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Ryan Reynolds
Aloha, everyone. From beautiful Hawaii.
Jessica Mendoza
Standing on a beach with palm trees swaying behind him, the actor Dwayne the Rock Johnson made an announcement.
Ryan Reynolds
We are so excited and happy to announce that a live action reimagining of Moana is in the works.
Jessica Mendoza
The video came out in April 2023, and in it, Johnson revealed that he would be reprising his role as Maui in the live action version of Disney's animated hit Moana.
Jessica Tunkel
Kidding.
Ryan Reynolds
Heihei's gonna be in it, but of course Maui will be in it too.
Jessica Mendoza
But behind the scenes, Disney was planning something that didn't make the announcement.
Jessica Tunkel
Disney was looking at, is there a way we could do certain shots without having Dwayne Johnson be here every single time?
Jessica Mendoza
My colleague Jessica Tunkel covers media and entertainment.
Jessica Tunkel
Because, you know, when you're filming a movie, there's a lot of waiting around. That can also be expensive for everyone. Time is money. Dwayne Johnson's a big star, and so the idea was, what if we could take his face and put it on his stunt double, who's also his cousin, and use that for a few shots?
Jessica Mendoza
Johnson approved the idea. But in order to create these essentially deep fakes of Johnson's face, Disney turned to a third party AI company. And as discussions started, a big issue came up.
Jessica Tunkel
The question was, would Disney own that final product? Whatever was created from Dwayne Johnson's face on his cousin's body, would they still own that imagery?
Jessica Mendoza
Why was Disney so fixated on that question?
Jessica Tunkel
Because Disney is its characters, and if they lose control and ownership of those, they risk a lot. Disney, more than any other company, has the most to lose.
Jessica Mendoza
After 18 months of negotiations, Disney decided not to move forward with using AI footage in the film. The saga captured the conflict that Disney is facing when it comes to embracing AI.
Jessica Tunkel
It's a bit of a fundamental challenge for Disney because I don't think Disney wants to be seen as not ahead of things and not being aggressive in embracing new technologies. They don't want to be seen as backward looking. At the same time, they have to be super cautious.
Jessica Mendoza
Welcome to the Journal, our show about money, business and power. I'm Jessica Mendoza. It's Wednesday, August 6th. Coming up on the show, Disney wants to keep control of its most valuable assets and use more AI. Can it do both?
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Ryan Reynolds
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Jessica Mendoza
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Jessica Mendoza
Busy taxes and fees extra see mintmobile.com Disney is known for creating classic and beloved characters and fiercely guarding that intellectual property.
Jessica Tunkel
Well, think about it. Disney has a hundred year history of some of the most iconic characters in the world, right? We have Cinderella, you have Buzz Lightyear, you have Princess Belle, you have Donald Duck. Like these are characters that are known globally and have known through generations and generations. Like if they can't continue owning those, what is Disney?
Jessica Mendoza
But the media landscape is changing rapidly as more people look beyond traditional film and TV for content that's eaten into studios profits. And companies like Disney are already trying to use AI as a way to help cut costs. That was the idea behind making an AI version of the Rock in the Moana live action movie.
Jessica Tunkel
Disney puts out some of the most expensive movies in the world. That is happening at the time that fewer people are going to movie theaters. They need to find ways to cut costs and grow revenue and profits. So if they can figure out a way to use AI around the edges and things that will help them make movies much cheaper. But also maybe they're able to put out more movies because they're not spending as much on a single film.
Jessica Mendoza
And when you say use AI around the edges, what are the kinds of things Disney is envisioning?
Jessica Tunkel
Some of that is work you do before you're actually shooting the movie. Like just things on set. When you're trying to figure out what goes where and what a scene will look like that could be done by AI rather than have people drawing out what things will look like and having actors stand around like there's a lot of that pre work that you don't need. And the same thing with the special effects, and you're seeing this already where you can just make the special effects team's jobs faster. Some of the grunt work, where they have to, like, do all this stuff to make one thing move across the screen. They could just use a tool and it would happen much faster.
