Cookies w/ Amy Poehler

Summary

The Lonely Island and Seth Meyers Podcast: Episode Summary - "Cookies w/ Amy Poehler"

Release Date: April 30, 2025

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Introduction

In this captivating episode of The Lonely Island and Seth Meyers Podcast, Seth Meyers engages in an enlightening conversation with his fellow Saturday Night Live (SNL) alumni and comedy musicians, The Lonely Island—comprising Andy Samberg, Akiva Schaffer, and Jorma Taccone. Joined by Amy Poehler and Fred Armisen, the episode delves deep into the trio's groundbreaking work on SNL Digital Shorts, the creative process behind some of their most memorable sketches, and nostalgic reminiscences of their time on the iconic show.

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Reflections on SNL and The Digital Shorts

The episode opens with light-hearted banter as Amy Poehler joins Seth Meyers from an airport parking lot in Houston, Texas, preparing for a tour to Dallas. Seth humorously acknowledges the unconventional setting, setting the tone for an engaging and relaxed discussion.

Notable Quote:

• Seth Meyers [00:05]: "I would just say this is the most Lonely Island thing, Amy, that you showed up before my co-hosts."

As the conversation unfolds, Seth and Amy express gratitude for their lasting friendships forged at SNL. They highlight how their collaboration during the golden era of the show and the innovative SNL Digital Shorts may have even contributed to the early days of platforms like YouTube.

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Deep Dive into Iconic Sketches

1. "Bronx Beat" with Hugh Laurie

A significant portion of the discussion centers around the "Bronx Beat" sketch featuring Hugh Laurie. Seth praises the sketch for its enduring humor and impact, noting that it remains a fan favorite.

Notable Quote:

• Seth Meyers [01:42]: "Cause I watched it. It might be my favorite Bronx Beat ever."

Amy shares anecdotes about perfecting her character's Bronx accent, crediting Jodi Mancuso for keeping them grounded.

2. "Cookies" Sketch

The centerpiece of the episode is their analysis of the "Cookies" sketch featuring Hugh Laurie as a British butcher. The trio discusses the subtle humor derived from Laurie's accent and the absurdity of a serious meeting continually interrupted by cookie snacking.

Notable Quotes:

• Amy Poehler [02:38]: "I did my homework and I looked up what was going on that last episode. Cause it's a blur."
• Seth Meyers [03:12]: "Oh, my God, you are both so horny in this sketch. It's really fun to watch."

They explore the comedic timing and character dynamics that made the sketch resonate with audiences, even years later.

3. "Lamps" Sketch Controversy

Venturing into more challenging topics, the hosts discuss the infamous "Lamps" sketch. Fred Armisen shares his behind-the-scenes experience, revealing internal conflicts and the sketch's mixed reception.

Notable Quote:

• Fred Armisen [58:35]: "I never use them. But also I was like, I would love to eat all these cookies for this. That's the whole point."

Fred details the intense scrutiny from higher-ups like Lorne Michaels and the unforeseen backlash that followed, offering a candid look into the pressures of live television comedy.

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Anecdotes and Memories

Throughout the episode, the hosts share personal stories and humorous incidents from their SNL days. Amy recounts the emotional farewell during her last episode, highlighting the blend of genuine sentiment and comedic relief that typified their work environment.

Notable Quote:

• Amy Poehler [14:34]: "I have done that actually quite a few times. And then I usually, like, scream and throw my phone across the room because I'm like, oh, my God."

Seth reminisces about surprise parties and the camaraderie among cast members, emphasizing the strong bonds formed during their tenure.

Notable Quote:

• Seth Meyers [15:34]: "Yes, we all really failed. And I really failed. I mean, I texted him. But, yes, that was my last episode."

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Insights into the Creative Process

The group delves into their collaborative process, discussing how they brainstormed ideas, developed characters, and executed sketches under tight timelines. Akiva Schaffer shares his approach to embodying different regional accents, while Jorma Taccone reflects on balancing comedic elements with relatable scenarios.

Notable Quote:

• Akiva Schaffer [07:15]: "I do accents, so I do accents. Like local accents."

They also touch upon the challenges of maintaining originality and freshness in their content, ensuring that each sketch remains engaging and relevant.

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Final Thoughts and Conclusions

As the episode nears its end, the hosts express appreciation for their shared history and the lasting legacy of their contributions to SNL. They acknowledge the show's ongoing evolution and the importance of innovative content in keeping it fresh.

Notable Quote:

• Seth Meyers [61:33]: "And now, Andy has a week off for some stuff. I'm looking forward to getting Andy on the show to talk about lamps."

The episode concludes with a humorous yet heartfelt nod to future projects and the enduring friendship among the group, leaving listeners with a sense of nostalgia and anticipation for what's to come.

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Conclusion

This episode of The Lonely Island and Seth Meyers Podcast offers a rich tapestry of humor, insight, and heartfelt reflections. By revisiting iconic sketches like "Bronx Beat" and "Cookies," and candidly discussing behind-the-scenes experiences, Seth, Amy, Fred, Jorma, and Akiva provide an engaging narrative that honors their past while celebrating their ongoing creative endeavors. Whether you're a long-time fan of SNL or new to their work, this episode delivers a comprehensive and entertaining overview of The Lonely Island's influential role in shaping modern comedy.

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Notable Quotes with Timestamps

1. Seth Meyers [00:05]: "I would just say this is the most Lonely Island thing, Amy, that you showed up before my co-hosts."
2. Amy Poehler [02:38]: "I did my homework and I looked up what was going on that last episode. Cause it's a blur."
3. Seth Meyers [03:12]: "Oh, my God, you are both so horny in this sketch. It's really fun to watch."
4. Fred Armisen [58:35]: "I have done that actually quite a few times. And then I usually... scream and throw my phone across the room."
5. Amy Poehler [14:34]: "And then Fred comes out. One of my favorite Fred looks of all time."
6. Seth Meyers [61:33]: "And now, Andy has a week off for some stuff."

These quotes encapsulate the humorous and candid nature of the podcast, providing listeners with memorable snippets of the hosts' dynamic interactions.

Transcript

[Seth Meyers]

I would just say this is the most lonely island thing, Amy, that you showed up before my co hosts.

[Amy Poehler]

Well, we did change the time on them, right?

[Seth Meyers]

Yeah. And let me just thank you for joining us from what is very clearly an airport parking lot.

[Amy Poehler]

That's right, Seth. I am in an airport parking lot. I'm in Houston, Texas, getting ready to fly to Dallas, Texas with Elizabeth Fay for our tour. And we're also joined by Fred Armisen, who is joining us too. And so we're all hitting the road. We're getting on a plane. But I take my podcast and my podcast. Oh, excuse me. That's the sound of a plane. Hold on.

[Seth Meyers]

It's weird that that interrupted how seriously you take your podcast, but keep going.

[Amy Poehler]

I take my podcast very seriously.

[Seth Meyers]

Like you, I had a real emotional pang in the best possible way because I also reached out to Fred this morning to ask him a question about something we're going to talk about. And he mentioned that he's with you guys for Restless Leg. And. And I do think it speaks to Ann golden era that the three of you are together. And soon, whenever they choose to join my fellow podcast host, honestly, you and.

[Amy Poehler]

I could just talk and then you could just like paste in them going, haha, yeah, you could do that.

[Seth Meyers]

Yeah. Well, we'll paste in Jormus saying like, wait, who? When?

[Amy Poehler]

Well, I. I did my homework and I looked up what was going on that last episode. Cause it's a blur. Because it was the episode you're gonna talk about. Today was my last. So the good thing about the Internet is you can just type in an episode now and they'll show you every sketch and their opinion on it.

[Seth Meyers]

But there's one thing, Amy, that I was sort of very taken with. For whatever reason, the Hugh Laurie Bronx beat is hard to find online.

[Amy Poehler]

Oh, I wonder why.

[Seth Meyers]

I don't know. Cause I watched it. It might be my favorite Bronx beat ever.

[Amy Poehler]

Oh, it makes me want to watch it again.

[Seth Meyers]

It's very sweet because of course I'm watching it now, knowing it's your last episode. I of course realize that means Maya came back to just be a friend and join you. It's also kind of cool knowing now that at the SNL 50th, that was a sketch that sort of has endured and been a place there. Bronx Beat is so funny. Also, Shoemaker just spent three days on vacation with Jodi Mancuso, who's the inspiration, and he said, oh, yeah, the best thing is Jodi really does talk like that in real life.

[Amy Poehler]

I Know, I've said this before. When Maya and I are doing Bronx Beat, we go back to the hair department, and we just talk to Jodi just to, you know. And look, I'm not very good with accents, and I think my character there is kind of a combo of, like, my mom, who has a Boston accent, and Jody, who has a Bronx accent. But Jodi is really good at getting us back on track.

[Seth Meyers]

There is maybe one of the biggest laughs in the history of Bronx Beat in this episode, which is Hugh Laurie is on, and you guys are very enamored with his accent. You make him say schedule, he says schedule, and you just both lose your minds.

[Amy Poehler]

Let me tell you something, all right? You want to know something? That accent will get you everywhere. That is so sexy. So sexy.

[Seth Meyers]

Say some words.

[Fred Armisen]

What?

[Amy Poehler]

Say some words in your British accent. Yeah, yeah.

[Seth Meyers]

Say it in British.

[Amy Poehler]

Say schedule.

[Fred Armisen]

Schedule.

[Seth Meyers]

Oh, my God, you are both so horny in this sketch. It's really fun to watch.

[Amy Poehler]

Yeah, but.

[Seth Meyers]

Yeah, but then you say, this is the biggest laugh. You go, everything sounds better with a British accent.

[Amy Poehler]

Yeah. You know what? I wish we had accents. Me too.

