Podcast
The Documentary Life
Hosted by The Documentary Life · ENGLISH
The Documentary Life is a podcast about building a life in nonfiction storytelling.
Hosted by documentary filmmaker Chris G. Parkhurst, the show explores what it really means to make documentaries—not just as a craft, but as a way of moving through the world with greater curiosity, observation, and empathy.
Each episode features thoughtful conversations with filmmakers, editors, cinematographers, producers, journalists, festival programmers, and other storytellers who have dedicated themselves to telling true stories. Together, we explore the creative process, the realities of production, the ethical questions that arise when working with real people, and the personal challenges of sustaining a meaningful creative life.
But The Documentary Life isn't only about cameras, funding, or film festivals.
It's about learning to listen more carefully. To sit with complexity instead of rushing toward certainty. To embrace uncertainty, contradiction, and the deeply human stories that exist all around us.
Whether you're directing your first short documentary, editing your tenth feature, producing independent nonfiction work, or simply someone drawn to authentic storytelling, this is a place for honest conversations about the rewards and realities of documentary filmmaking.
Expect interviews with accomplished filmmakers from around the world, practical discussions about craft and career, behind-the-scenes insights from real productions, and reflections on the philosophy of living a documentary life.
Because in the end, documentary filmmaking isn't simply about making films.
It's about paying attention.
Welcome to The Documentary Life.
143episodes
Episodes
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Episode 142 | How Do I Fund My Film? | With Liz Nord
1w ago00:40:43Tap to summarizeEpisode SummaryHow do documentary films actually get funded? It's one of the most common questions filmmakers ask—and one of the least honestly answered. While conversations often focus on grants, pitch decks, and crowdfunding campaigns, the reality is that funding is rarely a single breakthrough moment. More often, it's a long process of building relationships, navigating uncertainty, and learning to make thoughtful decisions that shape not only your film, but your life as a filmmaker.In this episode, Chris G. Parkhurst is joined by filmmaker, educator, and industry leader Liz Nord to explore the realities of documentary funding beyond the myths. Together, they discuss hybrid funding strategies, crowdfunding, grants, equity investment, sustainability, and the ethical questions that arise whenever money enters a creative project. Rather than searching for a single "correct" path, they examine how filmmakers can assemble multiple sources of support while maintaining authorship and creative integrity.Whether you're preparing to fund your first documentary or trying to build a career that extends beyond a single project, this conversation offers a grounded look at what funding really means—and why the strongest foundation for any documentary is often not the money itself, but the relationships that make the work possible.In This EpisodeWhy there is no single "right" way to fund a documentaryBuilding a hybrid funding strategy that actually worksHow funding relationships shape your film—and your creative decisionsCrowdfunding, grants, investors, and the realities of patchwork financingProtecting your authorship while accepting financial supportThe difference between surviving one film and building a sustainable documentary careerWhen it's okay—and sometimes necessary—to say no to fundingReframing the funding process as another form of storytellingChapters00:00 – Opening remarks and episode overview01:34 – Funding is about relationships, not just money07:02 – Liz Nord on the realities of documentary funding09:12 – Why funding is an evolving system—not a one-time event12:52 – When funding begins to shape the film16:03 – The myth of the "right" funding pathway21:25 – Grants, crowdfunding, investors, and hybrid funding28:36 – Sustainability versus survival as a documentary filmmaker32:38 – When—and why—to say no to funding35:43 – Reframing funding as another form of storytellingFeatured GuestLiz Nord is a filmmaker, educator, and one of the documentary industry's most respected advocates for emerging storytellers. As Head of Programs and Creative Development at NYU Production Lab, former Director of Content at Sundance Collab, and former Editor-in-Chief of No Film School, she has spent years helping filmmakers navigate the creative and practical realities of building careers in nonfiction storytelling. Drawing on her experience as both a documentary filmmaker and mentor, Liz offers a refreshingly honest perspective on funding, sustainability, and the complex