Jizz in My Pants and Virgania Horsen's Pony Express

Summary

Podcast Summary: The Lonely Island and Seth Meyers Podcast – "Jizz in My Pants and Virginia Horsen's Pony Express"

Release Date: April 1, 2025

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Introduction and Context

In this engaging episode of The Lonely Island and Seth Meyers Podcast, host Seth Meyers sits down with his fellow Saturday Night Live alum and comedy-music trio, The Lonely Island—comprising Andy Samberg, Akiva Schaffer, and Jorma Taccone. The discussion delves deep into the creation, reception, and lasting impact of their groundbreaking SNL Digital Shorts, specifically focusing on the iconic shorts "Jizz in My Pants" and "Virginia Horsen's Pony Express."

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Behind the Scenes of "Everyone Loves a Critic"

Production Stories and Guest Appearances

The conversation kicks off with detailed anecdotes about the making of "Everyone Loves a Critic," an experimental short featuring Jon Hamm and Justin Timberlake. Jorma shares insights about their decision to include a provocative painting in the film:

Jorma Taccone [06:10]: "On being meta... I do think you don't think that the painting got pulled out."

Andy and Akiva further discuss the challenges and creative decisions involved in filming, highlighting the absence of visual effects and the use of practical props to maintain authenticity.

Editing Techniques

Andy praises the meticulous editing process:

Andy Samberg [37:41]: "I think that was me. Yeah. The first one was mostly me, and then everyone helped me."

Akiva adds humorously about the dynamic editing style:

Akiva Schaffer [38:25]: "We rented out a nightclub, it had dope lasers and like just treated it like it was for MTV instead of something we were throwing together."

The trio reflects on balancing energy and visual storytelling without relying on VFX, emphasizing their commitment to high-quality production.

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Discussion on "Jizz in My Pants"

Creation and Concept

"Jizz in My Pants" stands out as one of The Lonely Island's most controversial and memorable Digital Shorts. The hosts discuss the song's origin, blending humor with catchy beats:

Akiva Schaffer [31:32]: "I wrote the first verse and chorus... we wrote our verses separately at the same time."

Censorship Issues

A significant portion of the episode addresses the challenges they faced with airing explicit content. Jorma recounts their apprehensions about using the word "jizz":

Jorma Taccone [24:06]: "I didn't think we should air it with the word jizz... kids watching this show."

They navigated NBC's censorship standards, ultimately receiving approval from Jeff Zucker to air the short post 12:30 AM:

Andy Samberg [25:47]: "It went all the way to Jeff Zucker, who was running NBC at the time... as long as it's after 12:30."

Response and Impact

The hosts reflect on the song's reception and its unexpected success, noting its platinum status:

Andy Samberg [56:30]: "We have a platinum record on that."

Jorma humorously acknowledges the incongruity of receiving platinum records for something so daring:

Jorma Taccone [56:41]: "It should be platinum by this point... That's hilarious."

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"Virginia Horsen's Pony Express" Short

Creation and Concept

Transitioning to "Virginia Horsen's Pony Express," The Lonely Island discusses the inspiration and creative process behind this short. They highlight the seamless integration of cameos, particularly featuring actress Molly Sims:

Andy Samberg [36:42]: "Molly Sims. Perfect casting. Immediately looks like Molly Sims."

Guest Appearance: Molly Sims

The collaboration with Molly Sims is lauded for adding depth and humor:

Jorma Taccone [37:04]: "A lot of things just came together for this. I would say this video in a really nice way."

The trio shares behind-the-scenes moments, emphasizing the importance of organic connections in securing guest roles.

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Audience Engagement and Shout Outs

Quaid's Army and Listener Interactions

The podcast features heartfelt shout-outs to their dedicated fanbase, affectionately known as "Quaid's Army." They acknowledge listener comments and celebrate fan contributions:

Akiva Schaffer [04:48]: "Of course, we should give them a righteous kill. That's what it should be."

A touching moment unfolds as they wish Susie a happy birthday, showcasing their appreciation for listeners' support.

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Notable Collaborations and Guest Contributions

Jon Hamm's Voice Note

Jon Hamm contributes a nostalgic voice note, reminiscing about his time hosting and interacting with The Lonely Island:

Jon Hamm [12:10]: "It's been a really fun ride... we just have been traveling around and talking about our hit short film."

His participation underscores the enduring relationships forged during their SNL days.

Tim McGraw and Justin Timberlake

The discussion touches on collaborations with musical giants like Tim McGraw and Justin Timberlake. They humorously narrate Timberlake's cameo in "Jizz in My Pants," attributing part of its success to his involvement:

Akiva Schaffer [44:52]: "He came through and hooked us up."

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Insights and Reflections on SNL Digital Shorts

Impact on SNL and Digital Media

The hosts reflect on how their Digital Shorts revolutionized comedy on television and the internet, potentially influencing platforms like YouTube:

Jorma Taccone [01:08]: "Putting short comedy sketches on the internet was so novel that they maybe even helped launch YouTube to do it."

They discuss the legacy of their work, acknowledging its role in shaping modern digital comedy and expanding SNL's reach.

Production Evolution

Akiva outlines the transition from humble beginnings to more elaborate productions, thanks to record label funding:

Akiva Schaffer [28:09]: "We did it on record label money... an entire crew."

Jorma and Andy echo the sentiment, highlighting the balance between high production values and creative freedom.

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Conclusion

The episode wraps up with The Lonely Island and Seth Meyers celebrating their achievements, sharing humorous anecdotes, and expressing gratitude to their fans. They anticipate future projects and collaborations, hinting at the continued evolution of their creative endeavors.

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Notable Quotes with Timestamps

• Seth Meyers [00:42]: "We are celebrating Women's History Month... Please enjoy it that Maker's Mark Kentucky straight bourbon whiskey."

• Andy Samberg [25:47]: "It went all the way to Jeff Zucker... that's why it aired so late."

• Jorma Taccone [56:41]: "It should be platinum by this point... That's hilarious."

• Akiva Schaffer [44:52]: "He came through and hooked us up."

• Jon Hamm [12:10]: "It's been a really fun ride... we just have been traveling around and talking about our hit short film."

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Final Thoughts

This episode offers a captivating behind-the-scenes look at The Lonely Island's most famous Digital Shorts, enriched by Seth Meyers' insightful hosting. Through humor, nostalgia, and candid discussions, listeners gain a deeper appreciation for the creative genius and collaborative spirit that propelled these shorts to iconic status. Whether you're a long-time fan or new to their work, this episode provides valuable insights into the making of comedy history.

Transcript

[Andy Samberg]

This episode of the Lonely island podcast is brought to you by our friends at Maker's Mark. We are celebrating Women's History Month by recognizing the spirited women in our lives and remembering Maker's Mark co founder Margie Samuels. You too can celebrate the spirited women in your life with a free personalized label. To go with a bottle of Maker's mark. Head to makersmarkpersonalize.com and fill in the details in order to create and mail your custom label. Maker's Mark makes their bourbon carefully. Please enjoy it that Maker's Mark Kentucky straight bourbon whiskey, 45% alcohol per volume. Copyright 2025 Maker's Mark Distillery Incorporated. Loretto, Kentucky.

[Seth Meyers]

Hey, everybody. Welcome to the podcast. We just got off to the best start and we had to stop yorm because we thought everybody here should hear it as well.

[Jorma Taccone]

I'm doing great, you guys. The last couple of weeks, I've been really on fire, you know.

[Seth Meyers]

You have been red hot.

[Jorma Taccone]

Yeah, my version of red hot. Yeah.

[Seth Meyers]

No, genuinely, I feel as though you've been the glue guy the last couple episodes. Yeah, than.

[Jorma Taccone]

Thanks, Seth.

[Seth Meyers]

But then you just. You are a collector of people. Yhorm.

[Jorma Taccone]

It's true.

[Seth Meyers]

But the people you collect are like mad lib entries.

[Jorma Taccone]

I was telling these guys before we started this podcast that I have some Finnish friends staying with me. For lack of a better term, he's sort of a shaman and she's a clairvoyant, but they do bodywork and they're. I'm kind of running a spa out of my house.

[Seth Meyers]

Gotcha. So you directed a film in the great nation of Finland. You had enough time while you're doing this to befriend a shaman and his clairvoyant wife?

[Jorma Taccone]

Yes.

[Seth Meyers]

And now it sounds as though you're running an illegal spa out of your home.

[Andy Samberg]

There's no money exchanging hands.

[Jorma Taccone]

I assume I'm losing money. If anything, I've been paying for people's sessions.

[Andy Samberg]

Lonely Adam Self.

[Seth Meyers]

Hey, fellas. Hi.

[Akiva Schaffer]

What up?

[Seth Meyers]

We're gonna talk about two episodes. One episode has two shorts, but there's an episode with no shorts I wanna talk about as well. But just a little bit of housekeeping off the top.

[Akiva Schaffer]

Hit us.

[Seth Meyers]

From the comments, people were very excited about the mention of the Phoenix Theater in Ross Trent.

[Akiva Schaffer]

Oh, was that the name of the theater?

[Andy Samberg]

Oh, in Petaluma.

[Seth Meyers]

Yeah, in Petaluma. Everybody was sort of shouting out in the comics, oh, my God, the Phoenix. I love that place. I can't believe they mentioned it. So.

[Akiva Schaffer]

Oh, awesome.

[Jorma Taccone]

That's cool.

[Seth Meyers]

Nice one. Of our friends released an album this week and I feel like we should give a quick shout out to Kyle Mooney.

[Akiva Schaffer]

I was just listening to it again.

[Jorma Taccone]

It's so wonderful.

[Akiva Schaffer]

Put down your phone.

[Seth Meyers]

Put down your phone. What is the name of that song?

[Akiva Schaffer]

Putting off the tv.

[Andy Samberg]

Digital world.

[Akiva Schaffer]

We're living in a digital society.

[Seth Meyers]

Yeah. Kyle Mooney. I highly recommend first going to watch a YouTube video, which is basically a release video, talking about the release of his album. The album is called the Real Me.

[Akiva Schaffer]

Yeah, it's dry as a bone.

[Seth Meyers]

Dry as a bone. So really the COVID is great. It does look like a singer songwriter album from the 70s. It's a beautifully taken photograph.

[Akiva Schaffer]

Yeah, it's a nice cover for sure.

[Seth Meyers]

My favorite thing about the release video is he's talking about he finally gets to show the real him. And then he keeps having you hear his side of a conversation where it seems like maybe his manager is angrily calling and saying, you can't let people see the real you. And it's a delight. Um, somebody asked why Single Ladies isn't online and it is music clearance.

[Akiva Schaffer]

Oh, I didn't know it wasn't.

[Seth Meyers]

I didn't actually double check this person's work, but I assume our. Our listeners are good enough at googling.

[Jorma Taccone]

How could they not get it cleared? I feel like they know the lady who would be responsible for that, you know?