[Seth Meyers]

And it is a rolling laugh that I love that this whole time, you are not aware of the fact. Because I do think that Betty and Jodi from Bronx Beat don't know anybody who doesn't talk like them.

[Amy Poehler]

That's right.

[Fred Armisen]

Yeah.

[Amy Poehler]

No, they don't think. They have a very strong accent. And, you know, like most women, they're entranced by an English accent. You know, we've all been there.

[Seth Meyers]

Oh, I've been there. I think I. I think I was there specifically with Hugh Laurie.

[Amy Poehler]

Yeah. God, he's so talented. And, I mean, I'm sure you'll talk about it in the podcast, but, I mean, he's such a seasoned sketch comedian. He was. You know, it was like. I don't think American audiences know as much of how incredibly deep his sketch and comedy history is.

[Seth Meyers]

Yeah.

[Amy Poehler]

With Fry for People who Only.

[Seth Meyers]

I mean, again, he was hosting for Dr. House, and he has a really lovely sketch performer moment. He runs a butcher shop, and you guys are just asking him what his favorite cut of meat is, and it's just using breast. You like the breast, inner thigh, outer thigh, and you say tongue, and he breaks, but just a little bit. Just a little British break.

[Amy Poehler]

Yeah.

[Seth Meyers]

And then he sort of. He manages to play it off like it was his character laughing a little bit. But it's a really nice moment, you.

[Amy Poehler]

Know, just like what happens every time I listen to this podcast. It really makes Me want to go back and watch the episode.

[Seth Meyers]

It's pretty awesome. But I want to ask. So you knew you were leaving? It's a Christmas show, and my memory is you knew you were leaving to do Parks.

[Amy Poehler]

Yep. I looked up the episode. Oh, sorry. Stand by. I'm listening right now. To make sure I don't miss my. But I think. I think everything got delayed, so. Okay. Yes. You know, I looked at the date of this episode, and it was December 13th, so it must have been the last episode before Christmas break.

[Seth Meyers]

That's correct.

[Amy Poehler]

And I had had my first child October 25th, so I was probably, you know, feeling like I could leave the house, I guess. And I don't remember if I came back. I have no idea.

[Seth Meyers]

You did a couple of shows. I think you did the last run of sort of December shows. November. December shows after Thanksgiving. So you came back and did those. But I definitely remember you telling me, I'm going to leave. And also I'm going to leave because I'm going to work with Shur on Parks and Rec.

[Amy Poehler]

Yeah, I think. I guess I went right after Christmas break to start on Parks and Rec. Yeah. In. In the beginning of that year.

[Seth Meyers]

It's sort of. I mean, Maya's in the episode, but you know, my favorite cast photo, which is that sort of black and white one. We're all dressed like 40s, 50s movie stars.

[Amy Poehler]

Yes.

[Seth Meyers]

The closest any of us will get to a 40s or 50s movie stars.

[Amy Poehler]

Totally.

[Seth Meyers]

But that's sort of my picture. And Maya has left. But this is the second departure of a cast member from Anne golden era.

[Amy Poehler]

Hi, Keith.

[Seth Meyers]

Oh, there he is.

[Amy Poehler]

Keev, I was saying to Seth that I'm with some SNL cast members right now, including one who was from Anne golden era, which is Fred Armisen. In fact, hold on. Maybe Fred. Fred, do you want to make a cameo?

[Yorma Taccone]

Sure.

[Amy Poehler]

Fred, I'm talking to Seth and Akiva right now.

[Yorma Taccone]

Hi, guys.

[Fred Armisen]

Hi. This really works out, Fred, because the short we're up to this week is your short. The cookies one.

[Akiva Schaffer]

That's right. I sent Seth a voice message about it.

[Seth Meyers]

Wait, so Restless Leg. Amy? Yeah, I saw Restless Leg, and the special guest was Maya.

[Amy Poehler]

Yeah.

[Seth Meyers]

You've done it with Dratch and you're doing it with Fred. What bit does Fred do at Resident? Is it different every night?

[Amy Poehler]

That's a good question. So, like I said, we're in Texas, so we're doing Houston and Dallas. And Fred, what do you do for your bit?

[Akiva Schaffer]

I do accents, So I do accents. Like local accents. And I lead up to it from, like, around the country. And then if we're in Chicago, I'll do, you know, Chicago or Dallas, you know, just like the surrounding areas. And that's what I do.

[Amy Poehler]

He got so specific last night in the Houston area and was talking about, like, regions in the Houston area, including Sugar Land, where we were, and the neighboring areas.

[Yorma Taccone]

River Oaks.

[Amy Poehler]

River Oaks. And people were like, you are nailing it.

[Seth Meyers]

But, Fred, are you really nailing it?

[Fred Armisen]

Yeah. How do you know?

[Akiva Schaffer]

It's like a general feeling you have about a place.

[Fred Armisen]

Okay, good.

[Akiva Schaffer]

You know what I mean? Like, there's parts of Boston or Chicago especially is easy, but Texas is kind of easy.

[Seth Meyers]

It's so. I mean, everybody should watch Fred's special on Netflix, Stand up for Drummers, where you do the entire. That you have the whole 50 states in that, right, Fred?

[Akiva Schaffer]

Most of them, yeah. Not all 50 states, but, like, you know, like a lot of places. But yeah.

[Fred Armisen]

Do you go take a walk around when you get to the hotel?

[Akiva Schaffer]

Do I look around?

[Fred Armisen]

No. Do you, like, walk around? When are you getting a sense of the place?

[Akiva Schaffer]

Oh, just from traveling in my life.

[Fred Armisen]

Oh. Previously.

[Akiva Schaffer]

Yeah, yeah, yeah, yeah. It's more like a previous thing. And also, like, you know, you know what it's like. Like, we all know people from all over.

[Fred Armisen]

Yeah, that's true.

[Amy Poehler]

Yes. I don't know if I could do Beaumont, Texas.

[Seth Meyers]

Nothing's more frustrating when somebody as talented as Fred saying, like. But you know what? It's like, you can do 200 different regional dialects.

[Amy Poehler]

Who among us pick up a guitar and display all the. So, Fred, did we get an announcement that we're delayed again?

[Akiva Schaffer]

Yep.

[Amy Poehler]

Oh, boy, guys.

[Seth Meyers]

Bad for you. Good for the pod.

[Amy Poehler]

Good for the pod.

[Akiva Schaffer]

Yeah.

[Yorma Taccone]

Amy, I just saw that you and Tina were going to play at the, like, Montegan sun or something like that in New Jersey, and I like.

[Seth Meyers]

Oh, hello. I'm Yorma. I just joined the podcast.

[Yorma Taccone]

Hi.

[Seth Meyers]

Like, that's a. You just want to introduce yourself. It's very strange when you.

[Fred Armisen]

He's a member. Like, he's a pretty.

[Seth Meyers]

We.

[Yorma Taccone]

We're meeting at 12. Am I wrong?

[Fred Armisen]

This is.

[Yorma Taccone]

I'm. I'm right on.

[Amy Poehler]

I know I got on a little early because I was afraid I was going to have to board, but the good news is the planes are working with us today and they're late, so.

[Akiva Schaffer]

We rent a car.

[Seth Meyers]

Yeah.

[Amy Poehler]

How long is the drive from.

[Yorma Taccone]

Three and a half hours.

[Amy Poehler]

Oh, yeah. We're having some mechanical problems with our car.

[Fred Armisen]

Let's figure this out. On the air, guys, let's fig it out. Tell me where you are. I have Google open. I can go to Budget, Rent a car. I can.

[Amy Poehler]

It's very funny you say that because Fred and I were just talking about bus travel.

[Fred Armisen]

Yeah.

[Amy Poehler]

And. And maybe you guys can guess which one of us do you think would like bus travel and which one of us would not like bus travel?

[Yorma Taccone]

I think you love bus travel. And Fred is such a diva. He can't stand it.

[Seth Meyers]

I bet Fred loves a bus.

[Fred Armisen]

Yeah, I love it, love it, love it.

[Yorma Taccone]

He does. He's a touring guy.

[Seth Meyers]

But I don't.

[Fred Armisen]

It takes him back to the road.

[Seth Meyers]

I don't know what Fred doesn't like. There's almost nothing that I would be.

[Fred Armisen]

Yeah, complain about something.

[Yorma Taccone]

I bet he doesn't like roller coasters.

[Akiva Schaffer]

I don't like roller coasters.

[Amy Poehler]

I don't either.

[Seth Meyers]

Yes, there is a roller coaster that goes from Dallas to Houston.

[Yorma Taccone]

Take it, amy.

[Amy Poehler]

It takes 25 minutes.

[Fred Armisen]

So fast.

[Amy Poehler]

It's so fast. But it is really scary.

[Akiva Schaffer]

Oh, but it's so fast.

[Fred Armisen]

Scary.

[Seth Meyers]

And I think most. Most people lose their carry ons. I've heard.

[Amy Poehler]

Oh, that's such a boy.

[Seth Meyers]

That's.

[Amy Poehler]

I don't know what we're going to do. That's. We're going to get there fast.

[Yorma Taccone]

I like picturing the sound though, getting there.

[Seth Meyers]

Wow.

[Fred Armisen]

Is that the trip you guys are doing? Dallas to Houston?

[Seth Meyers]

Other way, I think.

[Yorma Taccone]

Oh, I like these glasses. Amy, you look cute.

[Amy Poehler]

You are. Me.

[Seth Meyers]

Yeah.

[Fred Armisen]

It is three hours and 20 minutes. You guys could do it.

[Amy Poehler]

Yeah, we might have to drive. Our show is at 6:00 in Dallas and it is right now. Oh, our plane is here.

[Seth Meyers]

That's it right there.

[Amy Poehler]

Oh, our plane arrived.

