Get Out!

Summary

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The Lonely Island and Seth Meyers Podcast

Episode: "Get Out!"

Date: September 9, 2025

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Episode Overview

In this episode, Seth Meyers reunites with The Lonely Island (Andy Samberg, Akiva Schaffer, and Jorma Taccone) to dissect their classic SNL Digital Short "Get Out!" The crew offers a candid, often hilarious behind-the-scenes look at the dumpster-fire weeks when their creative well nearly runs dry, and reminisce on their SNL years—the guest stars, the chaos, and their favorite sketches (including live ones that never aired). The episode is packed with signature banter, references to podcast clickbait, and reflections on unforeseen viral fame, Jorma’s recovery from injury, and the surprisingly heartfelt influence of their work.

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Key Discussion Points and Insights

1. Yorm Check-In & Clickbait Culture ([00:06]–[04:23])

• Yorm (Jorma) updates the crew on his health after his much-talked-about accident, humorously tying his convalescence to the podcast's web traffic.
  • “All you got to do is almost die, guys. And then…we would get so many clicks.” — Jorma ([00:40])
• Discussion of the unexpected reach and online reactions following the previous episode’s Taylor Swift content.
  • Seth reads a hilarious YouTube comment: “Swifties. Omg. I’m gonna click on this to hear all the funny Taylor stories. Middle aged man, my ass is literally no longer attached to the rest.” ([01:39])
• The supportive messages Jorma received throughout his recovery:
  • Notables: Amy Schumer, Lin-Manuel Miranda, and Timothy Olyphant. Jorma recounts Olyphant’s dry humor:
    “Not really. I’m in show business, but you know what I mean. Spiritually.” ([03:48])
  • A running joke about doing anything for “the clicks,” with Andy as self-professed “click fiend.”

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2. Movie Talk: Title Changes & Dark Comedy ([04:36]–[06:31])

• Jorma reveals behind-the-scenes drama around the title of his latest film, now called Over Your Dead Body.
  • “We can’t call it the fucking Trip, you guys.”
  • The marketing awkwardness if he’d died and the film were still titled Over Your Dead Body: “Person in charge of the marketing campaign is currently breathing a sigh of relief...” — Seth ([05:38])

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3. SNL, Inside Jokes, and Recurring Bits ([06:31]–[12:16])

• Rehashing fan and internal references (including the infamously “cursed” mug, Mugless, and the ill-fated “Frisbee”).
• Andy introduces the concept of his “Pentifecta”—a made-up achievement among friends for conquering various word games in a day.
  • “I got a pentifecta. That’s queen bee. Connections in four, in reverse order of difficulty...Strands with no hints and spangram first...Wordle in two...And letterboxd in two words.” — Andy ([11:49])
• Seth recounts the accidental timing of a dog food delivery post-Frisbee’s passing, with a touching anecdote about a Frisbee painting sent by Chewy: “It’s truly gorgeous.” ([14:37])
• The group riff on Chewy’s possible connection to Chewbacca and do their Chewbacca impressions.

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4. Wordle, Word Games & Banter ([12:00]–[15:02])

• Extended banter about daily word games, the competitive “fellas thread,” and how these little rituals structure their mornings.
• Playful call-backs to Mean Girls with “fetch” as a Wordle guess:
  • “Would you say that you did make fetch happen today?” — Seth ([14:06])
  • “Frisbee did not fetch.” — Keev ([14:20])
• Mourning and memory of Seth’s late dog, Frisbee.

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5. The SNL Digital Short: “Get Out!”—Making Comedy from Thin Air ([22:22]–[30:14])

Genesis & Structure ([22:26]–[25:47])

• Andy shares that "Get Out!" was a recycled college video idea from NYU days, dusted off during a no-ideas week at SNL.
  • “We had no ideas this week, and they were like, ‘Do a short.’” — Andy ([25:04])
  • The crew jokes about the “blessing” of being told to do a Digital Short under pressure.
• Fred Armisen stars as the recurring bathroom invader; Andy and Fred recall the relentless toilet humor.

The Sketch, Beat by Beat ([27:11]–[29:02])

• Multiple failed bathroom privacy attempts, each punctuated by Fred's perfectly oblivious or naturalistic intrusions.
  • “My favorite part…is just…I really have always liked when Andy does that tone…It’s the exact same verbiage every time.” — Yorm ([28:56])

Self-Critique & Recurring Tropes ([29:02]–[30:39])

• The group note that the joke structure here was improved upon later in “The Mirror” with Elliot Page.
• Praise for Fred’s “roomie” performance and his timeless fashion sense.
  • “It’s the most Fred outfit of all Fred outfits.” — Seth ([29:33])
• Andy admits the last beat (the twist ending) is the best, collaboratively punched up for SNL.

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6. SNL Deep Cuts: Unheralded Favorites ([33:27]–[44:10])

Jon Bovee Sketch Appreciation ([33:27]–[34:37])

• Nostalgic rewatch and breakdown of the cult sketch “Jon Bovee.”
• Delight in small comedic details:
  • “Suds did reverse blowing of kisses. He sucked in kisses.” — Andy ([34:12])

Wiig’s Trina: “Jerry Butler’s Secretary” ([35:24]–[44:10])

• Kirsten Wiig’s bizarre secretary character, Trina, gets the full deep dive:
  • “Thomas. Thomas, look!” — Wiig as Trina ([36:29])
  • The group agrees this is among Wiig’s best, most quotable creations.
    • “I constantly say Thomas…You know who’s a big Trina fan is Milioti. We do a lot of Thomasing when we hang out.” — Andy ([43:56])
  • Applaud Sudeikis for his “Thomas” responses, and marvel at the sketch’s relentless absurdity.
  • “The world does not realize that this is the greatest sketch in the history of the show.” — Cited by Marika Sawyer ([38:34])

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7. Industry In-Jokes, Clicks, and SNL Lore

• The phrase “See you at the table,” lampooning Hollywood’s recurring ideas and simultaneous projects. ([24:16])
• Banter about their place in current pop culture and random shoutouts in the trades:
  • “Did you see that the tags on the Deadline article had all our names, but then it said Lonely Planet? Huge burn.” — Seth ([44:41])

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Notable Quotes & Memorable Moments

• On click-driven podcasting:
  “If each week we could almost die, we would get so many clicks.” — Jorma ([00:40])
• On bathroom victories during recovery:
  “I went to the toilet by myself…I'm not shitting on myself and having it being wiped by grown people right now.” — Jorma ([02:29])
• On Hollywood support:
  “‘Not really. I’m in show business, but you know what I mean. Spiritually. Anyway. Glad you’re okay.’ That’s like the most honest one.” — Jorma, quoting Olyphant ([03:48])
• On old sketches:
  “We had no ideas this week and they were like, 'Do a short.' A great blessing…” — Andy ([25:09])
• On recurring inside-joke bits:
  “I really have always liked when Andy does that tone…It’s the same voice every time…Exact same verbiage.” — Yorm ([29:02])
• On Wiig’s Trina:
  “It’s impossible to meet a Thomas and not think: ‘Thomas, Thomas, Thomas…’” — Seth ([38:25])
  • “I constantly say Thomas. You know who’s a big Trina fan is Milioti. We do a lot of Thomasing when we hang out.” — Andy ([43:56])
• Self-deprecation:
  “Come at us, Jordan. Is that what you just said?” — Yorm, on Jordan Peele’s ‘Get Out’ ([44:50])