Jessica Mendoza
Disney has already started turning to AI as it diversifies its business, particularly in gaming. Last year, the company took a $1.5 billion stake in Epic Games, the owner of the popular online game Fortnite. Disney had already licensed some of its Marvel and Star wars characters to Fortnite, and fans loved it. So earlier this year, Disney and Epic experimented with generative AI to up the ante for fans.
Jessica Tunkel
They created an AI generated Darth Vader within Fortnite that gamers could chat with for a few days.
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Jessica Tunkel
The Skywalker line, always so eager to.
Jessica Mendoza
Announce itself, this AI Darth Vader, was trained on the voice of the late actor James Earl Jones, who voiced the character in the original Star wars trilogy. So how did it go?
Jessica Tunkel
Unfortunately, the gamers figured out a way to get the Darth Vader to curse, of course, like, within minutes.
Jessica Mendoza
Epic Games fixed the cursing issue within half an hour. But this kind of slip up is exactly why Disney keeps such a tight grip on its characters and has traditionally been wary of trying these kinds of.
Jessica Tunkel
Experiments because they would have been worried about the bad publicity associated with it. Wouldn't be worth the good publicity, right? So, yes, we might have gotten a lot of people to talk to Darth Vader, but oh my God, everyone saw this happen and this is terrible.
Jessica Mendoza
But that wasn't how Disney responded this time. On June 3, not long after the incident took place, a Disney executive who heads up the company's gaming division took to the stage at an Epic Games event and talked about the AI generated Darth Vader. He called it a historic moment for video games.
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Jessica Mendoza
The president of Epic Games said the company is committed to innovation, storytelling, and consumer engagement, and that it's excited about its future with Disney. Ultimately, Jessica says the companies considered the experiment a win.
Jessica Tunkel
They had like 10 million people, I think it was, that had a conversation with this Darth Vader, and it was all over social media. I think Disney now recognizes that we need to do these kinds of things, even if that might happen because this is the future of entertainment.
Jessica Mendoza
Even though Disney has become more willing to push boundaries with AI, it's still moving carefully with the technology. The company has set up all kinds of guardrails internally, including requiring employees to get permission. Before putting corporate content into an AI.
Jessica Tunkel
Tool, you would need to submit that to an AI committee at Disney who would have to approve you using whatever tool you wanted to use. And, you know, some people, people I'd spoken to not that long ago. It would take some time to get that approval. Now they've gotten it down to like 48 hours, but that just speaks to how cautious they're being.
Jessica Mendoza
But even as Disney tries to control it, AI is spreading like wildfire, and it's changing the shape of the entertainment industry. That's next.
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Jessica Mendoza
In June, Disney took a major step in trying to protect its copyrighted material from being used by generative AI. And it was joined in the effort by a longtime competitor, Universal Studios.
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Two major studios have sued an AI startup claiming it has, quote, blatantly copied famous movie characters, including.
Jessica Mendoza
The two studios filed a joint lawsuit against Midjourney, an artificial intelligence provider that lets users generate images from text prompts.
Jessica Tunkel
And they are alleging that they basically are stealing their characters. And they have about 100 images in the lawsuit where they show examples of how the AI company is stealing their characters without their consent.
Jessica Mendoza
So the issue is that Midjourney, like most generative AI, has been trained on content that includes Disney ip, right?
Jessica Tunkel
That is exactly it. And in a lot of those, what they're spitting out, you will see Darth Vader, other Disney, or in this case, Universal characters Like Minions and things like that. So there's not a lot of regulation around all of this right now.
Jessica Mendoza
Disney said in its lawsuit that Midjourney ignored earlier requests to cease violating their intellectual property rights. It called Midjourney, quote, the quintessential copyright free rider and a bottomless pit of plagiarism. Midjourney has not yet responded to the lawsuit. What would be the ideal outcome for Disney and Universal?
Jessica Tunkel
Well, definitely that no AI provider could do anything where it would output their ip.
Jessica Mendoza
Gotcha. And at what point is the lawsuit in its journey and what would the implications be?