[Seth Meyers]

Yay.

[Fred Armisen]

Woo hoo.

[Amy Poehler]

So it looks like we're going to be. We're going to be in good shape. We're going to be in good shape.

[Yorma Taccone]

Support for the Lonely island and Seth Meyers podcast comes from Airbnb. You know, recently I took a trip to Los Angeles, California and I stayed at an Airbnb for five days. It was in the Valley. I'm not going to tell you where because then you might track my movements. It was great. It was right across the street from a park. It was a really beautiful unit. And you know what?

[Seth Meyers]

It made me think.

[Yorma Taccone]

It made me think, man, I'm blowing it. I have a lovely place that I could be doing the same thing with. I would love to share it with the world. It's a great way for people to have lovely Experiences in. And what am I doing? I'm just blowing it because it feels like it's more of a vacation in an Airbnb. It's not a hotel. You don't have to feel like you're just visiting a city. You're living in a city. And anyway, I felt like I was really throwing money in the garbage. And I was a fool. Your home could be worth more than you think. And you can find out how [e-mail].

[Seth Meyers]

Host hey, did you guys know support also comes from Coop?

[Yorma Taccone]

I did.

[Seth Meyers]

There's a lot of different kinds of sleepers. Keev, tell me some of the kinds of sleepers off the top of your head.

[Fred Armisen]

Well, there's side sleepers. That's people who sleep on their side. Back sleepers. If you sleep on your back.

[Seth Meyers]

Yeah.

[Fred Armisen]

There's even starfishes, which I assume are tummy sleepers.

[Seth Meyers]

Or maybe just like everything.

[Fred Armisen]

Oh, yeah. You're just out.

[Yorma Taccone]

Every limb is different. Which way?

[Seth Meyers]

The thing that's cool about starfish sleepers is if you, during the night, get a limb cut off, it grows back.

[Fred Armisen]

Oh, yeah.

[Yorma Taccone]

That is cool.

[Fred Armisen]

That is so cool. What are you. Seth, give us your dirt.

[Seth Meyers]

I'm a side sleeper.

[Fred Armisen]

Oh, wow. You heard it here.

[Seth Meyers]

Yeah, I'm a side.

[Fred Armisen]

Do you ever roll onto your back and start snoring or are you, like, just a pure side?

[Seth Meyers]

I will find my way onto my back, but that's why it's very nice for me to have the original adjustable pillow crescent because it's great for side or back. So wherever I end up, very happy to be with my adjustable pillow crescent.

[Fred Armisen]

I'm the same as you, Seth. I'm a side sleeper, but I wake up and I'm on my back sometimes.

[Seth Meyers]

And the Cool plus adjustable has advanced cooling for side and back sleepers and proprietary cooling gel, memory foam, and microfiber blend.

[Fred Armisen]

That's you Yorm, right? You're a little sweaty sleeper, a little sweaty hog in the sheets, little sweat hog.

[Yorma Taccone]

You know, it's.

[Fred Armisen]

Yeah. So that cooling gel, have you tried it yet or are you looking forward to it?

[Yorma Taccone]

Looking forward.

[Seth Meyers]

With Coop U, you can build your perfect alignment by adding or removing fill. Take it in, put it out, make it just fit for you guys. I think I figured out the hack to getting a good night's sleep, and it starts with my adjustable pillows from Coop Sleep Goods. I really cannot recommend the crescent enough. You spend a third of your life in bed, or in the case of Andy, two thirds. Shouldn't you get a pillow that's customized to your sleep. I upgraded my pillows with Coop.

[Fred Armisen]

Visit coopsleepgoods.com island to get 20% off your first order. That's co op sleepgoods.com island.

[Seth Meyers]

Another thing that happened your last week polar is it was also Shoemaker's last week.

[Amy Poehler]

Yeah.

[Seth Meyers]

And we did a surprise party for shoemaker on the 17th floor. And do you remember how you almost blew this prize?

[Amy Poehler]

Yep, I do. I sent a text. You know, guys, okay, before I quickly tell this story, I just want to say I don't love surprise parties. They're not for me. So I probably accidentally but subconsciously was stressed about it. And I texted Shoemaker some version of like, do you think the name of this fake restaurant will fool Shoemaker? Something like that.

[Yorma Taccone]

You did it directly to him?

[Amy Poehler]

I did.

[Fred Armisen]

By accident.

[Amy Poehler]

I did.

[Seth Meyers]

You do have a history of accidentally texting the person you mean to be talking about.

[Amy Poehler]

Yeah, no, I have done that actually quite a few times.

[Seth Meyers]

Yeah.

[Amy Poehler]

Yeah, I have done that. And then I usually, like, scream and throw my phone across the room because I'm like, oh, my God.

[Seth Meyers]

There were a couple of things. I asked Shoemaker about it today. He said there were a couple because, by the way, the surprise party worked. And he said he was just maybe so emotionally overburdened that he could not pick up every missed clue because Higgins and I told him we were going to take him out to dinner. We went all the way downstairs, and then I said, oh, my God, I forgot my wallet. Do you guys mind going back up? And then Shoemaker, who just can't let anything go. I remember him yelling at me, like, what do you mean you don't have your wallet? Then how do you have your id? You're not going to be able to go back upstairs. And I was like, I keep my ID in a different pocket. He's like, since when do you keep your id? Like, just grilling me. My, like, last memory before surprise was being like, this fucking guy. Can't let anything go.

[Fred Armisen]

I'm shocked they went back up with you and that he wasn't like, all this way down here.

[Seth Meyers]

Well, we had Higgins.

[Yorma Taccone]

Aren't those the reasons you like him, though? Like, he's a details guy.

[Seth Meyers]

Yeah, yeah, I do.

[Amy Poehler]

I think he just, like, per usual took care of all of us.

[Seth Meyers]

Yes.

[Amy Poehler]

And maybe just decided to not know what was going on.

[Seth Meyers]

It is very funny when you lose your details guy. He must be so happy to see how shitty a surprise goes without him on the inside.

[Amy Poehler]

Yeah, we all really failed. And I really failed. I mean, I texted him. But, yes, that was my last episode. And I was telling Jorma and Keva. I was telling Seth. I looked over the episode and, you know, Yormi, I'm in. I'm in your category. I mean, I don't remember anything.

[Yorma Taccone]

There was so much trauma and nerves and adrenaline. Like, I think that's the reason. Not because I'm old.

[Amy Poehler]

No, it's not because we're old. That's crazy. Yeah.

[Seth Meyers]

It's not possible.

[Amy Poehler]

Yeah. But I looked and I was like, wow. Kanye was the musical guest. And then I had an image of the great Kenny. The great Ken among used to do a very nice gesture for Cast where he would give you the ticket from your first show and the ticket from your last show and frame it so I have a framed picture from my first and last show and the tickets that were handed out. So now I can remember the ticket that said Hugh Laurie and Kanye west and the picture of us on stage at the end.

[Yorma Taccone]

That is so sweet.

[Seth Meyers]

So then, since we share our first show, Amy, I wonder if you remember the first ticket.

[Amy Poehler]

Yes, it was Reese Witherspoon and Alicia Keys.

[Seth Meyers]

Wow.

[Yorma Taccone]

Not too shabby. Look at that. That's not too shabby.

[Amy Poehler]

Two weeks after September 11th.

[Fred Armisen]

Oh, wow.

[Seth Meyers]

That. It was.

[Yorma Taccone]

That was shabby.

[Seth Meyers]

That part was shabby.

[Yorma Taccone]

But the other part, not too.

[Amy Poehler]

That was shabby.

[Seth Meyers]

That was shabby. Historically shabby. Wait, there was something else. Oh, your last update, which is a move I stole years later when I had my last update, which is you addressed a very emotional goodbye to camera, but it did not go very long before it was interrupted by Fred as then New York Governor David Patterson, who had sort of wandered. Was unaware that he had wandered into the shot, but he was very close to the camera in the foreground. And again, it was just the patience of Fred in a bit. He was so not in a hurry, and you just had to lean into the tiniest corner of the frame to say goodbye to snl.

[Yorma Taccone]

That's quality. That's quality.

[Amy Poehler]

That, to me, I think, might be my favorite feeling in the world on.

[Yorma Taccone]

The way out the door. Still doing comedy.

[Amy Poehler]

Yep. And also the switcheroo from real feeling to hard laugh might be, I don't know, like, if I could bottle that feeling, because I. When I was saying goodbye, it was very emotional, and I was like, wow, I can't believe this is it. And then to have a joke come in and, like, change that feeling to joy. I don't know. It's pretty special.

[Seth Meyers]

You know what else is special about it. It didn't undercut the emotion. It was just parallel.

[Yorma Taccone]

It ran parallel to it, maybe even heightened it, honestly. I mean, like, even you describing that, Amy, like, just all the hairs on the back of my neck, I'm like, that's so wonderful.

[Seth Meyers]

Like, just remember I went back and watched. Because Fred is also on the phone when it first starts, and he's talking very quietly. David Patterson is aware he's in the studio, but he isn't aware he's in the shot.

[Amy Poehler]

Being able to do over 140 shows with my friends and my family has been a dream come true. And from the bottom of my heart, I really try to.

[Seth Meyers]

Get about $50 worth of circus tickets. Governor. Governor.

[Fred Armisen]

Buys circus tickets by weight. What do you get for $50?

[Seth Meyers]

It was really good. Wow. Well, it was really special. And thank you for joining us to talk about your final show.

[Amy Poehler]

I've told this to Seth personally, but I also want to say to you guys, I love your podcast. I listen to it every week. Quaid Army Forever.

[Yorma Taccone]

That's really become a thing.

[Amy Poehler]

Righteous Kill.

[Fred Armisen]

Love it. Yes.

[Amy Poehler]

My new tattoo.