[Seth Meyers]

Yeah. And then somebody wrote this comment, which I just enjoyed the wording. Excuse. I, Seth, I had to stop the episode to comment and say that you were a turbo white bald head for not thinking Ross Trent was criterion.

[Akiva Schaffer]

Huh? Yeah, very well phrased, in my opinion.

[Seth Meyers]

Yeah, very well phrased, Seth.

[Jorma Taccone]

By the way, your shirt is on the way. I designed it. It's coming.

[Seth Meyers]

Oh, great. I mean, that would be a real. Your move to actually make the shirt. Yeah, I do fully believe you, Seth.

[Andy Samberg]

I saw one on the YouTube. And then you continue. Which was. Somebody commented. Quades is the collective name for fans of the Lonely island and Seth Meyers podcast. Oh. So are Quaid's Our Little Monsters.

[Akiva Schaffer]

Whoa. I would be down with that for.

[Seth Meyers]

For the record, speaking of Quaid's, there was a very long comment from a gentleman who asked if we could give a shout out for his daughter's birthday in a future podcast. Her name is Susie. And then her dad, whose name is Gabe, wrote a long email about. And again, who knows if this is true or not, but it does seem like they're big fans of the Lonely island. And he did say for her birthday, I got her and myself Matching shirts with Andy's face from the famous SNL skit, Quato, with the caption, hey, Quaid, got any smits?

[Akiva Schaffer]

Oh, my God.

[Seth Meyers]

If you were walking down the street, Andy, and saw a father daughter wearing T shirts that said, hey, Quaid, got any smits? Would you? Would you?

[Akiva Schaffer]

I would drop to my knees and bow to them and praise the heavens for their existence. How fucking wonderful. That's incredible.

[Seth Meyers]

Just some comments.

[Akiva Schaffer]

We should say happy birthday, shouldn't we?

[Seth Meyers]

Yeah. Happy birthday to Susie.

[Akiva Schaffer]

Yeah. Susie. Happy birthday.

[Jorma Taccone]

Happy birthday, Quaid.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

Hey, thanks for being part of Quaid Army. That's a key, Vance.

[Seth Meyers]

Quaid Army.

[Andy Samberg]

Yeah. Quaid Army. That's awesome.

[Seth Meyers]

I mean, righteous kill. Righteous kill on Quaid Army.

[Andy Samberg]

Oh, righteous kill to all my quades out there. Righteous kill.

[Akiva Schaffer]

Yeah. If you see another member of Quaid army out there, you give them a righteous kill.

[Seth Meyers]

All right.

[Akiva Schaffer]

Oh, wait. We did find the missing scene from Everyone Loves a Critic.

[Seth Meyers]

We did. Do you guys want to talk about what it is?

[Akiva Schaffer]

Sure. It was that we go to talk to Casey Wilson's interview character, but we don't pull the painting out there.

[Seth Meyers]

Right.

[Akiva Schaffer]

She says something that then leads us to pull out again. And Will Forte is a college professor teaching a film class, right?

[Andy Samberg]

Yeah. On meta. Yeah, on like, meta cinema.

[Jorma Taccone]

On being meta.

[Andy Samberg]

Yeah, on being meta. I do think. You don't think that the painting got pulled out. I thought the painting got pulled out on Casey and as she's.

[Seth Meyers]

But we didn't see it. We saw the back of it. We saw her reaction to the painting. But in the will one, you actually saw the painting.

[Jorma Taccone]

Okay, class, so that was a clip from Andy Samberg and Paul Rudd's experimental film. Everyone's a critic. Or are they?

[Andy Samberg]

Oh, it gets longer titles as it.

[Akiva Schaffer]

Goes, so it pulls out of a tv and. Yeah. We don't show Casey the painting. And then Forte says, it's a special treat. I got the writer directors, Andy Samberg and Paul Rudd, and we come in. Do you want me to just play it? Could you guys hear that?

[Andy Samberg]

Yeah.

[Jorma Taccone]

Play it.

[Seth Meyers]

Now.

[Jorma Taccone]

As a special treat, here to talk.

[Akiva Schaffer]

About their film, please help me in welcoming Andy Samberg and Paul Rudd. Hey, thank you. Thanks.

[Jorma Taccone]

Thank you.

[Akiva Schaffer]

You know, it's been a really fun ride. Yeah. You know, we've just been traveling around and talking about our hit short film, but today we brought along something really special. That's right, we did. You may remember the painting from the film. Well, here it is. It happens here.

[Jorma Taccone]

I don't know. Might have been weird.

[Akiva Schaffer]

Barf guy blows his own brains out. More barf. More. Keenan's drinking glass cleaner. Forte puts a shotgun in his mouth. We get blood sprayed on us again.

[Andy Samberg]

Oh, good.

[Akiva Schaffer]

And we're. We're super bummed looking. And then it cuts.

[Andy Samberg]

That might be the funniest way to experience it.

[Jorma Taccone]

Oh, I also like that the audio is looping the scream.

[Akiva Schaffer]

We hadn't perfected it yet because we. We decided to cut bait on it. So we never smoothed it out.

[Seth Meyers]

My favorite sound design is the clapping when you guys come in.

[Akiva Schaffer]

They're so unenthused.

[Seth Meyers]

Just like a classroom clapping.

[Akiva Schaffer]

They could care less.

[Andy Samberg]

That's real.

[Seth Meyers]

I mean, but it's very. You got a perfect, perfect direction there. So, Andy, should you have kept it in, or was it a good cut?

[Akiva Schaffer]

I think it was actually a good cut in seeing this. And the reason was the moment when it cuts away from Casey. Interviewing us is not funny enough. There's no joke.

[Seth Meyers]

Right, right, right.

[Akiva Schaffer]

So it's just dragging it out. If we had had it happen in the Casey one, and then we pulled out of that and then we did it again in the classroom, that might have worked. The other thing. Do we want to talk about what the painting actually was?

[Seth Meyers]

Yes.

[Akiva Schaffer]

Have we ever said, don't leave people.

[Andy Samberg]

Guessing, I don't know that it can ever live up? I mean, the reason no one knows is they can't live up to it.

[Seth Meyers]

That's the problem.

[Jorma Taccone]

Yeah, but I want to know because I forgot.

[Andy Samberg]

But do you have a picture of it, though, Andy, So we can describe it? Because I remember the basics. Was he. I mean, I'm just going to blur something out. Hitler's surfing and he's talking and he's saying miso horny. Like miso soup.

[Akiva Schaffer]

So it's one of Mirrod's bodies on the couch. So it looks like it's actually a painting of the couch and the posing naked. But the head is Hitler. The fingers are hot dogs.

[Andy Samberg]

That's right, Hot dog fingers. Predating everything everywhere, all at once by.

[Akiva Schaffer]

Decade, by a long, long while.

[Andy Samberg]

But it was from that universe. From the hot dog finger universe.

[Akiva Schaffer]

I would just say it's from the same universe. There's no way they could have known. No, because we never told and we never showed.

[Andy Samberg]

It doesn't exist. It was from that timeline. Go ahead.

[Akiva Schaffer]

Correct. And Hitler is saying in a dialogue bubble, miso horny.

[Andy Samberg]

As in miso miso soup.

[Jorma Taccone]

Miso soup horny.

[Seth Meyers]

It's spelled M I, S O. Yeah.

[Akiva Schaffer]

Because there was a restaurant we went to in Vancouver when we were shooting Hot Rod that their catchphrase was miso horny. M I S. Oh, my God. And they had all these famous figures from history saying miso horny on the wall.

[Jorma Taccone]

This is a real question. Do you guys ever think he actually said that in real life?

[Andy Samberg]

Definitely, yeah.

[Akiva Schaffer]

Do you think Hitler ever said miso horny? But he was talking about miso as in miso soup.

[Jorma Taccone]

Weigh in in the comments.

[Seth Meyers]

Hey, Quaid Army.

[Jorma Taccone]

Quaid army, what do you think? Did Hitler ever say miso horny?

[Seth Meyers]

Smell miso. I think the waiter that night ran. Ran into the kitchen. It was like, the Quaid army's here. And just FYI, they have definitely noticed the historical figures saying, me so horny. And I bet it's going to turn up in one of their shorts. Hey, this is just a tie in. And I kind of feel like I should have started with this. I went day drinking with Paul Rudd yesterday.

[Akiva Schaffer]

Oh, fun. How'd it go?

[Seth Meyers]

I'm so hungover.

[Akiva Schaffer]

You don't seem it at all.

[Andy Samberg]

I think we gave him the painting. For the record, I think Paul has that painting somewhere, like in a closet and doesn't know what to do with it.

[Akiva Schaffer]

Oh, yeah. We should get a voice note maybe.

[Jorma Taccone]

Yeah, he's got, like, a cool bar he told me about. I think it should be up in there.

[Andy Samberg]

Oh, yeah, upstage.

[Jorma Taccone]

If you guys know Paul, definitely encourage him to put that painting up. Put it in the bar. People are gonna love it.

[Seth Meyers]

I've been to the Paul Rudd bar and I didn't. I feel like I would remember if I saw.

[Jorma Taccone]

Did you go to the bathroom in there? It could have been in the bathroom.

[Seth Meyers]

I did go in the bathroom.

[Jorma Taccone]

You didn't see it in there, number.

[Akiva Schaffer]

One or number two?

[Jorma Taccone]

Yeah.

[Andy Samberg]

You might have been facing the wrong way.

[Akiva Schaffer]

Yeah, maybe it was right behind you.

[Seth Meyers]

How many times in your life, Andy, or what percentage of the time when people say I went to the bathroom, do you feel you say number one or number two? Do you feel like it's 95% or higher?

[Akiva Schaffer]

No, I was going to say nothing crazy. Probably just like 75%.

[Jorma Taccone]

I think that's probably right.

[Andy Samberg]

I cleaned three out of four. Makes sense.

[Akiva Schaffer]

Yeah. Depends. If we're in mixed company, you know, people that I don't know very well, I would definitely ask them as an icebreaker.

[Seth Meyers]

Yeah. Oh, so people you don't know? Well, there's a higher likelihood you would say yes.

[Akiva Schaffer]

Yeah, yeah. Classic misdirection.

[Seth Meyers]

You might slow down with people who've said it to you. So Many times. It feels hackneyed. Exactly right. Seth.

[Akiva Schaffer]

Maybe ask Rudd if he wants to send a voice note addressing A, if he still has the painting, B, if he does where it is, and C, how he feels about Yorm telling everyone he has a bar in his house.

[Seth Meyers]

Okay, great.

[Andy Samberg]

I think he's talked about it in interviews, but let's let him in.

[Akiva Schaffer]

That's why I wanna ask a Kiva.

[Andy Samberg]

All right.

[Seth Meyers]

Okay.

[Akiva Schaffer]

Sorry, dude. Fuck. Shit.

[Andy Samberg]

This guy's crazy.

