
We'll hear from Dark Fantasy on this week's episode of The Horror. From November 14, 1941, here's their story, The Man Who Came Back. Listen to more from Dark Fantasy https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1277.mp3 Download TheHorror1277 | Subscribe | Spotify | Support The Horror Support your weekly hauntings by visiting donate.relicradio.com! Thanks!
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Philip Blake
Oh, stories, real stories and murders do
Captain Sullivan
turn out your legs.
Philip Blake
Turn them out. Good evening. Come in, won't you? What's the matter? Surely you're not nervous.
Keith Grange
For example, car, I think restored.
Captain Sullivan
We are meant to call from out of the past. Stories strange and weird tales of mystery and terror by radio's masters of the
Keith Grange
maa Stories of a supernatural the supernova dramatized the mysteries the unknown.
Captain Sullivan
We tell you this. Frank.
Keith Grange
Frank.
Captain Sullivan
So if you wish to avoid the
Keith Grange
excitement tension of these magic play ladies, we urge you our latest seriously to turn off your way down.
Relic Radio Host
Welcome back to the Horror, your weekly dose of old fashioned fear. Every Saturday@ RelicRadio.com Our story comes from Dark Fantasy this week an NBC series that debuted in November of 1941 and aired for 31 episodes until June of 1942. We're gonna hear the first episode today on November 14th, 1941. Here's the man who came back.
Keith Grange
Dark fantasy.
Philip Blake
I am the man who came back it.
Captain Sullivan
All right now, break it up. Break it up.
Sylvia
He's this way, officer. He's in here.
Captain Sullivan
All right, Ms. Casey. Yes, Captain. Now you stay right there in that doorway and don't let nobody in or out. Right, Captain. All right, now. All right, you heard him.
Sylvia
Oh, but we had nothing to do with this.
Captain Sullivan
Okay, sister, you didn't. You ain't got nothing to be scared of. Hey, you. Where do you think you're going?
Philip Blake
I thought I might get a little
Keith Grange
air, if you don't mind.
Captain Sullivan
Well, I do mind. Now back in the house with you. What's the big idea, you wearing that mask?
Philip Blake
As you might have observed, my friend, this is a masquerade party.
Captain Sullivan
Oh, is it now? Well, according to Emily Post, its masks off at midnight. We got this call to come out here just as the clock in Washington Circle was striking the hour.
Philip Blake
The call was placed by a most hysterical woman. And there is nothing you can do for the man in there, I assure you.
Captain Sullivan
Stop changing the subject. What I want to know is why ain't you unmasked like the other?
Philip Blake
I prefer, sir, to wear my mask.
Captain Sullivan
Take it off, Don Juan. I want to look at your mug.
Philip Blake
It might be better, my friend, if you didn't see my mug.
Captain Sullivan
Now look here, Zorro.
Philip Blake
Perhaps while we are waiting, I might tell you a story, huh?
Captain Sullivan
What is this, bedtime at Grandma's? The only story I'm interested in is what happened here tonight.
Philip Blake
Exactly.
Keith Grange
Eh?
Philip Blake
I said exactly. Perhaps I can tell you the story.
Captain Sullivan
All right then, my fine, mysterious friend, give.
Philip Blake
Well, you see, it's quite A long story. It really all began three. Yes, at least three years ago. I remember that evening quite well. I let myself into Grange's apartment. It was a golden key. I used a bright golden key. And there was no one there when I arrived. So I close the door and wait. Well, Grange, Imagine seeing me here.
Keith Grange
Blake. I say, you startled me.
Philip Blake
Did I? Now? I dare say had I been someone else, you wouldn't have been at all startled.
Keith Grange
Incidentally, old man, how did you get in here?
Philip Blake
I suppose it would be quite facetious on me to say that I came in the same way you did. I say, a new piano. Do you mind?
Keith Grange
No, not at all.
Captain Sullivan
Go right ahead.
Keith Grange
Help yourself. Have a drink.
Captain Sullivan
No, thanks.
Philip Blake
You better have one, though.
Keith Grange
Hmm? Oh, yeah. I say, Blake, what's that you're playing?
Philip Blake
You've heard it before, Grange.
Keith Grange
Have I? I don't recall.
Philip Blake
You have a short memory.
Keith Grange
I usually remember pretty well when you choose to. You do?
Philip Blake
Yes.
Captain Sullivan
What do you mean by that?
Philip Blake
My wife has played that tune for you every night this week and last and the week before that. You see, I happen to know.