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Timestamps for Key Segments

• Yorm’s Health, Clickbait, and Taylor Swift Fan Reactions: [00:06]–[04:23]
• Movie Title Changes & Serendipitous Marketing: [04:36]–[06:31]
• SNL Fan Theories, Mugless, and Popstar Deep Cuts: [06:31]–[15:02]
• Word Games & Pentifecta: [11:49]–[14:45]
• Chewy’s Frisbee Tribute & Dog Grief: [14:37]–[15:06]
• SNL Digital Short “Get Out!” – Creation and Review: [22:22]–[30:14]
• Sketch Rewatch: “Jon Bovee” and Wiig’s “Trina” Character: [33:27]–[44:10]
• End-of-Show / Upcoming Tease (“Two worlds collide…”): [44:21]–[46:18]

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Final Notes & Tone

The episode is classic Lonely Island-chaos: irreverent, meta, deeply inside-baseball, but always infused with warmth, camaraderie, and genuine gratitude for their shared SNL experience. Fans get a rare peek behind the curtain at how the infamous “dead air” weeks can yield sleeper hits or at least legendary inside jokes. The crew’s willingness to poke fun at their own failures and foibles (and at Hollywood in general) anchors the episode, making it both a comedy nerd’s delight and a sincere nostalgia trip.

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Transcript

[Fred Armisen]

Let me tell you about a thing I know. The moment out of Seth Meyers podcast show.

[Seth Meyers]

Hey everybody. Welcome to the Seth Meyers and Lonely island podcast. And I think you know, for the near future we're gonna probably start with a yorm check in.

[Yorm]

I don't wanna talk about.

[Seth Meyers]

You don't wanna talk about it. You have decided in the course of the last week that it's a private matter.

[Yorm]

Yeah, I feel like I overshared too much last week and now I don't wanna talk about it.

[Andy]

Well, bad news cause you broke the net.

[Seth Meyers]

You broke the net.

[Keev]

You finally got Andy's cl.

[Yorm]

Yeah, I got them clicks. I was just trying to fudgeing help out what Andy was looking for them clicks.

[Andy]

I'm a click fiend. And you trended on deadline.

[Yorm]

Yes. All you got to do is almost die, guys. And then fucking if each week we could all almost die, we would get so many clicks.

[Andy]

Yeah. Before we started, Seth was saying it's called pulling a renter. But I thought that was in poor taste.

[Keev]

He was like side texting it.

[Seth Meyers]

I side texted.

[Andy]

Yeah, yeah, yeah, yeah. I mean, if anyone wants, I guess I could post the screen grabs. I don't usually do that kind of stuff, but now that I'm a clickhound, I might just sell out my boy.

[Seth Meyers]

You know what? And I'm gonna give you permission to post the grabs because I should learn a lesson. It's the only way I'm gonna learn my lesson.

[Keev]

Well, no, let's not be hasty.

[Yorm]

You might do it to me.

[Seth Meyers]

Oh, are you remembering some of the grabs I got of you?

[Yorm]

We don't need to turn this into.

[Seth Meyers]

Some sort of tit for tag.

[Andy]

Photoshop.com.

[Seth Meyers]

Hey, I'm gonna read just a bunch of comments, Yoram, okay. That I think you are going to really enjoy.

[Yorm]

Maybe I've read some of them because I.

[Seth Meyers]

Did you read YouTube comments?

[Yorm]

No, I didn't read any YouTube.

[Seth Meyers]

All right, so here's one that really made me laugh because again, last week was the Taylor Swift episode. Yeah, somebody wrote Swifties. Omg. I'm gonna click on this to hear all the funny Taylor stories. Middle aged man, my ass is literally no longer attached to the rest.

[Yorm]

Yeah, that's really good. I do have. I do have one that I really liked, but that. That tops it. So it's not gonna sound as good now really. But I did like on. On, on Reddit, somebody said happy birthday to the ground.

[Seth Meyers]

Yeah, well they also said because it was on your daughter's birthday.

[Yorm]

Yeah, exactly. Happy Birthday.

[Seth Meyers]

Happy birthday to the ground. That's what the latter said.

[Andy]

Oh, my gosh.

[Seth Meyers]

I should note that everybody who wrote something like that immediately followed up with like, but in all seriousness, hobby's good. Get well soon. Yorm, we.

[Yorm]

Yeah, no, it's. It's. I've had some breakthroughs this week, but they're like, all, like, so small and sad that I don't know if you want to. Anybody wants to, like, hear about them, but, like, I went to the toilet by. By myself. That was like an exciting thing. Like, I mean, going from, like, a chair. It was hard. Anyway, I'm not shitting on myself and having it being wiped up by grown people right now.

[Seth Meyers]

That's awesome.

[Yorm]

Yeah. Positive.

[Seth Meyers]

And it's a. It is a nice tie in to this when we do get to the short. It is. Yeah.

[Keev]

It' toilet related.

[Seth Meyers]

It is toilet related.

[Yorm]

Oh, yeah. Great. That's perfect. That's perfect.

[Seth Meyers]

So thanks for the tie in.

[Yorm]

No problem. I like to wait for the headlines. Big on transitions. No, honestly, like, I actually, like, people have said so many fucking nice things and so many of our friends have written me very, very sweet things. And obviously you guys have been so supportive, and I really do. I do appreciate it. Yorm.

[Andy]

In the interest of. In the interest of them. Clicks. Who's the most unexpected person to reach out?

[Keev]

This guy's a gossip hound.

[Yorm]

Amy. Amy Schumer wrote to me today, which was very, very sweet.

[Seth Meyers]

Okay.

[Yorm]

She famous? Yeah. Yo, Amy Schumer. Who else? Who else? Who else? Lin Manuel, as always. But he, you know, that guy's just the nicest guy in the world.

[Andy]

Friend of the show.

[Yorm]

Who else? Oh, and then, you know, our fucking boy, Timothy Elephant, always a sweetheart. Just. He also had a good one because I think he said. He said yo. So sorry to hear it. I'm here if you need anything. Not really. I'm in show business, but you know what I mean. Spiritually. Anyway. Glad you're okay. That's like the most honest one. I mean, not really. What am I gonna do?

[Andy]

If there's anything you need. Yeah, so long as it mostly involves either sending a video on my phone or texting you more.

[Seth Meyers]

Hoping everything I could do for you was send a text, and I've therefore fulfilled my obligations.

[Yorm]

Oh, I think I did it. I think I did it.

[Andy]

That keeps us in play for future projects, right?

[Seth Meyers]

Speaking of future projects, Yorm, is it true that the title of your movie has changed?

[Yorm]

Yes, it has, but I don't know if. How many times did we talk about what the title even was.

[Andy]

I don't even think we ever say.

[Seth Meyers]

What it was and say what it changed to. Because a Quaid made an observation.

[Yorm]

It was called the Trip. And then behind the scenes. I never liked that title because that is the American title of the Norwegian film of which it is based on. Then for anybody who's in comedy, there's a movie called the Trip and TV show that's very, very fucking funny and famous. So I was like, we can't call it the fucking trip, you guys. And then I was calling it Bad Love because there's a. Because of a song that I love by a.