[Fred Armisen]

Good.

[Amy Poehler]

This member of the Quaid army is always looking for a righteous kill, and I always find it on this podcast, which I absolutely love. So anytime you need me in any way, I'm honored to be here. And I love that. I haven't seen Andy yet.

[Seth Meyers]

Oh, he's not coming today. Oh, be great.

[Yorma Taccone]

He wasn't kidding. He ate fuck.

[Seth Meyers]

Also, just for our listeners and for you, you can just skip to the end when you listen to this. Amy, I am gonna play the Bronx beat line about sweetbreads will be the last thing anybody hears in this episode.

[Amy Poehler]

Okay, fantastic.

[Seth Meyers]

It's one of my favorites.

[Amy Poehler]

I can't wait.

[Fred Armisen]

Amy, before you go, do you wanna promote your new one? Because I've been listening to it and it's great.

[Amy Poehler]

Thank you, Akiva. I appreciate it. It's called Good. Hang on Spotify. And fun guests are coming up, including Seth Meyers, who I just interviewed recently.

[Seth Meyers]

That was an emotional roller coaster.

[Amy Poehler]

My goodness, it was incredible. It was like a roller coaster from Houston to Dallas is what it was.

[Fred Armisen]

That's my favorite kind.

[Seth Meyers]

Yep.

[Amy Poehler]

I'm so pleased that the timing worked out. This plane really worked with us.

[Seth Meyers]

It really did. And again, I think when somebody's willing to jump on a podcast from an airport, it's a level of affection that we're lucky to have in our lives.

[Amy Poehler]

Well, you have all done so much for me and continue to in anything I can do I love you guys.

[Seth Meyers]

That's great. And so Tina's just, what, in line to get one of those pretzels?

[Amy Poehler]

Yeah, Tina would rather not get on right now. She told me she'd rather you guys go through her team. You know what I mean? Like, she'd rather go through the reps.

[Yorma Taccone]

She's a more Mohegan sun type of person.

[Amy Poehler]

Yeah, yeah, yeah. She's just giving me a signal, right? Like she's shaking her head no right now.

[Yorma Taccone]

Let's go, let's go.

[Amy Poehler]

Every time I look at her get on the plane.

[Seth Meyers]

Yeah.

[Amy Poehler]

So if you maybe want to call her publicist or something and make, like, a formal offer, we could get her on, but I don't feel like they.

[Seth Meyers]

Said that the publicist would be happy to be a guest.

[Amy Poehler]

Yeah. Yes. Kara is a wonderful talker and a great person, and she'd love to talk on her behalf, but you should know that Tina was long gone by this episode, so she doesn't have much to say.

[Seth Meyers]

All right, we love you, Polar. Safe travels.

[Yorma Taccone]

Love you guys.

[Seth Meyers]

Love you.

[Fred Armisen]

Thank you for getting on here.

[Amy Poehler]

Bye. See you soon.

[Fred Armisen]

Bye.

[Yorma Taccone]

Bye, Fred, wherever you are. It's the Lonely island and Set Myers podcast.

[Seth Meyers]

What's up, dudes?

[Yorma Taccone]

How fucking late was I?

[Seth Meyers]

Not that bad. Not that bad.

[Yorma Taccone]

God damn.

[Fred Armisen]

It was just they texted this morning being like, polar can get on earlier because she's at an airport.

[Yorma Taccone]

I was at the Brooklyn Botanical Gardens with my daughter and son.

[Seth Meyers]

Oh, that's nice.

[Yorma Taccone]

Mother in law.

[Seth Meyers]

Yeah, we would not have wanted you to cut that short. I'm saying that, Jen.

[Yorma Taccone]

Yes, I know.

[Seth Meyers]

So no Andy today.

[Yorma Taccone]

Wait, I just have a question about spelling bee now, since it feels like needs to mention.

[Seth Meyers]

Oh, my God. But I do want to jump in. Yoram. I have some comments from people about spelling bee. Well, someone said stop talking about spelling bee. Oh, nobody wants to hear about this boring shit. Okay, that's fair, but go ahead. I just felt like the fact that Andy wasn't here might be a real break for people. But if you have a question, my.

[Yorma Taccone]

Question is, I know he's not on the podcast, but is he texting you updates about his spelling bee right now?

[Seth Meyers]

Not yet. Not yet. But if one comes in during this, it's too early. I'll definitely let you know. Oh, hey, can I give a little shout out to us?

[Fred Armisen]

Yeah.

[Seth Meyers]

And you know what? Shout out to Quaid Army. Really? We won the People's choice Webby.

[Fred Armisen]

Hey, we won the Webby People's choice. Thank you, Quaid Army.

[Seth Meyers]

You guys had A code word for me in the last episode to check. Oh, yeah.

[Yorma Taccone]

Do you know what it is, Slacker?

[Seth Meyers]

I do, but somebody wrote a really funny thing in the comments, which was, I feel like you should ask Jorma first if he remembers.

[Yorma Taccone]

Fuck, I'm getting burned so hard. Fucking first vest. So now it's just unreal. It's. Oh, no.

[Amy Poehler]

Oh, no.

[Yorma Taccone]

Oh, what's the book?

[Fred Armisen]

Let me know when you need a hint.

[Akiva Schaffer]

No, wait a minute.

[Seth Meyers]

This is. I mean, what a great outcome. Thank you for your comment.

[Yorma Taccone]

No, hold on. Because I want to say petit four, but that's wrong. Yeah, that's like a treat.

[Fred Armisen]

Do you remember what kind of a thing?

[Yorma Taccone]

No, it's a color. What's the name of it? Petite. Petite Blue.

[Seth Meyers]

What are we called?

[Yorma Taccone]

Oh, no. Oh, no. I've just got put on.

[Seth Meyers]

I feel like this is a scene. This is like a scene in Austin Powers where Periwinkle.

[Yorma Taccone]

We're the Periwinkle Players.

[Fred Armisen]

There you go.

[Seth Meyers]

Good work.

[Yorma Taccone]

Damn it.

[Fred Armisen]

The Periwinkle Players.

[Yorma Taccone]

So bummed that we're gonna use all that.

[Fred Armisen]

I appreciate how many people picked up on that.

[Yorma Taccone]

Should have fucking tatted it on my forehead.

[Fred Armisen]

And a lot of people responded to what color is Periwinkle? In the comments. Yeah, we were both kind of right, I guess, because people said it was a blue tinted, like lavender.

[Yorma Taccone]

Is it more lavender? I thought it was just like a baby bluish color, but yeah, you were more right.

[Fred Armisen]

No, I look it up, it looks pretty lavender.

[Yorma Taccone]

Can I just say something about colors? Because me and Akiva did a lot of graffiti when we were kids, and so a lot of my references for colors are all Krylon spray paint colors.

[Fred Armisen]

Oh, yeah. Spray paint cans. Yeah, same like true blue and baby blue.

[Seth Meyers]

Somebody did mention the vest. Bjorm. I hate to roll from one burn into the other.

[Fred Armisen]

Shocking.

[Yorma Taccone]

Yeah. Well, we can reveal the price of the vest, too.

[Seth Meyers]

Somebody said, I think I know the price of the ve. It was Jorma's dignity.

[Fred Armisen]

Quaid army coming through with some good ones.

[Seth Meyers]

The funniest comment about Kuwait army is someone said, wait, when did we start getting called the Kuwait Army? What did I miss? And I want to say, like 12 episodes. Seems like you might. By the way, you're not Kuwait army if you don't know why.

[Fred Armisen]

If you have to ask, when did we. Maybe it's not a we. When did you guys start calling yourself Quai Army?

[Yorma Taccone]

No, it's a vibe.

[Seth Meyers]

Right?

[Yorma Taccone]

Hey, wait. Okay, so what are your guys guesses on the best?

[Seth Meyers]

Somebody asked they wanted to know what store it was from because they feel like if it was a label, you.

[Fred Armisen]

Can baby step there.

[Yorma Taccone]

It's hard because I don't want to. I don't want to ever do an ad just for free.

[Seth Meyers]

Right. So, yeah, don't say the label. I think it was over $400.

[Yorma Taccone]

No. God, no. Oh, I would never.

[Seth Meyers]

Oh, all right.

[Fred Armisen]

My guess, because it was embarrassing, but I don't think you would buy that vest if it was crazy. Like, I mean, this is crazy. But I was going in the 200.

[Yorma Taccone]

That's very close. It was $180. It is a Nike vest, but it's through a company called End Clothing, and they basically, like, have a bunch of different designers.

[Fred Armisen]

But you love it, so that.

[Yorma Taccone]

Well, now I feel weird wearing it, though, Keev, because I feel like if I walk around Brooklyn now, it's like somebody who. Because I've been noticed at the gym before, and people are like, hey, I love the pod.

[Fred Armisen]

You think it's your Lazy Sunday supreme coat that you can't wear anymore because it's gone so viral. Like, lazy Sunday.

[Yorma Taccone]

That was a supreme coat, right, that Andy had? Yeah, yeah. And it just ruined the coat.

[Fred Armisen]

And he never could wear it again. Cause it looked like he was in costume.

[Seth Meyers]

I don't know if this podcast is quite lazy. Sunday. Sunday, big.

[Yorma Taccone]

Oh, no, I'm still gonna wear it. I still gonna wear it on fucking purpose.

[Seth Meyers]

I think you can still wear the vest is what I was getting at.

[Fred Armisen]

I think you should wear it proudly. I think if someone spotted you out in the wild. Jorm, who listens to this podcast, if you were wearing the vest, it'd be like, they spotted two of us. They'd be double. Except they'd be like, well, hey, look.

[Yorma Taccone]

At that bag of trash. Oh, no, it's Yorm.

