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Originally Aired: March 29, 1949Philo Vance #38, "High Hat Murder Case," opens with an unexpected visit to Philo Vance's office. Sarah Payton, a plain-spoken 34-year-old woman, arrives with an extraordinary request. After a lifetime of being overlooked and ignored, she recently inherited a substantial fortune, which brought her a year of happiness. Now she believes someone intends to murder her, but rather than seeking protection, she makes a shocking proposition: she wants to pay Vance not to investigate her murder should it occur. She calmly explains that she wants her would-be killer to escape justice, particularly if he manages to elude the police.Vance, accustomed to unusual cases, finds himself confronted with the strangest request of his career. When he refuses to accept her bizarre offer, Sarah Payton remains unfazed. Despite Vance's attempts to learn the identity of her potential murderer, she refuses to cooperate, reasoning that since he won't help her protect the killer, she has no obligation to assist him. The mystery deepens as Vance must determine whether this enigmatic woman is genuinely in danger or if something more complex is at play.

Originally Aired: March 22, 1949Philo Vance #37, "White Willow Murder Case,"When stockbroker Stuart Ames takes a phone call from his sweetheart Dawn while conducting business, he has no idea his day is about to take a deadly turn. After arranging an evening rendezvous with Dawn, Ames receives an unwelcome visit from Mr. LeRoy, a client who has lost everything—$150,000—on Ames' recommendation to invest heavily in White Willow refineries. LeRoy mortgaged all his possessions based on Ames' assurance that the stock was solid, but with no merger materializing and the stock plummeting 15 points, LeRoy is ruined and furious.As LeRoy's rage intensifies, he makes a chilling declaration: somebody is going to take this loss lying down, and it won't be him. The confrontation between the desperate, bankrupt investor and the smooth-talking broker sets the stage for murder, drawing the sophisticated detective Philo Vance into a case where financial ruin and deadly revenge collide in the high-stakes world of Wall Street speculation.

Originally Aired: March 15, 1949Philo Vance #36, "Million Dollar Murder Case,"The wealthy and paranoid Mr. Simmons has transformed his mansion into a fortress, complete with a ten-foot wall, an elaborate electric eye alarm system, and a cliff protecting the rear. As he proudly demonstrates his security measures to his new caretaker Harold, Simmons reveals the depth of his fear, believing that numerous enemies from his ruthless business dealings may seek revenge. He trusts no one completely, not even Harold, and keeps a gun on him at all times for protection from his own household. Despite his fortress and weapons, Simmons claims to finally feel safe and at ease, looking forward to spending his remaining years in this burglar-proof sanctuary.However, Simmons' confidence in his impenetrable defenses may be misplaced. He mentions his loyal secretary Betty Jannis, who stands to inherit a considerable fortune upon his death, and hints at suspicious connections involving a mysterious Mr. Clease. As the paranoid millionaire boasts that nobody can reach him in his secure estate, the stage is set for a classic locked-room mystery that will require Philo Vance's considerable deductive skills to unravel.

Originally Aired: March 8, 1949Philo Vance #35, "Curtain Call Murder Case,"As curtain time approaches at a Broadway theater, aging actor Richard West prepares for his entrance with the help of his dresser Al, carefully concealing the gray in his hair. His pre-show routine is violently interrupted when Jean, a desperate young blonde woman, bursts into his dressing room demanding that West make good on his broken promises. He had sworn to secure her both a part in the current production and a future in pictures, but has failed to deliver. Betrayed and furious, Jean produces a bottle of acid from her handbag, threatening to destroy the vain actor's face so he'll never deceive another woman. After a struggle, West manages to wrest the bottle away from her.Jean storms out with an ominous promise to return and "really play for keeps," leaving West to compose himself before going on stage. With a theater full of suspects, wounded pride, and a dangerous threat hanging over the production, the stage is set for murder.

Originally Aired: March 1, 1949Philo Vance #34, "Listless Murder Case,"A seemingly legitimate charity operation masks a sinister fraud scheme orchestrated by the calculating Mr. Miller and his assistant Donald. As donations pour in totaling $130,000 in less than two weeks, Miller reveals his criminal enterprise: only a fraction of the money collected for Consolidated Charities actually reaches those in need, while he pockets the rest. The scheme depends on maintaining the facade of legitimacy through Morton Gary, a prominent citizen serving as chairman whose name on their letterhead ensures public trust. When Donald voices concern about what might happen if Gary discovers the truth, Miller's chilling response suggests he's prepared to silence the chairman permanently.The tension escalates when Elise Avery, one of Miller's operatives, calls in celebrating a five-thousand-dollar contribution from an unsuspecting donor. As the fraud deepens and the stakes grow higher, Miller's cryptic warning that Gary will "never finish" if he starts talking hints at murder. The stage is set for Philo Vance to untangle this web of charitable deception before Miller makes good on his deadly threat.