Jessica Tunkel
So we are in early days of this lawsuit. They just filed it several weeks ago. But I think what the lawsuit speaks to, it's a bigger question. And the bigger question is becoming this brewing battle between Silicon Valley and Hollywood in that companies like Meta, Google, OpenAI have been arguing to the Trump administration that all copyrighted material, we should have access to all of it to train our models. And we need it because the companies in China are training off of it. And if you want us to compete with the companies in China, this is what we need. Hollywood companies and the CEO of Disney, Bob Iger, and his general counsel met with administration officials a few months ago and said, no, if you start taking all of our content and letting it feed these models, you, you lose what America's great for, which is the creativity and all the things we do. So this is the core battle. I mean, the Mid Journey lawsuit is one piece of that, but that is really what's at stake here, is what can you or can you not, can these models train on?
Jessica Mendoza
And it's not just the ownership of the content that AI is training on that's at issue. The people who are making that content are also worried. Actors, writers, artists and other creatives have been raising concerns for years about losing their jobs to AI. Disagreements about the technology were part of what shut down Hollywood for months in 2023, costing the industry billions. Fran Drescher is the president of the labor union representing performers, broadcasters and recording artists. She gave a speech at the time.
Jessica Tunkel
If we don't stand tall right now.
Jessica Mendoza
We are all going to be in trouble. We are all going to be in.
Jessica Tunkel
Jeopardy of being replaced by machines.
Jessica Mendoza
Eventually, studios and unions did make a deal, one that included worker protections when it came to AI, including getting consent and paying some creatives when AI is being used. But it was a long and costly negotiation for the industry. And with a new round of contract talks set to begin next year, Disney and other studios are reluctant to make Any moves related to AI that might upset unions.
Jessica Tunkel
Disney considers itself, especially Bob Iger, tries to be very talent friendly. They want to be seen as a friend to the actors and the writers. So they don't want to be seen in any way as doing anything that would replace their jobs.
Jessica Mendoza
So how is Disney dealing with the concerns from workers and union leaders this time around? Has anything changed?
Jessica Tunkel
I mean, they have protections in place now. I do think that it's going to be interesting to see as those conversations start, like, not the loud conversations, but the quiet conversations between the slides will start soon. It'll be interesting because, you know, a few years ago, the writers and the actors definitely had, I would argue they had the public's support and they had leverage. I think as these tools get better and as there's more pressure on the Hollywood companies to make money, it'll be interesting to see how that plays out.
Jessica Mendoza
What would be at stake if Disney's not able to figure out how to walk that line between pushing forward on AI and protecting their ip?
Jessica Tunkel
I mean, I would argue that the worst case scenario is that they lose ownership of some element of some character. I think that would be part for Disney if it came out one day that, like, oh, my God, OpenAI owns this version of Darth Vader.
Jessica Mendoza
How much money might they lose if they lose a character like Darth Vader?
Jessica Tunkel
I mean, think about these characters. They're on posters, they're on lunchboxes. They are are in movies, they're in TV shows. Like, they're on T shirts. Like, think about all the different revenue streams that come from a character. I think the heart of it is, on some level, Disney is like every other Hollywood company in that they're trying to figure out how to embrace these technologies. They recognize this is the future, but at the same time, they also want to protect themselves. I think they're going to be super cautious because they have the most to lose. But the days of AI being thought of as a bad word in Hollywood are over.
Jessica Mendoza
That's all for today. Wednesday, August 6 the Journal is a co production of Spotify and the Wall Street Journal. Additional reporting in this episode from Connor Hart, Amrith Ramkumar and Eric Schwartzel. Thanks for listening. See you tomorrow.
Episode: Disney’s Big AI Dilemma
Release Date: August 6, 2025
Hosts: Ryan Knutson and Jessica Mendoza
Production: A co-production of Spotify and The Wall Street Journal
In this episode of The Journal, Ryan Knutson and Jessica Mendoza delve into Disney's intricate relationship with artificial intelligence (AI), exploring the company's attempts to balance innovation with the protection of its invaluable intellectual property (IP). The discussion highlights significant developments, challenges, and the broader implications of AI integration within the entertainment giant.
The episode opens with an announcement by Dwayne "The Rock" Johnson regarding the live-action reimagining of Disney's Moana. Hosted by Ryan Reynolds and Jessica Mendoza, the segment humorously touches upon the inclusion of Heihei and Maui in the new production.
