The Other Man

Summary

Podcast Summary: "The Lonely Island and Seth Meyers Podcast"

Episode: The Other Man

Date: December 2, 2025
Hosts: Seth Meyers, Andy Samberg, Akiva Schaffer, Jorma Taccone
Topic: SNL Digital Short "The Other Man"

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Episode Overview

This episode reunites SNL alums The Lonely Island (Andy, Akiva, Jorma) and Seth Meyers to revisit and dissect their Digital Short "The Other Man." The group dives into how the short was made, offers behind-the-scenes stories, and reflects on SNL's impact on comedy and internet culture. While "The Other Man" is the featured short, their conversation expands with tangents about movie tropes, comedy's place at the Oscars, and fun bits of SNL lore.

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Key Discussion Points & Insights

1. Catching Up: Shoutouts, Spelling Bees, and Word Games

• Seth thanks Andy for his recent shoutout and the group jokes about monologue punchlines that bombed (02:00).
• Playful roasting of NYT word games: spelling bee, Wordle, and various addiction levels (02:56-04:29).
  • Andy: “Just go to solid and then be done. Don’t be an addict.” (04:14)
• Generational gaming: Akiva’s dad’s obsession with word games and the dubious correlation between longevity and word puzzles (04:34-05:10).
• Recurring riff: The absurdity of “grandpapa” being an accepted word, with Andy and team poking fun at NYT’s word approver, Azersky (03:10-03:39).

2. Podcast Process: Overlapping Jokes & Human Ego

• Zoom mishaps: The group admits that real-time banter often means missed jokes, only noticed later during editing (08:04).
  • Andy: “There’s something about the human ego that you’re just thinking about what you’re gonna say.” (08:10)
• Competitive energy on podcasts: Andy jokes he wants his “character to win”—the podcast becomes a competition for laughs (08:15-08:28).

3. Movie Tangents: From Steel Magnolias to Oscar Snubs

• Proposal for a Steel Magnolias rewatch podcast after a tangent about emotionally-charged films (08:52).
  • Jorma: “If we’re going drippy saccharine, why not go to the base?” (08:57)
• Hot takes on crying at movies: The usual “no crying in baseball” from A League of Their Own is subverted (10:25).
  • Akiva: "I cried so many times." (10:46)
• Oscars overlook comedy: They praise overlooked performances, including Bill Murray in Groundhog Day and Ralph Fiennes in Grand Budapest Hotel (12:38-13:13).
  • Keith: "Groundhog Day should have won most things the year it came out." (12:49)
  • Akiva: “Name somebody in a comedy that you think got overlooked for an Oscar... People do not value comedies.” (12:26)

4. Behind-the-Scenes: SNL Stories, MacGruber, and Digital Shorts

• Rewatching “The Other Man”: The team admits the short isn’t the most memorable, but praise its execution and certain moments (16:05).
  • "We all remembered the house. We all remembered the location." – Andy (16:22)
• SNL logistics: Tina Fey's proximity to a short, casting choices, and the randomness of sketches making the live show (16:30–17:55).
• MacGruber update: Glenn Powell’s input, Will Forte’s last-minute writing, and Tina Fey helping with table reads (18:38–19:47).
  • “We basically did a table read with Tina.” – Andy (19:41)
• Lauren Michaels stories: How Andy’s relationship with Lorne evolved, with mock-seriousness about being "high on Andy's supply," referencing Lorne's legendary aloofness (17:44–18:18).
  • “I feel like this is maybe the era where Lorne is now a little high on Andy’s supply.” – Akiva (17:44)

5. Viewing and Dissecting "The Other Man"

(29:04-43:04) Main Segment

• The Setup: Classic “other man” rom-com trope—guy shows up at ex’s place, only to find her with someone new (29:04).
  • “There’s a kind of shittiness Andy gives that’s hard to beat.” – Akiva (29:41)
• Escalating absurdity: Each location (girlfriend’s house, new guy’s place, parents’ house, church confessional) finds Andy as “the other man,” maintaining the running joke.
  • The running cereal gag: Andy’s character always has a bowl of cereal, in a bathrobe—later referenced as a possible influence on other sketches.
• Notable moment: Yorma in a chest-hair wig, Akiva and Andy riffing about the consistency of Andy's performance, and a meta-commentary on tropes ("too handy a trope") (30:22).
• Strong finish: The final hallway “standoff” with Matt “Yonks” Yonan offering, “I have a bone to pick with you,” called “maybe the best cameo of any digital short” (41:02).
• Meta-reflection: They critique the pacing, note how some beats are predictable, but admire the ending as a clip-worthy moment (41:10-42:22).

6. Tropes, Influence, and Legacy

• "Trope busting" discussion: How their "cool guys don’t look at explosions" short inadvertently influenced a scene in Netflix’s House of Guinness (30:26-32:34).
  • Andy: “You are causing more tropes. People like, hey, what if we did that trope?” (30:34)
• Accents and meta-jokes: Extended bits about referencing or accidentally paralleling movie tropes (The Other Man film with Liam Neeson and Banderas), and the group spoofing each other’s impressions (43:45).
• Comedy's impermanence: Musings on how even SNL duds disappear, compared to infamous enduring flops like Gigli (44:23).

7. Other Bits & Closing Banter

• Personal anecdotes: Andy tells a story of getting his dad a custom Scarface painting, only for it to be abandoned at Berkeley Rep (47:04).
• Listener questions: Listener’s daughter steals the show in a previous recording; the guys are both proud and amazed at the "correct me if I’m wrong" moment (15:09-15:55).
• Creative process: Reflections on SNL table reads, the experience of rewriting after failed sketches, and the freedom/peril of "torturing the counselors" (66:17-66:22).

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Notable Quotes & Memorable Moments

• On podcast dynamics:

  • “There’s something about the human ego that you’re just thinking about what you’re gonna say.” – Andy (08:10)
  • “I’m focused on trying to fucking win. I don’t care what you’re trying to win.” – Andy (08:17)

• On Digital Short creation:

  • “We all remembered the house.” – Andy (16:22)
  • “It’s a nice heightened.” – Andy (36:24)
  • “Matt Yon. That is the best cameo maybe of any digital short.” – Andy (41:06)

• On comedy and influence:

  • “I feel like you are causing more tropes. People like, hey, what if we did that trope?” – Andy (30:34)
  • “Groundhog Day should have won most things the year it came out.” – Keith (12:49)

• On MacGruber and SNL process:

  • "We basically did a table read with Tina." – Andy (19:41)
  • "Lauren loves MacGruber very much." – Akiva (20:10)

• On favorite movie crying moments:

  • “I cried so many times.” – Akiva (10:46)
  • “You don’t know why you shouldn’t cry watching A League of Their Own? ...Because there’s no crying in baseball.” – Keith (10:29-10:36)

• On "The Other Man" ending:

  • "I have a bone to pick with you." – Matt "Yonks" Yonan, cameo (40:26)

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Important Segment Timestamps

• [01:49] – Opening banter and SNL references
• [10:00-13:14] – Movie nostalgia, Oscar snubs for comedies
• [16:05-20:11] – Rewatching "The Other Man," show logistics, MacGruber story, Lorne Michaels anecdotes
• [29:04-43:04] – Main "Other Man" viewing and breakdown (scene-by-scene, with commentary)
• [30:26-32:34] – Discussion of "cool guys don’t look at explosions" influencing Netflix’s House of Guinness
• [41:00-43:04] – "Other Man" ending, reflections on sketch endings, influence on later movies
• [44:23-46:12] – Comedy’s fleeting legacy, story about Gigli and classic directors
• [66:17] – Table read memories, SNL as summer camp, behind-the-scenes fun

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Summary Table: The "Other Man" Short Breakdown

| Segment | Description | Notable Commentators | |-----------------|------------------------------------------|----------------------| | Setup | Rom-com trope: Surprised by "other man" | Andy, Seth, Akiva | | Escalation | Situation repeats at various locations | Andy, Jorma | | Running Gags | Andy’s bathrobe, cereal, chest hair | Akiva, Jorma | | Final Standoff | “I have a bone to pick with you.” | All, esp. Andy | | Meta-analysis | Reflection on trope longevity | Akiva |

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Tone and Style

Throughout, the crew keeps a playful, nostalgic, and irreverent tone—roasting each other, SNL, and the showbiz machine. The language is fast-paced, self-deprecating, loaded with in-jokes, and occasionally meta, especially when discussing how sketches succeed, fail, or take on new life through cultural osmosis.

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For Listeners Who Haven't Tuned In

• Expect a mix of behind-the-scenes SNL insight and pure comedy geekery.
• Plenty of nostalgic movie riffs and deep dives into how SNL sketches are written, rewritten, and sometimes brought back from the dead.
• The team's relaxed, bantery chemistry makes even the tangents about Oscar snubs and word games feel like part of the creative culture that made their SNL era so distinctive.
• Their retrospective on "The Other Man" is a masterclass in both self-critique and playfulness—perfect for fans of both SNL history and the Lonely Island’s brand of absurdist humor.

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Closing Moment:

• Andy: “Love you guys.” (73:24)
• Group: “Love you!” (73:25)

A classic, warm end to an episode packed with comedy, nostalgia, and insider SNL lore.

Transcript

[Andy Samberg]

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[Seth Meyers]

Let me tell you everything I know.

[Andy Samberg]

Hi, Seth. Hi. Thanks for the shout out on your show.

[Keev]

Oh, yeah, there was a good shout out to Yoram, guys. There was a punchline in a monologue joke that said somebody set the record for most shattered pelvis. That just literally just said as an aside to shoe, like, oh, Jorma didn't have it for very long. It was definitely, like, no reaction from the audience. But a really nice.

[Keith]

Yeah, they're like, it would just be for the Quaid man.

[Andy Samberg]

There's like, maybe one person. I was like, oh, yeah, that guy. Not surprisingly, it was Stephen Heller who sent it to me.

[Keev]

Of course, Stephen Heller. Hey, you know what? I'm gonna switch things up. Ooh, Jack Black, sing us in spelling.

[Seth Meyers]

Be. Spelling. Be.

[Keith]

There goes our metrics. Let's go, Andy.

[Yorma]

Yeah. I got that shit clean.

[Keev]

You cleaned it up?

[Yorma]

Yeah.

[Andy Samberg]

Good job.

[Keith]

And Seth, how did you do?

[Keev]

Thank you for Asking. No. Seth. Erasure from Keev. You're a decent friend. I bailed three short and I'm totally fine with it because here's the thing. I was really proud of getting grandpa and then I kind of moved off that and there was like grandpop and Grandpapa and just like, dudes. I get so mad when it's that sort of thing.

[Yorma]

I don't get mad, I get even.

[Keith]

Yeah, who decided grand papa is a real word?

[Keev]

I know. I don't care for it.

[Andy Samberg]

I bet a lot of older people wrote in to get that one approved key.

[Keith]

A bunch of grandpops did.

[Andy Samberg]

Yeah, they were like, seth, you know.

[Yorma]

Exactly who approved it.

[Keev]

Azersky. My nemesai.

[Andy Samberg]

You guys, guess what I got today? Solid.

[Keith]

That's so good to try.

[Yorma]

That's so fucking lit, Yoram.

[Andy Samberg]

Thanks, Andy. I mean, I write my own theme song.

[Keev]

Can we see if Azerski will change solid to lit? Do you think we can get him to do that?

[Andy Samberg]

Maybe like a special holiday episode?

[Yorma]

I feel like even he would be like, I don't think people say that anymore.

[Andy Samberg]

Grandpapas do.

[Yorma]

That's why Travis Scott used to do his hypes like that, right? He'd be like, it's solid.

[Keith]

It's solid. Yeah, that was exactly solid.

[Andy Samberg]

Solid as a rock.

