Howling At The Moon with Vanessa Ragland

Summary

Podcast Summary: The Neighborhood Listen – "Howling At The Moon with Vanessa Ragland"

Release Date: December 3, 2024
Guest: Glendon (played by Vanessa Ragland)

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Introduction to the Episode

In this gripping episode of The Neighborhood Listen, host Paul F. Tompkins and co-host Nicole Parker delve deep into one of Dignity Falls' most enigmatic and eerie posts from the neighborhood social networking app. Joined by their ever-present engineer, Doug (Brett Morris), the trio sets the stage for an unforgettable exploration of local legends and mysterious happenings.

Setting the Scene: Preparing for the Guest

Before welcoming their guest, the hosts engage in a lighthearted discussion about the nuances of language, particularly the term "amateur actor." Nicole Parker playfully debates with Paul on finding a more flattering alternative, highlighting the show's improvisational and character-driven nature.

• [01:05] Paul introduces himself as Berndt Miapede, a pharmacist, while Nicole reveals her dual role as Dignity Falls’ top realtor and an aspiring local actress. Their banter sets a casual and humorous tone for the episode.

Introducing the Guest: Glendon’s Mysterious Tale

The episode's focal point is the invitation of Glendon, a resident who posted under the headline "Old White Ladies" in the Crime and Safety section. Her post describes witnessing several elderly women howling at the moon on Garfield Way to work, prompting her to seek advice from the chief of police.

• [31:16] Glendon shares, “I mind my own business. I've seen a lot of things. I don’t tell anyone.”

Unraveling the Mystery: Werewolves in Dignity Falls?

As the discussion unfolds, Glendon reveals unsettling memories intertwined with possible supernatural elements. She recounts an encounter with Tim Tourniquet, the 26-year-old chief of police, who confronts her about the howling incident.

• [47:10] Glendon narrates, “He says, 'I’m here on business,' and I thought, what am I doing?”

The hosts and Glendon speculate whether the howling is linked to werewolf activity in the town, blending folklore with potential real-life implications. The conversation touches on various symbolic elements like Cracker Barrel incidents, quiet tropical storms, and feelings of guilt that Glendon associates with these memories.

• [70:44] Nicole muses, “So you're saying the werewolf gets big and then shrinks back down to being a person?”

Deep Dive into Glendon’s Memories

Glendon becomes increasingly introspective, discussing dissociative episodes and fragmented memories that blur the lines between reality and cinematic imagination.

• [32:02] Glendon admits, “I’ve been dissociating for most of my life.”

This revelation adds a psychological layer to the episode, prompting discussions about memory, identity, and the influence of media on personal experiences.

The Role of the Green Room and Doug’s Observations

Throughout the episode, Doug provides humorous interjections about the podcast’s green room setup, adding meta-commentary on the show’s dynamics and the challenges of managing multiple characters and narratives.

• [07:37] Doug explains, “We’re just gonna start having our guests sign the wall. But he also put a lot of fake signatures.”

Climactic Confrontation and Unresolved Tensions

The tension peaks as Glendon describes how Tim Tourniquet’s interrogation escalates, leading to her being handcuffed and placed in an off-site location. The hosts probe deeper into the legitimacy of her memories, blurring the lines between fictional storytelling and potential underlying truths.

• [54:00] Glendon recounts, “He says he got reports of some activity. And I said, 'But you think he’s making up those reports?'”

Conclusion: Open-Ended Mysteries and Final Thoughts

As the episode nears its end, the hosts remain contemplative about Glendon’s story, leaving listeners with unresolved questions about the true nature of the incidents in Dignity Falls. They encourage the community to remain vigilant and share any related experiences.

• [84:52] Paul concludes, “This is our neighborhood and we love it.”

Nicole wraps up with a whimsical nod to the town’s quirky mythology, reinforcing the blend of humor and mystery that characterizes The Neighborhood Listen.

Notable Quotes

• Paul F. Tompkins (01:05): “I am one of the residents of Dignity Falls.”

• Glendon (31:16): “I kinda like you. I like you already.”

• Glendon (54:00): “I think he just saw us.”

• Nicole Parker (70:31): “Maybe she was hired as a secret government weapon during the desert storm.”

• Glendon (77:59): “I keep to myself.”

Key Themes and Insights

1. Supernatural vs. Reality: The episode intricately weaves the possibility of werewolves into the fabric of Dignity Falls, challenging listeners to discern fact from folklore.

2. Memory and Identity: Glendon’s fragmented memories raise questions about the reliability of personal recollection and the impact of psychological states on perceived reality.

3. Community and Isolation: Glendon's struggle with isolation despite being part of community activities like bingo reflects broader themes of loneliness and the hidden lives of neighborhood residents.

4. Humor Amid Mystery: The hosts maintain a light-hearted approach, balancing the dark and mysterious elements of the story with witty banter and situational comedy.

Conclusion

"Howling At The Moon with Vanessa Ragland" stands out as a compelling episode that effectively blends mystery, humor, and community storytelling. Through Glendon’s enigmatic narrative, The Neighborhood Listen invites listeners to engage with the unseen and unheard aspects of Dignity Falls, all while maintaining the show's signature improvisational charm and engaging dialogue.

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For More Episodes and Exclusive Content

To unlock ad-free access to all seasons and enjoy exclusive bonus room episodes that delve even deeper into the mysteries of Dignity Falls, visit cbbworld.com and sign up for the Maximus membership.

Transcript

[Paul F. Tompkins]

Hi, I'm Paul F. Tompkins.

[Nicole Parker]

And I'm Nicole Parker.

[Paul F. Tompkins]

On this podcast, we improvise in character using real posts from a popular neighborhood networking website.

[Nicole Parker]

Occasionally, we change the names of some.

[Paul F. Tompkins]

Streets, and that's all you need to know. To support the show and unlock the ad free archive, as well as exclusive monthly episodes of the bonus room, go to cbbworld.com and sign up for a Maximus membership.

[Nicole Parker]

And now, please enjoy this episode of the Neighborhood Listen.

[Paul F. Tompkins]

Knock, knock.

[Nicole Parker]

Who's there?

[Paul F. Tompkins]

Your neighbor.

[Glendon]

Good.

[Nicole Parker]

In Dignity Fall, you're never alone. You've got the neighbor half AV and us, Vern and Joan. From coyotes to male theft to weird things to sell.

[Paul F. Tompkins]

We'll cover it all and meet new neighbors as well.

[Nicole Parker]

We'll chat about any posts you're missing, so just tune in.

[Glendon]

To the Neighborhood Listen.

[Paul F. Tompkins]

Welcome once more to the Neighborhood Listen, the podcast that explores the neighborhood of Dignity Falls. I am one of the residents of Dignity Falls. My name is Berndt Miapede. I'm a pharmacist at the Dignity. Dignity Falls Missy.

[Nicole Parker]

And with me, as always, is Joan Pedestrian. I'm the top realtor here in Dignity Falls and also an amateur actress.

[Paul F. Tompkins]

Were you? Were you.

[Nicole Parker]

I'm trying to get comfortable with the phrase. What did you say?

[Paul F. Tompkins]

Yeah, you did roll your eyes, though.

[Nicole Parker]

I did, but, you know, they can't hear that. Except for now. You told them so. I rolled my eyes, everybody. I'm still obviously not comfortable with the phrase amateur actor.

[Paul F. Tompkins]

I guess that's true.

[Nicole Parker]

What were you going to ask me?

[Paul F. Tompkins]

I was. Is there a better word than amateur to say?

[Nicole Parker]

There has to be. There has to be. There has to be. There has to be.

[Glendon]

What?

[Paul F. Tompkins]

What? I mean, there's gotta be something local that. Deno. I like local.

[Nicole Parker]

It's better than amateur.

[Paul F. Tompkins]

It is better than amateur.

[Nicole Parker]

And it's shorter. And more to the point, I'm a local actress here.

[Paul F. Tompkins]

Amateur does sound. There's a little bit of insult to it.

[Nicole Parker]

Absolutely. There's a judgment. There's a. There's a. It just has a. There's just a lot surrounding that word that I think is negative.

[Paul F. Tompkins]

What about pretend actor?

[Nicole Parker]

Nope. It seems redundant. Okay, so what were you going to ask me? Can you remember you.

[Paul F. Tompkins]

I felt like you were mirroring my sort of broadcast style that I was doing.

[Nicole Parker]

Yes, sometimes. And that is a theater exercise, by the way. And it's a professional theater exercise, not an amateur theater exercise.

[Paul F. Tompkins]

So the amateurs don't do it.

[Nicole Parker]

What I mean to say is everybody does it. Liam Neeson's got To do it.

[Paul F. Tompkins]

What is the. What is the. What exercises do you think he does before they start rolling on the latest taken?

[Nicole Parker]

I think. I think he mirrors with his other actors.

[Paul F. Tompkins]

Do you think. Do you think?

[Nicole Parker]

I think he does some elevator drills. Some. I think he does.

[Paul F. Tompkins]

Is that what they're called? Elevator trills?

[Nicole Parker]

I mean, people call them both. And I just smashed them together is what I did.

[Paul F. Tompkins]

They're either called elevators or trills.

[Nicole Parker]

Both. Both are correct. But people. Other say other things like blowing through the lips or. There's many.

[Paul F. Tompkins]

That was very straightforward.

[Nicole Parker]

Yeah. I assume he's still. I mean, listen, he's got to be classically trained. Right. They all are across the pond. So I bet you anything does a couple of, you know, Fancy Theater.

[Paul F. Tompkins]

Mitch McConnell's Milkshake Madness.

[Nicole Parker]

Mitch Milkshake Madness. That's, of course a callback to one of the tongue twisters that flew out of my mouth when you asked me for one.

[Paul F. Tompkins]

That's one of Joan's vocal warm ups.

[Nicole Parker]

Mitch McConnell's Milkshake Madness. It's definitely harder, first of all to do with a thick Irish brogue.

[Paul F. Tompkins]

Absolutely.

[Nicole Parker]

And also, do you say Irish brogue or only Scottish brogue?

[Paul F. Tompkins]

I think it's a Scottish burr.

[Nicole Parker]

You're kidding.

[Paul F. Tompkins]

I'm not kidding.

[Nicole Parker]

So I've been doing it wrong. Bert, you are very serious about this.

[Paul F. Tompkins]

Some people do say Scottish brogue, but I believe the appro term is burr.

[Nicole Parker]

Really? Where do you get that? Where did you learn that?

[Paul F. Tompkins]

I. I forget where. You know where. I read that.

[Nicole Parker]

I knew what would come to you.

[Paul F. Tompkins]

It was an interview with Rod Stewart.

[Nicole Parker]

And he was willingly reading an interview with Rod Stewart.

[Paul F. Tompkins]

I. I never said it was willingly.

[Nicole Parker]

Were you on a plane? That sounds like a plane article to me. Where else are you going to read an article about Rusty? An interview, no less.

[Paul F. Tompkins]

Doctor's waiting room.

[Nicole Parker]

Oh, that's a good one. Okay. And what did it. What did.

[Paul F. Tompkins]

He was lamenting that he did not have the. The. In his words, Scottish burr. Like, his accent is very mild, apparently.

[Nicole Parker]

I see. Okay. Yeah. So mild. I didn't. I keep forgetting that he.

[Paul F. Tompkins]

Irish broke Scottish burr.

[Nicole Parker]

Irish broke Scottish burr. American laziness. Why is it lazy again? If you.

[Glendon]

Oh, gosh.

[Nicole Parker]

If you look into any kind of the. The acting that they do across that there's specific. We are lazy. We're lazy in the way that we talk a lot.

[Paul F. Tompkins]

Word.

[Nicole Parker]

I really think that we are.

[Paul F. Tompkins]

As a species.

[Nicole Parker]

As a species.

[Paul F. Tompkins]

Wow.

[Nicole Parker]

But anyways, I'll start saying burr, which I think is very interesting.

[Paul F. Tompkins]

I Like that it is interesting and fun.

[Nicole Parker]

And just to answer your question, it is fun. The mirroring is really just to sort of like get sort of a connection with your partner and sort of a kinetic exercise where you're exchanging energy. Where. And it also might just be for silly fun and just warming up your face. And in fact, in terms of like, oh, you're going to make a face. I'm going to make a face.

[Paul F. Tompkins]

And that's. Oh, that's supposed to build a connection.

[Nicole Parker]

I think it does.

[Paul F. Tompkins]

That would drive me insane if I were doing something and somebody were doing it back to me.

[Nicole Parker]

Well, first of all, it's in a controlled environment and it would be limited to time.

[Paul F. Tompkins]

I'm glad it's in a controlled environment and not just. What's the opposite of that? Where. Where would I be?

[Nicole Parker]

Where if maybe everyone that came up to the falsemacy counter. Can you imagine if they just. I'm going to do it right now. You. You just. Everyone at home. I'm going to mirror Bert when he's doing the. The Phar speak.

[Paul F. Tompkins]

Okay. Hi, how can I help you?

