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Wayfair Advertiser
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Chloe Salmon
All.
Wayfair Advertiser
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Chloe Salmon
Welcome.
To the Moth Podcast. I'm your host for this week, Chloe Salmon. Today we're talking about a true cultural icon, an object of obsession for many, immortalized in countless movies and songs, and the ultimate symbol of freedom. Any guesses? This episode is all about cars. Whether it's your pride and joy or a hunk of junk that gets you where you need to go. Or, you know, maybe it's both. The cars we spend our time in are filled with stories of close calls, sing alongs, and road trip realizations. My first car was a used green Oldsmobile that I got when I was a teenager. I was really grateful for the freedom it offered me, but it definitely wasn't winning any awards for, like, the coolest car on the road. It was a tank. I'd grit my teeth every Kansas summer when the AC blew out only hot air and roll my eyes every time I pulled up to a drive thru, only for the driver's side window to not budge down an inch. One stormy night, driving home from my job at the grocery store, I found myself in the middle of a flash flood on a pitch black back road. My car stuttered to a halt and died. And I was just completely filled with panic. I called my dad for help and sat and watched the water inch further and further up, hoping that my car would stay on the road. Not only did it stay firmly put until my dad arrived in his truck so I could jump to safety the next day. To all of our amazement, it started right back up again when I put the key in the ignition. My tank of an Oldsmobile had kept me safe and we cruised together for many more years with much more respect on my end. Our first story this week is from Oscar Saavedra. He told it at a DC Story slam where the theme of the night was intentions. Here's Oscar live at the Moth.
Oscar Saavedra
How's everybody doing today? All right, I'm here because of you. You convinced me to do this. This is my first time here, so I'm a little nervous. So make some. All right, so as everybody knows, and as he mentioned, my name is Oscar. I am 100% Mexican, born and raised there. So, you know, as a teenager growing up, we all did things of which we remember hiding from our parents. You know, we all have those times where we slip up. So I'm 15 years old. Of course, I'm a 90s baby. Any 90s babies in here? Yes. So. So I'm like watching the Fast and the Furious and I'm like, I cannot wait to get my learner's permit and I'm going to do my thing. So the day comes and I get my learner's permit and I'm like, I cannot wait. My dad taught me how to drive when I was like 14 years old. So I'm like, I'm away from my mom to go to sleep and I'm going to just slip out for a little bit. So I go and I have my best friend and I'm like, listen, tonight we're going out. I'm gonna take. I'm gonna borrow my mom's car. And, you know, we're just gonna go out and cruise. So he's like, all right, I'm down. And we didn't have cell phones, so we kind of had a set time where it's like, I'm gonna pick you up at this time. I'm gonna flash the lights, just come out. So my mom goes to sleep, and of course, me being me, I go out, I take her keys. She had, like, a van. It wasn't even, like, a sports car. Like, yo, I look like a soccer mom in this van. So I'm like, whatever. I just want to drive. And so I pick him up. I'm like, I'm flashing my lights. He comes out, and of course I'm excited. It's like two in the morning, and this is, like, in Howard county in Columbia. I'm like, we good. Like, we good. You know, this is a soccer mom van. No one's gonna pull us over. We don't look suspect at all, right? So I'm like, all right, let's go. We just cruising. I'm like, and she had the ox course. So I'm like, you know, me being. I'm like, yo, put some Daddy Yankee on. Like, yo, we just gonna cruise. So I'm like, all right. So we, like jamming. We got the volume all the way up. We're cruising. We're not even going. We have no destination in mind. We're just driving. And so I'm like, all right, we cruising. We're cruising. We thinking we cool. And next thing you know, I run a stop sign, and of course, boom, we get hit from the side. So I'm like. So I'm looking at him, he's looking at me. I'm like, yo, I'm Mexican. You African American, man. Like, young dude. Like, we. If the cops pull up, we. They not playing with us. So I'm like, nah, we can't. Like, my mama's going. And if you're Mexican, I don't know about everybody else, but if you're more scared of your mom than you are of the police, like, that's just a fact. So I'm like, yo, I'm thinking of my mom. Like, yo, I'm sorry, but we gotta leave it. I mean, it felt like a Migos song. We like, skirt, skirt. And we leave. Yo, we bail. He was like, what are you doing? I'm like, nah. Like, you don't understand. Like, no. So. So we get back. My intention was to bring the car back in one piece with no scratches. And we're living in an apartment. There's no reserve Parking. There's no garages. So when I came back, the parking spot, somebody took it. And I'm like, my mama's gonna kill me. Like, nah, this not gonna work. So I park it somewhere else. I didn't sleep all night. And I'm like, my mom wakes up, she starts taking a shower. Cause she used to drop me off at school. So I'm like, I didn't sleep all night. I'm like, hey, Ma, I know you're taking a shower, but I'm gonna go get the car, you know, so that we could leave. Cause I don't wanna be late. I got an exam. So she's like, yeah, yeah, go get it. So I go, and it's like a big scratch. The headlight is all bent in. And I pull up. So I'm like. I go in the house and I have to, like, fake. Like I don't know what happened. I'm like, my. Somebody hit the car. I'm like, yo, call.
