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- [00:00]
Kate Tillers
Do you remember Blue Apron, the subscription meal service? Well, I have news. The new Blue Apron has just launched and they are totally subscription free. I love that I can order exactly what I want when I want with zero commitment. Blue Apron makes it easier to eat better without the stress of meal planning or defaulting to takeout. Every meal is chef designed and informed by nutrition with options that have up to 40 grams of protein and a strong focus on fiber. Everything comes pre portioned so there's no guesswork. On busy nights, their new assemble and bake meals are allowed. Lifesaver. Five minutes of prep, one pan, I'm done. And when I truly have no time, dish by Blue Apron Meals are ready to heat and eat in minutes. That's less time than it takes to listen to one episode of your favorite podcast. Same quality, way more convenient. Order now@blue apron.com Get 50% off your first two orders plus free shipping with moth 50 terms and conditions apply. Visit blueapron.com terms for more information.
- [00:59]
Commercial Announcer
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- [01:12]
Podcast Narrator/Producer
An early present for next year.
- [01:14]
Kate Tillers
What do you have to lose?
- [01:15]
Commercial Announcer
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- [01:19]
Laura Gilbert
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- [01:28]
Kate Tillers
See terms. Welcome to the moth. I'm Kate Tillers. The hangover, real or metaphorical, from your New Year's bash is over. Your holiday parties are in the rear view, and you've logged countless hours in the endless goodbyes of merry gatherings. Now the pressure is on to become a completely different, better and more successful person in 2026. It's impossible not to wonder how do I essentially turn over a new leaf? And though people are asking that more often in the new year, that question's always present. Well, to help with that, on this episode we'll have two stories of people trying new things, taking a leap, in one case, literally shaking their lives up and turning over new leaves. First, we have Laura Gilbert, who told this at a Philadelphia slam where the theme was Crossroads. Here's Laura live at the Mock.
- [02:27]
Laura Gilbert
As a child, I was unconfident in new situations, so my parents repeatedly gave me the advice Fake it till you make it. So much so that I, as an adult now feel like this is sort of stamped onto me like a birthmark. So when my current manager told me that it was time to add me to the on call rotation, while hearing this struck terror into the depths of my very being, I responded by aggressively agreeing with how good of an idea this was. I am a software engineer at a tech company. Which is a sentence that still feels really unnatural to say, because my tenure both at this company and as a software engineer at all is nine months prior to the pandemic, I was a freelance dancer and improviser. And then when everything changed for everybody in 2020, I found myself looking for new ways to make a living. And I had taken a few computer science classes in high school and I remembered really liking it. So I enrolled in a free week long online Intro to JavaScript course. And in the beginning, every piece of code I wrote was riddled with errors. But that's when I discovered what I think is the best kept secret of software engineering. Which is if you sit there long enough and you read each error, which is just the computer trying to explain to you its experience, you can fix everything. And at the time in the world, I could do frustratingly nothing to fix any of the very big things happening. But within the confines of my coding environment, every crisis that surfaced was something that I could do something about. So I enrolled in an online coding boot camp and I was fortunate enough to get a job afterwards. Which leads us to now, nine months into this job, where I very much feel like someone who has snuck into a movie theater without paying and is just waiting for someone to figure out that I don't belong there. Because there is a not small piece of me that really believes that for the past nine months, I've just sort of been keeping up this charade, relying on a presentation of competence and intelligence, because surely I am not capable of doing the job that I have. I am firmly in the fake it phase of the fake it till you make it timeline. Every meeting I attend is full of people with multiple advanced computer science degrees. And I am also there. I mean, there's just. And now we've reached this. Here's the thing, there's really just not enough evidence to disprove my current working theory that the only reason I am where I am is because I am, like, nice and outrageously lucky. So now we've reached this point nine months in, and it's a pivotal moment, and it's the moment that I am certain is going to bring down this house of cards illusion of competence I've been building up, because this is the thing I cannot fake. Being on call means being the person in charge of keeping my team's piece of the Internet alive for seven full days, 168 hours. Being on call means you take your work phone and your laptop with you everywhere. You shower with your phone on the toilet seat because there are very specific time limits within which you must respond to alerts. Behind the scenes, there are all these automated systems kind of tracking the health of the software. And if any of these indications sort of starts to trend wonky, it triggers a page to the on caller so we can get some human eyes on the issue. And last Monday, those human eyes were mine. So it's four in the morning and I'm lying in bed with my work phone right next to my ear, turned to volume 100, as though I am not already sleeping the feather light sleep of an animal being hunted. And my phone goes off. I'm being