[Seth Meyers]

You were calling it Caddyshack. And then people said, I did. That's the same problem as the Trip.

[Keev]

That's just a blind spot for him.

[Seth Meyers]

And then he started calling it the Blind Spot.

[Yorm]

So I was calling it Bad Love. And then we've now changed. The title is now over your dead body.

[Seth Meyers]

Okay?

[Yorm]

And it is staying over your dead body.

[Seth Meyers]

So a Quaid wrote in and said, another really good reason you didn't die is that they would then have had to release the last movie you directed called over your dead body. Someone wrote somewhere, the person in charge of the marketing campaign is currently breathing a sigh of relief that they don't have to rename the movie again or market a movie that's called over your dead body while also paying tribute to a recently deceased director.

[Yorm]

Wait, are there any other good ones that you found, Seth? Because these are.

[Seth Meyers]

Well, I think you'd enjoy somebody just in all caps saying welcome back to 4 Shock Jocks now featuring 7 working Peldi. But there was a couple. A couple people made an observation that there's. That there's someone out there right now who really probably enjoys this. Do you know who multiple members of the Quaid army have said is kind of doing a victory lap right now?

[Yorm]

I feel like this is going to be a pun, and I'm not good at that.

[Seth Meyers]

It's not a pun. They're just saying Mugless right now.

[Keev]

Oh, it's karma's revenge.

[Yorm]

Yeah.

[Andy]

The curse of Mugless.

[Yorm]

He's like, fuck you too.

[Keev]

The same spirit of wild anarchy brought him to both places.

[Seth Meyers]

Yeah, I think that it's also like, just telling that, like, you never fell off a ladder. And then the minute you threw that story out. I'm just saying there's a chance Mugless was out there, maybe, like, loosening some.

[Yorm]

Screws, you know, I think I lost a little bit of traction and love during the mugless episode. That people maybe thought I was like psychotic or something like that, you know? So I think I have it back now. So this is how you do it, you guys. You gotta fucking reel them in. You reel them in and then one.

[Andy]

Really must track one's own traction on the pod.

[Yorm]

The rankings, before you steal another fucking mug.

[Andy]

Seth, do you think there's a chance this was Frisbee from Beyond, but she got the Lonely island member wrong because she all cross eyed and blind.

[Seth Meyers]

Dumb.

[Andy]

Yeah, like a dumb, googly eyed, like, kind of croissant.

[Seth Meyers]

So you're saying that she's as much of a piece of shit as a ghost as she was as a living dude?

[Andy]

No, I'm just saying she's like, confused and kind of skittery.

[Seth Meyers]

She was actually going to Yhorm's house to see if he'd help, and then she accidentally knocked over the ladder.

[Andy]

It's totally possible. Or she was just like gnawing on a sock or something.

[Yorm]

I do think that I always forget this part, but I'm like, is this actually gonna affect my pain levels tomorrow? Because I'm not usually laughing much in the hospital. And so I feel like, what?

[Keev]

But you said you were watching Pop Star some of Popstar.

[Yorm]

That's true. Yeah. A lot of yucks in that.

[Andy]

Was there any joke in it that you'd forgotten that made you have some yucks?

[Yorm]

I still love the joke that we. It's more for the behind the scenes part of this joke. Like when you're describing what happened to the band. The band breaks up, you guys have the argument on stage, very beginning of the movie, and you're like, lawrence quit the band. Owen became my DJ and our dj. I don't know what his name was, but we hired Newmark, DJ Newmark to be our dj. And he's like, he went to Japan to hunt dolphins like a dickhead. My favorite part of that joke is that we didn't tell him that we were gonna do that. So I remember when the movie came out, him being like, what the fuck, bro? He's like, I showed up as a favor. And then you said that I moved to Japan.

[Andy]

You're like, you weren't playing yourself, dude.

[Keev]

That is true. He had a man.

[Yorm]

Yeah. He doesn't get it. There's so much shit in there. It's so fast.

[Andy]

But the real scoop is DJ Newmark himself. The actual guy does kill dolphins.

[Keev]

Yeah, Zach, that's why you heard.

[Yorm]

You heard it here first. You heard it here first.

[Seth Meyers]

Three more quick things. One, somebody did clickbait from the last podcast when we posited that Kelsey and Swift only got engaged because Frisbee died.

[Andy]

You're kidding.

[Seth Meyers]

And I really. There was a clickbaity headline that's like, podcasters say dead dog led to engagement. Wow.

[Yorm]

Jes.

[Andy]

Can you say on what or is it too. We don't want to go there.

[Fred Armisen]

There.

[Seth Meyers]

Somebody said Sports Illustrated, but I'm not sure if that's where I saw it.

[Andy]

That would be so tight. It was actually the Gray Lady. The old New York Times.

[Seth Meyers]

The Gray Lady Gracia page. This is just a. I know this will sound petty. Somebody wrote, this is them speaking. SNL does Frankenstein sketches. And this is true across the board. This is not just a Firelight complaint. Monster is way too green. He's not the Hulk. He should look like a pale ish green gray. And I would just say little petty. Does sound a little petty.

[Yorm]

Yeah.

[Andy]

I mean, preface by saying it's petty.

[Keev]

We're not going for accuracy.

[Yorm]

I think it's a little hard to say that one because if the original is in black and white, it's a little hard for me to be like, okay, what? But based on what?

[Seth Meyers]

You know, Somebody also had a very. You know, I talked about all the jokes I feel like left on the table for Firelight, and someone said, I wish when she had said, you're a Frankenstein, Bill had said, I'm actually Frankenstein's monster. A lot of people make that mistake.

[Keev]

I thought about that while it was like, wait, what's she gonna say? Yeah, but it's such well worn territory. I understand why you didn't.

[Seth Meyers]

Yeah. When you were making the argument that horse sense is a common expression. Andy. And someone said, maybe that's because it is used in a Joanna Newsome song. Do you know the song that horse sense is in the lyrics?

[Andy]

Uh, oh, I would guess Monkey and Bear.

[Seth Meyers]

Nailed it. Very proud of you. Really, really good.

[Yorm]

You guys get to stay married.

[Seth Meyers]

Yeah.

[Andy]

Is that how this works? Fuck. I did not know the stakes.

[Keev]

Which album is that on?

[Andy]

East Son.

[Seth Meyers]

Yeah. We called Joanna first. We have a voice note from her. She made it very clear. If you got it wrong, she don't come home. You live in the podcast studio now.

[Andy]

Dang.

[Seth Meyers]

She was ice cold. She was ice cold.

[Keev]

We're recording this way late in the day compared to what we usually do. And let me just tell you guys, I'm exhausted.

[Andy]

Yeah, I sleepy.

[Keev]

I'm noticing a different feeling I have. We've never recorded this late.

[Seth Meyers]

Yeah.

[Andy]

Well, allow me to fill in for you. Keev and just rivet everyone.

[Fred Armisen]

Jesus.

[Andy]

It's a special day for me.

[Yorm]

Oh, boy.

[Seth Meyers]

What happened?

[Yorm]

Oh, no, we already know what happened.

[Andy]

Well, I got a pentifecta. Seth.

[Keev]

Whoa.

[Seth Meyers]

Pentifecta?

[Andy]

Yeah, I got a pentifecta. That's queen bee.

