Tommy Lee |The Magnificent Others with Billy Corgan

Summary

The Magnificent Others with Billy Corgan

Episode: Tommy Lee | The Magnificent Others with Billy Corgan
Date: July 29, 2026
Host: Billy Corgan
Guest: Tommy Lee (Mötley Crüe)

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Episode Overview

This episode features a free-wheeling and engaging conversation between Billy Corgan and Tommy Lee, exploring the trajectory, philosophies, and creative spirits behind Mötley Crüe, the evolution of the music industry, technology’s role, and the challenge of staying relevant and rebellious in 2026. Billy guides Tommy through moments of nostalgia, reflection, and speculation, skipping the typical career-retrospective format in favor of deep dives and candid, sometimes playful, exchanges.

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Key Discussion Points & Insights

1. AI, Technology, and Creativity in Music

• Tommy’s Position on AI:

  • Tommy is cautiously optimistic about AI in music, embracing its use as a tool rather than a replacement.
  • He shares a story about remixing his 2005 album Tommyland Rides Again, using AI for 3D artwork with the original artist's blessing ([04:02]):

    “It’s not replacing me. It's taking something that I've done and really 3D-ing it out...” — Tommy Lee [04:02]

• AI Music Generation:

  • Tommy is intrigued by AI’s ability to remix and generate music but hasn't experimented much himself ([05:24]).
  • Both agree the tech will reshape music in unpredictable ways over the next five years.

2. Reflections on the Music Business

• Survival, Streaming, and the “Musical Middle Class”:

  • Tommy expresses gratitude for his lengthy career but laments the changing landscape:

    “If I can’t keep up, how is everybody keeping up? And why are we constantly dumping new content out? That’s the part that just baffles me.” — Tommy Lee [07:56]

  • Billy discusses how platforms like Spotify have hurt mid-level artists, referencing their policy of not paying for songs with less than 1,000 streams ([08:52]).

• Owning Their Catalog:

  • Tommy and Billy recount how Nikki Sixx helped the band reacquire Mötley Crüe’s catalog, turning a contentious relationship with their label into a blessing ([09:53]).

3. Pop vs. Rock, Legacy, and Relevance

• Tommy’s Taste in Pop:

  • He’s open-minded, praising artists like Bruno Mars and Billie Eilish, focusing on quality over genre ([11:07]).

• Rock’s Comeback:

  • Billy predicts a resurgence for guitar rock in the charts, and Tommy confirms seeing many young fans at shows—an affirmation of the genre’s enduring, intergenerational appeal ([12:01]).

    “Young kids and the original fans... it’s such a confirmation of, like, okay, this is going to be around for a while.” — Tommy Lee [12:36]

• Modern Rock Sound:

  • Tommy observes that guitars are getting heavier, aided by technology, plugins, and digital innovation ([13:29]).

4. Motley Crue’s “Farewell,” Reunions, and Artistic Identity

• The 2014 “Final Tour” Blood Pact:

  • Tommy confirms they believed in it at the time, but their return is “the most Motley Crue thing ever” ([15:36]):

    “We sign in blood, we can’t come back. It’s like, yeah, but we’re Motley Crue. Of course we come back.” — Billy Corgan [15:40]

  • Nikki Sixx originated the idea of signing in blood ([16:12]).

• Studio Stories: Tommy & Billy Collaborate

  • Tommy reflects on recording with Billy for Monuments to Analogy, being challenged by minimal takes and emotive drumming ([16:52], [17:23]).

    “Your passion for that one take… You made me realize that.” — Tommy Lee [17:34]

  • Billy analyzes Tommy’s unique sense of groove, likening it to standing on the “Sunset Strip, ’84,” full of sleaze and energy ([18:17]).

5. Modern Production & Atmos Audio

• Remixing "Tommyland Rides Again" in Dolby Atmos:

  • Tommy built an Atmos studio at home, fascinated by immersive sound stage possibilities ([21:14]).
  • He describes placing vocals “above” the listener to heighten emotion, especially in "Hello Again," a tribute to his late father ([23:18]).

    “I put the vocal upstairs so it sounds like you’re singing from some other universe.” — Tommy Lee [23:16]

• Accessibility and the Future:

  • Encouraged by the fact new cars and headphones offer Atmos capability, seeing this tech as the new norm for engaging young, stimulation-hungry audiences ([25:59]).

6. Motley Crue’s Origins & Unique Chemistry

• Sunset Strip Beginnings:
  • Tommy reminisces about sneaking into clubs as a 17-year-old, naively believing selling out the Whisky-a-Go-Go meant they’d “made it” ([29:24]).
• Band Formation:
  • The band formed organically, with no set musical plan; each member brought unique influences ([33:20]).
  • He praises Vince Neil’s uniquely identifiable voice and the band’s singular chemistry ([36:02]).

7. Band Relationships, Legacy, and Making Peace

• Making Peace with the Band:

  • Tommy admits coming to terms with the band took time, but appreciates the unique, irreplaceable bond:

    “This combination of people has stood the test of time... We did this together.” — Tommy Lee [47:10]

• Mick Mars’ Departure:

  • Tommy expresses love and respect for Mick, sharing sadness over Mick’s health struggles but acknowledging the push-pull of band dynamics ([51:18]).

    "There's only one Mick, and he's an insane player... I got nothing but love for that guy.” — Tommy Lee [52:13]

• On New Guitarist John 5:

  • John 5 energized the band and is praised for talent and positive spirit ([53:14]):

    “If you're talented and you're a sweetheart, you're my favorite person.” — Tommy Lee [54:35]

8. Band Storytelling and Cultural Impact

• The Dirt Book & Movie:
  • Corgan and Lee discuss Neil Strauss’ approach, how the book and film revived interest and brought in new, younger fans ([56:47]).

    “We all sort of reminded each other of things we had forgotten or that was extremely blurry.” — Tommy Lee [56:35]

  • Tommy wishes the film had been a miniseries to do more justice to the band’s saga ([58:44]).

9. Why No New Motley Crue Album?

• Reluctance to Record:
  • Tommy laments lack of new albums, despite being creatively active ([61:42]):

    “You’re only as good as your last effort... I'm not big on relying on what you've done in the past.” — Tommy Lee [62:03]

  • Both agree legacy bands owe it to younger fans to create new work, not just play the hits ([61:25]).

    "We've got to get back to running the music business around music, not museums." — Billy Corgan [64:43]

10. Rebellion, Artistry, and Free Speech in 2026

• What is Rebellion Now?

  • Rebellion for a band now is simply doing things differently, continuing to create and stay true rather than following trends ([65:43]):

    “When everybody is going right, we’re going left. Maybe that's what it is in disguise.” — Tommy Lee [66:12]

• Should Artists Be Political?

  • Tommy feels strongly about expressing his views, not silencing himself for fear of backlash ([69:02]):

    “I hate that. Just shut up and play drums. What? I don’t have an opinion or a voice or nothing?” — Tommy Lee [69:02]

  • Billy emphasizes the importance of free speech for artists ([73:00]):

• If Tommy Ruled the World...

  • Tommy wishes for less division and more love and understanding in the world ([71:02]):

    "I'd be injecting as much love as possible, because there's an incredible imbalance right now everywhere." — Tommy Lee [71:32]

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Notable Quotes & Memorable Moments

• “When everybody is going right, we're going left.” — Tommy Lee [01:43], [66:12]
• “If I can't keep up, how is everybody keeping up? And why are we constantly dumping new content out? That's the part that just baffles me.” — Tommy Lee [07:56]
• “Young kids and the original fans... it's such a confirmation of, like, okay, this is going to be around for a while.” — Tommy Lee [12:36]
• “We sign in blood, we can’t come back. It’s like, yeah, but we’re Motley Crue. Of course we come back.” — Billy Corgan [15:40]
• “Your passion for that one take… You made me realize that.” — Tommy Lee [17:34]
• “I put the vocal upstairs so it sounds like you’re singing from some other universe.” — Tommy Lee [23:16]
• “There's only one Mick, and he's an insane player... I got nothing but love for that guy.” — Tommy Lee [52:13]
• “If you're talented and you're a sweetheart, you're my favorite person.” — Tommy Lee [54:35]
• “We've got to get back to running the music business around music, not museums.” — Billy Corgan [64:43]
• “Just doing. Keep doing what you're doing and doing it differently... that's what it is in disguise.” — Tommy Lee [66:12]
• “I hate that. Just shut up and play drums. What? I don’t have an opinion or a voice or nothing?” — Tommy Lee [69:02]
• “I'd be injecting as much love as possible, because there's an incredible imbalance right now everywhere.” — Tommy Lee [71:32]

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Important Timestamps

• AI & Artwork: [02:44]–[05:52]
• Music Business Realities: [06:21]–[09:53]
• Pop/Rock & Young Audiences: [10:29]–[13:52]
• The Blood Pact (“No More Touring”): [14:18]–[16:12]
• Studio Collaboration Stories: [16:35]–[20:42]
• Dolby Atmos & Innovation: [21:02]–[26:39]
• Sunset Strip Origins: [27:40]–[30:59]
• Band Chemistry & Sound: [31:27]–[36:02]
• Band Peace & Mick Mars: [45:34]–[54:35]
• The Dirt Book & Film: [55:08]–[58:52]
• New Albums Debate: [59:12]–[62:45]
• Rebellion & Relevance: [65:23]–[67:32]
• Politics & Artistry: [68:03]–[70:44]
• Wishes for the World: [71:02]–[73:00]

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Episode Tone & Takeaway

The tone is relaxed, humorous, and deeply reflective, emphasizing brotherhood, creative process, and the challenges of evolving as an artist and band in an era of information overload and cultural division. Tommy Lee emerges as an embodiment of resilience and creative energy, unafraid of technology or speaking his mind, with a heartfelt desire for unity, joy, and ongoing creative engagement.