[Keith]

I'm locked out. I pay for the New York Times, but just for news and I can't even do these things.

[Andy Samberg]

Wait, what do you mean you're locked out? What does that mean?

[Keith]

Well, well, I don't pay for the gaming one and I'm behind the paywall.

[Andy Samberg]

They figured out they could Megagun did.

[Keev]

Fine, charge a premium for the games.

[Keith]

But I don't wanna play these games. They're literally. That's like a bunch of you guys are like saying you're addicted and it's ruining your lives. Why would I pay to follow you?

[Andy Samberg]

No, just go to solid and then be done. Don't be an addict.

[Keev]

Are you saying I'm not yet living a full life? Because my day was ruined by the fact that I couldn't come up with two different ways to say grandpa.

[Keith]

I think it's.

[Keev]

I feel like I'm living a pretty full life.

[Keith]

I wasn't saying it wasn't a full life. I was just saying it's doing damage.

[Andy Samberg]

Here's the thing, Keith. It's clearly become a tax write off for this fucking show.

[Keith]

Oh yeah, that's true. I can get my $5 back or.

[Keev]

Whatever it is I want to do a joke about. Because my dad, when I Go home. My dad plays so many word games. I brought my daughter home to visit my parents, and it was like a full morning of him doing word games. And he said that there's studies that say it makes you live longer. And I was like, yeah, but is this a life?

[Yorma]

Right? At what cost?

[Keev]

Yeah.

[Keith]

Why make this go on longer if that's what this is?

[Keev]

Yeah.

[Andy Samberg]

What are the other word games he plays?

[Keev]

I mean, he does wordle. He does B. He does crossword. Then he does number games, too. He likes Sudoku.

[Keith]

Yeah.

[Andy Samberg]

Okay.

[Keev]

And then he's like, there's a new Sudoku. Like, he's always very excited about the new stuff.

[Yorma]

I do them. I got connections. I got Letterboxden 2 today. It was a good day in the word gameosphere.

[Keev]

That's really nice.

[Andy Samberg]

That's impressive. Letterboxden 2 is. That's impressive. Even I know what that means.

[Keith]

Oh, that one makes me sick to my stomach.

[Andy Samberg]

I love that.

[Keith]

Thinking of somebody looking at all those letters and trying to figure out how to crisscross it to get it in two words.

[Andy Samberg]

No, that's my fav.

[Keith]

That's fucking sick.

[Andy Samberg]

Oh, look at you.

[Keev]

Wow.

[Andy Samberg]

I don't even want to say brightener and round men.

[Keev]

Come on.

[Keith]

What, do you cheat?

[Andy Samberg]

Oh, the band. The band. Yeah.

[Seth Meyers]

Seth. I knew round men was a word.

[Yorma]

Before I tried it.

[Keev]

There was my favorite line because it's such a. I remember a show I love Game of Thrones. Remember, they would get touched, and they would, like. They would get grayscale, and at one point, they were in a boat, and they see, like, just a dude who kind of looks like a rock on a cliff, and he goes, stone men. I was like, oh, I feel like we could have worked a little bit harder on that one.

[Yorma]

Yeah. Like some special name.

[Andy Samberg]

Do you want to call them? Round Men.

[Keev]

Round Men.

[Andy Samberg]

Round Men.

[Keev]

All right, so here were the two hits where they're communicating with us New York Times games. Obviously, Andy was in the mini.

[Yorma]

Oh, yeah.

[Keith]

Thrilled. And that was specifically you?

[Keev]

Yeah, it was specifically Brooklyn Nine.

[Andy Samberg]

Nine.

[Keev]

Brooklyn Nine. Nine.

[Yorma]

Yeah. It wasn't a different Andy.

[Keev]

And then right after we talked about it in the spelling bee. Bed Head. Right after we talked about Bed Head Jones.

[Yorma]

Oh, right.

[Keith]

Detailed.

[Keev]

Somebody then said, the Azerski for the New York Times Mini. Somebody said, I was at a book signing event with him, and I went up and I said, hey, is there any truth to the fact that you guys are trying to communicate with the Lonely Island South Meyers podcast?

[Andy Samberg]

Yeah.

[Keev]

And he said, no.

[Keith]

He said, no.

[Keev]

He Shut it down.

[Andy Samberg]

What a fucking.

[Keev]

Of course you have to.

[Keith]

That's what somebody would say.

[Yorma]

Who is doing exactly what. It's right. That's right. That's exactly what they would say.

[Keev]

We're on to you guys.

[Keith]

The normal answer, by the way, is, what? What are you talking about? What is that? Like, what do you mean, communicate? Oh, you think that we're sending, like, what?

[Keev]

Oh.

[Keith]

Cause we had that clue to just go, no, like what? And they're at a book signing. They didn't have time to get in depth.

[Keev]

Yeah, that's true. They probably just didn't explain it to them.

[Andy Samberg]

Well, here's the thing. At any book signing, just ask more questions about this. I think that'll help him.

[Keev]

Oh, hey, was this a joke that you feel like you didn't get credit for in the last podcast while we were talking about Boombox Andy? Yeah. Somebody said, talking about Julian, did we have a fan on his hair? And you said, hopefully we had a professional hairstylist.

[Yorma]

Yeah, that's right.

[Keith]

Oh, I missed that.

[Keev]

Everybody on the pod missed it. And then, like, a few members of QA were like, hey, just Andy, FYI, I know your co host missed it. Thought that was super funny.

[Yorma]

Appreciate that. Yeah, appreciate y'.

[Seth Meyers]

All.

[Keith]

When I listen back to our podcast, sometimes I hear you guys say things I know I didn't hear all the time. And part of that is zoom, because Zoom mutes people and chooses who you can hear. But we are all recording on our own mic, so once it gets professionally processed, they can hear every little.

[Andy Samberg]

Yes, yes, that's true. But I also think that there's something about the human ego that you're just thinking about what you're gonna say. You know what I mean? I don't know. I'm just. Maybe I'm speaking for myself.

[Yorma]

This guy's exposing himself.

[Andy Samberg]

A rising star of the Three Albins. That's what I'm focused on. I'm focused on trying to fucking win. I don't care what you're trying to win.

[Yorma]

You're trying to get your character up the ranks.

[Andy Samberg]

Yes.

[Keev]

You want to win.

[Andy Samberg]

He gets it.

[Keev]

Keev and Andy, guys, going to listen to the very special episode. That's just me and Yorm.

[Keith]

Yeah, for sure.

[Yorma]

No, no, no.

[Keith]

Is it on video?

[Keev]

It is on video.

[Andy Samberg]

It is on video.

[Keith]

So you're trying to top us by doing the first video podcast for this podcast without us?

[Keev]

Yeah, well, we were showing.

[Andy Samberg]

We were showing things that people.

[Keith]

The merchandise that people.

[Keev]

We showed the merch.

[Yorma]

Some of the things I mean, should I just go watch Steel Magnolias again instead?

[Keev]

Yes, because you're going to cry.

[Keith]

I love Steel Magnolias. You want to talk about that? Should we do a Steel Magnolias rewatch podcast?

[Yorma]

I'm just saying, if we're going drippy saccharine, why not go to the base?

[Andy Samberg]

I tried Drippy Zapkin twice on the pod and I got played off once by Seth.

[Keev]

Yeah, well, you were.

[Keith]

I think. I think Tom Skerritt would take umbrage at that comment, Andy, because. Scary. Not very drippy in that movie at all. He's. If. And if anything, he's playful and. And callous. Huh? Yeah, he's like shooting at a tree all the time. You don't know. You're Steel Magnolia, so I would just keep it out of your mouth.

[Yorma]

Guys, can I have the floor?

[Keith]

Yeah, sure.

[Yorma]

Akiva, I just want to say, I'm not too proud to beg, to be able to admit it when I'm wrong.

[Keith]

Now I have to Google and make sure I'm thinking of the right movie.

[Yorma]

And in this case, if, when you Google it, you find that you are thinking of the right movie, I am just gonna let you know, I apologize wholeheartedly.

[Andy Samberg]

I am sorry, and I was wrong, but if you.

[Keith]

He's a charmer.

[Andy Samberg]

I was gonna say, if you're wrong, though, you're fucking dead meat, Keith.

[Keith]

Oh, it's a really good movie.

[Andy Samberg]

Let's rewatch it next week.

[Yorma]

Obviously, it's a really good movie. Obviously.

[Keith]

I'm gonna ask you a true or false question. Julia Roberts. Is she in Steel Magnolias? True or false?

[Keev]

Yes.

[Yorma]

Yes.

[Keith]

Wow, you guys really did know your stuff. Dolly Parton.

[Keev]

Yeah. Yes. I always get it. I initially think of Terms of Endearment when people say Steel Magnolia. Terms of Endearment, of course.

[Keith]

The James L. Tear Jerker.

[Andy Samberg]

Yeah, I love that one.

[Keith]

Catches you off guard and fucking flattens you.

[Keev]

It flattens me. I think I told you guys I cried 15 times watching league of Their Own.

[Andy Samberg]

Really?

[Keith]

No. That's not right. You know why, Seth?

[Keev]

What?

[Keith]

You don't know why you shouldn't cry watching A League of Their Own?

[Keev]

Oh, now I remember.

[Yorma]

I have a guess.

[Keith]

I didn't even want to say it because it's so gross. Go ahead.

[Keev]

Son of a.

[Yorma]

Because there's no crying in baseball.

[Andy Samberg]

You.

[Keith]

You loser. That's the only thing you're not supposed to say.

[Keev]

I'm gonna make a list of all the 15 times.

[Seth Meyers]

It's the one rule, Seth.

[Keev]

I cried so many times.

[Keith]

The sad moment of that movie is the end when you. When they' and they get together and they walk through the museum and it goes for like 10 minutes.

[Keev]

Made me cry. There were so many moments that made me cry earlier.

[Keith]

Well, when John Lovitz was being sexist. You.

[Keev]

There's a moment where a girl thinks. A girl is standing at a chalkboard and she thinks she's been cut because they're like, these are the people.

[Keith]

Yeah.

[Keev]

And then they're like, hey, if you didn't make it, you didn't make it. And then another girl runs up and goes, can you not read, honey? What's your name? And you're just like, oh, God.

[Keith]

Oh, that is good. I forgot, I forgot.

[Keev]

She's a farm girl. She never learned how to read. And she makes the team. That's one. There's like seven more. There's so many good ones.

[Keith]

Yeah, but what about when John. When Jon Lovitz is hitting on him, though? That's nice.

[Keev]

Lovetz is so funny.

[Andy Samberg]

Keith, when you said, why can't you cry watching League of Their Own, I thought you meant because it's a League of Their Own. You know what I mean? Put out, Keith. Oh, but out.

[Keev]

Yeah.

[Keith]

Like, leave it to them to cry.

[Andy Samberg]

Hey, hey, hey, hey. This is for them.

[Keith]

No, it was because of. There's no crying in baseball. It's the most famous line from the movie.

[Andy Samberg]

Yeah.

[Keith]

It's also not a sad. It's not a movie you cry at. Weird. In terms of Endearment.

[Seth Meyers]

Seth.

[Yorma]

This is your M.O.

[Keev]

By the way. I remember, buddy. I'm going to tell Keev. Two daughters. You have two daughters. It's a movie about sisters. I guarantee you cannot watch it without crying. Anyway, the floor is yours. Andy.

[Yorma]

The joke wasn't good enough.

[Keith]

Y. What are the two sisters names in League of Their Own?

[Andy Samberg]

Pamela and Erica.

[Keith]

Bam. Nailed it.

[Keev]

Dot and Kit.

[Keith]

I actually can't think of both. It's Kit and Dot. Dot.

[Keev]

Fuck.

[Keith]

And who is the actress that's not Geena Davis, the younger sister. That one I actually can't remember.