[Fred Armisen]

I saw Yorm, but I also saw the vest in real life. I think seeing the vest might even be more exciting than seeing you. So I wouldn't be afraid of it. If they know enough to know about the vest, they're gonna be so excited.

[Yorma Taccone]

You know, I'll wear it. I'll wear it the rest of today, and I'll let you know if I get peeped.

[Fred Armisen]

Yeah, go around, though. Peacock around town. For sure.

[Seth Meyers]

I was in Austin, Texas, for my bar mitzvah, and someone came up to me at a breakfast taco place, and very politely just sort of leaned in. I was sitting with the kids and just leaned in and said, quaid Army.

[Fred Armisen]

Oh, shit, that's good. It's like Fight Club now.

[Seth Meyers]

Yeah, I like that. It's not something you sort of yell across a crowded party.

[Fred Armisen]

You just say that. You don't need to back it up with, like, when my dad was. When I was younger, my dad would show me all your shirts. You don't need all the information of what it is. We watch a closer look every night. We don't. You just go, quid Army.

[Seth Meyers]

Quit army.

[Yorma Taccone]

Hey, Quid Army.

[Fred Armisen]

You know, I have a random thing that we never talked about, but you're in sonic the Hedgehog 3, the film.

[Yorma Taccone]

Yeah. Did you. Did you see it recently?

[Fred Armisen]

Actually, no. I saw it when it came out. I don't know why I decided to bring it up now. When I was walking up to my podcast mic earlier, I was like, what are other things we've never talked about?

[Yorma Taccone]

Do you know why I directed an episode of the Knuckles Show? And then. And Brandon, who has shot. He shot three movies for my wife. He shot Pop star. He shot McGruber. We've known forever. He just shot the Naked Gun movie coming out in August.

[Seth Meyers]

Something very exciting.

[Yorma Taccone]

Right?

[Seth Meyers]

First.

[Yorma Taccone]

First. August 1st. He's a great guy, but he directed an episode of the Knuckles Show. He was also the DP for Sonic 3. So he did all of the Knuckles show and then went straight into Sonic 3. And I just wanted to see those guys again. So when I was reading the draft, giving some pitch ideas on jokes, I was like, who's this IT guy? How can I get back to England? You guys make me the IT guy. And.

[Fred Armisen]

Oh, you pitched yourself as the actor. And they're like, sure, I pitched myself.

[Yorma Taccone]

So I could get a free trip back to England and see those guys. And it was. It was worth it.

[Fred Armisen]

Well, it was great. It was a delight to see in there. Jorm. Go ahead, Seth.

[Seth Meyers]

I had some concerns about missing an episode.

[Yorma Taccone]

Oh, well, Seth, I very, very curious about this.

[Seth Meyers]

Oh, yeah.

[Yorma Taccone]

Okay. So you missed last. Last episode. This is the first time we didn't have you. What do you think?

[Seth Meyers]

So I. Again, I loved it.

[Yorma Taccone]

You did?

[Seth Meyers]

I thought it was super funny.

[Yorma Taccone]

I thought you were gonna be disappointed.

[Seth Meyers]

No, it was great. I was almost, like, disappointed how little you guys needed me. Keev, you were kind of the star of it. Congrats.

[Fred Armisen]

Oh, thank you so much.

[Yorma Taccone]

Yeah, he kept it.

[Seth Meyers]

Seth Lee, I think you did the best job putting your hand on the wheel. With that said, there were some comments that made me feel a little bit better.

[Fred Armisen]

Yeah.

[Seth Meyers]

Someone wrote, now it can be answered. Why is Seth involved in this podcast? That is mostly about the lonely island. Cut to image of kindergarten class where students are eating paste, running with scissors, and dipping the class tortoise in finger paint.

[Fred Armisen]

I feel like we led them there with all our comments about how, like, we were off the rails. We weren't really off the rails, but okay.

[Seth Meyers]

Yoram kept saying, this car is off the tracks. Multiple people said, cars don't go on tracks.

[Fred Armisen]

Did I say tracks?

[Seth Meyers]

Yeah, you did.

[Yorma Taccone]

Okay.

[Seth Meyers]

Somebody wrote, finally, with Seth gone, we can talk about Baja Fresh menu prices.

[Fred Armisen]

I'll stand by that in rap form.

[Yorma Taccone]

Yeah.

[Seth Meyers]

But, yeah, I was very. I enjoyed it a great deal. And now. And now Andy has a week off for some stuff.

[Yorma Taccone]

Well, it was fun to do without you knowing the whole time, just thinking about you judging it.

[Seth Meyers]

And again, I was only enjoying it. I was free of judgment.

[Akiva Schaffer]

Okay.

[Yorma Taccone]

Well, we missed you.

[Fred Armisen]

Is this the earliest in the morning we've ever done? I think so.

[Seth Meyers]

Oh, yeah. Not even.

[Fred Armisen]

It's got more of a coffee, but like a pre coffee. Like, I haven't even had mine, you know?

[Seth Meyers]

You haven't even had your job.

[Amy Poehler]

I've had so much stuff.

[Yorma Taccone]

You got so much fucking job.

[Seth Meyers]

Yeah, yeah.

[Fred Armisen]

It's later for you guys. That makes sense.

[Yorma Taccone]

Wait, we are going to talk about some shorts, though, right?

[Seth Meyers]

Yeah. We're going to talk about the Hugh Laurie short, which is called Cookies. And the very simple premise here is Hugh Laurie is running a meeting. It is in one of those very poorly lit offices that we shot a lot of the early. Or you shot a lot of the early shorts in.

[Fred Armisen]

Yep.

[Seth Meyers]

And the entire gist is that over the course of the meeting, Fred just keeps sort of reaching into the center of the table to eat cookies.

[Yorma Taccone]

It's a very simple premise.

[Fred Armisen]

I was very happy to. I remember to shoot it, and I remember feeling, of course, the relief of somebody else being like, I have an idea. And it's going like, oh, great, we can just do somebody else's idea.

[Seth Meyers]

Support comes from Rula. We were talking about therapy today. Yoram, you had to go to therapy because Fred had such an accurate impression of you.

[Yorma Taccone]

Yeah, I mean, that was one of my issues.

[Seth Meyers]

I think almost everybody who went through SNL both loved it and found their way to a therapist.

[Yorma Taccone]

Yeah.

[Seth Meyers]

I greatly benefited from my time at the therapist. And Rula is now offering you those benefits as well. Rula isn't just affordable. They stick with you throughout your journey, making sure you get the best therapy and that you're making progress. With Rula, every provider is carefully vetted and chosen for their expertise. You'll always know you're in the hands of quality providers who are dedicated to making real progress in your care. How many therapists at any given time in New York City are listening to someone go and then like Lauren is like so hard to talk to?

[Yorma Taccone]

Oh, I'd say it's a pretty high percentage.

[Seth Meyers]

That's true. SNL 50th anxiety short was a very good advertisement for therapy in general. So go to rula.comisland to get started today. That's R U L A.comisland for convenient therapy that's covered by insurance. With Rula you can find the right therapist for you. Rula partners with a network of over 15,000 therapists and psychiatrists nationwide, enabling you to find your personalized solution and the right therapist for you based on your needs, preferences and state requirements in network covered care for most major insurance pay as little as $15 per session. Thousands have already trusted Rula to support them on their journey toward improved mental health and overall well being. Head on over to rula.com island to get started today. After you sign up, they ask you where you heard about them. Please support our show and tell them our show sent you. Go to r u l a.com island and take the first step towards better mental health Today. You deserve quality care from someone who cares.

[Fred Armisen]

Support comes from Mint Mobile. Summer is just around the corner and the folks at Mint Mobile have a hot take. Getting a summer bod is out and getting your savings bod is in. You want anything to say about that? Well, I know you've been going for that Jeremy Allen White Calvin Klein savings bod.

[Yorma Taccone]

Oh, someone listened to last episode's ads. Terrific.

[Fred Armisen]

And I've been loving seeing the progress. Anyways, this spring and summer we want skimpy wireless bills and fat wallets. And with premium wireless plans, just 15 bucks a month. You can have both without breaking a sweat or the bank.

[Yorma Taccone]

I want to talk about something, Keith. I want to talk about the quality of Mint Mobile because I got a Mint Mobile SIM card, popped that baby in and that thing was fantastic. The quality was great and who can beat the price? No one. I mean way better than a Summerbot, I gotta say.

[Fred Armisen]

So when you tested out the product, you put in the little chip. Yes, you switched over, you got your five bars or whatever it would call and then did you say bye bye David Spade style to overpriced wireless plans, jaw dropping monthly bills and unexpected overages.

[Yorma Taccone]

I kept saying that until people were like please stop. And I was like summer bots are out. Low Low prices are in.

[Fred Armisen]

Would you say this is a true or false statement? Mint Mobile rescued you.

[Yorma Taccone]

Oh. Oh, Keev. Yes. Rescued me from overpriced phone bills. Thank you, Mint Mobile.

[Fred Armisen]

Now I'm just going to say some stuff. All plans come with high speed data and unlimited talk and text delivered on the nation's largest 5G network. Use your own phone with any Mint Mobile plan and bring your phone number along with all your existing contacts. Ditch overpriced wireless and get three months of premium wireless service from Mint Mobile for 15 bucks a month. This year. Skip breaking a sweat and breaking the bank. Get your summer savings and shop premium wireless [e-mail] Island. That's mintmobile.com Island.

[Seth Meyers]

Hi guys, it's Seth. I'm sorry I'm late. I wasn't using Mint Mobile.

[Fred Armisen]

Do you want to read the disclaimer?

[Yorma Taccone]

Seth, kill this disclaimer real quick.

[Seth Meyers]

Upfront payment of $45 for 3 month 5 gigabyte plan required equivalent to $15 a month new customer offer for the first 3 months of old. Then full price plan options available, taxes and fees extra. See Mint Mobile for details.

