Transcript
Richie Sambora (0:00)
People experience fame and fortune at different speeds and do different things with their lives. So the element of bands core changes, man.
Billy (0:13)
And you know the thing about a lot of indie people, they think playing too good is a bad thing.
Richie Sambora (0:18)
Too good is a bad thing.
Billy (0:20)
Sounds like one of your songs. The Samboras.
Richie Sambora (0:28)
The Sambor. They are the best. So we would be. We would be pretty good together, I think.
Billy (0:38)
I think your flamenco playing would be better than mine. But I could fake it. A lot of A minor.
Richie Sambora (0:43)
We're talking songwriting school. All right.
Billy (0:46)
For folks, let's jump in here. Young William Patrick Corgan stays out all night at the. Then the. What was it called back then? Rosemont Horizon.
Richie Sambora (0:59)
Right by.
Billy (1:00)
Right by O' Hare in Chicago. 1984, I think was the year.
Richie Sambora (1:04)
Because I wouldn't it.
Billy (1:07)
We'll get there. Yes. Notorious. One of the best, right?
Richie Sambora (1:15)
Chicago every time.
Billy (1:16)
So stay out all night. And I get my scorpions tickets. I'm 14th row. But I make sure I see the opening band because they have hit on Chicago radio called Runaway. And there you are. So that's the first time I saw you was. I was 17 years old. Pretty cool, right?
Richie Sambora (1:34)
We were junk. That's amazing. We were junkyard dogs, man. I think, you know, we were young and they gave us 45 minutes to play. So it's like. Yeah, head down. Yeah. And all you got.
Billy (1:47)
Yeah.
Richie Sambora (1:47)
No. No breathing necessary in the whole thing.
Billy (1:50)
It's like.