[Nicole Parker]

It's possible that I over mirrored that. I hate it. I hate it when I'm a real over mirror.

[Paul F. Tompkins]

There was no way I could interpret that other than insulting it instantly. It instantly was projecting. This is what you look like.

[Nicole Parker]

I'm so sorry, bird.

[Paul F. Tompkins]

I mean, I had. Nothing has made me this self conscious in a long time. I mean, this is my job. This is what I. I say this every day.

[Nicole Parker]

No, you knew what it was. You know what it was. I was just trying to over explain what the. What the.

[Paul F. Tompkins]

You thought if it was too subtle, I wouldn't get it.

[Nicole Parker]

Yes. And also I wanted it to be bigger so that I could actually do the example. And my impetus just went rode right through logic and I ended up making you feel mocked. And I am sorry.

[Paul F. Tompkins]

It was a very muppety face.

[Nicole Parker]

I mocked instead of mirroring. Yes, my eyes went way w than yours were and I'm. And I felt that straight to your mouth. Well, we'll never know about that because it's a podcast, but I'll take your word for it.

[Paul F. Tompkins]

That's right. Only I will know. Only I have the knowledge of what you did.

[Nicole Parker]

You are the knower. An attempted Breaking Bad reference. I think it's time to check in with my husband, Doug.

[Paul F. Tompkins]

Oh, yes, Doug, our engineer.

[Nicole Parker]

He is an engineer and he's always in a different room. And you know, you fellas never let me get past a single moment if my Words aren't correct.

[Paul F. Tompkins]

I'm so.

[Nicole Parker]

No, it's fine. I over mirrored you. It's fair. Fair play. Fair play. Burnt.

[Paul F. Tompkins]

Fair play to you. That's what our friend Liam Neeson was saying.

[Nicole Parker]

All warmed up from his mirroring and his. And his lip trills. Burnt. Your burnt. Doug is in. I think you might think this is kind of fun. And especially Gabby, your girlfriend, because, you know, she's sort of into the industry.

[Paul F. Tompkins]

That's true.

[Nicole Parker]

For a long time, you know how, like, the standup comedians, you know, go and do their. Their, you know, their. They bring their. Their show to different places in the country, and before they get on stage, they wait in a place called the Green Room. And Doug thought it'd be really fun if our house had a green room because we have guests, so it's a place that they can wait. But, you know, he went on a lot of, like, sites and looked up green rooms, and so what he really did is make it look like a. Like a shitty green room for a. I know now he put a lot of snacks in there. But what he's also done is we're just gonna start having our guests sign the wall. But he also put a lot of fake signatures and. Yeah. Hey, babe, do you want to talk more about your green room?

[Doug]

Sure. You covered a lot of it also.

[Nicole Parker]

Well, you know, one time I asked where you were, and you. And you. I could tell you looked at me and. And we're like, through the floor. You thought it was my turn to tell you where you were, so that's why I just picked up the mantle.

[Doug]

By the way, I would. I would suggest burgeoning instead of amateur.

[Nicole Parker]

Oh, that's really good, babe.

[Paul F. Tompkins]

Burgeoning is good. A little.

[Nicole Parker]

He's been thinking about that word this whole time.

[Paul F. Tompkins]

It does imply you're going somewhere and you're.

[Nicole Parker]

I guess that's true. I guess that's true.

[Paul F. Tompkins]

It doesn't play anything else is yet to come, but there isn't anything.

[Nicole Parker]

It's like the most fancy way of saying aspiring or hopeful. It's like, it really sounds more. It does sound. It does sound, like active. You know, you're going to be burgeoned. Well, if you say it too much, it loses all meaning. Okay. What. Tell me what's going on, babe.

[Doug]

Yeah, I'm just trying to cover this wall.

[Nicole Parker]

He's doing a lot of signatures, and also he's not doing just comedians. I think you actually did a Rod Stewart. Do you have a Rod Stewart?

[Doug]

There's a Rod Stewart. There's a big.

[Nicole Parker]

What do you have Rod Stewart say?

[Glendon]

Big.

[Paul F. Tompkins]

Rod Stewart.

[Nicole Parker]

What was Rod Stewart saying? What did Rod Stewart say?

[Glendon]

Well, he.

[Doug]

I'm in.

[Paul F. Tompkins]

What did Rod Stewart say?

[Doug]

In this world? He's toured as a solo act.

[Nicole Parker]

Oh, in this world.

[Paul F. Tompkins]

This green room has its own universe.

[Nicole Parker]

It's got its own timeline.

[Doug]

He came in, actually, in the late 60s in the Jeff Beck Group.

[Nicole Parker]

Wait, is Rod Stewart a stage stand up in that timeline?

[Paul F. Tompkins]

He was with Faces.

[Doug]

He was in the Faces, and also Jeff Beck Group, which is.

[Paul F. Tompkins]

It was just called Jeff Beck Group.

[Doug]

Yeah, they had a great. Sounds great.

[Paul F. Tompkins]

Businessy.

[Nicole Parker]

It does. It does. It really does. I know. Oh, wow. I think Doug got a little testy that we're making that we're playing and having fun with the name.

[Paul F. Tompkins]

Don't knock it till you've listened.

[Nicole Parker]

And then he said, brother.

[Doug]

Okay, negative.

[Paul F. Tompkins]

Very macho man. Randy Savage or no Hulk Hogan. Did they both say brother?

[Nicole Parker]

I don't know, but they're both on the wall. Yeah.

[Doug]

And there's. I had the twins cover the. The penis art.

[Nicole Parker]

Yeah, they were allowed to draw. He had them draw it because I think that's the one thing they knew about this whole thing. And they're like, oh, yeah, guys, do our dicks. You know, and so. And so they drew them. And then, of course, now he's making them cover it up. It's a weird version of allowing our children to do graffiti and then also.

[Doug]

Making them clean fig leaves over every single.

[Nicole Parker]

Did they.

[Paul F. Tompkins]

Did they know when they were drawing the penises that the covering up would then be the next step?

[Nicole Parker]

Yeah. Did they, babe?

[Paul F. Tompkins]

Or did you act as if in this world, did you act as if someone else had done it and then said, guys, you got to clean this up?

[Doug]

No, I think that played better in, like, the 70s and 80s. And then in this world, we're. We're evolving paths.

[Nicole Parker]

He's getting confused, because I think he's just thinking decades in this timeline. But what, babe?

[Doug]

I'm saying there was a time where they could draw those. That art. And then I later said, guys, it's time now to cover.

[Paul F. Tompkins]

I get that. I get that.

[Nicole Parker]

Let's all take a breath. I wish you two can mirror each other, because I think this would help you connect, but you can't do it because she does see the person. That's right. That's right.

[Paul F. Tompkins]

Because that's. That's a big part of mirrors.

[Nicole Parker]

It's a huge part. I would say it's the main. It's really you that's number one.

[Glendon]

That.

[Paul F. Tompkins]

Is mirrors number one.

[Nicole Parker]

Mirrors 101, I would say. I have to say, speaking of the twins, of course I'm talking about my twin boys, Matt and Prince Ali.

[Paul F. Tompkins]

Fabulous. He. Ali Baba.

[Nicole Parker]

Prince Ali Fabulous. Ali Ababa. Listen, I was. I was. What's weird about that is I'm. The movie hadn't come out and.

[Paul F. Tompkins]

Which movie?

[Doug]

Which movie is that?

[Nicole Parker]

Exactly. Anyway, so now I have some bad news about their pilot, of course. We've been talking about. Oh, no, They've been. They sold a pilot about pranking your parents to the Chick Fil. A streaming network, Right? And they put a lot of money behind it and they decided.

[Paul F. Tompkins]

Where did they get their money?

[Nicole Parker]

No, no, no, no. Chick Fil A put a lot.

[Paul F. Tompkins]

I was gonna say.

[Nicole Parker]

Are you kidding? From me. They literally. They stole $100,000 from us. Wow.

[Paul F. Tompkins]

Well, producing 101. Never use your own money. Money.

[Nicole Parker]

That's producing 101. Weird that mirrors. You'd think that it would share the same thing, you know, because you don't want to spend your own money on a mirror. That's another rule of mirrors. Anyways, okay, so bad luck.

[Paul F. Tompkins]

I understand. If you buy your own mirror.

[Nicole Parker]

If you buy your own mirror. Oh, get this out of my house. What are the other only gift mirrors? Oh, no. Is this like. Is this like Jones lizard tricks there?

[Paul F. Tompkins]

It's time for Jones memento Mirror. He's all the things.

[Nicole Parker]

You must wake up in the morning and you don't remember the rules about mirrors. That's why it's called momentum mirror. Yeah. First one is never buy your own mirror.

[Paul F. Tompkins]

That's right.

[Nicole Parker]

Second of all, walk past it first very quickly.

[Paul F. Tompkins]

Walk past it first very quickly.

[Doug]

Can you glance?

[Paul F. Tompkins]

You're talking about the first time you walk past it.

[Nicole Parker]

Like, if you're leaving the house, you must walk past it very quickly. Or if you're coming home, don't let it catch you. Don't let it catch your reflection right away.

[Paul F. Tompkins]

Why is it by the door?

[Nicole Parker]

Well, because I always have to check out how I look before I leave. That's right.

[Paul F. Tompkins]

But you're.

[Nicole Parker]

Look before you leap, some people say. I say look before you leave.

[Paul F. Tompkins]

Right. But you're saying, walk me past it. I don't think so, Joe.

[Nicole Parker]

Damn. Felt like one. I got that feeling, that tingly feeling when you think something's a T shirt. Oh, well. Better luck next time. Kay. What are you asking about the mirror?

[Paul F. Tompkins]

Well, if. Why are you if. I would assume the purpose of the mirror by the door is to see how you look before leaf.

[Nicole Parker]

Yes, Freely look before leaf. I swear it's a T shirt.

[Paul F. Tompkins]

Okay, walk me through how it's a taste.

[Nicole Parker]

A keychain. Maybe it's a.

[Paul F. Tompkins]

Maybe it's a keychain.

[Doug]

What if the T shirt had a mirror on it?

[Nicole Parker]

Oh, that's good. Like a real reflective.

[Paul F. Tompkins]

Something like that Time magazine. Yeah.

[Nicole Parker]

Cover when we were the most interesting person. We all know that was a lie.

[Doug]

That threw me for a while.

[Nicole Parker]

We all know that.

[Paul F. Tompkins]

Talk about insulting, resulting mirroring.

[Nicole Parker]

Doug framed it and put it in.

[Paul F. Tompkins]

His office, but then everyone who walks in there looks at it.

[Nicole Parker]

That's right.

[Paul F. Tompkins]

They're the person.

[Nicole Parker]

I don't think he got that.

[Doug]

But then I raised my head above their shoulder and said. I say, look at us.

[Paul F. Tompkins]

Wow, that's nice. Yeah. I actually like that. Yeah.

[Nicole Parker]

That's sweet. Okay, so your question about leaving and while. And looking before you leave.

[Paul F. Tompkins]

Yes. You're. You're so it's look before you leave. But you also said you walk past it very quickly.

[Nicole Parker]

That's the first time. Then you.

[Paul F. Tompkins]

Oh, the very first time. Okay.

[Nicole Parker]

Yeah, it's too.

[Paul F. Tompkins]

You come back.

[Nicole Parker]

Yeah, well, I have to work myself up to it. I have a really hard time looking myself in the mirror.

[Paul F. Tompkins]

Oh, why is that, Joan?

[Nicole Parker]

Well, I mean, again, like any. Like any. What was the word I'm supposed to use? Not burgeoning, not aspiring. Like any local actor. Like any local actor, I have a lot of insecurities, of course, and so I just. It's sort of like a. It's like a test run.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Okay, so number one test run. Oh, wait.

[Paul F. Tompkins]

Start with number one.

[Nicole Parker]

No, no, you're right. Number one. Never buy your Number two. Test run.

[Paul F. Tompkins]

Test run.

[Nicole Parker]

Number three, Sneak back in.

[Doug]

Okay.

[Nicole Parker]

And by that, I mean into frame. You know, and then. And just take up. Take. And then number four. Are we on number four?

[Doug]

Yeah.

[Nicole Parker]

Yeah. Be brave.

[Paul F. Tompkins]

Wow.

[Nicole Parker]

Yeah. And that just means take a breath and look and really try to take it in and find something. And then the last one is. Find something.

[Paul F. Tompkins]

Okay, and what does that mean?

[Nicole Parker]

Anything that's working, you know, and focus on that and try to say, hey, that part worked today.

[Paul F. Tompkins]

Are these really rules for mirrors? Because they seem.

[Nicole Parker]

They're just rules for me.

[Paul F. Tompkins]

Oh, yeah. I was gonna say.

[Nicole Parker]

Okay, let me get back. Let me get back to Matt and Prince Ali Fabulousi. Ali Ababa.

[Paul F. Tompkins]

Well, before we do that, let me. Let me talk about. You said be brave.

[Nicole Parker]

Yes. Yeah.

[Paul F. Tompkins]

And I've never seen Warhorse. I've never seen it on stage or on screen.

