Lord Marley’s Guest by Lights Out

Summary

Podcast Summary: "Lord Marley’s Guest" by Lights Out

Podcast: The Horror! (Old Time Radio)
Host: RelicRadio.com
Episode: Lord Marley’s Guest by Lights Out
Date: July 11, 2026

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Episode Overview

In this episode, "Lord Marley's Guest" from the famed radio drama Lights Out, listeners are transported to the eerie English coast, where a tense domestic drama is interrupted by supernatural terror from the deep. The episode masterfully blends social jealousy, class tension, and unnatural horror, as a houseguest proves more unsettling than initially expected. The story conjures brooding dread, culminating in a chaotic, deadly encounter with a monstrous sea creature.

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Key Discussion Points & Plot Breakdown

1. Setting the Stage: An Unwanted Warning

• Two Fishermen (Sam & Joey) arrive at Lord Marley’s home to warn him of a strange danger in the waters (04:08 - 06:01).
• Lord Marley (Charles) dismisses them outright, calling them poachers and scoundrels, refusing to hear their warning.
  • Notable Quote:
    • "You impudent scoundrels. Out of my house." – Charles (05:16)
• Lady Jane, Lord Marley's wife, is more considerate, sensing the warning might be sincere.

2. Social Snubs and Domestic Strain

• Lady Jane questions Charles about his mysterious guest’s lateness, prompting a tense exchange about propriety and trust (06:37 - 09:11).
• It is revealed that the guest is Madeleine Kaye, an American film star, whom Charles met on a recent transatlantic crossing.

3. Madeleine Arrives: Suspicion and Accusations

• Madeleine’s arrival brings social tension to a head; Lady Jane confronts her, suspecting an affair (10:02 - 14:12).
  • Notable Quote:
    • "You are cold, sister." – Lady Jane to Madeleine Kaye (13:03)
• Madeleine, brash and honest, admits to pursuing Charles for his money and social status:
  • Notable Quotes:
    • "He's 20 years older than me… And with 20 million more dollars than me." – Madeleine Kaye (13:14)
    • "Love? ... I'm not crying. But I am going to marry him." – Madeleine Kaye (13:55)
• Tension crescendos as Madeleine insists Charles will choose her over Lady Jane.

4. Out to Sea: Rising Dread

• Charles and Madeleine set out in a small boat, despite local warnings, leading to growing unease as the weather shifts (16:12 - 17:00).
• Strangeness unfolds at sea: the boat becomes becalmed, and Madeleine senses something wrong beneath the waters.
  • Notable Quotes:
    • "I thought I saw that rope up there at the bow… squirm. Sort of imagined it." – Madeleine Kaye (17:53)
    • "It's no rope… Not snakes. I'd give my soul if there were. They're arms. It's arms!" – Charles (23:12)

5. Supernatural Attack: The Devil Fish

• The warnings prove true as monstrous, tentacled arms emerge from the depths—an enormous octopus attacks their boat (18:13 - 24:18).
  • Notable Quotes:
    • "A devil fish. An octopus. Larger than the boat. Suckers on its tentacles!" – Charles (23:35)
    • "Playing with them like a cat with a mouse..." – Sam (24:56)
• Charles and Madeleine fight desperately, but the monster is overwhelming.

6. Desperate Rescue and Tragic End

• Sam and Joey, the fishermen, heed Lady Jane's plea and attempt a rescue (21:03 - 22:05).
• They manage to pull Madeleine out of the water, but the octopus attacks again, dragging her back under as the horrified survivors watch (26:09 - 27:43).
  • Notable Quote:
    • "Dragged her over… It's let go of us… But why should that be?” – Sam (27:43)
• In the end, both Charles and Madeleine are lost to the sea, leaving Lady Jane and the fishermen traumatized but alive.

7. Final Reflection and Reprieve

• Lady Jane stoically remarks that it is “better so” Charles and his paramour have perished (28:24).
• The monstrous presence vanishes, and calm returns—at least for now.

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Notable Quotes & Memorable Moments

• "Warn me? Nonsense. Some infernal scheme that I didn't even give them a chance to reveal." – Charles (06:07)
• "Now I know what it is. Eight arms coming out of the water. The body must be beneath." – Charles (22:49)
• "It’s arms. And it’s waiting. Waiting underneath the sea for us..." – Charles (23:20)
• "Better so." – Lady Jane, on learning her husband will not return (28:24)

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Important Timestamps

• 04:08 – Fishermen attempt to warn Lord Marley.
• 10:02 – Madeleine Kaye arrives at the house.
• 12:17 – Lady Jane confronts Madeleine.
• 16:12 – Charles and Madeleine set out to sea.
• 18:07 – First mention of the moving ropes/tentacles.
• 22:44 – Charles realizes the true nature of the monster.
• 24:18 – The boat is attacked; rescue attempt begins.
• 27:04 – The octopus prevents survivors from reaching shore.
• 28:24 – Lady Jane’s final, stoic reaction.