Chloe Salmon
Like.
Oscar Saavedra
I'm like, ma, come. Like, she's like, what happened? And she comes out and she's just, like, mad. And to this day, like, she does not know. She does not know what happened. But the funny part is, like, when I signed up for this, they were like, you can either have this on record or you can keep it. Soon I was like, let me put it on record. And then in a few days, I'm going to tell my mom, hey, you ever heard of the Moth? I got a story there I want you to hear.
Chloe Salmon
That was Oscar Seavedra. Oscar, if you're listening and you haven't gotten around to telling your mom about the car, now's your chance. Let us know how it goes. Up next is Nina Slowinski. Nina told this story at a story slam produced by the Moth Education program at Skidmore College. The theme of the night was Transformations. Here's Nina live at the Moth.
Oscar Saavedra
Great.
Chloe Salmon
Thank you. Okay. My parents have been divorced since I was, like, a little kid, which is fine. But with that came, like, a lot of associations. My dad kept the house. My mom moved out. My dad got a new car, which was, like, so cool at the time because it was a red Honda crv. And he was very particular on that choice. He was like, you'll always know it's me when I come to pick you up at school. That way he wouldn't fit in with all, or he would stand out of, like, the silver cars and the black cars and the white cars and the mundane cars, he thought. But he. He was really into his car and himself. And my mom moved on pretty quickly, and she is great, and my dad is great, too. But it took him a long time. I mean, he grew out his hair really long. He went through a lot of different, like, glasses styles. He had his car, like, littered with, like, CDs on, like, the folding mirror of, like, Mary Gaucher and. And Lucinda Williams and Greg Brown. And I didn't know that the radio existed until I would drive with my mom, because my dad would just play CDs all the time. And, I mean, his car had, like, a snack compartment. It was decked out. He had, like, an eyeball in his antenna. And he was kind of like this artist growing up. So it kind of stuck with him, I guess. And so he grew up with the car a little bit, and I grew up with the car a little bit. And by the time high school came, I liked spending nights in with my dad doing not weird things. I think I just dressed weird. Like, it would be winter, and I would wear a sundress and a bandana and Converse, and none of it matched. Not that it has to, but it didn't. And my dad never questioned it once. He just. We would go grocery shopping at night. We would take the groceries, put them in the car. That'd be it. We'd come home, we'd go out to Barnes and Nobles. I'd get a bad teen romance book, like Sarah Dessen or, like, from the Pretty Little Liars series. I feel really guilty admitting that, but it's true. And then we would go to five guys, and he's a vegetarian, so I would get a burger, and he would get the sandwich with, like, every vegetable on it, which didn't taste really good. But he would go in. I would see him go in, like, through the glass, get our order, come out, and we would eat it in the car listening to Mary Gaucher or Lucinda Williams, as though we were eating in five guys, but the music was slightly better. And we'd drive home and we would turn the car off and sit in the silence in the car, just the two of us, even though we were home. That was really important that we just spent a few more minutes there. We really lived in the car together at times. But the car got older and I got older. And it was my junior year in high school, and my dad was driving me to my mom's house, as he always did, since I would switch between their houses really often. And he'd gotten a new car and I'd noticed, and I, of course, I complained. And we got in the car and he's driving to Mom's house and he pulls into a gas station where his car is his dead car. And we look at it and he says, I just wanted you to have the chance to say goodbye to it, which was really sweet. And it kind of hit me then that we were in a silver Toyota Camry, the car that he'd never wanted, and we were saying goodbye to this red, boxy, oversized car that he'd really wanted for. I think since he was like a kid. And I think in that moment we kind of both grew up a little bit. Thank you.