[Seth Meyers]

All right, so we just loop back to everyone's a critic. We do have a Jon Hamm voice note. We asked for Jon to record a voice note. Oh, oh, and let me add, he's coming back to host.

[Akiva Schaffer]

Yes, yes. Snl. Not this.

[Jorma Taccone]

How many times is that?

[Seth Meyers]

This will be his fourth time. He did three in three years. And it's been a real gap. And it's very exciting that he's back. He was one of the best to ever do it. I think we established that last week. And it's Jon Hamm and Lizzo, so you can't ask for much more than that. Let's hear his note.

[Akiva Schaffer]

Hi, guys. Jon Hamm here, longtime listener, first time voice noter, super fun reliving the first time I hosted all the insanity that happened. Amy having her baby, special guests, different things between dress and air. You guys were saying I was doing JFK at dress. I actually was doing Dean Martin at dress. Ah, Seth up.

[Seth Meyers]

Yeah, I up. I'll own it.

[Akiva Schaffer]

Which then turned into James Mason for the Vincent Price Show. I'm reminded how much fun I had on that show doing not only the Trick or Treat sketch with Forte, but Jon Hamm's Jon Hamm and the Vincent Price show. And working with everybody and what is in fact, I think we can all agree and golden era.

[Seth Meyers]

Thank you.

[Akiva Schaffer]

So much fun, you guys. This whole thing, this whole journey with you has been incredibly fun and I can't wait to continue the journey. I loved Roz Trent and I was happy that I got to not be in that one so I could be in a little one. I believe that was called the Curse. To be continued.

[Seth Meyers]

Be very excited when that shows up. Only problem with that very sweet message is what we asked John is did you remember that Andy had a shitty costume for the Mad Men thing? And did you remember that Akiva didn't show up? So we will be needing a second voice note.

[Akiva Schaffer]

That'll be a follow up.

[Seth Meyers]

Hammer, don't just freestyle. We asked you questions, Jon, we'd like.

[Akiva Schaffer]

You to record it the week of your show when you're in the thick of it.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

So you got the adrenaline pumping.

[Andy Samberg]

Between dress and air, please.

[Akiva Schaffer]

Yeah, Preferably between dress and air. That's Akiva saying that. And I back him up, though, fully. He's my friend. I support him.

[Andy Samberg]

Thank you.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

And then if you could also, with your phone, get a voice note from Lauren asking if he knows that this is a podcast.

[Jorma Taccone]

Another one? Really?

[Seth Meyers]

All right, well, I mean, I'm so happy he's coming back to host. You know who else is coming back to host?

[Akiva Schaffer]

Whom?

[Seth Meyers]

An equally long break. Jack Black.

[Akiva Schaffer]

I know Jack.

[Jorma Taccone]

Oh, that's fucking killer.

[Andy Samberg]

That's great.

[Akiva Schaffer]

I am excited.

[Andy Samberg]

Awesome.

[Seth Meyers]

It's just like an 18 year break or something. Crazy.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

Hey, Tim McGraw, Ludacris and T. Pain. And then we're gonna get to the Malkovich episode, which has two shorts, but Tim McGraw.

[Akiva Schaffer]

Oh, there was a Blizzard man.

[Seth Meyers]

Blizz showed up.

[Jorma Taccone]

Yeah, we didn't do any shorts. Is that right?

[Seth Meyers]

Yeah, there was nothing. There was no short. T. Pain was in Blizzard man.

[Andy Samberg]

Was he?

[Akiva Schaffer]

Who was the musical guest?

[Seth Meyers]

So the musical guest was Ludacris and T. Pain.

[Akiva Schaffer]

Got it.

[Andy Samberg]

It was like Ludacris and then T. Pain joined on one song. Or they did both songs.

[Seth Meyers]

First song was definitely both, and I can't remember the second, but the thrust of this Blizzard man is that T. Pain is finding out who's being replaced by Blizzard Man.

[Jorma Taccone]

Yeah, about that. I decided to replace you on the song. Replace me? Yeah.

[Akiva Schaffer]

T. Pain.

[Jorma Taccone]

Yes.

[Seth Meyers]

With who?

[Jorma Taccone]

The Blizzard Man. The Blizzard Man.

[Andy Samberg]

Oh, yeah.

[Jorma Taccone]

Oh, yeah, the Blizzard Man.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

I heard he ripped it at Commons last show.

[Jorma Taccone]

Yep.

[Seth Meyers]

I ain't never heard of him.

[Jorma Taccone]

Well, get ready. Cause you about to right now. That's him. Blizzy B. Yo, what up? What up, boy?

[Akiva Schaffer]

What's going on, man?

[Jorma Taccone]

Blizzy B. T. Pain. T. Pain. Blizzy B.

[Akiva Schaffer]

What it do?

[Seth Meyers]

What it do?

[Akiva Schaffer]

Is it the first Blizzard man? Is it the first Blizzard man?

[Seth Meyers]

I just. Wait, is it the first Blizzard Man?

[Jorma Taccone]

No, we wouldn't have done.

[Seth Meyers]

No, it wasn't the first Blizzard man, because Tim McGraw joins as your manager and I feel like it feels very much like a second one.

[Akiva Schaffer]

Uh, was the first one with Ludacris also, though?

[Seth Meyers]

I think it maybe was. Yeah. That's probably why we brought it back when he hosted. When he hosted in 2006.

[Akiva Schaffer]

That's why I got confused.

[Jorma Taccone]

Some of these lyrics are pretty good. I'm jumping ahead now.

[Seth Meyers]

I mean, I really like the second Blizz Lucris Blizzard man.

[Akiva Schaffer]

Way better. Than t pain check my style out? We're at the strip club spending cash? Ones and fives and even twos? We make it rain? Cause it's a song? And I throw a silver dollar? And a lady gets hurt? Yo, stop. Stop snitching. And a lady gets hurt.

[Jorma Taccone]

Yo, stop snitching.

[Akiva Schaffer]

That was when stop snitching was a new thing. Yeah, well, newish to the pop culture world. Yeah. No Matt Murray on this one because he had moved on. So it was just us three Lonely island boys.

[Andy Samberg]

You don't think he sent in some jokes from afar? He must have. I feel like you always texted him when we were doing one.

[Akiva Schaffer]

We always would. Yeah. But didn't give him writing credit. Apparently.

[Seth Meyers]

There's a thing about Blizz that I want to give him credit for because he later in the song, I dig smooching babes. I squeeze their butts. And, you know, that's a little problematic. Except his very next line, if they give their consent.

[Andy Samberg]

Yeah, yeah, yeah, yeah, yeah.

[Akiva Schaffer]

We drink lots of codeine and sit around.

[Jorma Taccone]

That was my favorite.

[Akiva Schaffer]

A jam comes on and we all do the crump.

[Andy Samberg]

The crump. Wow.

[Akiva Schaffer]

There's a certain something here.

[Seth Meyers]

This episode of the Lonely island podcast is brought to you by our friends at Maker's Mark. And I'm with some of my friends right now. Hi, guys.

[Jorma Taccone]

Hello.

[Andy Samberg]

Hi.

[Seth Meyers]

You know, Margie Samuels was a spirited woman. She was also the co founder of Maker's Mark. I don't have to tell you guys this stuff.

[Jorma Taccone]

No, no, we know it, but our listeners might not, so continue.

[Seth Meyers]

All right, well, in honor of Women's History Month, we wanted to toast some of the spirited women in our lives.

[Jorma Taccone]

That was my idea, actually. These guys were thinking about not doing it. I was like, we should.

[Seth Meyers]

Yeah. You are in many ways as trailblazing as Margie Samuels. Yorm and I often said that.

[Jorma Taccone]

Well, I kept saying, I want to mark this day with Maker's Mark. And you guys kept saying, what does that mean? I was like, it means a toast, guys.

[Seth Meyers]

Way to land the plane, buddy.

[Jorma Taccone]

Thank you. Thank you.

[Seth Meyers]

I want to tell a story about a spirited woman I saw during the 50th. And I was a little bit lucky because I was there on Friday for some rehearsal action. And I got to watch the Close Encounters rehearsal with Kate McKinnon. And I feel it's the most I've ever watched an actor's process. Guys, I'm gonna wrap this up. You too can celebrate the spirit of women in your life with a free personalized label to go with a bottle of Maker's mark. Head to makersmarkpersonalized.com and fill in the details in order to create and mail your custom label. Don't forget to grab a bottle of Maker's Mark to go with it.

[Andy Samberg]

Maker's Mark makes their bourbon carefully. Please enjoy it that way. Maker's Mark Kentucky straight bourbon whiskey 45% alcohol per volume Copyright 2025, Maker's Mark Distillery Incorporated, Loretto, KY Support for the.

[Seth Meyers]

Lonely Island Podcast comes from Cremo. You guys, I would love to tell you the other three podcast hosts of this show are with us right now, but they're at the gym and they're always hitting the gym. But the problem is this is their words. To me, managing the sweat notor has been a challenge for them, which is why I suggested Cremo because they deserve freedom from sweat and stink. Sweat in the case of of Andy and Yerma. Stink in the case of Akivo. Cremo's deodorant is designed to provide men with 48 hour odor protection. Cremo products are all barber grade and made with pride, professionalism and passion to guarantee you quality without compromise. And again, the dudes would love to be here sharing this information with you as well. But they are at the gym. That's where they go when the podcast is over. You know those guys, as we've talked about their songs, they have incredibly high standards and they share that with Cremo because they have high standard for their grooming products, which is why it's a great match for Keev, Andy and Yoram. I use Cremo but I don't need to because I am odorless and again, I don't want to brag about. But Cremo also offers a wide range of other grooming products for men, including shave cream, beard oil and shampoo. So you can find your favorite scent and buy the whole Body care line. Head to target or target.com to find Cremo's new line of anti perspirants and deodorants in the Italian Bergamot and Palo Santo scents. Once again, that's target or target.com hey, there were just a couple sketches I wanted to mention that I completely forgot about. One is called Clear, right? And it's wig doing a commercial for basically like a invisible retainer that you can't see and she's talking about how great it is, but it's you can definitely see it and she has to keep stopping while she's talking just to like either Keep it in her mouth or just swallow the saliva that's building up. And it's a real tour de forcy wig performance. And it's also so great because I feel as though it would be a pre tape today. And the fact that it's live makes it just a delight because she has the audience completely on a string and she is taking longer and longer each time. She has to pause mid sentence to sort of manage her mouth. Unlike you, I want beautiful straight teeth.

[Akiva Schaffer]

But I don't want metal in my mouth for everyone to see.

[Seth Meyers]

Or those so called clear braces that are.

[Akiva Schaffer]

Totally noticeable.

[Seth Meyers]

Hey, here comes my friend Tyler, who.

[Andy Samberg]

Recently got those invisible braces.

[Jorma Taccone]

Hey, Karen.

[Seth Meyers]

Hey, Tyler. How are you liking those clear braces?

[Jorma Taccone]

What a waste of money.

