The Search For Life by The Hermit’s Cave

Summary

Podcast Summary: "The Search For Life" by The Hermit’s Cave

Podcast Information:

• Title: The Horror! (Old Time Radio)
• Host/Author: RelicRadio.com
• Episode: The Search For Life by The Hermit’s Cave
• Release Date: December 7, 2024

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Introduction

In the December 7, 2024 episode of The Horror!, hosted by RelicRadio.com, listeners are transported back to the golden age of radio with the gripping story titled "The Search For Life" from The Hermit’s Cave. This episode delves into the dark and morally ambiguous world of scientific experimentation, resurrection, and the unforeseen horrors that emerge when humanity plays god. The narrative is rich with tension, emotional conflict, and supernatural elements, embodying the essence of old-time radio horror.

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Setting the Stage

The episode opens with eerie sound effects and the host's chilling invitation to "turn out your lights" and prepare for a night of terror. The Hermit, the mysterious narrator, introduces the audience to the world of ghost stories, monsters, and unexplained phenomena that define old-time radio horror tales.

Notable Quote:

• Court Mander (00:14): "Turn out your lights. Turn them out. Good evening. Come in, won't you?"

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Introduction of Key Characters and Premise

The story centers around Hale Brousson, a dedicated research scientist obsessed with overcoming death through his experiments. His wife, Vera Brousson, becomes increasingly concerned about his relentless work ethic and the toll it takes on their relationship. Additionally, Nada Arling, an actress and Hale’s associate, adds emotional depth and complexity to the narrative, hinting at past relationships and underlying tensions.

Notable Quotes:

• Hale Brousson (00:06): "Stories real stories that murdered do."
• Vera Brousson (02:34): "Don't you think it's time you stopped for a while? It's getting awfully late."

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The Central Conflict: Experimentation and Moral Dilemmas

The heart of the episode lies in Hale's groundbreaking yet ethically questionable experiment: the recreation of dead individuals. His wife Vera confronts him, pleading for him to cease his dangerous work, fearing the catastrophic consequences of meddling with life and death.

Notable Quotes:

• Vera Brousson (03:25): "Hale, you must stop it. Stop this experiment immediately."
• Hale Brousson (03:32): "What I'm doing is nothing more than other men have done before me. The creation of the elements the body needs to live on and on."

Hale’s determination is palpable as he dismisses Vera’s concerns, driven by his belief in scientific progress and the potential to conquer death itself.

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Introduction of Court Mander and Rising Tensions

Court Mander, Hale’s assistant, enters the scene bringing personal conflict into the narrative. His relationship with Nada Arling introduces a subplot of unfulfilled love and resentment. Court’s disillusionment with Hale’s experiment becomes evident, highlighting the internal struggles and differing moral compasses among the characters.

Notable Quotes:

• Court Mander (05:35): "I've never forgotten that night correctly. Nor I."
• Nada Arling (06:18): "I'm surprised. Mr. Broughton's discovery has made him the most important person in the world."

The dialogue between Court and Nada unveils the emotional stakes and the personal costs of Hale’s obsession.

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The Experiment Unravels: Creation of a Prehistoric Creature

As Hale conducts his experiments, the results begin to deviate disastrously from his intentions. The reanimated subject exhibits uncontrollable strength and animalistic behavior, indicating that Hale has inadvertently resurrected something far more sinister than a mere human being.

Notable Quotes:

• Court Mander (11:07): "What was that?"
• Hale Brousson (12:07): "He's out of his cage, coming toward us. He'll kill us."

The emergence of the prehistoric creature serves as a metaphor for unchecked scientific ambition and the unforeseen repercussions of playing with life and death.

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Climax: Confrontation and Chaos in the Laboratory

The tension reaches its peak as the creature breaks free, leading to a frantic struggle within the laboratory. Amidst the chaos, Court attempts to intervene, leading to a tragic chain of events. The situation deteriorates rapidly as Hale and Court grapple with both the monstrous creation and their own moral dilemmas.

Notable Quotes:

• Hale Brousson (17:43): "She must die."
• Nada Arling (22:01): "Man from the past. You must hurry. I'm not much longer for reserve."

The interaction between Nada and Court underscores the impending doom and the irreversible mistakes made by the characters.