[Keev]

Tank girl. Lori Petty.

[Keith]

Oh, yeah.

[Keev]

Fuck.

[Andy Samberg]

Lori Petty's badass in that movie.

[Keev]

I think that Tom Hanks should have won an Oscar for League of Their Own. Here's my quick question. We have not planned on this. Name somebody in a comedy that you think got overlooked for an Oscar because people do not value comedies.

[Andy Samberg]

Will Ferrell.

[Keev]

In what movie?

[Andy Samberg]

Lana.

[Keev]

Lost.

[Keith]

Oh, man, that's good.

[Andy Samberg]

I wasn't up for anything either, except for that Razzie.

[Yorma]

Yeah, there's. There's plenty.

[Keev]

Yeah.

[Keith]

Groundhog Day should have won most things the year it came out.

[Keev]

Yeah, I think that's a great performance.

[Keith]

Far. There's not that many movies that hold together on so many levels and create a genre. There are very few movies that once they come out, there's a new genre of movie. Yeah, that's a huge deal.

[Keev]

I know this is a cheat because it's not a comedian, but I thought Ray finds in Grand Hotel, Grand Budapest. He's incredible.

[Andy Samberg]

He's stunning.

[Keith]

He's so good.

[Keev]

He's so funny. And like, also still a great actor.

[Andy Samberg]

But it's also the precision that. Sorry. I started thinking about Alan Partridge. You know, people get blown away when I say this, but the camera angles.

[Keev]

Oh, boy.

[Keith]

Pretty good.

[Keev]

By the way. You guys know it's a soft short. When we've gone this deep into the pod and we're mostly talking about movies from the 80s and 90s, we don't.

[Andy Samberg]

Even know what we're going to talk about.

[Yorma]

Seth, it's a shaggy top.

[Keev]

It's a shaggy top.

[Keith]

I would love for all of us to have to watch either. Well, to watch Steel Magnolias. Not.

[Andy Samberg]

Yes, let's please do a rewatch of that.

[Keev]

We could do a Steel Magnolias rewatch.

[Keith]

I did watch when James L. Brooks was traveling around with a bunch of prints like two years ago. Why was that happening? But there was a bunch of prints of his films. And I did watch a print of Terms of Endearment. That's why it's so fresh.

[Andy Samberg]

Did he go around with a giant suitcase with a handcuffed to the suitcase?

[Keith]

Yeah. It was similar to Mike and Ike's Animation Festival. I don't know if he was being Spike or Spike or Mike. And he was traveling around with his prince of all these wacky kind of dirty shorts. And people would get near him and.

[Andy Samberg]

He would go, hey, hey, hey, hey, hey, hey. Back off.

[Keith]

He was going to different college and he's like, I. I know I've got a broadcast. He'd go through his. His big old, like, briefcase and he'd be like, well, how about a broadcast News? I've got. I know I've got one in here somewhere.

[Andy Samberg]

As he would take things out, it would make a honking and clanging noises.

[Keith]

Yeah, exactly.

[Andy Samberg]

It's in here somewhere.

[Keev]

Couple more listener notes before we get into this very special episode. About the name of the short I.

[Keith]

Already forget, but it's not online either. I just tried to find it.

[Keev]

No, it's online. What's the old one? Like dailymotion, Daily Motion. Oh. So I was complaining about how you guys cut me out of Pop Star. And somebody said, we all know it wasn't their choice. It was Baze's call. Somebody said, if somebody with a Scottish accent ever says Quade army to us, we should reply, Righteous Mercury. Based on our conversation.

[Seth Meyers]

Righteous Mick.

[Andy Samberg]

That's pretty good. It's pretty good Scottish.

[Keev]

And then this one, you know, I gotta say, it hit close to home. How does it feel that Akiva's daughter was the funniest person in this episode? Oof. Really nuts.

[Yorma]

Feels good.

[Keith]

I know she was being pretty hammy, so that's a matter of taste.

[Keev]

She was pretty hammy, but it's pretty great. The fact that at one point she said, correct me if I'm wrong in an ad really made me laugh.

[Keith]

And she was reading ahead in the copy and surprised me with that. Like, fully understood the tactics task at hand. Because I just make them cold read. I don't even tell them what we're advertising.

[Andy Samberg]

Yeah.

[Keith]

And she knew was smart enough to know to read a paragraph ahead. Prepare that in her head. And when I stopped talking to go, correct me if I'm wrong, but the salmon is just jump in as if like a QVC salesman.

[Keev]

It was really good.

[Andy Samberg]

I got to listen to our show.

[Keev]

You could hear in your voice, Keev. There was a little bit of surprise and delight.

[Keith]

Yeah. Yeah. I might rub them in after this for this week.

[Keev]

Hey. So this is. Our friend Ryan hosted the show. And there's two things I really want to dig in about this one. First, I think we should just watch the short. It is a totally fine short. Obviously not memorable to any of us, I think. Right. We were all talking about last week. We don't really remember it, but there's fun moves. Have you rewatched it today, Andy?

[Andy Samberg]

We all remembered the house.

[Keev]

Yeah.

[Andy Samberg]

We all remembered the location.

[Keith]

Why do I think there was a MacGruber in this episode? But I'm looking at the rundown. There isn't.

[Andy Samberg]

Yeah. I don't know. And I agreed with you. I was like, there had to be one.

[Keith]

Did he do the Pepsi ad? And we're picturing the Pepsi ad?

[Andy Samberg]

No, but Ryan.

[Yorma]

Ryan hosted for MacGruber, though.

[Keev]

Yeah.

[Andy Samberg]

Yeah, totally.

[Keith]

Right? But there is not a MacGruber sketch.

[Yorma]

That's crazy. It was about to come out.

[Keev]

Seems very strange.

[Andy Samberg]

What were we doing?

[Keev]

Maybe you guys were just like, so just tapped.

[Keith]

Look, it's a movie now.

[Andy Samberg]

Maybe we gave up. We could have just been like, it's not gonna work.

[Yorma]

No respect.

[Keev]

So we're gonna watch the short. We're gonna enjoy it, and then it's only two weeks later, two shows after Mondo Butts failed with Jude Law. And we're just going to rewatch this second effort.

[Andy Samberg]

Oh, right, Mamando.

[Keev]

Now, I should note, it was nice that you guys waited at least one week before resubmitting it, but the host in between was Tina Fey, and I think that was a good instinct.

[Yorma]

Yeah. Although retrospect, she would have been really funny at it.

[Seth Meyers]

Yeah.

[Keev]

I mean, I ultimately were like, you made a good call and it ain't shit twice. So maybe not.

[Yorma]

Yeah, I'm dreading slash giddy.

[Keith]

Did you pre watch this time, Seth?

[Keev]

I only pre watched the short. I kind of wanted to rewatch Mondo Butts with yours.

[Keith]

I'd like to point out it went to dress again, which means the show believed in it, that it could happen.

[Keev]

Yeah. I feel like this is maybe the era where Lauren is now a little high on Andy's supply.

[Yorma]

Oh, my God.

[Keev]

I just think. No, he believes in you.

[Yorma]

There was never a time when that was the case for live.

[Keith]

It was never that for the live show. Yeah.

[Yorma]

Pre tape.

[Keev]

Until Andy left. And then he was like, he was finally there.

[Andy Samberg]

Yeah, I miss Mondo.

[Keith]

But he just needed 100. And he needed 180 episodes of Brooklyn.

[Andy Samberg]

Nine.

[Keith]

Nine. And then. Oh, now he's loose as a goose.

[Yorma]

I mean, that's not untrue.

[Keev]

Seven years. Did you do seven years?

[Yorma]

Seven seasons of SNL and eight seasons of Brooklyn.

[Keev]

Seven years of snl. And then when you left, Lauren was like, he was finally figuring it out. He left too soon.

[Keith]

We've skipped one of the headlines.

[Keev]

We did skip a headline.

[Keith]

A member of this foursome went. Well, I didn't physically go, but was involved in last week's SNL. This is McGregor's Sushi Glory Hole moment.

[Andy Samberg]

Oh, okay.

[Keev]

And this was Total Request Live, courtesy of Glenn Powell. Correct.

[Andy Samberg]

Oh, yeah. No, Glenn requested. It was a totally different idea. And then, of course, thanks to Mr. Will Forte, who always has his finger right on the pulse of what he thinks MacGruber should be involved in, it was that MacGruber was in the Epstein files. So it's always good to get that character.

[Keith]

How did the Glen thing, like, he was talking to Lorne.

[Andy Samberg]

He was actually talking to Pete. Hike. Because they're pals. And Pete and him were like, this is how it got to me. Was that. And then it was mentioned to Forte that there's an idea for Wouldn't it be fun to do him at Gerber? And then it was a very last minute thing because also Forte's working on Tina's show and so he's out on the East Coast. But it was like, all very last minute. So we were like, writing. You guys know what writing with Forte is like. But it was like in the cracks of his schedule of that TV show. So we actually, when we were writing, it would be like at lunch for the show he's doing with Tina and Tina.

[Keith]

The Four Seasons, I believe.

[Andy Samberg]

Yes, yes, the Four Seasons, Tina Fey show and Tina read the parts. We basically did a table read with Tina.

[Keev]

Nice.

[Yorma]

That's fun.

[Andy Samberg]

But that's how, like, last minute it was.

[Keev]

That's great.

[Andy Samberg]

You actually pitched some good jokes on it.

[Yorma]

Should have got her to read Mondo Butz while you were at it.

[Keev]

Oh, fuck.

[Keith]

We could still resubmit.

[Andy Samberg]

Yeah, yeah. But no, it was fun. It was a fun one to.

[Keev]

I also, I want to say Lauren, and you might not believe that Lauren was a huge fan of Andy's, which of course he was. Lauren loves MacGruber very much.

[Andy Samberg]

Yeah. Yes.

[Keev]

Surprised to say this is no exaggeration with that said. I saw Lauren, I had dinner with Lauren maybe the Monday of the Glen Powell week. And he was like, And Glenn loves MacGruber and so he wants to do a MacGruber. And I was like, that sounds rad. And I like that, like, low key. Lauren also thought it was rad, but he just has to. I mean, there's no. I don't know what I'm expecting. Lauren's like, you're not gonna fucking believe this.

[Seth Meyers]

Well, we're doing a MacGruber.

[Andy Samberg]

Well, I also texted with Lauren afterwards because I was like, parlay this into another. Like a sequel. Like, Universal loves losing money.

[Keev]

Right?

[Andy Samberg]

And he was like, what was his response? It was like.

[Yorma]

Like, kill yourself.

[Keev]

But the good news is. No. I mean, it would be a good time for MacGruber to come out now because, like, no movies make money.

[Andy Samberg]

Yeah, exactly. That's exactly right.

[Keith]

Yeah.

[Keev]

Yeah.

[Andy Samberg]

I said, can we parlay MacGruber being in the news to doing a musical for uni? And he said, maybe. I said, universal hates making money.

[Keev]

Right.

[Andy Samberg]

And he said, totally opposed.

[Keev]

Support for the Lonely island and Seth Meyers podcast comes from Airbnb. You know, I'm about to take a trip with my parents, my boys. We're going to go to Pittsburgh, Pennsylvania. We're very excited because it's really nice to be in somebody's home where their Personal touches are part of the weekend. You're going to stay there. And then me and the boys got thinking. We got plenty personal touches at our house as well. If people, for example, loved the animated show the Octonauts, I'd highly recommend you spend a weekend in our apartment. Because, hey, if we're going to make memories while traveling, why not let someone make their own memories in our home? Think about it. If you host your home on Airbnb while you're traveling, it's a great way to offset some of the costs of your own trip. Andy would like you to stay with him, but not via Airbnb. He just loves Quaid army so much. Just a little rat, a tat tat on the door, and you're more than welcome to stay. That's not binding. What I just said. The extra income you make can be put towards an upcoming trip, a splurge you've been eyeing, home improvement projects, et cetera. And if you've got a lot of trips ahead of you, hosting is a pretty cool and unique way to make some money back. Your home might be worth more than you think. Find out how [e-mail] Host support comes from Fiori.