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For Mötley Crüe, rebellion means staying true to themselves, and for musicians in 2026, the message is clear: keep creating, keep evolving, and don’t be afraid to break the mold.

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Transcript

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[Child]

Mom, can you tell me a story?

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[Child]

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[Child]

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[Child]

Was it scary?

[Mom]

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[Child]

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[Tommy Lee]

Was that really how it was? These kids don't know.

[Interviewer]

It's like neon lights and sleazy at the same time. Like, I'm in every strip bar ever at the same. I don't know. Something about the way you play that groove. It's like, that's the money.

[Tommy Lee]

At the end of the day, I believe. Want a new experience.

[Interviewer]

The crew as an institution is completely its own animal. You guys have played by your own rules.

[Tommy Lee]

When everybody is going right, we're going left.

[Interviewer]

You're not a person who thinks a lot about consequences.

[Tommy Lee]

No, no.

[AMEX Gold Card Advertiser]

Yeah.

[Tommy Lee]

Cause I don't care.

[Interviewer]

My good brother, Tommy Lee. So good to see you.

[Tommy Lee]

Lots of love, dude. It's so good to see you. So, so good.

[Interviewer]

Your life is one beautiful explosion going in about 360 degree direction. So I thought it would be more fun. And I know you like to have some fun, so I thought it'd be more fun if we just kind of just touch on some things. You're certainly worthy of a. Of a full career review, although it's not over yet, but. But it seems not to be your style. So I'm going to Bend the rules a little bit and we'll just kind of like, we'll free associate a little bit.

[Tommy Lee]

Beautiful.

[Interviewer]

Let's start here. And I. And even though I know you decently well, I. I actually don't know where you're going to fall on this question. So the. So the question is essentially about AI So let's start here. Do you fall on the positive side of AI or the negative side?

[Tommy Lee]

I'm right in the middle. I don't. You know what I mean? I think

[Interviewer]

because you love technology.

[Tommy Lee]

I totally like your toys. I'm such a geek.

[Interviewer]

So there's got to be a part of you that likes the toy in the thing.

[Tommy Lee]

Yeah, I. I mean, it's. Oh, that's a big one. Because if. If people are using it as a tool. I've spoke to, you know, artists who just, for instance, on my album cover, this. This kind of hit me because I was afraid. I was like, I want to keep the original artwork. He drew it.

[Interviewer]

Right.

[Tommy Lee]

But I said, I've. I've remixed the record in dole, the Atmos, and I. I want a 3D and also sort of reimagine the artwork.

[Interviewer]

Yeah.

[Tommy Lee]

And would you.

[Interviewer]

Just for context, this is for your 2005 Tommy Land rides Again.

[Tommy Lee]

Rides Again. Yeah.

[Interviewer]

And you've made it. Sorry. Just because I want people to understand it, because I want them to listen. They've made a new version of like a redone into all the Atmos. And.

[Tommy Lee]

Yes.

[Interviewer]

Okay. So that's the context.

[Tommy Lee]

Yeah. And so, you know, it was on a sort of, you know, with. With an artist, it's kind of a touchy situation of me wondering, is he going to be opposed to using AI to kind of 3D this. Because it's a flat drawing. It's a cool drawing with this roller coaster going in my ear and out the other end. It's kind of like a ride through my creative dark street. And so in asking him, he goes. And his answer was so quick. He goes, Absolutely, 100%. I am down with it because I, for me, as the original artist of the piece, I love it because I use it as a creative tool. It's not replacing me. It's taking something that I've done and really three d ing it out and making.

[Interviewer]

So if you were 15 years old now, would you want to use AI to make music, you think?

[Tommy Lee]

To make music,

[AMEX Gold Card Advertiser]

Right?

[Tommy Lee]

Yeah, that's.

[Interviewer]

That's because you like the hit.

[Tommy Lee]

Yeah, that, that, that. That's weird that I don't think I'll

[Interviewer]

ever have you done the thing yet where you put a song in and have. Have AI kick out a different version? Have you done any of that yet?

[Tommy Lee]

No, not. Not.

[Interviewer]

Have you seen people do that? Have you seen any demonstration of that?

[Tommy Lee]

No.

[Interviewer]

You can literally load in like an acoustic demo. It could literally just be a demo of you acoustic guitar and vocal. And it spits out like a bro country version of your song like. Like in like 60 seconds with guitar parts, background singing. It's. It's wild. And that's insane now. So this is 2026. We're doing this interview. So five years from now, it'll be insane what people will be able to do.

[Tommy Lee]

Yeah. Yeah, that's a. That's a loaded one, man. Because there's so many pluses and so many weird minuses that could. I don't know, dude. It's. But it's. But it. Yeah, I do like the forward movement with the technology and.

[Interviewer]

Yeah, that's why I kind of guessed you would be kind of in the. The gray space on it because. Because I know you love you. You're somebody who embraces technology. You're certainly not afraid of it.

[Tommy Lee]

Yeah.

[Interviewer]

See, you've made your living in the music business, we both have, and you've certainly been the beneficiary of it. But you've also dealt with the downside of the music business. Where do you land on the music business at this point? Having seen everything that's happened? Because you grew up in the business where it's about records, radio stations, and then eventually mtv, and now it's onto something totally different.

[Tommy Lee]

Completely different, isn't it?

[Interviewer]

Yeah.

[Tommy Lee]

You know, I don't spend a whole lot of time kind of analyzing it. I think most. Most of the time I'm. I'm extremely grateful to have had this long of a career because not many have. Yeah, you know, a lot.

[Interviewer]

Yeah, you're in the. You're in the 0.0001 percentile.

[Tommy Lee]

Right. So I'm usually, you know, I realize where everything's gone and. And there's just like the part. The part about. The part about the music business is there's too much it. I'm in the bit. We're in this business. We make and we do music and when Spotify or whoever is releasing how

[Interviewer]

many songs a day to 200,000, I think is the bro. And a lot of. And pretty soon it's going to be a lot of AI.

[Tommy Lee]

And that's just. To me, I'm a musician. I'm also a fan. And if I can't keep up. How is everybody keeping up? And why are we constantly dumping new content out? That's the part that just baffles me. How is anybody listening to all this if impossible?

[Interviewer]

Well, the answer is they're not.

[Tommy Lee]

Yeah.

[Interviewer]

And the real. It's hard to use the word victim. It's not the right word. The real. The people most hurt by the current system in 2026 are what I call the musical middle class. People who back in the day would have been able to make a decent living, buy a house. Now they can't tour. They're not getting enough streaming revenue. Spotify came out with that rule that long ago. If you get under a thousand plays, they don't pay you. Do you know about that?

[Tommy Lee]

No, but.

[Interviewer]

So even if you're somebody who gets 500 plays, you don't even get the money for the 500 plays. They just don't pay you because they don't consider it important enough. They'll host you on the platform. You could put your music up.

[Tommy Lee]

Yeah.

[Interviewer]

So that's a difficult one.

[Tommy Lee]

God. Shit's kind of crazy, isn't it?

[Interviewer]

Talking to you. Reminds me of a story Nikki, your bandmate, told me once, where it was kind of in those years where the crew was. Was not up, but on the. On the downside of things. And you guys had a very contentious relationship with. Was it Sylvia Roan?

[Tommy Lee]

Oh, yeah.

[Interviewer]

And. And Nikki basically approached your former label lecturer and. And somehow was able to buy your catalog for not a lot of money. I know, and that's an incredible story because imagine you have the Motley Crue catalog. Electra owns the catalog. You guys probably had a crappy record deal, as most bands did back then.

[Tommy Lee]

Right. Right.

[Interviewer]

And somehow Nikki arranges, because she hates you guys so much, buys all your stuff back.

[Tommy Lee]

Yeah.

[Interviewer]

It's now probably worth a hundred times or more. What? What? You guys paid for it?

[Tommy Lee]

Yeah. She was so excited to get rid of you. We had two records left with them. So. This was her perfect, amazing, perfect way out. And perfect way out for us, too. We were like, of course we'll take our stuff and see, this is.

[Interviewer]

This is where your bad behavior was rewarded. Yeah. How you felt? You know, we've had about 20 years of pop overload. How do you. How do you look at pop, the pop landscape at the moment?

[Tommy Lee]

Pop landscape? Well, I.

[Interviewer]

Are you a fan? Are you?

[Tommy Lee]

I'm a fan of really good music. Like, and I'm a fan.

[Interviewer]

You're not a hater, per se?

[Tommy Lee]

No.

[Interviewer]

Like, not because I Having spent time with you, you're not a person who talks behind the scenes on other artists. You're just not that guy. No, you're more of a. I love this. I love this. I love this.