[Akiva Schaffer]

Everyone notices them right away.

[Seth Meyers]

I see what you mean.

[Andy Samberg]

You should have gotten clear.

[Seth Meyers]

It's a great sketch.

[Jorma Taccone]

I do remember that performance. Yes.

[Seth Meyers]

And then Tim McGraw comes out at the end. And she's definitely hallucinating the commercial.

[Akiva Schaffer]

Clear.

[Jorma Taccone]

Right order.

[Akiva Schaffer]

Now let's stop it.

[Seth Meyers]

It's Karen, call your number on the screen.

[Akiva Schaffer]

There's no number down there.

[Seth Meyers]

Is it bad that I see one?

[Akiva Schaffer]

It's not good.

[Andy Samberg]

It sounds great, but I feel a little like one of our listeners who just goes, I guess I gotta Google that.

[Seth Meyers]

You gotta Google Clearwright. And then Dateline. You know, Dateline was haters. Keith Morrison, just always great.

[Jorma Taccone]

Sarah Hallerman's boyfriend was into drugs and getting mixed up with some gang bangers.

[Seth Meyers]

But one night he just didn't come home.

[Jorma Taccone]

I looked for him for weeks and weeks.

[Akiva Schaffer]

Finally, the police called me and they found his car.

[Jorma Taccone]

And what did they find when they.

[Seth Meyers]

Opened up the trunk of that car?

[Akiva Schaffer]

It was my boyfriend's body.

[Seth Meyers]

Oh, my. Was he all right? I feel like that was a very fun impression. That was right up Bill's alley.

[Andy Samberg]

Yes.

[Seth Meyers]

And then another crazy thing. In this sketch, we obviously talked about Jeff Montgomery and the Halloween show, the Jon Hamm Halloween show. And what a great episode that was and what a perfect sketch it is. Only a couple episodes later, Jeff Montgomery's back in Trick or Turkey. And now it is immediately abandoned. The perfect premise of a sex offender dressing like a sex offender for Halloween. And now it's just a crazy sketch where Forte is at somebody's Thanksgiving table.

[Jorma Taccone]

He was actually invited. He's invited into the room.

[Seth Meyers]

He's not invited. It turns out, like, very quickly. Nobody knows why he's there. And it's a lot of, like, who knows how people get to Thanksgiving dinner? You know, it's about Giving thanks.

[Jorma Taccone]

And I would like to thank you for inviting me into your home.

[Akiva Schaffer]

See, now, that's the thing. Cause I don't think anyone here invited you, so I'm still unclear of how you got in here.

[Seth Meyers]

Oh, come on, Bob. I mean, you know, how did any of us get in here? Door, door, door, door, door, window. See, we're all in the same boat here. The end of this sketch is that he ate the family dog. It does not play in the same way that the first one played.

[Akiva Schaffer]

But it aired.

[Seth Meyers]

It aired.

[Akiva Schaffer]

That's all that matters. Ask anyone who works there. That's all that matters.

[Seth Meyers]

That's all that matters. Did it air? All right, so now we're moving on of Tim McGar also. What a delightful person to be around. Okay, guys, it's the Malkovich show, and it's a really, what a pairing of digital shorts. We have Virginia Horson's Pony Express, and we have Jizz in My Pants. Which one aired first?

[Akiva Schaffer]

Virginia Horson.

[Jorma Taccone]

Virginia.

[Akiva Schaffer]

Yeah.

[Jorma Taccone]

Virginia.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

But there's a reason for that.

[Seth Meyers]

And now is the reason that Jizz in My Pants is so dirty.

[Andy Samberg]

Yeah. So Jizz in My Pants. We're gonna jump right to the censorship issue. We assumed it couldn't air, and we made a whole other clean version that I believe is on Spotify and Apple and everywhere where it's Andy and Yorm making, like, orgasmy weird sounds like. And I in My Pants.

[Jorma Taccone]

I will say, I.1, didn't think we should air it with the word jizz. I was like, a little bit like, you know, there's still potentially kids watching this show. And I was like, like, we can't. We definitely can. And then, two, I thought that the censored version might have been funnier. I don't know how you guys felt, but it was pretty funny.

[Andy Samberg]

I like the original, but then I like the censored as a second thing that you do. Oh, my God, the differ dog. You guys can't hear it, but it's happening. But. Yeah, but I feel like I would never want someone to hear the censored one. It's their first hearing of Jizz in My Pants. Sure.

[Jorma Taccone]

And do you want to explain why we were somehow allowed to actually air the nonsense?

[Andy Samberg]

Well, it was crazy because I remember this is jumping right to the end of the process. It was, like, Friday night, and we had got a good cut going, and we were, like, wanted to flag it ahead of time. So we knew what was going on. And so we had asked Lauren to watch it way earlier than he would ever watch any other short to be like, we made a thing. It has Jorma in it, number one. Because we knew we were supposed to be cast, and we did it with our label. So it cost money. But not to snl, which was also.

[Seth Meyers]

New, and it looks great.

[Andy Samberg]

It had not spent one penny. It was record label money. So we had not had to ask permission to have it be Yorman and Andy. We had just made it, and it was gonna come out the way music videos come out, with or without snl. But of course, we wanted a tear on snl. And so we just presented it to Lorne. Like, look at this polished, cool new thing we made that has Justin Timberlake in a cameo as well, by the way. And do you want to air it? We're making a clean version. And he was like, yeah, I want to air it. And it can air like that. It doesn't need to be a clean version. That's fine. Jizz is fine. And we were like, what is it? To me, it was a dirtier word than dick.

[Jorma Taccone]

Almost any word that's on the show.

[Andy Samberg]

Yeah. And it went all the way to Jeff Zucker, who was running NBC at the time, and he had to watch it. And he said, it's okay as long as it's after 12:30. And that is why it aired so late.

[Jorma Taccone]

Didn't he happen to be in town, too, that day? Like, I feel like he was in New York.

[Andy Samberg]

Was he at the show?

[Jorma Taccone]

Yeah, I feel like I remember. Cause I remember Betsy Torres, our lovely censor, being like, absolutely not. And we were like, we sort of agree with you.

[Akiva Schaffer]

Well, the plan was we wanted to see how it played. We were like, we've got this video it probably can't air, but we'd love to put it up in front of the audience. Or at least that's what we said to Lauren. Right. And we were like. And maybe he'll be like, it played really great and I will air it. But we were like, if they say no way, we'll understand why. So we did it at dress. And he was like, I want to air it because it played well. And then Jeff Zucker came down to watch it and he ultimately made the call. Right?

[Andy Samberg]

Something like that.

[Jorma Taccone]

That's how I. Yeah, yeah.

[Andy Samberg]

We might not have even had the clean one quite done. We might have been like, and if it's not airable, we're going to work on a clean one for next week.

[Akiva Schaffer]

Right? Something like that.

[Seth Meyers]

Now, what are the odds when you guys walked out of the room? What are the odds that Lauren and Jeff had this conversation just means piss, right?

[Andy Samberg]

Yeah, yeah, I think so, yeah.

[Seth Meyers]

It's fine, it's fine. I don't know why they're so worried about.

[Jorma Taccone]

We did hear that from multiple parents. Is that what you're about to say? Because I remember distinctly people being like, my kid, that was piss. And then I had to back it all the way up and explain sex and everything to them and then get to. And then this joke.

[Andy Samberg]

You don't have to. You can just let them think it's piss.

[Seth Meyers]

That's a weird choice. You don't have to do that.

[Jorma Taccone]

I think the kid was the right age. So you're like, let me go.

[Andy Samberg]

Oh, it was a useful teaching tool. Yeah, it was educational for the birds and the bees.

[Seth Meyers]

The birds and the bees. That was. This was also in your sex ed album called the Birds and the Bees. You guys repurposed this for that.

[Andy Samberg]

Oh, that's a great title.

[Jorma Taccone]

Wait, when did we actually make this? Keith Keegan and he like, what, What? It must have been an off week, right?

[Akiva Schaffer]

It was the week before.

[Andy Samberg]

The week before, yeah.

[Akiva Schaffer]

And we shot it in New York. I mean, we should talk a little bit about the production because it was unprecedented for us at that time, which Keith already mentioned. We did it on record label money, but because we did it that way, we had a lot of time to plan and there was like a outside DP who came in and it just. We were going much bigger than we had gone on any other video before.

[Andy Samberg]

Yeah, it was the first music video DP from that world where we had a production company that only does high end music videos and commercials. And I had done those. We Are Scientist music videos and the Eagles of Death Metal one. So I had been in that world before. Yes, it was not the first time, knowing how that operates, but it was. It's just getting an entire crew. It was like having the crew of snl, but they're all just to make your short as opposed to us operating on the fringes of something. Everyone just showed up to a job and the job was make this music video. So the focus we got out of everybody was incredible. And they're used to operating and doing things and trying to make them as, you know, MTV ready as possible. So their default mode was a very cool mode.

[Akiva Schaffer]

Yes.

[Andy Samberg]

And it felt great to be in it.

[Akiva Schaffer]

And we like rented out a nightclub, it had dope lasers and like just treated it like it was for MTV instead of something we were throwing together in 48 hours and had long Lead time had a long time to edit all of the things you would want in the real world.

[Andy Samberg]

Do you remember was it a one day or two day shoot? It might have still been a one. A very long one day.

[Jorma Taccone]

It was like a one and a half day, I think. Like, we actually had money for the first time, which was amazing and everything that everybody said, but we were still like borrowing the Mercedes from a friend.

[Andy Samberg]

And like, I mean, yeah, for music videos it was scrappy, but for us it was the opposite.

[Jorma Taccone]

Yes.

[Akiva Schaffer]

I feel like that's every music video, though.

[Seth Meyers]

That's funny. I would not know that. Andy, do you think that's true? That even the glossy videos we see, someone had to borrow a car?

[Akiva Schaffer]

I mean, that's why there's so much fucking product placement in all of them for the last 10 years. Right? It's impossible.

[Andy Samberg]

We did, though, we had these. I don't know what you'd call them, but music video producers that were used to having to deal with big rock stars and having to throw things together. These guys. Was it Jonathan, Leah and Robert Smythe, right?

[Jorma Taccone]

Yeah. Rob, who we still work with a.

[Andy Samberg]

Lot, who did a lot of our other videos later, but I remember them having like ten grand in hundreds in their pocket because that's how you get things greased.

[Akiva Schaffer]

Well, you're talking about greased and palms.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Oh, man, my day just got way better.

[Andy Samberg]

No, that's who needed to get on here about how you grease a palm.

[Seth Meyers]

He just threw his phone mid spelling bee. And he just threw his phone over his shoulder.

[Akiva Schaffer]

Seth, you know I got queen bee hours ago. You fucking clean too. Unlike you, who didn't specify meaning you used hints.

[Seth Meyers]

Hey, can I ask? Just because I think it's a fun one and I'll maybe give Keev control. Can we watch it all together? And Keev, maybe you stop and start as we go.

