
Hosted by Jeff Elkins · EN

Writers want to create stories with unforgettable endings, powerful dialogue, and characters readers genuinely care about. But the problem is that we often spend most of our energy on the external plot: solving the murder, winning the trial, defeating the villain, or uncovering the truth. Those events create pressure, but they are not necessarily what makes the audience feel satisfied when the story ends. In this episode, Jeff Elkins (The Dialogue Doctor) and members of the Dialogue Doctor Community break down the character structure of A Few Good Men to reveal why the movie works. You'll learn how a story's "Vehicle characters" carry the reader's emotional experience, how a character's wound creates immediate hopes and fears, and why the real ending depends on whether the lead character becomes the person the audience hoped they could be. Jeff also examines how supporting characters can raise the pressure by ending tragically, how "Engines" and "Anchors" push a character toward their best or worst self, and why Joanne's storyline feels less satisfying than the arcs around her. Finally, the episode breaks down the pacing behind the iconic "You can't handle the truth" scene, showing how rapid-fire dialogue, strategic silence, emotional pauses, and a prolonged hero moment transform a courtroom exchange into an unforgettable climax. Watch this episode if you want to build stronger character arcs, create a cast that actively shapes your protagonist, write more emotionally satisfying endings, or understand why some famous scenes stay with audiences for decades. For more on the craft of writing, go to DialogueDoctor.com

Writers want sharp dialogue, compelling conflict, and characters with enough tension to keep readers turning pages. But the problem is that conflict can easily get stuck. Characters snipe at each other, trade sarcasm, or argue at the same emotional level for too long. The scene has energy, but it does not move. The relationship does not shift. The reader starts to feel like the conversation is circling instead of building. In this episode, Laura Humm coaches Tony Maxwell on how to make character conflict escalate, de-escalate, and actually change the relationship between characters. They discuss how to balance prose and dialogue, how to use the "zipper" technique to check the rhythm of a conversation, and how to move an enemies-to-allies dynamic from hostility into vulnerability. They also dig into how to write an arrogant protagonist without making readers hate him, how to give both characters expertise and agency, and how to use specialized knowledge—like veterinary medicine—without turning the scene into an info dump. You'll learn how to make dialogue feel like a tennis match, how to hide exposition inside conflict, how to use vulnerability to shift a relationship, and how to make every joke, barb, and emotional landing serve the scene. Watch this episode if your characters have great banter but the scene still feels flat, if your exposition keeps slowing the story down, or if you're trying to write conflict that actually changes something. For more on writing dialogue, come to DialogueDoctor.com. For the Fiction Makers Conference, come to FictionMakers.Live

Writers want to spend more time writing books and less time drowning in admin, ads, social media, and publishing decisions. But the problem is that the author business is messy. Ads may or may not be working. TikTok can feel confusing. Pen names complicate branding. AI tools raise questions about ethics, workflow, and usefulness. And while all of that is happening, the book still has to get written. In this episode of "Write, Wrong, Repeat" Jeff Elkins, JP Rindfleisch IX, Cry Cain, Tom Holbrook, and Holly Lyne talk through what they're testing in their author businesses right now. They discuss Facebook ads, Amazon ads, freebies, TikTok strategy, faceless accounts, pen names, genre-specific branding, and how AI tools like Codex can help organize admin, social content, spreadsheets, and marketing tasks. The conversation also digs into the real writer-life problem underneath all the tools: how do you protect your creative focus while still doing the business work required to publish? Holly shares how she wrote 100,000 words in a month, how she uses AI as a kind of business operations manager, and how clearing admin clutter helped her stay focused on the manuscript. Watch this episode if you're an indie author trying to figure out what's actually worth your time, what systems might help you keep writing, and how other writers are experimenting their way forward one month at a time.

In this episode, Jeff sits down with Tom Hollbrook. They cover a wide range of topics, from the logistical frustrations of indie publishing to deep dives into narrative craft and the impact of artificial intelligence on the industry. They talk about alternative distribution methods, service gaps, releasing a minimal vialable product, the evolving role of AI, and having the courage to examine your craft. For more, write dialoguedoctor.com

In this episode, Jeff sits down with author Carol Painter to talk about the end of her book. Jeff and Carol talk about using repeated scenes, showing character change through voice modulation, maintaining character agency at the end of the story, building the emotional saturation, how a book works on an author, and writing a satisfying ending for your reader. For more on the craft of editing, go to DialogueDoctor.com

In this episode, Dialogue Doctor Coach Laura Humm sits down with author Aaron Betts to talk about writing a teenage voice. They discuss "turning the volume up to 10" on the protagonist's emotions, swapping adult logic for more egocentric needs, breaking large paragraphs into back-and-forth exchanges, using inner thoughts or vocalizations to clarify body language, mapping relational change, and deeping conversations. For more on the craft of writing, go to DialogueDoctor.com.

In this episode, Jeff is joined by author JP Rindfleisch IX for a Joint with JP. They dive into the Business Model Generation by Alexander Osterwalder and Yves Pigneur. Jeff and JP walk through the classic entrepreneurial tool, "The Business Model Canvas" as authors. They talk about how each of the 9 boxes work, and how they view them as authors. They dive deep into risks and assumptions and how as author-prenuers we should be diagnosing those things. For more on writing, check out DialogueDoctor.com

In this episode, Jeff is joined by V.E. Griffith to brainstorm the plot and character arcs for the second book in Griffith's urban fantasy series. The session focuses on using character growth to drive the plot, a method Jeff advocates as the most effective way to build a story. They explore the growth arcs of two characters and then use the emotional beats of change to outline the plot of the book. For more on the craft of writing, go to DialogueDoctor.com

"Write Wrong Repeat" is a monthly conversation between authors Crys Cain, Holly Lyne, Jeff Elkins, JP Rindfleisch IX, and Tom Holbrook about their lives as authors and what they are trying to write and sell their books.

In this episode, Jeff sits down to talk about her new book, Masterful Microtension. They discuss what microtension is, how to effectively use tools like metaphors and white space, how repetition works, character change, and lots more. For more on the craft of writing, check out DialogueDoctor.com