decisions filmmakers face long before their films ever reach an audience.WebsiteLearn More📖 The Documentary Life Field Guide"I've put together the free guide I wish someone had handed me when I first picked up a camera."Download here:The Documentary Life Field Guide📺 Watch on YouTubeWatch the full conversation here:https://youtu.be/YVPhl7A6JdY🎙 Listen to More EpisodesRelated episodes:Episode #92 How to Fund Fund Your Film: The Individual DonorEpisode #69 The Art of Film Funding with Carole Lee DeanEpisode #15 Shaking the Money Tree with Morrie Warshawski✉ Join the NewsletterReceive weekly reflections, podcast updates, documentary resources, and practical advice for nonfiction filmmakers.Sign up hereSponsorsDesktop Documentaries – Doc Funding HubLooking for practical guidance on funding your documentary? The Doc Funding Hub from Desktop Documentaries, created by award-winning filmmakers Jilann Spitzmiller and Hank Rogerson, helps documentary filmmakers develop sustainable fundraising strategies through live webinars, funding alerts, an extensive resource library, and the Funding Essentials for Your Documentary course. As a listener of The Documentary Life, you'll receive 50% off your first two months when you join through the link below.👉 https://desktop-documentaries.com/tdlSupport The Documentary LifeIf you're enjoying the show, there are a few simple ways to support it:• Subscribe• Leave a review• Share the episode with another filmmaker• Join the newsletterConnectWebsiteNewsletterInstagramLinkedInYouTubeBarang FilmsQuotes from the Episode"Funding is not just about money. It's about relationship. It's about trust." — Chris G. Parkhurst"Few films are funded from a single source. It's often about putting together a puzzle of different pieces." — Liz Nord"The responsibility of the filmmaker is to make sure the content of the film is not being influenced by anyone outside the story." — Liz Nord"The question isn't just, 'How do I get this film funded?' It becomes, 'What does it mean to invite people into this story?'" — Chris G. Parkhurst"Think of pitching as another opportunity for storytelling. Every time you talk about your film, you understand it a little better." — Liz NordAbout The Documentary LifeThe Documentary Life is a podcast exploring the craft, business, and lived experience of documentary filmmaking. Through conversations with filmmakers from around the world, host Chris G. Parkhurst explores not only how documentaries are made, but what it means to build a meaningful, sustainable creative life.And Lastly…Stories matter. Listening matters. Human connection matters.Thanks for spending part of your documentary life with us.
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Episode 141 | Building a Sustainable Documentary Life | With Ondi Timoner
3w ago00:53:09Tap to summarizeEpisode SummaryEpisode 141 marks the beginning of a new chapter for The Documentary Life — not as a relaunch or reboot, but as a recommitment to the questions that matter most. After a five-year hiatus, host Chris G. Parkhurst reflects on the realities that shaped both his filmmaking and his life: burnout, financial uncertainty, raising a family while making documentaries, and the realization that building a meaningful body of work requires more than simply finishing films. It requires learning how to sustain a life around them.Chris is joined by acclaimed documentary filmmaker Ondi Timoner, the only director to win the Sundance Grand Jury Prize twice, for a candid conversation about longevity, reinvention, creative identity, and what it truly takes to remain in documentary filmmaking over decades. Together, they explore the myths surrounding success, the importance of making work without waiting for permission, balancing creative ambition with personal life, and why the most valuable lessons in documentary filmmaking are often the ones no one teaches.This episode isn't about shortcuts, funding strategies, or career hacks. It's about the conditions that allow documentary filmmakers to keep doing meaningful work over the long term. If you've ever questioned whether it's possible to build a sustainable documentary life, this conversation is for you.In This EpisodeIn This EpisodeWhy documentary filmmaking is about building a sustainable life—not just completing a film.Chris shares the personal story that reshaped his understanding of success, funding, and creative longevity.Why many of the most important skills documentary filmmakers need are never formally taught.Acclaimed filmmaker Ondi Timoner reflects on more than three decades of independent documentary filmmaking and what has enabled her to keep creating.The myth that one breakthrough film changes everything—and what actually happens after success.Reinvention, resilience, and adapting to changing industries without losing your creative voice.How filmmakers can