[Nicole Parker]

Same. I Know exactly what it is, but don't. Don't know what exactly. Yeah, exactly. You know what I mean? Exactly. I feel like that about so many things. Things.

[Paul F. Tompkins]

Okay, so the stage idea.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

I thought, like, a big part of it was, here's people, a bunch of people pretending to be one horse.

[Nicole Parker]

Correct.

[Paul F. Tompkins]

And you can see them.

[Nicole Parker]

Yes. That's this. There's no trick whatsoever.

[Paul F. Tompkins]

They do their job so well.

[Nicole Parker]

So well.

[Paul F. Tompkins]

Swear there was a horse on stage.

[Nicole Parker]

Yes. You stop looking at the people.

[Paul F. Tompkins]

Then the movie. They're like real horse.

[Nicole Parker]

Yeah. In that case, I don't.

[Paul F. Tompkins]

We can. We can have horse in the movie because it won't smell in the theater.

[Nicole Parker]

And it's just. And it's a totally different piece of art, is what it is. Yeah. Which I would have happily gone into a movie theater and watched a filming of the play of Warhorse. Right. This is what I'm saying, which I understand what you're saying, but here's.

[Paul F. Tompkins]

And I overstand. You understand?

[Nicole Parker]

Oh, yeah, that's right. The kids say overstand. Yeah. Babe.

[Paul F. Tompkins]

What was that?

[Nicole Parker]

Oh, I think he heard the word over.

[Paul F. Tompkins]

Stand.

[Nicole Parker]

I thought overruled. And, you know, he just. He just said sustainability.

[Paul F. Tompkins]

Sustained. Okay. All right. So I like the idea that sustained is a response to overruled.

[Nicole Parker]

Yes, I know. I know.

[Paul F. Tompkins]

Anyone in the courtroom can say any of these words at any time.

[Nicole Parker]

It's probably the two you can't put together. It's like you could think they are polar opposite. They really, really are. He just said. Yes.

[Paul F. Tompkins]

The only thing I recall from the trailer for the movie Warhorse is, I guess some officer must be an officer.

[Nicole Parker]

War.

[Paul F. Tompkins]

There's war going on.

[Nicole Parker]

There's war. There's. Where there's war, there's officers.

[Paul F. Tompkins]

And here's what I intuited. This man has just ordered his soldiers to go forth into battle.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

And here's what I remember him saying. I couldn't even say, I don't think this gentleman. I don't know if we saw him on screen.

[Nicole Parker]

Huh.

[Paul F. Tompkins]

But this is all I remember, and it's burned in my brain forever.

[Nicole Parker]

Okay. Be brave.

[Paul F. Tompkins]

Be brave.

[Nicole Parker]

Okay. So that's where that comes from. Because that's in the trailer.

[Paul F. Tompkins]

He says it first.

[Nicole Parker]

Is he take it to the horse or to the boy?

[Paul F. Tompkins]

That's a good question.

[Nicole Parker]

No, probably to the horse. That's why I didn't want to get anywhere near it. To the horse. I didn't.

[Paul F. Tompkins]

You don't think it's the boy's job to say.

[Nicole Parker]

I don't it's the. It's not called war, boy. It's called war.

[Paul F. Tompkins]

True, But I don't think. I don't think the commanding officer is going to take time out to say to the horse, hey, be brave.

[Nicole Parker]

This is true. I love how much we talk about different media and different films that we know nothing about. And we talk about it as if our podcast is dedicated to it.

[Paul F. Tompkins]

Boy, that's true, Joan. That's very true.

[Nicole Parker]

You know, the thing is, I wanted to avoid that story. I wanted to avoid that story at all costs. I was just so worried that horse was gonna die. You know, they have, like a website. Does the dog die? You can go to a website and you can avoid seeing a dog die in any kind of, like, TV or film. But I want. I needed. Did the. Does the horse die for that one? Now one of these, and I actually hear spoiler alert that it doesn't. So thank God.

[Paul F. Tompkins]

Oh, the horse doesn't die. Doesn't die.

[Nicole Parker]

All the puppeteers die.

[Paul F. Tompkins]

Oh, at the end, they fall down.

[Nicole Parker]

That's right. They fall down. They all fall down.

[Paul F. Tompkins]

That's right. Ashes, ashes. Now, when the. Does the dog die? I always wondered what it makes me think. No, I didn't always wonder this.

[Nicole Parker]

Okay, I appreciate your candor.

[Paul F. Tompkins]

That's giving it too much. I appreciate your candor that I feel like it's seldom. You see. You see the dog actually die on screen.

[Nicole Parker]

Yeah, but for some people, that's almost worse.

[Paul F. Tompkins]

Like, they cut to a dog that's lying down, it's like, oh, no, he's dead.

[Nicole Parker]

Right. But I mean, even if it happens, it doesn't matter if it happens off camera. It's terrible.

[Paul F. Tompkins]

Just the idea of it.

[Nicole Parker]

Just the idea of it. I can't.

[Paul F. Tompkins]

All right, I get that. That.

[Nicole Parker]

And maybe that's because I have a 30 year old dog. And so I've just gotten so used to him being alive. Why are you. What I'll do. I thought it was 30.

[Paul F. Tompkins]

Bern, you're trying to. This is. This is secondhand vanity. Bert Jones dog escrow is 50 years.

[Nicole Parker]

Old, and that's a mirror I can't look in. All right, I really want to tell the story about the twins, but I think we. I think we've been talking for a while, babe. How long we've been. He's got to put down his Sharpie. He was doing another signature. Who were you doing just now, babe?

[Doug]

Wait, hold on. I'm looking for.

[Nicole Parker]

He can't do two things at once.

[Paul F. Tompkins]

I still. I would love to know It's a.

[Nicole Parker]

Real process when we ask him. It's our seventh season.

[Paul F. Tompkins]

And we still.

[Doug]

2020. I was signing as the Osmonds.

[Nicole Parker]

Oh, very.

[Paul F. Tompkins]

The Osmonds.

[Nicole Parker]

Yeah, the Osmond. All of them. Yeah, that's right.

[Paul F. Tompkins]

What are their names again?

[Doug]

Donnie? Marjorie. Diane Smith.

[Nicole Parker]

No one knows Marjorie. No one knows Marie is short for Marjorie.

[Paul F. Tompkins]

Are these. Are these husbands that you know personally?

[Nicole Parker]

Oh, wait. Remember, Bert, it's a different timeline. So guess what? Have at it. Bab at it in this world. Correct.

[Paul F. Tompkins]

These are the Osman's names. And how many are there in total?

[Doug]

There's 19.

[Paul F. Tompkins]

Wow.

[Nicole Parker]

Absolutely. It's a lot. It's a lot even for them.

[Doug]

And Rod Stewart was in him.

[Paul F. Tompkins]

Rod Stewart was in the Osman.

[Nicole Parker]

Yes, he was.

[Glendon]

All right.

[Nicole Parker]

Oh, I'm surprised you didn't read that in that United article. Call.

[Paul F. Tompkins]

United Airlines finally caught up with Rod Stewart in the midst of his busy schedule.

[Nicole Parker]

And that's what it would have said. We caught up with Rod Stewart.

[Paul F. Tompkins]

Caught up with him.

[Nicole Parker]

Oh, boy.

[Doug]

Should I get hair like his?

[Nicole Parker]

Oh, no, absolutely.

[Paul F. Tompkins]

Oh, I think Doug could pull that out.

[Nicole Parker]

I was going to end with a Lee. Not a Lee. Not.

[Paul F. Tompkins]

No, absolutely, Absolutely. I think Doug. Oh, there might be an overruling coming. I think Doug could pull it off.

[Nicole Parker]

I'm not saying he can't, but just get a wig. I mean, you don't want that for a whole, entire, like, year. You want that. That's a lot. That's a big haircut for a year. Well, first of all, it would take. Listen to me. He'd have to grow out or, like, get extensions.

[Paul F. Tompkins]

That's right.

[Nicole Parker]

There'd have to be a dye job. That takes months. You don't understand men. Men don't understand how long hair care takes.

[Doug]

Mine grows extremely fast.

[Nicole Parker]

I know it does. It actually is true. It actually is true. I call my little Chia Pet.

[Glendon]

Which.

[Nicole Parker]

Is weird because there was a Chia Head.

[Doug]

That's true.

[Paul F. Tompkins]

Remember that? There was a Chia Pet is more affectionate than Chia Head.

[Nicole Parker]

Sure is. And it's much more pleasant than the actual item of Chia Head.

[Paul F. Tompkins]

Do you remember when they made the Barack Obama Chia Head?

[Nicole Parker]

No.

[Paul F. Tompkins]

And everybody just had no. Look the other way.

[Nicole Parker]

Oh, no.

[Glendon]

Not.

[Paul F. Tompkins]

Not a good look. Chia Richard Simmons. Sure, that made sense.

[Nicole Parker]

Absolutely. Oh, boy. All right, well, we. We definitely have to take a break, and we'll have a guess when we come back. Right, Bert?

[Paul F. Tompkins]

Oh, well, yes, Joan.

[Nicole Parker]

Oh, no. Did I take all your lines?

[Paul F. Tompkins]

No, no, no. It's not that. It's that. Of course we will.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

You don't need to check with me.

[Nicole Parker]

Okay. Well, you look surprised. You look like me mirroring you at the pharmacy.

[Paul F. Tompkins]

I don't think so.

[Doug]

That was green.

[Paul F. Tompkins]

You would know it if you saw it.

[Nicole Parker]

What, babe? Green.

[Doug]

The Green Giant would make a good chia head.

[Nicole Parker]

Okay, Doug, that's great.

[Paul F. Tompkins]

All right, we will return with the Neighbor Listen when the neighbor Listen returns.

[Glendon]

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[Nicole Parker]

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[Glendon]

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[Nicole Parker]

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[Nicole Parker]

Hi everybody, this is Mary Lou. I have got a cat figurines set for $10. Pair of porcelain cat figurines with musical theme. As you can see, there is just a darling, a cat, I think he's a tomcat anyhow, with a banjo and a real smart hat. And then the, the what I. I believe is be the lady kitty who's, who's wearing a dress and she's got a beautiful purple parasol and they're standing in front of this gorgeous vase full of blue stones. And you know, I had such a fun time with them. And it's real fun. You can just make up stories. I love to make up a story. I like to imagine that this is a sort of pre World war Southern story of a pair of star crossed lovers. And her name's Josephine and his name is Ronald. And their families just feuded all the time. And they didn't want him to play the banjo. They wanted him to go into the blacksmith legacy that his father owned. But he didn't want that. He said, dad, I'm an artist. Don't you understand? And they wanted Joseph Josephine to marry a terrible brute named Buzz. He was so awful. And honestly it was like no one wanted them to have their love. So they would have to meet behind the church. And that's where things got real Heated. I'll tell you what. If you look at that. If you look at that one picture where they're just staring at the stones, you can see what a cute little tush that Ronald has on him. Anyway. Anyways, it turns dark when Buzz confronts Josephine one night at the picket fence in front of her house where she lives. And she took that parasol and she stabbed him through the heart. And what their secret is, is that Buzz's body is hidden in that face of blue stones. That's why they're always standing in front of it, just whistling Dixie. So, as you can see, they got to get out of my house or else they're gonna get caught. Okay. Everything's all right.

[Paul F. Tompkins]

And welcome back to the neighborhood. Listen. And, Joan, as you predicted, we do have a guest. I was right here at the kitchen island with us.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

As you may or may not know, what we do is we scour the neighborhap. The social media application for Neighbors neighborhoods.

[Nicole Parker]

Sure.

[Paul F. Tompkins]

Social media application. Yeah, that's right. Right.

[Nicole Parker]

I think that's great.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Did it start to sound like burgeoning to you?

[Paul F. Tompkins]

I didn't know when I was gonna stop saying words.

[Nicole Parker]

Oh, I hate it when that happens.

[Paul F. Tompkins]

Social media networking application. I didn't say networking.

[Nicole Parker]

Is that right? If we listen back. Okay.

[Paul F. Tompkins]

If we listen. Yeah, if you wanna.

[Nicole Parker]

We play the tape.

[Paul F. Tompkins]

If you wanna do.

[Nicole Parker]

Too bad this isn't a real courtroom, because then Doug could, like, read it back for us, but he only knows.

[Paul F. Tompkins]

Oh, I know. We should get a synopsis.

[Nicole Parker]

We really actually.

[Paul F. Tompkins]

And a sketch artist.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

Do they all go to the same school, the courtroom sketch artist?

[Nicole Parker]

I don't know, but I honestly think they're all having a laugh. I really do. Because they don't seem serious, especially those guys, because a lot of the drawings that come out are like, did you try. Or are you. I'm sorry, I don't mean to on all courtroom sketch artists, but really, some of them lately have been a bit. A bit crazy.

[Paul F. Tompkins]

Do you think it's guys from a boardwalk somewhere who are like, I'm gonna take a break from.

