the reality is the. And this is like diving into getting.

[Clay Travis]

Into proxy voting now and everything. Yeah, yeah.

[Buck Sexton]

It's not most individuals voting. It's the large, often left wing. This is where Vivek has gone. Black street, blackrock, all this different black rock.

[Clay Travis]

Sorry. Yeah.

[Buck Sexton]

Allen in South Carolina, you went and saw the new Snow White. What'd you think?

[Clay Travis]

Oh, boy, here we go. So. So my wife and I were screening the film before we showed it to our children. And the best way I can summarize the way I feel about it is, you know, it felt like I was watching the end of Planet of the.

[Buck Sexton]

Apes over and over and over again.

[Clay Travis]

Just this gut wrenching awful feeling.

[Buck Sexton]

So you and. How old are you, Alan?

[Clay Travis]

I'm 37.

[Buck Sexton]

So you and. How many kids do you have?

[Clay Travis]

Two.

[Buck Sexton]

Okay, so you and your wife on a date night were like, hey, we're going to go watch Snow White before we take our kids to see it. Which is interesting.

[Clay Travis]

This was a reconnaissance. Reconnaissance mission.

[Buck Sexton]

But the fact that you would feel compelled to go to a Disney movie to see it first, to see whether or not you could take your kids, probably not a great branding side for Disney. Did your wife feel the same way as you? What was her take?

[Clay Travis]

She did. I fortunately married a very conservative woman, but it's, it's, it is really sad. We almost have to go on and collect intel from the movie prior to.

[Buck Sexton]

You know, exposing it to our children. Yeah, it's crazy. Thank you. I mean, in 1937, do you think anybody was out there like, hey, I don't know if we can trust Disney to go watch Snow White. To your point, Buck. Hey, Robin Hood, is this going to be too salacious? Is this going to be too political for me to take my kid? Peter Pan, like Dumbo, whatever you want to point to, do you think that in the 1950s and 60s and even when we were growing up in the 80s and 90s with beauty and the Beast and Aladdin and all those movies that there were any you might have been concerned, are they a little bit too scary for young kids, those kind of things? But nobody was like, hey, I got to worry about what the messaging is.

[Clay Travis]

But, you know, there's, there's also something that's been lost here in, in the creative industries, notably what we see in movies, but also tv, and, and it's that a great story. There's something universal in the humanity of a great story. People just want great stories. They want, they want good guys and bad guys. They want, you know, heroes and princesses, they want triumph, they want trials and tribulation. You know, they want the, the, the, you know, right hand, best friend of the hero to come through in the moment. I mean, these things.

[Buck Sexton]

Yeah.

[Clay Travis]

Whether you set the story in medieval Europe or you set the story in, you know, Southeast Asia or central Africa, if it's a great story, it's a great story. And we don't, you know, that's, that's what I find so, so annoying about this. I mean, you see, they have something that should be viewed as. What I'm trying to say is Snow White should be used as something that is a universal cultural phenomenon. That's why, that's what this, everyone can enjoy. Mozart is for everybody. That's the great. It doesn't matter where Mozart was from. Ultimately the music is for everybody and for all perpetuity, the human race. And we should all enjoy it. We should all. Don't even get me started about how incredible Mozart is. Point is they, they do this thing now where it's like they're keeping score. Oh, we've had too many, you know, there have been too many musicians or too many authors from this place or that country or of this skin color or that gender. And so we have to do other things now. They don't actually, that doesn't work and they don't have to do that because we can all appreciate the art for what it is. And that's where I think, I think so much of this falls apart.

[Buck Sexton]

That's why, that's why for me, Star wars and now the Disney movies are perfect examples of this. You had one of the most successful movies in the history of the world in Snow White. To your point, buck, at least 95% of this audience have seen it, either as kids, yourselves or as parents or as grandparents. You had a built in audience that loved it and then you're trying to make it for a new generation. Well, wait a minute. It's already been made and everybody loves it. The remake idea in general doesn't make sense. But if you're going to remake something, then remake it basically the exact same story. Because Snow White is transcendent in many ways as a story. And the same thing is true of Star Wars. I understand characters age out, but the idea that Star wars wasn't expansive enough in its audience. It's the most expansive, successful series in the history of the world, probably. Is there anything that's made more money than Star wars from a movie perspective. A circ maybe James Bond just because they've made way more of them. But basically Star wars is the most lucrative movie franchise of all time. That's a sign that it's working really well and that you don't need to reinvent the wheel would be my suggestion.