[Andy Samberg]

Yep, sure. I have not. I don't know. Did any of you guys rewatch it?

[Akiva Schaffer]

I didn't.

[Jorma Taccone]

No.

[Seth Meyers]

I rewatched it. And let me just say, because this is not a visual medium. Andy and Yoram both look handsome.

[Akiva Schaffer]

What?

[Seth Meyers]

In a way that would be problematic when I got my memento tattoo.

[Jorma Taccone]

And he's still the handsome one to me.

[Seth Meyers]

You're both really handsome.

[Jorma Taccone]

He always will be.

[Akiva Schaffer]

I'm always gonna be the handsome on yourm. Because that's his mnemonic device.

[Seth Meyers]

People are very happy about the mnemonic devices.

[Akiva Schaffer]

Seth has teeth.

[Seth Meyers]

A lot of people have just been writing. Even on my regular show comment section, people just write Seth has teeth now.

[Jorma Taccone]

Sorry.

[Seth Meyers]

I feel like if graffiti came back and I was, like, tagging subway cars, that would be my tag now. Now Seth has teeth.

[Akiva Schaffer]

It's long. You run the risk of getting caught. But I think worth it.

[Seth Meyers]

I think worth it. So we're going to do a watch together. But first, give me your inspiration for your look and your sound.

[Akiva Schaffer]

Well, we could talk about the writing and recording part. We skipped over it, right?

[Andy Samberg]

All right. We skipped it.

[Seth Meyers]

Yeah, yeah. Great.

[Akiva Schaffer]

This was back in Encino when we were making incredibad. I will take full cred for the concept.

[Seth Meyers]

Oh, yeah. Full cred had been given without you.

[Akiva Schaffer]

Yeah, yeah, yeah, yeah. It was one of those days where I was sort of locked in this studio alone, listening to beats. And the beat, really, in this case, as it often does, led me to the idea where it's this, like, tense club jam. And then on the chorus, it's just this big give. Like, it just feels like it goes, like, release. And I was just like, oh, well, I know what this could be about. So, Yoram, correct me if I'm wrong. I believe I was in there. And I wrote the first verse and chorus. And then I was like, keev was not there that day for some reason. And I was like, hey, come in here.

[Jorma Taccone]

I know.

[Akiva Schaffer]

We.

[Jorma Taccone]

We definitely. We definitely were writing together, like, verses. Because I remember we, like, split apart and wrote our verses separately at the same time. Because also we had made some other fucking early Lonely island song where I had been doing a British. Because I'm like, I spent some time in England, guys. I'm really Anglophile and like. But I did some thing. And we had liked that tone of the, like, sexy British guy who's talking about the, like. And then we're both together writing in that style.

[Akiva Schaffer]

Yeah, it was the Jamzon. Your Jimmy Jam song. It's your time to get your Jimmy jam on.

[Jorma Taccone]

Yes, that one.

[Akiva Schaffer]

Hey, Jimmy. No, it's Jimmy Jam. Time to slam. Bam. It's a Jimmy Jam.

[Seth Meyers]

What was that one from?

[Jorma Taccone]

What song was it? I can't remember. That was my verse from whatever song it was.

[Akiva Schaffer]

I think it was take your shoes off in my spaceship.

[Jorma Taccone]

Oh, God, that one.

[Andy Samberg]

It's an unpublished song.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

How about taking your shoes off in my spaceship?

[Jorma Taccone]

We still say it to each other.

[Akiva Schaffer]

And the people say, please don't erase it.

[Jorma Taccone]

Put your gum back in the basement.

[Akiva Schaffer]

Yeah, but so for some reason we were doing that, like, Brady, everyone said jizz in my pants. We were doing Pet Shop Boys. But in my mind, we were Doing more like tricky.

[Andy Samberg]

Yeah.

[Jorma Taccone]

Was. Was it also like, the Streets was popular at the time?

[Akiva Schaffer]

The Streets was popular with you?

[Jorma Taccone]

Yeah.

[Akiva Schaffer]

That's probably kept trying to get us up on the Streets. And you loved the Streets.

[Jorma Taccone]

That's the name of a band.

[Seth Meyers]

I love the Streets, too. This is a case where I'm not. Well, no, I don't think liking the Streets doesn't make you a turbo white.

[Akiva Schaffer]

No.

[Seth Meyers]

Might actually make you.

[Akiva Schaffer]

Streets is great.

[Seth Meyers]

Super turbo White.

[Jorma Taccone]

Just makes you a British turbo white.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

I think it's a hybrid of what we're both saying. Yoram. I think I wrote the first verse in chorus and said, come in here. It's like that vibe we were doing. And then we wrote the rest of it and you wrote your verse. And I remember being very happy.

[Andy Samberg]

I remember coming in and I think your first verse was basically done. Andy. And then Jorms was maybe halfway. And then I started pitching on it and helped with jokes and then helped with the whole everything after that, which was all the quick back and forths and then the. Especially the I chase right in my pants every time you're next. I remember me and Andy doing that.

[Akiva Schaffer]

Part and stacking vocals and being like, oh, we're doing the thing.

[Andy Samberg]

We're trying to do the Timberlake thing.

[Akiva Schaffer]

Yes.

[Jorma Taccone]

Yes. We may have said this already sort of thing, but we do tend to purposely write very visually and think of, like, locations as we're writing. So, like, all of those things were very purposely thought out. Even in the back half of the song of like, I'm over here now. I'm over here. Like I'm in a movie. I'm in a car.

[Seth Meyers]

And how quickly did you guys come up with the idea that basically each verse would get shorter due to the fact that the releases were coming as.

[Jorma Taccone]

It gets more and more premature?

[Seth Meyers]

Yeah.

[Akiva Schaffer]

I would assume something Keith brought up. Or we all just felt. Because, you know, it's coming more and more each time. So you have to up the ante a little bit and not waste people's time, as a rule. Is what we try.

[Jorma Taccone]

Yeah. The dumber the joke, the faster you tell it. Is a rule of thumb.

[Akiva Schaffer]

I don't know if I always agree with that. Sometimes the dumbest joke, you really want to luxuriate.

[Jorma Taccone]

Yeah.

[Andy Samberg]

Yeah.

[Jorma Taccone]

Either that or just like that in it.

[Seth Meyers]

Just don't do medium. Never do medium.

[Jorma Taccone]

Never do medium.

[Akiva Schaffer]

Oh, yeah. That's the lesson we learned on Wish It Would Rain. We'll get there. We'll get there.

[Seth Meyers]

We'll get there. Stop teasing It.

[Andy Samberg]

Yeah.

[Seth Meyers]

And now teasing my pants. Yeah. So let's watch Keef. Yeah, Take over. Let's watch this bad boy.

[Andy Samberg]

All right.

[Seth Meyers]

You guys are so handsome.

[Jorma Taccone]

Oh, man. Immediately handsome.

[Seth Meyers]

It is. You guys are immediately handsome. This is not a bit. They're immediately.

[Akiva Schaffer]

I. I do not like my hair in it.

[Jorma Taccone]

I'll just say that your hair is not as. I look a little like strokes here or something. Beatles. Yeah.

[Seth Meyers]

You look as though you have had a stroke. Is that what you mean?

[Jorma Taccone]

Yeah, sure.

[Andy Samberg]

There's something funny like in Iran so far, where when you dress like people who are dressing to dress handsome, then you do kind of end up looking a little handsome.

[Seth Meyers]

Yeah.

[Jorma Taccone]

We do look like two European DJs to me.

[Andy Samberg]

The way we would all never dress because it's the way that we think is embarrassing because it's guys being like, aren't I handsome? Like a big scarf around your neck. But then it does look nice.

[Seth Meyers]

But it also then is very helpful to the premise of the thing, which is you're about to jizz in your pants. So you had to start from a place of very cool and cocksure.

[Andy Samberg]

Yeah. Who are these characters? This is not them.

[Jorma Taccone]

Who are these confident gents?

[Andy Samberg]

Let me clarify. These are characters.

[Seth Meyers]

These are characters.

[Andy Samberg]

They're British. First off, this is not something that happens to Yhorm and Annie. All right, split and play. We got one second in.

[Akiva Schaffer]

Lock eyes.

[Andy Samberg]

Molly Sims.

[Seth Meyers]

Molly Sims.

[Akiva Schaffer]

Such a treat to have so rad of her to join us.

[Seth Meyers]

Molly Sims. Perfect casting. Immediately looks like Molly Sims.

[Andy Samberg]

Anyone remember how and why? I feel like we knew somebody who knew her and we went, would she ever do it? And then it was just happened easily. But I don't know who that was.

[Akiva Schaffer]

Yes. Turned out she was. She was a full on goof and was loving hanging out and doing it. It was really great.

[Andy Samberg]

A lot of things just came together for this. I would say this video in a really nice way.

[Akiva Schaffer]

Could not have been nicer.

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Down my drink While the rhythms boom Take your hand and skip the names no need here for the silly games make our way through the smoking crowd the club is the sky and I'm on your cloud Move in close as.

[Andy Samberg]

The laces Me as the DJ I.

[Jorma Taccone]

Got in there also. Can I just say that, like, what I loved about your editing, Kee, was you had watched some video where on the bass hits you would push in and blur as if the. The speakers were like rattling the image and it looks really cool.

[Akiva Schaffer]

Yes. Do you remember what it was?

[Andy Samberg]

I think this timeline might not work. Out. And this might have been a later thing that I went, oh, that's how what it's like. But when you're in a car that has heavy ass bass and it's a rickety old car, like when I had the speaker in my trunk of my Nissan 88 Nissan Stanza and you look in the rear view mirror when you bump in the music, it does that. Cause it shakes the whole car. And I believe at the beginning of who directed the 50 Cent movie, the Get Rich or Die Trying, I think there is one of those really cool lock off. Just those cool. The ones they have on Training Day where they found really neat ways to film a car.

[Jorma Taccone]

Because then later when you hired me to help you out with a teaser trailer for the movie, the watch, you wanted me to replicate that shot in the rearview mirror.

[Andy Samberg]

Exactly. And so I wonder if the timeline is right or if I saw the Garrett direct drawing after this and went, oh, that's like it. That's the thing I was doing. Or if I saw that and went, what if you did that to a video? Because that is shooting the actual mirror where you see the edges of the mirror. But anyways, that's what that feeling was replicating.

[Jorma Taccone]

It's a great little thing.

[Andy Samberg]

I remember when we were shooting this, it was all on really heavy dolly. Cause we couldn't afford Steadicam even with it being the bigger thing. And me being worried that the camera work was too still and locked off. And it was always moving. But I was like, oh my God, there's not gonna be energy in the video. Cause we were so used to Lazy Sunday style where I would go handheld and shake it a lot to get video to it. Or fast snap zooms or Steadicam. Fast stuff would have been what I would thought we would have done. And so when I did get an editing, that's why it's so choppy in the editing. And I'm adding that was out of trying to put energy back in the footage.