Keith Grange
Oh, I see.
Philip Blake
Well, I'm glad you haven't the audacity to deny it.
Keith Grange
No, I don't deny it. Your wife has been here often, as often as she possibly could. But I assure you she came of her own desire.
Philip Blake
And as a result of your oily
Keith Grange
persuasion, I might agree, Blake, that she is easily persuaded. And of course, my curiosity prompts me to ask how you finally learned the truth.
Philip Blake
I accidentally found the key to your apartment here. It was in Sylvia's purse. A golden key with your initials engraved on one side, hers on the other.
Keith Grange
I thought that a rather handsome touch. Don't you agree?
Philip Blake
I've brought the key back to you.
Keith Grange
How gallant of you, old fellow.
Philip Blake
I'm serious. Sylvia will never come here again.
Keith Grange
Are you positive of that?
Philip Blake
Quite. For I shall ask her not to.
Keith Grange
You seem to believe she'll obey you.
Philip Blake
She will. And I ask you now, Grange, as a gentleman, kindly refrain from inviting her here again.
Keith Grange
In other words, hands off.
Philip Blake
That is, I'm glad I make myself quite plain.
Keith Grange
Why, you fool.
Captain Sullivan
You dull, stupid fool.
Keith Grange
What right have you to demand anything of Sylvia?
Captain Sullivan
Do you think for a moment, night after night, twiddling her thumbs while you're away from home?
Philip Blake
I admit I've been busy this past year, but another six months.
Keith Grange
Ah, you've no one to blame for Sylvia's being here but yourself. Here she's found what you've denied her. Blake. I doubt very much if she'll give it up.
Philip Blake
Why you swine. If you think for a moment.
Keith Grange
Oh,
Philip Blake
I forgot you carried a gun. But if you'd care to put it away.
Keith Grange
Skip the heroic splay. You know, I think I've suddenly thought of a solution to all this.
Philip Blake
The only solution is for you to leave Sylvia alone.
Keith Grange
Oh no, no, you're quite mistaken. This is the solution. Here in my hand. Indeed, I rather like the idea. Besides, with you out of the way, Sylvia need have no more qualms.
Philip Blake
Why, you low yellow rat.
Keith Grange
That's it Blake. Come closer. Threaten me. Make me do it. Make me do it, Blake.
Philip Blake
You think killing me is a way out, Grange, you're very badly mistaken.
Captain Sullivan
It's the only way out.
Philip Blake
If you kill me, Grange, I'll come back in a venture.
Captain Sullivan
One shot and that'd be all. I can prove self defense. Sylvia will help. She'll swear you came here and tried to kill me.
Philip Blake
I'll come back, Grange.
Captain Sullivan
Just one shot. Directly between the eyes.
Philip Blake
I'll haunt you, Grange, because by God
Captain Sullivan
in heaven, I'll come back. It's a perfect scheme. Yes, I like it. I'll pierce the veil, Grange, because I'll come back if I have to fight all the demons of helted Goethe. Prepare Blake. This is a chance of a lifetime. It's the way out. Yes, it's the way out.
Sylvia
X ray.
Captain Sullivan
Get your extra paper. Wealthy playwright clean in millionaire's apartment.
Keith Grange
Read all about it.
Captain Sullivan
Hey, Mr. Keith Grange playing self defense and slaying a Philip Lake. Here it is folks. Get your extra paper. Read the headline news about the killing. It is the judgment of this court that the defendant Keith Grange did shoot and kill the deceased Philip Blake on the night of April 16th. And that in so doing he acted in a line of self defense. The court therefore decrees that Keith Grange shall not be held to account for this unfortunate incident.
Sylvia
Well, my dear, I suppose there's nothing to worry about now.
Keith Grange
Not the slightest thing. I told you from the very beginning, Sylvia, that I acted rightly in doing what I did.
Sylvia
I still can't resign myself to it.
Captain Sullivan
But you must.
Keith Grange
It's all over. Philip is dead. Now we can be together as much as we please.
Sylvia
Keith, suppose you and I should have a misunderstanding. Suppose I should become angry sometimes. So angry I. I might tell the truth to the authorities.
Keith Grange
That, my dear, would be most unfortunate.
Captain Sullivan
But it's a possibility.
Keith Grange
And by no means should we overlook possibility. So allow me to remind you, Sylvia, my dear girl, that your hiding the true facts of the matter at the coroner's investigation automatically makes you an accomplice.