That was Nina's Nina is a storyteller, theater director and playwright. She's grateful to have graduated from Skidmore College in 2019, just before COVID hit with a Bachelor of Science in Theater. To see a photo of Nina, her dad, and the car, head to our website themoth.org Extras thank you to both of our storytellers this week for sharing their stories with us and to you for listening. Until next time, from all of us here at the Moth, have a story worthy week.
Julia Purcell
Chloe Salmon is a producer on the Moth's mainstage and Story Slam teams, a director on the main stage, and a member of the Pitch Line team. Her favorite Moth moments come on show days when the cardio is done, the house lights go down, and the magic settles in. This episode of the Moth podcast was produced by me, Julia Purcell with Sarah Austin, Janess, Sarah Jane Johnson and Chloe Salmon. The rest of the Moth's leadership team includes Katherine Burns, Sarah Haberman, Jennifer Hickson, Meg Bowles, Kate Tellers, Jennifer Birmingham, Marina Clouche, Suzanne Rust, Brandon Grant, Inga Gladowski, and Aldi Kaza. Moth stories are true as remembered and affirmed by Storyteller. For more about our podcast, information on pitching your story and everything else, go to our website themoth.org.
Episode Title: Cruise Control
Host: Chloe Salmon
Release Date: July 18, 2025
Chloe Salmon opens the episode by highlighting the cultural significance of cars as icons of freedom, obsession, and personal expression. She reflects on her own relationship with her first car—a used green Oldsmobile—and sets the stage for the stories that explore the profound connections individuals have with their vehicles.
“The cars we spend our time in are filled with stories of close calls, sing-alongs, and road trip realizations.” — Chloe Salmon [02:03]
Storyteller: Oscar Saavedra
Event: DC Story Slam
Theme: Intentions
Story Duration: [04:05 – 09:46]
Oscar shares a riveting tale from his teenage years, encapsulating the thrill and consequences of youthful rebellion. At 15, inspired by watching "The Fast and the Furious," Oscar eagerly anticipates getting his learner’s permit. Despite his father's teachings, he decides to borrow his mother's modest van to embark on a night of cruising with his best friend.
Key Highlights:
Anticipation and Excitement: Oscar's excitement about driving symbolizes the newfound freedom that comes with a driver's permit.
“I cannot wait to get my learner's permit and I'm going to do my thing.” — Oscar Saavedra [03:00]
The Night Out: Without the advent of cell phones, Oscar and his friend agree on a set meeting time, adding an element of suspense to their adventure.
“We didn't have cell phones, so we kind of had a set time where it's like, I'm gonna pick you up at this time.” — Oscar Saavedra [04:45]
Accidental Recklessness: The story takes a dramatic turn when Oscar runs a stop sign, leading to a side collision. Panic ensues as they grapple with potential consequences, especially considering their racial backgrounds and fears of law enforcement.
“If the cops pull up, we... they are not playing with us.” — Oscar Saavedra [07:00]
Escape and Aftermath: Choosing to flee rather than face potential repercussions, Oscar reflects on his intentions to return the car undamaged, only to find it scratched upon retrieval. The unresolved mystery of who damaged the vehicle adds a layer of tension and guilt.
“I didn't sleep all night. I'm like, my mom wakes up, she starts taking a shower... Cause I don't wanna be late. I got an exam.” — Oscar Saavedra [08:20]
Legacy of the Story: Oscar contemplates sharing this story with his mother, highlighting the importance of storytelling in processing past actions and familial relationships.