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Tone and Atmosphere

• Language and Mood: True to old-time radio, dialogue is taut, British-accented, with social barbs, dry humor, and mounting terror as the story progresses. The supernatural horror is described in vivid but restrained language, letting the imagination fill in the gaps.
• Horror Elements: Maritime folklore, a menacing sea beast, and themes of jealousy and fate create a moody, atmospheric tale.

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In Summary

"Lord Marley’s Guest" masterfully weaves elements of class, jealousy, and supernatural terror into a single suspense-filled story. A city’s elite are brought low not by scandal or social ruin, but by an ancient monster from the deep, sealing the fate of Lord Marley and his brazen guest. Lady Jane’s measured, almost cold response to the horror serves as a biting coda on betrayal and retribution. The result is an enduring episode of Lights Out that keeps listeners shivering—long after the radio has been turned off.

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For more tales of old-time radio horror, visit relicradio.com.

Transcript

[Charles]

Oh, stories. Real stories.

[Announcer]

And murder too.

[Charles]

Turn out your legs. Turn them out. Good evening. Come in, won't you?

[Announcer]

What's the matter?

[Charles]

Surely you're not nervous for African car

[Lady Jane]

By drinking

[Charles]

we are meant to call from out of the past. Stories strange, weird tales of mystery and

[Announcer]

terror by radio's masters of the maa.

[Charles]

Stories of a supernaturent. The supernorma. Dramatizing effect. The mystery of the unknown. We tell you this. Frank. Frank. So if you wish to avoid the

[Announcer]

excitement tension of these magic play ladies,

[Charles]

our latest series to turn off your radio.

[Relic Radio Host]

This is the horror Old fashioned fear since 2007. Every Saturday at relicradio.com if you'd like to help support this and all of the relic radio shows, visit donate. Relicradio.com or click on one of the links in the show notes. My thanks as always to those who have. We're going to hear from Lights out this week. A series that aired primarily between January of 1934. In August of 1939 it returned through the 1940s, usually as a series of rebroadcasts over NBC or CBS, depending on the year. The story we're gonna hear today first aired in July of 1937. The broadcast we'll hear today is from September 7th of 1943. Here's Lord Marley's guest.

[Announcer]

Ironized Yeast Presents Bites out everybody.

[Arch Oboler]

It

[Sam]

is later than you

[Lady Jane]

think.

[Announcer]

Lights out brings you stories of the supernatural and the supernormal, dramatizing the fantasies and the mysteries of the unknown. We tell you this frankly. So if you wish to avoid the excitement and tension of these imaginative plays, we urge you calmly but sincerely to turn off your radio now.

[Arch Oboler]

This is Arch Ovaler House guests in the days before rationing and if they didn't wear out their welcome were an interesting part of our social lives. But tonight we bring you a story of a most unpleasant and unexpected guest who came to visit Lord Marley. But first, for ironized yeast, Frank Martin.

[Sam]

Help.

[Announcer]

Wanted to get back that old time pep and strength and needed weight. Friends, is that you wanting help? Well, if vitamin B1 and iron shortage is why you're so run down, weak and jittery, get two way help. Get ironized yeast tablets. They give you both vitamin B1 and iron. They're scientifically designed for these exact deficiencies. No wonder great numbers of men and women who used to suffer from these shortages tell how splendidly ironized yeast tablets have helped them. Often they say it's like a new lease on life. That's right. The name is Ironized yeast tablets. And now lights out, everybody.

[Sam]

Waiting, waiting, waiting. Who does the man think we are? I'm asking. It's like I said to you before

[Charles]

we got in here. Try to do a man like his lordship a favor and you'll get it in the neck. That's what I said, and you remember.

[Sam]

Well, I'll give him five more minutes to do us the honor and then it's off. I am. I want to look at my nets before the tide changes, that I do. Oh, well, all I'm after is to warn him. Then me Durie's done.

[Charles]

It's wasting time. He won't believe you.