[Keith]

Now that it's fall, I am wearing the beach fleece crew. How does it look on me, honey?

[Andy Samberg]

Oh, so cozy.

[Keith]

It is the ideal fleece to wear as the weather starts to get chilly. It's even made from 71% recycled fabrics.

[Andy Samberg]

And now you think it's chilly in LA at 72 degrees.

[Keith]

Brr. Yes. And that's why I needed my beach fleece crew. All right, let me tell you something else, Liz, Are you listening? Sunday performance joggers are awesome. I just want to scream it from the rooftops.

[Andy Samberg]

The people or the pants?

[Keith]

I guess. Yeah, I guess I do love Sunday performance joggers. That's what we call those people that jog by our house so fast.

[Andy Samberg]

Performance art. But they're also jogging, and they're Sunday performance joggers. But you're talking about the pants.

[Keith]

Oh, you're saying it was a negative. Like, oh, oh, God, no. I'm driving in my car and I'm like, you guys are performance joggers. These aren't real joggers. They're not doing for exercise. This is a. They're showing off. They just want to jog because it's their vuori, and they want to jog all over town to show off their performance joggers. It's performative jogging.

[Andy Samberg]

It's performative jogging.

[Keith]

Yeah.

[Yorma]

Yeah.

[Keith]

Oh, they make me sick. But their clothes are awesome. They wick moisture and the fabric is so comfortable. They have five functional pockets, three with zippers to keep things safe. Now, we've talked about that. You really have been buying stuff there. How's it been holding up? You've been liking your vuori stuff? It's great.

[Andy Samberg]

I play tennis in my Vuori and I really like it.

[Keith]

Yeah. Seth has commented that the people should really trust you about this.

[Andy Samberg]

Yes.

[Keev]

Oh, wait.

[Andy Samberg]

And then I was playing the other day and my partner went, is that viori for real? And I said, it is. She goes, I love viori. It feels so good, doesn't it? Oh, those look good. Which ones are those? So really making some waves on the tennis court.

[Keith]

Wow. That was a genuine testimonial. I'm just gonna say one other thing, and I don't want you to argue with me about this. Liz. The Tech Polo is the softest polo I've ever worn. The Tech Polo fits incredibly well and it's odor resistant and moisture wicking. You can either dress it up or down. For our listeners, they're offering 20% off your first purchase. Go to vuori.com island that's v U-O-R-I.com island exclusions apply. Visit the website for full terms and conditions.

[Keev]

Okay, so this one. Keev. This is again a Kreitzel.

[Keith]

I'm going to say, no, no, we did this.

[Keev]

You're back in the business.

[Keith]

We made Boombox last week. We're back. I remember making this to one of these guys started getting at. But the one thing we really remember is it was the first time any of us had seen a nice. A really nice house in Manhattan.

[Yorma]

Brownstone.

[Keith]

It was the location.

[Andy Samberg]

Unbelievably, like, huge. Like, you just didn't see apartments that big, which is not an even apartment. It's a full house.

[Keith]

I don't remember what the premises of this is, but I remember it required doors in specific places. And I remember asking for it, thinking, well, we'll never get that in Manhattan. And they were like, took us to this brownstone that was like a double wide. Just a real house you could really live in in the middle of the city. And I just was blown away.

[Andy Samberg]

You have to explain, though, like, to anybody who lives outside of New York, when they come over to your place, you have to explain that it's good. You're like, no, no, this is good. Like, because the real estate's so expensive here.

[Keith]

Yes.

[Andy Samberg]

This episode is brought to you by Netflix Global superstar And comedy sensation Kevin.

[Keev]

Hart returns for his fifth Netflix special, Acting My Age. I'm not the same man that I used to be.

[Andy Samberg]

I go down the stairs sideways. Go ahead.

[Seth Meyers]

You in a rush. Go around.

[Keev]

With a fresh perspective on life, family, and getting older.

[Seth Meyers]

The older you get, the less you can have. Is this sesame seeds on that bun? Get it out of here.

[Keev]

Kevin's bringing his signature high energy humor and physical comedy in a true return to a standup org.

[Keith]

Watch.

[Andy Samberg]

Kevin Hart, Acting My Age now streaming only on Netflix.

[Guest or Announcer]

This episode is brought to you by State Farm. Listening to this podcast. Smart move. Being financially savvy. Smart move. Another smart move. Having State Farm help you create a competitive price when you choose to bundle home and auto bundling. Just another way to save With a personal price plan like a good neighbor, State Farm is there. Prices are based on rating plans that vary by state. Coverage options are selected by the customer. Availability, amount of discounts, and savings and eligibility vary by state.

[Andy Samberg]

You even have any space whatsoever. So to see, like, a place that is like, looks like a normal human's home in the middle of the city.

[Keith]

Is like, yes, it would look good by any standard.

[Andy Samberg]

Yeah.

[Yorma]

I don't remember where the premise came from. I think I wrote it with Mulaney.

[Andy Samberg]

Is that right?

[Yorma]

And I'm assuming Yukiv if you directed it.

[Keith]

I mean, I think. I mean, I was definitely involved and probably yorm the whole time.

[Andy Samberg]

I mean, I was on. We definitely shot.

[Keith]

You remember this being a Mulaney?

[Yorma]

I feel like I remember writing it with him because he was there when we were shooting and he kept something from it.

[Andy Samberg]

I don't remember Mulaney being there.

[Keith]

He kept a prop. We should have got a voice note from Mulaney.

[Yorma]

But I will say it's weird. We're really in the soup at this point. It's crazy to think that there's a whole short where I genuinely can't remember much.

[Andy Samberg]

Are these the right names? Because it has our names on this.

[Keith]

But these ones are often wrong.

[Andy Samberg]

Yeah. Okay.

[Keev]

Are you gonna walk us through it, bud?

[Keith]

Yep. Pulling it up. All right. So I don't even remember what the comedic conceit of this is. That's why I can't even talk about it.

[Andy Samberg]

You know what I think about occasionally before we watch these things, guys, is that Andy and I used to work at Spin City, the show Spin City. And this is back in the day, and there was a guy who was doing warmup for the live show, and he would always as like they were about to start and Right before the action, the guy would say. He'd get his voice real low and he would say, all right, let those laughs go, guys. All right? And I was like, it was the most hateful let those laughs go I've ever heard.

[Keith]

Don't hold them in your mouth.

[Andy Samberg]

Let's go, guys.

[Yorma]

Yes. Still say that all the time.

[Andy Samberg]

And every time we're about to watch one of these, that's what I think.

[Keith]

Don't be stingy.

[Yorma]

Let those laughs.

[Keev]

You can't take them with you.

[Keith]

The mic. Everybody look up. You see those mics above you? They're gonna be picking up your laughter.

[Andy Samberg]

Oh, they sent me your laugh on there being broadcast to the world.

[Yorma]

We're not saying laugh if you don't.

[Keith]

Find it funny, but we also are saying exactly that.

[Andy Samberg]

Yes. We're okay with that.

[Keith]

The best was always the, like, writers on the side going, hahaha. Yeah, my joke seems to work well during.

[Yorma]

During rehearsals especially.

[Andy Samberg]

Yes.

[Keev]

Yeah.

[Keith]

Trying to, like, fill that space.

[Keev]

Brutal.

[Andy Samberg]

Oh, boy. I think we should keep that joke in the show.

[Yorma]

Well, it's because they didn't want the actors to lose faith in the material.

[Andy Samberg]

Right, right, right. Makes sense.

[Keev]

Even though that's how we would all lose faith if we heard writers laugh like that.

[Andy Samberg]

Yeah.

[Keith]

They also put on nice little sport coat and ties on show night. Here we go.

[Andy Samberg]

Let those laughs go, guys. Ryan. Typecast, very shaky camera.

[Yorma]

Keith.

[Andy Samberg]

Kyle, what are you doing?

[Seth Meyers]

Megan, stop. Before you say anything, I just want to apologize. I am the biggest fool in this city. It was you all along. It's always been you.

[Yorma]

Megan.

[Andy Samberg]

Kyle, you really should have called. This isn't the best time.

[Seth Meyers]

Is there someone here? Babe, who is it?

[Andy Samberg]

It's nobody.

[Keev]

Oh, hey, bro.

[Seth Meyers]

How's it going, man? You must be Kyle, right? This was a mistake. I shouldn't have come.

[Keev]

I like this trope. Very familiar trope.

[Keith]

I love it.

[Andy Samberg]

There's a kind of shittiness that Andy gives that.

[Keev]

Yeah. Hard to beat.

[Andy Samberg]

Hard to beat. Just even from off camera, he's like, fuck this guy.

[Keev]

Yeah. It's a very nice sound design for the first. You're like, definitely far enough away that you wouldn't have heard the door.

[Yorma]

And he thinks the guy seems nice. He wants to go out of his.

[Keev]

Way to say that. Yeah.

[Keith]

So this short is called the Other Man. For people that need to Google it. It is on dailymotion. It is such a good trope that if this short had been better, we maybe could have put this trope, you know, put a little nail in the coffin. On this trope. But the short isn't that famous. So the trope lives on. I feel like I've seen it. I feel like I've seen it this year.

[Keev]

But as we establish from guys walking away from explosions, sometimes the tropes are just going to live, you know?

[Andy Samberg]

Yeah. I don't know if you killed this one. It's. It's too handy.

[Keev]

It's a too handy a trope.

[Keith]

I saw an article that there's an explosion in house of Guinness that was inspired by our video about not looking at explos.

[Andy Samberg]

Yeah. Okay. That. That really tells you something, Keith. Like, you are causing more tropes. People like, hey, what if we did that trope?

[Keith]

They. But they do look back. They tried to put their own spin on it to make sure they didn't hit the trope dead on because of our video. And I read an article about it.

[Keev]

Oh. Because they didn't want them to get troped out.

[Keith]

They knew the video was there. And they're like, we can't do this because that's embarrassing.

[Andy Samberg]

So what do the guys do? Do they look back and then like, high five each other?

[Keev]

Like, yeah, that's fucking cool.

[Keith]

Still need to be badasses. But they look back and see it and then keep walking. I didn't see it. I didn't see that.

[Andy Samberg]

I mean, it's kind of what we.

[Keev]

Did on the weird thing is because it's like a period. You know, that show is like a period piece.

[Keith]

Yeah.

[Keev]

And when they look back, if there's a freeze frame and then it goes trope buster.

[Andy Samberg]

Gotcha.

[Keev]

Yeah.

[Keith]

Yeah. It doesn't make any. It ruins the show. Some people said.

[Andy Samberg]

But they were adamant. They were like, look, you guys, look.

[Keev]

At the short trope. Busted.

[Andy Samberg]

We're not gonna get caught with our pants.

[Keev]

They looked back trope. Busted.

[Keith]

They're like, this technically takes place in the 1800s before anybody else. Techn be the first ones to do the trope.

[Andy Samberg]

I like that Keeb just started googling things.

[Keev]

I want to find him saying, wait, look, there's. It's up there, though. Do you see it?

[Keith]

Oh, yeah. That's what I mean. Andy Sambury and Lonely island inspired an epic scene in Netflix's house of Guinness.

[Yorma]

You know, I've actually had a Guinness.

[Keith]

To drink in your life.

[Yorma]

Yeah.

[Andy Samberg]

So have I. I've gone to the Guinness factory. How many of you guys have gone to the Guinness factory?

[Keith]

I'm sure Seth's been to the Guinness factory.