[Seth Meyers]

Yep.

[Andy]

Connections in four in reverse order of difficulty.

[Seth Meyers]

Gotcha.

[Andy]

Strands with no hints and spangram first.

[Seth Meyers]

Okay.

[Keev]

Wordle in two.

[Andy]

Wordle in two.

[Keev]

No, you have to get two. Yeah, you can't even compete for this prize.

[Andy]

And letterboxd in two words.

[Yorm]

Is this a real thing or something you made up?

[Keev]

Well, kind of made up on the thread, as far as I know.

[Andy]

Well, our fellas thread about word games, there was the trifecta when it started, which is just wordle strands and connections.

[Yorm]

But this is not everybody in the Internet knows this word.

[Andy]

Well, not until this exact moment.

[Yorm]

Okay, gotcha.

[Seth Meyers]

Which is pretty big.

[Andy]

Cause we about to go viral.

[Yorm]

Click, click, click.

[Keev]

I mean, Andy's adding queen bee and letterboxd. He's just way over everyone else's head on this.

[Seth Meyers]

This is when. I mean, I really. I wish right before, you know. And again, I'm realizing immediately with the start of the sentence, I'm going into some pretty murky territory. Right before we put her down, if I just got some real clicks from Frizz that I could play after, you know, that would be our, like, fully mic'd.

[Keev]

Some clicks.

[Seth Meyers]

Fullator. Yeah.

[Andy]

Well, if you have any video of her ever, you could probably pull some.

[Seth Meyers]

Yeah, that's true. She's almost always clicking. All right, but keep it going. So penta. What do you call it?

[Andy]

A pentifecta.

[Seth Meyers]

Pentifecta, okay.

[Andy]

And I feel proud of that.

[Keev]

Do you start with wordle every day? Because wordle's the one you can never count on to get into at all. That's a pure luck of the draw. So do you do it first so that you can really focus up on the rest of the games?

[Andy]

Akiva, thanks for asking. I start with the spelling bee because it's the most time consuming. Of course, today was no easy queen bee either. Oh, but I quibbied that.

[Seth Meyers]

Yeah, I did not quibby that.

[Andy]

And then generally speaking, like, I'm always trying to do the best I can do, but then I do wordle next. Because if you don't get wordle in two, you're like, well, I'm not getting any kind of fecta today.

[Keev]

Exactly.

[Seth Meyers]

I'm going to say something, Andy. I never wordle in two, and I wordled in two today, and I'M wondering if our first words are similar.

[Keev]

You can say it, it won't spoil it. This is not coming out on this day.

[Andy]

My first word was reach.

[Seth Meyers]

Oh, interesting. Fresh. It was fetch. Would you say that you did make fetch happen today?

[Andy]

I'd say we both did.

[Seth Meyers]

If we made fetch happened.

[Keev]

Frisbee related did Frisbee.

[Andy]

Goram, stop trying to make fetch happen.

[Keev]

Frisbee did not fetch.

[Seth Meyers]

Frisbee used to fetch a little bit. I came back from a two week hiatus and a dog food. There was a big box from a dog food company. And sometimes when you host, you know, people send you free swag and had this moment like, did you not hear my dog? You were sending me dog food and my dog just died.

[Andy]

Yeah.

[Seth Meyers]

And the most beautiful piece of artwork, it was Frisbee painted on a Frisbee in a frame. And it's like, truly gorgeous.

[Keev]

Yeah, that's nice. And it was just something to honor Frisbee.

[Seth Meyers]

Yeah.

[Yorm]

I feel like that's worth a shout out of the dog food company.

[Keev]

That's why they did it.

[Seth Meyers]

Yeah, that's true.

[Keev]

They just wanted them. Clicks.

[Seth Meyers]

Shout out to Chewy. Thank you, Chewy.

[Yorm]

Oh, that's.

[Keev]

Oh, yeah, that's like an overall dog. US supply.

[Seth Meyers]

Yeah, they're like all over the place.

[Yorm]

Yeah, we. We used. We used Chewy.

[Seth Meyers]

Come on now. That's.

[Andy]

That's sweet. Are we sure it's a company, though, or that it's not, you know, Chewy?

[Seth Meyers]

Oh, you think it was like, it.

[Andy]

Might be from Chewbacca. Who's like, oh, another hairy.

[Seth Meyers]

Who do you think? Now, you would always say who does a better Chewbacca, me or hater?

[Andy]

Between me and Bill.

[Seth Meyers]

Yeah.

[Keev]

It's been on the pod before, but the first time you rolled it out was. Was better.

[Seth Meyers]

Yeah. Do you want to run at it one more time?

[Keev]

That's not the usual part of his, you know, vernacular that people do.

[Andy]

You don't want to be Chewy in space, Jess. Cause he'll rip them arms straight out the sockets. Sorry, Yorm, too soon to talk about things like that.

[Seth Meyers]

Yeah, sorry.

[Yorm]

I'm good.

[Seth Meyers]

Support for the Lonely island and Seth Meyers podcast comes from Airbnb. The thing I love about Airbnb is how it turns travel into something more personal. You're not just visiting a city. You're staying in a space that feels unique and lived in and that makes the whole experience more memorable. And that's the other side of it, too. Your place could give someone else that same feeling while you're away. Your home doesn't have to sit empty. Hosting on Airbnb means someone gets a welcoming spot to stay and you get the benefit of putting your space to good use. So, for example, right now, if I was away and, you know, put our apartment up on Airbnb, you would see a shrine to our recently deceased dog, Frisbee. Is that something you feel like would make your vacation better? Keep an eye out for it. I love trips where I've stayed at Airbnb and sometimes I come home wanting to add touches that I saw in other people's homes because they brought character to a living space that I was envious of. Your home could be worth more than you think. Find out how [e-mail] Host support comes from Wonderful Pistachios Wonderful pistachios is the don't hold back snack. They're healthy and they're tasty so you can snack without holding back. Wonderful pistachios is the craveable snack that tastes too good to be good for you. Irresistible flavors. Honey roasted Jalapeno Lime Chili Roasted Bring the heat, the sweet or the kick to keep you coming back for more. With 6 grams of protein for serving and 0 grams of regret, Wonderful pistachios are one of the highest protein snack nuts. If you don't believe me, ask a kiva. You didn't send anything in. Great. No shells, no limits. Don't hold back on flavors or convenience. I'll tell you what I like. It's just eating a ton of pistachios. And I'll tell you what I don't like. When I forget to hide the shells. And then my wife comes home and says, did you eat all of the wonderful pistachios? And I say, no, I didn't. And then she'll say, well, where are all these shells from? And I'll say, your guess is as good as mine. Visit wonderfulpostachios.com to learn more.

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[Andy]

All right, well, I talked about. I talked about my word game, so I'm going to just check out now and you guys talk about whatever oh, we want.

[Keev]

Did you notice, Seth, did you listen back last week's or.

[Seth Meyers]

No, no. Oh, it was your ads.

[Keev]

No. Yes, that but that's not even it, Andy. So he texted like right when we got off the whole thing. He was like, God damn it. I forgot to get somebody to ask me. I quibby today and nobody asked me. I'm like, put in a voice note. And so you. Unless you listen to back. You don't hear that the pod stops at a random spot, goes to a muffled iPhone recording. And he's like, hey, Andy, here. I just like, nobody asked me and I just needed you to know.