[Sam]

You mark my words. Won't believe me. And me almost losing my boat to the thing. His lordship will say it was the time. Now, you listen to me, Joey. I've been fishing in these waters here for more years than you got brains in your head. And I'm telling you it was a.

[Charles]

It's his lordship.

[Sam]

Boy looks to be in a blinking temper now, don't he?

[Charles]

Well. Well, what is it?

[Sam]

Oh, is it? If it pleases your lordship, my name is Sam.

[Charles]

I know who you are. You're the fell I caught poaching rabbits last night.

[Sam]

No, wait a minute. No, wait a minute. You didn't catch me poaching nothing. It's an honest fisherman I am, I'll have you know.

[Charles]

How honest are you? Well, let me tell you, I never forget a place. And if yours isn't the place of the rogue.

[Sam]

Oh, the rogue, is it? Yeah, that Joey calls me the rogue.

[Charles]

Fine one he is to be talking. Why, you, you, you. You impudent scoundrels. Out of my house.

[Sam]

Out of my house. But, your lordship, we want to tell you.

[Charles]

You tell me nothing, you thieving ra.

[Sam]

Oh, it's tha. Now, is it? For two pins, lordship, or no lords. That nose of yours so flat it looks like a.

[Charles]

Get out of here. Get out of sea.

[Lady Jane]

What is the matter?

[Sam]

We're not scoundrels. You'll coat your. He was only trying to warn him that he.

[Charles]

Not another word.

[Sam]

Out.

[Charles]

Out, I say.

[Sam]

Come on, Sam, let's get out of here. Calls himself if he's a gentleman.

[Charles]

Get out, I say. And if you dare trespass on my property again, I'll have the law on your th. Next, the both of you.

[Lady Jane]

There's no need to shout, Charles.

[Charles]

Why, they're gone, the infernal rascals.

[Lady Jane]

But I don't understand. They spoke of coming here to warn you.

[Charles]

Warned me? Nonsense. Some infernal scheme that I Didn't even give them a chance to reveal. Loafers spoiled by the government dole.

[Lady Jane]

But I know those men. They're from the village. Good, honest fishermen.

[Charles]

Honest da no good. Not one of them. And if they keep up their infernal impudence, this community is going to lose my trade. You can depend on that. We'll never spend another season here. Not if I have anything to say about it. Confounded rascal's warning me.

[Madeleine Kaye]

All right, all right.

[Lady Jane]

We'll drop the entire matter right now. What I can't understand is where's that guest of yours? You said he'd be here by 10 o'. Clock. Look, it's almost noon.

[Charles]

Yes, my guest. My guess. True, true.

[Lady Jane]

What is it, child?

[Charles]

I didn't I tell you.

[Lady Jane]

Tell me what, dear?

[Charles]

My guest. It's not a man.

[Lady Jane]

No.

[Charles]

Madeleine K. You've heard of her?

[Lady Jane]

Madeleine Kaye? No, I am afraid not. Who is she?

[Charles]

Well, it's a matter of business. I couldn't arrange to be in the office, you know, because of our little outing. So I asked Mr. K to come here. Pay frightfully large fees, these Americans, you know.

[Lady Jane]

Americans? Won't you please tell me who she is, Charles?

[Charles]

Why, surely you know her. The cinema star.

[Lady Jane]

Oh, the big blonde wench we saw in that bang bang gangster picture.

[Charles]

Oh, now, now, don't talk like that. I forbid it.

[Lady Jane]

But the picture was definitely a bang bang gangster picture. My dear child, while remember to stay distinctly, at least seven of the gang men, as Americans say, bit the dust.

[Charles]

You have the most outrageous sense of humor. I'm speaking of the woman my client.

[Lady Jane]

Oh, you mean she isn't a blonde wench?

[Charles]

Really, my dear, your choice of words is sometimes most inappropriate. The woman is definitely an artist. And. And my client.

[Lady Jane]

Oh, yes, of course. But was it necessary to have her come here?

[Sam]

Why not?

[Lady Jane]

Well, this is our home.

[Charles]

But I told you, it's most important that she consult me. Her financial affairs, you know.

[Lady Jane]

No, I don't.

[Charles]

But I'm trying to tell you. Great Scott. Jane, you're not going to be difficult. Just because I invited a client out here, confounded silly suspicions.

[Lady Jane]

Now, just a moment, Charles. I have no suspicion.

[Charles]

Well, your attitude.

[Lady Jane]

And. I have no attitude. You've invited this woman here on business. And I assure you I'll do everything in my power to make her stay as pleasant as possible. Will she be here for dinner?