“I got a story there I want you to hear.” — Oscar Saavedra [08:34]
Chloe transitions from Oscar’s intense narrative to the next storyteller, Nina Slowinski, emphasizing the theme of transformation through the lens of familial relationships and shared memories.
Storyteller: Nina Slowinski
Event: Story Slam at Skidmore College
Theme: Transformations
Story Duration: [09:46 – 14:35]
Nina delves into the nuanced relationship she shares with her father, using his car as a metaphor for their evolving bond. Her father’s 1980s red Honda CRV becomes a central symbol of his identity and their shared experiences.
Key Highlights:
Father’s Identity Through His Car: Nina describes her father’s attachment to his red Honda CRV, emphasizing how he used the vehicle to stand out and express his individuality.
“He was very particular on that choice. He was like, you'll always know it's me when I come to pick you up at school.” — Nina Slowinski [10:15]
Shared Moments: The car serves as a backdrop for numerous father-daughter activities, from grocery shopping to late-night drives, fostering a deep sense of companionship and understanding.
“We really lived in the car together at times.” — Nina Slowinski [12:30]
Growth and Change: As Nina matures, so does her perception of her father and their relationship. The eventual replacement of his cherished CRV with a more mundane Toyota Camry marks a poignant moment of mutual growth and acceptance.
“We were in a silver Toyota Camry... we were saying goodbye to this red, boxy, oversized car that he'd really wanted for.” — Nina Slowinski [13:45]
Emotional Goodbye: The act of saying farewell to the CRV symbolizes the end of an era and the bittersweet nature of change, highlighting the enduring impact of shared experiences.
Chloe brings the episode to a close by reflecting on the shared stories, emphasizing how cars are more than just machines—they are vessels of personal history, emotional bonds, and transformative experiences. The narratives of Oscar and Nina illustrate the diverse ways in which our vehicles intersect with our lives, shaping our identities and relationships.
“Every story deserves a good night's sleep.” — Chilipad Advertiser [00:00] (Note: While this is part of the advertisement, it metaphorically ties into the theme of needing peace and resolution, resonating with the stories shared.)
Host’s Personal Anecdote: At the beginning of the episode, Chloe shares her own experiences with her first car, setting a relatable tone for the listeners.
“My first car was a used green Oldsmobile that I got when I was a teenager. I was really grateful for the freedom it offered me...but it definitely wasn't winning any awards for, like, the coolest car on the road.” — Chloe Salmon [02:03]
Producer’s Acknowledgment: The episode concludes with acknowledgments to the storytellers and the production team, underscoring the collaborative effort behind each Moth story.
“Thank you to both of our storytellers this week for sharing their stories with us and to you for listening.” — Chloe Salmon [13:59]
Freedom and Responsibility: Both Oscar and Nina’s stories navigate the balance between the exhilaration of newfound freedom and the responsibilities that come with it.
Familial Bonds: The vehicles in the stories serve as extensions of familial relationships, highlighting how shared experiences can strengthen or challenge these bonds.
Identity and Self-Expression: Cars act as symbols of personal identity and self-expression, reflecting the personalities and values of their owners.
Transformation and Growth: The narratives underscore the transformative power of experiences, illustrating how moments behind the wheel can lead to significant personal growth and shifts in relationships.
“The cars we spend our time in are filled with stories of close calls, sing-alongs, and road trip realizations.” — Chloe Salmon [02:03]
“If the cops pull up, we... they are not playing with us.” — Oscar Saavedra [07:00]
“We really lived in the car together at times.” — Nina Slowinski [12:30]
“We were saying goodbye to this red, boxy, oversized car that he'd really wanted for.” — Nina Slowinski [13:45]
"Cruise Control" masterfully weaves personal narratives into a broader commentary on the role of cars in our lives. Through Oscar’s adrenaline-fueled escapade and Nina’s heartfelt memories with her father, the episode captures the essence of how automobiles can embody freedom, identity, and the ever-evolving dynamics of human relationships. Listeners are left contemplating their own connections to their vehicles and the stories that ride along with them.