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Resolution: The Downfall of the Protagonists

In the climactic conclusion, Nada Arling executes a final act of vengeance against Hale and Court, condemning them for their transgressions against the natural order. The laboratory descends into darkness, symbolizing the end of their misguided quest for immortality and control over life.

Notable Quotes:

• Nada Arling (24:10): "This is the end of the world you created. Now we may all rest in our grace."
• Hale Brousson (25:09): "No."

The deaths of Hale and Court signify the ultimate price of their hubris, serving as a cautionary tale against the perils of tampering with forces beyond human comprehension.

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Conclusion and Insights

"The Search For Life" masterfully encapsulates the essence of old-time radio horror, blending scientific intrigue with supernatural horror. The episode explores themes of obsession, ethical boundaries, and the catastrophic consequences of playing god. Through its vivid dialogue and tense narrative, it underscores the timeless warning that some forces are better left untouched.

Notable Quote:

• Narrator (25:11): "Turn on your lights. Turn them on. Pleasant dreams."

The episode concludes with a somber reflection on the events, reinforcing the moral that humanity should tread carefully when delving into the mysteries of life and death.

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Final Thoughts

The Search For Life stands out as a compelling installment in The Hermit’s Cave, offering listeners a richly textured story that balances emotional depth with spine-tingling horror. The interplay between characters, combined with the escalating tension and ultimate tragedy, delivers a memorable and thought-provoking experience for fans of old-time radio horror.

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Key Takeaways:

• Moral Ambiguity: The episode delves into the ethical implications of scientific experimentation.
• Character Dynamics: Complex relationships add emotional weight to the narrative.
• Horror Elements: The prehistoric creature symbolizes the unintended consequences of human ambition.
• Cautionary Tale: Emphasizes the dangers of overreaching in the quest for immortality.

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Notable Quotes Overview:

• Opening Invitation: Court Mander (00:14) beckons listeners into a night of horror.
• Vera’s Plea: Vera Brousson (02:34) warns Hale to abandon his dangerous work.
• Hale’s Justification: Hale Brousson (03:32) rationalizes his experiments as a continuation of human progress.
• Court’s Conflict: Court Mander (05:35) reveals his internal struggle and past with Nada.
• Creature’s Threat: Hale Brousson (12:07) identifies the imminent danger posed by the creation.
• Nada’s Vengeance: Nada Arling (24:10) declares the end of Hale and Court’s reign of terror.

This detailed summary captures the essence of "The Search For Life," providing both an overview and in-depth analysis for those who have yet to experience this chilling tale from The Hermit’s Cave.

Transcript

[Hale Brousson]

O stories real stories that murdered do.

[Court Mander]

Turn out your lights. Turn them out. Good evening. Come in, won't you? What's the matter? Surely you're not nervous? Perhaps if you can't restore we are.

[Hale Brousson]

Meant to call from out of the past.

[Court Mander]

Stories strange and weird Tales of mystery and terror by radio's masters of the ma story supernatural the supernormal dramatized by fact faith the mystery of the unknown. We tell you this Frank, frankly. So if you wish to avoid the excitement tensioning of these magnets theory return all your radio.

[The Hermit]

Welcome back to the Horror Old fashioned fear since 2007. New shows every Saturday at relicradio.com thanks for joining me. This Saturday we're going to hear from the Hermit's Cave. This week. Series that debuted in September of 1936 and aired for 558 episodes until May of 1947. That was on the east coast. On the west coast. In between those years, September of 1940 to November of 1944, there was a separate production of the same stories. Our story today is titled the Search for Life.

[Court Mander]

The Mummers in the little theater of the Air. Now the Hermit is ready to begin.

[Narrator]

Ghost stories, Weird stories and murders too. The Hermit knows of them all. Turn out your lights. Turn them out. Have you heard the story the Search for Light? Then listen while the Hermit tells you the story.

[Nada Arling]

Yes, Hale.

[Vera Brousson]

Don't you think it's time you stopped for a while? It's getting awfully late.

[Hale Brousson]

Just a moment. I didn't notice what time it was, Hal. Come on.

[Vera Brousson]

I have a nice warm supper ready for you.

[Court Mander]

Hal.

[Hale Brousson]

I'll lock the laboratory door and be right with you.

[Vera Brousson]

I wish you wouldn't work so hard, Hale.

[Hale Brousson]

You mustn't worry about me. The research scientist has to work hard.