Jessica Tunkel reveals Disney's covert plans to leverage AI in the filmmaking process:
"Disney was looking at, is there a way we could do certain shots without having Dwayne Johnson be here every single time?" [00:42]
The idea was to use deepfake technology to overlay Johnson's face onto his stunt double, aiming to reduce filming time and costs. Johnson approved this concept, setting the stage for Disney's exploration into AI-generated imagery.
A pivotal concern during these discussions was the ownership of AI-generated content:
"Would Disney own that final product? Whatever was created from Dwayne Johnson's face on his cousin's body, would they still own that imagery?" [01:29]
Disney's fixation on maintaining ownership stems from its vast library of iconic characters, as Jessica Tunkel explains:
"Disney is its characters, and if they lose control and ownership of those, they risk a lot." [01:43]
After 18 months of negotiations, Disney opted not to incorporate AI-generated footage in Moana, highlighting the inherent conflict in embracing AI while safeguarding IP:
"After 18 months of negotiations, Disney decided not to move forward with using AI footage in the film." [01:58]
Jessica Mendoza discusses Disney's rationale behind utilizing AI:
"Disney puts out some of the most expensive movies in the world... they have to find ways to cut costs and grow revenue and profits." [04:55]
AI applications envisioned by Disney include pre-production tasks, special effects enhancements, and streamlining on-set operations, potentially enabling the production of more films at reduced costs.
Disney's foray into AI-driven gaming partnerships is examined through their collaboration with Epic Games:
"They created an AI generated Darth Vader within Fortnite that gamers could chat with for a few days." [06:30]
Despite initial setbacks—such as the AI Darth Vader inadvertently cursing during interactions—Disney presented the experiment as a historic advancement in gaming:
"He called it a historic moment for video games." [07:15]
The episode highlights Disney's cautious optimism and the establishment of internal guardrails to manage AI integration responsibly:
"They would need to submit that to an AI committee at Disney who would have to approve you using whatever tool you wanted to use. And, you know, some people... it would take some time to get that approval." [08:46]
In June, Disney, alongside Universal Studios, filed a lawsuit against the AI startup Midjourney for allegedly infringing on their IP by generating images of famous characters without consent:
"Disney and Universal... filed a joint lawsuit against Midjourney, an artificial intelligence provider that lets users generate images from text prompts." [10:35]
Disney characterized Midjourney as a "quintessential copyright free rider," emphasizing the unauthorized use of their characters:
"It called Midjourney, quote, the quintessential copyright free rider and a bottomless pit of plagiarism." [10:35]
Jessica Tunkel contextualizes the lawsuit within a larger conflict between Silicon Valley and Hollywood:
"The core battle... is what can you or can you not, can these models train on?" [12:06]
This legal action underscores the urgent need for regulatory frameworks governing AI's use of copyrighted material.
The rise of AI has raised alarms among actors, writers, and artists about potential job displacement:
"If we don't stand tall right now. We are all going to be in trouble." [13:45-13:48]
Following a contentious period in 2023, studios and unions reached agreements that include protections for creatives in the age of AI. However, with new contract talks looming, Disney remains cautious to avoid upsetting union dynamics:
"Disney and other studios are reluctant to make Any moves related to AI that might upset unions." [13:56]
The potential loss of control over iconic characters represents a significant financial and cultural risk for Disney:
"Think about these characters... what they are on posters, they're on lunchboxes... they're on T shirts." [15:26]
Disney recognizes AI as the future of entertainment but remains steadfast in protecting its vast array of beloved characters:
"They're going to be super cautious because they have the most to lose." [15:45]
Disney’s Big AI Dilemma encapsulates the delicate balance the entertainment titan must maintain between harnessing cutting-edge technologies and safeguarding its cherished intellectual properties. As AI continues to reshape the landscape of media and entertainment, Disney's strategies and legal battles will likely set precedents for the industry's future interactions with artificial intelligence.
Additional Reporting: Connor Hart, Amrith Ramkumar, and Eric Schwartzel.