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This week we dive into Brian Jacques’ fantastical explorations into the world of rodentia through his hit series “Redwall.” But what starts as a dissection of literature quickly leads us to a much bigger question – why did this series resonate so deeply with millions of readers…and does it still hold up?

We begin with a biographical examination of Jacques himself, his unlikely path into writing, the strange origins of Redwall, and why a man with no literary pedigree ended up creating one of the biggest fantasy series of its kind.

From there, we wrestle with one of the big critiques of the books: morality. Is Redwall’s clear divide between heroes and villains overly simplistic, or strangely refreshing in the current landscape? After decades of morally gray antiheroes, is there something powerful about stories that know exactly where they stand?

That leaves us wondering, are the animal archetypes lazy stereotyping, or a literary keystone? Do choices like that rob a story of its complexity or deepen its mythic feel?

After that, we hold a magnifying glass up to the act of writing itself. What matters more in a novel: elegant prose, or pure storytelling momentum? Can a book still feel magical if the actual words on the page are cumbersome? And why does there seem to be such a discrepancy in what viewers and critics value?

To finish out the episode, we talk about all things ADAPTATION. With the recent collapse of planned Redwall projects, we wonder why translating this absurdly successful world to screen has proven so difficult? Is it the violence? The tone? Or is some of what makes Redwall special just hard to adapt in the first place?

Big thanks to our patrons, we’ll see you next week.

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CREDITS:

Hosts: Kevin Lieber and Matt Tabor

Executive Producer: Ben Webster

Editor: Spencer Vann

"Created in the Unknown" theme by Basswaite: https://linktr.ee/Basswaite

Theme by Mega Drive → http://megadrivemusic.com

Opening Animation: Kidmograph

City Animation: Eric Langlay

"The Create Unknown" is produced by Unknown Media.

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