[Tommy Lee]

Yeah.

[Interviewer]

So. And who in the pooh. In the pop world are you attracted

[Tommy Lee]

to in the pop world? Guys like, I mean, I love Bruno Mars is amazing. Super funky, super cool. Is that considered pop?

[Interviewer]

Yeah, it is considered pop.

[AMEX Gold Card Advertiser]

Yeah.

[Tommy Lee]

Right.

[Interviewer]

Back in the day, they would have called it R B, but I don't think they distinguished that anymore.

[Tommy Lee]

Yeah. Who else? Geez, Billie Eilish. I love. Who else in that world? Trying to think that's fine.

[Interviewer]

But, but, but on, on the. Have you noticed that somehow in this, you know, hegemony is the word. It's been this pop dominance for about 15, 20 years, that no rock on the charts for 20 years.

[Tommy Lee]

Right, right.

[Interviewer]

That's kind of a weird one because that was never the case in any other generation. That's really just been a recent phenomenon. I think it's about to end there. Tons of education is about to end and rock is about to have a massive kind of comeback, which I'm sure you feel or see. Are you seeing a lot of young fans when you're playing now?

[Tommy Lee]

So many.

[Interviewer]

Crazy, right?

[Tommy Lee]

Yeah, you know, everybody. Like, that's such a beautiful thing and such a great feeling that, that I get personally because I'm like, whoa, this is transcendent. This is.

[Interviewer]

Yeah.

[Tommy Lee]

Our fan has his kid on his shoulder, grandkids, and he's going, shout, shout. And I'm like, wait, dude, you're, you're, you're 14. Like, this is the best ever. Like, so it. To see it.

[Interviewer]

Yeah.

[Tommy Lee]

Go to another generation and look out and see a ton of.

[Interviewer]

Yeah.

[Tommy Lee]

Young kids. And with the original fans is just, man, it's just, it's such a confirmation of like, okay, this is going to be, this is going to be around for a while.

[Interviewer]

Do you have an opinion why so many young people are interested again in guitar bands? Is it as simple as just the sound of rebellion or.

[Tommy Lee]

I, I guess, man, I, I, what, what I do notice is things are getting a lot heavier, like, in the guitar world. Like a lot of. So a lot of the newer stuff is like, you know, extremely detuned and super, super lush and heavy. Yeah. Everybody's kind of taking that guitar thing again.

[Interviewer]

Technology, that's part of it, right? The ability to record guitar in this new way and.

[Tommy Lee]

Yeah, and there's, you know, there's plugins now that, you know Simulate the. What is it? That seven string? Detuned.

[Interviewer]

Crazy, right?

[Tommy Lee]

Just. And you're just like, oh, my God, this sounds insane.

[Interviewer]

Yeah, yeah.

[Tommy Lee]

I don't know. You're the guitar guy.

[Interviewer]

Well, you know, we know where that goes. Invariably it's a bunch of people staring at a Marshall stack going, how many more mics can we put on this? I know. You've lived it.

[Tommy Lee]

Yeah.

[Interviewer]

Okay, let me hit you with the date here. Little controversy. January 28, 2014, in quotations. Cessation of touring.

[Tommy Lee]

Oh, yeah.

[Interviewer]

That's where you gentlemen signed in blood. We will never tour again. Or never. The Endless. So let's have fun with it, because obviously you've continued touring. Did you. Did you. Did you. When you signed the contracts in blood? Even if it was your blood, it doesn't matter. But did you believe that really was the end?

[Tommy Lee]

Yes, we did. And we.

[Interviewer]

We.

[Tommy Lee]

We did, but we wanted everybody else to. To. To. To believe that, too, and. And realize that, you know, the last thing we wanted was. Was people to go like, oh, it's, you know, Kiss in their final. Final, final. Right. Like, we were really.

[AMEX Gold Card Advertiser]

We were.

[Tommy Lee]

We wanted that to be crystal clear that this was. We were. We were done. Yeah, we're done. And. And we were, but for a while.

[Interviewer]

But what's so funny, when you guys came back, I thought, well, this is the most Motley Crue thing ever. And.

[Tommy Lee]

Motley. It's definitely a Motley move. It's like, psych.

[Interviewer]

Well, we. Well, yeah, exactly. We sign in blood, we can't come back. It's like, yeah, but we're Motley Crue. Of course we come back.

[Tommy Lee]

We lied. No.

[Interviewer]

158 shows between 2014 and 2015. I saw two of those shows.

[Tommy Lee]

Dude, that tour was like.

[Interviewer]

2. It was. Big tour.

[Tommy Lee]

Yeah, it was. It seemed like it was forever. It was one of those. When you come home and you're like,

[Interviewer]

oh, but I have to ask, because I think I know the answer, but whose idea was the signing in blood?

[Tommy Lee]

Oh, Nikki's, of course. You know the other.

[Interviewer]

It's like, ring a bell?

[Tommy Lee]

Yeah.

[Interviewer]

If there. If there ever was a Nikki Sixx idea.

[Tommy Lee]

Yeah. Because that makes it official. If it's in blood, it's official.

[Interviewer]

So this is my. This is the selfish part of our conversation. So in 2013, which is before you went out on that Endless tour, you and I worked together on my album Monuments to Analogy. Thank you for that.

[Tommy Lee]

Yeah. Which was. What an experience.

[Interviewer]

You may not know, but it was a really downtime in my personal and musical life. So working with you was really, like. It lifted. Lifted my spirit. So I want to thank you, bottom of my heart, for being part of

[Tommy Lee]

that, and I want to thank you because you and I tell people this story all the time.

[Interviewer]

Please tell me.

[Tommy Lee]

It was like it was such an experience recording with you because you have certain ways that you do things, and I have certain ways I do things. And your. You know, your. Your passion for that one take is. And the no use of pro tools, editing, and, like, I want that vibe.

[Interviewer]

It's an emo. It's a. It's. It's hard to understand because on. On the. On the surface of it, emotion and drumming shouldn't really translate. But if you can get that one take.

[Tommy Lee]

It does, it does, it does. And you made me realize that.

[Interviewer]

Yeah. And you're an incredible drummer, and you're an incredible pocket drummer. And the best way I can explain it, having worked with you intimately on music, is when you find the Tommy Lee groove, whatever that is. It is like, I feel like I'm standing on the Sunset Strip. 84. It's both. It's like neon lights and sleazy at the same time. Like, I'm in every strip bar ever at the same. I don't know. Something about the way you play that groove. It's like, that's the money. That's the thing that sold a zillion records. That's the groove. And only you play that way.

[Tommy Lee]

That's. That's cool.

[Interviewer]

So understand the pressure isn't inadequacy. It's greatness.

[Tommy Lee]

Oh, that's cool, man. Yeah, that's cool. And, yeah, like I was saying, I tell people this all the time. Like, it was incredibly challenging for me because I'm working a lot of weird timing. 79. And then, you know, the time signature changes and trying too much.

[Interviewer]

Prague.

[Tommy Lee]

I know.

[Interviewer]

Sorry for that.

[Tommy Lee]

Which is awesome because it was challenging for me. You know, I needed that.

[Interviewer]

Yeah. My favorite. My favorite story from us working together at your. At your old house was, I think I left the room. And you. You turned to the engineer, said, why does he need so many takes? Just the image of you holding your sticks up like, bro, you need so many takes. But thank you again for that. I will say as. Because I think this would be of interest to your fans. The physics of the drums, by and large, are you're not supposed to drive the stick into the drum because the drum can't vibrate, Right? So proper drumming is you hit it, you come off it, and then drum

[Tommy Lee]

goes and it does this thing like.

[Interviewer]

Like you drive that stick through the head. You hit harder than any drummer I've ever seen up close. But somehow it sounds amazing. It physically. It shouldn't work.

[Tommy Lee]

Yeah, it shouldn't. Because the microphone can only handle so much and there is so much all

[Interviewer]

of it, but somehow with you it works. Is that something that you. That just came naturally to you wasn't something you thought of or did you like the way the drums sounded when you hit them like that?

[Tommy Lee]

Yeah, you know what, it's a. It's an ear thing for me. I'm like, oh, this sounds nice. This doesn't sound nice because this is over driving certain things. So yeah, for me it was like a sound thing. Like, oh, this sounds really cool. This doesn't sound cool. It's kind of my ears is my reference for how it sounds and feels.

[Interviewer]

Yeah, it's almost like, I don't know, it's not the best analogy, but it's almost like how certain pitchers that are long limbed have a certain whip to their pitches. You kind of whip when you play the long arms. Yeah. But it's not, it's not just you drive down. It's almost like you kind of. I don't even know how to explain it. It's like, like a whip motion. The sound that you get off the kid is unlike anything I've ever heard. Because it shouldn't sound like that. That's cool.

[Tommy Lee]

Yeah, cool that.

[Interviewer]

Yeah, that's. I know it's nerd stuff, but thank you.

[Tommy Lee]

No, it's cool.

[Interviewer]

So let's talk a little bit more about the Tommyland Rides again. I love the idea that you've gone back to a former project and sort of redone. It was, it was part of it. You wanted to hear an Atmos. Was it a reunion, an anniversary? What was the impetus for doing want to do it?