[Nicole Parker]

I would actually prefer that. I prefer a fun caricature over just, like, some weird impressionist attempt. Some of them barely even make a. Make an attempt to sort of, like, define features? It's very strange. Do you know what? I did not know how much I felt about this until you brought it up, but I'm on fire right now.

[Paul F. Tompkins]

Yeah, that really struck a nerve.

[Nicole Parker]

It really did.

[Doug]

Joan looks at the paper every day and looks over the Sketch artist. It's just right.

[Paul F. Tompkins]

Every day.

[Nicole Parker]

First of all, if you can believe, I look at the paper every day.

[Paul F. Tompkins]

Yeah, of course.

[Nicole Parker]

You love the newspaper, like anyone. You love anyone.

[Paul F. Tompkins]

We all love the newspaper.

[Nicole Parker]

And it's just really riddled with courtroom sketch drawings.

[Paul F. Tompkins]

There's so many. There's so many courtroom cases here.

[Nicole Parker]

Comic section.

[Paul F. Tompkins]

It has. Yeah. And nobody missed the comics.

[Nicole Parker]

No. No one. Really.

[Paul F. Tompkins]

Nobody missed the comics.

[Nicole Parker]

I don't even know what they are anymore.

[Doug]

Catch up with the adventures of Henry Prince Valiant.

[Paul F. Tompkins]

Prince Valiant.

[Doug]

I miss that guy.

[Paul F. Tompkins]

The Family Circus.

[Nicole Parker]

The Family Circus.

[Paul F. Tompkins]

Drabble.

[Nicole Parker]

Oh, boy. Do you remember Drabble?

[Paul F. Tompkins]

I do remember.

[Nicole Parker]

All right. Okay. Now we should just get to this guest.

[Paul F. Tompkins]

Should. And so what we do is we scour the neighborhap, the social networking application for neighborhoods, and we look for interesting neighbors to talk to. People have posted on there. And if you see one, perhaps on the neighborhap that we have missed, screenshot it. Send it to [e-mail] you said all.

[Nicole Parker]

The things we had a.

[Paul F. Tompkins]

Thank you. A listener sent this in. One of our neighbors named Will. A. Case. Will Case. Will.

[Nicole Parker]

You think it's Will Case?

[Paul F. Tompkins]

Will Case?

[Nicole Parker]

That's a good question. I don't know because I'm just going.

[Paul F. Tompkins]

Off of people's email address.

[Nicole Parker]

Sure.

[Paul F. Tompkins]

If their name does not appear.

[Nicole Parker]

Yeah. Is it Casey Wilson? It is.

[Paul F. Tompkins]

Like, it does not. Does that seem to be Casey? Okay, Wilson, but this is a post entitled Old White Ladies. No, it's in the crime and safety section. Old white ladies saw several old white lenses. This was posted by James.

[Glendon]

Okay.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

I don't know if that's important. Okay, we'll see if our guest.

[Nicole Parker]

We will.

[Paul F. Tompkins]

Needs to say anything about James. Old white ladies saw several old white ladies on Garfield on the way to work this morning, and they were all howling at the moon. I didn't know what to do, so I texted Sandy Simpson and he texted back and told me to call the chief of police. That's all one sentence, no punctuation. And here with us is, I think, one of those old white ladies.

[Glendon]

Well, thanks a lot.

[Paul F. Tompkins]

Oh, I'm so sorry. What is your name, dear?

[Glendon]

Glendon.

[Paul F. Tompkins]

Glenda.

[Nicole Parker]

Hello, Glendon.

[Glendon]

Hello.

[Nicole Parker]

Thank you for being here.

[Paul F. Tompkins]

Yes, thank. We're delighted.

[Glendon]

Thank you for having me. Joe and Burnt. I take a lot of issue with a lot of things in the post. I've been quiet on the app. I've been on the app. As a resident, I like to know what's going on, but I really mind my Own business. I've seen a lot of things. I. I don't tell anyone.

[Paul F. Tompkins]

Oh, really?

[Glendon]

Okay. That's the kind of neighbor I am.

[Nicole Parker]

I see. I kind of like. I like you. I like you already.

[Glendon]

I just. I don't want to talk about it. I'll see you doing stuff. I could bury so many people in this town with what I've seen.

[Paul F. Tompkins]

Is there a sort of anonymous blind item you could give us of something you've seen?

[Nicole Parker]

Do you have a de moi on our neighborhood?

[Glendon]

Well, what was that guy's name?

[Nicole Parker]

James.

[Glendon]

Oh, James.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Tell us about James.

[Glendon]

I. I'm gonna find out about James. I'd like to come back on the show after that and I wanna.

[Nicole Parker]

We never had a guest. Barely start talking and already want to come back.

[Glendon]

Yeah, no, it's up to you. I'm not. I know. I don't make the calls.

[Paul F. Tompkins]

Are you saying you want us to have James on the show and then you will come back?

[Glendon]

I need more info on who James is.

[Paul F. Tompkins]

Well, we don't know.

[Nicole Parker]

Yeah, we. Yeah, we're just seeing this.

[Glendon]

Well, all I know is I gotta.

[Nicole Parker]

Knock on door yeah, she's leaning in and pointing.

[Glendon]

I am.

[Nicole Parker]

Uh huh.

[Glendon]

It's not aggressive.

[Nicole Parker]

Okay.

[Glendon]

No, I didn't think it was expressing myself.

[Nicole Parker]

You know, we love that.

[Glendon]

I've been very withdrawn on. I've been dissociating for most of my life.

[Nicole Parker]

Yeah. No. Oh dear. Okay, so this started out coming out of it. Keep to myself.

[Paul F. Tompkins]

You're just coming out of the.

[Nicole Parker]

Okay, well can we ask a follow up question on that? Because at first when you said I keep to myself, I thought, you know. Although it did have a whiff of like, oh wait, is this leading to something a little bit more serious? And this now sounds a little more serious. Can you talk a little bit more about why you were dissociating for so long and how long that's been?

[Glendon]

Oh God, I don't know where that started. I don't have memories.

[Nicole Parker]

Oh, you don't have.

[Glendon]

Yeah, lately I'm getting some flashes, but.

[Nicole Parker]

Okay.

[Glendon]

I don't know, it's hard.

[Paul F. Tompkins]

What's the earliest thing you can remember?

[Glendon]

I guess Cracker Barrel.

[Paul F. Tompkins]

Okay.

[Glendon]

But it's hard to date that because I've been going so long.

[Nicole Parker]

Something must have happened at a Cracker Barrel.

[Glendon]

So historically I have a relationship with the place. I don't know if I'm remembering from when I was a child or an adult because my height in the memory, I can't tell if I'm standing up. Or sitting down.

[Nicole Parker]

Oh, interesting. I've never thought about memory versus height and whether or not that plays a part of.

[Paul F. Tompkins]

You should start thinking about.

[Glendon]

You should. It's real fascinating.

[Nicole Parker]

Can I ask how old a lady you are?

[Glendon]

I'm not that old.

[Nicole Parker]

Okay.

[Glendon]

So when someone calls me an old lady.

[Nicole Parker]

Right, I see.

[Glendon]

Yeah.

[Nicole Parker]

If you don't want to tell me, it's okay. Not everybody wants to disclose their age.

[Glendon]

I am. Oh. Looking away, trying to think of.

[Nicole Parker]

She has monastic Desert Storm I was aware of.

[Glendon]

Does that give you a date?

[Nicole Parker]

Oh, so you're. You're just trying to. To age yourself based on things you.

[Glendon]

Remember and just sort of cultural movements.

[Nicole Parker]

Right. But you really don't know how old you are?

[Glendon]

I have a pretty good idea. I'm 57.

[Nicole Parker]

Oh, okay. Yeah.

[Paul F. Tompkins]

That's old.

[Nicole Parker]

Oh, no, not at all.

[Paul F. Tompkins]

How did you. What. What led you to believe that this post was.

[Nicole Parker]

Can I. Can I see it?

[Glendon]

Do you have.

[Nicole Parker]

I wanted to take a look at it again.

[Paul F. Tompkins]

Yes.

[Nicole Parker]

Okay. Thank you.

[Glendon]

It's. It's. It's incendiary. What kind of good is going to come from somebody posting something like that? That a chief of police knocks on my door, my door, asks me about who I've been associating with. I know the chief of police. Vaguely. I've seen him shopping. I don't think he's shopping for stuff a normal person buys.

[Nicole Parker]

Oh, like what? What's he shopping for?

[Glendon]

He always gets a lot of ground beef.

[Paul F. Tompkins]

This is Tim Tourniquet, our chief of police.

[Nicole Parker]

Boy, oh, boy. Tim Tourniquet.

[Paul F. Tompkins]

And he loves making smash burgers. Burgers.

[Nicole Parker]

He does?

[Glendon]

No buns, apparently. Oh, no.

[Nicole Parker]

Yeah, that's right. It's just a gigantic patty.

[Glendon]

But I'm not posting on the app about that.

[Nicole Parker]

Well, I get it.

[Paul F. Tompkins]

Yeah. But everyone knows.

[Nicole Parker]

Everyone knows what?

[Paul F. Tompkins]

Well, everyone knows he buys a lot of grub.

[Nicole Parker]

Oh, yes, exactly.

[Glendon]

Okay. I didn't know. I didn't know everybody.

[Paul F. Tompkins]

He makes a big deal.

[Nicole Parker]

He drives to the grocery store with his siren on. Yeah. And he just. He just wails into the parking lot and he just parks. You know, he double parks, parks.

[Paul F. Tompkins]

He cuts the line.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

He clears up the ground beef section. Cuts the line.

[Glendon]

None for anyone else.

[Paul F. Tompkins]

He fires one into the air, right through the ceiling. And he says, I'm making my famous four man smash burger. It's one big patty that four people are supposed to surround and then eat with their hands behind their backs.

[Glendon]

Wow. So I'm not mad about it. Right. He can do that?

[Paul F. Tompkins]

Of course.

[Glendon]

Do that.

[Nicole Parker]

Can I Just ask you. Do you remember being with some friends howling at the moon? You seem upset that you were called an old white lady. So that makes me think you were there.

[Glendon]

I was around. I was around.

[Paul F. Tompkins]

Tim Tourniquet did show up at your door.

[Glendon]

He did show up at my door, yeah. Based on what? I don't know. I think James identifying me is what it was.

[Nicole Parker]

Okay, but can I just ask, what were you ladies doing? And do you. Were you howling at the moon or doing something that could be construed as.

[Glendon]

We were howling.

[Nicole Parker]

You were. Okay.

[Glendon]

How come the moon wasn't even out? Okay, so that was the first aspect.

[Nicole Parker]

So that's the part that's wrong. They're not howling at the moon. They were just howling.

[Glendon]

And it was a release of stuff. It's some gals I know. We've been trying to do some inner work. We started listening to podcasts recently and understanding a lot more about just the way things work and don't work.

[Paul F. Tompkins]

What are some of your favorite pods?

[Glendon]

I like I go to this for you section.

[Paul F. Tompkins]

Right.

[Glendon]

And I just roll the dice. I've listened to Smartless.

[Nicole Parker]

Oh, sure.

[Glendon]

Wow. Those guys have fun.

[Nicole Parker]

That's fun. And they have so much money.

[Paul F. Tompkins]

So much fun money.

[Glendon]

I didn't even know they were rich. They just sound nice to me.

[Nicole Parker]

Oh, wow. Okay. Well, yeah, it's easy to be nice.

[Glendon]

So they're just doing it for the love of it.

[Paul F. Tompkins]

And yet no one is.

[Nicole Parker]

So true. So true. Burnt.

[Glendon]

Yeah.

[Nicole Parker]

Why is that?

[Paul F. Tompkins]

Did that hit home?

[Glendon]

That really hit home.

[Nicole Parker]

Oh, it really did.

[Glendon]

I think I'm getting some memories.

[Paul F. Tompkins]

Oh, really?

[Nicole Parker]

Really.

[Glendon]

I don't. I just saw a wallet, so it could have been just. You said something and I thought of a wallet.

[Nicole Parker]

Okay, let's try to keep it. Let's try to keep track here. We have Cracker Barrel. We have Wallet.

[Paul F. Tompkins]

We have Operation Desert Shield or Storm?

[Glendon]

Storm.

[Paul F. Tompkins]

Storm.

[Nicole Parker]

Desert Storm. We have Operation Desert Shield. Yes, we sure are.

[Glendon]

I think it was getting us there.

[Nicole Parker]

Yeah. Oh, well, we don't need to litigate that, but sure, absolutely. But. So you were howling, by the way. I absolutely love this. I have wanted to do this. I want to be a lady out there holding hands in a circle and just having a primal scream. Lots of women are doing this. Lots of moms go to a forest and they just scream.

[Paul F. Tompkins]

Is that true?

[Nicole Parker]

It is a thing. You can find videos of it on TikTok.

[Paul F. Tompkins]

Oh, I'm good.

[Glendon]

They need to do it.

[Paul F. Tompkins]

And you're saying. Is this what you were doing, you and your friends Some.