[Vera Brousson]

I've barely seen you these past few weeks. You've never worked this hard before.

[Hale Brousson]

I've never done anything like this before. Here, let me seat you.

[Vera Brousson]

Thank you. What are you doing, Hale?

[Hale Brousson]

Have you been in my laboratory?

[Vera Brousson]

Well, I only went in the other day to clean up.

[Hale Brousson]

I didn't notice that you had cleaned up. Same to me.

[Vera Brousson]

You came back before I had a chance to do any cleaning.

[Hale Brousson]

But being somewhat of a chemist yourself. You studied my notes, eh?

[Vera Brousson]

Well, they were there on the desk. I couldn't help but read them. Hale, you must stop it. Stop this experiment immediately.

[Hale Brousson]

What I'm doing is nothing more than other men have done before me. The creation of the elements the body needs to live on and on. Yes, possibly. The chemical inoperative procedure for the Recreation of a dead person.

[Vera Brousson]

Recreate a dead person? Well, that's impossible.

[Hale Brousson]

Why is it? Why is anything impossible if you know the cause and effect in the properties that make it up?

[Nada Arling]

Hail.

[Vera Brousson]

Drop it. Please don't go ahead with this thing. If you succeed, you'll control a thing that was never meant to be controlled.

[Hale Brousson]

Yes, I shall control death.

[Vera Brousson]

And the world will bow to you, flock to you at first. And then they'll grow to hate you and despise you for what you've done. They'll seek you out and kill you. Because if death was not to be, someone else would have changed it Ernes ago. Hale, you must stop this experiment before you get here.

[Nada Arling]

Coming. Why? Court. Mandy.

[Court Mander]

Hello, Nada. I came as soon as I received your message from Mr. Browsing.

[Nada Arling]

Come in. I'm glad to see you, Cort. You know, I've tried for almost a week to get in touch with you in here.

[Court Mander]

I've tried equally hard to make contact with you. You're a celebrity now.

[Nada Arling]

Oh, you don't do so badly in that laboratory yourself. Won't you sit down?

[Court Mander]

Thanks. I can only stay a few minutes. Hale Broussen is rather exacting since he's perfected his experiment.

[Nada Arling]

Oh, let's not talk about him. I seem to be afraid of his very name. Bringing dead people back to life, doing miracles.

[Court Mander]

I'm his assistant. You're not afraid of me, Someone I've.

[Nada Arling]

Known all my life, grew up with? Oh, don't be silly. Of course I'm not afraid of you.

[Court Mander]

Well, Nada Arling, the actress. I never believed it would be like this.

[Nada Arling]

You doubted my sincerity or my ability?

[Court Mander]

No, I never doubted either. But that night six years ago when you went away. Why? Well, that's the way I've always pictured you.

[Nada Arling]

I've never forgotten that night correctly. Nor I. I wish we could have had this meeting when I first arrived.

[Court Mander]

Then you're leaving?

[Nada Arling]

I must.

[Court Mander]

But why is it always going to be like this?

[Nada Arling]

I said six years ago, if I ever married, it would be you. But I can't turn back now. I have contracts.

[Court Mander]

Doesn't the fact that something inside both of us is slipping away mean anything to you?

[Nada Arling]

Our youth is slipping away, and that's the only thing I have.

[Court Mander]

Our relative proportions and understandings of what I meant.

[Nada Arling]

That's not true. Because I'm Nada Arling and your assistant to Hale Broson, the new creator. Even that can't change.

[Court Mander]

I don't like my position, Nada.

[Nada Arling]

That of waiting for me or as a research scientist.

[Court Mander]

Both, but I'm afraid of the latter.

[Nada Arling]

I'm surprised. Mr. Broughton's discovery has made him the most important person in the world. And you're basking in every glory that's his.

[Court Mander]

That may mean a great deal to you, but to me it's something horrible. I only accepted the position as Brousson's assistant for one reason.

[Nada Arling]

You accepted him? It was the other way around.

[Court Mander]

Well, he told me what to expect. But I was willing to chance it then. Now I know I was wrong. Already it has begun to show itself. We're going to work the other way.

[Nada Arling]

The other way? To work against Creation?

[Court Mander]

Yes. Hale Broughton gave his discovery to the world, thinking its greatness would overshadow any evils it might give rise to. Instead, its evils have overshadowed its greatness and has gone beyond control.

