
Loading summary
Katie
Ho ho ho. Ho ho ho.
Ron
Oh, we've got the giggles. This is a. Is this a good start or a bad start?
Betty
A bad start. Merry Christmas from the good ship Illustration. For this episode, we have decided to introduce you to our good friends, Ron and Betty Frampton.
Ron
Okay, so I was visiting my friend a few Christmases ago, and he bought himself a Christmas present, put under the tree and said it. He said, I always write from love from Ron and Betty Frampton. So this has become a tradition amongst their family and my family. If any of us want a presia, nobody's gonna buy it for us. We buy it. We stick it under the tree. It's love from Ron and Bay.
Betty
Amazing.
Ron
So we're giving all of us, all of us in the good ship family permission to buy themselves a prezi and write, love, Ron and Betty Frampton. So, Katie, what will Ron and Betty Frampton be buying you this Christmas?
Betty
Right, Ron and Betty. Very generous couple.
Ron
They know you so well.
Betty
They know me so well. And the first thing they got me was, well, what they're gonna get me. Sorry. Because I haven't bought it yet. Well, I have bought it and opened it and I'm using it. But it was one of those lights that is the sad lamps that makes you happy, you know, with the good light in them. A. I got a bright yellow one for my desk.
Ron
What is it?
Betty
It's just a lamp, basically. A really funny. It's a Lumi yellow lamp, but it's got the special light in it that stops you being depressed in the winter.
Ron
Or if you get sad over the winter.
Betty
I don't really get that sad, But I was just like, it's bright yellow. It's gonna be a good light. So that's the first thing Ron and Betty have got me. And then maybe some palomino black wing pencils.
Ron
That's what I was gonna say. Ron and Betty have got mine on order. They haven't arrived yet. Yeah, the black wing pencils, they're so expensive.
Betty
How much was the sharpener? Because I remember you talked about the ballymeno. The black wing sharpener.
Ron
I've forgotten. It's a fortune. And, you know, you can buy the little rubber replacements at the top as well.
Betty
Are they expensive?
Ron
Really expensive. Ron and Betty will be buying me those. Yes, definitely.
Katie
Just so generous. If they really are that generous, will they buy me that the tech setup that I wanted so that I can draw on an iPad with an Apple pencil, with Photoshop?
Ron
I don't know if Ron and Betty are very techy. They might.
Betty
Ron's nephew is good.
Ron
Ah, right.
Betty
So they might. They might get Ron's nephew in to set that up for you. What was it like Photoshop talking to the iPad?
Katie
Talking to the computer. So I can bypass Wacom.
Ron
Yeah, you need a paper like screen cover as well.
Katie
Yeah, we want that too. But if all that's too much, I just want that really fancy gouache acrylic, the Japanese brand. Do you know the one? No, I don't know any of them. As long as they're not the one that they give to children at schools.
Ron
Yeah, I want.
Katie
Yeah, yeah.
Ron
What else am I thinking about? I often look at that. Rebecca Green often talks about that paint set where she has her lovely drawings on the outside. And the palette, it's a really good colour palette. Oh, my God, I fancy that.
Katie
Are those straight gouache? Not gouache, acrylic.
Ron
I don't know what they are. Whatever they are, I don't really mind. I just want it.
Katie
I want the ones where you can paint on top and it doesn't pull the paint up from underneath an acrylic, does it? Doesn't it? So that seals it off.
Ron
Acrylic's good for that.
Katie
Paint on top.
Betty
If Betty wanted to get me something else as well, just as an extra thing, my favorite pens are those uni ball eye fine inky black pens. A few years ago I bought myself a big box of them, but they're running out and I might need a top up.
Ron
Yeah, they're good because you can draw if you're really speedy. Drawer drawing from life in a cafe or something. You draw really fast. You if with a ballpoint pen. Sometimes you can get little gaps because the pen can't keep up with your speedy drawing. So those are perfect for that. They're really juicy as well.
Betty
They're nice on top of paint and stuff.
Katie
Where'd you get them from? Anywhere.
Ron
Anywhere. Yeah, they're common. They're like all over the place.
Betty
Common is muck.
Katie
Were there Tesco ones? You liked it, didn't you?
Ron
Yeah, there was something I used to buy that was available in Asda.
Katie
Yeah, let's talk about supermarket art supplies.
Ron
Well, there's the bingo dabbers. We went mad for bingo dabbers at art club for a while. While I love a bingo dabber, Greaves.
Katie
Must have got quite rich on that. I think they're hard to get corner stores.
Betty
And when we went to bingo last Christmas, we saw professional bingo ladies. They had good bingo, but bingo dabbers.
Ron
They did but you remember at the break, they brought everybody. It was Christmas. And so at break time, in the middle of the bingo, they brought out two little tiny bowls. And when I say tiny bowls, I mean a bowl that you might get given in a cafe to put your tea bag in. That size, 100 crisps in it. And one had a few crisps. There were about four crisps and four sweets and good ship side of the table just immediately tucked into them. And then the ladies wouldn't speak to us for the rest of the evening. Do you remember?