[Akiva Schaffer]

Yeah, but you do a lot of it right out of the gate. It has crazy energy. And a lot of it is manufactured in edit.

[Andy Samberg]

Yeah, exactly. Because I'm doing little weird white flashes and stuff too.

[Akiva Schaffer]

Right down my drink While the rhythms boom. Take your hands no need here for the silly games make our way through the smoking crowd the club is the sky and I'm on your cloud Moving close and the angels cry Leave the this place Go back to yours Our lips first touch Outside your doors the whole night what we've got in store Whisper in my Ear that you want some more and I cheers in my pants Take my word don't apologize that's just absurd. Mainly your fault for the way that you dance and I cheers in my pants don't tell your friends or I'll.

[Andy Samberg]

Say you're a slut this is your fault.

[Akiva Schaffer]

You were rubbing my butt. I'm very sensitive. Some would say that's a plus. Now I'll go home and change.

[Jorma Taccone]

I need a.

[Andy Samberg]

All right, that's Andy. Verse one.

[Jorma Taccone]

Great stuff. Really good faces. Andy, you're just really, really good faces.

[Seth Meyers]

Molly Simms. Fantastic.

[Akiva Schaffer]

She's very funny. Being super annoyed and bummed.

[Seth Meyers]

It's really great how quickly you blame her and then threaten her.

[Jorma Taccone]

It's my favorite part of the song. Just that these guys are so petty that it's immediately your fault.

[Seth Meyers]

It's your fault. And then if you tell anyone, if you tell anyone, I'll tell them you're a slut.

[Akiva Schaffer]

He's a piece of shit. Yeah. A lot of these guys are bad pieces of shit.

[Andy Samberg]

They're bad guys.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

Not your Manandi characters.

[Akiva Schaffer]

Correct. We're in character. None of this stuff is autobiographical, Yorm.

[Seth Meyers]

But it's really. It's also very. The end of the verse being like, and I'll go home and change is great.

[Akiva Schaffer]

Thanks.

[Seth Meyers]

Like, just. You're filling your in on just, like, the logistics of the rest of your night.

[Andy Samberg]

All right. Yorm stepping in. He needs a few things from the grocery.

[Jorma Taccone]

I need a few things from the grocery. Do things alone now Mostly left me heartbroken not looking for love Surprising my.

[Andy Samberg]

Eyes when I looked up DJs even.

[Seth Meyers]

In the supermarket and can I just say, I really. I really like grocery. And mostly.

[Akiva Schaffer]

Yeah, that's a good one.

[Jorma Taccone]

Yes.

[Akiva Schaffer]

Yorm's good with the British stuff.

[Andy Samberg]

Yeah, mostly.

[Jorma Taccone]

Mostly.

[Seth Meyers]

Jamie Lynn Sigler is now our next cameo.

[Akiva Schaffer]

Also just wonderful. Was so great.

[Andy Samberg]

Big soprano fans. We were so happy that she said yes.

[Jorma Taccone]

That's so cool.

[Seth Meyers]

How did this one come about? Was it the same thing? You were just like, do you think she'd do it?

[Andy Samberg]

I have no clue.

[Jorma Taccone]

Did Smythe know her? I feel like Rob maybe knew her somehow.

[Akiva Schaffer]

It was definitely a case of people being like, what about them? And we'd be like, yeah, that'd be incredible.

[Andy Samberg]

Yeah. Maybe through publicists or something. It was not like. It definitely wasn't just shots in the dark. It was definitely us asking people, like, do you know famous actresses who might be down to clown around in a video?

[Jorma Taccone]

But because this was like us on our own with a Record company. And yes, we had done stuff on snl. I remember thinking like, oh, is it going to be way harder to get people? And remember just being so happy when people said yes. Like, she was so nice too. She was great.

[Andy Samberg]

Indeed. All right, hidden play the check out counter.

[Jorma Taccone]

And I saw her face My heart stood still so did time and space Never felt that I could feel real again but the look in her eyes that I need a friend she turned to me that's when she said it. Look me dead in the face as cash of credit and I shit in my pants. It's perfectly normal. Nothing wrong with me. But we're going to need a cleanup on all three.

[Akiva Schaffer]

Justin.

[Jorma Taccone]

What was he doing in town? How did we get Timberlake? I can't remember how that happened either. He was just in town, right?

[Akiva Schaffer]

I can't remember. He was around. But he did us a huge solid.

[Andy Samberg]

That's what I was about to say. I mean, we didn't think it would happen. The fact that he did it just to put his stamp on it. And it's hard to measure how huge it is because.

[Jorma Taccone]

But Keith, did we do that with a dolly?

[Seth Meyers]

That.

[Jorma Taccone]

That shot? Because I remember shooting it super fast. But like, is that a dolly or that steady?

[Andy Samberg]

I think we maybe had steady some of the time. Okay, Maybe not all. Well, we're just fast forwarding. No, I think we're just dolling and just rolling on a supermarket floor.

[Seth Meyers]

It is also great. I mean, he's just playing a guy. He's a janitor. We're basically implying that his job is going to be to clean up yourms jizz.

[Andy Samberg]

Yeah.

[Seth Meyers]

And I just really want to layer in how cool it was that he was a hard yes on this. A lot of people might say, what's the part? And then as you explained it, be like, I don't want to do that.

[Jorma Taccone]

I definitely always remember being like. When we would do videos like this and me not being on the show or Akiva not being on the show being like, do people want to be in it with me though? It's not Andy. And like it being a little bit like, oh God, I hope she doesn't quit.

[Akiva Schaffer]

Well, it is an interesting topic because outside of the show, these things were so bonafide once this album came out that it was like, yeah, that sounds dope. That's a cool thing that's happening.

[Jorma Taccone]

Yeah, yeah, yeah, no, totally. Kevia was. I do remember that we. We did do a. Like, it was in like a shopping cart that we got that shot. I believe Pretty sure.

[Andy Samberg]

Oh, yeah, that makes sense. I mean, the floors in a grocery store are very smooth, so you can get a tracking shot without, you know, fancy equipment.

[Seth Meyers]

Let's not bury. Before we continue, let's not bury that. What made Bjorm jizz was that she said, cash or credit?

[Jorma Taccone]

Cash or credit. And then I do remember that. Andy, I think you wrote the line, one more thing, I'm going to pay by check, which I think is, like, probably the funniest part of my verse.

[Akiva Schaffer]

To go back to the Justin thing.

[Jorma Taccone]

Yes.

[Akiva Schaffer]

The reason Keev is being so adamant about it, and we all are, is in this moment. I remember when this video aired and we were still like, I'm going to see every single thing that got written about us on the Internet. I'm going to look at everything, you know, and it was. All the headlines were Justin.

[Andy Samberg]

Ah, yes. It gave it a huge bump.

[Akiva Schaffer]

Yes. It got so much more attention where it's just like Justin Timberlake in another one of those videos, and you're just like, oh, wow, he has, like, two shots in it. But that's how red hot he was.

[Andy Samberg]

Yeah, it helped it tremendously.

[Akiva Schaffer]

Yeah. So he came through and hooked us up.

[Seth Meyers]

That's what's up. Support for the Lonely Island Seth Meyers podcast comes from Airbnb. I was very excited when my brother finally got married. He waited a very long time to do it. So long that I had children, and then I had to bring my children to his wedding. And I didn't want to have my children in a hotel room. And we were really lucky that there was an Airbnb nearby so that I didn't have to have my kids at the hotel where everybody was loud and staying up late. And instead they got to stay at a wonderful A frame. And if you don't have kids, let me tell you, they love it when a house is shaped like a letter. It was fantastic. We had a great time. They did not wake us up early because they had their own rooms. And it was just so much better than being in a common space with everybody who was in full revelry for my brother's wedding. Hey, Yoram, were you at that wedding? Oh, no, it wasn't invited. So you know what? Thanks to my brother for finally getting married. And more importantly, thanks to Airbnb.

[Andy Samberg]

Wow.

[Jorma Taccone]

This has been watched 176 million times. It's pretty good. That's pretty good.

[Seth Meyers]

I just saw that number that seems insane.

[Jorma Taccone]

I was like, whoa, is that right? Pretty good.

[Andy Samberg]

There's probably also an SNL Post of it. That's cannibalizing some of them. All right, I'm hitting play.

[Jorma Taccone]

Not impressed. One more thing. I'm gonna pay by check.

[Akiva Schaffer]

Last week, I saw a film. As I recall, it was a horror film. Walked outside.

[Seth Meyers]

That is one of my favorite Lonely island lines. And I was so happy when I rewatched it earlier today. And I was like, oh, God. I always remember because, again, it's not.

[Akiva Schaffer]

Just that Sora film with a horror film.

[Jorma Taccone]

Yeah, I. Sora film.

[Seth Meyers]

And it was. If I recall, it was a horror film. And you're like, oh, if you recall, because I feel like you knew based on how you said Sora.

[Andy Samberg]

Just the current duo.

[Jorma Taccone]

By the way, that money that Akiva was talking about, that, like, 10 grand in cash, or however much they had, I think that went to things like us passing by a movie theater and being like, hey, can you put up a horror film? Like, that's real, right?

[Akiva Schaffer]

That.

[Jorma Taccone]

Is that cg? I don't think it is.

[Akiva Schaffer]

No, it's real. That's. That's an independent theater near NYU that I used to go watch movies at when I was in college. I saw Princess Mononoke there.

[Jorma Taccone]

There you go. Look at that. Fucking nostalgia.

[Akiva Schaffer]

Yeah. You say so are in your first verse, right?

[Seth Meyers]

Oh, is that how they say in.

[Akiva Schaffer]

The sort of face?

[Jorma Taccone]

Yeah, maybe these are just guys who say sora.

[Seth Meyers]

They're from a part of England where that's how they say it.

[Akiva Schaffer]

Yes. Like, I wrote Sora film, as I recall, as a horror film. But I stole Soar from your. From inside the song. I would not have thought of that if he hadn't just done.

[Jorma Taccone]

It's so ingrained in me because I spent, you know, eight.

[Akiva Schaffer]

Yeah, yeah.

[Jorma Taccone]

Established college.

[Akiva Schaffer]

Yeah, yeah.

[Jorma Taccone]

Lancaster University. Okay.

[Akiva Schaffer]

Yeah, yeah, yeah.

[Andy Samberg]

All right. Well, there's that cool dj.

[Jorma Taccone]

Yeah. The DJ makes a nice appearance.

[Seth Meyers]

The DJ stuff's great.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

Dpg, he never changes his shirt, so you always know it's the same dj.

[Akiva Schaffer]

Well, he's a character.

[Andy Samberg]

DJ Gracious.

[Jorma Taccone]

He doesn't jizz. He never jizzes.

[Akiva Schaffer]

Oh, yeah, he doesn't. Checked my phone and saw you rang and I.