Sylvia
Oh, I see. But why are we talking like this, darling? We'll both feel better after we've had a little rest.
Keith Grange
Of course we will. There.
Sylvia
Excuse me. Good night, darling. I'm going home.
Keith Grange
I'll take you.
Sylvia
Oh, no. I'd rather go alone tonight, if you don't mind.
Keith Grange
As you wish, my dear. Good night.
Sylvia
Good night, darling, sweet. Will you call me in the morning?
Keith Grange
Yes, of course I will.
Sylvia
Good night, then.
Captain Sullivan
Good night, darling.
Keith Grange
Pleasant dreams. That's strange. Very strange. Just a moment ago, there were only Sylvie and I here. Now she's gone. Yet I feel that I'm not alone.
Philip Blake
You're not alone, Grange.
Keith Grange
What? What was that? I thought I heard a voice.
Philip Blake
It was my voice.
Captain Sullivan
Who are you? Where are you?
Philip Blake
I told you I'd come back.
Captain Sullivan
No, no, it's just my imagination.
Philip Blake
Is it your imagination, Grange?
Captain Sullivan
Yes, yes, of course.
Philip Blake
I warned you. I warned you, remember?
Captain Sullivan
Come out. Come out in the open. Come out, I say. Do you hear me? Come out.
Philip Blake
Your gun is useless against me now, Grange.
Captain Sullivan
What do you want? Tell me, what do you want?
Philip Blake
Oh, not now. The time isn't right now. But I'll be back. Watch for me and wait. Watch and wait for. I'll come back, Brains.
Keith Grange
I'll come back. No, no. I'm sure of was no one. No one at all.
Captain Sullivan
I just imagined it, that's all. Yes, just my imagination.
Keith Grange
Sylvia, dear, you look so tired. Here, perhaps this will wake you up. Present for you.
Sylvia
A present?
Keith Grange
Yes, something I picked up today. I thought you'd like it.
Sylvia
How sweet of you, Darling. I think I can guess just by looking at the box. It's. It's a ring.
Keith Grange
Oh, aren't you clever. Go ahead, open it.
Sylvia
All right, darling, but don't hurry me.
Keith Grange
Sylvia, that isn't the ring I bought for you.
Sylvia
Keith, look at this ring.
Keith Grange
The initials P.B.
Sylvia
keith.
Philip Blake
This.
Sylvia
This is his ring.
Captain Sullivan
Sylvia, what are you saying?
Sylvia
It's his ring. I gave it to him.
Keith Grange
What?
Captain Sullivan
Sylvia did.
Sylvia
I swear to you. Philip Blake was buried with that ring on his finger.
Keith Grange
Dad. Dad. Mr. Yes? Please.
Captain Sullivan
Do you mind coming around to the
Keith Grange
other side, please, mister.
Captain Sullivan
That door busted and you can't get it open. Oh, very well. Sorry to ask that of you, but they had time to get the other door fixed.
Keith Grange
Where to, friends? Oh, I think the DS Hotel, please.
Philip Blake
Right. Excellent. That's where I'm going.
Keith Grange
Oh, well, you startle me. I didn't know there was anyone in this cab. It's so dark tonight.
Philip Blake
Yes, isn't it?
Keith Grange
I see. I don't seem to feel anyone in
Captain Sullivan
the seat here beside me.
Philip Blake
Strange. You certainly bumped me hard enough when you crawled in here.
Keith Grange
Bumped you? I beg your pardon, sir, but I.
Philip Blake
Never mind, Grange. Never mind.
Keith Grange
You know me.
Philip Blake
I'm surprised that you don't know me.
Keith Grange
Why, there he goes. Your voice sounds familiar. Good Lord. Philip Blake.
Philip Blake
Do you mind riding with me?
Captain Sullivan
I. Blake, you're supposed to be dead. You're supposed to be buried.
Philip Blake
I am dead, Grange. I am buried.
Captain Sullivan
Gabby. Gabby, stop this cab.
Keith Grange
Right, sir.
Captain Sullivan
Let me out of here. Let me out. What's the matter, governor? Hey, you hadn't ought to jump out of a moving car like that. What in the name of heaven is in the back of that cab? Why, nothing, governor.
Keith Grange
Here, see?
Captain Sullivan
I'll turn on the light.
Keith Grange
There, see?
Captain Sullivan
But there was somebody in there with me. Oh, now, mister, they couldn't have been. Look for yourself. The seat's empty.
Keith Grange
There.