[Andy Samberg]

I have been to the Guinness factory.

[Keev]

But hold on. This looks like. I mean, keep reading this article. Cause I don't. Does anybody who works on the Guinness show say this has anything to do with it?

[Keith]

The one I read was talking about that in an interview with Netflix uk. We were shooting the scene. Can somebody do this in a British accent?

[Keev]

We were shooting the scene, and my business partner sent me a song from Andy Samberg, which is cool. Guys, don't look at explosions. It's basically a cut of old men and women in history and film with explosions behind them. And none of them looked back. We decided then and there, we're like, rafferty is cooler than all of them. He does look back. Jokebuster.

[Yorma]

Busted.

[Keith]

They did a few versions of the scene where they didn't look back. And the last couple. He looks back but doesn't react.

[Andy Samberg]

I feel like the guys who made the Guinness show would have been Irish, though. Read it again, Seth.

[Keith]

Oh, fuck.

[Keev]

Oh, fuck.

[Andy Samberg]

Yeah.

[Keev]

Well, we were shooting the scene, right? And my business partner said me sorry for Hannah Sandburg. Top of the morning. We all remember Top of the morning. Big.

[Keith]

All right, we're done with this popular.

[Keev]

Sketch back in the day. I remember it.

[Keith]

All right, here we are. So they're in a rom com.

[Keev]

All right, One first beat.

[Keith]

It looks like it's shot on real lenses. Like, we did a little better job.

[Andy Samberg]

But we had no light as a dp. This is.

[Keith]

Yeah, but here's what. We didn't have light. Because in a rom com, on the shot of Ryan on the street, you would light New York City. And so you'd have beautiful brownstones on the other side of the street. And said, he's in, like, I would.

[Andy Samberg]

Say, not having light, though. It looks kind of nice.

[Keith]

All right, let's just see Andy coming in again.

[Seth Meyers]

Babe, who is it?

[Andy Samberg]

It's nobody.

[Keith]

No pants, bathrobe, bowl of cereal.

[Seth Meyers]

This was a mistake. I shouldn't have come. He seemed nice.

[Andy Samberg]

This is so. Wish it was Rain Guy, too. It might be the same wig.

[Keev]

You're also.

[Keith]

Are you? Exactly. Lady Gaga later in three Way, coming in to find you and Timberlake in the bed. She has a bowl of cereal. Is she in a bathrobe? She's like, oh, you guys are still here.

[Yorma]

I don't think that that's connected.

[Keith]

I do have this weird memory, correct me if I'm wrong, of Stephanie Gaga coming in and saying, could I be dressed like the other guy in the other guy sketch for this moment?

[Andy Samberg]

And she had named him too, right?

[Keev]

And then Andy was super mad. He's like, Ryan's the other guy, right?

[Andy Samberg]

You didn't get it.

[Yorma]

And she was like, no, no. Look, no offense meant. I'm a huge fan of the website dailymotion.

[Keev]

I have an account.

[Andy Samberg]

Got two drops for dailymotion so far, guys. Three. All right, keep going.

[Keith]

He drops his bouquet of flowers. Goes away.

[Andy Samberg]

Oh, another beautiful shot overhead.

[Yorma]

Shot cinematic.

[Keith]

He's at another apartment.

[Yorma]

Hey, Kyle.

[Andy Samberg]

What are you doing here?

[Seth Meyers]

I followed your advice. I told her everything. It was a disaster. Look, man, can I come in?

[Andy Samberg]

Yeah, now's not a really good time. Hey, babe.

[Seth Meyers]

We're out of Munchy Flakes. Oh, hey, bro. Good to see you again.

[Andy Samberg]

You should have called.

[Seth Meyers]

Yeah, you should have called, bro. Unbelievable. Come here to you.

[Keev]

There's a real consistency to your performance throughout this, Andy, that I enjoyed a great deal.

[Yorma]

Yeah, we're all out of Munchy Flakes.

[Keev]

You're out of Munchy Flakes.

[Keith]

But also Bobby Moynihan, the perfect best friend to the Ryan Philippe lead of the rom com, who gave him the advice to go after and spill his heart.

[Andy Samberg]

I don't know if that's a compliment, but he played it well.

[Keith]

I think he's played it in real life in various movies.

[Keev]

Yeah. Okay, well, there's no shame in being the best bro at a rom com.

[Andy Samberg]

I've never been asked to do it, so, you know.

[Keith]

But also, how great that this house had a blue door inside it and a hallway that's big enough to look like we're in another apartment building when we're just.

[Keev]

I'll give a. I'll give an Oscar. Best supporting actor in a comedy. While we're talking about the best friend trope, what's the Ben Stiller movie where Philip Seymour Hoffman's so fucking funny as his best friend?

[Keith]

Along came Paulie.

[Keev]

Yeah, there you go.

[Andy Samberg]

Oh, yeah. You wanted him to get an Oscar for that.

[Keev]

I do.

[Andy Samberg]

Oh, okay, gotcha. Well, weigh in in the comments, guys.

[Keith]

Yeah, I think if we're gonna give a post. What's it called? Posthumous Oscar. A posthumous Oscar to Philip Seymour Hoffman.

[Andy Samberg]

It would be that movie.

[Keith]

That's the one. Okay.

[Seth Meyers]

Mom, dad.

[Andy Samberg]

Okay, they're ahead of it. What's wrong?

[Seth Meyers]

Mom, I am having the worst day. First, Megan broke up with me.

[Keith]

Who is that?

[Seth Meyers]

Oh, my God. Not you too, Mom.

[Yorma]

Kyle, what are you doing here?

[Seth Meyers]

Dad, for a second, I. I thought that. Hey, there you two are. Hey, I'm ready again.

[Andy Samberg]

It's a nice heightened.

[Keith]

Hey, bro.

[Keev]

Hey.

[Seth Meyers]

This time, let's do the mom. Okay?

[Keev]

They are ahead of It. But there was a nice move there.

[Keith]

Yes, my child.

[Seth Meyers]

Father, I need your guidance.

[Keith]

Oh, right now is not really a good time.

[Seth Meyers]

Come on.

[Andy Samberg]

He's not that upset about this gremlin showing up. This sex gremlin.

[Keev]

Oh, that.

[Yorma]

That was great.

[Keev]

Lot going on.

[Andy Samberg]

There's a couple things that are good here. Really good.

[Keev]

There's.

[Yorma]

There's a poster on the wall of Subway, and it's a picture of me in character, and it says, I fucked your parents.

[Keith]

Is that what. Is that what Melanie kept? Yeah, of course.

[Andy Samberg]

I feel like that's very millennial.

[Keith]

All right, so then you're at another house. It's your parents house, and it's wig and Fred. And so that's the mislead that you just heard that it's. But again, just this house. It's amazing. It's got all. We're shooting the whole thing in one house. It's like we're all over town.

[Keev]

You just sounded a little bit like Howard Stern. You're like, in this house.

[Keith]

It's amazing. Do you have any idea what I.

[Keev]

Would do to this double wide?

[Andy Samberg]

There are some great restaurants. The location.

[Keith]

Did you ever think about actually fucking this house while you were there? You came in. Was your real dick. And so then Andy enters. He's got a blurred crotch now with a big old thing kind of behind the blur wagon around. Did you ever. Was that your real dick, Andy?

[Yorma]

Oh, this is a Stern interview. No, Howard. No. It's a prosthetic.

[Andy Samberg]

Come on.

[Keev]

Did you keep it? Did you keep the prosthetic?

[Yorma]

Nope, didn't keep it.

[Keith]

See, for me, I would never be able to do that because mine's very small. Continuing. All right, so then he's at a confessional in a Catholic church, and we got Hater looking very good. And again, nice lighting.

[Keev]

And again, they are ahead of it, which is why it has to win on performance. They know you're going to be there, Andy.

[Yorma]

But it's really nice, and it happens very fast.

[Keith]

I wish there was a different twist here, but we're just going fast. Yes, my child.

[Seth Meyers]

Father, I need your guidance.

[Keith]

Oh, right now is not really a good time.

[Seth Meyers]

Wait, baby. Oh, not you again, bro. Come on.

[Keev]

I do like. It's the window on the other side of the confessional. The little door.

[Keith]

Yeah.

[Andy Samberg]

And I like that he calls the priest babe. That's.

[Keev]

He's consistent.

[Keith]

It's okay. The beat is well shot, too. But honestly, because his next beat is so good, it's cuttable, I would say, because I, at that moment, were A little too far ahead, but.

[Andy Samberg]

But hater was red hot.

[Keith]

Red hot. We needed to include.

[Andy Samberg]

We couldn't.

[Keith]

All right, then he's in the subway, sees a poster of Andy with the cereal and says, I your parents. He hates seeing that. Looking at a picture of him and.

[Keev]

Oh, he's realizing.

[Keith]

Okay, so he goes home. He's sadly looking at a photo of better days with him in the seam, but then notices what the he's never noticed before. Right behind them. Andy with a bowl of cereal. This is a very. This feels like a photo that you'd want to keep as well. Yeah, it's a very nice photo.

[Yorma]

This guy always has a bowl of cereal.

[Keith]

Yeah.

[Andy Samberg]

I hope Ryan has that photo. We should have given him that to him as a gift.

[Keev]

You know what it is? It's like Donald. It's got a real Donald Sutherland in Animal House. I feel like he was wearing a robe like this, maybe eating cereal. Remember, he's the professor.

[Andy Samberg]

Or Jeff Bridges.

[Keith]

Steel Magnolias, League of Their Own, Terms of Endearment. Those are Keev movies. Animal House. You lost me.

[Keev]

Interesting.

[Andy Samberg]

You know what I thought of? I thought of when Jeff Bridges moved in with Zoe Saldana, and all he could do is play with his iPhone 17, but it has a similar kind of vibe.

[Keith]

I'm sorry, was that an ad or something?

[Andy Samberg]

Okay, keep moving on.

[Keith]

Okay.

[Keev]

You.

[Yorma]

Kyle, before you say anything, just listen good.

[Seth Meyers]

The others, they meant nothing.

[Keith]

It was you all along. It's always been you. Are you doing an Antonio Banderas?

[Yorma]

No, but I am wearing a huge fake chest hair thing under that shirt, I think.

[Andy Samberg]

Are you?

[Yorma]

Yeah. It's not really the best time. What?

[Seth Meyers]

Who is it, babe?

[Andy Samberg]

You.

[Keev]

You.

[Seth Meyers]

Oh, no. Come on. Yes. No. I got a bone to pick with you. I have a bone to pick with you. Well, come over here then. You come over here. I'm not coming over there.

[Keith]

I'm here in the doorway.

[Guest or Announcer]

Hey.

[Keith]

Hey.

[Andy Samberg]

Look, I've been thinking, and I should be with you. You're way better than this guy. I am, right?

[Guest or Announcer]

Yeah.

[Andy Samberg]

Want to get out of here?

[Seth Meyers]

I'd love to come in here and I'll fight. We'll bring it on then. Whenever you're ready. Great, I will. I'm coming. I forgot about this. Oh, my God. This is. This is good. This is the best.

[Andy Samberg]

Oh, my God.

[Keith]

Cuz he was doing the over the shoulders. Oh, I forgot about that.

[Andy Samberg]

Matt Yon. That is the best cameo maybe of any digital short.

[Keev]

Holy.

[Keith]

That's good.

[Keev]

Big up. Yes. Is it Criterion? It's not, but it goes from one where you think the audience is going to get ahead of you and you end it with an impossible sprinting.

[Keith]

We just needed to some of the middle beats and get here a little faster. It's pretty good.

[Keev]

It was never gonna quite work on like. It's a great final moment.

[Keith]

It doesn't have. We didn't think of as many twists as like the mirror where we really were finding ways to tell the story in a different way every single time.