[Tommy Lee]

A couple reasons. One, it being a 20, 20 year anniversary and I had built a Dolby Atmos studio in my, my new house.

[Interviewer]

How many, how many speakers do you need for an Atmos?

[Tommy Lee]

There is.

[Interviewer]

Is it five or is it more?

[Tommy Lee]

No, it's seven.

[Interviewer]

If at most for people don't know is basically like 3D mixing technology. Right. Is it pretty much what we would have called surround sound years ago but it's the new version of surrounds.

[Tommy Lee]

There you go instead of, instead of it like a surround sound being, you know, front and rear where you're like oh cool, there's sides, there's above you. Oh, I didn't know that, okay, their rear sides, front sides is lear. Literally engulfed in, in sound. And. Having heard that, I went to pmc, has a studio here in town. And I went to their, their Atmos room and I heard it and I was like, I have never heard anything like this in my life. I am not listening. I am in the museum, okay? And I was just so inspired. So I built that my house. And then after hearing that and being inspired by that and actually with it and making it work, I was like, I gotta, I, I gotta remix some stuff because this, this needs this. It's begging for this. This is how it should have always sounded. So. And one of the things. And you'll, you'll, you'll appreciate this. Being a singer, I. One of the songs on the record really sonically is just unbelievable. It's. It's called hello Again. And I opened the record with it like just basically saying hello again to everybody who's coming back to listen to the record. Right? But really I wrote that song about my father dying and hello Again being. You know, what would I say to my father again one day when I

[Interviewer]

say, is it a new song or a song from the original record?

[Tommy Lee]

It's a song from the original record. But what inspired me was I was like, God, how cool would it be if the vocal was coming from up above? And it gave me goosebumps. So I put the vocal upstairs so it sounds like you're singing from some other universe. And you're sitting there and you're like, wait, the vocal, it's just insane. You're like. And I, you can, you can place, let's say you're vocal and you're doing some sort of a whispery kind of a vocal. I can put that right behind your ear.

[Interviewer]

Okay.

[Tommy Lee]

And you're like, yeah. Do you know what I mean? And so it's just inspired me now, like I want to actually, I want to make a new record that's completely recorded in and sort of pre thought like how. Let's, let's kind of put more thought in how it's going to sound before even while writing it.

[Interviewer]

But how do you deal? Because, you know, traditionally rock is mixed. I know it's not necessarily a rock record, but you know, rock type music is mixed in a compressed kind of constructed way. How do you deal with the sort of. The separation? How do you, how do you. Do you rationalize it as I enjoy it because it's like being in the middle of the band working or how do you. What's your mental image like, of, of

[Tommy Lee]

like perception of where you're at. It. It's, it's not crazy different to where you feel like, oh, where am I? It still has that sense of. Most of the, most of the power is really coming from the left and right to your ears, but there's this extra spatial wideness and behind you and above you. That. Yeah, that, that's, that's sort of the, the bonus, I guess. But you. The most of the power is really still coming from your left.

[Interviewer]

Yeah. One thing you're triggered in my mind is help me take it as a compliment. But you know, you're kind of a ADD type of personality. You like a lot of stimulation in your environment. It's just the way you are. But in a way, you know, a lot of people struggle these days with how is music going to compete against the phone, against the dopamine hit? And maybe, maybe that type of approach is actually a way to get music back up to speed. Where for, especially for young people, it sort of works more with the way their brains are working.

[Tommy Lee]

Yes. And, and also skeptical, you know, like, like not everybody has Dolby Atmos. Yeah, right. You know, like, you know, just a normal fan.

[Interviewer]

They have technology now where it makes sense in the headphones. Right.

[Tommy Lee]

Yes, yes. And once I found out that there's a load of major car manufacturers that when you buy a new car stock, it comes with Dolby Atmos. Everybody from Mercedes, Cadillac to there's a bunch of manufacturers, a bunch of electric vehicles, I think Tesla, Rivian, A significant amount of people are, are offering Dolby Atmos in the car factory.

[Interviewer]

Yeah. But it's.

[Tommy Lee]

And I was like, oh, here we go. It's going to, it's going to, it's going to move people. People at the end of the day, I believe, want a new experience and when they listen to music, you know, everybody's heard stereo for ever.

[Interviewer]

Well, for 70 years. No. Seventy years, right.

[Tommy Lee]

Yeah. So like, you know, at the, at the end of the day, all this is entertainment, you know? Sure.

[AMEX Gold Card Advertiser]

Yeah. Right.

[Tommy Lee]

So, so, so, so it's, it's. I feel like it's our job to give the listener.

[Interviewer]

Yeah. A.

[Tommy Lee]

A fresh new experience or something that they can't. You can't get anywhere else or something. Something new. Something. Anything.

[Interviewer]

Yeah.

[Tommy Lee]

Something different.

[Interviewer]

And shout out to P.PMC as well.

[Tommy Lee]

Good boy, good boy.

[Interviewer]

Great speech.

[Tommy Lee]

Yeah, they are.

[Interviewer]

I got you on that nerd point.

[Tommy Lee]

Shout out to pmc.

[Interviewer]

Is it true you started playing on the sunset strip, late 70s? Is that, is that accurate? Yes, you would have been like, what, 17? 18 years old.

[Tommy Lee]

I was 17. I remember we had to lie to about my age to get to.

[AMEX Gold Card Advertiser]

At.

[Interviewer]

To play, like, my first gig.

[Tommy Lee]

He's not old enough.

[Interviewer]

I had a lie. Same old.

[Tommy Lee]

Really nice.

[Interviewer]

Yeah, right? I literally. I literally hid behind the lead singer so no one. No one could see my face.

[Tommy Lee]

Who's that kid?

[Interviewer]

Yeah, totally. But obviously there's the famed Sunset Strip, which you guys are in. Exact. Exact, exact. What's that word? Inexorably. Inexorably linked to.

[Tommy Lee]

Whoa.

[Interviewer]

All right. That's my big word of the day.

[Tommy Lee]

And mine too. I'm just learning it.

[Interviewer]

Inexorably.

[Child]

What is it?

[Tommy Lee]

What does it mean?

[Interviewer]

I. I think either means. I think it's a fancy word for saying you're linked. Like you're. Oh, you can't think of the Sunset Strip without thinking about Motley Crue. That would be the fancy way.

[Tommy Lee]

Gotcha.

[Interviewer]

Inexorably.

[Tommy Lee]

Inexorably.

[Interviewer]

But before. Before it really kicks in, late 70s, early 80s, before it becomes the stuff of movies and miniseries. What was your. What was your impression then? Of that. Of that. Of that musical scene? Van Halen was obviously the king of that time, but. Yeah, what was your impression?

[Tommy Lee]

God, dude, us. When. When you're that age. I don't. I mean, now my impression is different, but if you're asking me what my impression was then, then, then,

[AMEX Gold Card Advertiser]

Then.

[Tommy Lee]

Okay, this. This will bring it all home.

[Interviewer]

You're.

[Tommy Lee]

I remember. I remember. This is how naive I was. I remember calling my parents, going, oh, my God, you guys, we sold out the whiskey. Friday, Saturday and Sunday, three nights in a row. I had thought we made.

[Interviewer]

We.

[Tommy Lee]

We made it.

[Interviewer]

Yeah.

[Tommy Lee]

Little did I know we hadn't done.

[Interviewer]

Yeah.

[Tommy Lee]

Literally, Hollywood, three sold out nights. And I'm thinking we made it.

[Interviewer]

Yeah.

[Tommy Lee]

Little did I. I didn't know. Right. So it's pretty wild to have sat there and thought, whoa, this is it. We made it.

[Interviewer]

Yeah. You know, but in a way, you had. Because. Because there was nothing comparable in the rest of America for what that. That scene was becoming.

[Tommy Lee]

Yeah.

[Interviewer]

There was nothing like that in Chicago. There was in the back in the day. When I. When I was a kid, my dad would always talk about there was an area down in the city. Why can't I think of the area? Old Town or something? It was while the clubs were. Ah. But. But by the time I was a musician, that was all gone, you know? I mean, there was no, like, centralized place where people went to go hang out.

[Tommy Lee]

Oh, gotcha.

[Interviewer]

You know, where in your. In your time, you know, that was. Everybody would pile. Even if they weren't going to a gig, they would just walk the strip.

[Tommy Lee]

Yeah. Yeah. Just hanging out everywhere. Yep.

[Interviewer]

What was the. You know, the. The tales of Nikki not being able to play and. And people doubting Nick that Nikki could offer something, and you saw something in Nikki and that whole thing. But what was the. What was the first vision for the crew? Was it like, we're going to be. Because I always got the sense Nikki wanted you guys to be a glam band. Is that accurate? Like, did he. Did he have. Did. Did he say, I want to be this type of band? Was there something that was on the table?

[Tommy Lee]

He didn't say he wanted to be any sort of type. It's like he had left his band London, which was full, kind of glammy, you know, rock, poppy stuff.

[Interviewer]

Kind of almost like a cute boy band, right?

[Tommy Lee]

Like, exactly. And I. I just remember he had like a handful of some songs, and I just met him, and it was this little house in Hollywood, and there's no drums over there. He just had an acoustic guitar. And I'm playing drums on the coffee table. And we just started vibing and that. That's when we were like, you know, that's when we started, I guess, trying to figure out what. What it was. What are we doing? So we're like, we found a guitar player and we, you know, we found Mick, and then we need. Then we needed a singer.