paged. So immediately I'm like a frothing mess of anxiety. I'm moving so quickly, I'm basically summoning objects to me. My glasses are whizzing onto my face, my Crocs are zooming onto my feet so I can more quickly run to my laptop. I get to my laptop, all these bizarro sensations are happening. My wrists are sweating, my teeth are chattering. I'm opening my laptop, I'm looking at the monitoring dashboards because something very bad is happening and it's on me to fix it. I want you all to be able to picture the monitoring dashboards. So I'm going to ask you to picture, you know, the Cave of Wonders from Aladdin, but it's just graphs in there. So I'm clicking into the graphs. I'm kind of like, I'm sort of sorting by dimension, I'm narrowing things down, refining. I'm seeing clues. It's like being a graph detective, really. You're seeing spikes and you're kind of piecing the clues together. I'm on the trail, but it's a nonlinear trail. I'm following a lot of red herrings. And at some point in this process of synthesizing this information, a point that I don't even really clock, my teeth stop chattering. Because in this moment, it turns out that the antidote to anxiety is not calmness, it's curiosity. Something really bad is happening and I wonder if I can fix it. And over the next few hours, I helped fix the broken thing. And it was this super interesting reminder that this has always felt like the part of the job that I didn't have to fake, this desire to sit down and stay seated until everything's better. And there are so many parts of this job that still feel so unnatural. Like anytime I go into the office I feel like I'm in a movie. I'm like, oh, here I am badging in and using the elevator. But maybe all these experiences together don't mean I'm faking it. Maybe this is just what making it looks like for me right now. My on call shift ended yesterday at 2pm and while I can't say that I'm not nervous about my next one, I'm trying to reframe it a little bit. Because maybe being on call is like this high stakes, nerve wracking opportunity to kind of get back in touch with sort of the beautiful privilege of software engineering, which is when something is really broken, like maybe I can help fix it. Thank you.
- [07:49]
Kate Tillers
That was Laura Gilbert. Laura is a writer, improviser and former Google software engineer. She is currently the staff writer for a food blog called Rainbow Plant Life and writes and performs her own work, much of which can be seen on her Instagram Growing up, I always thought my name Kate was pretty boring. It didn't help that the majority of my classmates shared my name in my high school singing group of 12, four of us, a full third were Kate or Katie. So when I studied abroad in college, I tried to change my name to something more fun. Cat. Except I'm not a cat with a C or a K. When people called me Kat, I kept not responding. Kate, it is after the break. Remember how I said a story would be about literally taking a leap? Be back in a moment.
- [08:39]
Commercial Announcer
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- [09:10]
Kate Tillers
Welcome back. Our next story is from Elliot Higgins, who told this at a Denver story slam where the theme was Anniversary. Here's Elliot live at the Moth hi everybody.
- [09:22]
Elliot Higgins
Let's go back to 1975 and I am a pre med hippie at University of Oregon and I desperately need another hour of a to pad my gpa. I had huge hair, I had a bitchin hippie bead necklace and super cool bell bottom corduroys and let's party attitude. So I was desperate for this A. And all of the easy courses like bowling 101 were taken. So you know, what am I supposed to do? And so out of the blue, a miracle manifests itself by U of O's first ever offered Skydiving 101 for college students. And so yeah, I mean, what's to think about? I sign up immediately. What's the big deal man? You get a parachute. So I. So our jump master was, he looked like Gimblee from Lord of the Rings. He was a burly fella, about five foot one, bushy hair, bushy beard, beady eyes and he did not like, he was a serious man and he did not like hippies. And we called them the leaping leprechaun. Our class met every Tuesday and Thursday night and we'd meet at the wrestling gym and jump off of bleachers and practice our landing on the mats. So I'd go pretty high and just have a fricking blast and you know, I'd pull off some really nice landings, tuck and roll and come up pumping my hand and go airborne all the way, sir. Wednesday afternoons we met in the same gym and we practiced folding our parachutes. And these are the parachutes you're going to fold, it's going to be on your back and you're going to jump with it. So those were no weed Wednesdays. So now after, after six weeks of our intense training, it's time to jump out of an airplane. And so as a new jump cadet, you have to go up for an observation ride to make sure it's a good idea for said cadet. And so they pile me in the back of a small plane. We get up to jump height about 3,000ft, three people pile out of the airplane. That's when reality hit this hippie in the face like a pie. I'm going, holy shit man, I want to go back to the gym and just jump off of the bleachers again. And so we land and I just sprint to the jump shack and I call my father on the payphone. I go, dad, I mean I'm in a pickle here. And so I listen, or he listens and there's a fatherly pause and he, my father says very clearly, son, you get your ass on that plane and out of that plane. No excuses. And I mean that was like, well, no help here. And Just then the leprechaun comes up to me and goes, well, are you. Well, Mr. Airborne, are you gonna jump? Are you a chicken? And I go, oh, yeah, I want to be first out on a watch. It freaks me out. He goes, all right, get you shooting, let's go. You're holding up the show. And so I struggle into my shoot and I waddle after the leprechaun and.
