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John Clay Wolf
The John Clay Wolf show has appeared on terrestrial radio for a really, really, really long time. So we dug into our pockets and on the other side of our we found something funny. And yes, it's contagious. Gather round as the Wolf Pack goes on this throwback adventure.
DJ Prekay
What it do? It's your boy DJ Prekay with the John Clay Wolf show up in the archives with another banger. I'm taking it all the way back to 2016. This time, our buddy and rock scholar Wallace Edwards was in the house breaking this off with a classic look behind the Music and some notorious lyrics. Turns out Bruce Springsteen was more of a party animal than I realized. Check it out.
Wallace Edwards
Well, Wallace, as long as you're here, didn't we have you mean you were scheduled to come in? Do a little behind the Music story for us?
John Clay Wolf
I get a little weird calendar wise this time of year. John wiped out. Here's a story I've got lined up for you. By the 1960s, one of the biggest up and coming rock acts from England was Manfred Mann's Earth Band, who had scored tremendous hits in the UK with songs like the Mighty Quinn and Do Wah Diddy Diddy, which he'd actually written for Diddy Quinn, his sweetheart since childhood. And they still managed to do a lion's share of live shows by the 70s, opening for newer, younger rock artists. Literally a dream come true. That is, until they were scheduled in 1975 to perform a total of 20 dates opening for Bruce Springsteen and his E Street Band. From the get go, Bruce and Manfred were less than instant besties upon their first meeting. Rather than a traditional handshake, Springsteen did that old fake shake and comb the hair thing, laughed and walked away. Which is of course an unbelievably rude gesture upon first introduction. Add to that that one by one, every single of the E Street Band pulled the same goof on man, all nine of them in a row. But more and much worse indignities were to come. It's no secret that Bruce was a heavy drinker and recreational cocaine abuser in those days, and that led to many abuses of his status as the headlining attraction. Invariably, he'd show up late, forcing Manfred Man's band to stretch their opening shot beyond the planned set list, requiring them to play unpelled land covers of songs by everyone from the Beach Boys to Kiss with no preparation. Or he'd play his closing set for hours on end, forcing Manfred and his crew to wait, sometimes as late as 4am to collect their pay for the night. Bruce also had a highly offensive and not very well executed faux English accent he'd used during his actual to ridicule man show to his own crowd and more than once passed out on Manfred's bus in his undies. Wallace forcing. Yes, I. I need, I need to.
Wallace Edwards
Get caught up with the story. You lost me. So is Bruce the opening act for Manford Man?
John Clay Wolf
Manford man was opening for Bruce at this time. The East Street Band was the biggest act in rock and roll at the time.
Wallace Edwards
What year are we in?
John Clay Wolf
1975.
Wallace Edwards
Okay, so Manford Man, Bruce opening, and they're jacking with each other between during these shows. Okay, go ahead.
John Clay Wolf
More than once, Bruce passed out on Manfred's bus in his undies, forcing Manfred and Diddy to share a ride with little Stephen and David Sanchez, two of the E Street Band's most amoral and sexually depraved members, all the way to Cleveland from Allentown, during which time the two English lovers feared for their bodies as well as their lives. And then, on the night of November 26, in a final excruciating blow following the last performance of the tour, after revealing a tryst that had begun more than a month prior, Bruce stole Diddy, Manfred Mann's pride and joy, and flew her back to his home in Asbury Park, New Jersey, only to drop her like a bad English muffin a short month later. She wound up in a state mental ward in Newark, where she still resides today. As for Manfred Mann, he still tours and writes for other artists. In fact, is one top selling hit of the 1970s. Blinded by the Light, was written with Bruce Springsteen firmly in mind. One lyric specifically tells the tale, because to the trained perspective of an English performer of impeccable taste and style, the Boss was really nothing more than a Blind idiot. Wrapped up like a douche. Just another runner in the nine. Got it. And that's this week's rock and roll. True story. I'm Wallace Edwards. Sure. That's the way.
Wallace Edwards
How is a douche wrapped up?
John Clay Wolf
It's not. It's.
Wallace Edwards
How many aggies does it take to wrap a douche?
John Clay Wolf
I think it has something to do with that headlining act money.
Health Insurance Representative
It's deuce.
John Clay Wolf
He was wrapped up like a deuce. I think it means very tightly. No, like, something about the absorbency. All right.
Wallace Edwards
Wrapped up like a deuce. A deuce.
John Clay Wolf
A deuce. Read the lyrics. It's deuce.
Wallace Edwards
What's a deuce? That's. That'd be like going to the bathroom. That's not nice.
John Clay Wolf
That's not much of an insult. J.D. i'm. It's not. It's the way the song is written. But if he's wrapped up like a douche, it means he's not a very nice guy. Well, I guess.
Wallace Edwards
Well, that is where the fun is.
John Clay Wolf
Who's the rock and roll scholar here, anyway?
Wallace Edwards
You are.
John Clay Wolf
And I'm sorry I stepped into the wrong.
DJ Prekay
All right, y'all know what to do. Hit us up on John Claywolf dot com. You can check out old episodes on there. You know, stay up to date with what we got on. Get cool gear. We got hats, shirts, all that hit us up on Facebook. You know, search John Clay Wolf show. We're on Instagram, johnsontwitter. You know, you can holler at all of us. Okay. You know how to spell it. Okay. We appreciate y'all listening. Keep on rocking with us.
Podcast Summary: The John Clay Wolfe Show – "JCW ARCHIVE: Wrapped Up Like A What?"