[Interviewer]

Yeah.

[Tommy Lee]

And I was like, I go to. I went to school with this dude. All the girls love him, and he plays backyard parties and sings incredible Cheap Trick and, like, Ramones and, like, to all these, like, he was in a, like, probably the best cover band called Rock Candy at the time. And I was. So I took Nikki and Mick to go see him plays at some backyard kegger party, and we were just like, that's our guy. Like, yeah. So we had to steal him out of there anyway. Long story, but we. It sort of got built, you know, piece by piece. You know, we got. We got Mick. And then like, okay, now there's this.

[Interviewer]

But what.

[Tommy Lee]

There's defining sound.

[Interviewer]

Was there a musical conversation or was it just like some of the parts, you think?

[Tommy Lee]

Some of the parts, for sure.

[Interviewer]

You're such a unique band, you know, I mean, to this day, I still think you're one of the most unique bands. I mean, people normally lump you into the. Into the hard rock thing, which makes sense. But at the end of the day, the real roots of the crew Are. Are not. They're not necessarily just hard rock.

[Tommy Lee]

Yep.

[Interviewer]

There's lots of things there that nobody would have put together.

[Tommy Lee]

Yes. You guys put together so a lot of different influences. All somehow.

[Interviewer]

And somehow it works. Right. But it's nothing you gu. Talked about.

[Tommy Lee]

No, it's weird. It just.

[Interviewer]

It kind of was.

[Tommy Lee]

Just. Was.

[Interviewer]

That's interesting. Yeah.

[Tommy Lee]

And there's that one defining thing. It's like you have a certain sound and when you sing and you. And it's so identifiable, you can hear miles away, like, oh, that's Billy.

[Interviewer]

Yeah.

[Tommy Lee]

And Vince has that. There's not a lot. There's so many singers out there that could be anybody.

[Interviewer]

Yeah.

[Tommy Lee]

And. And, and maybe let's even take it. Wider bands. You're like, I don't know who that is. Could. Could be 30.

[Interviewer]

Yeah.

[Tommy Lee]

These bands. But when you hear you sing, you know it's you. And when you hear Vince sing, it's undeniable.

[Interviewer]

You're like my.

[Tommy Lee]

That's Molly. That's me. The. The voice of.

[Interviewer]

I haven't seen you for. I'd say, but we got a 14 month old baby, Juno. And.

[Tommy Lee]

Yeah.

[Interviewer]

And the other day my. My song was playing on the radio and the baby pointed at the radio and said, daddy.

[Tommy Lee]

No way.

[Interviewer]

I was like my kid.

[Tommy Lee]

Yes, yes, Daddy. That's.

[Interviewer]

I love. I love Jimmy Chamberlain. Jimmy. Jimmy Chamberlain from the Pumpkins loves Vince's voice and I do too. But. But he has the best description of Vince's voice. Oh, feline.

[Tommy Lee]

No way. That's the best.

[Interviewer]

Feline.

[Tommy Lee]

Feline. Wow.

[Interviewer]

As only Jimmy Chamberlain could put it. It's like it shouldn't work, but it does. Yeah.

[Tommy Lee]

I know it. It's a weird. It's a weird thing.

[Interviewer]

Yeah. Like imagine. I mean, obviously you've had different singers, but John Krabi, great singer, but.

[Tommy Lee]

But yes.

[Interviewer]

Something about Vince's voice made it more alternative or more something or more like even Cheap Trick. It gave it an alternative feeling.

[Tommy Lee]

Totally. Like a John Corabi. Great voice, but could be so similar to so many others from Steven Tyler to this to that, where Vince just. He sounds like Vince.

[Interviewer]

Only Vince sounds like Vince.

[Tommy Lee]

Yeah.

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[Interviewer]

The crew as an institution is completely its own animal. You guys have played by your own rules. You're one. Jimmy Chamberlain and I sometimes find ourselves talking about you. And somehow you guys made all the things that you shouldn't do work. And. But. But from a. From. From somebody who's been in the game for a long time. What's another. What's another artist? It could be any era, but what's another artist that you look up and say, wow, I really admire the way they went about the business of music. Not just that you admire them creatively, but you like the way they sort of went at it. Because you know the game.

[Tommy Lee]

Yes. You know the business. I have a small handful of ones that I completely admire about musically and how the evolution of their career. Yeah. Yeah.

[Interviewer]

That's kind of what I'm curious about.

[Tommy Lee]

Yeah. To me it's. And to me, David Bowie and Prince are at the. At the top of my list for several reasons. And we. We don't have those anymore. Like, there's no mystery to anybody or anything anymore with social media and seeing what everybody's having for breakfast. And like the. Prince would never. He would barely do interviews. And so he always left you wondering, wanting to know more. More about him. Right. And he just wouldn't. Wouldn't really let you in or just enough, you know. And David Bowie from record to record would completely change the way he looked. Even musical styles would, you know, always like a chameleon. Just always that I respect and admire, like guys like that that have just always sort of. I Don't know. Kept it kind of, kind of underground, but above ground and changing things up and, and not doing the same thing over and over and over. And that's inspired us to. You can see it and Motley, where we'll, we'll change the logo, we'll change the way we look from record to record. It was always like, yeah, whoa, dude. So they're going through this phase. They're, they're doing this, they're doing that. And I think I, I really believe that there's some of that is, is to be so.

[Interviewer]

Speaking of that, because I was going to ask about this, so I was always curious. I feel like I talked to you about it privately once, but obviously you were in public here, but it was, it was, you did Shout at the Devil. Huge record. Huge. Like, you know, was like the teen anthem record of that year, whatever that year was. But then Theater of Pain seemed to be a curious follow up to a lot of fans at the time. Kind of like almost like a glammy pivot. You guys change your look.

[Tommy Lee]

Yeah.

[Interviewer]

Were you, were you on. Excuse, Were you on board with that, that, that change at the time?

[Tommy Lee]

Yeah, I was on board at the time.

[Interviewer]

I'm not saying it was a failure, you know, I mean, it was a successful record.

[Tommy Lee]

Yeah, yeah. Home Sweet Home was massive for us. At the time. It just seemed like. And like a natural kind of, you know, flip the switch a little bit.

[Interviewer]

Yeah.

[Tommy Lee]

Now when I look back, I don't know if that was necessary to go sort of. That, that's pretty drastic. Going from like.

[Interviewer]

Well, you went from the devil to,

[Tommy Lee]

from, from Satan to like, very colorful.

[Interviewer]

Yes.

[Tommy Lee]

And ballads. And we were just, I don't know, man. We were just.

[Interviewer]

Yeah. It's hard when in a band because you're moving so fast. Those decisions, it's not like you sit around and talk about them for eight days. They just kind of happen and then you kind of live with them. Is that, is that accurate?

[Tommy Lee]

Absolutely.

[Interviewer]

Yeah.

[Tommy Lee]

Yeah.

[Interviewer]

Looking back, Shout out the Devil to Me is such an interesting record because I really liked it the time I had it at the time, but I went back and listened to it again maybe like a couple years ago, and I, I just think it's such an amazing record. What's your perception of that record? Looking back now, I, I, I, I,

[Tommy Lee]

I love that record. And for me, that was a record that we're working with. Tom Wurman.

[Interviewer]

Yeah.

[Tommy Lee]

Great producer, really cool producer. He had done Cheap Trick and we were fans of, like, we were like, oh, man, we're with. We're with a guy who can. Sure, you can help us pull this off. And we. Then. That's when it started getting into technology with. With samples and, you know, drum samples and sequencers and all this stuff. Although it's not very. It's not very audible there, but it is in the background. We started reinforcing drums and doing some things that I was personally into and Tom got into, and we all just kind of just started building this thing. But I love that. That record.

[Interviewer]

Yeah. The way I feel about that record is. Is. And I don't mean it as a disk, because I love it. It's almost like it seems like the same song, kind of in variations.

[Tommy Lee]

Oh, yeah.

[Interviewer]

It's gotta, like. Well, here's another version of the same song. But it's really good. Yeah, Like a lot of great songs. And it's like. It's like a. It's like a really cool movie. I don't want to end. That's cool. It takes you into a particular atmosphere. The sound of mixed guitar. I think, in particular, me as a guitar player. Just something about the whole thing. The parts, the way you guys are locked in, the sound of Vince's voice. All of it.

[Tommy Lee]

Yeah.

[Interviewer]

And it's like. It's really one of those records. I don't want it to end. I wish there was, like, 400 more of the same song.

[Tommy Lee]

That's so rad.

[AMEX Gold Card Advertiser]

Wow.

[Tommy Lee]

That's cool, man.

[Interviewer]

Yeah, because at the time, you know, I was. You know, it's like, when the record came out, I think it was about 17. And, you know, you see the pentagram, you're like, okay, I'm down with that. That's cool. Yeah, you guys are going for it.

[Tommy Lee]

This is dark.

[Interviewer]

Because I. I was listening from the first ep. I think I told you this a long time ago, but I. There was some hot girl who lived on my friend's block. She had. Let's just say, she was endowed in a particular way. She's the first time I ever heard the name Motley Crue because she was wearing a shirt. So being a teen boy, you look at her natural assets, and then it says Motley Crue.