[Keev]

The beats couldn't get fast enough to have that propulsion of the mirror.

[Keith]

No. Cause we had to keep resetting to slow rom com drama which slows you down.

[Andy Samberg]

Look at fucking Yonks face in this freeze frame, though. Like a champion.

[Keev]

Yeah.

[Yorma]

Was this our intended ending, Akiva, or did we come up with this on.

[Keith]

And try it, I think on set because we dressed him like that so that we could do the. Over the shoulders between two of you.

[Keev]

Yes, exactly.

[Keith]

Yeah. And then we were just like. Just walk in and turn around because it's too good.

[Andy Samberg]

So good.

[Keith]

Stare at the camera. Oh, God. It really. It's really everything you need here.

[Yorma]

Here's what I'll say. Agreed. Seth. Not Criterion by any stretch, but if we were doing like a clip reel of all our best shots, I might throw this in now having completely forgotten about it.

[Keev]

It's wonderful. Perfect performance from Yonks.

[Keith]

Agreed.

[Andy Samberg]

Here's the other thing. You also say this occasionally, Seth, where like a sketch or whatever, like is a brain worm for one particular way that a person says a line. And I will say that as soon as we watch the end of that. I'm like, oh, I do occasionally say, I have a bone to pick with you. There's something about the way.

[Keith]

And he said that this predates the first Puss in Boots movie. But I swear there are scenes where Puss in Boots is literally saying. And it's Banderas going like, you break me, I break you, you break me. And they repeat it a bunch of times. It's kind of. I know what you're saying.

[Yorma]

They took it from us.

[Keith]

Yeah.

[Andy Samberg]

You want some money?

[Keev]

And then do you. Was that. Is that when it freeze framed and it went Joe busted. Yeah.

[Keith]

He turns over. If I'm remembering right, because I haven't watched it in like 10 years. Puss turns around and he has Shrek's face. And there's two pusses, but one is Shrek.

[Yorma]

I know that's the name of the character, but even you just saying that made me feel uncomfortable.

[Keith]

Look at what I looked up though. All Right. So when I tried to find this on YouTube, the first thing I typed in was the other man.

[Keev]

It's crazy.

[Keith]

And the first thing that came up is a movie from a year ago that I have not heard of, which is even crazier because the main star of it is Liam Neeson. And I thought I was paying attention to every movie he's made in the last 10 years. From one year ago. The trailer's from a year ago. I don't know when the movie's out. And it's literally just from this thing it says suspicious. His wife, Laura Linney is having an affair. And then the other man is Antonio Banderas.

[Andy Samberg]

Okay, so that came out 2008, though. So did we rip that off?

[Keith]

We are getting the accent, but we're not getting our moment.

[Yorma]

I mean, I was intending the accent to be more like, frankly, how yhorm used to do Macedonian and stuff. Like, I wasn't imagining Banderas.

[Seth Meyers]

How's it going, bro?

[Andy Samberg]

You know, in Macedonia, man.

[Keith]

Yeah. Why aren't people talking about the Ice Cube War of the Worlds anymore? I thought that was gonna stick around a little longer.

[Keev]

Even the duds don't stick. You know what I mean?

[Keith]

I know I didn't. Like, we talked about Gigli. That was in the consciousness for so many years afterwards. And we still talk about it like it still exists. War of the Worlds with Ice Cube. I didn't even get to watch it yet.

[Keev]

Were you there when we had a Gigli joke in something when Ben hosted like fucking 2000. It was the year after you left Andy, because he hosted haters Fred's and Sudeikis last show. So 2013. And we had a Gigli joke. And he goes, hey, we're on the floor. He goes, hey, just FYI, there were worse movies that year. And he goes, and there's been a lot of worst movies since. He goes, was it a good movie? No, but everybody talks about it like it's the worst movie ever made.

[Keith]

It's completely correct.

[Keev]

It wasn't even close to the worst movie that year. It was really fun and it was very fun for him. He wasn't saying it was a good movie. He was just like, why do we.

[Keith]

There's just a fun fixation.

[Keev]

I'm like, one thing is, I go, it just sound like G is just so fun to say.

[Keith]

Cuz the dude who directed it is named Martin Breast and he directed Beverly Hills Cop. Oh, Piece of Midnight Run.

[Andy Samberg]

Oh, Scent of a Woman.

[Keith]

Andy. Son of a woman.

[Andy Samberg]

Oh, God, this guy. How has he not drummed out of Hollywood earlier.

[Keith]

Son of a Woman. Seth, thank you. Meet Joe Black. First 10 minutes of meet Joe Black are the best thing I've ever seen.

[Yorma]

You said, hey, like Beetlejuice instead of, whoa, wait.

[Keev]

I've been doing an interminable joke during corrections about how I want to start calling based on Son of the Woman. I want to start calling Al Pacino. The talk. Who? A guy.

[Andy Samberg]

When? Whenever I.

[Keev]

Sorry.

[Andy Samberg]

Any kind of new production.

[Keev]

It works. Mathematically, it works.

[Andy Samberg]

Whenever I start a new production for anything, I buy a whole bunch of Scarface posters. And when me and Solomon were shooting down in Albuquerque, I got a whole bunch of Scarface posters and then wrote on them, to Johnny for John Solomon. To Johnny. Hoo.

[Seth Meyers]

Ah.

[Andy Samberg]

Love Al Pacino. I really like that joke.

[Keith]

Just to intimidate all the new crew members who come through.

[Andy Samberg]

I just like the idea that he doesn't know which movie he was in.

[Keev]

Say, the most iconic line from Scarface, Andy. But as Barney from the Simpsons, say.

[Seth Meyers]

Hello to my little friend. Yep.

[Andy Samberg]

Can I make a gripe about my dad?

[Keith]

Sure.

[Andy Samberg]

It's a little bit of a tangent.

[Keith]

Is this the place for it?

[Keev]

Sure, man. Why not? Patina related, mostly so we can just figure out why you. What just happened? Inspired.

[Andy Samberg]

Okay, you guys know this photo, right? This is.

[Yorma]

Before you say what you're about to say, I just want to say this episode's gonna be real embarrassment of riches of stuff that we can cut.

[Andy Samberg]

Yeah.

[Keev]

So just throw something else at that.

[Keith]

But yhorm's dad is known as Weird Al Pacino.

[Andy Samberg]

Yes. First of all, there's that. Right?

[Keith]

So that's why he's making the connection here.

[Yorma]

By his children only.

[Keith]

No, everyone at the Berkeley Repertory Theater called him Weird Al Pacino.

[Andy Samberg]

No, the way that that came about.

[Keith]

By c. In the theater department.

[Andy Samberg]

No, the way that that came about, Keith, was that Asa, right before Mari met my father, Asa was in the car. My dad was coming in from a flight. Asa, my brother, was like, yeah, my dad's kind of like a mix between Weird Al and Al Pacino. And then Mari was like, you mean Weird Al Pacino? And he was like, oh, shit. And then as soon as he hadn't put it together, and then my dad sits down. And then Mari, who's never met my dad, Aza's like, yo, guess what? Mari just called you Weird Al Pacino.

[Seth Meyers]

She was like, I didn't call you that.

[Andy Samberg]

I just put two things together that you said like, Anyway, so I'm gonna put these in the Feed. Because my dad. I'm still mad about this. That you just saw that picture. Then I had this photo. This is a. Oh, my God. This is my father as Al Pacino in the crazy killing spree in the end of Scarface. And I gave him that paint. It's a painting. It's an oil painting that I had made for him. And then I gave it to him to put up at the Berkeley Rep. And then he fucking gave it away. When he was leaving the Berkeley Repertoire Theater. He gave it to the set. I was like, that cost me $400, that joke. Like, bring it with you. That's my gripe, guys. All right. Your arms.

[Yorma]

Gripes.

[Andy Samberg]

Your arms.

[Keev]

Thorns.

[Keith]

We are moving on.

[Andy Samberg]

Support for our fabulous program comes from Aura Frames.

[Keev]

Guys.

[Andy Samberg]

Every year for Christmas, what do you do? You wait till the last minute and then you panic to figure out a gift. Well, guess what? But Aura Frame is the digital picture frame. I make a lot of stuff on Photoshop. I love Photoshop. I think that this is a great gift because you can send people photos directly to the Aura frame. Imagine your mom, your loved one, your spouse, whoever it is that you love in your life is looking at their picture frame. They're at work, right? And then Bing Bong. A shirtless cat picture comes up shooting lasers out of its eyes or mouth if it's a laser cat. People get that wrong a lot of the time, you know. Don't get it twisted, guys. It's out of the mouth. How great is that? You get unlimited free photos and video. Not just photos, but video. You just download that Aura app and connect to WI Fi. Bing Bong. There you have it. Every frame comes packaged with with premium gift box at no extra price tag for a limited time. Save on the perfect gift by visiting auraframes.com to get $35 off Aura frames best selling Carver Mat frames named number one by Wirecutter by using Promo code Island at checkout. That's a U R A frames.com promo code island. This deal is exclusive to listeners and. And frames sell out fast. Guys, it's already December, so order yours now and get it in time for the holidays. Support the show by mentioning us at checkout. Terms and conditions apply.

[Guest or Announcer]

Support comes from Coop. You spend one third of your life in a bed. I know I do, guys. I'm super cozy in my bed.

[Keith]

I think you spend more than a third.

[Guest or Announcer]

Yeah, that's. I just lay in my bed for hours.

[Keith]

A third would be eight hours a night.

[Guest or Announcer]

And a big part of that is the Pillows I have on there because the Coop pillows are so good I don't want to leave in the morning.

[Keith]

Yeah, these were given to me and then. But somehow they're on your bed.

[Guest or Announcer]

We can just say I'm pillow greedy.

[Keith]

What did your friend Natalie say when she saw your pillow? What did she call it?

[Guest or Announcer]

PP Perfect pillow.

[Keith]

Right, A pp, A perfect pillow. The original adjustable pillow crescent is great for side or back sleepers. So I got one of those that I would love to be using. And then the original adjustable pillow is their best selling pillow. I did one of those as well. I got two, one of each so I could try them both.

[Guest or Announcer]

Watch out guys. I'm a pillow thief along with Andy. So we got pillows from Coop and he just went ahead and took them and now he has pillows from Coop in his house too.

[Keith]

Yeah, he won't do the ad reads, but he sure will do the having the pillows that were actually sent for me at his house as well.

[Guest or Announcer]

Yeah, we're both pillow thieves, I guess because I get all the best pillows on my bed and now Andy does too because he took some from us. The nerve of the guy.

[Keith]

The nerve of the guy. The cool and adjustable pillow has advanced cooling for side and back sleepers and a proprietary cooling gel, memory foam and microfiber blend for 50% better breathability. With Coop, you can build your perfect alignment by adding a removing fill. Now, this happened before you stole it, but what it is is you get the pillow and it comes with like a bag of extra stuffing that you can put in. So if you realize, oh, this pillow's not fluffy or big enough, you can put more. Or if it's too much for you, you bring it down. 86% of coop sleepers reported better sleep after switching their pillows to Coop. Upgrade your sleep 100 night free trial. Visit coopsleepgoods.comisland to get 20% off your first order. That's C O O P sleepgoods.comisland.

[Guest or Announcer]

Support comes from Cash app built in card security that keeps your money safe from fraud. Plus the protections you expect.

[Keith]

The holidays are all about finding the perfect gift. But this time of year, not every deal is actually what it seems.

[Guest or Announcer]

Scammers are getting more creative to trick people into sharing their payment info through methods like fake shopping sites and giveaways that are too good to be true.

[Keith]

Luckily, Cash App's 247 fraud monitoring helps detect and alert you for unusual card activity should someone gain access to your card. So you can act fast if something seems off. You can also lock or Unlock your Cash App card instantly. Right in the app. For extra control and peace of mind.