Episode Information:
Introduction In this archival episode titled "Wrapped Up Like A What?", host John Clay Wolfe takes listeners on an engaging throwback adventure, unraveling a lesser-known yet intriguing saga from the rock and roll world. The episode features contributions from DJ Prekay and rock scholar Wallace Edwards, who collectively dissect the tumultuous relationship between Manfred Mann's Earth Band and Bruce Springsteen during the mid-1970s.
Historical Context: Manfred Mann's Earth Band and Bruce Springsteen John Clay Wolfe sets the stage by tracing the rise of Manfred Mann's Earth Band in the 1960s and 70s. Known for hits like "The Mighty Quinn" and "Do Wah Diddy Diddy," the band enjoyed substantial success in the UK. By the 1970s, they were regularly opening for emerging rock acts, fulfilling a dream of playing alongside legends.
The 1975 Tour: Tensions with Bruce Springsteen The focal point of the episode revolves around the 1975 tour where Manfred Mann's Earth Band was slated to perform 20 dates opening for Bruce Springsteen and his E Street Band. From their initial meeting, tensions were palpable. John Clay Wolfe recounts:
“From the get go, Bruce and Manfred were less than instant besties upon their first meeting. Rather than a traditional handshake, Springsteen did that old fake shake and comb the hair thing, laughed and walked away.”
— John Clay Wolf [02:30]
This dismissive gesture set the tone for a strained professional relationship. The E Street Band members mirrored Springsteen's cold demeanor, collectively distancing themselves from Manfred Mann's Earth Band.
Behavioral Issues and Professional Strain Springsteen's personal struggles with alcohol and cocaine exacerbated the tensions. His unreliability manifested in various unprofessional behaviors:
Late Arrivals: Springsteen's habitual tardiness forced Manfred Mann's band to extend their sets, often playing unprepared covers ranging from the Beach Boys to Kiss.
Extended Performances: Bruce's tendency to prolong his closing sets resulted in delays, sometimes keeping Manfredmann's crew waiting until the early hours of the morning to receive their payments.
Mocking Accents and Public Embarrassment: Springsteen occasionally adopted a faux English accent to mock Manfred Mann's band in front of audiences and even passed out on their tour buses inappropriately.
John Clay Wolfe details a particularly distressing incident:
“More than once, Bruce passed out on Manfred's bus in his undies, forcing Manfred and Diddy to share a ride with little Stephen and David Sanchez, two of the E Street Band's most amoral and sexually depraved members, all the way to Cleveland from Allentown.”
— John Clay Wolf [04:09]
The Incident with "Diddy" and Its Aftermath The culmination of these tensions occurred on November 26, after the final performance of the tour. Springsteen allegedly stole Diddy, a cherished member of Manfred Mann's band, and took her to his home in Asbury Park, New Jersey. This betrayal had severe consequences:
Emotional Toll: Diddy was left in a state mental ward in Newark, where she remains to this day, highlighting the personal devastation wrought by the ordeal.
Long-term Impact on Manfred Mann's Career: Despite this setback, Manfred Mann continued to tour and compose music for other artists, with hits like "Blinded by the Light" becoming top sellers in the 1970s.
"Blinded by the Light": A Lyric with Bite The episode highlights how the strained relationship influenced Springsteen's music. Specifically, the lyric "Wrapped up like a douche" from "Blinded by the Light" reflects Manfred Mann's scorned perspective of Springsteen.
John Clay Wolfe elaborates:
“Blinded by the Light was written with Bruce Springsteen firmly in mind. One lyric specifically tells the tale, because to the trained perspective of an English performer of impeccable taste and style, the Boss was really nothing more than a Blind idiot. Wrapped up like a douche.”
— John Clay Wolf [04:50]
Discussion and Clarifications Post-storytelling, Wallace Edwards engages in a light-hearted debate over the meaning of the lyric "Wrapped up like a douche." The conversation, filled with humor and confusion, underscores the cultural differences and the personal frustrations embedded in the song's lyrics.
“How is a douche wrapped up?”
— Wallace Edwards [05:30]
“Read the lyrics. It's deuce.”
— John Clay Wolf [05:53]
Despite the humorous exchange, the underlying tension from the story remains palpable, showcasing how personal conflicts can seep into artistic expressions.
Insights and Reflections The episode serves as a fascinating exploration of how interpersonal dynamics among rock legends can influence music and legacy. It underscores the importance of professional relationships in the music industry and how conflicts can leave lasting imprints on both personal lives and artistic outputs.
Conclusion "JCW ARCHIVE: Wrapped Up Like A What?" offers listeners a compelling look into the behind-the-scenes struggles that shaped the careers of Manfred Mann's Earth Band and Bruce Springsteen. Through detailed storytelling and engaging discussions, John Clay Wolfe and his team shed light on the complexities of rock and roll relationships, reminding us that the legends we admire often grapple with profound personal and professional challenges.
Notable Quotes
“From the get go, Bruce and Manfred were less than instant besties upon their first meeting. Rather than a traditional handshake, Springsteen did that old fake shake and comb the hair thing, laughed and walked away.”
— John Clay Wolf [02:30]
“More than once, Bruce passed out on Manfred's bus in his undies, forcing Manfred and Diddy to share a ride with little Stephen and David Sanchez... fearing for their bodies as well as their lives.”
— John Clay Wolf [04:09]
“Blinded by the Light was written with Bruce Springsteen firmly in mind. ... Wrapped up like a douche.”
— John Clay Wolf [04:50]
“How is a douche wrapped up?”
— Wallace Edwards [05:30]
Listener Takeaway For enthusiasts who may not be familiar with the intricate histories of these rock icons, this episode provides a captivating narrative that blends music history with personal anecdotes, highlighting the human elements behind legendary performances and timeless songs.