[Tommy Lee]

Yeah.

[Interviewer]

That was my first connection.

[Tommy Lee]

Embossed.

[AMEX Gold Card Advertiser]

Yes.

[Interviewer]

So because of that, I. I ended up hearing the. The first EP because she was a fan. And so when. When the shot of the devil came out, I was like, okay, I'm ready for it. Like, give it to me. And it was like pentagrams in the fire. Okay, here we go. Great videos. So but at the time it was like, I kind of thought like, okay, that's cool. You're kind of doing this almost like comic booky Hail Satan stuff, you know what I mean? Because I was already listening to Merciful Fate, you know? I mean, so, yeah, yeah, you know, it was, it was, it was the kinder, gentler Satan with the crew. But yeah, looking back now, I just think the record is such a supreme statement.

[Tommy Lee]

That's so cool, man. I. I remember that particular, you know, album cover that the Gate Gayfold. And I remember a bunch of, you know, and I've been told by a bunch of fans that they're like, oh, bro. I. I had to smuggle that record into my bedroom to play it because then parents would see the COVID and be like, yeah, no, and so the loss.

[Interviewer]

But that's, that's. That's honey to a. To a teen.

[Tommy Lee]

Right? Right. Yeah, I. I just found that to be really cool. Like, dude, like, no, man, I could not let my parents see this.

[Interviewer]

So you've come and gone, you know, with the band a few times. So I guess the question I'm interested in is how. How do you feel? How. Not how do you feel? But it's like, because I've been there in. In communion, like, making peace with the band. Like, it's like what I would say sometimes to people is like, even if I'm not in my band, I'm in my band. Does that make sense to you?

[Tommy Lee]

Yeah, totally.

[Interviewer]

Like, your band is always going to be your band. There's never really going to be another band. There might be a. There might be another band, but there's only going to be one band.

[Tommy Lee]

Right.

[Interviewer]

And it's those lunatics that we both ended up in relationship with.

[Tommy Lee]

Yeah. So how your fans aren't having it any other way. Well, there's this or nothing.

[Interviewer]

There's that too. But I think it's actually the sweeter thing that I found. I don't know if you found it, but the sweeter thing I found is there's just something. Sometimes looking across the stage at James and Jimmy and it's like, wow, 37, 38 years in, in our case, like, that's a lot of miles. That's a lot of up, down, come back around. Something sort of sweet about it. It's like, wow, we're still here and there's still people listening to us knuckleheads.

[Tommy Lee]

Isn't that crazy?

[Interviewer]

Yeah. So how have you found Making peace? Is that something that came easy to you? Is that something that just Took time or something.

[Tommy Lee]

That definitely took time, you know, Like, I don't think, like, you have. How do I explain this? I don't think. Yeah, that took some. Some time. And you. I think that can. That came from, like, you. You're saying, you know, seeing Jimmy and stuff and going like, God, still doing this. It. And you didn't really notice that until then. And that same, same, same for. For us just, you know, knowing that there's only four guys that do this. And. And I'm so grateful that this. These. This combination of people has, like, stood the test of time and this and that. And, like, then you begin to have this, you know, this other respect for, like, wow, man. You know, we did this together, and it really couldn't have been done without these four guys, you know?

[Interviewer]

Yeah, it's powerful.

[Tommy Lee]

It's super powerful.

[Interviewer]

It's humbling on a level that's almost hard to articulate for me.

[Tommy Lee]

Yeah. I'm just. I'm stumbling on my words.

[Interviewer]

Yeah. Because it's. It's. It makes no sense. Darcy from the Pumpkins used to say, being in a band is being married to three people you don't like.

[Tommy Lee]

Ah, that's a good one.

[Interviewer]

But they're your people.

[Tommy Lee]

Yeah.

[Interviewer]

You know what I mean?

[Tommy Lee]

Yeah.

[Interviewer]

They're your people.

[Tommy Lee]

Yeah.

[Interviewer]

It's the way God chose it for whatever crazy reason. And obviously the public sees. In many ways, the public sees more in you than you see in yourselves, which is weird because young bands are full of swagger and all that's part of the game, but. But you kind of realize they actually saw more in you than you even saw in yourself.

[Tommy Lee]

Interesting. Yeah, Interesting. Yes.

[Interviewer]

We don't need to go into the. To the Mick lawsuit, but I. At the time we're taping this, that's finally been resolved. So. Yeah, I guess what I'm after is, you know, Mix is to me, an incredible guitar player. I love the way he plays. He's such a cool guitar player.

[Tommy Lee]

Yeah.

[Interviewer]

I mean, he's a great guitar player on a technical level. I don't think everyone appreciates how good a guitar player Mick is. Yeah, he's such a cool guitar player. Like, nobody plays like Mick. There's only one guy on the planet who plays like Mick, and it's Mick Mars.

[Tommy Lee]

Yep.

[Interviewer]

So I guess it's. I guess what I would say is, now that you guys are put a past this. This kerfuffle, maybe just a chance to say something positive about your. Your. Whether it's musical or personal about Mick, because I. I Know, I know you're not a. You're a lover, not a hater, you know, 100%.

[Tommy Lee]

And, and for me, that, this, that whole thing was awkward and really hurtful to what. To the point where people are saying, you know, untrue things and kind of doing that. And I was like, God, this sucks. I'm not into that kind of stuff. You know, it's like, why can't we just all, you go do your thing, we'll go do ours. It's all cool. That part of it sucked, I guess. You know, that's like a divorce or whatever. It sucks in any format.

[Interviewer]

You've had a few, so.

[Tommy Lee]

Yeah, so. But you. Just to echo what you're saying, I mean, there is only one Mick, and he's an insane player. And it. It saddens me just on a personal level for him that, you know, this insane, you know, bone disease or spine disease slowly, you know, started, you know, dementing his shape, and he's locked into being hunched over, you know, good. Good thing it was forward instead of backwards. At least you're looking at the guitar neck, right?

[Child]

Yeah.

[Interviewer]

Well, even on, Even on the farewell tours of 2014, 25, 15.

[Tommy Lee]

Yeah.

[Interviewer]

I mean, there he was. I mean, he's.

[Tommy Lee]

Yeah, he.

[Interviewer]

He went through it a lot of

[Tommy Lee]

pain and watching him struggle, and then all of a sudden, you know, it. I think it. It takes a toll on and, and maybe his age, too. You kind of m. He started to, he, you know, he came to us saying, like, I don't. I don't. I don't want to do this anymore. Like, I, I, I can't, you know?

[Interviewer]

Well, it must be hard, because when you're a prideful and great musician, anything that diminishes your ability to play your instrument, just that alone, psychologically, that's got to be tough.

[Tommy Lee]

Super tough.

[Interviewer]

And by the way, you're. The whole world's watching. You're not playing to 50 people in a club. You're paying to 25, 000 people in an outdoor venue on a beautiful summer night.

[Tommy Lee]

Right. Yeah. You know, I always try to put myself in, you know, in mixed shoes, and, you know, I got nothing but love for that guy. Nothing but love. I just wish it didn't get so, you know, and that's just. Unfortunately, that's just the way things go when people are threatened or hurt or, you know, they fight back.

[Interviewer]

Yeah.

[Tommy Lee]

You know.

[Interviewer]

Yeah. But God bless me.

[Tommy Lee]

Yeah. But it's all good. You know,

[Interviewer]

it's the crew, man. It's never going to be a straight line.

[Tommy Lee]

I know. I know.

[AMEX Gold Card Advertiser]

Ever.

[Tommy Lee]

And. And while we're on the. On the guitar.

[Interviewer]

Yeah.

[Tommy Lee]

World subject, I also in the same breath have to give props to John 5 because him coming. Coming in was the exact shot of adrenaline and life and energy and fire that we were missing because it was really becoming this struggle like we'd go to. I'd be counting off Livewire and Mick would start Wild side. Like he started to not know. You know? He started to not know.

[Interviewer]

Yeah. When I saw you guys live, I saw one of those moments where it's like something happened.

[Tommy Lee]

Where Train wreck.

[Interviewer]

Yeah. And. And yeah. Yeah.

[Tommy Lee]

Where do you know? I've had to stop songs. Just stop songs like dude, we got to restart this because he's playing the wrong song and he doesn't know it.

[Interviewer]

Yeah.

[Tommy Lee]

It's like, oh my God. So anyway.

[Interviewer]

Yeah.

[Tommy Lee]

And so. So John come and John. John, you know, like yourself, has been a fan for a long time. He knows all the music inside and out. Loves Mick and this is just a

[Interviewer]

beautiful human being

[Tommy Lee]

to me.

[Interviewer]

Dude. Yeah.

[Tommy Lee]

I don't give a shit how talented you are. If you're an. I don't have much respect for that if you're talented and you're a sweetheart.

[Interviewer]

Yeah.

[Tommy Lee]

You're my favorite person.

[Interviewer]

Yeah. I root for a guy like John, you know. I mean I root for a guy like John, you know, he's. His heart's in the right place and he loves music and he certainly loves playing the guitar and it's like, oh

[Tommy Lee]

my God, he lives with it.

[Interviewer]

Yeah.