[Nada Arling]

Of course, what you contemplate is murder.

[Court Mander]

There's no alternative, Nada.

[Nada Arling]

What of the good you've done?

[Court Mander]

Good? You haven't seen some of those old people we treat continually. We give them life when their souls cry out to die. That's what we're doing. And everyone calls it good.

[Nada Arling]

You've changed, Court. I didn't know.

[Court Mander]

I'm sorry, Nada. I shouldn't have come here. You know how I feel about you. I'm entering another world. And you are the only thing that remains between me and I. Can stop now? Leave Broson? You and I could go where no one knows us.

[Nada Arling]

Oh, that'd be running away, Kor. Something that never solved anything. I know what to expect. As I am now. I'm realizing an ambition. And I can't give it all up in a moment.

[Court Mander]

No, I guess you couldn't. I should have known. Where did your tour take you?

[Nada Arling]

My boat leaves for South America at 6 tomorrow morning. Course.

[Court Mander]

Yes. Native.

[Nada Arling]

I want you to promise me something.

[Court Mander]

All right.

[Nada Arling]

That you will forget Hale Broughton and what you plan to do. Will you promise?

[Court Mander]

I. All right. Yes, I promise.

[Nada Arling]

I hope you mean that.

[Court Mander]

I do. I do mean it. Are you going to board your boat tomorrow morning?

[Nada Arling]

No, later this evening. They're giving me a reception and when I leave there, I'm going directly to the boat.

[Court Mander]

I see.

[Nada Arling]

Leaving so soon?

[Court Mander]

Yes, I have to be getting back.

[Nada Arling]

Are you going to tell Mr. Browson tonight?

[Court Mander]

Tonight? Why? That's what I'm going to do now. I'll probably see you with the boat later.

[Nada Arling]

Well, why such an abrupt departure? I want. How strangely.

[Court Mander]

Yet how very strange. Good evening, Mr. Browson.

[Hale Brousson]

Court. What on earth brings you here at this hour of the Night. I wasn't expecting you until morning.

[Court Mander]

I had to talk to you.

[Hale Brousson]

Come on in. Must be rather important to bring you away from Ms. Arling. Sit down.

[Court Mander]

Thank you.

[Hale Brousson]

Seem quite upset about something.

[Court Mander]

I am.

[Hale Brousson]

What's on your mind, Court?

[Court Mander]

Do you mind if we close that door?

[Hale Brousson]

Certainly not.

[Nada Arling]

Don't close it.

[Court Mander]

There. Now, what's troubling you, Hale? Have you told Mrs. Brousson what we intend doing?

[Hale Brousson]

No, I haven't. Naturally, I haven't told anyone.

[Court Mander]

Good. Hale, before we start allowing them to die when they should, I'm going to kill Nada Arlington and bring her back to life.

[Hale Brousson]

But why? Why should you want to kill her? You're going to marry the girl.

[Court Mander]

That's what I had hoped, but it's all changed now.

[Hale Brousson]

And why have you come to me? You know almost as much about the procedures as I.

[Court Mander]

Yes, that's true. But I don't know what chemicals not to use in order that her brain will remember. Only to a certain point and not beyond.

[Hale Brousson]

She won't marry you.

[Court Mander]

No. Her career is more important to her than I am.

[Hale Brousson]

You know this is murder.

[Court Mander]

But I'll bring her back to life.

[Hale Brousson]

And in so doing, you intend creating her mind so it will forget its former fame.

[Court Mander]

That's what I came to see you about. So far, our creations have been with everything but the mind that we've been unable to change. When we brought people back to life, their memory patterns remained the same. I know you've been carrying on further research along this line.

[Hale Brousson]

Caught. I have. My first experiment was tonight.

[Court Mander]

What was the result?

[Hale Brousson]

Just a moment and I'll show you. Come with me to my laboratory.

[Court Mander]

Who was it?

[Hale Brousson]

Oh, a derelict who had died. No. Just a moment before you enter. The experiment wasn't entirely successful. I brought the subject to life easily enough. But his brain. Well, you shall see.

[Court Mander]

What was that?

[Hale Brousson]

Wait until I snap on the light.

[Court Mander]

In a cage. Looks all right. Doesn't seem to be anything wrong with him.

[Hale Brousson]

Don't go too near that cage. He may look all right, Court, but I assure you he isn't. Look at his eyes.