Katie
Yeah.
Ron
I think we stole their share.
Katie
Not just that they could see we were bingo amateurs. We were ironic bingo players and they sensed it and I. Perhaps they thought we were laughing at them. If we really weren't. We were just so excited.
Ron
We actually guilty of bingo.
Betty
We didn't give bingo or the snacks the respect they deserved.
Ron
Yeah. I'd still like to go back. Would you? Oh, it's a really good evening.
Katie
We haven't had a proper Christmas do this time round.
Ron
I wanted to win the twiglets on that table.
Betty
Do you like twiglets?
Ron
No, but I like them as a prize. Okay. You have to if you're gonna choose a prize. It's the twiglets or the lavender soap, isn't it?
Betty
I was gonna say if Ron and Betty wrap up a tub of Twiglets, I'll be raging.
Ron
Do you know, I. Ron and Betty, every year they get me those Mina, is it Maynards? They're sugared fruits. You know, they look like a little hot orange segment, but it's sugared. They always get me one of those.
Katie
They look like they've been. Yeah. Completely frosted.
Ron
They're lovely.
Katie
Oh, I love them.
Betty
You know, a couple of years ago, but is it Fortnum and Mason? Super fancy. Would meet. Cameron had been looking at the candied fruits in this. They look so exciting and so good. They were horrible. But it was really exciting to buy them and look at them.
Katie
That's what a lot of Christmas presents look like. There's a certain sector of Christmas presents that is just about being excited when they're open.
Ron
Yeah.
Katie
The later bit isn't any fun. And they cost a fortune, those kind of prints.
Betty
Sometimes it's all about the packaging, isn't it?
Ron
Yeah.
Betty
I love a good bit of packaging.
Katie
You'd be better off with some good sketchbooks.
Ron
Definitely. Definitely. That's what I bought. My two nieces. I've got a writer niece and I've got an artist niece. The writer one is getting a very fancy Note. I hope she's not listening. She won't be listening. Really nice notebook with some nice writing pens. And the. The drawer is getting a pith sketchbook. Because they're so gorgeous, aren't they? And they open up flat and the paper's a bit cream.
Betty
They're made in Berwick as well.
Ron
They are.
Katie
They're our pals.
Ron
And I got her some batwing pencils too.
Betty
Oh, wow. Best auntie.
Ron
Yeah. She loved the best pencils of. Pencils. Pencils of anyone on her course.
Katie
Can we just divert? I have colored pencil crisis because all the words run around in my head. Luminance.
Betty
K. Yeah.
Katie
What are the best ones? Aquarelle.
Ron
Oh, I love the lum. Are the luminescence.
Katie
Are they called Luminance?
Ron
Luminance. I love those. They're so gorgeous. The color range is beautiful. But then I also discovered. Is it the. You know the pencil museum in the Lake District? Derwent pencils. The Derwent color pencils are gorgeous as well. Really, really high pigment. Loads of different shades. Just, ah, amazing.
Katie
I like them when they're a bit waxy and you can draw on top of other paint.
Ron
Yeah, me too.
Katie
Some of them are a bit pastely and as they're drawing, I don't like that it's a waste of time. They're all going to fall off the page. I don't like, especially on paint.
Betty
I can't remember which ones it was, but the Edinburgh College of Art shop had really nice pencils and I used to buy myself like one a week in really good. Like magenta and then like turquoise.
Ron
Nice. I think I might illustrate. Katie and I are writing some stories together about Salty, who is part of the good ship crew. Salty Dog. If you go on the website, you'll probably see him over there. We decided to write some stories and Walker Books are going to publish them probably next autumn, I imagine. I'm not sure, but I was thinking of illustrating those with those luminescence pencils. The colors are so lovely. And when I illustrate bigger, I'll use a Caran d'ache neocolor wax. I love those. Love them. But even when you sharpen them with a knife and you get a nice fine point, they're good for a picture book scale image. But because these stories are for older children, they're in a smaller book. So the drawings are more like vignettes. They're too chunky for that. So now I'm thinking that the line might be one of the luminescence. Luminescence Is it luminescence?
Katie
Luminance.
Ron
Luminance.
Katie
Luminance.
Ron
I might use those.
Katie
When you draw for your books, do you draw one to one ratio?
Ron
Yeah. And most people draw like 110% but I don't want the drawing to tighten up. So I just draw 100%. Yeah.
Katie
Even 110 is quite close to it.
Ron
What do you do?
Katie
Do you.
Ron
Do you draw bigger for your.
Katie
Well, it's digital, so. Oh, it makes me different. It's slightly different. And I'm really fascinated by that thing of, you know, size to reproduction when it's hand drawn stuff. Because when you over reduce something, it's so horrible.
Ron
Yeah. I don't want to draw smaller, obviously, because then you're going to lose.
Katie
Or you could draw really small and blow it up.