[Tommy Lee]

I. I don't think I've seen him with it. Not one on.

[Interviewer]

No. He. He puts me to shame on the. On the rehearsing. So our good buddy Neil Strauss wrote the. The dirt.

[Tommy Lee]

Yeah.

[Interviewer]

In a weird kind of way. I mean do you. It seemed like it kind of revived interest in the band's story. Is that a fair way to put it or the dirt book. Like the book. Did you feel it kind of revived people's interest in your guys story or. It seemed to do something. But I'm asking you.

[Tommy Lee]

Yeah,

[Interviewer]

it was an unused way. If you're being crass marketing. You know it's an unusual thing to tell all these stories.

[Tommy Lee]

Yeah. I just. I. Yeah, it is. It is weird. We certainly have a lot of dirt and Yeah. I think you know from. From the title to Neil, who's a great writer. I liked his approach at the time wasn't. Was really cool because he did. He would have a bunch of sit downs with each guy Separately, not with the band. And what happened. Doing it that way is literally like. I'd be reading something that Vince said and I was like, I forgot about that. And so we all sort of reminded each other of things that we had forgotten or. That was extremely blurry.

[Interviewer]

Well, what was the famous line? Keith Richards has forgotten more than you'll ever do or something. You guys are in the general neighborhood there.

[Tommy Lee]

Yes. Yes. So that was cool that. That was cool that we sort of each reminded each other of how insane it actually was.

[Interviewer]

Yes.

[Tommy Lee]

And then that, of course, the. Inspired the. The movie. And then to visually kind of put that together and see it, that's where a lot of new young fans came about. I answered hundreds of emails going, like, was that really how it was? These kids. These kids don't know. They have no idea. You know what I'm saying? Like, this kid's 17 going like, is that really how it was?

[Interviewer]

Oh, yeah.

[Child]

And.

[Tommy Lee]

And because. And they'll never ever experience that time. Never. And so their. Their curiosity, they're. They're on board because they're like, yeah, man, these guys, like, what?

[Interviewer]

Yeah, well, they're still alive. The first time I ever Met you was 92. You came to see us was Chili Peppers, Pumpkins, Pearl Jam, Gig at Roseland.

[Tommy Lee]

Oh, yeah.

[Interviewer]

And somebody comes up to me on stage, he goes, tommy Lee's over there. You know, it's like he had the big hair and. But, you know, when we first got in the biz, you know, early 90s. Well, now you have access to all the stories. And this is pre Internet. So who did we hear about? The crew Ozzy and Gnr.

[Tommy Lee]

Right, right.

[Interviewer]

In terms of the rock stories.

[Tommy Lee]

Yes.

[Interviewer]

So I heard them back in the day, and I'm here to tell you they're true.

[Tommy Lee]

So. So wild, man.

[Interviewer]

Were you happy with the way the, The. The movie turned out?

[Tommy Lee]

100%. I. I still can't believe they smashed that. They smashed what? That book is based on what, 20 years? Yeah, 20. 20 years or so into an hour and a half.

[Interviewer]

See, my argument is it should have been a mini series.

[Tommy Lee]

Same here.

[Interviewer]

And that is a miniseries, dude. Could have been one of the greatest miniseries of all time.

[Tommy Lee]

I know.

[Interviewer]

God, we've messed up, you know, with all the classic. I didn't mess up. It certainly helped the band. But all the classic, you know, like the cliffhanger at the end of the episode.

[Tommy Lee]

Yes.

[Interviewer]

Will Tommy be able to pay the rent? Tune in next week?

[Tommy Lee]

Yeah. Oh, man, that would have been really cool, actually.

[Interviewer]

Saints of Los Angeles 2008. That's the last Motley Crue record of original material. Like an album. An actual album.

[Tommy Lee]

Yeah. Full record.

[Interviewer]

So that's almost 20 years, starting with 18. So why no. Why no new albums?

[Tommy Lee]

We.

[Interviewer]

Is Nikki lost in Montana? I mean, what's going on? All I see, because I follow Nikki on social media, all I see is a lot of mountains.

[Tommy Lee]

Yeah. Yeah.

[Interviewer]

Horses.

[Tommy Lee]

Yeah, he's in Wyoming.

[Interviewer]

Oh, sorry.

[Tommy Lee]

Yeah, I'm. He. It's sort of a. A love and hate thing. Like, he also has a place out here, so. Yeah, when it gets cold and. Yeah, he's out. Yeah. So I guess it's a. You know, I mean. And he does like the outdoors, but what was I gonna say? Oh, new music. Yeah, we did record a couple new songs, Dogs of War, and I think we did a Beastie Boys cover.

[Interviewer]

This is. This is the tough. Why.

[AMEX Gold Card Advertiser]

New.

[Interviewer]

New albums?

[Tommy Lee]

Yeah, new album.

[Interviewer]

You know, the Rolling Stones have a new album coming out. Did you know that?

[Tommy Lee]

I saw something about that. And my buddy Andrew Watts, I think is. Is.

[Interviewer]

I think, Andrew Watts producing everyone at this point.

[Tommy Lee]

I know. I. I don't. That. That's so waste. That's so wild.

[Interviewer]

But. But I, I. Because I. Because I. I'm in a similar argument with my band about making new music, but.

[Tommy Lee]

Oh, I'm curious to hear yours.

[Interviewer]

I. I think rock is about to have a massive comeback, and I think albums are essential to meeting the moment. Young people in particular, and we talked about this already. Young people are coming to see us play. They deserve music for their time. Yeah, the old. Sorry to interrupt you. The old way of thinking is, well, play the hits, look at your numbers. That's what people are listening to. I think that's missing the point. If you're 20 years old and you. You're a Motley Crue fan, you deserve music for your time.

[Tommy Lee]

100, dude. 100%. I. I have this thing. I. You're only as good.

[Interviewer]

You like to be in the studio. It's not like you don't like.

[Tommy Lee]

I love it. And I'm writing constantly and I'm.

[Interviewer]

Yeah.

[Tommy Lee]

And I.

[Interviewer]

So it's Nikki's fault.

[Tommy Lee]

That's what we're getting at. Yeah. Nikki over there, and you're only as good as Wyoming for me. You're only as good as your last effort. I'm. I'm not a bit. I'm not big on, like, you know, relying on what you've done in the past. Not to discount it, but I'm just saying.

[Interviewer]

Yeah.

[Tommy Lee]

Where. Where are you now. And I'm curious.

[Interviewer]

That's my point.

[Tommy Lee]

Yes. And I believe we should. It's just I gotta, you know, do some arm wrestle and stuff to kind of get everybody to. To think that.

[Interviewer]

So that's what I'm saying. If the Rolling Stones are making new album. And they are arguably the biggest band in the world.

[Tommy Lee]

Right.

[Interviewer]

Still. Right.

[Tommy Lee]

Yeah.

[Interviewer]

They're making new music in their 80s. Why are we.

[Tommy Lee]

Right.

[Interviewer]

Not rushing to make new albums.

[Tommy Lee]

You know, I'm on my way to rehearsal after this. I'm gonna walk in and go tell my. We need to make. Billy said we need to make a new record.

[Interviewer]

Tell my old pal Nikki Sixx what I said.

[Tommy Lee]

I will, I will. And I'm with you, 100.

[Interviewer]

Yes.

[Tommy Lee]

Because I hate. I hate that, you know, play the hits, give the audience what they want. Well, they also want to, I believe, want to know where you're at.

[Interviewer]

This is a poor analogy, but, like, who's a movie star that you like? Like an old school movie star.

[Tommy Lee]

Old school movie star.

[Interviewer]

Just pick one.

[Tommy Lee]

Oh, boy.

[Interviewer]

Are you John Wayne fan? Humphrey Bogart? Any of those guys?

[Tommy Lee]

Oh, you're saying all.

[Interviewer]

Yeah, any. Any. It could be anybody. It could be John Travolta. Could be anybody.

[Tommy Lee]

Yeah. John. Let's say Travolta.

[Interviewer]

Okay. There's only one John Travolta.

[Tommy Lee]

Yeah.

[Interviewer]

Do you not want to see a new John Travolta movie? If it's good.

[Tommy Lee]

100%. And he's got a new one coming out.

[Interviewer]

Okay, that's my point. I think we got lulled into this other music business in the last 20 years. Right. Which was about. Well, it's about the past and the thing. And we don't have MTV anymore, so you can't market new records. I think this is all totally misguided.

[Tommy Lee]

100%, man. God.

[Interviewer]

Streaming numbers on New Pumpkins musics have been really good. And, and. And I like the stuff that you guys have put out over the last 10 or so years. I thought stuff was good.

[Tommy Lee]

Yeah. Thanks.

[Interviewer]

In fact, I was with you one time when Bob Rock came in, was playing some stuff at your house and.

[Tommy Lee]

Oh, yeah.

[Interviewer]

I think it was when you guys were doing the Dirt kind of. It was like four songs or something was like. Like a version was on there and.

[Tommy Lee]

Yes.

[Interviewer]

And I was like, this is great.

[Tommy Lee]

Yes.

[Interviewer]

Like, as a fan, I'm like, cool.

[Tommy Lee]

Yeah.

[Interviewer]

Anymore, like, nothing wrong there.

[Tommy Lee]

Yeah, it's. It's such a cool thing. I.

