Episode Summary: "Want to Get Your Illustrations Published? Here Are Good Ship’s Top Tips"

In this insightful episode of The Good Ship Illustration podcast, hosts Helen Stephens, Katie Chappell, and Tania Willis delve into the pivotal topic of getting illustrations published. Released on April 23, 2024, the episode addresses whether aspiring illustrators should invest in paid critiques of their work to evaluate its publishing potential. Through candid conversations and shared experiences, the hosts offer invaluable advice for illustrators navigating the complexities of the publishing industry.

1. Introduction to the Topic

The episode kicks off with a listener question that sets the stage for the discussion:

[00:00] Katy Chappell: "We've got another juicy question. This one says, do you think it's worth paying for a critique of a story or dummy book to gauge whether it has publishing potential?"

This question revolves around the effectiveness and value of paid critiques versus other methods of receiving feedback.

2. The Value and Pitfalls of Critiques

A. Quality of Critique Matters

Helen Stephens emphasizes that not all critiques are created equal and urges illustrators to seek feedback from the right sources:

[00:45] Helen Stephens: "Not all critique is equal, is it? It depends who you get that advice from."

She advises illustrators to aim for direct interactions with publishers, suggesting that sending samples and requesting meetings with editors can yield more constructive and actionable feedback.

B. Risks of Negative Critiques

The hosts acknowledge the potential emotional impact of receiving harsh feedback. Katie Chappell shares their concern:

[00:44] Katy Chappell: "We've had horror stories of people having a portfolio review and just being devastated by it."

Helen concurs, sharing a personal anecdote:

[01:45] Helen Stephens: "There are times when critiques can be overly harsh, focusing on personal struggles rather than the work's potential. It's crucial to find someone who understands your capabilities and can provide balanced feedback."

This highlights the importance of selecting critique partners who are not only knowledgeable but also supportive.

C. Advantages of Publisher Feedback

Anne and Helen discuss the benefits of receiving feedback directly from publishers:

[03:31] Anne: "But I love Helen's ballsy approach. Just send them another postcard three months later."

Helen shares her persistent approach:

[03:43] Helen Stephens: "Keep sending out the work. The feedback from publisher is really the holy grail, isn't it?"

The consensus is that direct feedback from publishers is more aligned with an illustrator’s career goals since publishers have a vested interest in the success of the work they might publish.

3. Strategic Approach to Submissions

A. Persistence is Key

Helen recounts her method of mass-sending samples to multiple publishers:

[03:43] Helen Stephens: "I used to send out big batches of samples... stick them in the post box and I would do it again and again."

This strategy increases the chances of getting noticed and receiving constructive feedback, even if initial responses are non-committal.

B. Managing Rejections

The hosts discuss handling rejection and the importance of perseverance:

[04:32] Katy Chappell: "Maybe it's a different. Like you've got to choose that for the Paid review person really carefully."

They emphasize that rejection is a natural part of the process and shouldn’t discourage illustrators from continuing their efforts.

4. Alternatives to Paid Critiques

A. Leveraging Industry Resources

Anne suggests utilizing industry resources such as editors' websites and call-out listings:

[05:59] Anne: "Get the writer an artist's yearbook for this year and get on editor's website pages places where people share new call outs."

This approach not only provides feedback opportunities but also immerses illustrators in the current trends and expectations of the publishing industry.

B. Peer Reviews and Community Support

Helen recommends seeking critiques from fellow illustrators who have relevant experience:

[06:32] Helen Stephens: "Do good critique sessions as well. If you ask around other illustrators, you'll be able to judge who is actually giving really useful advice."

This fosters a supportive network where illustrators can learn from each other’s experiences and insights.

5. Building Confidence and Self-Critique

Katie Chappell underscores the importance of self-confidence in the creative process:

[06:52] Katy Chappell: "You might not be in a position where you're ready for a portfolio critique because you may be going through something... you can like, suck it all back in and be like, this is what I want to do."

The hosts advocate for self-assessment as a powerful tool for illustrators to identify their strengths and areas for improvement without relying solely on external validation.

6. Practical Tips for Submitting to Publishers

Helen shares her practical approach to submissions, emphasizing the importance of tailored samples:

[07:57] Helen Stephens: "You can send a dummy or you could send thumbnail sketches of the ideas and some samples of the illustration."

She highlights that illustrators should showcase their best work aligned with the publishers' interests to increase the likelihood of a positive response.

7. Navigating Family Feedback

The hosts humorously touch upon the challenges of seeking feedback from non-professionals:

[08:14] Katy Chappell: "Your mum is always going to think whatever you've done is the best thing ever in the entire world."

They acknowledge that while family support is important, professional feedback holds more weight in the illustration publishing journey.

8. Testimonials and Course Promotion

Towards the end of the episode, the hosts share testimonials to promote their flagship course, "Find Your Creative Voice Fly Your Freak Flag," which is currently open for enrollment:

[10:06] Helen Stephens: "If you are hesitating about signing up for this course, just dive in. You won't regret it."

Another testimonial highlights the course’s impact on creative development:

[10:16] "I'm so happy I found the good ship. As it's been a breath of fresh air, it's exactly what I've needed to mix up my creativity and relearn my illustration. The kind, uplifting yet challenging words shared each week have helped me to keep going and sailing on towards discovering my own voice. Thank you, Good Ship crew."

The hosts encourage listeners to join their online community and take advantage of the course offerings to further their illustration careers.

9. Conclusion and Upcoming Events

The episode wraps up with the hosts reminding listeners about their upcoming Art Club event:

[10:33] Anne: "So the doors to the course are open now and we have Art Club on Friday."

They express excitement and anticipation for those attending, fostering a sense of community and ongoing support for illustrators.

Key Takeaways

• Quality of Feedback: Not all critiques are beneficial. Seek feedback from experienced publishers or trusted peers who can provide constructive and actionable insights.

• Persistence Pays Off: Regular submissions to publishers increase the likelihood of receiving feedback and eventual publication.

• Leverage Industry Resources: Utilize editors' websites, industry magazines, and call-out listings to stay informed and find feedback opportunities.

• Build Self-Confidence: Develop the ability to self-critique and recognize your own strengths to maintain creative autonomy.

• Community Support: Engage with fellow illustrators and join supportive communities to share experiences and advice.

• Valuable Resources Available: Consider enrolling in courses like "Find Your Creative Voice Fly Your Freak Flag" to gain structured guidance and support in your illustration career.

This episode serves as a comprehensive guide for illustrators aiming to break into the publishing industry, offering practical strategies and encouragement to navigate the often daunting process of getting their work published.