[Andy]

Crazy Seth.

[Keev]

Crazy that you didn't listen of a pranky, funny thing for Yoram and Seth. Because I knew because I told him to do it. So it was for you guys to listen and go, what the fuck? He just put himself in there.

[Andy]

P.S. then Jeff asked me to do another one to tee up Rob Klein's nice voice note about bunny business. And it just so happened. Seth, you piece of shit. I got it again that day. It was a different day, man. I got to say. I got queen bee two extra times. Oh my God, I wish I had. I wish I had like a mini podcast every day so I could every day talk about how I got queen bee because it just makes me so happy and I feel so proud.

[Keev]

Bonus episodes. Between each episode, there's six other 30 second episodes.

[Seth Meyers]

30 second episodes, but they each have seven minutes of ads.

[Keev]

Exactly.

[Yorm]

God, I love podcasting so much.

[Fred Armisen]

Y.

[Andy]

Are you okay?

[Yorm]

I'm good. There. There's the meds coming in like 10 minutes, guys, so that should help.

[Keev]

Ym. You. You blaze through that Witches of Eastwick yet? You blaze that in the hospital?

[Yorm]

God, I definitely have to based on that scene you sent.

[Keev]

Jesus Christ, guys. After the pod ended last time, I wanted to know what other tennis movies. Cuz I'm a sucker for a good sports movie.

[Seth Meyers]

Yeah.

[Keev]

So I went and found the Vulture article and I got through it all and I'm like, I think this is missing one. And it occurred to me what it was and it was Witches of Eastwick.

[Yorm]

Has a very drawn out, very drawn out tennis scene.

[Keev]

Yeah. So that's pretty big snub. I don't know if it'll get to number two on Deadline, which is where I saw Yorm's story got to. But I think somebody should mention that the Vulture article snubbed, which is Veestwick.

[Yorm]

Wait, did. Did. Did the deadline. Did that really get to number two? That's exciting.

[Keev]

Yeah, I took a screen grab. I'll text it.

[Yorm]

Oh, man. People really care about me.

[Keev]

It might have got to number one. I was not checking off it would.

[Seth Meyers]

Have gotten to number one, but Spike Lee twisted an ankle.

[Andy]

Fuck, you're now at three. Cause the Wuthering Heights trailer came out and it looks super horny.

[Yorm]

Yeah, people are.

[Keev]

And it's got a bunch of Charli XCX music in it and shit.

[Yorm]

People are definitely more horny than they are.

[Andy]

Yeah, bro, that movie going, fuck, yeah.

[Keev]

You're not gonna compete with that.

[Yorm]

Can I tell you guys something fun? Mr. Harula, our old history teacher from seventh grade that these guys all know and love.

[Keev]

Yeah.

[Yorm]

Austin just wrote me and was wishing me well as well.

[Fred Armisen]

Aruna.

[Yorm]

Oh, my God. Anyway, I'll have him listen to the podcast.

[Andy]

He was a good history teacher.

[Yorm]

He was great.

[Seth Meyers]

I said the number one movie on the list of the tennis things was Blowout. It was actually Blow Up.

[Andy]

Yeah, Blowout is what norms was.

[Keev]

I was racking my brain to think of wearing Blowout with the Travolta and the car and all that stuff when they played like a fun round of tennis.

[Seth Meyers]

And I said it was Antoni and not Antonini. What did. Sorry, I missed the Blowout joke.

[Andy]

I said, Blowout is what Yorm has been having.

[Seth Meyers]

In the toilet, where it goes.

[Andy]

Well, now.

[Yorm]

It hasn't been going there, though, most of the time. This bed has seen better days, my friend.

[Seth Meyers]

I would like. I'm assuming the director of Blowout is, you know, probably. Well, I don't know if he's dead. Blow Up. God, I'm still getting it wrong. But it would be nice if he's a member of the qu army and he's like, oh, good, they're finally going to correct the record. And then Andy jumps in and does the Blowout.

[Keev]

Seth. Yes, we did like how you are a hero for doing the ads. And then it randomly went to the one of me.

[Yorm]

Oh, my God, I love that. I love that.

[Seth Meyers]

You know, they just make us do these ads. They don't tell us when they're gonna play. Also, I, like, said, sorry, I fucked up the pistachio one. And then it turns out that's still in the rotation.

[Andy]

I mean. Or were you just trolling?

[Yorm]

You know what I mean?

[Seth Meyers]

Yeah, that's true. Could be full troll job.

[Keev]

Yeah, that's the other way for the clicks, guys.

[Andy]

We do love to troll.

[Seth Meyers]

We do love to troll somebody. I have one more and then we'll get to our sweet short. We'll get to a very. I'm going to say it in a kind way. I like the word a trifle. I feel like the Short we're about to talk about is a trifle.

[Yorm]

That's a good. That's a good word.

[Keev]

Definitely another last minute or.

[Seth Meyers]

Yeah, somebody said, not related to this episode at all. But I needed to come on here to tell you that I saw the movie Caught Stealing last night. It was very good. And at one point, Austin Butler runs by Kim's video, and I pointed at it like Leo in Once Upon a Time. Hollywood meme.

[Keev]

Yeah, that's really funny, because that movie takes place in the 90s.

[Seth Meyers]

Yeah. Or early 80s. 90s. Yeah, I think 90s. I'm very, very excited to see it.

[Keev]

That's a perfect thing to have in the background. Also from Aronofsky, who I'm assuming lived in New York during those times.

[Seth Meyers]

Probably in that neighborhood.

[Keev]

That's dope.

[Seth Meyers]

All right, so get out is the name of this short.

[Keev]

I have zero memory, as you know, from our text chain, where I went, oh, that must be one. What was I doing that week? Why wasn't I involved? And then it turns out I completely was.

[Yorm]

Keev, do you remember shooting this? Because I feel like this was a week that I used the excuse of like, I'm, I'm editing McGruber. I can't make it.

[Andy]

We had nothing.

[Yorm]

Yeah, because I don't, I don't remember being there, though.

[Keev]

No, no, I, I, I have, I have not rewatched, but I, I once they told me what it was. I do remember she. I was there.

[Yorm]

Yeah.

[Andy]

Let's start with the elephant in the room. Jordan Peele ripped us off.

[Seth Meyers]

Well, I remember he came to you guys and said, I have a movie called Get Out. And you were like, good luck.

[Andy]

Yeah, try topping that.

[Yorm]

Good luck already happened.

[Seth Meyers]

We're gonna be the Get Out.

[Keev]

Everyone's gonna think it's a toilet movie. You just tanked your box office.

[Seth Meyers]

Do you remember? I mean, it was always said in jest when people would say, see you at the table, when you said you had a similar thing.

[Yorm]

Yeah, yeah, yeah. I said that to Jordan.

[Andy]

See at the table.

[Seth Meyers]

See at the table. There was a thing where people would be like, oh, I'm writing something where, you know, whatever, Jason Bateman plays a cop, and somebody else be like, oh, I'm doing something where Jason Bateman's cop. And then in Jess, people would say, see at the table.

[Andy]

That's right.

[Yorm]

Like, literally, like High Noon.

[Andy]

The weirdest part is both those sketches were written the Taylor Swift week.

[Seth Meyers]

The Jason Bateman is a cop.