Originally Aired: February 22, 1949Philo Vance #33, "Herringbone Murder Case," opens in an upscale dress shop where proprietor Miss Payne confronts her employee Claire Collins with damning evidence of embezzlement. After dismissing a customer, Mrs. Wentworth, Miss Payne coldly reveals she knows Claire has been stealing from the business, siphoning off profits totaling $12,465. Despite Claire's protests that she needed the money and promises to repay it, Miss Payne delivers an ultimatum: produce the full amount by Saturday or face criminal charges.The confrontation leaves Claire in a desperate situation with only days to come up with an impossible sum of money. As the scene closes, Claire ominously suggests she may need to find "another way out" of her predicament, setting the stage for the mystery that will unfold. With Miss Payne's unforgiving demand and Claire's darkly ambiguous response, the episode promises a tense investigation into whatever deadly consequences follow from this volatile confrontation in the refined world of high-end fashion.

Originally Aired: February 15, 1949Philo Vance #32, "Butler Murder Case," opens with a chilling scene in a dentist's office that quickly transforms from routine to deadly. Dr. Michael receives what appears to be an ordinary patient complaining of a toothache, but the visitor reveals himself as an enforcer for the mysterious Professor Powell. The thug delivers a stark ultimatum: pay ten thousand dollars or face death disguised as an accident. Despite his wife Grace's innocent phone call checking on dinner plans, Dr. Michael refuses to be intimidated and orders the blackmailer out of his office.The dentist's defiant stand against Professor Powell's extortion scheme sets the stage for a dangerous confrontation. With the criminal organization threatening to make murder look accidental, Dr. Michael finds himself in mortal peril. The case presents Philo Vance with a complex investigation involving organized crime, extortion, and the question of whether the dentist will become the next victim of Powell's ruthless operation. The detective must unravel this sinister plot before the threatened "accident" becomes a reality.

Originally Aired: February 8, 1949Philo Vance #31, "Flying Murder Case," presents a volatile confrontation that threatens to explode at 30,000 feet. When co-pilot Johnny confronts pilot Greg in his hotel room before their scheduled flight, he delivers an ultimatum: stay away from Sue Gordon, the flight's hostess and Johnny's girl, or face exposure. Johnny has discovered Greg's affair with Sylvia Crane, wife of passenger Millard Crane, and isn't afraid to use this information as leverage. The heated exchange reveals Greg as a dangerous lothario juggling two women, while Johnny positions himself as Sue's protector.Greg appears to agree to Johnny's terms, but after Johnny leaves, Greg's ominous closing thoughts suggest he has other plans entirely. He considers that perhaps Sylvia ought to know something about this situation, hinting at manipulation that could have deadly consequences. As the crew prepares to board their flight that afternoon, the stage is set for murder among the clouds, with romantic entanglements, blackmail, and betrayal creating a powder keg ready to ignite.

Originally Aired: February 1, 1949Philo Vance #30, "Golden Murder Case," begins with a mysterious fortune teller named Raja revealing disturbing secrets to Kay Stone during a crystal ball reading. Raja cryptically warns her that someone she trusts is violating that trust, eventually identifying her guardian Peter Golden by name. The revelation shocks Kay, who entrusts Golden with her entire fortune. After paying Raja the agreed-upon hundred dollars, she leaves to investigate further.Once Kay departs, Raja's true nature is revealed when he calls out to Roger Novis, who has been hiding nearby. The fortune telling session was an elaborate setup orchestrated by Novis, who works for Golden and knows his employer has been embezzling from Kay's accounts for months. Novis, who is in love with Kay, arranged this deception because she wouldn't believe him when he tried to tell her directly. As the two conspirators discuss their scheme, Raja ominously suggests that if Golden manages to convince Kay of his innocence, a personal visit to Golden himself might be necessary, though it would cost considerably more than a hundred dollars.

Originally Aired: January 25, 1949Philo Vance #29, "Idol Murder Case," begins with small-time crook Joe Farrell caught red-handed on a breaking and entering charge. Hauled before Sergeant Heath, Farrell insists he has vital information for District Attorney Markham and refuses to talk until the DA arrives. When Markham appears, Farrell offers a tantalizing trade: leniency on his burglary rap in exchange for a tip about the city museum. He reveals that a major collection from a deceased foreign collector is arriving that afternoon, containing statues and artifacts, but one piece isn't what it appears to be.Though Farrell claims ignorance about the statue's true nature, calling it "junk," he warns Markham that dangerous men in the city want this particular item badly enough to commit murder for it. With the shipment arriving imminently and unknown criminals already circling their target, Markham and Heath face a race against time to identify the mysterious statue and prevent bloodshed at the museum.