avoid tying their identity entirely to the films they make.The importance of stepping away from the edit, reconnecting with nature, and creating space for reflection.Why editing remains one of the most essential storytelling skills a documentary filmmaker can develop.What it really means to live—and sustain—a documentary life.Chapters[00:00] Introduction and core themes of the season[07:08] The financial realities and disillusionment in filmmaking[12:05] Ondi Timoner's background and entry into documentary[26:16] Reinvention and personal transformation in filmmaking[36:13] The relationship between filmmaker identity and their work[43:40] Balancing personal life and documentary work[49:15] Practical advice for sustaining a documentary careerFeatured GuestAcclaimed documentary filmmaker Ondi Timoner has spent more than three decades telling stories about visionary individuals who challenge convention, reshape culture, and push the boundaries of what's possible. The only filmmaker to win the Sundance Grand Jury Prize twice, her body of work spans music, technology, politics, social justice, and deeply personal human stories. In this conversation, Ondi shares hard-earned insights on creative longevity, reinvention, work-life balance, and why sustaining a career in documentary filmmaking requires far more than talent alone. Whether you're just beginning your documentary journey or questioning how to keep going after years in the field, her perspective offers an honest, generous, and deeply experienced guide to building a life in nonfiction storytelling.WebsiteInstagramFilmsDocumentary Life ReflectionDocumentary Life ReflectionWhen I stepped away from the podcast five years ago, I didn't stop living a documentary life—I was simply living it in its most difficult form. I was learning that making documentaries isn't only about story, craft, or perseverance. It's also about learning how to build a life that can carry the work without sacrificing everything else that's meaningful.My conversation with Ondi Timoner reminded me that there is no single path through documentary filmmaking. Every career is shaped by different opportunities, setbacks, reinventions, and moments of doubt. But beneath those differences is a shared commitment: we continue because we believe paying attention to other people's lives still matters.Perhaps that's the real business of documentary filmmaking. Not simply finding funding or finishing the next film, but creating the conditions that allow us to keep showing up—with curiosity, with integrity, and with enough balance that we can continue doing this work for years to come.One Thing to Take With YouA sustainable documentary life isn't built by finishing one great film. It's built by making choices that allow you to keep making the next one.Watch the Trailer / TeaserAll the Walls Came Down Trailerhttps://www.youtube.com/watch?v=iy9kk2rFlOMOfficial WebsiteLearn MoreThis is where you promote your ecosystem.📖 The Documentary Life Field Guide"I've put together the free guide I wish someone had handed me when I first picked up a camera."Download here:The Documentary Life Field Guide📺 Watch on YouTubeWatch the full conversation here:https://youtu.be/JXiZoI5Danc🎙 Listen to More EpisodesRelated episodes:Episode #Episode #Episode #✉ Join the NewsletterReceive weekly reflections, podcast updates, documentary resources, and practical advice for nonfiction filmmakers.JoinSponsorsSupport The Documentary LifeIf you're enjoying the show, there are a few simple ways to support it:• Subscribe• Leave a review• Share the episode with another filmmakerConnectWebsiteNewsletterInstagramLinkedInYouTubeBarang FilmsQuotes from the EpisodeChris Parkhurst"Documentary filmmaking is not a naïve choice. It is a deliberate one. It is the decision to pay attention in a world that rewards distraction."Chris Parkhurst"The business of documentary filmmaking isn't really about deals or funding strategies. It's about survival. It's about whether you can stay in this work long enough to keep making it without losing everything else in the process."Ondi Timoner"No one can stop you from making your movies. It's not like you need permission."Ondi Timoner"We tell the truth beneath the headlines and provide bridges of compassion into worlds that other people might never otherwise enter."Ondi Timoner"Nature will return you to yourself. Trust those messages that you hear."6.Chris: "It's not, 'How do I make this film?' It's, 'How do I build a life where making films is actually sustainable?'"About The Documentary LifeThe Documentary Life is a podcast exploring the craft, business, and lived experience of documentary filmmaking. Through conversations with filmmakers from around the world, host Chris G. Parkhurst explores not only how documentaries are made, but what it means to build a meaningful, sustainable creative li...