[Keev]

Yeah, that is weird.

[Seth Meyers]

We should have mentioned it last episode.

[Andy]

Yeah.

[Seth Meyers]

But what are you gonna do? All right. Should we watch it?

[Yorm]

Yes.

[Keev]

Oof.

[Andy]

Do we have to?

[Keev]

I didn't watch it, so I think I should.

[Andy]

Can I tee it up? This was an idea that I had shot in college.

[Seth Meyers]

Oh, wow.

[Andy]

This was from my college videos that I did at nyu.

[Yorm]

I was gonna say, I feel like I saw. Remember this from you and Chester? Right.

[Andy]

We had no ideas this week, and they were like, do a short. A great blessing to be told that.

[Seth Meyers]

Oh, great blessing. Every day. Every short's a blessing.

[Andy]

No one can see us all winking at each other. And we were like, well, it worked for Dear Sister, but then this one we knew wasn't that, but we kept writing.

[Keev]

Right. This isn't it verbatim. We built on the beginning of a comedic idea of, like. Oh, that moment where someone's in the well.

[Yorm]

No, but for fun, though, Andy. For fun. Just because you and Chester lived together and there were a lot of hijinks in it felt like from your roommate days. Was this part of that or, like, somehow.

[Andy]

No, I don't think so.

[Yorm]

Okay.

[Andy]

I mean, we did a lot of bathroom jokes with each other, for sure.

[Seth Meyers]

Okay.

[Andy]

We lived in an apartment where the bathroom was, like, one of the bedrooms was a closet and the bathroom was off the closet, and we switched halfway through the year. Kind of a situation.

[Yorm]

Yeah, yeah.

[Andy]

Not good. Apartment on Bleecker.

[Yorm]

Wait, what were your bathroom jokes?

[Andy]

Just, you know, throwing the door open when the other one was in the bedroom. Hey, by the way, I wanted to tell you.

[Fred Armisen]

No.

[Seth Meyers]

Now, I will say one of the other problems of this is you basically use the recurring beat of this to better effect in the mirror.

[Andy]

Yeah.

[Seth Meyers]

The Elliot page short. Elliot walks in on you as the zombie, and you do the same move.

[Andy]

Correct? Yes. Somebody's in here.

[Seth Meyers]

Yeah. Which as the zombie was a. Came out of nowhere. It just shocked you, Right.

[Keev]

We had already done it.

[Andy]

I will say this, Keev, we added to this one, but not. I think mostly it's the last beat, which is the best part of it, if you had to say there was the best part.

[Seth Meyers]

The last beat is great.

[Andy]

Yeah. And that's something we came up with together and made it more worthwhile than what I had done in college. But the walking in on multiple times, then in the middle of the living room, being there, then being on the elevator, then being outside. I think all of those were in it.

[Yorm]

Got it.

[Andy]

And I'm not bragging. I'm just letting you know that's how much we were just pulling that we just Used it.

[Seth Meyers]

Let's. Let's just do a quick rewatch. It's a shorty.

[Andy]

Okay.

[Yorm]

Dude, what are you doing?

[Fred Armisen]

Sorry, sorry, sorry. Get out of here.

[Yorm]

Close the door. Get out.

[Andy]

No laughs correctly.

[Yorm]

Anybody in there?

[Andy]

Hello? Coming in.

[Yorm]

Anybody?

[Seth Meyers]

Dude, what are you doing?

[Fred Armisen]

I knocked. I knocked my headphones on. Get out.

[Andy]

Wearing headphones on the toilet, dancing.

[Keev]

Yeah. Also, the door was not shut.

[Fred Armisen]

Oh, sorry. Someone's in here.

[Yorm]

Get out.

[Fred Armisen]

Get out.

[Andy]

Is that Fallon on the tv?

[Keev]

Yeah, I think so.

[Fred Armisen]

Get out of here.

[Andy]

Get out.

[Yorm]

Okay.

[Seth Meyers]

I said get out of here.

[Fred Armisen]

Come on, dude.

[Keev]

Ty said get out of here. 22.

[Seth Meyers]

Hey, I'm out here.

[Fred Armisen]

Come on.

[Yorm]

And a jacket.

[Fred Armisen]

Someone's in here.

[Andy]

Oh, yeah, we added this.

[Seth Meyers]

Hey, I said someone's in here, man.

[Fred Armisen]

I'm sorry.

[Andy]

Why did person do that?

[Keev]

Yeah.

[Yorm]

Anybody in there?

[Andy]

Roomie, I know you're at work, so.

[Yorm]

You cannot be in there.

[Andy]

I know.

[Seth Meyers]

I'm just talking to myself right now.

[Andy]

Not in there.

[Seth Meyers]

Right.

[Andy]

Okay.

[Yorm]

All right.

[Fred Armisen]

Sorry.

[Yorm]

You get a good laugh at the end.

[Seth Meyers]

The audience is happy. The audience is happy.

[Keev]

You.

[Yorm]

My favorite part of it.

[Andy]

Yes, please.

[Yorm]

It's. It's just. I really have always liked when Andy does that tone.

[Seth Meyers]

Dudes.

[Yorm]

No, no. Like, it's basically the, like, not me, man. Like. But it's the same voice every time. Like, every. Every single time. It's the exact same tone. Exact same. Like, almost the exact same verbiage. And I. I do appreciate that.

[Keev]

That terrible, terrible library music of, like, sitcom, like, Everything's fine repeating every time. That was better than I thought it'd be based on your setup.

[Seth Meyers]

It's, by the way, a perfect visual document as to how both of you dressed at the time.

[Yorm]

Yeah, very true.

[Seth Meyers]

That's the most Fred outfit of all Fred outfits.

[Andy]

I'm gonna continue on the Fred thread because I was gonna say my favorite part is maybe how, like, naturalistic he plays it, even though it's, like, the stupidest premise ever.

[Seth Meyers]

Yeah. Also, Fred saying roomie is a very funny Fred thing.

[Andy]

Yeah, Roomie. It made me want to be his roommate, honestly.

[Seth Meyers]

Yeah, he's very thoughtful. Yeah.

[Keev]

I liked the gym one because you started with I told you as if we were still in the same scene or whatever. Your intro line was there. Yeah, it was continuing the thought.

[Andy]

Well, Keev, I am going to cut me saying I didn't like the gym, so you're going to look like a fool.

[Keev]

Shit.

[Yorm]

Fuck. Hilarious. Wait, how does Fred dress now? Does he dress like that differently than.

[Seth Meyers]

No. So maybe it's not even, like, of the era. It's just like.

[Yorm]

It's just Fred of all time.

[Seth Meyers]

Yeah.

[Andy]

It's mostly like tops and tails, right?

[Seth Meyers]

Yeah. Top and tails.

[Andy]

Yeah.

[Seth Meyers]

Sometimes he Daffy Ducks it in general.

[Yorm]

Yeah.

[Andy]

Donald Duckstrap.

[Seth Meyers]

Donald Duckstrot.

[Fred Armisen]

The best look at the world.

[Andy]

Everybody wanted me to, right?

[Seth Meyers]

Nobody listening.

[Yorm]

Even remembered we did a whole episode.

[Andy]

About it and still everyone was like.

[Yorm]

What the fuck is he talking about?

[Seth Meyers]

Does not resonate at all.