[Court Mander]

Yes, they have a wild, starry cast.

[Hale Brousson]

To them, and it's gibberish.

[Court Mander]

Does that sound like to you it's almost like. Like an animal?

[Hale Brousson]

Yes.

[Court Mander]

He wasn't insane before he died?

[Hale Brousson]

No. He died of a heart attack.

[Court Mander]

Well, then how did he become like this?

[Hale Brousson]

I reconstructed his brain exactly as it was. But the brain must manufacture something of its own that I don't know about. The only way I have of keeping him in that Cage is to charge the bars with enough electricity to kill an ordinary man. It only stuns him.

[Court Mander]

Well, for heaven's sake.

[Hale Brousson]

What you see behind those bars is not a recreated human being, but a prehistoric man of gigantic strength.

[Court Mander]

I wish we had another place to work. That thing gets on my nerves. Jabbering and growling.

[Hale Brousson]

I can't let Barrier know about this. We'll just have to stick it out, Court.

[Court Mander]

Oh, this formula of yours. Yes, we've been over it a thousand times and still the answer's the same.

[Hale Brousson]

Oh, shut up, Court. Please don't do that again. If he should break loose with the outer door locked, we wouldn't have a chance.

[Court Mander]

Why don't we kill it?

[Hale Brousson]

With what?

[Court Mander]

We could use a gun. Wouldn't have to go near it to kill it.

[Hale Brousson]

That way Vera would hear. And besides, I couldn't do a thing like that.

[Court Mander]

I'm not so sure I couldn't.

[Hale Brousson]

Well, we'll find a more humane way than that.

[Court Mander]

And it's getting late. Time for me to go. I told Nate I'd meet her at the dock. Nayna Nada.

[Hale Brousson]

Colin.

[Nada Arling]

I thought she was way down the ship.

[Court Mander]

No, it's best this way.

[Nada Arling]

I was rather hurt the way you left me this evening.

[Court Mander]

I'm sorry, Naylor. Well, come sit in the car a few moments. It's warmer in here. All right.

[Nada Arling]

I'm so glad you came down. So glad I was able to see you again before I left.

[Court Mander]

Nothing could have kept me away.

[Nada Arling]

This will be a long trip.

[Court Mander]

Yes, it will be. Of course.

[Nada Arling]

Is there something wrong?

[Court Mander]

No, no, no.

[Nada Arling]

Is there something troubling you?

[Court Mander]

No.

[Nada Arling]

I just touched your hands. They're like ice.

[Court Mander]

It's just chilly down here, that's all.

[Nada Arling]

I was half afraid of you a moment ago. When I looked in your eyes, they seemed to be staring at me oddly.

[Court Mander]

I want to remember you in case I.

[Nada Arling]

Yes?

[Court Mander]

In case I don't see you again.

[Nada Arling]

Oh, we'll see each other again, Court. I'm sure of that.

[Court Mander]

So am I.

[Nada Arling]

You know, I've waited ever since we got in the car for you to tell me about Mr. Broughton.

[Court Mander]

Mr. Broughton?

[Nada Arling]

Your break with him. You made it, didn't you?

[Court Mander]

Break? Oh, yes, Yes. I told him just what I was going to do.

[Nada Arling]

Oh, such a weight lifted from my mind. Now I can leave without being afraid for you.

[Court Mander]

Yes, that's right.

[Nada Arling]

That's all past now. When I come back from this tour, it'll be to the young scientist I knew six years ago.

[Court Mander]

Remember that. Remember that.

[Nada Arling]

You look so strange.

[Court Mander]

Remember the Past Nada.

[Nada Arling]

Good. What are you doing?

[Hale Brousson]

Don't struggle, please.

[Court Mander]

Just breathe deep. This poison is sure I'll wake you soon. Oh, Nada, wherever you are, hear me. Believe me, you're the only life I have. I'll bring you back. But you must remember only the past. You must remember things as they were before. You must remember only the past.

[Narrator]

Nate Arling slumps over dead Will Court Mander succeed in making her remember only the past? What will happen when he brings her back to life? And the medieval monster in Hale Brousson's laboratory? What about him, eh? The Hermit will tell you before the night is dumb.

[Court Mander]

Now the hermit again.