[Guest or Announcer]

Stay one step ahead of scams this season and keep your money secure with Cash App.

[Keith]

Now, do you remember the story of what happened when I was filming a movie 10 years ago? So you weren't old enough to remember. And I was in Atlanta and suddenly people were saying that I had been 86 from a restaurant in LA and they had my head shot up in the front window and it said 86 to do not serve.

[Guest or Announcer]

Oh, yes, I remember this story.

[Keith]

And why had that happened?

[Guest or Announcer]

Fraud.

[Keith]

Exactly. Thank you. What was the fraud?

[Guest or Announcer]

Somebody had stolen my dad's credit card information and used it.

[Keith]

That's right. At the restaurant.

[Guest or Announcer]

At the restaurant.

[Keith]

And then it had gotten. When I got all my bills and I saw that there was like thousands of dollars of fake charges, I told them, but it was really late and.

[Guest or Announcer]

So they thought that my dad didn't pay the check.

[Keith]

Exactly. Because when the credit card company took the money away and they got real pissed at me, even though it was a restaurant I had never even been to.

[Guest or Announcer]

Never been to. And still has never been to.

[Keith]

Well, now I never will.

[Guest or Announcer]

For a limited time only, new Cash App customers can use our exclusive code to earn some additional cash. For real? Just. Just download Cash App. Use our exclusive referral code, secure 10 in your profile.

[Keith]

Send $5 to a friend within 14 days and you'll get $10 dropped right into your account. Terms apply. That's money. That's Cash App. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partners. Prepaid debit cards issued by by Sutton bank member FDIC Promotions provided by Cash App, a Block incorporated brand. Visit Cash App legal podcast for full disclosures.

[Keev]

All right, we. It's time to watch Mondo Butts.

[Yorma]

Round two of Mondo Butts.

[Andy Samberg]

Yeah, it's time to watch Mondo Butts.

[Keev]

Wait, I. First question. Do we think the set's going to look the same and there's going to still be, like, pillars and shit?

[Keith]

No, I think it's going to be different.

[Andy Samberg]

I don't.

[Keith]

I think it's still a basement, but I don't think there's still going to be the Parthenon and stuff.

[Andy Samberg]

Why would you fuck with anything perfect?

[Keith]

We saw Rob Klein yesterday, Seth. Speaking of our office. It was a perfect office day. We had Rob Klein working all morning while me and Andy were in the other room having a business meeting with Jorm on speaker. And then Tim and Zach showed up for the Second half. And we chilled with them for a while.

[Keev]

What was. What was Klein in the building for?

[Keith]

He was just writing. I think he was writing on Andy's movie, but he just was using it as an office.

[Keev]

Right. All right, you guys ready? Ready?

[Andy Samberg]

Yeah. You're watching Tacoma Public Access. We got the same intro, same megatracks.

[Keev]

This is.

[Keith]

This is empire music.

[Andy Samberg]

Close your eyes. Exhale. Feel your body relax.

[Keith]

And let go of whatever you're carrying.

[Andy Samberg]

Today, while I'm letting go of the worry that I wouldn't get back my new contacts in time for this class, I got them delivered free from 1-800-contacts. Oh, my gosh, they're so fast. And breathe. Oh, sorry. I almost couldn't breathe when I saw the discount they gave me on my first order. Oh, sorry. Namaste. Visit 1-800contacts.com today to save on your first order. 1-800-contacts. If we knew more about our sleep, what would we do differently? Would we go to bed at a consistent time or take steps to reduce interruptions to our sleep? With the all new Sleep Score, Apple Watch measures your bedtime consistency, interruptions, and sleep duration. Then every morning, it combines these factors into an easy to understand score from 1 to 100. So you'll know how to take the quality of your sleep from good to excellent. Introducing the new Sleep Score on Apple Watch, iPhone 11 or later required with.

[Seth Meyers]

Dave and the Scooch.

[Keev]

All right, I'm stopping. So at the table, though, wasn't this Parakeet Bookshop?

[Yorma]

Parakeet something? What junction?

[Keith]

What are you talking about?

[Keev]

So I'd assumed that I had made it to dress. Cause that's what I always remember about it. But it goes. Coming up next, it's Parakeet Book Club. And it was like. You thought it was gonna be like a literary show. And then it went.

[Yorma]

We did it as a misdirect at the table. And we called it Parakeet Book Club so that everyone didn't know that we were doing Mondo Butts again.

[Andy Samberg]

Fuck, that's great.

[Yorma]

And so it was like, okay, Parakeet junct. And then it was like.

[Keith]

And then all of a sudden it would go, mum Mamando.

[Yorma]

Yes.

[Keev]

It was like, if you can find it while we're watching.

[Yorma]

I believe it was coming up in an hour. Parakeet Junction. But first I remember the whole table room went, ah.

[Andy Samberg]

That'S what you want. That's what you want on the table. 100 people groaning.

[Yorma]

It was very fun.

[Keev]

Okay, okay.

[Keith]

Set is totally different.

[Keev]

Immediately different.

[Andy Samberg]

Yeah.

[Keev]

So now there's a. But behind you, no longer a Greek pillar.

[Keith]

Ye. There's a bust of a butt like a mannequin that's been sawed.

[Keev]

Yeah.

[Yorma]

It's entirely too sexual, by the way.

[Keith]

Yeah. Cause it's because mannequins are pretty.

[Andy Samberg]

Like.

[Keith]

Yeah. It's shapely now. And there was above it that we panned down from a giant banner that was also in the shape of a butt. With butthole, I might note.

[Andy Samberg]

Oh, yeah.

[Keev]

Was there a butthole in the banner?

[Andy Samberg]

Yeah. These guys are excited about butthole.

[Keev]

Oh, yeah. It's got a hole. All right. Your look has been way toned down.

[Andy Samberg]

Yeah, Andy, I don't know about way, but toned down.

[Yorma]

It's like the wig's, like, a little lower.

[Keith]

It's been finessed.

[Keev]

Everything looks a little. The clothes look a little lower.

[Andy Samberg]

It's more subdued.

[Keith]

Yeah.

[Yorma]

All right, well, let's keep rocking with.

[Seth Meyers]

Dave and the Scooch.

[Keith]

All right.

[Seth Meyers]

Welcome to Mondo Butts, the only show dedicated to the world's most perfect body part, the butt. I'm Dave, and this is the Scooch. Scooch a deech. Yeah. We got a sick show lined up. Let's kick things off with butts in the news. Buts in the news.

[Keith]

I think they messed that up.

[Andy Samberg]

Little glitch. Little glitch.

[Keev]

It is going worse.

[Andy Samberg]

Definitely going worse from a technically difficulty. Performance wise, killing it.

[Keev]

They hate you more because of the. Like, I will say that having a parthenon behind you didn't make you hate them as much as the full butt mannequin makes you hate them. Agree.

[Andy Samberg]

Yeah.

[Seth Meyers]

Okay. This week, Jennifer Lopez attended the premiere of her new film the backup Plan. Also in attendance was her butt.

[Yorma]

Awesome.

[Seth Meyers]

Now it's time to play boob man or buttman. We'll start with you.

[Keev]

Scooch.

[Seth Meyers]

Scooch. Are you a boob man or a buttman?

[Andy Samberg]

Buttman.

[Seth Meyers]

Same. Our next segment is called if butts could talk.

[Keith]

Hey, Dave.

[Andy Samberg]

If butts could talk a little technical. Hey, Dave.

[Seth Meyers]

What if Katherine Heigl's butt could talk? I wonder what it would say.

[Keith]

Scooch.

[Andy Samberg]

I love you, Dave. And the Scooch.

[Seth Meyers]

We love you too. Katherine Heigl's butt.

[Keev]

All right, so the butt could talk. And it has a real, like, sort of unsettling animated mouse.

[Andy Samberg]

A lot of yorm vo in this one.

[Keev]

Yeah. There's already been multiple technical difficulties.

[Keith]

Yeah.

[Keev]

Andy, can you think back and put yourself back in that chair? How do you feel like it's going right now?

[Yorma]

I'm eating shit And I'm sweating my ass off.

[Keev]

But you know a gorilla is going.

[Yorma]

No, I don't know that it is.

[Keith]

It might not be.

[Keev]

Oh yeah. Do you think it's not coming now?

[Keith]

It might not be.

[Yorma]

I don't think that's part of this one. That's why I was excited to rewatch it.

[Keith]

Just.

[Keev]

Oh, man.

[Yorma]

Not excited because I think it's good, but just to see what we tried.

[Keev]

Okay.

[Keith]

Andy was When. When you're on set, you're performing. You have no clue how bad the booth has this up so far with their technical things.

[Yorma]

But I have heard the audio of the two like package pieces that they. They put in too early twice.

[Andy Samberg]

Yeah, you can, you can tell. You can tell.

[Yorma]

You can see my face. My face was bummed when cuz he started doing his line and they threw it on and then it was a mess.

[Keith]

Yeah, you can tell something's off. But that first one goes to black screen, so it's even worse than you could imagine.

[Yorma]

But yeah, I mean, if they were trying to sabotage it on purpose, hats off to them.

[Seth Meyers]

Okay. And now the linchpin of our program, the world famous butts of the week. Butts of the week. Okay, I saw our first butt of the week in the parking lot. This chick walked by me and I snapped the keeper of her trapper. Let's take a look.

[Andy Samberg]

Parking lot.

[Seth Meyers]

But.

[Keev]

All right.

[Seth Meyers]

Very nice. I spotted butt number two doing some gardening in my neighborhood and I just had to get a pic. Check it out.

[Andy Samberg]

Garden butt.

[Seth Meyers]

Wait, that butt looks kind of weird. Well, you should recognize it cause it's your dad. Scooch is dad's butt. What Is this a joke? No, man, I really think your dad's got an ace pooper. Dad's ace pooper. Dude, gross, man. Stop showing my dad's butt. I'm just saying it's a nice butt. All right, you like this next one, Scootch? You know my cousin Anna? Oh, yeah, she's super hot. Well, we're in luck cause she's also pregnant. Let's check out her unborn baby's butt.

[Andy Samberg]

Prenatal butt.

[Seth Meyers]

Sheep doing man, the butts of the week. Okay, Numero trace is a dirty dog's butt. Butt dog. Dude, why are you showing all these weird butts? I'm a butt man. All right, all right.

[Andy Samberg]

If it's a whole new game, it's.

[Keev]

Not a bad one, you know, It's a complete and total rewrite. And it's actually work. I mean, it's working pretty well this.

[Keith]

Chunk, I would argue the opening credits does all the work of assuming you guys are just like the classic sexist going after girl butts. We could have almost skipped the whole first half and got right to this.

[Yorma]

Yeah, I completely agree. Because it chilled them correctly.

[Keev]

Yeah, you're right. We don't have to. Yeah, we don't need the extra two setup beats of you guys being creeps.

[Yorma]

Just go straight to butts of the week.

[Keev]

Yeah. But let me just say, I'm proud of you guys. I never believed that you would just abandon the gorilla. I mean, the gorilla was really like, the only thing.

[Yorma]

I mean, I loved it. Obviously.

[Keith]

He could still be. He could still be coming.

[Keev]

He could still be coming. We have. Yeah. We haven't met.

[Keith]

They didn't mention that. The zoo parking lot.

[Yorma]

He.

[Keev]

So I haven't said.

[Yorma]

I think I remember where this ends. And it's not the gorilla, man.

[Seth Meyers]

Yeah, but I thought we were talking about girl butts. Whatever, you sexist. All right, let's bring out our guest. Cuz it's time for. Show us your butt.

[Andy Samberg]

Show us your butt, boy.

[Keith]

What's up for having already.