[Andy Samberg]

We even had a little sprinkler head, like, not proper rain, but enough to get the shot. Yeah.

[Akiva Schaffer]

Walked outside into the rain.

[Jorma Taccone]

And that was a flip phone. Because flip phones were a thing, I assume.

[Akiva Schaffer]

Is there a chance I still had an actual flip phone? That might have been my phone.

[Jorma Taccone]

Yeah. I don't think that was, like, a joke.

[Andy Samberg]

I mean, it was a phone of the era.

[Seth Meyers]

Yeah, yeah.

[Akiva Schaffer]

I think we had moved on to blackberries. Don't you think we had blackberries by this point?

[Jorma Taccone]

I think we did.

[Andy Samberg]

We did, for sure.

[Akiva Schaffer]

Yeah, 100%.

[Jorma Taccone]

These guys don't have blackberries, though.

[Andy Samberg]

Yeah. This was the kind of foam we could drop on the ground.

[Akiva Schaffer]

We were BlackBerry boys.

[Jorma Taccone]

Bricks forever.

[Andy Samberg]

So, Joram, you're really just driving, right?

[Jorma Taccone]

I'm driving a Mercedes and I think I may have driven a Mercedes only one other time in my life. And I remember thinking like, this is pretty cool. Look at this drop top Mercedes.

[Andy Samberg]

Yeah. So they just threw a light that was in the car, you know, on the dash, pointing up at your face, and then they're just like. Just follow the truck.

[Jorma Taccone]

Yeah. And then we got the side shot and. Yeah, bing bong. We probably did it in, you know, 20 minutes.

[Andy Samberg]

Yeah.

[Seth Meyers]

Were you so excited about being in a Mercedes and driving it that you almost jizzed just independent of the.

[Jorma Taccone]

I remember thinking that I'm such a small man that I might look slightly ridiculous driving a big luxury car. And I think I might, as I look at this shot, like, slightly ridiculous. But, you know, maybe that's part of the joke.

[Seth Meyers]

I think you look cool. I think you're rocking it pretty good.

[Jorma Taccone]

But thanks, man. Thanks.

[Seth Meyers]

Yeah, I got no issue.

[Akiva Schaffer]

Well, here's a question for the group. Just on the subject of the song. When you guys jizz, do you think it feels good?

[Andy Samberg]

That's on the subject of the song.

[Jorma Taccone]

I've told you guys my jizz story that we were never gonna air on this podcast.

[Akiva Schaffer]

Well, don't tell it again.

[Seth Meyers]

Yeah, yeah, okay.

[Jorma Taccone]

I won't, I won't. But it's a great story and it's so sad that no one will ever hear it.

[Seth Meyers]

That's funny. Leave in that part. Yeah, leave in that. Like, just that.

[Andy Samberg]

He's got a jizz story he's sad to not get to tell the world.

[Jorma Taccone]

Release the tape.

[Seth Meyers]

He's got one that he can't tell you, but he's told us already. And Andy stopped him from telling us again.

[Andy Samberg]

I'm in play.

[Jorma Taccone]

When I jizz in my next day.

[Akiva Schaffer]

My alarm goes off and I chiz in my. So, yeah, it's getting faster.

[Jorma Taccone]

Yeah, good editing. Yeah, fun wiping.

[Andy Samberg]

But you know what I love too, though, is there's no VFX in this entire thing. Like, we really went into that building that's in the West Village or somewhere near the.

[Akiva Schaffer]

That apartment.

[Jorma Taccone]

Yes, that's a cool ass building.

[Andy Samberg]

It was like a Flatiron style building. One of those triangular Buildings.

[Akiva Schaffer]

Yes.

[Jorma Taccone]

And this was where we shot the roof as well. Didn't we go up to the roof and do the roof shots there?

[Andy Samberg]

And that window's a real window. That's in that weird part where the building gets extremely skinny at the end of the apartments that are triangle like. That would always be a green screen out of a window and a comp. And it's just real and it's delightful.

[Seth Meyers]

So no visual effects. That means practical jizz.

[Andy Samberg]

Practical jizz.

[Jorma Taccone]

Thanks for asking.

[Andy Samberg]

I also. Kudos to us on making an actual plan here with this whip pan.

[Akiva Schaffer]

Yep.

[Andy Samberg]

Where it goes off. Andy to Andy. Andy in bed.

[Jorma Taccone]

Cuts to another later. Andy.

[Akiva Schaffer]

I think saying us is generous.

[Jorma Taccone]

Open my window and a breeze rolls in.

[Andy Samberg]

I think that's my best fan on the fire escape there.

[Jorma Taccone]

Open my window and a breeze rolls in. That's definitely my best jizz reaction.

[Seth Meyers]

Also, I really like Yoram. Just on a costuming note that you've taken a bow tie off recently. Do you have an untied bow tie? Yes.

[Andy Samberg]

He was at an event.

[Seth Meyers]

Yeah.

[Andy Samberg]

He's got a crazy gray shirt with, like a tuxedo kind of vibe.

[Jorma Taccone]

I'm like a colonial soldier or something.

[Seth Meyers]

Yeah, yeah, yeah.

[Akiva Schaffer]

Almost like a Sgt. Pepper's undershirt, but if it was like a less bright color.

[Andy Samberg]

Yeah, yeah.

[Seth Meyers]

It's just fun to imagine this guy just, like, rocked a night where he was just a fashion icon and then just a cool breeze.

[Andy Samberg]

We're also in an empty apartment they let us shoot in. No production design happening. There is a bookshelf behind you that is 100% bare.

[Jorma Taccone]

That guy doesn't have books.

[Andy Samberg]

But I'm saying we're just in the right priorities.

[Seth Meyers]

Yeah.

[Andy Samberg]

Like. Of just like. Yeah. If anyone's looking at that bookshelf, the video sucks. Don't spend a second or any money on it. This is fine.

[Akiva Schaffer]

Yeah. Also, like, I like to fill in the blanks for his character and just be like, yeah, it's his fuck nest.

[Andy Samberg]

That's true. He has a different apartment with his wife and kids. Okay.

[Akiva Schaffer]

Bruce Willis was dead at the end of Sixth Sense Ashes.

[Andy Samberg]

Same apartment. You can see that little triangle in the back.

[Jorma Taccone]

Oh, yeah.

[Akiva Schaffer]

No one had to know that, Keev. This could have been a totally different location.

[Andy Samberg]

Right.

[Seth Meyers]

I do like that the end of Sixth Sense made you chasing your pants.

[Akiva Schaffer]

So this is probably outside of the censorship issues. The most controversial part of the song, ruining that. Because it is ruining the movie.

[Seth Meyers]

Oh, but don't you feel like the window's closed on that?

[Akiva Schaffer]

You know, that's what we thought it had been a long time. But then some people that year, I.

[Andy Samberg]

Would argue it was closed because anyone that could watch this video would have seen the Sixth Sense. As time goes by, it actually becomes less. Okay.

[Akiva Schaffer]

Yes. Because new generations, you could have a.

[Andy Samberg]

20 year old right now that the sixth sense is like a classic. That was before they were. Not before they were born.

[Seth Meyers]

But basically, what's the actual line?

[Akiva Schaffer]

When Bruce Willis was dead at the end of Sixth Sense, I.

[Seth Meyers]

Right.

[Andy Samberg]

So it fully gives it away.

[Jorma Taccone]

So spoilers are a rollercoaster. You're saying of, like, it's fine and then it's not.

[Seth Meyers]

I think it's a wonderful point. Yeah. There's an arc, and I think, Keeves. Right. That at some point it becomes not okay.

[Andy Samberg]

It's a circle.

[Jorma Taccone]

Yeah.

[Andy Samberg]

Yeah.

[Seth Meyers]

I'm gonna also jump in to say, if you're watching Sixth Sense, you might think based on what Andy said here, that he dies at the end. You know what I mean?

[Andy Samberg]

Well, don't spoil it further.

[Seth Meyers]

Oh, yeah. Now.

[Akiva Schaffer]

Yeah. Like, maybe there's someone listening who hasn't had it fully spoiled. But, hey, to anyone out there who this line spoiled the movie for you guys, I truly am sorry. I would hate that myself.

[Andy Samberg]

Yeah. I love that movie.

[Jorma Taccone]

That's the most controversial part of this video.

[Seth Meyers]

That was where Betsy Torres drew the line. She's like, you can. Or the other. You can either have jizz or you can ruin Sixth Sense.

[Akiva Schaffer]

She's like, spoilers make the FCC so mad. I saw the Sixth Sense in the theater with my family, and we all came out of it just like, whoa.

[Jorma Taccone]

I love picturing your dad doing that.

[Akiva Schaffer]

I was like, as a family, being like, oh, my God, That I was. I had no idea. Did you know?

[Seth Meyers]

Did you?

[Akiva Schaffer]

When did you know?

[Seth Meyers]

Oh, I have a. This just jogged my memory. We showed up late to Sixth Sense, and so we missed the first scene.

[Akiva Schaffer]

Oh.

[Seth Meyers]

And I. I remember it was me and my friend Joe Benjamin, who. We were in Amsterdam, and we just got a little bit late. And it wasn't until the second time I saw Sixth Sense that I realized.

[Andy Samberg]

Oh, yeah, What? What's the first scene?

[Seth Meyers]

The first scene is him. Wahlberg. Right, Donnie Wahlberg.

[Akiva Schaffer]

You don't know so many things. Oh, you love that scene, Keith. You quote that all the time.

[Andy Samberg]

Yeah, yeah, I used to.

[Akiva Schaffer]

You don't know so many things. You would say that all the time.

[Jorma Taccone]

Yeah, yeah, yeah.

[Andy Samberg]

Back then.

[Akiva Schaffer]

Back then.

[Seth Meyers]

And then you hear he says, my brother, me to say hi to your mother.

[Andy Samberg]

Oh, that's it.

[Seth Meyers]

And then you hear a gunshot and it cuts to.

[Andy Samberg]

All right, I'm hitting clay.

[Seth Meyers]

Oh, wait. Hey, can we just take a screen grab, though, of when you paused it? What we're all seeing right now is just a fantastic Andy face.

[Jorma Taccone]

This is maybe one of your best.

[Andy Samberg]

Here we go, guys. 40 seconds left.

[Jorma Taccone]

I just ate a grape and I in my pants.

[Akiva Schaffer]

You guys, can.

[Andy Samberg]

Timberlake help us so much? I remember people online being like, oh, Timberlake's singing with them at the end. Because they probably also thought we couldn't have possibly made it sound.

[Jorma Taccone]

That's hilarious. I think that's just Andy. I'm not even sure I'm singing it.

[Akiva Schaffer]

You're not.

[Andy Samberg]

It's just Andy. But they just didn't think we had the know how to make it sound as good. Which is right in a way, because he's the one that taught us playing those bongos.

[Jorma Taccone]

Just some good editing, like that little solar flare at the end there.

[Andy Samberg]

Yeah, that was cool.