Captain Sullivan
You just jumped out on this side of the cab. The other door won't open. No, brother, there wasn't nobody in that seat with you. Must have been your imagination.
Sylvia
Hello. Hello, Doric there. This is Sylvia. I just wanted to remind you about the masquerade ball at Keith's new home tonight. You'll be there? Fine. Now remember, masks and costumes for everybody. All right. Now, be sure to come in costume, won't you, Dorothy? Yes, and heavily masked, my dear. Yes, at Keith's new place. Oh, darling, wait till you see the place. It's really a mansion. Honestly.
Keith Grange
It's humorous.
Sylvia
Mr. Grange, I believe.
Captain Sullivan
Sylvia, darling.
Keith Grange
So you've penetrated my disguise.
Sylvia
Silly. I heard you order it from the consumers yesterday. Darling, the music book starts soon. First dance hours.
Keith Grange
Sylvia, my dear, every dance is ours tonight. Are you happy I bought this place?
Sylvia
Oh, it's lovely. Absolutely lovely. Keith, darling, what's the matter?
Keith Grange
That man in black. I've been watching him all evening. He's been watching me.
Sylvia
Do you know who he is?
Keith Grange
No. He just stands and stares at me everywhere I go.
Captain Sullivan
He's always just a short distance away.
Sylvia
Look, he's going into your study.
Keith Grange
Well, he hasn't any business in there.
Sylvia
Strange. I locked that door this evening so the guest wouldn't go into your study and disturb things.
Keith Grange
Well, he just walked right in, dear. I'll go see who he is and what he wants. You mingle with the guests and I'll join you later.
Sylvia
Very well, dear. But don't be long. I'll be waiting for you.
Keith Grange
All right. Sylvia. It's odd. This door is locked. Dark piano. Oh, confound it, where's the light switch? There. No. No, it can't be. That piano. Someone's playing, and
Captain Sullivan
yet there's no one seated there.
Keith Grange
The keys moving up and down, playing
Captain Sullivan
the music, but there are no hands on them.
Keith Grange
That melody. It's the melody he played the night I killed him.
Captain Sullivan
He's playing it now, yet he's not there.
Keith Grange
I'm here, Grange. I'm here.
Philip Blake
Look closer, Grange. Here I am. You see?
Keith Grange
Yes, I see you now.
Philip Blake
I brought you a little gift for your masquerade party.
Keith Grange
What?
Philip Blake
You'll find it lying on your desk. Turn around and see for yourself.
Sylvia
That's right.
Keith Grange
There. You see? A gun.
Philip Blake
It's the one you killed me with. Don't you recognize it?
Keith Grange
Where did you get that gun?
Philip Blake
I found it, Grange, and I've brought
Keith Grange
it back to you.
Philip Blake
I put one shell in its chamber. Just one, Grange, but that is enough.
Captain Sullivan
What are you trying to
Keith Grange
go on? He's gone.
Captain Sullivan
Lord, am I mad? Was I dream?
Keith Grange
No,
Captain Sullivan
no, the gun is here. It is my gun.
Keith Grange
One cartridge. He said only one. One cartridge.
Captain Sullivan
Yes.
Sylvia
Yes.
Captain Sullivan
It's the only way left. He knew it was the only way. Now he's left me to take it. All right, Blake. You can have your revenge. You can have it. You are right. It is the only way. So he shot himself.
Philip Blake
The evidence in there will indicate that he did, yes.
Captain Sullivan
Say, that's quite a yarn you spun, Zorro.
Keith Grange
It is nothing but the truth.
Captain Sullivan
Come on, now.
Keith Grange
Come on, me friend.
Captain Sullivan
Let's take off your mask and have a look at you.
Keith Grange
One moment.
Philip Blake
Heath Grange shot Philip Blake squarely between the eyes.
Keith Grange
So what?
Philip Blake
That doesn't make a very pretty sight.
Captain Sullivan
Well, I don't see what that's got to do with. Here comes the captain. He'll take that mask off.
Keith Grange
Ye, Captain.
Captain Sullivan
Sullivan, come here a minute, will you? Yes, Casey, what is it? There's a mug here that won't take off his mask. He's been spinning me the most fantastic yarn ever heard in all my.
Keith Grange
Where'd he go? Huh? Where'd who go?
Philip Blake
Say, did you let somebody get out
Keith Grange
of this house, Casey?
Captain Sullivan
No, no, no, no, said Cap.
Keith Grange
No, I didn't.
