Transcript
Jody Powell (0:00)
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Apple Card and Savings by Goldman Sachs Bank USA Salt Lake City Branch Member FDIC terms and more@applecard.com this autumn fall for Moth Stories as we travel across the globe for our main stages, we're excited to announce our fall lineup of storytelling shows. From New York City to Iowa City, London, Nairobi and so many more, the Moth will be performing in a city near you. Featuring a curation of true stories, the Moth Mainstage shows feature five tellers who who share beautiful, unbelievable, hilarious, and often powerful true stories on a common theme. Each one told reveals something new about our shared connection. To buy your tickets or find out more about our calendar, visit themoth.org mainstage we hope to see you soon. Hey Moth listeners, it's Leanne. I'm really excited for you to hear today's episode, but in the meantime, I wanted you to know that we're in the midst of our year end fundraising campaign. The Moth is an independent nonprofit and your support is what keeps our stories alive. Here's the thing. Donations to public radio and podcast subscriptions are important, but in order to keep our engine running, we're asking you to make a donation directly to the Moth today. Every dollar helps bring you amazing stories from around the world, like the one you'll hear in today's episode. So if you've been moved by the stories you've heard this year, please make a donation, visit them or text give24 with no space in between to 78679. Once again, that's themoth.org or text give24 with no space in between to 78679. Thanks for listening. Welcome to the Moth Podcast. I'm Jody Powell, your host for this episode and one of the directors at the Moth. Every personal story shared reveals the threads that connect us all. It reminds us we're not alone. Finding, developing and Sharing personal stories on Moth stages around the world, on our podcasts, and on our Moth Radio hour is a collaborative effort between our storytellers and staff, made possible through the effort of our donors, audience members and listeners like you. You make small personal moments come to life and mean so much to so many. At the Moth, we have this really special opportunity to connect to storytellers from all around the world via our open mic story slams or pitchline or workshop programs at the Moth pop up porch or mobile listening hub. But today we're doing something a little different. We're taking you behind the scenes of the main stage series. We want to show you how it all comes together when at its best, main stage storytelling, what you hear on air and see on stage might appear effortless. These are incredible storytellers to begin with, but each person also works with a director like me, one on one, to craft and shape their stories, sharpening the artistry of moth style storytelling. It takes anywhere from five hours to two years for a Moth director to help a storyteller shape their story for the main stage. It starts with, tell me what happened. And then, okay, now put me there with you like it's a film and we're standing there together. What are the sensory memories that you remember? What did you hear? What did you see? What were you thinking at the time? These personal stories are fingerprints. Think, why can I only tell this story? Usually the first draft is way too long and many times it's too distant, not emotional. So we like to think that our work is to find the heartbeat in the story, to find the emotional arc with the storyteller bringing you right along. For every step, there's the plot of the story. This happened, then this happened. But then there's, what is the story really about? And on stage, these stories are like virtual reality for the audience listening. We want the storyteller to be heard uninterrupted, and we want them to transport the audience to feel what they were feeling. We find that that's what builds connection. Here's a storyteller with Sarah Austin Janess, who is also director backstage in New York City. Okay, so what is your name and where are we? What are you here to do? My name is Crystal Finn. I'm about to go on and tell a story for the first time. How did you find the moth? I called the pitch line. I heard back from Jody, who was amazing, and we talked on the phone and we were like, let's do this. My story is sort of a discrete story that happens over a single period of time and then reverberates. But some of these stories are really large life stories and to find the form to put that into 10, 12 minutes is really hard. And I think people probably listening don't, you know, aren't thinking about that when they're listening to it. But just the weight and the expansiveness of some of the events contained in this type package I think is part of what makes Like a Moth story so taut and exciting. We bring mainstage storytellers together the night before the show. We run the stories all together one last time and the directors and Moth staff give final notes. And we give a lot of love and encouragement too. My name is Mateo Damataba. We are in New York. I know you've just flown in from Malawi, Lilongwe, the capital city of Malawi. And how do you know the Moth? I once attended the workshop in Naivasha around 2018 or 2019 thereabout. That was the first time someone gave me a link to apply and tell my story. And I did. What was the rehearsal like last night at the Moth Officer? I had some emotions hearing the stories, but it was good for me because now I look at life in a different angle. Sometimes you meet people, you don't know what they are going through, the life they are living. And sometimes we tend to judge people based on the outward look, but they have a different feeling in their hearts.