[Keev]

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[Keev]

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[Keev]

Wow. Thanks for that testimonial. It makes sense because it's all 100% wild caught, never farmed. Which means no antibiotics, GMOs, or weird additives.

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[Keev]

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[Keev]

That's the right answer. You have something you need to say?

[Yorm]

Yeah, I'd like you guys to try.

[Keev]

And say sustainably source three times.

[Seth Meyers]

Go.

[Wild Alaskan Company Ad]

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[Keev]

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[Seth Meyers]

John Bovee. We all have a place in our hearts for John Bovee. A really good one. And I just want to play. The end of it just delighted me. As always. When they did the Baja women.

[Fred Armisen]

1, 1, 2. Who let the cats in?

[Yorm]

Who, who, who, who?

[Fred Armisen]

Is there an owl in here?

[Andy]

Who, who.

[Yorm]

Who, who?

[Fred Armisen]

To 300, Jon Bovey. My favorite band in the world. John Bovey, everyone. The weekend up there. I'm Meth Sires. Good morning.

[Andy]

I'm Meth Sires. Good morning.

[Seth Meyers]

Yeah.

[Andy]

One little thing I never noticed before that I just saw that at one point when the crowd cheered, Suds did reverse blowing of kisses. He sucked in kisses.

[Yorm]

Yeah, I was very impressed with that. That detail work.

[Seth Meyers]

Endlessly delighted to watch. Watch the old Bovee boys.

[Andy]

Yeah, the Bovee boys.

[Seth Meyers]

The Bovey boys.

[Andy]

Watching the Bovee Boys cook was always a treat.

[Seth Meyers]

It was joy. Hey, I want to watch one more sketch with you guys.

[Andy]

Okay.

[Seth Meyers]

And again, obviously, we kind of blew through get out. But that's fine.

[Yorm]

Rightfully so.

[Andy]

Come at us, Jordan.

[Keev]

People can just go watch it. We don't need to explain each bit. It'll be much faster for them to just go check it out.

[Yorm]

Come at us, Jordan. Is that what you just said?

[Andy]

Hey, hit us in the tittis. Which get out was better or Jordan Peele?

[Keev]

Should we get a voice note from Peele?

[Seth Meyers]

Yeah, yeah.

[Yorm]

He's not busy. He'll definitely want to talk about this.

[Keev]

Forward him this and be like, this came out in 2009. What say you?

[Seth Meyers]

Yeah.

[Andy]

Thinking about him and his whole team the first time he looked at the poster for his movie, knowing how hard.

[Seth Meyers]

He was jacking us and just America let him get away with it.

[Andy]

Complicit. You're all complicit.

[Seth Meyers]

This is a sketch. Wig did that. I can't remember. We've talked about Trina, Jerry Butler's secretary.

[Yorm]

Oh, my God.

[Seth Meyers]

But it's a character that of Wiig's many characters, for whatever reason, didn't fully take off.

[Yorm]

Which I will say is one of my favorite things that's ever existed on the show. So please.

[Seth Meyers]

So let's just watch it. Let's just enjoy ourselves.

[Andy]

Is this Thomas?

[Seth Meyers]

Yeah.

[Andy]

Oh, yes.

[Keev]

Now, is this on YouTube? Because you're playing it off of a private drive. Is that.

[Seth Meyers]

I don't think it is on YouTube. Well, we'll find out.

[Yorm]

It is on YouTube for sure. Cause I've looked at it.

[Seth Meyers]

So here we go.

[Thomas]

Thank you again for coming here and giving me the opportunity to pitch you some ideas for, you know, my new ad campaign.

[Client]

Well, as I told you, we're looking for someone to make cottage cheese sexy again. And I'm hoping you can.

[Thomas]

Well, I curd. If you give me the chance. Oh, that was a cottage cheese joke.

[Client]

I'm in the cottage cheese industry. I've heard them all.

[Thomas]

Yeah, I'm.

[Yorm]

No, I'm sorry.

[Thomas]

Dandy.

[Seth Meyers]

No.

[Thomas]

Well, let's begin. Here's my first idea. So what if.

[Fred Armisen]

Thomas. Thomas, I'm here. Thomas.

[Yorm]

Hi.

[Fred Armisen]

Thomas, look at me.

[Thomas]

Oh, hi. Yes, I see. Mr. Blakely, this is my new secretary, Trina.

[Fred Armisen]

Hi. Oh, hi. Donna House.

[Thomas]

Trina, this is an important meeting. Do you mind?

[Fred Armisen]

Thomas, I work here now.

[Thomas]

Yes, I know. We're just in the middle of something right now, if you will.

[Fred Armisen]

Thomas, Thomas, Thomas, look. Look at that. What's that?

[Seth Meyers]

She points at a succeed. A motivational poster on the wall that says Succeed. That's what she's pointing at with a hang glider.

[Thomas]

That's the poster.

[Fred Armisen]

Oh, Thomas, succeed.

[Thomas]

Trina, please.

[Fred Armisen]

Oh, all right, all right, all right. Oh, all right.

[Yorm]

So good.

[Akiva]

Hey, everybody, Akiva here. I'm just going to interject. Just interrupt real quick. I'm on my phone. It's Saturday now. We recorded this episode on Wednesday. I left. I had to leave all of a sudden, and they just didn't even acknowledge it. That's why I'm not talking anymore. I'm not even in the episode anymore. But they didn't say anything. Oh, planes going by now. I'm gonna get ripped for that on the next episode when the guys hear my bad audio. Anyways, while I'm here, I just want to let you know that today, Saturday, Andy did get queen bee, and he let me know about that. So, okay, back to the show.

[Seth Meyers]

It's so insane, the audience doesn't quite know what to do with it.

[Yorm]

Well, this is the second time that she's done this. Right? Or is this first and Steve Martin's second?

[Seth Meyers]

I can't remember. I can't remember.

[Yorm]

But I think this is maybe my favorite character that she did on the show. And I quote it the most to myself. I constantly say this, and maybe it's just a repetition of Thomas.

[Seth Meyers]

It's impossible to meet a Thomas and not think.

[Fred Armisen]

Thomas, Thomas, Thomas.

[Andy]

And also the.

[Fred Armisen]

Oh, right. All right.

[Seth Meyers]

I remember. What's Marika Sawyer, who, as we know, is not one to throw praise around cheaply. Just like, very dryly saying, like, the world does not realize that this is the greatest sketch in the history of the show.

[Andy]

Completely agree with her.

[Thomas]

I'm sorry about that. So anyway, you want to make cottage cheese sexy. Listen to this. A woman in a bikini eating a pile of cottage cheese.

[Andy]

Can I stop you?

[Seth Meyers]

Yeah.

[Andy]

So this is this guy's office, and his secretary keeps coming in.

[Yorm]

Yep. Yes.

[Andy]

But there's a guy in his office, and he's pitching to the guy who came into his office.

[Seth Meyers]

Always confused at the top of the sketch. Also, I thought it was a joke when Jerry Butler offers him candy. Cause you assume it's Sudeikis office.

[Andy]

Correct.

[Yorm]

Yeah, that's probably the most confusing thing.

[Andy]

So is the joke supposed to be that it's confusing and that it's a misdirection?

[Seth Meyers]

I don't know the answer to that.