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All Good Things Must Come to An End
Oct 2, 202000:30:33Tap to summarizeCan you believe that it was over four years ago that we first began producing episodes of The Documentary Life?? Well, neither can we. But as they say, all good things must come to an end!It has been a great ride this here podcast over the past four years!Which is why this is not our typical end-of-the-season show, my #doclifer friend. Don't miss this one thinking that it's simply a re-hash of parts of past episodes. It is truly much more than that.And finally, I'd like to say, thank you, old Friend. Thank you. Sponsors & Thank Yous ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Winning an Oscar for Your Documentary Film
Sep 18, 202000:51:30Tap to summarizeImagine stepping up to the podium to accept your award for Best Documentary Feature for the film that you have put your heart, soul, blood sweat tears into. What would you say? Who would thank? Where would you even start?Well, Steven Bognar, of this year's American Factory knows precisely what this feels like. And he details the story of he and his partner, Julia Reichert's walk to that Oscar podium.And he details a heckuva lot more about what it means to live the life of a documentary filmmaker in Dayton, OH, far from the neon lights of New York, London, or L.A. And what it means to make meaningful documentaries that impact a lot of people and win a lot of awards.What it means to live and lead a documentary life.Topics Discussedhost Chris G. Parkhurst gives some History 101 of documentaries and the Academy Awardswhy its beneficial to the world that documentary filmmakers make films from where they are athow American Factory came from turning down what was initially meant to be a corporate video for the Fuyao factoryplay-by-play of Steven Bognar and Julia Reichert's walk to the podium to accept their award for Best Documentary Featureunique sound approaches that were brought to American Factory Additional Resources Trailer for American Factoryhttps://www.youtube.com/watch?v=m36QeKOJ2Fc American Factory wins Best Documentary Featurehttps://www.youtube.com/watch?v=RF4ytC3-M3g Sponsors & Thank Yous ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Cinematography in Documentary Film
Sep 4, 202000:41:56Tap to summarizeIn the past, documentary cinematography has been in the shadow of narrative feature's, overlooked because of certain, perhaps unfair assumptions about the craft. Well, that is no longer the case since the American Society of Cinematographers, as of this year, has an award for Outstanding Achievement in Non-Fiction Filmmaking.And cinematographers, Fejmi Daut and Samir Ljuma, of the Academy Award nominated, Honeyland, were the recipients of that inaugural award. (Not to mention a host of other cinematography awards!)And so we have today's episode which is entirely dedicated to the craft of documentary cinematography!Topics Discussedhost Chris G. Parkhurst talks about what makes a good documentary cinematographer and where we can find themwhat it's like working as a two person cinematography teamhow the shooting style changed dramatically midway into filming due to an unforeseen shift in storyworking without power in rural Macedoniaachieving the perpetual golden hour look of Honeyland Additional Resources FREE DOWNLOAD OF HONEYLAND CONVERSATION PART TWOAs mentioned in the show, there is much more to my conversation with cinematographers, Fejmi Daut and Samir Ljuma. Too much to put into a single show!To listen to the second part of that conversation head over HERE for your free download! Trailer for Honeylandhttps://www.youtube.com/watch?v=B27ORUHlp6E Finding the star of Honeylandhttps://www.youtube.com/watch?v=dj9mT91fe64 Honeyland at DOCNYChttps://www.youtube.com/watch?v=lJo1dvoo67k Sponsors & Thank YousMusic Vine 15 PERCENT OFF!Music VineThank you to music licensing platform, Music Vine for contributing the wonderful music that we’ve used in this week’s episode.We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.If you need any music for your doc project, we can honestly recommend Music Vine.And make sure to use our promo code to get an additional 15 percent off of any subscription!!PROMO CODE: doclife15 Continuing the Discussion with The D-Word Today's episode is only the beginning of the conversation. Now it's time to have your voice heard, #doclifer! So where can you do this? THE D-WORDWHAT IS THE D-WORDThe D-Word began in 1996 as a series of online journal entries by filmmaker Doug Block depicting the joy and angst of making and selling his feature documentary, Home Page. In the words of Mr. Block, "it was meant to inform, inspire, humor and depress the hell out of working or aspiring documentary filmmakers, or anyone else interested in the filmmaking process, for that matter!"We had Doug on the show way back in EPISODE #105, where he discussed those early days working as an independent documentary filmmaker. And how this would lead him to creating the first incarnation of The D-Word.The D-Word has long-since evolved into a virtual community and is now the largest, longest-running one of its kind, currently numbering more than 19,000 members from 147 countries. Its focus is now on hosting free discussions on documentary film and production and leading a documentary life. Sound familiar?Get started with The D-Word today, by completing their free APPLICATION. ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Reality Television and the Documentary Filmmaker
