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Dan Kennedy (2:09)
Welcome to the Moth Podcast. I'm Dan Kennedy and this week on the podcast we're back with three stories and this time they're all from students who joined our education programs from over the years. To start off with, we would love to play you a story from David Coven. Now, David shared this story years ago at a workshop that we held at Cleveland High School in Seattle. Here is David Coven.
David Coven (2:37)
So we're sitting on this couch, me and my cousin Ray. We call it Old Reliable. It's this big ugly purple couch and we're watching this DVD called Brave New Voices. We got From Adam. You might have seen it. It's all about poetry and stuff. And we're getting to the end and there's this girl, she's just going crazy. I mean, if you want to talk about poetry, she's going in and it's just ridiculous. She's trembling, her legs are quivering, she's shaking. And I'm like, wow, she's really attached to this. I wish I could do something like that. And then something sticks with me. Something that she says. She says, I'm just afraid to raise a black son. And when I was hearing it, me and Akwa were like, yeah, yeah, that's what's up. That's what's up. She's going crazy. And I didn't really know exactly what it meant, but I knew that it was something that I was always gonna have with me. And then I hear, akroyd, come on, man, I'm tired. Let's go get on the scooters. Let's go have fun. This is crap, man. Come on, let's go. And so we get the scooters and we go outside and we're kind of poor, we're broke, so we can't get those electric scooters. It's those little scooters everyone wants when they're seven. They're like, mom, mom, please for Christmas, give me that scooter. And so, and so we're going down the hill, and we're way too big for these scooters, so they're screeching. I think mine's gonna break. We fall a couple times. And I'm like, man, this is kind of crap. But the thing about it is, it's not the scooters. It's just us having fun, kicking it, getting away from the stress. It's like our break from reality. And so we're going down hills. I fall a couple times. Acura's like, uh huh. I'm like, all right, I see how it is. All right. Sometimes it be like that, all right? And so we hear the sound. It's loud, it's blaring, wee, wee, wee or wee or whatever. And we're like, oh, that's the cops. Sucks, whoever that's for. And so we keep going down the hill and all of a sudden we see two cop cars. So we turn around, we're like somebody behind us, they're like, freeze. And Ackroyd points at me and is like, your fault, it's your fault. And then we're looking at these two cops and we start laughing at each Other. And they're like, what I think is going through their head is like, are these two kids serious? Are they laughing at us? And so they put their hand on their gun and I'm like, ray, what did you do? And then he looks at me, he goes, haha, you're beefing dog. It's your fault. And that's when things start to get a little weird. They push us on the car and we're on two different cop cars. My hands are behind my back and I'm like, I live across the street. I'm 15. This was way before I had facial hair. So I look like I'm big and I'm 12 and I'm on this little tiny scooter. So I'm like, what did I do wrong? So I'm on the hood of the cop car and they're just yelling and screaming and Aykroyd's on the other hood and I can't see Ackroyd. And all of a sudden two more cop cars come and two more cop cars come. Then there are six cop cars. And then I'm like, we're going to juvie. And so I can't see Ackroyd, but I can feel this cop's hot breath on the back of my neck. And he's yelling, get down, get down. I will subdue you. I have my firearm. And then I look up and I see the barrel of a 12 gauge shotgun. And then I smell the gunpowder. And then that's when things start to get real. That's when in my mind stuff starts to hit the fan. Things get a little too real, like too vivid. Like I feel like I can see the gunpowder. And I feel like I'm looking at the future. And I'm like, oh, oh my God. Oh my God. And the only thing racing through my head is what happens when my mom hears about this? Like. Like my mom is crazy. The only thing I can think of is fear. And I'm like, I'm more scared of my mom than I am of these guns. And then I really think about my mom and I'm like, what happens when she sees her only son on the 6:00 news? And then I was like, oh, oh crap. And then in this situation, I start to think about earlier in the day, that poetry. I'm just afraid to raise a black son. And I'm like, is this what my mom feels every time I leave the house or every time she has to go to work? And then I see this shotgun trained on me and I see these automatic weapons and I see all these cops and I crane my neck and I see Acroy and he's just like this. And I'm like, really? I have four cops on me, my hands are behind my back. He's yelling at me. Akroy has two cops. And I'm like, hmm, Akary's not black, he's just Ray. That might have something to do with it, I guess. And he's laughing and the cop's like, stop moving or I will subdue you. I'm just trying to say, come on man, I live across the street, I have an ID in my pocket and I guess I'm moving or whatever. And that's when I hear Akroa say, david, if we get maced, I swear to God I'm going to punch you. And then I'm like, really? In this time we have all these guns pointed at us. And that's when I start to laugh. And he was laughing. I was like, all right, I'm all right. Family's all right, I'm all right, he's all right. Everything's going to be cool. Everything's going to be all right. But in my mind I'm doubting. I have all this dread. But Akray's still like. And then we're on the hood for like 10 minutes and then they're just like, no, this crazy. Wait, wait for that. The craziest thing about this whole thing is I feel like we're alone, like there's no one outside. We're in the CD district off 23rd and there's no one coming out their house. There's two kids, two big 12 year olds. Well, we look like two big 12 year olds in the middle of a four way. And no one's outside, no one's looking out their window. No one's like, hey, hey, are those two kids on cop cars with scooters? What's going on? And then so after five minutes the cops let us go and they're just like, get out of here, leave. Go. Bye. And we're like, so you're not going to tell us what we did wrong? Is everything okay? And they're like, no, leave. And so just the other day I was walking with Adam across 7 11. We're getting some Oreos and ice cream. I just got 99 on my examination and I'm like, yeah, I'm feeling good. I got nine. Nine. I'm like, damn, that's what's up. That's what's up. And this cop car comes and he's like, hey, hey. And I think the first thing I think of is dmx. And he's just yelling, hey, did you call the cops? And I'm like, does it look like we called the cops? And then Adam goes, I live right there. I own that house. We're going to go get some ice cream. And in my head, I'm thinking, man, wwb. And that's walking while black. And I'm like, there's no other reason for these cops to stop us. And then I'm talking to Adam, and I start to realize that I can't change the color of my skin. So I'm going to have to live with that. This is always going to happen to me.