[Yorm]

You guys. You guys don't do as many ads as I do. But it didn't bump me too much. Like, it just felt like it's an ad agency. He's the client. He came to see his ad agency guy, and he's pitching him ideas. But, you know, I'm a big, big shooter in commercials.

[Seth Meyers]

In mad Men, sometimes they would come to Sterling.

[Yorm]

Sterling. Yeah. Cooper. Yeah, exactly.

[Thomas]

Turns to the camera, and she whispers something about calcium.

[Fred Armisen]

Thomas, Thomas, Thomas, look.

[Thomas]

What about it?

[Fred Armisen]

Thomas? This is for this.

[Seth Meyers]

She's putting a cap on a pen.

[Fred Armisen]

Ah, Trina, did you see it?

[Thomas]

Yes, Yes, I. I did. You put a cap on a pen? That's great.

[Fred Armisen]

Thank you.

[Seth Meyers]

Here.

[Thomas]

Why don't you give it to me? And why don't you go make yourself a cup of coffee?

[Seth Meyers]

You're such a good girl.

[Client]

You two need a minute?

[Thomas]

No, no, no, Trina, I'll let you know if we need anything. Please, just shut the door.

[Fred Armisen]

Thomas. Thomas, you're my boss.

[Thomas]

Yes, I am. The door.

[Fred Armisen]

Oh, Thomas. All right, all right.

[Thomas]

I am so sorry for the interruptions. That will not happen again. Look, I hired Trina because she's a friend of a neighbor, and he asked me to do him a favor because, you know, she's been hit several times by lightning.

[Client]

No need to explain. All right, let's just hear another cottage cheese pitch.

[Thomas]

Okay, picture this. Queen Latifah, Giant spoon, cottage cheese Lamborghini.

[Client]

Uh, you're just saying words now.

[Seth Meyers]

What? What?

[Fred Armisen]

Look, it's a mouse.

[Thomas]

That's not a mouse, Trina. That's a chocolate donut hole from the break room.

[Fred Armisen]

Oh. Where's the tail?

[Thomas]

It doesn't have a tail.

[Fred Armisen]

Thomas. Oh, my tails.

[Thomas]

Trina, here. Here's an idea. Why don't you take a break now?

[Fred Armisen]

Oh, no. I thought it was a mouse. Oh, that's why I didn't eat the cheese. I tried to learn with cheese. Oh, cheese. Thomas. Oh, no, Thomas.

[Thomas]

That's okay, Trina. Actually, I have an idea. Why don't you the take of the rest of the day off? Well, we can talk about this tomorrow.

[Fred Armisen]

Oh, all right.

[Thomas]

Now.

[Fred Armisen]

All right. Okay.

[Thomas]

That's okay. Last pitch.

[Client]

I'm sorry, Thomas, is it? I have to run. So why don't you just set up the proposals to my office?

[Thomas]

Of course. And. And can you do me one favor? Please don't tell anyone about Trina.

[Client]

I feel like I will, just being honest.

[Fred Armisen]

Thomas.

[Yorm]

She'S outside.

[Fred Armisen]

Oh, look. Oh, it's so sad. Oh, it's a dead.

[Yorm]

Don't, Trina.

[Thomas]

That's a mouse.

[Fred Armisen]

Oh, his little donut eyes are closed.

[Thomas]

Go home, Trina.

[Fred Armisen]

Okay. Oh, Thomas. All right. I'm gonna go dip him in a cup of coffee.

[Yorm]

God, everything about that is great.

[Seth Meyers]

It's a fantastic sketch.

[Yorm]

So good. Its little donut eyes are closed.

[Seth Meyers]

It's little donut eyes holding up a dead mouse. But a quick little shout out to Sudeikis for perfect delivery on Thomas.

[Yorm]

Is it Y. Yeah, that was. I remember that being a real enhancement because I believe the first version of this sketch was with. And I can't believe we've skipped over this, but I believe it was with Steve Martin as the boss, but. Ugh, God, I don't think we did.

[Andy]

I think we talked about it.

[Yorm]

We must have, right?

[Seth Meyers]

Yeah, I think we did too. Hopefully we haven't overdone Trina, but there's two Trinas, and they mean a lot to us.

[Yorm]

That's right. Oh, God. So good.

[Andy]

I constantly quote it. I constantly say Thomas. You know who's a big Trina fan is Miliotti.

[Yorm]

Oh, really?

[Andy]

We do a lot of Thomasing when we hang out.

[Seth Meyers]

Yeah.

[Fred Armisen]

Oh, Thomas.

[Seth Meyers]

Yeah, this. This was the second one. Steve Martin was the first makeup character. Yeah. But I think this is the. The platonic ideal of Trina. We've got a very special one coming up next. Two worlds collide, which is. Fuck, I think my favorite. I mean, certainly, certainly Mount Rushmore short for me. And I'm really excited to talk about it.

[Andy]

Do you think if all four of us text Keenan, he'll give us a voice note?

[Yorm]

Yeah, yeah, for sure, for sure.

[Seth Meyers]

I think all four of us. People.

[Yorm]

Hey, people have to. Now that I broke my back.

[Andy]

Yeah, because of you.

[Yorm]

Yeah.

[Seth Meyers]

Please give us a voice note.

[Andy]

Not even from guilt. You're just. Because they know you're trending.

[Seth Meyers]

I hope I can break something else. By the way, did you see that the tags on the Deadline article had all our names, but then it said Lonely Planet.

[Yorm]

Oh, man.

[Seth Meyers]

Huge burn.

[Andy]

So tight.

[Yorm]

Damn it.

[Andy]

That's the kind of thing that keeps you hungry, though, Seth.

[Seth Meyers]

Yeah, of course.

[Yorm]

Yeah. You gotta stay humble.

[Andy]

We gotta be bigger than Lonely Planet.

[Seth Meyers]

Gotta be bigger than Lonely Planet. Yeah. Well said.

[Andy]

Yeah.

[Yorm]

Andy, that was another joke in Pop Star that I had forgotten about that you have. In addition to a perspective manipulator, you have a guy who randomly punches you in the nuts to remind you where you came from.

[Andy]

I had forgotten that, too.

[Yorm]

That's a pretty good job.

[Andy]

Keep you grounded.

[Seth Meyers]

Well, thank you, Yoram1. I love that you rallied to do the pod, but mostly just because it is so nice to see you and especially to see you on the road to recovery, buddy.

[Yorm]

I want to. Next time we get on the pod, I want to just list all of the drugs that I've taken so far, because they were listed to me recently. And I was like, oh, stop. This is hilarious. I haven't heard of. I haven't heard of 90% of these. Like, it is a crazy long list. So I'm gonna go take some.

[Andy]

Should we also all do that just, like, for our lifetime?

[Yorm]

Yeah, yeah, yeah, yeah, yeah.

[Andy]

So Seth can be, like, shrooms X. Shrooms X. Oh.

[Yorm]

Oh, I thought you were just talking about what I was on.

[Seth Meyers]

Now I have, and I will warn our listeners, I have a different voice when I talk about the drugs I've drink. Andy's not doing a bit. That's how I talk. Weed.

[Andy]

But only shake.

[Seth Meyers]

All right, I love you guys.

[Yorm]

Love you, too.

[Andy]

Love you guys. Later, Arnold. Later, Quaid.