[Charles]

Well, to tell you the truth, weekend fortnight. You know how those Americans are pushing.

[Lady Jane]

Fortnight. Very well, Charles. I'll go and tell Jenkins that he should. Charles. Charles.

[Charles]

Here I am.

[Lady Jane]

Apparently, your guest has already arrived. Child, you better go out and welcome her.

[Charles]

Yes, yes, of course. Oh, you coming along?

[Lady Jane]

Of course.

[Madeleine Kaye]

Careful of that luggage you id. If you scratch it, I'll.

[Lady Jane]

Honey, did you save her fort? My child, she has enough luggage piled up in the tonneau of that roaster for a permanent invasion.

[Madeleine Kaye]

Oh, child, how nice. You've come out to your doorstep to welcome me. Just like a feudal knight or something.

[Charles]

Well, by George. Madeleine, it's good to see you.

[Lady Jane]

Madeleine.

[Charles]

You said something?

[Madeleine Kaye]

No.

[Charles]

Oh, yes. Madeline, this is Lady Jane.

[Lady Jane]

How do you do?

[Madeleine Kaye]

How do you do? Charles, tell me, what do you think of my new car? It's nice, isn't it? You see, I did take your advice.

[Lady Jane]

You must be tired after your trip, Ms. Kaye. The roads aren't any too good. Tired?

[Madeleine Kaye]

I'm never tired, am I, Charles? You ought to know. Tried to walk my feet off around the deck. But I wore you down, didn't I?

[Lady Jane]

Oh, you met on shipboard during Charles trip to America.

[Charles]

Madeleine, you must be tired. A rest before tea, perhaps.

[Madeleine Kaye]

Rest? With all that beautiful ocean right there at the end of the lawn? I should say not.

[Lady Jane]

Swim.

[Madeleine Kaye]

Just what I need. Charles, why don't you get out one of your little boats and take me out there in the middle of that blue water so I can take a dip?

[Charles]

Well, I. That is to say, of course, you'll

[Lady Jane]

do as Ms. Kay asks. Charles, get out the skiff while I show her to her room. I'm sure she'll want a change before bathing.

[Madeleine Kaye]

Oh, yes, I always use a bathing suit while the sun's shining. Run along, Charles, and get the boat out. You and I have all sorts of talking to do, haven't we, darling?

[Charles]

Yes, yes, of course, of course.

[Lady Jane]

This way, Ms. K. Jenkins has already taken your things up. You'll just follow me?

[Madeleine Kaye]

Sure, why not? Last place I saw stares like these was on a set in Hollywood. I've always wanted a place like this.

[Lady Jane]

It's very pleasant here during the summer months. Breeze coming from over the bay all the time. It's really quite nice.

[Madeleine Kaye]

Plenty nice.

[Lady Jane]

Right in here, Ms. K.

[Madeleine Kaye]

Not bad. Not bad at all.

[Lady Jane]

This is the afternoon off for the maids. I'm sorry, there's none here to help you. But by the time you get back from your swimmer, I'm sure one of them will be back.

[Madeleine Kaye]

Oh, it's all right. I've got a bathing suit right in this case here. I think I can get in myself if I hold my breath.

[Lady Jane]

I. I did want to talk to you talk?

[Madeleine Kaye]

Go right ahead.

[Lady Jane]

No, you want to dress?

[Madeleine Kaye]

Oh, stick around. We're all girls together. What's on your mind?

[Lady Jane]

You. You are very pretty.

[Madeleine Kaye]

You're not as old as I thought you'd be.

[Lady Jane]

You met my husband for the first time on the boat coming back to England.

[Madeleine Kaye]

Blasted blankety catches of all the rotten luggage. There, that does it. Now where's that doggone suit?

[Lady Jane]

You did meet Charles for the first time on the boat, didn't you? Yes, of course.

[Madeleine Kaye]

Oh, am I putting it on in the wrong places?

[Lady Jane]

Will no business keep you in England very long.

[Madeleine Kaye]

Long, I should hope.

[Lady Jane]

Why have you come here, Ms. K? Charles invited me.

[Madeleine Kaye]

Didn't you know?

[Lady Jane]

Why have you come here?

[Madeleine Kaye]

What do you mean? Is, madam, are your intentions strictly honorable? I played a part like that once in stock and was I lost. Terrible.

[Lady Jane]

Why don't you answer me directly?