[Seth Meyers]

This is Dr. Sarah Paul and she's here to show us a butt. She's gonna show us her butt? Not exactly. Here's the video of her giving me a colonoscopy.

[Guest or Announcer]

What?

[Keith]

No.

[Seth Meyers]

What's up, Dave here, along with a good doctor. And we're getting ready to check out my coal dog.

[Andy Samberg]

Hey, Dave. And I am now inserting the camera like so.

[Seth Meyers]

Whoa, dude. Oh, Scootch, you gotta try this, bro. Oh, man, it feels crazy. Oh, Scoot. I miss you, man. Doc feels awesome. And that's the best way to prevent colon cancer. C, C, C colon cancer. This is not the show I signed up for. Well, thanks for joining us here on Mondo Butts. Tune in next week when we'll be looking at pictures I took of Scooch's butt through the window in his bathroom.

[Keev]

What?

[Seth Meyers]

I'm a buttman, Mondo.

[Keith]

Oh, it's printed away.

[Seth Meyers]

And he left.

[Keith]

You don't see people run off set that often.

[Keev]

You.

[Andy Samberg]

You left your own sketch.

[Yorma]

I'm gonna tell you right now, that was not in the script. I was like, that was a fucking bust. And I left.

[Keith]

Maybe you had to get changed really fast.

[Yorma]

Yeah, but I was like, that's not gonna happen.

[Keev]

You ran. You were running to the booth to say sorry. Good job.

[Keith]

You. Fuck me.

[Andy Samberg]

How'd it go?

[Keev]

Great job on the cues.

[Andy Samberg]

How'd it go? You didn't fuck it up, did You.

[Keev]

I will just say if you had dropped out the first 90 seconds and maybe come up with something else, it would have been okay.

[Yorma]

Yeah, it's an almost.

[Keith]

Yeah. And I like that the show rewarded you for, you know, doing a thorough rewrite.

[Yorma]

Trying. We were trying it.

[Keev]

Here's what we had at the table. And this is my memory of it. And it's very funny that it was not even addressed. And it speaks to how many memories are formed at the Wednesday table and how this joyous choice you and Klein made has stayed with me forever. Open on Public Access Bumper, you're watching Tacoma Public Access. Coming up next, the daytime Emmy winning program, Parakeet Book Club with guest moderator Sidney Poitier. Cut to live, Andy and Ryan as two dickheads on a couch. Andy, Parakeet Book Club has been canceled.

[Seth Meyers]

Hit it.

[Keev]

And then we're into Mondo.

[Yorma]

There you go.

[Keev]

That's a lovely thing for the table.

[Yorma]

It was fun. You know, SNL's a lot like summer camp.

[Keev]

Yeah. At its best.

[Andy Samberg]

Yeah. Sometimes you got to torture the counselors.

[Yorma]

I text a client asking for a follow up second Mondo Butts voice note, and he didn't send one. But I said, seth wants to know why the first one had Roman pillars. And he said, because the hosts of Mondo Butts thought it would be a classy touch. Obviously.

[Andy Samberg]

I think that track. They were down the basement of kt, whatever it was.

[Yorma]

Yeah. And then they get attacked by a gorilla.

[Keev]

All right, well, it's been lovely, gentlemen, as always.

[Andy Samberg]

Love all you tigers.

[Yorma]

What do we think? I feel like this is lower third. Like bottom third episodes of the digital.

[Keev]

Short or the podcast.

[Yorma]

The podcast.

[Keev]

Yeah.

[Andy Samberg]

I can never tell, man. I can never tell because people have said such nice things in their letter. I'm like, what? I don't even understand what's happening anymore.

[Keev]

It's okay. Last one, Andy. I will say last one. Maybe top five.

[Yorma]

I had a hoot listening back.

[Keev]

I had a hoot listening back too. The merking was really killing me.

[Andy Samberg]

People really said that, right? That's a gaming thing, right? People say that a lot.

[Yorma]

Oh, it's definitely a thing. Just, you know, not in Braveheart, is it?

[Keith]

Because it's short for, like a mercenary killing Mercenary.

[Andy Samberg]

I think it is murking. Yeah.

[Yorma]

Or maybe it's like mercury poisoning someone.

[Andy Samberg]

Oh, that's what it is.

[Keev]

That's what it is. Yeah. That's what it is.

[Andy Samberg]

I'm gonna slowly kill you over time as you roll mercury in your hands because you're a dental assistant. And, you know, I'm gonna force you into the dental industry, and then eventually you'll die of mercury poisoning.

[Yorma]

Or maybe not even killing you. Maybe it's like a moonshot by proxy kind of a thing. Like just a little dinkle doodle in your food.

[Keev]

This feels like when I used to do improv shows and we couldn't find an out.

[Yorma]

Right?

[Andy Samberg]

I thought we were done. I thought we were saying I love you and goodbye.

[Yorma]

Wait, wait, wait. But so what would you do in that situation, Seth?

[Keith]

I thought we were waiting. Cause you were, like, looking up something on your computer that you wanted to bring up as one last thing.

[Andy Samberg]

Yeah, no, the only reason we're still talking is because you and Andy didn't say I love you.

[Yorma]

I can see your computer and your glasses, and it says RedTube.

[Keith]

Oh, is that back up and running?

[Andy Samberg]

I got another great Alan Partridge show.

[Keev]

During the record.

[Andy Samberg]

Bro.

[Yorma]

That's messed up.

[Keev]

I'm Jeffrey Toobin in it. I'm tubing it. That's what RedTube is for. It's red. I'm RedTubing.

[Yorma]

Hold up. Is there a new Tapper illustration before we go?

[Keev]

Oh, yeah, yeah, yeah. Where's the new tapper? Let's throw in the chat.

[Andy Samberg]

Oh. So I'm glad we didn't stop recording. This is great.

[Keev]

I never stopped recording.

[Seth Meyers]

This is.

[Keev]

Look, this is people. Enjoy. Because you know what? Sometimes people listen, and they're like. It just comes to them so naturally. So it's good when they hear us working. Working.

[Keith]

Oh, my God. I was just Googling.

[Yorma]

Oh, my God. Tapper.

[Keev]

All right, we're looking at the new Tapper.

[Keith]

So you don't look like Mark Cuban, Seth. People are looking less like themselves to some degree.

[Andy Samberg]

I'm getting sleepier.

[Keev]

Yeah. I'm like, okay. I'm still. Okay with me. I think Yorma looks a little.

[Andy Samberg]

Well, I think that he knows that I'm on a lot of painkillers, and so.

[Keith]

Yeah, you're getting a little droopier.

[Andy Samberg]

My face is drooping.

[Yorma]

Jorm looks like the guy at the Laundromat with the beret and the children's book quarter.

[Keev]

Oh, yeah, he does. I feel like I don't know where this. You're not a chin cleft guy. I feel like he cleft you, Andy.

[Yorma]

Yeah, I've gone from Mark Cuban to Jay Leno.

[Keev]

Yeah. It's a little too much chin.

[Seth Meyers]

Yeah.

[Keith]

Yeah. Everyone else, he's doing kind of trying to accurate comic book character versions, and yours is like a boardwalk caricature.

[Keev]

Yeah. You look like you should be on.

[Keith]

Rollerblades with, like, a little teeny body and little rollerblade bites. But I will say it's still very good.

[Keev]

It's still very good.

[Yorma]

It's incredible.

[Keev]

It's better than I could. It's just not quite there.

[Yorma]

Yeah.

[Keev]

If we're.

[Yorma]

If we're measuring it up against the greatest artists in all of history.

[Keith]

The Y boob is very perky. Like, as a breast, it's, like, poked out.

[Keev]

Yeah.

[Keith]

And stuff. It's got a lot going on then.

[Andy Samberg]

And then the rest of my. My boob is. My boob face is, you know, problematic.

[Yorma]

This has maybe been our pervious episode, but not on purpose.

[Keith]

Yeah, no, but it's like when you open up that on your browser and just have it in the background the whole time, like. Seth. It just kind of influences your thoughts. Andy. I'll see you at the chateau in 45, my brother.

[Yorma]

Yes, I will see you there. We will have several cocktails. I'll fall asleep in my chair.

[Keev]

I really, for a second thought you guys were gonna meet up. And I was so jealous. Jealous?

[Yorma]

No, we're just kidding.

[Keith]

I know, but he knows I would.

[Andy Samberg]

You shouldn't kid. You should do that.

[Keev]

I'm so. I was so happy you guys were about to get together for drinks.

[Yorma]

We're trying to make it happen, Seth.

[Andy Samberg]

Let's do that next week, man. Or not next week, but the week after.

[Keith]

How about Thursday on Thanksgiving?

[Keev]

Yeah, let's do it on Thursday. You're right.

[Andy Samberg]

Ditch the baggage, Yorm.

[Yorma]

You can't drink yet. Come on.

[Keith]

Yeah, you don't want to mix it with this stuff.

[Andy Samberg]

I just can drink less because I'll get super fucked up.

[Keev]

Hey, I have. I saw. Because the second one's about to come out. I never saw the first one. Yhorm. Did you ever see that crazy Finland action movie Sisu?

[Andy Samberg]

Oh, of course.

[Keev]

Seems like the most jorm movie.

[Andy Samberg]

Well, do you know the actor's name?

[Keev]

No.

[Andy Samberg]

It's Jorma.

[Keith]

Yeah.

[Keev]

Is it Jorma?

[Keith]

It's Jorma.

[Andy Samberg]

It is. I watched that one and he's got a huge Jorma.

[Yorma]

His name is Jorma. Strong pelvis.

[Andy Samberg]

It is. That's right. That's right. So there are differences.

[Keev]

Sisu is a very different movie if it's our Jorma.

[Yorma]

Open it.

[Seth Meyers]

The opening scene.

[Andy Samberg]

I can't get this gold into my backpack.

[Keev]

It's a cartoonish action movie, but it seems like the kind of movie that you guys would be like, love the audacity of. But now I'm not quite sure.

[Andy Samberg]

They're making a second one. Seth.

[Keev]

I know, that's right.

[Keith]

It's out. What did he just say?

[Andy Samberg]

Oh, it's out now. Oh, it's fucking sweet, dude.

[Keith]

Or it's about to be out this weekend.

[Andy Samberg]

Speaking of movies that are out and my family just watched and they loved. And you were in Andy is. I believe it's called Arkansas.

[Yorma]

Oh, yeah. Arco's awesome.

[Andy Samberg]

Yeah. Fucking the cartoon one they all.

[Yorma]

Yeah, I'm a voice. I'm a voice in Arco. Oh, you're a voice in it. Which is. It's a French animated movie that Natalie Portman is producing and she got, you know, American actors to do the English dub.

[Keith]

When is that coming out? Right now. It's out promoting Andy.

[Andy Samberg]

Did she Did Portman strong arm you? If you don't fucking do this, I'm gonna bury you. I'm gonna fucking bury you.

[Yorma]

No, I was just told through an email for my agent that she was involved in.

[Seth Meyers]

I was like, anything for my old friend.

[Keev]

Okay, what's your character's name in Arco?

[Yorma]

Exactly. It doesn't matter.

[Andy Samberg]

No, everybody thought it was very moving. My whole family.

[Yorma]

Yes. It's very beautiful and cool and sci fi y and all the things I like.

[Keev]

What kind of character did you play? Me?

[Yorma]

Will Ferrell and Flea are the voices of these three sort of bumbling guys that are chasing after the protagonists.

[Keev]

Well, I'm assuming you do your Barney.

[Keith]

Yeah, Barney.

[Yorma]

Barney the whole time.

[Seth Meyers]

Don't travel through time.

[Keev]

All right, love you guys.

[Keith]

Love you.

[Andy Samberg]

Love you. Love you.

[Yorma]

Later, arnold.

[Seth Meyers]

Later, quaid.