[Yorma Taccone]

Oh, that was good.

[Fred Armisen]

Impressive.

[Seth Meyers]

Fred did send in a voice note.

[Fred Armisen]

Oh yeah, let's hear that.

[Akiva Schaffer]

Hey there. Hi. From Houston. What do I remember from that cookies sketch or video? I remember, I think that we did it first as a regular sketch, like at the table. And it's just, you know, that feeling or I get this feeling whenever there's like a meeting or a conference and there are snacks in the middle, I'm like, oh, that's all I want to do is just snack the whole time, but just make it look casual. What's funny is it seems like you're kind of alone in that. You know what I mean? It's not like everyone's digging in so you're trying to like not make a big deal about it. But the other thing I remember is that this is bit I used to do with this friend of mine a long time ago, this guy Tom Sweets.

[Seth Meyers]

Where.

[Akiva Schaffer]

Oh my God, his name was Sweets. Anyway, where we would talk about desserts. I don't even know how to explain this bit, but we would just be like, oh, take me to confession. I don't know if I said that line in the sketch, but I just remember thinking that was like a funny sentiment. Like, take me to confession. And I think if I'm not mistaken, when we shot it, they were like, do you want a spit bucket? Which those are so gross. So I never use them. But also I Was like, I would love to eat all these cookies for this. That's the whole point. So anyway, that's what I remember.

[Fred Armisen]

Okay, thanks, Fred.

[Yorma Taccone]

I feel like Fred is so good at taking a tiny thing about a person, usually something that you find mildly annoying or something, and then blowing it up into this macro. Like, just like, holy shit. If this was the one thing about this person's personality, and it's very funny to me to be like, oh, this was part of his personality. I feel like it's always like taking something about someone else.

[Fred Armisen]

Yeah. He absorbed it. Sorry. He observed it in himself.

[Yorma Taccone]

He wants cookies.

[Fred Armisen]

It is interesting that it is just combining two really good observations that we've all experienced. That moment where the food is in the middle of the table and you're starving, but everyone else is staying professional and no one else is eating it.

[Seth Meyers]

Yeah.

[Yorma Taccone]

Why would you do that? Like, that's like, the worst time to provide food.

[Fred Armisen]

And it's, like, loud. It's like a chip in guacamole or something. You're like, I'm not going to reach over and dip it. And everyone else is just sitting there and you're like, God, but I wish I. Everybody was eating right now.

[Yorma Taccone]

It's like a test to see who's unprofessional. And especially the meeting in the short, they're talking about very serious things, Right? People are going to be fired. People are going to be laid off. Like, it's very. But. But it is truly like a. Hey, anybody who eats this is a failure immediately.

[Seth Meyers]

It is.

[Yorma Taccone]

Wait, can I say one thing about Fred in terms of the. I keep saying. Can I say, I noticed that.

[Seth Meyers]

I know we all have our tics. It's totally fine. I forgive you.

[Yorma Taccone]

It's a bummer. So Fred used to do impressions of people. Speaking of, like, finding the thing about you and then blowing it up to a macro kind of view of like, this is your entire personality. Fred would do impressions of people at snl. And I remember they weren't so much like, how people sounded always. It was who you were as a person, which is a much more damning impression. And I remember he once did an impression of me that I will forever remember. And I've talked about in therapy before. That was, I'm Yorma. I'll do it. I'll do it. I'll do it. I'm your mom.

[Fred Armisen]

I'll do it.

[Yorma Taccone]

I was like, that's so horribly accurate.

[Fred Armisen]

It took me even, like, a minute to get it. I was like, that's Yorma. And I'm like, is that.

[Yorma Taccone]

Oh, yeah, no, no, that's his soul.

[Seth Meyers]

It is so funny. I can see. I can see you lying on a couch. Although I don't think anybody does that in therapy anymore. But I can see you lying on a couch and being like. And everybody's just like, you know, I'm Yarmouth. I'll do it, I'll do it. Like, is that who I am?

[Yorma Taccone]

And then Fred came in and ripped my soul apart on accident.

[Seth Meyers]

My middle of the table observation is that, you know, snl, the table read on Wednesdays, there would just be, you know, the middle of the table, sort of a lot of snacks, including sort of little sandwiches that were very middle of the road. Not awful, not great. Just exactly what you think a small ham and cheese sandwich would be. And the amount that I would just stress eat them.

[Yorma Taccone]

Really.

[Seth Meyers]

You know, just during a table read, I would just reach over and eat. And that thing of. No, it's, you know, between lunch and dinner, you know what they say you should have? It's like three tiny sandwiches. You know, it's not a meal. It's like between meals. And I went back, there was one table read for the SNL 50th, and I sat down and it was so fun. And it was everybody I wanted to see. And like, halfway through a sketch, I was like, oh, God, I'm gonna eat a sandwich.

[Yorma Taccone]

Just like, we're back, baby.

[Seth Meyers]

Yeah, I've got a hole inside me that's gonna be filled with sandwiches.

[Yorma Taccone]

Can we. Can we talk about how the table read works just in terms of, like, the stress you have of having a written Just.

[Seth Meyers]

Just.

[Yorma Taccone]

Cause I. Maybe this is interesting is that you've written all night sometimes. Sometimes you haven't even gone to bed if you're writing with Will Parte. And then it will routinely be said that it's around 3ish o'clock. And then it just can go and get pushed and pushed.

[Seth Meyers]

4:45, I would say is far. They say it's three and then it's like 4:45.

[Yorma Taccone]

Yeah, but I did not know that you would eat those sandwich. I didn't think anyone ate those.

[Seth Meyers]

Well, you were sitting farther away. The writers sort of sit in the back. Anyone in the cast is around the table, which I technically still was nice.

[Fred Armisen]

All right, I'm looking through some comments. People are really right there with it. These are from, you know, years ago, not the Quaid army comments that are recent on the cookies. I hate when there's food and people just ignore it. So I feel like I have to ignore it too. See, he really did just tap into something very human. And then this other one is I'm bad in quotes like, oh, I'm bad. We all know a perfectly normal, ordinary person who says that every time they do something nobody cares about.

[Yorma Taccone]

Yeah, that's accurate.

[Fred Armisen]

So he did tap into those two.

[Seth Meyers]

I mean, that Fred. Those little observations about people like, oh, my God, I'm bad. Yes.

[Yorma Taccone]

I guess that part is someone else.

[Fred Armisen]

Because I can't imagine I liked seeing so much of the cast in this too. In my mind, the other people in it maybe were just background or something like extras. And then rewatching it. Cause I hadn't seen it since we made it. It was fun seeing Sudeikis and Abby, Elliot and Kenan comes in, Bobby, et cetera.

[Yorma Taccone]

I watched it for this a couple days ago, and I can't remember how it ended. How does it end?

[Seth Meyers]

All toffee nibs in those afternoon. Are you eating those cookies?

[Amy Poehler]

Yes.

[Fred Armisen]

Is there a problem?

[Seth Meyers]

Well, they're prototypes from the Dulcolex Corporation. They're not cookies at all. They're stool softeners. How long do you think one of these took to shoot, Keith?

[Fred Armisen]

There's a lot of angles, like doing a dinner table scene. So it takes slightly longer than you want it to to get people's reactions. But honestly, three hours.

[Yorma Taccone]

Yeah, I think we probably had two cameras. I mean, it's very business me. Is this the same room as businessy?

[Fred Armisen]

Oh, excellent question. It's definitely just in 30 Rock, as Seth pointed out. There's a couple comments that pointed out, like, this one says, this is proto. I think you should leave. And there were a few people saying that. And I actually had that thought in my head too, when I'm hearing the live audience kind of not doing much with it. Not that I think it's like the most hilarious one ever or anything that deserves more. But I'm like, oh, this is such a small observation. There doesn't need to be an audience. And it's about one person in a business setting who is going down a path. Cause they're hungry. And, you know, there's that one with Tim where he's got the hot dog. Cause they say that they're gonna work through lunch and it's not. You know, they're not the same sketch. I'm in no way, like, comparing in a damning way. But I am like, oh, right. If this was just shot and wasn't asking an audience for laughter and was just a piece of the thing, I think it would feel better than it does when you feel the audience not.

[Yorma Taccone]

Knowing Tim, Zach and Solomon. I feel like take things to a whole other level because having a hot dog up your sleeve, this would go.

[Fred Armisen]

Somewhere else with them. But I do feel like it was similar.

[Seth Meyers]

Andy and I were talking about how I think youk Should Leave does that thing where the beats are never A, B, C, they're a J, Z, Z. But you also know they all make sense. If you can picture what the beats in between would be, they all would be there.

[Fred Armisen]

Yeah.

[Seth Meyers]

I think Hugh Laurie might be in Golden Episode despite the fact that even at the time, I think Lauren certainly knew how cookies was not gonna be criterion. It was the last sketch of the night.

[Yorma Taccone]

Yeah, it was the very last sketch.

[Fred Armisen]

Well, it's weird. There's no sketch after the second music guest. It says then it just goes right to goodnights, which is rare. Usually they would flip flop that. I'm not sure why.

[Yorma Taccone]

I don't know. Have we ever had that happen?

[Seth Meyers]

It's a weirdly long show. A couple of sketches were cut on air. Christmas Album, which I'm assuming is Clancy T. Baccalarat. Also budget Christmas decorations, which would be Googie Renee. So a couple of really good recurring characters didn't make it onto the show. Late cut after dress. I'm only gonna say it so that Kevin can pull a short clip from the Australians. That was the sketch where Wig and Fred and Bill were Australians packing for a trip.

[Akiva Schaffer]

Got all our type.

[Seth Meyers]

Yep.