[Madeleine Kaye]

Okay, why not? What have I got to lose? Even if you pass along what I say to Charles, he won't believe you. He's a gentleman. Or is he?

[Lady Jane]

Tell me.

[Madeleine Kaye]

What is there to tell? You guessed it like a man. Charles thought you wouldn't, but I know you would.

[Lady Jane]

It's been going on ever since he met you.

[Madeleine Kaye]

You catch on fast, don't you?

[Lady Jane]

You are cold, sister.

[Madeleine Kaye]

When you've been around the way I have, you get to know all the answers. And you make up a couple of new ones too.

[Lady Jane]

But Charles over 20 years older than you.

[Madeleine Kaye]

And with 20 million more dollars than me.

[Lady Jane]

But you're wealthy.

[Madeleine Kaye]

Ah, press agent stuff. I am on the skids as far as Hollywood's concerned.

[Lady Jane]

I. I beg your pardon?

[Madeleine Kaye]

Scared. You know a one way street leading down? Oh yeah. I wouldn't talk like this to my own sister. But as long as you and me got our hair done, what's the difference? The truth is I'm just about washed up in pictures. Not that I can't act circles around many of those little they got out there.

[Lady Jane]

But it's just that.

[Madeleine Kaye]

Well, I was way up there. Now I'm on my way down. That's that.

[Lady Jane]

So? So you met Charles on shipboard and fell in love with him.

[Madeleine Kaye]

Love?

[Lady Jane]

You love.

[Madeleine Kaye]

Well, I'm sure not crying. But I am going to marry him.

[Lady Jane]

You what?

[Madeleine Kaye]

I said I'm going to marry him.

[Lady Jane]

My husband.

[Madeleine Kaye]

He won't be long.

[Lady Jane]

You either have a poor idea of humor. You're absolutely insane.

[Madeleine Kaye]

Now I suppose you'll pull the line about my husband loves me. He'll never leave me.

[Lady Jane]

He won't leave me.

[Madeleine Kaye]

No.

[Lady Jane]

I know Charles. There have been Others.

[Madeleine Kaye]

But he never invited any of those others to his home, now, did he? But he did invite me. And I'll stay here as long as I please. And in the end, I won't be the one to go.

[Lady Jane]

Why do you say such horrible things?

[Madeleine Kaye]

Not so sure of yourself anymore, are you, Lady Jane? They never were as pretty as I am before, were they? And they never knew their way around the way I do now, did they?

[Lady Jane]

You'll go. I won't permit you to stay.

[Madeleine Kaye]

Oh, really, Charles wouldn't dare.

[Lady Jane]

Oh, already?

[Madeleine Kaye]

Come on in.

[Charles]

Well, what a charming, charming picture you made.

[Madeleine Kaye]

Yes, I think so too.

[Lady Jane]

Charles, could I speak to you alone?

[Charles]

No, not now, Jane. I want to take Madeleine for a sail before the wind changes. Come, Madeleine.

[Madeleine Kaye]

Right with you, dear. See you later, Jay.

[Charles]

Better take my arm, Madeleine. These old steps quite steep, you know. After all, I wouldn't want anything.

[Lady Jane]

Oh, child,

[Charles]

There he goes.

[Sam]

Sam. Aye, I see. But we ought to warn him. I tried. You saw what I got. Fair booted me out of the place.

[Charles]

He's got his lady with him in the boat.

[Sam]

His lady? Where's your eyes? That ain't her ladyship. Her ladyship's a lady. She wouldn't be wearing like that. Yellow and not enough of it to o let him sail out there. Why should I warn the likes of them? No, thank you. I'll not waste a breath warning him or her. Not a breath,

[Charles]

Adrian.

[Madeleine Kaye]

Now, Charles, steer the boat.

[Charles]

I'd give anything.

[Madeleine Kaye]

Anything.

[Charles]

Name it.

[Madeleine Kaye]

Not now.

[Charles]

What's the matter?

[Madeleine Kaye]

That wind. Where did it come from?

[Charles]

By George, the sun has gone down.

[Madeleine Kaye]

No clouds yet. No sun. What kind of a place is this, anyway?

[Charles]

Yes, it is strange.

[Madeleine Kaye]

I thought I'd go swimming. Oh, come on, turn back. This is about as much fun as walking in a graveyard.

[Charles]

Jove, I'm sorry.

[Madeleine Kaye]

Sorry.

[Charles]

We becalmed. And I forgot the oars at the landing.