Aug 21, 202000:36:09Tap to summarizeIt wasn't that long ago when reality television was a dirty word that incited some pretty strong feelings among the documentary filmmaking crowd. However, non fiction television has come a long way in the past few years. Of course, don't take my word for it. Take it from fellow documentary filmmaker, Joe Litzinger, who is the executive producer of some of non fiction tv's most well known and respected (did I say respected?) shows. Topics Discussedhost Chris G. Parkhurst talks about how documentary filmmakers can use their abilities to advantage in other avenues of productionwhy doc filmmakers are well suited for reality televisionhow one procures work in the reality tv industrythe advantages of shooting a documentary film over reality tvhow reality television supports Joe Litzinger's documentary life Additional ResourcesTrailer for Zulu Summerhttps://www.youtube.com/watch?v=E-BcYvbbl-s Trailer for Will Work for Viewshttps://www.youtube.com/watch?v=Nx2Nt1cYA0E Behind the Scenes for Life Below Zerohttps://www.youtube.com/watch?v=tTBmwAhCd4c&list=PLh_0X_RDOHqHuDMD3ft0cZ7gqlF6kHhsE&index=14 Continuing the Discussion with The D-Word Today's episode is only the beginning of the conversation. Now it's time to have your voice heard, #doclifer! So where can you do this? THE D-WORDWHAT IS THE D-WORDThe D-Word began in 1996 as a series of online journal entries by filmmaker Doug Block depicting the joy and angst of making and selling his feature documentary, Home Page. In the words of Mr. Block, "it was meant to inform, inspire, humor and depress the hell out of working or aspiring documentary filmmakers, or anyone else interested in the filmmaking process, for that matter!"We had Doug on the show way back in EPISODE #105, where he discussed those early days working as an independent documentary filmmaker. And how this would lead him to creating the first incarnation of The D-Word.The D-Word has long-since evolved into a virtual community and is now the largest, longest-running one of its kind, currently numbering more than 19,000 members from 147 countries. Its focus is now on hosting free discussions on documentary film and production and leading a documentary life. Sound familiar?Get started with The D-Word today, by completing their free APPLICATION. Sponsors & Thank Yous ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Documentary Filmmaking During a Pandemic
Aug 7, 202000:48:32Tap to summarizeDocumentary filmmaking during this time of a pandemic is something that so many of us doc filmmakers are contemplating. Or doing. Or not doing. Today's episode is filled with both a discussion on the ethics of documentary production during this time as well as best practices & safety protocol for those of us who are making our docs during this time.Documentary filmmaker and TDL host, Chris G. Parkhurst, delves into this discussion with IDA's Carrie Lozano and award-winning documentary filmmaking, Heidi Ewing.Topics DiscussedChris G. Parkhurst's tips for filming during this time of Covidthe whats, whys, hows of IDA's The Ethics of Documentary Production in a Pandemichow Carrie Lozano's background in both journalism and documentary filmmaker has made her uniquely positioned to discuss filming during this timewhy award-winning documentary filmmaker, Heidi Ewing has chosen to film during this timehow documentary filmmaking inherently is made up of a number of ethical decisionsEwing's best practices & safety protocol for doc filmmakers Additional ResourcesRead for yourself IDA's The Ethics of Documentary Production in a Pandemic Continuing the Discussion with The D-Word Today's episode is only the beginning of the conversation. Now it's time to have your voice heard, #doclifer! So where can you do this? THE D-WORDWHAT IS THE D-WORDThe D-Word began in 1996 as a series of online journal entries by filmmaker Doug Block depicting the joy and angst of making and selling his feature documentary, Home Page. In the words of Mr. Block, "it was meant to inform, inspire, humor and depress the hell out of working or aspiring documentary filmmakers, or anyone else interested in the filmmaking process, for that matter!"We had Doug on the show way back in EPISODE #105, where he discussed those early days working as an independent documentary filmmaker. And how this would lead him to creating the first incarnation of The D-Word.The D-Word has long-since evolved into a virtual community and is now the largest, longest-running one of its kind, currently numbering more than 19,000 members from 147 countries. Its focus is now on hosting free discussions on documentary film and production and leading a documentary life. Sound familiar?Get started with The D-Word today, by completing their free APPLICATION. Sponsors & Thank Yous ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Race in the Documentary Filmmaking Community