[Glendon]

I like the way you just sort of legitimized what we were up to.

[Nicole Parker]

Oh, well, we didn't know. I will say I probably wouldn't do it in a residential area, which Garfield is. I probably go into the forest. The only reason I don't want to do it, I'm afraid of getting vocal damage, you know?

[Paul F. Tompkins]

Yeah, sure.

[Nicole Parker]

Yeah.

[Glendon]

Oh, you're a local actor.

[Nicole Parker]

I have to keep my local vocal cords, my local vocals. I have to protect my local vocals.

[Paul F. Tompkins]

Protect your local vocals.

[Nicole Parker]

Now that's a T shirt.

[Paul F. Tompkins]

Now that's a T shirt. I honestly, that's a. I got the feeling.

[Doug]

I got the feeling.

[Nicole Parker]

That's my husband, Doug. He's in the green room, which he might have been sitting in before this, but might have not. Not have been.

[Glendon]

I was in. I saw a lot of stuff in there.

[Nicole Parker]

Yeah.

[Glendon]

I had. Got a lot of nut bars for snacks.

[Nicole Parker]

Oh, yeah?

[Glendon]

Yeah. And you've got a lot.

[Nicole Parker]

I had to get so many nut bars.

[Doug]

There's a whole bar of nut bars.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

Instead of us.

[Doug]

You're right.

[Paul F. Tompkins]

Kind bar. As you. You saved some money. You got business like bars.

[Doug]

That's right. I also famously the opposite of. I took some saltines, just kind of crushed them into the couch cushions too.

[Nicole Parker]

Oh, sure. To give it that real feel. I saw comedians are always mainlining.

[Paul F. Tompkins]

Is that one of the names you put on there? Ina Garden.

[Glendon]

I saw that.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Again, it's a different time.

[Paul F. Tompkins]

Very eclectic.

[Nicole Parker]

She does a real tight 10. Okay, so fine. If you weren't necessarily. Was this the first time you had done this howling or was this spontaneous?

[Glendon]

A lot of, you know, lightning can strike twice. Is this sort of thing. It was.

[Paul F. Tompkins]

Oh, that's what they always say. Lightning can strike twice.

[Glendon]

I made some friends.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

How many friends are we talking? James says several.

[Nicole Parker]

Yeah. Huh.

[Glendon]

Several implies three or more.

[Nicole Parker]

That's what I always say. Right.

[Paul F. Tompkins]

I disagree. Really?

[Glendon]

How many are you?

[Paul F. Tompkins]

A couple is two, few is three.

[Nicole Parker]

Oh, several is three. Oh, hard seven with a bullet.

[Glendon]

There were. Well, that's crazy. There were seven of us, including. Wow.

[Nicole Parker]

Birds. You were right.

[Paul F. Tompkins]

What are their names?

[Glendon]

Oh, gosh. We don't even exchange names.

[Paul F. Tompkins]

Oh, you don't?

[Glendon]

That's convenient. No, I. I only know Deborah, but we don't refer to each other by name.

[Paul F. Tompkins]

Do you pretend to not know each other?

[Glendon]

Oh, it's. Oh, so one thing leads to another. You know, the bingo night.

[Nicole Parker]

Sure.

[Glendon]

I go there. I usually don't even get a card. I'm just. I like the chaos of it. I love Seeing people happy. The winners are so fun.

[Nicole Parker]

Yeah. But it is very intense.

[Glendon]

It's an intense.

[Paul F. Tompkins]

Well, it's Jingo Bingo, which is. It's a very overtly patriotic bingo night.

[Glendon]

I love that.

[Paul F. Tompkins]

Where everyone's wearing American flag stuff.

[Glendon]

It's intense, but it gives you. So it reminds you, oh, we're part of this.

[Nicole Parker]

And Tim tourniquet plays and he shoots the ceiling every time instead of saying bingo.

[Paul F. Tompkins]

Yes.

[Glendon]

Yeah. Tim's there.

[Paul F. Tompkins]

And after somebody yells, go, everyone else yell, America.

[Glendon]

The trumpets come out the bugle.

[Nicole Parker]

Yes. Action. There's a band.

[Glendon]

It's an environment.

[Nicole Parker]

That is true.

[Glendon]

I made friends with Deb at bingo night.

[Nicole Parker]

Okay, so now that's one of the gals.

[Glendon]

That's one. That's the only one I know.

[Nicole Parker]

The only one. You know the name.

[Paul F. Tompkins]

Never find out your name, by the.

[Glendon]

Way.

[Nicole Parker]

Which I love. I love that name.

[Paul F. Tompkins]

It's a beautiful name.

[Glendon]

Thank you. I wish I knew where it came from.

[Nicole Parker]

And I was going to ask you. I realized you wouldn't know, but we might get to the bottom it again.

[Glendon]

I love it.

[Nicole Parker]

Just for everyone, keeping track at home, keeping score. We've got Cracker Barrel Wallet, Operation Desert Storm. I think that's it.

[Glendon]

Bingo.

[Nicole Parker]

And. Well. Bingo. But that was recently. That was.

[Glendon]

But I remember it.

[Paul F. Tompkins]

Okay. I think. I think we're trying to.

[Nicole Parker]

I think we're looking for a harder evidence.

[Glendon]

I don't know how we're going to.

[Nicole Parker]

Figure this thing out and we might not. We don't promise to.

[Glendon]

Okay.

[Paul F. Tompkins]

I think we need to focus on the memories you have before you stopped disassociating, even.

[Nicole Parker]

Yes.

[Glendon]

Okay. Well, anyway, Deb bought me a bingo sheet one day, and I told her, I don't use the sheet.

[Paul F. Tompkins]

Right. You just go for the.

[Glendon]

I just like to be.

[Nicole Parker]

You go for the environment. Yes.

[Glendon]

And she said, tonight you're going to use the sheet. My name's Deborah.

[Nicole Parker]

Oh, wow.

[Glendon]

And I thought, my God, I've got. Something's going on here.

[Nicole Parker]

Yeah.

[Glendon]

People don't usually talk to me like this or anything. So we held hands for a second.

[Nicole Parker]

Oh, that's lovely.

[Glendon]

And. And I think when I replay it, she was shaking my hand.

[Nicole Parker]

When you replay it in your mind.

[Glendon]

Okay. I thought we were holding hands.

[Paul F. Tompkins]

Right.

[Glendon]

So we sat in that for a minute.

[Nicole Parker]

Okay.

[Glendon]

And then.

[Paul F. Tompkins]

What does that mean?

[Glendon]

I was. I was gripping her hand against her will, ultimately.

[Paul F. Tompkins]

Oh, because you thought it was a hold and she thought it was a catch and release.

[Glendon]

Okay, that's exactly right. But she was very gracious about the whole Thing. I. I snapped out of it. I was kind of gone. When I was touching her hand. Oh. And I.

[Nicole Parker]

Do you remember where you went?

[Glendon]

It was.

[Nicole Parker]

What did you see?

[Glendon]

It was stormy.

[Nicole Parker]

Okay.

[Glendon]

But a nice storm.

[Nicole Parker]

Oh, okay.

[Glendon]

Warm.

[Paul F. Tompkins]

A warm tropical storm.

[Glendon]

Storm. What?

[Paul F. Tompkins]

Quiet storm.

[Glendon]

A quiet storm.

[Paul F. Tompkins]

Shutting.

[Glendon]

There was no sound.

[Paul F. Tompkins]

There was no sound. That's a quiet storm.

[Glendon]

Very quiet.

[Paul F. Tompkins]

So you could see what, Thunder and light lightning or.

[Glendon]

I could feel the warm rain.

[Paul F. Tompkins]

Oh, you were outside.

[Nicole Parker]

It's lovely.

[Glendon]

I was outside.

[Nicole Parker]

You're outside in the warm rain.

[Paul F. Tompkins]

No sound, though.

[Glendon]

There's never sound.

[Paul F. Tompkins]

What do you. What does that mean?

[Nicole Parker]

In your memories. You mean.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

When these memories flash, there's no sound. Okay, so in your cracker Barrel, you.

[Paul F. Tompkins]

Don'T know how tall you are and you can't hear anything.

[Nicole Parker]

Right.

[Glendon]

Which cracker barrel?

[Nicole Parker]

Famously. Famously noisy.

[Glendon]

The ignoramus. Oh, you know the. The peg game.

[Paul F. Tompkins]

Is that what it's called?

[Glendon]

No, that's one of the. That's the worst ranking.

[Nicole Parker]

Oh.

[Paul F. Tompkins]

That seems hard to.

[Nicole Parker]

Wait, which peg game are you thinking about? Cribbage.

[Paul F. Tompkins]

It sort of looks like a crib angle.

[Nicole Parker]

Yeah.

[Glendon]

And you're trying to.

[Nicole Parker]

I have no idea how it's.

[Glendon]

You're trying to jump pegs to eliminate all the pegs.

[Paul F. Tompkins]

Yes.

[Glendon]

And it tells you a chart of. If you get this many left. If you get. And the memory is me. Me registering. I got the ignoramus.

[Nicole Parker]

And that's a real thing. You're called the. That is what a real rude game.

[Paul F. Tompkins]

Well, I mean, I don't know. How are you ignorant if you didn't win the peg game?

[Nicole Parker]

This seems very important because that is a sort of. If you're a child and you're playing that. That's very formal.

[Paul F. Tompkins]

And also, if you know what the word ignoramus is.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

You have to be of a certain age.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

That's a pretty big word for a little kid.

[Nicole Parker]

All right.

[Glendon]

A lot.

[Nicole Parker]

And see, I think you were where you called it a lot.

[Glendon]

I don't know. But in the memory I read. I understand it in a way that makes me think maybe I was familiar with that.

[Nicole Parker]

Oh, I think you definitely were.

[Glendon]

Yeah.

[Nicole Parker]

I'm not a licensed therapist, but I think you definitely were.

[Glendon]

I'd love to, you know, have another swing at that game. Oh.

[Nicole Parker]

Like maybe that's redemption of some sort.

[Glendon]

Yeah.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Do you think that would unlock your memories if you played the Cracker Barrel triangle pegboard game?

[Glendon]

I. I would be willing to try. You know, you did My life. You did.

[Nicole Parker]

Playing it there. Oh, Maybe she was playing at a Cracker Barrel. Yeah, that's good.

[Paul F. Tompkins]

Well, now, were you in your memory? Were you playing the game? You just see it and you see the rank. Ignoramus.

[Glendon]

I was ignoramus.

[Paul F. Tompkins]

You were ignoramus.

[Glendon]

I know the amount of pegs.

[Nicole Parker]

Qualifies you for.

[Glendon]

I look at the key to see the ranking. The news comes in. Memory over. As the feeling washes over me.

[Nicole Parker]

This is like a video game. Memory over.

[Paul F. Tompkins]

God, can you imagine? Like a card slides into your brain. Memory over.

[Nicole Parker]

Now, I'm gonna sidestep for a minute. Can we talk about Scottie Simpson? Was it. Was it Scottie Simpson? The one that Sandy. I'm sorry, Sandy?

[Glendon]

Yes, I think it's Sandy.

[Nicole Parker]

It's Sandy.

[Glendon]

Oh, the chief of police.

[Nicole Parker]

Can you talk to us about. Or is that a she?

[Paul F. Tompkins]

Yeah, I don't know Sandy Simpson. Oh, he texted back and told me to call the chief of police.

[Nicole Parker]

Okay. I don't know Sandy Simpson.

[Paul F. Tompkins]

I don't know Sandy either.

[Glendon]

I don't know Sandy either. I think it's a lie.

[Paul F. Tompkins]

You think it's a lie?

[Glendon]

I think that this person, James, ultimately could be the chief of police. Whole runaround. So it seems like they got a call. I think he's been after me.

[Nicole Parker]

Tim?

[Glendon]

Yes. Oh, I think he. This was a excuse he needed. He sees me. Who again? I minded my own business for a long time. One time.

[Nicole Parker]

I have fun. Yes.

[Glendon]

And other reasons, probably.

[Paul F. Tompkins]

Oh, but you can't.

[Nicole Parker]

I was gonna ask what they were, but when she said probably, I thought maybe we don't have that list.

[Glendon]

It just seems right.

[Paul F. Tompkins]

I get that.

[Glendon]

Why? Why make a mess?

[Paul F. Tompkins]

Yeah, absolutely.

[Glendon]

I have one fun day and guess who shows up. Yes. The howling Tim Tourniquet. A lot of fun.

[Nicole Parker]

So he shows up at your house. What happened?

[Glendon]

I answer the door. I have on a traditional outfit.

[Nicole Parker]

Oh, that's interesting. She's including what she's wearing. Just traditional outfits. What does traditional mean to you? What does that mean?

[Glendon]

Well, it's an outfit that people sort of understand. So it's traditional. I wasn't taking any risks.

[Nicole Parker]

Like a dress. You mean. You mean any risks that day you woke up? Or was it because Tim knocked on your door, you threw something different on a wild morning. Pants on the legs.

[Glendon]

The pants were on the legs. It was a pair of pants.