[Madeleine Kaye]

Oh, nice going. So, what do we do now? Camp out here in the middle of the ocean until the scouts come after us.

[Charles]

You have a delightful sense of humor.

[Madeleine Kaye]

I'm getting a chill that isn't so delightful.

[Charles]

I'm juicingly sorry. Here, put my coat around you. Lovely.

[Madeleine Kaye]

The wind hasn't cooled you off any, has it? What was that?

[Charles]

What?

[Lady Jane]

Do you hear it? Like a fish.

[Madeleine Kaye]

You don't have whales in these parts, do you?

[Charles]

Whales? By Jove.

[Madeleine Kaye]

There it is again.

[Charles]

Yes, I heard it.

[Madeleine Kaye]

The waters are smooth.

[Charles]

Oh, fish jumping, probably. Oh, this is cozy. They calmed at a very opportune time, if I might say so.

[Madeleine Kaye]

Yeah, I can't very well walk home, can I?

[Charles]

Anything for you.

[Madeleine Kaye]

You'll have your chance.

[Charles]

Anything. What is it?

[Madeleine Kaye]

I thought I saw that rope up there at the bow or whatever you call it.

[Charles]

Move rope?

[Madeleine Kaye]

Yes. Squirm. Sort of imagine that. I haven't had a drink in a week.

[Charles]

But there's no ropes at the bow.

[Madeleine Kaye]

Oh, yes, there. There is two.

[Charles]

Charles, it's no rope.

[Madeleine Kaye]

Then what is it?

[Charles]

I. I can't quite make out.

[Madeleine Kaye]

It is a rope. It is a rope, I tell you.

[Lady Jane]

It is.

[Charles]

I. I'm not quite sure.

[Madeleine Kaye]

Another one.

[Lady Jane]

Charles, look.

[Madeleine Kaye]

Another one came out of the water.

[Charles]

Oh, it's moving.

[Madeleine Kaye]

Moving down along the deck. Charles, how can there be snakes out here?

[Charles]

Not snakes.

[Madeleine Kaye]

What's the matter with you? What are they?

[Lady Jane]

Look, there's two of them. Slimy.

[Charles]

There's another. Thick as a man's chest. And another one coming out of the water. Oh, no. It can't be. It can't.

[Madeleine Kaye]

What is it, Charles?

[Lady Jane]

What is it?

[Announcer]

Ladies and gentlemen, I'm sure none of us would mind a little time for breathtaking in this amazing story. Lord Marley's guest.

[Sam]

Yes.

[Announcer]

Before returning to the play, let's consider the reality of a wartime problem that affects you.

[Madeleine Kaye]

No, I simply won't go to the service men's dance tonight. Who'd want to dance with me anyway? Since I've lost so much weight? I don't look like anything. I'm so in itch and tired out again tonight. Can't eat. I just know I'll lie awake till all hours. The same as last night. Honestly, I'm worried about myself.

[Announcer]

Well, getting worried can't help. But if vitamin B1 and iron shortage is your trouble, very probably ionized yeast

[Madeleine Kaye]

tablets can vitamin B1 and iron. Ionized yeast tablets? What do you mean?

[Announcer]

Just this. Nutrition authorities say improper eating due to wartime living may cause a person to become deficient in vitamin B1 and iron, two substances essential to normal weight, strength and energy. And iron. Ice tablets supply those exact two substances, vitamin B1 with iron. They are scientifically compounded to help two ways in these deficiencies. Yes, help you two ways to look and feel and be your old time, peppy, sparkling self again.

[Madeleine Kaye]

Maybe I should try ionized yeast tablets.

[Announcer]

By all means do. If you're short on vitamin B1 and iron, then see if pretty soon you

[Madeleine Kaye]

aren't saying how grand it is to feel good again. How glad I am that I took ionized yeast tablets.

[Announcer]

And now back to tonight's play, Lord Marley's guest.

[Sam]

In it. Sam, hear it I, I, I hear it.

[Charles]

There's trouble out there.

[Sam]

But what I'm asking, I can't see. They're too far off. Too far off. Oh, listen to her, Sam. It can't be. What else in the devil's name can it be? Lord, forgive me. I should have warned him. Dirty pride or not, I should have warned him. I should have warned him.

[Lady Jane]

Fisherman.

[Charles]

Sam. It's your ladyship.

[Sam]

Running this way, Lord Alpha. What can she do for him?

[Lady Jane]

Fisherman. Help me please, Lord.

[Sam]

Help you. Mom, what can we do?