- [12:56]
Commercial Announcer
I.
- [12:59]
Elliot Higgins
Pile into the plane last because I'm gonna be first out. And we are at 3,000ft, way sooner than I wanna be. There's a bunch of yelling, they cut the engine, and a leprechaun turns to me and just goes, put your feet out, get out.
- [13:12]
Podcast Narrator/Producer
And go.
- [13:14]
Elliot Higgins
Well, I've never done this before. And it's windy out there, you know. So I turn to the leprechaun and I say, sir, I'm having. And boom. He stiff arms me out of the plane. And you know, my first thought was, wow, I've just been thrown out of a plane. My second thought was I wasn't ready. And my third, There was no third thought. And whomp. My personally packed parachute deployed beautifully. Oh, no. I had it wrapped wrongly around my testicles. And it's like I'm floating to earth on my testicles. And so what's a hippie to do? I pull up on those risers and I'm doing a pull up and I'm flying that chute everywhere. And I am zooming. And so just then, the leprechaun comes flying by in one of those really cool parafoil shoots, the modern one. And all I heard was, what the hell are you doing? And all he heard was, my ball. And so things are happening pretty fast. And so now mother earth is rushing up to caress me in her womanly bosom. And I have. I mean, my balls are killing me and I am not going. I've abandoned all training. I'm flying the chute and I just plant this baby. And so instead of a five point landing, tuck and roll, I did feet, knees, helmet. And I mean, I had my bell rung so badly, I was seeing stars. And I'm struggling to get up and I'm trying to manage my chute and get out of my. And I deployed my federally packed reserve chute. That is such a no, no. And the leprechaun comes roaring up and goes, well, captain, airborne, it looks like you don't get an A. You're gonna have to. You're gonna have to jump two more times to get that A. So I did, and I barely got into dental school.
- [15:31]
Kate Tillers
That was Elliot Higgins. Elliot says that he got into dental school by the skin of his teeth and upon graduation he was recruited to go to Southeast Asia and serve the expatriate community, which was a whole new world of friends and opportunities. 1982 to 1995 was a blast and things continue to be a blast. That brings us to the end of our episode. Thank you to our storytellers for sharing with us and to you for listening. From all of us here at the Moth, we hope that you turn over a fun New Leaf in 2026.
- [16:07]
Podcast Narrator/Producer
Kate Tellers is a storyteller, host, Senior Director at the Moth and co author of their fourth book, how to Tell a Story. Her writing has been featured in McSweeney's and the new Yorker. This episode of the Moth podcast was produced by Sarah Austin, Janess, Sarah Jane Johnson and me, Mark Solinger. The rest of the Moth leadership team include Sarah Haberman, Christina Norman, Marina Clouche, Jennifer Hickson, Jordan Cardinale, Caledonia Cairns, Suzanne Restaurant, and Patricia Urenia. The Moth podcast is presented by Odysee. Special thanks to their Executive producer Leah Rhys Dennis. All Moth stories are true as remembered by their storytellers. For more about our podcast, information on pitching your own story and everything else, go to our website themoth.org.
- [16:57]
Commercial Announcer
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