[Narrator]

Court Manta has brought Nader harling to heal Bron's laboratory. Mr. Browson is making preparations for the final operation on N arling brain.

[Hale Brousson]

Get those clamps ready. Cord. Place your fingers here while I put these clamps. Not too much tear apart.

[Court Mander]

Removing it. Will those creases smooth out when I let go?

[Hale Brousson]

Yes, when I inject these chemicals.

[Court Mander]

There.

[Hale Brousson]

Clamps are in place. Now for the injections of this fluid. I'm ready for that.

[Court Mander]

Now. Gently.

[Hale Brousson]

Gently. Now release your fingers. Slowly. Slowly.

[Court Mander]

Growling frightened me.

[Hale Brousson]

These clamps slipped when you moved. I have to put them back on again.

[Court Mander]

If you cause anything more like that to happen. Now take the shotgun and blow your head off.

[Hale Brousson]

Hold your hand steady. Expose the tissues too long, it will die again. We'll have everything to do all over again.

[Court Mander]

Here, I have it down again.

[Hale Brousson]

Steady, Steady. Now forget him.

[Court Mander]

Now.

[Hale Brousson]

Just a second. We'll be ready for the solution.

[Court Mander]

Now. That does it.

[Hale Brousson]

Release the pressure slowly.

[Court Mander]

Slowly. Right. See?

[Hale Brousson]

The creases aren't coming back.

[Nada Arling]

Hurry.

[Hale Brousson]

Hand me that piece of her skull that we cut away.

[Court Mander]

Here it is. In this case.

[Hale Brousson]

You bored all the holes in it so we could fasten it down in place.

[Court Mander]

They're ready now.

[Hale Brousson]

Help me again. We must replace it exactly as it was cut away. I marked it good. Ah, yes, I see the marks. Turn it just slightly. Hold it in place while I fasten it.

[Court Mander]

That monster grabbed his cage and the electric shock made him scream.

[Hale Brousson]

The light caught the dimming. What is holding onto the cage and shocking the turret. I can't see the work. I stopped the surgery. Our work is useless. Do something quickly.

[Court Mander]

The lights have gone out now. Must have caused the fuse to blow.

[Hale Brousson]

We haven't any time to waste. Do something, man.

[Court Mander]

That.

[Hale Brousson]

That thing. Is he free?

[Court Mander]

No, he's still in this cage. He's on the floor. Electricity must have stunned him.

[Hale Brousson]

Look over there. There's a Candle. Light it quickly.

[Court Mander]

Yes, I see it.

[Hale Brousson]

Quick, bring it here. We must finish this operation. My fingers are growing numb holding this tissue in place.

[Court Mander]

We can finish before that thing and the cage comes too. Can you see? By this candle. I must hurry. I think I hear him stirring in his cage.

[Hale Brousson]

Can you see if he is. No.

[Court Mander]

There isn't enough light to see that far. With the cage intact.

[Hale Brousson]

I didn't have time to look. I have one clamp in place on the skull. I'll have another in a moment.

[Court Mander]

What was that?

[Hale Brousson]

I didn't hear anything. Here, hold the candle closer.

[Court Mander]

Nada's coming, too. I can see her breathing.

[Hale Brousson]

I must hurry. We still have to bandage her head. I can't seem to get this other clamp through the hole in the skull.

[Court Mander]

Her breath is coming faster and louder now. I can hear it.

[Hale Brousson]

Watch where you're holding the candle.

[Court Mander]

I can hear her breathe. Hale.

[Hale Brousson]

Once I get this fastened, the rest will be easy.

[Court Mander]

She's breathing so loudly. I. Hale, behind you.

[Hale Brousson]

What?

[Court Mander]

The man.

[Hale Brousson]

He's out of his cage, coming toward us. He'll kill us. Wait. We're your friends. Wait. We're going to help you see?

[Court Mander]

Come.

[Hale Brousson]

Come. Follow me.

[Court Mander]

Hail Nada.

[Nada Arling]

She's going to be all right for a moment.

[Hale Brousson]

We must get him back to the cage. Now. That's it. Come along. Of course he's watching you and Nada. Motioning for you to get away from Nada.

[Court Mander]

Watch out, Hale. He's reaching for you.

[Hale Brousson]

He's crushing my arm.

[Nada Arling]

Claw, quickly.

[Hale Brousson]

There's a hypodermic needle on the table.