[Lady Jane]

He's falling to us. What is? Sam and Men. Get into your boat. We've got to get out there and help them. Listen to him. Oh, I Help him. Mrs. Men.

[Sam]

All right, all right. Come ahead. Mom. Sam, have you lost your head? You're not going out there. Stepping forward, Mom. Watch your steps. Sam, you're bummy. It's the death house. There. Hand me that. Off. John, cover.

[Madeleine Kaye]

Off.

[Sam]

Sam, you can't be going out there. You was the one that warned us off and now you're going out yourself. Sure, I'll show you off. But I'm coming with you. Good man, Joe.

[Lady Jane]

Hurry. Hurry that.

[Sam]

We will dig yours in deep, Joe. Deep. It is himself as you wait out there. But here we go to meet him. Faster, Sam. Go faster.

[Charles]

Back of me. Madeline, stay back of me.

[Madeleine Kaye]

Horrible things reaching out. You've got to tell me what they are. What? Tell me.

[Charles]

Behind us. Look.

[Madeleine Kaye]

No, no. Those snake things crawling toward me. I've got to keep my eyes on. If I watch them, they can't hurt me. Yes, that's it. If I watch them, they can't hurt me.

[Charles]

Watch out.

[Sam]

Watch out.

[Madeleine Kaye]

Answer me.

[Lady Jane]

You can they hurt me?

[Madeleine Kaye]

What are you staring like that for?

[Charles]

Now, Now I know. I know what it is. It eight arms coming out of the water. The body must be beneath.

[Madeleine Kaye]

What are you talking about? What body?

[Charles]

Its body. There. He was seeking the boat. It's holding on with those horrible arms.

[Lady Jane]

Arms?

[Madeleine Kaye]

What are you raving about? Snakes. Slime me wanted snakes.

[Charles]

No, not snakes. I'd give my soul if there were. They're arms. It's arms.

[Madeleine Kaye]

Stop saying that.

[Charles]

It's arms. And it's waiting. Waiting underneath the sea for us. Waiting for us.

[Sam]

Help. Help.

[Charles]

Somebody help.

[Lady Jane]

What is it?

[Sam]

Help.

[Lady Jane]

What?

[Madeleine Kaye]

Tell me.

[Charles]

Devil fish. An octopus. Larger than the boat. Suckers on its tentacles.

[Madeleine Kaye]

Oh, my leg. One of those crawling things on my leg. Get it off.

[Lady Jane]

Get it off my leg.

[Charles]

I can't punch it. I can't punch it. Let's go. Let's go.

[Sam]

The Boat. Turn it over. They're fighting. They're fighting something in the water.

[Lady Jane]

No, we can't let him down.

[Sam]

No, no, no, we can't. It's a devil fish. I. I see it, too. It's arms. They're longer than the mast of the boat itself. The tide's taking us right into it. Get at your o, Joe. We'll get out of there.

[Charles]

Yeah, we let go of ours.

[Lady Jane]

Mama. No, I won't let you come.

[Sam]

Let go of the o, woman.

[Lady Jane]

I won't let you. It'll kill us, too. The octopus is killing them.

[Sam]

Not killing them. Playing with them like a cat with a mouse.

[Lady Jane]

Oh, no.

[Sam]

Lifting them up in those great slimy arms and then dropping them back in the sea again. Drown. I held him under and drowned him. Oh, no.

[Charles]

Drawn him up again.

[Sam]

See, I have. But what. Oh, no. What is it? What is that terrible thing that's lifting out of the water? It's Ed. See? It's bringing the body toward its. Ed. It's going to. No, no, don't look, Mom. No. No. He's dead anyways. Mom. Joe, let's get out of here. Come on for it. Wait. The woman. Let's let her go. The woman. I. She's swimming for it. This way. This way. No, no. Let's get out of here. Get up the oars, man.

[Lady Jane]

No way. Too late for him. But we can't leave her, Right?

[Sam]

We'll get you, miss.

[Lady Jane]

She's too tired to swim anymore.

[Sam]

Feel so, fish.

[Lady Jane]

Well, hurry.

[Sam]

Come on, Sam. Put you back to that oar. We'll get you, miss. Bring her around, Sam. Grab her, quick. Aye, that I will. Got you now. Up you go. Over.

[Madeleine Kaye]

Up.

[Lady Jane]

Come in.

[Sam]

Watch it. Well, that's it. In you go now.

[Lady Jane]

You're safe now. You're safe.