[Clay Travis]

If your home is cluttered with old video cassettes and photos stored away someplace, let's get them digitized before they disintegrate so that future generations can enjoy them. They hold priceless memories, but they won't last forever. So if you can't watch them or share them, what's the point of holding on to them? I've got a baby coming soon. I can't wait to show him our family tree as he grows up. Old videos, photos. Ah, but I've already transferred them to Legacy Box. That's why I know they'll be there for little James when he is born and can appreciate our family heritage. Legacy Box makes this possible Legacy Box makes digitizing your memories so easy. All you do is you pack up your old tapes, film photos and they take care of the rest. And it's all done with care by hand in Tennessee. You'll also get everything back you send in, but it'll be transferred to the cloud, ready to watch and share from anywhere. Once everything is digitized, texting a childhood memory to your siblings is possible. Or sharing a wedding video with a loved one. Or reliving those amazing family vacations at the tap of a button. Here's the best part. Right now, Legacy Box is running their spring cleaning sale. Digitize your old home movies for just $9 a tape. That's 65% off, plus 90 days of free Legacy Box cloud access. Don't wait until it's too late. Visit legacybox.com buck to shop their $9 per shape per tape sale and claim your cloud access. That's legacybox.com Buck Making America Great again isn't just one man, it's many.

[Buck Sexton]

The team for 47 podcast Sundays at noon Eastern in the Clay and Buck podcast feed. Find it on the iHeartRadio app or wherever you get your podcasts.

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[Buck Sexton]

Welcome back in Clay. Travis BUCK SEXTON SHOW Finishing the show off here, we've got a bunch of talkbacks. People who want to weigh in on a variety of different topics. You can get the app, you can just grab the app, you can download it and we can hear from you. Staff listens to all of them. Let's go to CECE in Youngstown, Ohio. That's News Radio 570 wanting to talk about the 18 year olds breaking conservative.

[Clay Travis]

CECE I can offer some confirmation of 17 year olds and 18 year old boys breaking for Trump. I have a senior in High School, 18 years old. He and his his friends, most of his friends broke really hard for Trump and were big Trump supporters even if they couldn't vote. And they are going to be a force in these next couple of elections.

[Buck Sexton]

That's what I see, Buck. That's what I've seen with my own boys. 17 year old, 14 year old, all the friends that are around them. These young boys growing into men are fed up with the era that they have been raised in. This girl boss Covid woke era. They're just over it. Maricopa, Arizona Holly KFY I listener wants to weigh in as well.

[Clay Travis]

DD hey Clay. Holly from Maricopa, Arizona, the whole reason.

[Buck Sexton]

That Tim Walls is talking about being masculine is attributed to you. You're the one that said there were.

[Clay Travis]

No masculine men left in the Democrat party.

[Buck Sexton]

So they listen to you.

[Clay Travis]

They're coming out and trying to prove themselves. Way to go, Clay.

[Buck Sexton]

I like the laugh there at the end. That did go mega viral. And I do think there's some element there potentially of truth that they're responding to that because they talked about it on CNN and that echoed, I think, or resonated in Democrat circles.

[Clay Travis]

And it does take a man who is particularly comfortable in his masculinity to be all over the Internet playing the flute shirtless, which is pretty astonishing. You know, I Mean, you know, that's, that's high level stuff.

[Buck Sexton]

A lot of you did amazing memes of me and Trump on Air Force One involving me playing the flute. Gay in, in New York City. W o r talked about west side Story. I didn't realize this. Did you know this, Buck?

[Clay Travis]

Ee hey, it's gay in Manhattan. You just trashed a West side Story which lost a lot of money. News flash. It starred Rachel Zegler. Wait, hold on, hold on. Point. But, but I want. We did not trash west side Story. I just said that it bombed. I didn't see the west side Story. I think the west side Story musical is great for. I'm not a big musical guy. But, you know, point being, I did not know Rachel, Rachel Ziegler was in that as well. That is a pretty remarkable resume she's building up. You know, she's somebody's niece. Like how is she getting these gigs?

[Buck Sexton]

Great question, great question. And I have no idea. But again, this movie is potentially based on the numbers going to lose hundreds of millions of dollars. So I do think it's a sort of a cardinal signpost from making 4 billion to losing hundreds of millions. The Snow White story.

[Clay Travis]

What changes the dynamic inside of this? Disney is still a cultural phenomenon in this, this country. Disney is a holdout here. If they lose enough money on this, will it change or what has to change? For Disney to stop the woke garbage.

[Buck Sexton]

I think they have to stand up to their employees because I think this is a lot of it's coming internal. Buck, you remember when they started bragging about how they needed to have trans influence stories and everything else? This is internal and the internal Disney employees do not reflect what the external marketplace wants. And at some point in time that becomes unholy. Purely from a business perspective and I think you're seeing it with Snow White.

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