Ron
Oh, I like that. I love doing that. A tiny, tiny drawing. Blunt. Do you remember when everybody. When there were old photocopies everywhere and you could blow a tiny drawing up on a photocopier and patch it together to make it look as big as a wall. They were gorgeous, weren't they?
Katie
It's such a magic trick. But you know, it's still irresistible when someone does it. Now take a tiny little pencil drawing and blow it up. Massively large.
Betty
I love that when you do a little throwaway drawing and then you sort of use that as the basis of another drawing. Like remember you drew. Was it a little pig that you drew on an egg voice?
Katie
Yeah, on the back of a bill. And the pig was really quite nice. And then I thought I could use him every.
Betty
Exploit the pig.
Ron
Last year, last year, Christmas Good Ship Art Club. Last year in December, on the 10 second animal segment, we must have given ourselves more than 10 seconds because we were working with collage, with scissors and we'd have chopped our fingers off. But maybe we'll say it was 30 seconds. I did a 30 second cut out of a reindeer. It was the best thing I'd done in the entire year, if not the best thing I've done in my life. I love that little drawing. Why am I talking about that again?
Katie
Because it was quick and throw away. Quick and throw away stupidly. You showed it to the carpet.
Ron
Well, the carpet fitter told me that he'd hadn't drawn since school, but he'd done some drawing recently. And then he looked through his phone and he found a drawing he'd done of a lion. Very realistic rendered drawing of a lion. And I said, oh, do you want to see the best thing I did last year? Because it was on my kitchen table because I was cutting more out to make Christmas cards. He said, yeah. And so I held up this 30 second cut out of a reindeer and he just went, oh, it's probably like she's delusional.
Betty
Yeah.
Katie
She's not actually an illustrator.
Betty
She went home to his wife. Like I was. I was putting the carpet on for this woman. She said she was an illustrator, but I don't know. Well, we hope Ron and Betty Frampton bring you everything you wanted.
Ron
Maybe Ron and Betty Frampton might bring them freak flag. Freak flag.
Betty
Oh, yeah, because it'd be remiss of us not to mention that we've very quietly, probably not very quietly at this point in the game, but banging on about.
Katie
Tell. Tell Ron and Betty Frampton's nephew. He'll know about buying stuff online. They won't do it.
Betty
He's hot on it. And he knows about the 5 pay option as well. No, the doors are open. So if you want to find your creative voice and fly your freak flag, and if nobody rudely, nobody's bought you it, you can treat yourself and just say that Ron and Betty did.
Katie
Happy Christmas.
Ron
Happy Christmas.
Betty
Happy New Year. Bye.
Katie
It.
Podcast Summary: The Good Ship Illustration – "Ho Ho Ho 🎄 Pressies for Illustrators (Love from Ron & Betty Frampton x)"
Release Date: December 20, 2024
In the festive episode titled "Ho Ho Ho 🎄 Pressies for Illustrators (Love from Ron & Betty Frampton x)," the hosts of The Good Ship Illustration—Helen Stephens, Katie Chappell, and Tania Willis—welcome their special guests, Ron and Betty Frampton. The episode centers around holiday gift-giving traditions among illustrators, blending personal anecdotes with practical insights tailored for creative professionals navigating their careers.
The episode kicks off with a humorous exchange about Christmas greetings:
Ron shares a cherished family tradition of gifting under-the-tree presents accompanied by heartfelt messages:
This tradition fosters a sense of self-care and mutual support within the creative community, encouraging illustrators to treat themselves with thoughtful gifts.
The conversation delves into practical gift ideas essential for illustrators:
Ron's anticipation for high-quality Blackwing pencils is highlighted:
Katie expresses her wish for a tech upgrade to enhance her digital illustration workflow:
The discussion underscores the importance of both traditional and digital tools in an illustrator’s toolkit, emphasizing the balance between tactile and technological resources.
The hosts reminisce about unconventional art supplies and humorous holiday experiences:
An amusing story unfolds about their experience at a Christmas bingo event:
This anecdote highlights the playful intersection between art and everyday activities, showcasing the camaraderie among illustrators.
Attention shifts to the tools of the trade, particularly sketchbooks and pencils:
The hosts discuss the merits of various colored pencils, emphasizing the importance of quality materials in maintaining artistic integrity:
Ron and Katie explore their illustration techniques, especially in relation to their collaborative storytelling project featuring Salty Dog:
They deliberate on the appropriate scale for illustrations, considering the impact of size on visual clarity and detail:
This segment offers valuable insights into the practical aspects of creating illustrations for different formats and audiences.
As the episode concludes, the hosts reflect on their creative journeys and extend warm holiday wishes:
They also humorously mention "freak flag" branding, encouraging illustrators to embrace their unique creative identities:
The episode wraps up on a lighthearted note, reinforcing the sense of community and mutual support among illustrators.
Notable Quotes:
This episode of The Good Ship Illustration seamlessly blends personal stories with professional advice, making it a delightful and informative listen for illustrators seeking inspiration and community support during the holiday season.