[Sam]

Look. He's gone, eh? The monster. The devil fish. Gone under the water. Quick. Put the girl down there in the bow and let's get out of here before he pulls us down. Right.

[Lady Jane]

It's all right. You're safe enough. He'll say if I tell you. No, no, stop saying it. What is it? Why do you start? We've got to get ashore. The woman hysterical.

[Sam]

Shame.

[Charles]

Something is holding the boat back now.

[Sam]

No, it can't be. We're almost at the beach. And look over the port side. What?

[Lady Jane]

It's the octopus.

[Sam]

No, it's underneath the water, holding us back.

[Lady Jane]

Horrible black thing.

[Sam]

Come on into the stern with us.

[Lady Jane]

But she.

[Sam]

Another arm.

[Charles]

I push it down.

[Sam]

Beat it off with your oar, man. Oh, stay back. You Poor. Twisted the ore right out of my head.

[Charles]

Look, another arm. And they're all removed.

[Sam]

Moving up towards her.

[Lady Jane]

She doesn't see it.

[Sam]

She thinks she's safe around her neck it's wrapping around.

[Charles]

Dragged her over. The boat's free.

[Sam]

Free, I tell you, free.

[Charles]

It's let go of us.

[Sam]

We'll get away. But. But why should that be. Dragged her over and let us go.

[Charles]

Ay, that's so. Picked her right out of the boat. And now the water's so calm and clear. And look, the sun's come out.

[Sam]

Huh?

[Madeleine Kaye]

Ay,

[Sam]

and his lordship and the blonde one. Dead. Dead under the sea. What say you, Mom?

[Lady Jane]

Dead under the sea. Better so.

[Announcer]

Well, Mr. Ober, all I've got to say is

[Arch Oboler]

that brr is certainly an expressive one, Frank. But before we talk of birds, I do want to thank June Deprey and Joseph Granby and Mary Jane Croft. And now speaking of brrrs, I think it reminds all of us that there's a strange icy hand of retribution which apparently eventually seems to catch up with evildoers right at the moment. A man by the name of. What was it again? Oh yes, Mussolini is remembering that. And now, Frank, after you've had a few words, I want to come back and tell our audience about a play which we're going to do next week. May I go on record right now as saying that I am looking forward to next week's lights out with a. Well, with more eagerness than I have to any play of this series. I'll tell all of you about that as soon as Frank Martin says a few words for iron ig.

[Announcer]

If you're so jittery and run down, often so tired out that you miss out on your work and fun and if it's simply because you're short on vitamin B1 and iron, remember ionized yeast habits give you these exact two substances. Now of course a rundown condition may be due to other causes. If in doubt, see your doctor. But if vitamin B1 and iron shortage is your trouble, remember ironized yeast has been so successful in such cases that it's sold on this no risk money back basis. If you don't start to eat better to feel much stronger and more alive, the cost of the first bottle will be refunded to you in full by ironized yeast box. IY Rahway, New Jersey. And now what's this about your eagerness over next week's play, Mr. Ober?

[Arch Oboler]

Well, a man can write a play with his tongue in his cheek or with his heart or with his mind. I'll say. Quite frankly, I wrote next week's play with heart and mind because it's a play that I wanted to do and I know you'll want to hear. It's not the usual lights out play by any means. It's intended for even those in your family who may not be particularly interested in the mysterious and fantastic. So have the entire family listening in. Yes, children too. Next week when we broadcast a story of the future. Your future.

[Announcer]

Yes. Tune in next Tuesday again for Arch Ober's story of the future. And if you need more vitamin B1 and iron, be sure to try ironized yeast. But remember, there's only one ironized yeast. You'll know it instantly by the yellow and orange package and by the big letters IY on the container and on each tablet.

[Charles]

Is greater than you think.

[Announcer]

Here is a very helpful, very short short story. First girl gets little grease spot on dress. Girl cries. Then girl remembers energy and cleaning fluid. Girl uses Energene. End of grease spot. End of story. Yes, friends, it's easy to do little cleaning jobs right at home to save time, money and your clothes with Energene cleaning fluid. So keep things clean with Energene. This is the Columbia Broadcasting System.

[Relic Radio Host]

Relicradio.com has more from Lights out, the Horror and all of the Relic Radio podcasts and a shoutcast stream with even more lots to listen to, all made possible by your support. Donate.Relicradio.com or one of the support links if you'd like to help out. Thanks again to those who have thanks for joining me this week. I'll be back tomorrow with Strange Tales and next Saturday with our next episode of the Horror.