[Nicole Parker]

Where they go, baby.

[Glendon]

Just totally traditional. Socks.

[Nicole Parker]

Totally traditional. Yep.

[Glendon]

Socks.

[Paul F. Tompkins]

And shoe.

[Glendon]

And shoe. I had on a shell.

[Paul F. Tompkins]

A shell?

[Glendon]

Sort of a shell.

[Paul F. Tompkins]

You're miming.

[Nicole Parker]

She's miming on her necklace. Like a Shell necklace. Like a puka situation.

[Glendon]

Just a pretty shell necklace.

[Nicole Parker]

Okay.

[Glendon]

And a top. And a cardigan buttoned. One button.

[Nicole Parker]

Sweet. Just the top button.

[Glendon]

That's the one. I open the door.

[Nicole Parker]

Okay.

[Glendon]

I say, well, to what do I owe the pleasure? Oh, that's something I've always wanted to say.

[Paul F. Tompkins]

And were you saying it? Were you saying it?

[Nicole Parker]

How did it feel? How did it feel?

[Glendon]

I was shaking. I was excited to say it again. This was the same day that I'd been howling.

[Paul F. Tompkins]

Yeah, of course.

[Glendon]

Oh, okay. So I am on another level, energetically, than where I'm usually operating now.

[Paul F. Tompkins]

At this point, you have no suspicion that Tim Tourniquet is showing up for you? That you've done something wrong?

[Nicole Parker]

Oh, right. You don't know. He knows about the howling.

[Glendon]

I do have a suspicion because I just have such. I carry around such guilt. I don't know why.

[Nicole Parker]

Oh, we gotta get.

[Glendon]

But I always assume, oh, I did it. I killed him. I don't.

[Nicole Parker]

Wait, why would you lead with that?

[Glendon]

That was just an example.

[Nicole Parker]

Well, pretty specific.

[Paul F. Tompkins]

Biggest example.

[Nicole Parker]

It is the biggest example.

[Paul F. Tompkins]

I.

[Nicole Parker]

You.

[Paul F. Tompkins]

You could have gone with, I left the cabinet door open.

[Nicole Parker]

Yep. Yep.

[Glendon]

Yeah, I could.

[Nicole Parker]

I.

[Glendon]

You know, I could have left the cabinet. I. I said the house.

[Nicole Parker]

No, it's too nice. It's out there.

[Glendon]

I didn't mean to kidnap them. Things like that.

[Paul F. Tompkins]

You have flashes that could indicate what you might be guilty. Feeling guilty over.

[Glendon]

I can imagine all those things I listed, but I've seen, really.

[Nicole Parker]

Including desert storms. Why? Why do you feel guilty?

[Paul F. Tompkins]

You've seen a lot. Lot of films.

[Nicole Parker]

Oh.

[Glendon]

So I don't know what's what, honestly.

[Paul F. Tompkins]

So you're saying some of your memories could actually be just moments from movies?

[Glendon]

That's right.

[Nicole Parker]

Oh, I see. You feel guilty. That is really tricky. That's tricky. I wonder how Desert Storm factors into that. Between the guilt and the film.

[Paul F. Tompkins]

It's a good question.

[Glendon]

The way I remember that is the. There were ribbons, right?

[Nicole Parker]

Oh, sure. Yeah. People were doing ribbons or entries.

[Glendon]

I loved the that. It's a happy memory, actually.

[Nicole Parker]

Okay.

[Glendon]

No disrespect to the troops, I understand. Or the victims.

[Nicole Parker]

Oh, dear.

[Glendon]

I don't know. Well, history is so gray.

[Nicole Parker]

Oh, boy.

[Paul F. Tompkins]

So true.

[Glendon]

I'd hate to take a side on this.

[Paul F. Tompkins]

It's very gray. Because everything we say, we have to think, eventually this will be history.

[Nicole Parker]

That's right.

[Paul F. Tompkins]

So let's not be too.

[Nicole Parker]

What you just said is now. Like, exactly just now.

[Paul F. Tompkins]

So you can't be too black and white about things.

[Nicole Parker]

You really can.

[Paul F. Tompkins]

Because you might be. Might. You might be wrong in 100 years.

[Nicole Parker]

That's true.

[Glendon]

And then people are gonna look back at you.

[Paul F. Tompkins]

Yeah.

[Glendon]

And now you're the bad guy. Oh, you did kill him.

[Nicole Parker]

You come back to this, killing someone. This is twice now. And it's hard not to. To. To, you know, dig a little deeper. But. But before we do, I just want to know what. Just finish what happened with Tim. So you said. What was your famous line? What do I owe the pleasure? Like a Betty Davis movie.

[Glendon]

Yeah. Oh, I wish.

[Nicole Parker]

I hear you.

[Glendon]

And he says, hello, I'm here on business.

[Nicole Parker]

Oh, okay.

[Glendon]

I'm immediately off kilter.

[Nicole Parker]

Sure. It's weird that he felt he had to qualify that.

[Paul F. Tompkins]

Very odd for a policeman to speak.

[Nicole Parker]

Very strange.

[Paul F. Tompkins]

I'm here on pleasure.

[Glendon]

We've never been anywhere together on pleasure.

[Nicole Parker]

That's never on pleasure.

[Glendon]

It threw me off. I was already nervous because I had had this crazy morning. Of course I. I said, well, can I get you something? I regret that.

[Nicole Parker]

Oh, I. Sure.

[Glendon]

I was trying. I was a people pleaser in that moment, trying to get him something. And he said he just ate. You know what he smells like? Yeah. Smelled like that meat. And then.

[Nicole Parker]

Gross.

[Glendon]

It was upsetting the whole thing. And then he said, who have you been associating with? Glendon. Oh, that tone.

[Paul F. Tompkins]

I'm using your first name like that.

[Glendon]

I'm a 57 year old woman. Okay. Who have I been associating with is a. Again? I'm off my game.

[Nicole Parker]

Yeah.

[Glendon]

And I said, well, I have friends all over this town.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

And is that true?

[Glendon]

It's not true. And it escalated things in a way.

[Paul F. Tompkins]

Oh, wow.

[Glendon]

I got cuffed.

[Nicole Parker]

What?

[Paul F. Tompkins]

He took it as a challenge.

[Glendon]

Well, I pushed him when I said it.

[Nicole Parker]

And. Well, but it was a little.

[Glendon]

It was a. In my mind we were flirting or something.

[Nicole Parker]

But that wasn't the case.

[Glendon]

It wasn't the case.

[Nicole Parker]

Okay.

[Glendon]

He said he got reports of some activity.

[Nicole Parker]

Huh. And I said, but you think he's making up those reports? Just making up people who.

[Glendon]

I think he just saw us.

[Nicole Parker]

Yeah, he just saw you.

[Glendon]

He saw us.

[Paul F. Tompkins]

And to cover his basis, he creates a dummy account on neighborhood.

[Nicole Parker]

That's right. Right. And then James.

[Paul F. Tompkins]

James. Then he makes up the dumb name.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Very, very.

[Nicole Parker]

It's a perfect cover.

[Paul F. Tompkins]

And then he makes up this Sandy person.

[Glendon]

Nobody. You don't know him.

[Nicole Parker]

I don't. We don't know him.

[Paul F. Tompkins]

Why can't James just say I called the police?

[Nicole Parker]

He.

[Glendon]

He has to take everybody blame it. It's weird. The whole Thing is weird. I've been dissecting that thing like you mentioned. No punctuation.

[Paul F. Tompkins]

Right.

[Nicole Parker]

So did he put you in the car? Take you to the station? What happened?

[Glendon]

Well, but also, who says call the chief of police?

[Nicole Parker]

People don't say that.

[Glendon]

You're right, they call police.

[Nicole Parker]

That's a very.

[Paul F. Tompkins]

Chief of police.

[Glendon]

Too specific.

[Paul F. Tompkins]

I saw women howling. Call the chief of police.

[Glendon]

Call the chief of police. Because I was. I calmed down pretty quick once he had the cuffs on me.

[Nicole Parker]

Oh, you calmed down when you had the cuffs on you?

[Glendon]

It sedated me.

[Nicole Parker]

It was sedated. I think that's worth noting. I think it's worth something There.

[Paul F. Tompkins]

Flash of memory. The comfort of handcuffs.

[Glendon]

I feel comfortable.

[Nicole Parker]

Handcuffs and the guilt of a quiet storm. I'm trying to figure out again, it's.

[Glendon]

Just to text your memory. I feel metal.

[Nicole Parker]

Okay.

[Glendon]

I can't move around much.

[Nicole Parker]

She's struggling a little in her chair. In real time.

[Glendon]

I'm reliving what I do.

[Nicole Parker]

She's reliving it.

[Paul F. Tompkins]

She's deeking. She's deking and juking.

[Nicole Parker]

Yes, juking. I don't know, but juking. I'm familiar.

[Glendon]

I've never heard of her.

[Doug]

Never heard deeking.

[Paul F. Tompkins]

Why am I. I was honored and.

[Glendon]

Thought I could deke. Gotta save that.

[Nicole Parker]

That's fair. Cuz Glendon doesn't know if deeking is real or not. She doesn't have these memories.

[Glendon]

Certainly don't. And I've never been involved in dance, believe it or not.

[Nicole Parker]

Oh well, yes, it did look like a dance move. So when you have the cuffs on, you're feeling comfort, Am I correct?

[Glendon]

I'm feeling you calmed down. Calm different than comfort.

[Nicole Parker]

Oh yeah, I guess so.

[Glendon]

I am not activated. But I'm also. I'm not happy. Sure. You know who would be. And he says, tell me about this morning and who you were with. And I said I was with some friends and I was releasing some stuff.

[Nicole Parker]

Okay.

[Glendon]

And he said, go on.

[Nicole Parker]

Oh, okay.

[Glendon]

I remember this conversation clear as day.

[Paul F. Tompkins]

Oh, really? It sounds like you do. Absolutely.

[Glendon]

Because of the work me and the women have been doing. It's opening up the pathways. So anyway, one thing comes to another these old way and I'm mad at him, of course. He's saying these old women. He said old women in the group. There are a few of sort of my peers and then there's people on both sides.

[Paul F. Tompkins]

Your age cohort.

[Glendon]

That's right. Deborah and I are pretty. Even Steven. But a few of the other gals.

[Nicole Parker]

Some in their 30s, some in their 20s and some. And he called them old.

[Glendon]

Much older.

[Nicole Parker]

And some much older. Oh, wow. Okay.

[Glendon]

There's some young women.

[Paul F. Tompkins]

It's important to keep in mind that Tim tourniquet himself is 26 years old.

[Glendon]

That is a good lens with which to see this because.

[Paul F. Tompkins]

And he became the chief of police because we have a system. It's sort of hierarchical. So his father, the former chief of police, died and.

[Nicole Parker]

Yeah, like a movie. It is silly. There was a hallway way of just, you know, like, first there's a lithograph, then there's paintings, then there's photos, and they really do all look the same. And they have the same goatee.

[Paul F. Tompkins]

The same goatee? Yeah. Squinty eyeball.

[Glendon]

No, the. The one portrait where you. It was in that phase where everything was Those squinty eyes.

[Nicole Parker]

Oh, yes, sure.

[Paul F. Tompkins]

There's a magic eye.

[Nicole Parker]

Yeah. There's one where it follows you. There's a squinty eye One. There's one where his eyes follow you.

[Paul F. Tompkins]

Where he looks like chief police and then he looks like a ghoul.

[Glendon]

That's what they need to get those courtroom artists on, is more stuff like that.

[Nicole Parker]

Absolutely.

[Glendon]

Pick a genre.

[Nicole Parker]

Absolutely. I agree. Pick a genre, indeed.

[Glendon]

Give us a topic and. And show us a world. You know, like the Green Room.

[Nicole Parker]

Like the Green Room.

[Glendon]

I loved my time in there.

[Nicole Parker]

Oh, I'm so glad to.

[Glendon]

Your man.

[Nicole Parker]

Well, here. He can hear you, babe. She's giving you a compliment. Isn't that nice?

[Paul F. Tompkins]

I. I hope it doesn't get to the point where it's like the movie Avatar, where a lot of people leave the green room and then they become despondent that they're no longer in that world.

[Nicole Parker]

Right. Because they just truly have time hopped or at least timeline hopped.

[Paul F. Tompkins]

Timeline hopped.

[Glendon]

It was a rich lore. Oh, good, good, good. I never saw a dog, though.

[Nicole Parker]

That's interesting, babe.

[Doug]

I let the. The talent have the room to themselves.

[Nicole Parker]

That's very nice. Very considerate.

[Glendon]

It felt cool.

[Nicole Parker]

Oh, good. That's how Green Room should be. It should feel cool.

[Paul F. Tompkins]

As cool as metal on your wrists, almost.

[Glendon]

Oh, but this got my heart racing instead of slowing down.

[Nicole Parker]

So then you say to him. Well, he says to you. Go on. And you just described more about the sort of the releasing and the ladies or. What did you say?

