Greg Kane is one half of iconic outfit Hue And Cry, which has been producing music for well over 40 years. We chat with Greg on that amazing history, his approach to production and playing, and lots more.

To listen / watch:

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Discussion topics covered during the show (links will open in new tab):

Hue And Cry’s latest album, Everybody

Working with the brilliant Yoad Nevo

Thoughts on Behringer and the Deepmind 12

Hue And Cry – Stronger

Greg’s love for the ASM Hydrasynth and the Moog DFAM

Sam Battle’s museum: This Museum Is (Not) Obsolete

When you connect 27 synths with MIDI clock

The formation of Hue And Cry

Hue And Cry in action live in 2025

Hue And Cry – Here Comes Everybody

Hue And Cry – I Refuse

Hue And Cry’s iconic song Labour of Love

Hue And Cry appear on Top of the Pops

Dealing with a hit and travelling to New York for recording

When you’re in the vicinity of Sam Fox and David Byrne

Breakfast with Petrocelli

The Possible Twenty bar in New York

The joy of custom DX7 and D-50 cartridges from Manny’s Music

A chat on instrumentation and Hue And Cry’s 1995 album ‘Piano & Voice‘

Hue And Cry – Looking for Linda

When Michael Brecker asks you to play in front of McCoy Tyner

Arranging brass/horns and working with Harold Wheeler and Lenny Pickett

Hue And Cry’s Jazz Not Jazz

Greg’s current keyboard rig with Hue And Cry – 100% live, no backing tracks

Desert Island Discs: Do It Yourself – Ian Dury & the Blockheads, Look Sharp! – Joe Jackson, Self-titled – The Specials, Kind of Blue – Miles Davis, I Heard That Noise – quickly, quickly.

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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.

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