What if the work you're doing today actually began long before you knew its name?

In this concluding episode of Thank You For Having Me, Joanne reflects on the hidden threads that shaped her life's work. From a childhood spent surrounded by fabrics and fashion design, to years learning alongside artisan chocolatiers, to a lifetime devoted to fascia and human movement, she explores how seemingly unrelated experiences became part of one continuous education.

At the heart of the episode is a simple realisation: everything was preparing her.

You'll hear:

What Joanne means by the body as a "liquid crystal matrix"
How craftsmanship shaped her understanding of fascia long before science gave it language
The surprising connections between fabric, chocolate, and living tissue
Why our earliest experiences often become the foundation of our life's work
How families transmit far more than knowledge
Why love, service, and attention can become a living inheritance

Part memoir, part reflection, and part exploration of the living body, this episode brings the Thank You For Having Me series to a close by revealing the invisible architecture behind Joanne's work and the extraordinary people who helped shape it.

Next week, we'll begin a brand new Sacred Geometry series. Following the beautiful response to the first series, Joanne will introduce you to the remarkable people whose work has most profoundly shaped her own understanding of fascia, sacred geometry, and the living intelligence of the human body. We hope you'll join us for the journey.

As always, thank you for having me.

SIGN UP TO THE JOANNE AVISON NEWSLETTER

Simply scroll down to ‘Join Our Collective’ and pop in your details. We DON’T spam and we DO respect privacy!

FOLLOWING ON YOUTUBE?
Do join us! Start here

MORE:
My website - https://www.joanneavison.com/
My course - https://myofascialmagic.com/
My book: - https://amzn.to/3zF3SAS
Instagram - joanneavison

FREE ONLINE WEBINAR:
Free Webinar - https://myofascialmagic.com/webinar-registration

Podcast produced and edited by Megan Bay Dorman