[Glendon]

I said, what did I do? That's illegal.

[Nicole Parker]

Good question.

[Paul F. Tompkins]

That is a terrific question.

[Nicole Parker]

Really good question, because not. I mean, she did push him. What's real. But the reason he showed up at.

[Glendon]

Her door was when I was on my property. I still don't understand those rules.

[Paul F. Tompkins]

That's right.

[Glendon]

I guess if I can't do that.

[Paul F. Tompkins]

That I, I. I feel like the. The. The idea that someone would show up at your home after this howling incident, which is. There is nothing illegal about howling.

[Glendon]

Well, it turns out the illegal part was the nudity.

[Paul F. Tompkins]

There we go.

[Nicole Parker]

You did not mention that. And strangely, neither did James, which is.

[Glendon]

Again, I think it's our guy covering his track. Absolutely. Because he's going to be seeing, like, a pervert.

[Nicole Parker]

So you. You were all unclothed.

[Paul F. Tompkins]

Why wouldn't he?

[Glendon]

I don't know. I haven't figured it all out. I'm just telling you what I've tried.

[Paul F. Tompkins]

You're right.

[Glendon]

Together.

[Paul F. Tompkins]

You. You were right to just cut me off at the past. Why would I ask?

[Glendon]

It's rude. It feels.

[Paul F. Tompkins]

Oh, I'm sorry. I do.

[Glendon]

No, it's okay. It's okay. Go on. I'm sorry.

[Paul F. Tompkins]

I don't remember what I was gonna say.

[Glendon]

I think.

[Nicole Parker]

Why didn't he mention. Now I'm wondering. Because the nude howling.

[Paul F. Tompkins]

He could have. In order to avoid looking like a pervert, he leaves out the nudity. But I feel like he could have worked a little harder on his fake Persona.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

To structure in a way. He could say, like. And my kids were seeing this.

[Nicole Parker]

Right, Right.

[Glendon]

That would have been a good move.

[Nicole Parker]

Because we agreed. Just thinking. So you came home from the nude howling. Then you did put clothes on, and.

[Glendon]

We had our clothes nearby.

[Nicole Parker]

Underby.

[Paul F. Tompkins]

Under a log.

[Glendon]

Yeah.

[Paul F. Tompkins]

Just one of the street logs.

[Glendon]

You probably know the log.

[Paul F. Tompkins]

I know the logs on Garfield.

[Nicole Parker]

Yeah. We really can't get anyone.

[Paul F. Tompkins]

Was it the wishing log?

[Glendon]

It was the wishing log.

[Nicole Parker]

We can't get anyone to clean up Garfield, so we just. People decided to give meaning to some of this stuff that's lying around, and one of them became the wishing log.

[Paul F. Tompkins]

Yeah. Kids crawl through the log. They make the wish in the log, and then if they're able to get out the other side, the wish will come true.

[Nicole Parker]

True.

[Glendon]

A lot of them are wishing to get out.

[Nicole Parker]

That is one of the major reasons paramedics are called. Because a kid gets stuck in the log.

[Paul F. Tompkins]

Yeah. They never just back out.

[Nicole Parker]

Well, they don't back out because they want. They know their wish isn't going to come true, so they have to. Literally, it's like a negotiation.

[Glendon]

The spines in the log. If you back up, though, it's like the things where. If you back up on the tires.

[Paul F. Tompkins]

The treadles.

[Glendon]

Yeah. What are they called?

[Paul F. Tompkins]

Treadles.

[Glendon]

That's A nice name.

[Nicole Parker]

And I live in fear that just somehow how something's going to happen in the middle of going over it that wants me to go backwards. I'm glad I don't feel alone.

[Paul F. Tompkins]

Nothing more terrifying.

[Glendon]

Every time is the last time.

[Nicole Parker]

100.

[Paul F. Tompkins]

100. You know, used to the sign used to say do not back up. Treadles cause severe tire damage.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

And then they. I guess they People were asking too much. What are treadles?

[Glendon]

Well, it sounds so cute.

[Paul F. Tompkins]

It does sound. It does sound cute.

[Nicole Parker]

I know. People were too curious actually.

[Paul F. Tompkins]

Yeah. Are they?

[Nicole Parker]

Are we going to release the treadle?

[Glendon]

Don't get a treadle wet. That's the Gremlins movie I saw.

[Paul F. Tompkins]

Right? Another memory.

[Nicole Parker]

That's another memory. Wait.

[Paul F. Tompkins]

Which was a Gremlins one or two?

[Glendon]

What's the difference?

[Nicole Parker]

That might be too much to ask.

[Paul F. Tompkins]

The. The one. The one has gremlins. Only one has a personality number two. All these gremlins.

[Nicole Parker]

All of them do. Oh, got it.

[Paul F. Tompkins]

One's a lady.

[Glendon]

That's the one I saw with a beautiful woman. 1.

[Nicole Parker]

So that's the first one.

[Paul F. Tompkins]

Beautiful.

[Nicole Parker]

Wasn't that Spike dressed in draft?

[Paul F. Tompkins]

No, that was the second one.

[Nicole Parker]

Oh, okay.

[Paul F. Tompkins]

Yeah.

[Glendon]

Okay.

[Nicole Parker]

That was so that was the second one.

[Paul F. Tompkins]

Much so.

[Nicole Parker]

Gremlins 2. Desert Storm. Ignoramus. Cracker Barrel or wallet. And the cooling calming of handcuffs.

[Glendon]

And a tropical storm.

[Paul F. Tompkins]

And a tropical quiet storm.

[Nicole Parker]

Quiet storm.

[Glendon]

Yes, I know. Sound to any of the guilt.

[Nicole Parker]

I, I, I'm gonna circle back really quick because I know you asked a question. Yes. They bring out a log negotiator to get the kids to go out out. Because he really has to sit and talk to them. Because they don't. They know if they back out, their wish will not come true.

[Paul F. Tompkins]

But the other end of the log. It's too small.

[Nicole Parker]

It is.

[Paul F. Tompkins]

The aperture is too small for kids to get.

[Nicole Parker]

Yeah. It seems like it's a real dirty trick. I mean, it was. It's nature's trick. But it didn't know it was going to be turned into a wishing log. For crying out loud. It should have been cleared years ago.

[Paul F. Tompkins]

And it always ends the same way. With a log negotiator upending a log and shaking the kid out of the clock.

[Glendon]

So sad.

[Paul F. Tompkins]

It's so sad.

[Glendon]

That's why me and the gals, we just put our clothes under it. We didn't sew in the log at all. We didn't mess with even though it's hollow. Didn't mess with putting it in because we've seen.

[Nicole Parker]

So how did we keep following this narrative of you and Tim. How did. Once you talked a bit, we just. Well, because I want to stay on it. Because I want to know how it ended.

[Paul F. Tompkins]

Yes.

[Glendon]

Oh, well, I wouldn't give up the names.

[Paul F. Tompkins]

Good for you, Tim just get stitches.

[Glendon]

I told him about death row.

[Paul F. Tompkins]

That's also true.

[Glendon]

Yeah. Because that's the only name I knew. But the other gals, I don't even know them their names.

[Paul F. Tompkins]

But had you met them before? I can't remember.

[Glendon]

We had one other instance of a sort of a woods happening. This was at night.

[Nicole Parker]

Interesting. She described it as an incident, you know, because that usually one of their incident again together.

[Glendon]

I guess.

[Nicole Parker]

Sure. But did something happen?

[Paul F. Tompkins]

I mean, it just. I think the horse left the barn. You did call it an incident.

[Nicole Parker]

It makes me want to know what. What that was.

[Glendon]

Well, Deborah's the big connector here.

[Nicole Parker]

Oh, sure.

[Glendon]

So I think all of us probably have met Deborah and you know, I told her how I. I told you how I met her. She bought the bingo. She. She's just one of those.

[Nicole Parker]

I see. All of us have met Deborah without really realizing.

[Paul F. Tompkins]

Yeah. Is she the one that dresses up as Ben Franklin?

[Glendon]

Oh, is that what it is?

[Paul F. Tompkins]

Yes.

[Glendon]

I never.

[Nicole Parker]

Oh, right. Because you just.

[Paul F. Tompkins]

Right.

[Glendon]

I didn't know what that was.

[Paul F. Tompkins]

So a big triangular hat.

[Glendon]

Yeah.

[Paul F. Tompkins]

Little glasses, long white hair.

[Glendon]

Curly.

[Paul F. Tompkins]

I don't know about curly.

[Nicole Parker]

Well, I mean it has body. Yeah. There.

[Paul F. Tompkins]

I think of Ben Franklin's hair is very light.

[Doug]

Doesn't he have a skullet?

[Nicole Parker]

Sorry?

[Paul F. Tompkins]

He does have a skullet, but he wears the hat.

[Doug]

True.

[Glendon]

A scarlet meaning bald with long hair.

[Nicole Parker]

Ah, right, right. That's right.

[Paul F. Tompkins]

But I don't know. I'm curious if Deborah does the bald cap under the hat. Under the tricorner hat.

[Nicole Parker]

I wonder. I wonder. I don't never.

[Glendon]

She is bald.

[Nicole Parker]

Oh, so that answers the question. Okay, the costume makes sense then.

[Glendon]

Yeah.

[Nicole Parker]

So what was. So the other incident was we.

[Glendon]

Deb said, hey, Glendon, meet me in the woods tonight.

[Nicole Parker]

Oh.

[Glendon]

Just nobody asked me to do much stuff. Right. So I said I'll see. But I knew I was going to do it.

[Nicole Parker]

Yeah, you knew?

[Glendon]

I always knew. She said 11:30 and she said down by the creek. Not creek, but creek.

[Nicole Parker]

Definitely.

[Paul F. Tompkins]

That's right.

[Nicole Parker]

There is a difference. Difference?

[Glendon]

I. I pretended I knew. What? That I had to ask around. I went to the library.

[Paul F. Tompkins]

Oh, you didn't know the word crick.

[Glendon]

I didn't know we had one either.

[Nicole Parker]

Well, you know, Dingley Falls has lost all its water, so anything that was Once something like a creek or a river is not. Is no longer.

[Glendon]

And the crick bed is narrow.

[Nicole Parker]

That's how you know it sure is. That's one of the defining features I think of a crick, but ours is really. It's also just the sound that it makes when you step on it because there is no water. It's just dead frog carcasses.

[Paul F. Tompkins]

Somebody got to clear those away.

[Glendon]

But who's going to do it?

[Nicole Parker]

It's like when you step on them, they emit finally their last croak.

[Paul F. Tompkins]

I feel. I feel as if they. Why do they keep going back there? Is it a sort of like elephants graveyard for frogs? That's where they all go.

[Glendon]

And why are they still sort of puffed up?

[Nicole Parker]

It's weird. It's like they die, like. Yeah, that's just it. That's why you're releasing that last bit.

[Paul F. Tompkins]

Of ale and then it'll just tip over. Like in a movie. They don't realize someone's dead. Sitting in a chair and they shake the shoulder and then the person steps over and they see the knife in the back.

[Nicole Parker]

I know exactly what you're talking about. Of course. Oh. Oh, I didn't notice. Half of their face was gone.

[Glendon]

Horrible realization.

[Paul F. Tompkins]

When you say people don't ask you to do stuff a lot.

[Glendon]

A lot, yeah.

[Paul F. Tompkins]

What is your day to day?

[Nicole Parker]

That's a great question, Burns.

[Glendon]

I do do the paper like you guys start out. Do the whole paper, front to back.

[Nicole Parker]

The whole paper. You gotta do the whole paper.

[Glendon]

Do the whole thing. Even if it's a bit of an eye roller. I'm doing the whole thing.

[Nicole Parker]

Okay.

[Glendon]

And you know the articles I'm talking about, you know who wrote them?

[Nicole Parker]

Mitch McNutt for one. That's our town critic. Of course. For any. Anyone who's forgotten. Town critic.

[Glendon]

To be a critic, you should have taste.

[Nicole Parker]

Thank you.

[Paul F. Tompkins]

Couldn't agree more. Glendon.

[Nicole Parker]

Oh, wow.

[Glendon]

Sorry. I think you're coming out of my shell today.

[Paul F. Tompkins]

I seem like you are.

[Glendon]

I never told anybody how I felt about Mitch.

[Nicole Parker]

Oh, you. You found the right podcast for that.

[Paul F. Tompkins]

Cop shoving woman coming out of her shell.

[Nicole Parker]

Did Tim leave you alone or did he actually take you into custody?

[Glendon]

Okay, so he took me in. Okay, well, it was an off site prison.

[Nicole Parker]

What? Oh, dear.

[Glendon]

Black site. It was. I don't know what was going on.

[Paul F. Tompkins]

Did they put a bag over your head?

[Nicole Parker]

Oh, no.

[Paul F. Tompkins]

To transport you.

[Glendon]

They just told me to close my eyes and I did.

[Nicole Parker]

See you.

[Paul F. Tompkins]

Honor system.

[Glendon]

It was a little room I end up in. Asking me Lots of questions. He's really trying to get to the bottom of these women. Especially when of the younger women.