[Interviewer]

That's my. That's my.

[Tommy Lee]

Keeps you current. Keeps you relevant current. I Don't know. Like. And not that that's incredibly important, but. And maybe it's more for the musicians to, like, want to do the new, like, here's where we're at kind of a thing, But I. I don't know. I just.

[Interviewer]

I just. My argument, and I'd make it even in private, is we've got to get back to running the music business around music, dude, not museums. You know what I mean? Like, you can run the Motley Crue Museum and I could run the Pumpkins Museum.

[Tommy Lee]

Yeah.

[Interviewer]

And it's fine.

[Tommy Lee]

Sure.

[Interviewer]

And there's a business there.

[Tommy Lee]

Sure.

[Interviewer]

But that's not why we got into it.

[Tommy Lee]

I know, I know. Yeah.

[Interviewer]

We got it to make magic. You know what I mean? And when you're one of the great bands and you're in one of the great bands, that's what you guys should do. That's my arguments. You tell Nikki Six what I saw.

[Tommy Lee]

I. I will, dude. I totally will.

[Interviewer]

This is a weird existential question, maybe too arty for you, but what is. What is true rebellion look like in a band in 2026? What does it truly mean to be rebellious? If you're in a band in 2026, it can be your band, any band. What. What does rebellion look like in this world?

[Tommy Lee]

Oh, boy.

[Interviewer]

Because in our age, it was, okay, well, there's the record company. You know, I'm against the man at the top of the hill.

[Tommy Lee]

Yeah.

[Interviewer]

The. The slimy record promoter, you know, who's more interested in coke and hookers than your new record. You know, there was a system in place, and you could rebel against that.

[Tommy Lee]

Yeah.

[Interviewer]

Or you could even rebel about, you know, because Reagan America, you know, this stodgy, very Republican America that we grew up in, you know, was like, push all those things over.

[Tommy Lee]

Yeah.

[Interviewer]

But what does rebellion look like today?

[Tommy Lee]

Oh, man, that is such a weird but cool question. Would rebellion. Would that be just doing. Keep doing what you're doing? Yeah. Because that's what we would do. We would do is when. When everybody is going right, we're going left. Maybe that's. Maybe that's what it is in disguise, is just doing. Keep doing what you're doing and doing it differently because.

[Interviewer]

Because there's so many pop influencer, pop types, they have hundreds of millions of followers, but nobody's really paying attention to their art.

[Tommy Lee]

Yeah.

[Interviewer]

So that. What does that tell you? You know what I mean? There's still this economy out there of if people believe in you. And. And certainly you guys have had many acts of redemption with your audience, they still believe in you. There's something that you embody physically, emotionally, spiritually that they believe in.

[Tommy Lee]

Yeah.

[Interviewer]

And to me, the winning is. Well, we're just going to keep going until we fall over.

[Tommy Lee]

Yeah, yeah, I know, man.

[Interviewer]

Anyway, sorry.

[Tommy Lee]

No, no, this is. No, it's great. I can't wait to walk into rehearsal and be like, nikki, I need to talk to you.

[Interviewer]

All right, here's the final stretch. You could take this however you want. You are, I would call, hyper political on social media. Hyper political. You don't have to talk to the politics. But do you think artists should be political or do you think it's a personal decision?

[Tommy Lee]

I. God, it's such a weird thing. What's your definition of hyper political like?

[Interviewer]

Well, there's definitely. If you look at raw numbers, just raw numbers, this country is essentially 50, 50 divided between left and right. You could argue in one state it's more, in one state it's less. But overall, it's almost literally divided. If you notice, even the presidential votes, they're fairly close. You know, be 70 million this. And you know what I mean? So our audiences, which are heavily comprised of people in America. Well, just on sheer math, those audiences fall on both sides of the divide. So when you make a political statement on social media, and I'm sure you see the comments.

[Tommy Lee]

Yeah.

[Interviewer]

Half the people are like, right on, brother. And half the people are like, shut up and play your drums or whatever,

[Tommy Lee]

dude, I cannot tell you, like, that is the most. I hate that. Just shut up and play drums. What? I don't have an opinion or a voice or nothing. Like, you know, you don't have to agree.

[Interviewer]

Right.

[Tommy Lee]

I'm just spitting out some bull that I think.

[Interviewer]

Yeah. So that's what I'm saying. It's not to talk about the politic. It's to talk about an artist being. Taking a position. Do you think artists should be more forward in their. In their. In their politic, or you think it's a personal decision? Because, you know, there's a lot of people, and I'm sure you talk to them, they're afraid of what it would do negatively to their career.

[Tommy Lee]

Yeah.

[Interviewer]

They avoid those things on purpose.

[Tommy Lee]

Yeah.

[Interviewer]

They'll tell you what they think around dinner.

[Child]

Yeah.

[Interviewer]

But they wouldn't say it on social media like you would, because they're afraid of the backlash.

[Tommy Lee]

Yeah. Which. That kind of sucks. I wish everybody would just be honest. That's all it is.

[Interviewer]

Yeah.

[Tommy Lee]

You know, and not worry so much about the. You know.

[Interviewer]

You know, but that's what makes you. You see, you're not a person who thinks a lot about consequences.

[Tommy Lee]

No, no. Yeah. Because I don't care.

[Interviewer]

But that's what makes you.

[AMEX Gold Card Advertiser]

You.

[Tommy Lee]

Yeah, and it's. And, and it'. That's why, you know, there's times where I'll post something or say something where I honestly. And I don't read the comments because I don't care.

[Interviewer]

Yeah.

[Tommy Lee]

And that's. That's a fun position to be in. I guess you can just kind of have your little, like, social diarrhea moments where you just kind of throw it out there. If it sticks, cool. If it doesn't, doesn't matter. Like, just, hey, what do you guys think about this?

[Interviewer]

Yeah. Okay, so last thing I call it, if I rule the world. That's my. If Tommy Lee ruled the world, what would you. What. What's one or two things you would like to see change, particularly in America right now? It doesn't even need to be political. Like, if you had the power to change things, what would you change?

[Tommy Lee]

I. You know, I don't even know if it's possible, but, God, I'm sure it would be cool if everybody was so. It's just. Just not divided so much. I feel like everybody's running their own program and, like, just all. All over the place. I wish. I wish I could just, like, give the whole world a hug and be like, hey, guys, can we just. Can we just be.

[Interviewer]

Well, if Motley Crue can get along.

[Tommy Lee]

Yeah. Just be. You know, I would just. I would try to get people to. To. I would. I'd be injecting as much love as possible, you know, because there's. There's an incredible imbalance right now everywhere. Like, it's just.

[Interviewer]

Well, Sean Parker, who was one of the. He was behind Napster and was one of the main guys at the beginning of Facebook, said they realized at the very early stages of Facebook that the way they were going to run those algorithms was going to divide people. Because basically the way those programs were set up is if you liked one thing, they were going to feed you more of it.

[Tommy Lee]

Right.

[Interviewer]

So if you're on one side of the politic, you were going to get more of what you wanted to hear. And so you end up in these echo chambers. And I think that's kind of. Maybe what you're saying is people are so they've lost the ability to actually listen to people.

[Tommy Lee]

Yes.

[Interviewer]

And that's what I love about even just being able to talk about. It's just like it's just a conversation.

[Tommy Lee]

Yeah.

[Interviewer]

And I see where people get really wound up about some of the stuff that goes on on this modest podcast.

[Tommy Lee]

Do you.

[Interviewer]

You know, but what I always say to people is, is as an artist, if you don't believe in free speech, you're basically willing to have your gig blown up. Because I, you know, I once sang in a song, the killer in me is the killer in you. Well, I never killed anybody.

[Tommy Lee]

Yeah.

[Interviewer]

It's a metaphorical line.

[Tommy Lee]

Right.

[Interviewer]

We were banned by the BBC because they wanted us to change that line. Literally, when the song was coming out, it was a single or whatever. 1993, they said, change the liner. We won't play it. And we were banned by the BBC.

[Tommy Lee]

You didn't change it.

[Interviewer]

No, because I said, this has nothing to do with killing.

[Tommy Lee]

Yeah.

[Interviewer]

And it was a horrible situation because there had been an incident in England and they thought people were going to mistake the song for what had happened. It was a horrible thing that happened to a little boy. But.

[Tommy Lee]

Oh, boy.

[Interviewer]

But, yeah. So as artists, I just think as long as we sort of always say, well, free speech. Yeah, sort of. My one. My one thing is, is we got to stand behind free speech. Because, like, when you're singing Shout of the Devil, you know, even if you said we were shouting at the devil, it doesn't matter.

[Tommy Lee]

Yeah. And it's.

[Interviewer]

It's eye of the beholder and.

[Tommy Lee]

Exactly.

[Interviewer]

You have to have the ability and the freedom to say crazy stuff.

[Tommy Lee]

Yeah. And the devil not meaning the actual devil, like we. That was him shouting at the soul.

[Interviewer]

Who was the devil? Reveal now. Who was it?

[Tommy Lee]

It was them.

[Interviewer]

It was them up there.

[Tommy Lee]

Them. Love you. The people in power love you too, bro.

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[Child]

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[Mom]

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Was she brave?

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[Child]

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Okay. Good story.

[Mom]

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