Captain Sullivan
But he was. He was standing here just a minute ago. He wouldn't take off his mask. He told me the darndest story about a murdered man coming back from the grave.
Keith Grange
Casey, have you been near the punch bowl? There's no one here. Now, wait a minute.
Philip Blake
What's this stain here on the floor?
Keith Grange
Blood. A little pool of it.
Captain Sullivan
There on the floor, right in the exact spot where the man in black was standing.
Keith Grange
Sam. Dark fantasy. The man who Came Back an original tale of dark fantasy by Scott Bishop. Ben Morris was Keith Grange. Eleanor Naylor Coren was hurt as Sylvia. Fred Wayne took the part of Casey Muir Height was Captain Sullivan, Murillo Schofield the cab driver and Eugene Francis was the man who Came Back. Ladies and gentlemen, every Friday night at this time, the national broadcast, the National Broadcasting Company will bring you dark fantasy tales of the weird adventures of the supernatural created for you by Scott Bishop. Listen one week from tonight for the breathtaking story of the tombs of ancient China, the Soul of Shanhaiwan.
Captain Sullivan
This is the National Broadcasting Company.
Relic Radio Host
You can find more from Dark Fantasy, the Horror and all the Relic Radio podcasts on the website relicradio. Com. You can donate through that website as well if you'd like to help support this and all of the shows. Thanks to those who have thanks for joining me this week. Be back tomorrow with Strange Tales and next Saturday with our next episode of the Horror.
Podcast Summary: The Horror! (Old Time Radio) – “The Man Who Came Back” by Dark Fantasy
Episode Date: April 25, 2026
Presented by RelicRadio.com
This episode of "The Horror!" features the first story aired on NBC’s Dark Fantasy (originally broadcast November 14, 1941), titled "The Man Who Came Back." Host RelicRadio sets up an old-fashioned narrative of betrayal, murder, and supernatural revenge—classic old time radio storytelling filled with atmosphere and eerie suspense.
Memorable quote (03:02, Philip Blake):
“The call was placed by a most hysterical woman. And there is nothing you can do for the man in there, I assure you.”
Tense dialogue (05:46, Philip Blake):
“My wife has played that tune for you every night this week and last and the week before that. You see, I happen to know.”
“If you kill me, Grange, I’ll come back in a venge…”
“It’s his ring. I gave it to him. I swear to you, Philip Blake was buried with that ring on his finger.”
“I am dead, Grange. I am buried.”
The story circles back to another masquerade party at Grange’s mansion, where he is stalked by a mysterious man in black.
The haunting escalates as the unplayed piano starts up, playing Blake’s melody—without any visible hands (20:41, narration):
“The keys moving up and down, playing the music, but there are no hands on them.”
Blake materializes, presenting Grange with the gun used in the murder, now loaded with a single cartridge, offering him the only way out (21:50, Philip Blake):
“I put one shell in its chamber. Just one, Grange, but that is enough.”
Grange, driven to despair and madness by the relentless haunting, takes his own life.
Notable exchange (24:24):
“He told me the darndest story about a murdered man coming back from the grave.”
(24:36, narration): “Blood. A little pool of it. There on the floor, right in the exact spot where the man in black was standing.”
Ominous Promise:
"If you kill me, Grange, I’ll come back in a venge..." (08:33, Philip Blake)
Proof of the Supernatural:
"It’s his ring. I gave it to him. I swear to you, Philip Blake was buried with that ring on his finger." (14:55, Sylvia)
Blake’s Ghostly Presence:
"I am dead, Grange. I am buried." (16:49, Philip Blake)
Supernatural Manifestation:
"The keys moving up and down, playing the music, but there are no hands on them." (20:41, narration)
Ultimate Revenge:
"I put one shell in its chamber. Just one, Grange, but that is enough." (21:50, Philip Blake)
The episode maintains the brisk, melodramatic, and gothic tone of classic radio horror. Characters use earnest, sometimes flowery language, heightening the suspense. The script leans heavily on assertion, confrontation, and ghostly foreboding—immersive and vivid for listeners who crave vintage chills.
"The Man Who Came Back" is a classic supernatural revenge tale: betrayal, murder, and a pledge that not even death ends the consequences of sin. With its layered flashbacks, clever structure, and atmospheric sound design, Dark Fantasy’s debut holds up as a showcase of old-time radio’s eerie power.
Perfect for those who love a gothic twist, moral comeuppance, or simply want to shiver at an old ghost story told in radio’s golden age.