[Court Mander]

Get it.

[Hale Brousson]

Yes, I have it.

[Court Mander]

He's washing me now. Look. Look what I have here. This will make you feel better. Come. Just a little closer.

[Hale Brousson]

Get him with that needle. His fingers are crushing my arm.

[Court Mander]

Now.

[Hale Brousson]

Just a little closer.

[Court Mander]

I won't hurt you.

[Hale Brousson]

Let go of me. Let go. Quartz, hit him with the hypo. Quickly. Quiet. He looks like he's listening to something. He's loosening his hold on me. In a moment, I might be able to pull free.

[Court Mander]

Staring at. Look.

[Hale Brousson]

Nader is getting up from the operating table.

[Court Mander]

No. No, she can't. The operation isn't finished.

[Hale Brousson]

Use the hypodermic for haircut. Hurry, before she stands up.

[Court Mander]

See?

[Hale Brousson]

She's sitting up now.

[Court Mander]

Nada, lie down.

[Narrator]

Lie down or get back to you.

[Hale Brousson]

He doesn't want you to go nearer.

[Nada Arling]

Man.

[Court Mander]

Nada speaking.

[Nada Arling]

Man from the past. We are going back, you and I. And we will take Cort Nander and Hale Broson with us. Cort. Man from the past. Bring Mr. Browson here.

[Court Mander]

Come.

[Hale Brousson]

Do something. Help me.

[Nada Arling]

Course. Nan. To try to move.

[Court Mander]

I. I can't.

[Hale Brousson]

I. I can't move.

[Nada Arling]

No. You want to. But I. Now control your will.

[Court Mander]

Megan.

[Hale Brousson]

Let me go. She's killing me. Four o'clock to her. I didn't bring her here. Never make this inhuman. Moscow. Let me go.

[Nada Arling]

Hale Browson. You must die.

[Court Mander]

No. No.

[Hale Brousson]

You can't do this to me. It's murder.

[Nada Arling]

You have murdered many.

[Hale Brousson]

But it was different. It was the only way.

[Nada Arling]

Man from the past. You must hurry. I'm not much longer for reserve.

[Hale Brousson]

Fingers. They're crushing my head.

[Court Mander]

My head.

[Nada Arling]

Man from the past. You would be dead. You're not for this world. They brought you back against your will. Court Mender. You spoke of shooting this man. Where is the gun?

[Court Mander]

In the gun rack on the wall. There.

[Nada Arling]

Get it. Bring it here. Point begun at that poor mixed up soul of yesterday with the body of today.

[Court Mander]

No.

[Nada Arling]

Now. So that he may have peace and rest. Pull the trigger. No. Pull the trigger, I say. I haven't much more time. Court Mender. You and Hale Broughton have been violating the eternal law. Nan is born to die, and die he must. Your soul will never rest in this world. But it will never come back. There is one more shot in the gun. Court.

[Court Mander]

Yes, Nada.

[Nada Arling]

Hand the gun to me.

[Court Mander]

Yes, Nada.

[Nada Arling]

I. I must lie down on the table.

[Court Mander]

Here.

[Nada Arling]

Stand in front of me.

[Court Mander]

Yes. I am here.

[Nada Arling]

This is the end of the world you created. Now we may all rest in our grace.

[Court Mander]

Hail.

[Nada Arling]

Cop.

[Court Mander]

What has happened?

[Hale Brousson]

Hail.

[Court Mander]

Cops.

[Hale Brousson]

Open the door, please. Hail.

[Court Mander]

What is it? Why is it Halloween?

[Narrator]

Vera Broson's cries go unanswered. Hale Browson and Courtmander are dead. They will bring no more dead back to life.

[Court Mander]

No.

[Narrator]

Turn on your lights. Turn them on. Pleasant dreams. All characters, places and occurrences mentioned in the Hermit's Cave are fictitious and similarity to persons, places or occurrences is purely accidental.

[The Hermit]

That's it for the Horror for this week. There's more from the Hermit's Cave at relicradio.com alongside all the other podcasts and our shoutcast stream. Lots to listen to. Thanks to your support. If you'd like to help out, visit donate. Relicradio.com or click on one of the links on the website. Your support makes it all happen. Thanks to those who have helped out. Thanks for joining me this Saturday. Be back tomorrow with Strange Tales and next Saturday with our next episode of the Horror.