[Yorma Taccone]

Yes.

[Seth Meyers]

Got it. Check.

[Amy Poehler]

Scotch?

[Seth Meyers]

Yes.

[Fred Armisen]

All right.

[Seth Meyers]

Got exacto Knife and scissors.

[Yorma Taccone]

Absolutely need it.

[Amy Poehler]

Brought the ribbon.

[Seth Meyers]

Well, Greg's here. Hopefully there were no laughs in that clip because there never were. But there was a couple of very important firsts in the Hugh Laurie episode. You know, we discussed with Poehler one of my favorite Bronx beats of all time. A great Bronx beat with you, Laurie.

[Yorma Taccone]

What'd you like about it? So much.

[Seth Meyers]

I just kind of forgot that the fun thrust of the game of Bronx Beat is they're just over it but also super horny for their male guests. And in this case, Hugh Laurie is a British guy who owns a butcher shop. They say it's really fancy because it's spelled PPE the shop. That's an observation they make early on. And he says one of their specials coming up is they're gonna be selling Christmas goose.

[Fred Armisen]

Right. Well, this month we're featuring foul. So if you're interested in a traditional Christmas goose.

[Amy Poehler]

Christmas goose.

[Yorma Taccone]

Goose.

[Fred Armisen]

Goose.

[Seth Meyers]

Yeah.

[Amy Poehler]

I'd like to give you A Christmas goose. But you know what? I'll give it to you every day of the year. 365 days of the year. Every day's Christmas with me.

[Seth Meyers]

Yeah. It's really nice. Wedding toast. The first appearance of Will Forte's character, Hamilton Whiteman.

[Yorma Taccone]

Ooh, yeah. That's groundbreaking.

[Fred Armisen]

Yeah.

[Seth Meyers]

Who became his own thing.

[Yorma Taccone]

Yeah. Also made an appearance at your wedding.

[Seth Meyers]

Yeah. So wedding toast, which Fred's name is actually first, which is interesting to me.

[Fred Armisen]

These might be wrong, though, because if you look over at cookies, it says Samberg Schaffer Taccone, and it's Fred wrote that.

[Seth Meyers]

Wedding toast is a perfect cast sketch idea. Really nice point guarding in this sketch by Sudeikis, who is the guy who's trying to get the wedding toast to wrap up so everybody can go dance. And everybody has one simple game, and they come out and crush it. Starting with Hugh Laurie, who, as the host, has three appearances. He's a guy named Bob Kemp. Has a perfectly flat American accent. All he's trying to do is remember how long he's known the bride's father.

[Yorma Taccone]

I have been friends with Tina's dad for.

[Seth Meyers]

How long has it been?

[Yorma Taccone]

Gus, how long has it been? Nikki, how long has it been? How long has it been? Stephen, how long's it been? Kevin, how long has it been? How long has it been? I'll be back.

[Seth Meyers]

Then Fred comes out. One of my favorite Fred looks of all time. Long black hair, sideburns, a black tuxedo, but with shorts. And he's the ex boyfriend of the bride. And his first line is, so, Tina, look, we ended bad, which is great. Wig comes out with an oxygen tank on rollers, breathing very heavy. She says she is the boss of the groom. I was not invited, and I do not have a ride home. We were talking about how Bobby Moynihan's early time in the show was just coming out and murdering with one moment. He just comes out, takes the microphone, says what? Into the microphone, then drops it. And then Forte comes out as Hamilton Whiteman. And Lil. The audience doesn't know what to do with this. He is outwardly racist.

[Fred Armisen]

I did not realize that he wasn't the whole sketch. And I see every memory came back as you said it, but the fact that they buried him under a real sketch.

[Seth Meyers]

Yeah.

[Fred Armisen]

And then let him just shine at the end as the sexist racist.

[Yorma Taccone]

I knew there was a tonnage issue.

[Fred Armisen]

It's so interesting when you do a character that just is sexist and racist. The audience is waiting for, like, the.

[Seth Meyers]

But no there's nothing. And he, he makes it very clear in the course of his toast that he thinks the countries made a terrible error electing Barack Obama. That's one of the first things he says. He also starts by saying, I'm a friend of a cousin, which is, that's like, you know, we've talked about how Forte obsesses over small language. And then every now and then you see an example where you realize, oh, yeah, it was worth the extra time.

[Yorma Taccone]

It may have taken 20 minutes to write that line.

[Seth Meyers]

Yeah. Someone in the audience, like, I don't know if it's a gasp or a hiss because there's no laughter to cover it.

[Yorma Taccone]

And I think a great mistake has been made with this Obama. But love endures, Love heals. Love will help temper the effects of putting a black man in office. But love abides. Love abides.

[Seth Meyers]

It's mind boggling. Hey, what's up, dudes?

[Yorma Taccone]

Hey, Seth.

[Seth Meyers]

I would like to talk about Viori because our support comes from Viori. But I'd also like to say that, you know, I do believe that our ad reads are also content.

[Yorma Taccone]

I think they can be. Yeah.

[Seth Meyers]

Yeah.

[Yorma Taccone]

Maybe try to make this so good that it's non skippable.

[Seth Meyers]

Yeah. At its pinnacle. I feel like people think, wow. I feel like I'm not even talking about a product for sure. Just sort of naturally the way I would talk to you guys as buds, I would tell you that Vuori is incredibly versatile, comfortable, perfect for whatever your day brings. It's designed to look great beyond the gym. I mean, you guys can't see Jorma right now, but he's on a treadmill.

[Yorma Taccone]

Yeah, I'm good and I'm wearing biore, you guys.

[Seth Meyers]

And the thing that's great is now Yoram's gonna get right off that treadmill and he can head to the office, he can go run errands, he can meet up with friends because it looks great beyond the gym. It's great for any workout or activity. And you should try the core short Yorm. It pairs well with a vest.

[Yorma Taccone]

Thanks.

[Fred Armisen]

I'd love to see that look.

[Seth Meyers]

It's also fitness versatility. One short every sport. Ideal for fitness running and training. Soft, lightweight, four way performance stretch moves with you, no restriction. You can't restrict norm even if you tried. But the core shorts, working with him.

[Yorma Taccone]

If I went five ways, then maybe. But no, I just go four so it works for me.

[Seth Meyers]

You're just a four way guy.

[Yorma Taccone]

Yep.

[Fred Armisen]

I've had multiple people in my life ask me if I Get Vuori discounts even more than this because it's genuinely something that they already purchase and own and want more of. And that is a genuine endorsement.

[Seth Meyers]

Here's the thing, Keith. You got people, you have a podcast, you're already because listeners to the podcast, you get 20% off. You've got people that are calling you, being like, hey, Keef, you got the hookup. Can you give me an extra 10%?

[Fred Armisen]

Well, here's the trick. I'll read this and then I'll tell you why it's the trick. Fiore is an investment in your happiness for our listeners. They are offering 20% off your first purchase. These are not first time people. That's why it actually is such a good endorsement, is that they actually already own some of this clothing.

[Seth Meyers]

Right?

[Fred Armisen]

Love it.

[Seth Meyers]

20% off your first purchase. Get yourself some of the most comfortable and versatile clothing on the [e-mail] Island. That's V-U-O-R-I.com island exclusionsupply. Visit the website for full terms and condition. Not only will you receive 20% off your first purchase, but enjoy free shipping on any US orders over $75 in free returns. Go to vuori.com island and discover the versatility of Vori clothing exclusions apply. Visit the website for full terms and conditions. And it sounds like what you're saying, Keem, is buy a lot that first time because it seems like the second time buyers are the ones who are up in arms.

[Fred Armisen]

That's correct, yeah.

[Seth Meyers]

Oh, speaking of Fred and speaking of the party we talked about with Poehler, Shoemaker's last party, which was he came up to the 17th floor and we'd set up a bar and everybody was there and people gave speeches and a couple of speeches. I remember Forte and Sudeikis did as John Bovey came out and gave a speech. And they did not call him Shoemaker. They called him Lace, Destroyer, America Sawyer, John Mulaney and Simon Rich had just started on the show and so their toast was about how they only knew him as the guy who made them write promos. When the guests and people stay on the stage and like, hey, I'm hosting SNL this week. And so their farewell to him as they each read a promo they had.

[Fred Armisen]

Written his favorite thing.

[Seth Meyers]

And then Fred, Fred did two things. One, at the time, because again, this was post the 2008 election ratings for SNL were really high. And Fred was like, I'm going like to read you some numbers. Last week SNL did a 5. 2 when Mike Shoemaker started the show, did a 4 1. This is all he ever cared about. And it was just a lot of him doing Nielsen numbers. And then he said that one thing he has in common with Shoemaker is they're both fans of. Of a couple of mates from Liverpool. And then he sat at the piano and Fred does this really great bit where he plays Blackbird in the wrong chorus, wrong key, I guess. And it was just a really. Just like. And it's so unsettling to the ears to hear.

[Yorma Taccone]

Oh, can we please try to find that and play a little bit?

[Seth Meyers]

We'll get Fred to play us his version of Blackbird. It was also the first appearance this show, which was Amy's last update, as we discussed with her. It was also the first appearance of Fred as Governor dav, which is one of the funniest things that has ever been on snl. It did end with the actual governor showing up and doing the sketch with Fred, which I think speaks to the fact that it was all in good fun. But it is very interesting to me, even now that it got away with it. And one of the reasons it gets away with it is Fred is just so charming as Governor David Patterson, who was and is legally blind.

[Yorma Taccone]

But he brings a lot of swag to it. And the fact that he's dumping on New Jersey so much, I feel like also helps it somehow.

[Seth Meyers]

He dumps on New Jersey. He dumps on upstate New York. He delivers line like a borsch belt comic. He also does a thing where when he delivers a punchline, he opens both of his eyes and looks directly at camera. There's like a thousand great moves. Mulaney, Klein, Jost, I wanna say, wrote it.