[Seth Meyers]

It's lovely.

[Jorma Taccone]

Bookended.

[Andy Samberg]

We did a great job. I had not seen that in a long time. And I have no notes.

[Jorma Taccone]

No notes.

[Seth Meyers]

That's really great.

[Andy Samberg]

Good job to us.

[Seth Meyers]

I like that. When Yoram is having a grape, he seems to be in a wine shop. He's not eating the grape at a grocery store.

[Jorma Taccone]

I'm just in that same grocery store.

[Seth Meyers]

Okay, gotcha.

[Akiva Schaffer]

You guys wanted to hear the clean one. Listen outside your doors the whole night. What we've got in store. Whisper in my ear that you want some more. And I. I mean, it's pretty good.

[Jorma Taccone]

They were always surprising.

[Seth Meyers]

I mean, jizz in my pants makes me laugh on premise. That made me laugh on just tickling my ear.

[Akiva Schaffer]

All right, so that was it.

[Seth Meyers]

Bravo.

[Akiva Schaffer]

And now, Yoram, you keep track of numbers. Is that song platinum or something? How'd that do?

[Jorma Taccone]

That's. It should be platinum by this point. I think we only have a gold record on that, but I believe it is platinum.

[Andy Samberg]

No, no, we have a platinum record on that.

[Jorma Taccone]

We do.

[Seth Meyers]

And is that on that song or that album?

[Akiva Schaffer]

Song?

[Andy Samberg]

I don't think the album ever went gold. But the song Jizz in My Pants.

[Akiva Schaffer]

It's never too late, though. Just leave it on stream all day long, fellow Quaid's.

[Seth Meyers]

Yeah, Quaid Army. Let's make this happen.

[Akiva Schaffer]

Just stream it all day long and mute it. You don't even have to listen to it.

[Jorma Taccone]

I was having the plaques. Is so funny. It makes the song so funny because it is so incongruous to be like, what? Why Jizz in my pants.

[Akiva Schaffer]

Every part of anything we've ever done as Lonely island being successful is inherently funny.

[Jorma Taccone]

It's.

[Seth Meyers]

Yeah.

[Jorma Taccone]

Yes. It's hilarious.

[Seth Meyers]

Because it's not. You're not, like, funny platinum. You're platinum. Platinum. You know?

[Andy Samberg]

Yeah.

[Akiva Schaffer]

Yes. But that is funny.

[Seth Meyers]

Yeah. That's way funnier than if they gave you, like a goofy, like, platinum fucking rubber chicken or something.

[Jorma Taccone]

Yeah, exactly.

[Akiva Schaffer]

Platinum rubber chicken.

[Andy Samberg]

Yeah. That is what they would give at the Comedy Awards.

[Jorma Taccone]

They should have. That's what it should be.

[Seth Meyers]

That's the thing. Comedians, you're like, what would be funny to give them the fucking realest shit is the funniest.

[Andy Samberg]

I just had sex is platinum. Like a boss is gold. Just my pants is platinum. I'm gonna vote double platinum. And then can anybody guess what the last one is? It's platinum.

[Akiva Schaffer]

Everything is awesome.

[Andy Samberg]

Yeah. Andy got it right away. Everything is awesome. The Tegan and Sarah.

[Seth Meyers]

And then I remember Handlebar and Lobster claw is a copper piece of shit.

[Akiva Schaffer]

It's a participation trophy made out of clay.

[Seth Meyers]

And when you pick it up your finger, it's soft clay.

[Andy Samberg]

It's not cook.

[Seth Meyers]

Even pick it up shows that you put your hands on it.

[Akiva Schaffer]

Yeah. It's like Soft play doh.

[Seth Meyers]

And then they. And then they, like, come in. They come in and they say, like, you touched it. And you're like, no, I didn't. And they're like, your fingerprints.

[Akiva Schaffer]

Your fingerprints on it. Watch. And then they take your fingerprint off it and they use it to open up all of your computers and stuff.

[Seth Meyers]

You're like, get out of my house. And they're like, no, you touched it.

[Akiva Schaffer]

Like, we told you not to touch it. This was the curse of the Gargoyle, you piece of.

[Andy Samberg]

Who?

[Seth Meyers]

Wait. Virginia Horson. Who came up with that name?

[Jorma Taccone]

I think that was all.

[Andy Samberg]

I think it was me. Yeah. The first one was mostly me, and then everyone helped me. And then this one, I think, did Jost come up with Pony Express and then kind of do it with us? Yoram.

[Seth Meyers]

That's a real best of Jost to come in and be like, hey, remember that thing you did about balloon rides? I was thinking you could do Pony Express next.

[Andy Samberg]

That's right.

[Seth Meyers]

Yeah.

[Andy Samberg]

I don't think it would have occurred to us.

[Jorma Taccone]

I remember loving this one. And this was the one, Keev, where you got the props email.

[Andy Samberg]

Yes. About your job being great with the horse and stuff.

[Akiva Schaffer]

Yeah.

[Andy Samberg]

I'm sure he wrote. I'm sure Jos wrote the STPS stamps thing.

[Seth Meyers]

Yeah. If you want to ride on the horse with me.

[Akiva Schaffer]

That's fine, too.

[Andy Samberg]

There's plenty of room.

[Seth Meyers]

Hello, ma'am.

[Andy Samberg]

Would you be able to deliver these.

[Akiva Schaffer]

Letters to my mother for me? No problem.

[Seth Meyers]

Right away.

[Andy Samberg]

Also, would it be okay if I.

[Akiva Schaffer]

Rode on that horse with you? That'd be just fine.

[Jorma Taccone]

Oh, I got to say, you know, I thought breaking down just my pants was going to be fun, but I think that I love this way more. Like, I loved watching every frame of that was joyful.

[Seth Meyers]

It's really good. I mean, put in a long list of Kristen Wiig's tour de forces. She's a delight. The way she walks.

[Jorma Taccone]

Well, it's so like Akiva. It's like just two guys. Character level of awkwardness.

[Akiva Schaffer]

I was gonna say there's a whole genre here at play, and it works for me every time, which is just two guys. This Steve Bruhl. Honestly, Kyle's album and a lot of.

[Jorma Taccone]

Things Kyle does just couldn't be more awkward and great.

[Akiva Schaffer]

Yeah. Just excruciating. Like, almost like a little kid pretending to be doing something, but kind of lovable.

[Jorma Taccone]

Like, you're like, I love her. She's hilarious.

[Akiva Schaffer]

Love her more than kind of all of them.

[Seth Meyers]

I like that her hair is just a mess.

[Akiva Schaffer]

Yeah.

[Seth Meyers]

Like, there's a nice braid, but the rest of it's just a disaster. She just seems like. And then the weird thing is, twice she plays male characters who ask her to mail something for them and find her very attractive. So then they flirt, so she's flirting with a male. And then she seems super into it. That also takes a lot of unpacking.

[Andy Samberg]

There's always that moment where she's like, you can come with me if you want. There's lots of room. And then she's showing people being like, I'll come along with you. And she's like, oh, okay. Like, that sounds good. She's really leaving a door open for maybe some contact.

[Jorma Taccone]

Her walking past the mail trucks, though.

[Akiva Schaffer]

Yeah.

[Jorma Taccone]

Right. That terrorist can stop that.

[Seth Meyers]

Yeah.

[Jorma Taccone]

Wait, wait. Can I just ask a question? We edited a lot together, and occasionally we would do it in different rooms and then join sessions. This feels like a ton of my style of animation. But you may have done some of it.

[Andy Samberg]

I think we were just dividing it and doing it. Yeah, but you definitely did a bunch of, like.

[Jorma Taccone]

Yeah. The hitting the mail into the.

[Andy Samberg]

Yeah. Letters flying and throwing and all the stupid stuff. The horse going, like, left and right to make it seem like it's moving.

[Akiva Schaffer]

Whoa.

[Seth Meyers]

Everybody needs to just stop what you're doing. Watch it for Jannah Horses, Pony Express. Because it is very fun.

[Andy Samberg]

I wonder if it went to dress an earlier week and got held. Or if, because we had filmed Jizz the week before. We actually had time to shoot a short this week, but we were editing Jizz. I think the week Jizz ended.

[Akiva Schaffer]

I love the shorthand. Is just Jizz. I think we shot Jizz that week.

[Andy Samberg]

I shot Jizz all over the place.

[Akiva Schaffer]

Come on.

[Andy Samberg]

All right, you're right.

[Seth Meyers]

I do feel like 40 years from now, Keev is, like, barking over, like, a big desk in a studio. Be like, that was. We did Jizz that week. Still have time for Virgin and your horse. And you're telling me you can't make your days?

[Andy Samberg]

You're saying that's when I take over?

[Seth Meyers]

Yeah, when you take over.

[Andy Samberg]

Sn, it's me. I'm taking over the show.

[Akiva Schaffer]

Oh, yeah.

[Seth Meyers]

Somebody tell these kids I did Jizz and Horsin in the same week.

[Andy Samberg]

I'm just yelling that from his desk on 17.

[Seth Meyers]

Yeah. And then you're reminding everybody, like, you know who the DJ was in Jizz?

[Andy Samberg]

It was a character I played.

[Seth Meyers]

It wasn't me, the character.

[Akiva Schaffer]

What was that guy's name?

[Andy Samberg]

Gray Shirt dj.

[Akiva Schaffer]

Gray Shirt dj.

[Seth Meyers]

Fuck.

[Akiva Schaffer]

That's my favorite character of yours. Gray Shirt dj.

[Seth Meyers]

We're gonna have this same problem again, which we're just gonna have to pick up next week. Cause I know we're running short on time.

[Andy Samberg]

We've done. This is a full app. This is a chock full app.

[Seth Meyers]

It's a full app, but I would like. We're gonna have to do some cleanup because there's a lot to talk about. The Malkovich episode. It is for me.

[Andy Samberg]

Yeah. Let's pick it up.

[Akiva Schaffer]

Hey, so remember earlier when I was like, does it feel good for you guys when you do a Jizz? Like, it doesn't hurt, right?

[Andy Samberg]

I got a roll, guys. I love you.

[Akiva Schaffer]

So that's a no. Doesn't hurt.

[Seth Meyers]

I love you guys.

[Akiva Schaffer]

Love you.

[Andy Samberg]

Love you. The Jack Black did not host since Lazy Sunday app. So.

[Jorma Taccone]

Wow.

[Andy Samberg]

It's been 20 years.

[Seth Meyers]

Yeah.

[Akiva Schaffer]

By the way, lots to live up to. Big app.

[Seth Meyers]

Big app.

[Jorma Taccone]

Big app.

[Akiva Schaffer]

Spelling bee. Bring back Spelling bee.

[Seth Meyers]

Bring back the B.

[Akiva Schaffer]

You heard it here first. All right. Love you guys.

[Seth Meyers]

Love you.

[Jorma Taccone]

Love you.

[Andy Samberg]

Love you. Bye.