Jul 24, 202000:51:26Tap to summarizeQuestions of race and who has the right to tell another person's or culture's or race's stories have recently been at the forefront of the documentary community's collective consciousness. More than that, it's been the subject of recent debate and discussion, whether in industry-led panels, major publications, or social media.Documentary filmmaker and TDL host, Chris G. Parkhurst, delves into this difficult, sometimes divisive discussion with two of documentary's own, Marjan Safinia and Grace Lee.Topics Discussedhow Safinia and Lee came to collaborate on PBS' And She Could Be Nextoverlook at discussions of race in the documentary community over the past few monthswho has the right to tell a story and whyhow people of color in the American documentary industry can have less access and resources than their white counterpartsHow minorities are looking to reclaim and change the way that their stories are being toldAdditional ResourcesTeaser, And She Could Be Nexthttps://www.youtube.com/watch?v=qPgO1J-Y2DYContinuing the Discussion with The D-WordToday's episode is only the beginning of the conversation. Now it's time to have your voice heard, #doclifer! So where can you do this?THE D-WORDWHAT IS THE D-WORDThe D-Word began in 1996 as a series of online journal entries by filmmaker Doug Block depicting the joy and angst of making and selling his feature documentary, Home Page. In the words of Mr. Block, "it was meant to inform, inspire, humor and depress the hell out of working or aspiring documentary filmmakers, or anyone else interested in the filmmaking process, for that matter!"We had Doug on the show way back in EPISODE #105, where he discussed those early days working as an independent documentary filmmaker. And how this would lead him to creating the first incarnation of The D-Word.The D-Word has long-since evolved into a virtual community and is now the largest, longest-running one of its kind, currently numbering more than 19,000 members from 147 countries. Its focus is now on hosting free discussions on documentary film and production and leading a documentary life. Sound familiar?Get started with The D-Word today, by completing their free APPLICATION.Sponsors & Thank Yous° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today!SubscribeApple | Spotify | Stitcher |Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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The Online Film Festival for the Documentary Filmmaker
Jul 10, 202000:46:26Tap to summarizeLyndon Stone is the founder and festival director of Melbourne Documentary Film Festival. Melody Gilbert is a documentary filmmaker well acquainted with the world of film festivals.In light of Covid events, both the festival director and filmmaker, have had to pivot their approaches to documentary film festivals.This is the kind of discussion we documentary filmmakers have been wanting to have ever since the pandemic greatly impacted our doc lives.Topics Discussedhow Lyndon Stone has incorporated a hybrid approach to this year's MDFFhow the virtual festival can actually be a good thing for both the festival director as well as the documentary filmmakerwhy doco Melody Gilbert was initially hesitant to premiere her documentary feature at MSPIFF whichhow an online film festival might actually be very advantageous to the independent documentary filmmaker Additional ResourcesTeaser for Silicone Soulhttps://vimeo.com/350156250 Check out the full roster of this year's Melbourne Documentary Film Festival! Sponsors & Thank YousMusic Vine 15 PERCENT OFF!Music VineThank you to music licensing platform, Music Vine for contributing the wonderful music that we’ve used in this week’s episode.We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.If you need any music for your doc project, we can honestly recommend Music Vine.And make sure to use our promo code to get an additional 15 percent off of any subscription!!PROMO CODE: doclife15 ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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Spirituality in Documentary Filmmaking with Mickey Lemle
Jun 26, 202000:47:47Tap to summarizeMickey Lemle has made documentary films about some of the most brilliant individuals in the modern world. From His Holiness the 14th Dalai Lama to Ram Dass to Sir Laurens van der Post, Lemle has been rubbing shoulders with great minds who all have very spiritual & compassionate ways of living. Lemle has had the splendid fortune to be able to tell their stories.Topics Discussedhow Lemle’s time in Nepal in the Peace Corps informed him about Tibet and in turn led to his making his first documentary filmhow/why he treats doc filmmaking as personal explorationhow to make one’s spiritual documentary accessible to a wider audiencethe power of a meditation practice to doc filmmakerstips for interviewing the most incredible minds of the world Additional ResourcesTeaser for The Last Dalai Lama?https://www.youtube.com/watch?v=5v_Rpg_36ig Teaser for Compassion in Exilehttps://www.youtube.com/watch?v=uDXbAPx2kew To check out Mickey Lemle's full roster of DOCUMENTARY FILMS. Sponsors & Thank YousMusic Vine 15 PERCENT OFF!Music VineThank you to music licensing platform, Music Vine for contributing the wonderful music that we’ve used in this week’s episode.We’ve used many music licensing platforms over the years for commercials, corporate videos, and documentaries and these guys are definitely different.Their music catalogue is truly fresh, diverse, full of character, their search engine is as straight forward and user friendly and their licensing fees? Unlike anywhere else we have come across.If you need any music for your doc project, we can honestly recommend Music Vine.And make sure to use our promo code to get an additional 15 percent off of any subscription!!PROMO CODE: doclife15 ° Free Music Archive – Special Thank You to recording artist, Dlay who supplied music for this week’s episode of TDL. You too can download his music or other artists’ music by going to Free Music Archive today! SubscribeApple | Spotify | Stitcher | Rate and ReviewIf you have found value in this podcast please leave a review so it can become more visible to others. Simply click the link and then click on the Ratings and Reviews tab to make your entry. Thank you for your support!
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