[Yorma Taccone]

Whenever I'm going to New Jersey, I have that in my head. New Jersey.

[Seth Meyers]

I will tell you that having talked to Governor David Patterson, he always thought it was very funny. There is a really great line where I think, Amy. No, it was me. I say, what do you have against New Jersey? And he says, unfortunately, a southern border. Just really like one of those lines that would have worked in 1915.

[Fred Armisen]

Yeah, that's classic.

[Seth Meyers]

I remember the first time we did it, it had been in one of those, like, free New York magazines that, you know, there was actually, like, just a newsstand where you could open. And the front page was a full picture of Fred with the headline Too Far. And I think I took like, 50 of them and sprint to the office.

[Fred Armisen]

Oh, too far, Too far, Too far.

[Seth Meyers]

Question mark.

[Yorma Taccone]

Oh, oh, oh. Gotcha.

[Seth Meyers]

Yeah, there was a little, like. Was It.

[Yorma Taccone]

Oh, yeah. So they were charmed and we did.

[Seth Meyers]

It a lot more. And as we discussed with Polar earlier, it was a very special way to end her final show.

[Yorma Taccone]

So sweet.

[Seth Meyers]

I'm a little bummed. And we'll obviously have to get a pickup from him to talk about it. A sketch that I think about a lot is lamps. Do you remember lamps?

[Fred Armisen]

It's on the tip of me remembering.

[Yorma Taccone]

Oh, no.

[Seth Meyers]

It starts with Fred and Mikaela Watkins. They own a lamp shop and they walk out, and as soon as they walk out, wig, and Hugh Laurie and Sandberg in really dumb lamp costumes dance out and start singing a song about how they're lamps, like sort of like a Disney musical. And then they're like, oh, they're coming back. And they go and they hide and they come back in and they say, oh, did those lamps move? And it's like, oh, don't be ridiculous. And then they walk out again. And then they start singing their song again. And then the next thing you hear is just Fred, Michaela screaming. Cause they've come back in. And then the lamps get a little. The lamps make some bad choices. The jig is up. Get him.

[Fred Armisen]

What are you guys doing?

[Seth Meyers]

It's too late.

[Fred Armisen]

I've seen our magical powers. If word of this were to get out, we talking lamps would be hunted like dust.

[Akiva Schaffer]

We won't tell anyone, we swear.

[Seth Meyers]

Sorry, old man, we can't take that chance. Open wide.

[Amy Poehler]

This is crazy.

[Seth Meyers]

This is what's happening, Sharon.

[Fred Armisen]

And you can either get in line or get out.

[Seth Meyers]

I haven't listened to this, but I did text Rob Klein, who co wrote it with sandberg like just 20 minutes ago. And I said, let me know as quick as you can. Don't rewatch it. Share your memories about lamps. Also, he wrote, apologies. It's long. I had a lot to get off my chest. It's almost five minutes.

[F]

Okay, lamps. I appreciate Seth this chance to tell me and Andy's side of the story. The first thing I remember, my favorite thing about lamps, which I have not rewatched, is I think it's one of the first sketches Andy and I wrote together. And I remember being really fun. It was like my second season. The one thing I remember for sure about the writing process is we wrote the title. I think Andy wrote the title and we wrote the first page of it before we had any idea that the lamps were going to sing. So at a certain point, Andy, as a lamp, just started singing and we were having a blast. Little did we know that this sense of fun Was going to soon be replaced by one of the darkest weeks of my professional life. Wednesday morning, they put out the rundown of sketches that are gonna get read. People see that one is called Lamps. They're already pissed off. Was that. You know, if we had called it Lamp Store, I think they would have been like, that's normal. We called it Lamps. It's a sketch about talking lamps. There's some unease. Was the title chosen to provoke that response? I would say 100% y. It was a really hot table, in my recollection. Like, you could have picked a whole second show out of the good sketches. So, you know, Lamps did okay at the table, and then it got picked, and that's when I feel like there was more of a sense of playful mockery. Maybe before that, and, oh, you guys are silly. And then a lot of people had just seen their sketches kill at the table and then not get picked. But Lamps got picked, and so people are angry. There's a growing anger. And soon I find out no one is angrier about the sketch Lamps than Lorne Michaels, who I thought picked it. So I'm not sure what happened, But I came in the next day on Thursday for rewrites, and I remember Shoemaker was telling someone, like, yeah, Lauren can't, like, tell about this one. This one thing in your sketch. And they're like, oh, does he just not want to do this sketch? And Shoemaker's like, no, the sketch he hates is Lamps. And he looked at me and he's like, yeah, Lorne hates lamps. He doesn't think it makes sense. He doesn't understand why the lamps are singing. And I would say we absolutely had no response to that. There was no. If you're looking for an explanation, we simply didn't have it. We never did. Then it blocked, right? Thursday or Friday. And that was when it started to feel like, okay, not only is there, for some reason, a target on our backs because of Lamps, it now began to feel like I was being set up to be fired. As people came into the control room while it's blocking and are like, so you're okay with the way that looks? And you think this is acceptable? What's happening here? I remember at one point, Steve Higgins, who was always extremely generous and helpful, he came into the control room while the sketch was blocking, and instead of suggesting something, he just said, you know, this is kind of a mess, right? And then he just got the hell out of there, out of the blast zone. Lauren also came to the control room while it was Blocking, which was very rare. And he just said to me, why does the first song have the same melody as food? Gloria's food from Oliver? And I think I impressed him with my response. I said, I don't know.

[Yorma Taccone]

And he left.

[F]

And that was my first time I talked to him. Probably at least another year until I would talk to him again. Based on my performance there. The last thing I remember about it, Blocking is the lamp costumes weighed approximately 800 pounds and were unbelievably hot and suffocating. So I'm watching on the monitor. I already know I'm on thin ice with Lauren. I'm watching on the monitor as Kristen Wiig, who is a pro of pros and an absolute trooper, always. I just see the life draining from her face as she's being forced to wear an 800 pound costume. We shouldn't have blocked it with the costumes, but we did so that we would get the shots right. Life is draining from Kristen Eyes.

[Seth Meyers]

She's.

[F]

At some point people run in to be like, get it off her. So anyway, I see this message is already way too long. I'll chop it there. But we got to Saturday, it was fine. I think the expectations had been lowered so much that Lauren was like, oh, okay, whatever, run it. And then to this day, that's Lamps one will never live down.

[Yorma Taccone]

Wow, that was all worth it.

[Seth Meyers]

That was a really good voice note. Smooth, smooth voice on Rob Klein. And by the way, one of the many great ways Rob is a collaborator is Rob Klein always has that very even keel to himself because, you know, obviously that's as bad as it's ever gone for him. And he seemed pretty calm about it.

[Yorma Taccone]

Yeah, no, there were certain people that just wore stress well at the show. I felt like John Solomon always had a pretty unstressy vibe.

[Seth Meyers]

I want to make a prediction for the next episode, which is Andy's position will be Lamps is better than we all say it was. I think Andy has real Lamps trauma because people made fun of it for a long time afterwards.

[Yorma Taccone]

I also want to hear about what got cut for it. Like if there was a hot show and there was a lot of shit that got passed over for something, you do feel a tremendous amount of guilt for getting dumped on the rest of the week.

[Seth Meyers]

I mean, good stuff got cut for Lamps and Lamps played high. It's very funny too, because the amount that Lauren is somehow gets to act like he has no hand in the show.

[Yorma Taccone]

Yeah, he does. He does do that.

[Seth Meyers]

It's like that, give me back my show.

[Fred Armisen]

So Many things were cut after dress.

[Seth Meyers]

Yeah. It's nuts.

[Fred Armisen]

Way more than a normal show. It must have been a very long show. We had 1, 2, 3, 4, 5, 6 things cut after dress, and then the two you already mentioned after air. So that's eight things. That's way more. That's a whole other show.

[Seth Meyers]

So. It's so crazy. Lauren cut eight things just so lamps a sketchy hated could play after update.

[Fred Armisen]

But isn't that. Did he actually hate it? I thought Klein was just making up a fun story.

[Seth Meyers]

No. I remember there being a lot to lamps, and I'm looking forward to getting Andy on the show to talk about lamps. And we'll talk about other stuff as well. This was a delight. Thank you to Amy. Thank you to Fred. Thank you to Rob Klein.

[Fred Armisen]

What's the next one?

[Seth Meyers]

We're gonna talk about Neil Patrick Harris next and maybe roll it into. And lamps. Yeah. And we're gonna talk about lamps as well.

[Yorma Taccone]

I can't wait to see Andy's reaction to him not being on the pod.

[Seth Meyers]

Yeah.

[Fred Armisen]

Do you want to give him a code word?

[Seth Meyers]

Oh, yeah. What's a good one for him?

[Fred Armisen]

It should just be periwinkle again.

[Seth Meyers]

Really? No, let's do. What was the one you had that you was close, Bjorn?

[Yorma Taccone]

Petit four.

[Fred Armisen]

Petit four.

[Seth Meyers]

It's petit four. Yeah.

[Fred Armisen]

Good luck remembering that next time, Bjorn.

[Seth Meyers]

And now let's close it as I promised with the Bronx Beat take on Sweetbreads.

[Fred Armisen]

All right. Love you, buds.

[Yorma Taccone]

Love you.

[Seth Meyers]

Love you, bud. You know what else is gross?

[Amy Poehler]

You know what else is gross?

[Seth Meyers]

Sweet bread.

[Amy Poehler]

Sweet bread's disgusting.

[Seth Meyers]

Disgusting.

[Amy Poehler]

You think you're eating a cake. You think you're getting a cake? You lose. It's pancreas.