[Nicole Parker]

Oh, now this gross.

[Paul F. Tompkins]

Now I understand this.

[Glendon]

I keep saying I don't know. I only met these gals one other time and it was dark and it. Because of the incident, we weren't getting to know each other as much as we were trying to cover something up.

[Nicole Parker]

Oh, what happened? What were you trying to cover up?

[Glendon]

Well, the first. The crick thing. Sure. I find out I. I go to the crick, I'm there an hour early. It's embarrassing. So I hide behind a tree. I just wasn't. What if it's the wrong spot? What if I'm going to be again? I don't go many places. I don't want to upset debt. Cool to be asked to do something at night.

[Paul F. Tompkins]

Absolutely.

[Glendon]

Worried I'd fall asleep if I was at home?

[Nicole Parker]

Sure.

[Glendon]

No, I won't.

[Paul F. Tompkins]

Where do you fall asleep if you were at home?

[Glendon]

What do you mean?

[Nicole Parker]

She's 57. You know, maybe you get tired. Maybe you have an earlier bedtime. I don't know.

[Glendon]

I'm usually in bed. 8:30.

[Paul F. Tompkins]

Okay. Oh, you're worried you fall asleep.

[Glendon]

Because if I'm at home, I'm going to be in my rhythm, so I'm going to be. I have a very particular way I do things. So if I'm at home at 8:30, I'm asleep. Okay. And I've taken all the steps to get there, if you know what I mean.

[Nicole Parker]

So, I mean, we don't. But I. I mean, I know what my steps are to get there, but why do I feel like yours are very different?

[Glendon]

Well, I don't know what. Yours are minor. There's liquid based. Oh, there's a ritual, a breathing thing.

[Nicole Parker]

Okay.

[Glendon]

A texture thing.

[Nicole Parker]

Okay.

[Glendon]

And that's the last step.

[Nicole Parker]

All right.

[Paul F. Tompkins]

Okay.

[Nicole Parker]

You don't handcuff yourself before going to sleep, do you?

[Glendon]

What?

[Nicole Parker]

You don't handcuff yourself before going to sleep, do you?

[Glendon]

That's a great idea. Actually, I don't. I haven't, but I love that.

[Nicole Parker]

Okay.

[Glendon]

Then you'd know where you are, which is a worry.

[Nicole Parker]

I guess that's one way to look at it.

[Paul F. Tompkins]

Can I ask you this? And this is going to sound strange and like out of left field. Have you ever been bitten by a wolf?

[Nicole Parker]

Oh my gosh, Burton. I was just going to ask the same thing.

[Paul F. Tompkins]

I feel like I was just going back.

[Nicole Parker]

Feel like you started talking and I went werewolf.

[Paul F. Tompkins]

We're leading up to something.

[Nicole Parker]

This is why the memories come in a flash because, you know, she's flipping between wolf and human, wolf and human. And the guilt is from prowling. Wait, what am I doing?

[Glendon]

What am I doing?

[Paul F. Tompkins]

This is our suspicion, okay? And suspicion. We don't mean that in a pejorative voice way, okay?

[Glendon]

Pejorative is a kind of jam.

[Paul F. Tompkins]

It really should be.

[Nicole Parker]

Actually, it really should.

[Paul F. Tompkins]

Sounds like a great jam, Scripter. This is pejorative. I don't mean it in a negative way, okay?

[Glendon]

It's.

[Paul F. Tompkins]

It's value neutral. Suspicion.

[Nicole Parker]

Value neutral.

[Paul F. Tompkins]

This is just something we're. We're trying to figure out.

[Nicole Parker]

Yeah, it's just another question because you.

[Paul F. Tompkins]

You have this dissociative history. You just have flashes of memories. There's something that's calming to you about being handcuffed and you're afraid of your nighttime routine.

[Nicole Parker]

Yes. And people being naked and howling. And you say there was no moon, but howling is. Howling is howling.

[Glendon]

Well, we were in female form at the moon thing. I know. The howling thing for certain. I know because Tim saw it all.

[Nicole Parker]

Sure.

[Glendon]

So I know I was not in wolf form at the time, but the.

[Paul F. Tompkins]

Moon may not have been full.

[Glendon]

The moon wasn't even there.

[Paul F. Tompkins]

It wasn't there. What time of day was this?

[Glendon]

It was about 7:30am Remember?

[Nicole Parker]

Because she said it happened the same day, so that actually does make sense. I do believe that they were all just standing out there naked in the daytime and nothing happened.

[Glendon]

We weren't standing. We were hustling.

[Nicole Parker]

What does that mean?

[Glendon]

We wanted to do the whole cul de sac back.

[Nicole Parker]

You were dancing the hustle.

[Glendon]

We were deing.

[Nicole Parker]

It is a traveling dance, by the way.

[Paul F. Tompkins]

I found out what deking means.

[Nicole Parker]

Oh, you did?

[Paul F. Tompkins]

The reason we didn't know it is because it's a hockey term.

[Nicole Parker]

You know what's crazy? I was gonna suggest it as a hockey term. Yes. And I just thought, oh, well, I don't want to be ignorant. An ignoramus.

[Glendon]

Nobody wants to be an ignoramus.

[Nicole Parker]

Fits into this. To the wolf of it all, Lycanthrop puppy Doug. He's been waiting to say that for the last five minutes. I guarantee you he's been waiting for a window.

[Paul F. Tompkins]

I think it better be pronounced.

[Nicole Parker]

Oh, I'm sorry. Do that again, babe.

[Paul F. Tompkins]

New barn.

[Nicole Parker]

Yep, new barn for sure. What did you say?

[Paul F. Tompkins]

I. I don't think I said anything.

[Nicole Parker]

Oh, I thought you were starting to say something.

[Paul F. Tompkins]

Well, now. So the cracker Barrel thing. Oh, so the memories. Maybe this happened when you were very young also. Maybe you were howling at 7am because you had been a wolf the night before.

[Nicole Parker]

Yes.

[Paul F. Tompkins]

And that's why you had no clothes on.

[Nicole Parker]

Maybe she was hired as a secret government weapon during the desert storm.

[Paul F. Tompkins]

That's also a great thank you.

[Glendon]

I love these possibilities. I honestly hadn't gone any of these places. I thought, you know, like a bad home situation. I. I killed my dad and my brother and. Oh, wait, no, that's not. No, that is not.

[Nicole Parker]

Well. But that would make a lot of sense.

[Paul F. Tompkins]

Are your dad and your brother still with us?

[Glendon]

I don't know. I don't know that I had them.

[Nicole Parker]

Know anything.

[Paul F. Tompkins]

Oh, I see. It's very specific to say dad and brother.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

But I know if you have them.

[Nicole Parker]

That's right.

[Glendon]

Anyway, I. Answering questions and I can't tell him who the young one was because I don't know her name. I understand the interest because like what you said, sort of value neutral. What I'm gonna say this young one had a beautiful body.

[Nicole Parker]

Okay.

[Glendon]

I don't. I don't think bodies matter, but I.

[Nicole Parker]

That's an interesting thing to say. It's a very interesting thing to say.

[Glendon]

You know, who can help it to have a body, right?

[Nicole Parker]

Okay.

[Paul F. Tompkins]

Who can help it?

[Nicole Parker]

Yeah.

[Glendon]

Here we are.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Indeed.

[Glendon]

So I. But I could see the reason for interest in this gal.

[Paul F. Tompkins]

Right?

[Glendon]

And so I tell him, I say, I think you're just trying to go on a date with this gal. He gets real offended. And then he said, somebody posted my bail and he let me go.

[Nicole Parker]

Wow. What. What?

[Paul F. Tompkins]

Were you charged?

[Nicole Parker]

So.

[Glendon]

And assaulting an officer.

[Nicole Parker]

Yeah. Yeah. Oh, yeah. The chief. Yeah. Okay. And Bert, did you have a question?

[Glendon]

I just wanted to clear my name.

[Paul F. Tompkins]

No, sure. Absolutely.

[Nicole Parker]

I think we're all just past the whole werewolf. Well, that's what's weird. I think we all just. It's the 100 pound werewolf in the room. Yeah. And I. It's weird that we're not following up on this.

[Glendon]

And I. I got bit by a dog.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

Okay.

[Glendon]

But I don't think it was a wolf.

[Nicole Parker]

Right, well.

[Paul F. Tompkins]

And would you. Would you know the difference?

[Nicole Parker]

Can you tell me when you wake up sometimes handcuffed to the bed?

[Glendon]

Oh, I'm not. No, I haven't handcuffed myself.

[Nicole Parker]

You haven't? No.

[Glendon]

You.

[Paul F. Tompkins]

You wish that you had.

[Glendon]

You pitched it.

[Paul F. Tompkins]

Yeah.

[Glendon]

And I said, great idea.

[Paul F. Tompkins]

It's a great idea. Yeah.

[Nicole Parker]

I see. Okay.

[Glendon]

But I wake up. Not in my bed.

[Nicole Parker]

You don't wake up in your bed.

[Glendon]

Where do you wake up often? Oh, near the wishing log. A Lot.

[Nicole Parker]

Yeah. This is. I mean, this really?

[Glendon]

Yeah. And then sometimes just random businesses.

[Nicole Parker]

Random businesses. And do you.

[Glendon]

I woke up outside of your pharmacy.

[Paul F. Tompkins]

Have you really?

[Nicole Parker]

Does it look like there have been. There's been a struggle when you wake up wherever you are in these businesses? Broken glass, blood. What does your body look like? Do you have scrapes?

[Paul F. Tompkins]

My torn shirt and just pants that are somehow frayed at the pants are.

[Glendon]

Always afraid and at a kind of like a high water cut short.

[Nicole Parker]

Short.

[Glendon]

That's not what I buy. I like a modest jean, first of all.

[Nicole Parker]

You want something that fits. Yes.

[Glendon]

And usually a slash on the top.

[Nicole Parker]

There's usually a slash on your body.

[Glendon]

Oh, just on the top.

[Nicole Parker]

Oh, just.

[Glendon]

I'm fine underneath. But the top is slash.

[Nicole Parker]

Interesting. Okay. All right.

[Glendon]

I don't know. I know. I never knew what that was about. That's one I told you. I keep to myself.

[Paul F. Tompkins]

Of course.

[Glendon]

I don't want to be, you know, know, knowing stuff.

[Nicole Parker]

You know, the only thing I'm having a hard time.

[Paul F. Tompkins]

Stop.

[Nicole Parker]

The only thing I'm having a hard time threading through is the wallet.

[Paul F. Tompkins]

Wait, did she. Did you solve Cracker?

[Nicole Parker]

It was one of her memories. What did I want?

[Paul F. Tompkins]

You solved Cracker Barrel.

[Glendon]

And what was the tropical storm?

[Nicole Parker]

Well, here's what I'm thinking.

[Paul F. Tompkins]

The only thing left for you. There's a lot of loose threads, but.

[Nicole Parker]

I'm thinking this is. This is. And I guess I didn't share this with the group, but in my head what I thought was, oh, I think Cracker Barrel is the place of. The origin of. In terms of when the brother and the dad died. I do think the game was being played there. I think that for the last time, ignoring mishappened. And I don't know how to work out that it was a full moon that night. But that is what I think, that she transformed. Thank you. I think that that makes it a lot easier. Easier. I think that she transformed. I think there was a massive accident at a Cracker Barrel. And if you probably googled it, you'd find that, you know, someone just said there was a wild animal or something.

[Paul F. Tompkins]

Here's what I think.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

I think the site of the first transformation was Cracker Barrel.

[Nicole Parker]

I agreed. Yes.

[Paul F. Tompkins]

I think it happened after the playing of the peg game where Glendon was deemed an ignoramus. Just said I'm expecting.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

I think chaos ensued. I think the dad, in his last act on this earth, cut out his wallet to pay for the damages.

[Glendon]

Oh.

[Nicole Parker]

Wow. Which is extraordinary because if we're in the past, like the 80s and the 70s, whatever he had in his wall would never cover the damages.

[Paul F. Tompkins]

No, but he's.

[Nicole Parker]

He's just been attacked by a werewolf.

[Glendon]

It was more of a gesture.

[Nicole Parker]

A real lovely J. And. And more so why Glendon has feelings of guilt. Oh gosh, yes.

[Glendon]

Well, I heard about your T shirt goosebumps. I'm getting those T shirt goosebumps.

[Nicole Parker]

Oh, no, I worry about. I mean, when she starts looking at her body and getting goosebumps, it makes.

[Paul F. Tompkins]

Me worry a little.

[Nicole Parker]

That was what happened in my stomach.

[Glendon]

I don't. Am I a werewolf?

[Nicole Parker]

Well, I think you might be.

[Paul F. Tompkins]

If you find yourself in the morning with a group of ladies, you might be a werewolf.

[Glendon]

The other gals aren't wolves, though.

[Nicole Parker]

Oh, I think they definitely are.

[Paul F. Tompkins]

I think you're a pack.

[Nicole Parker]

I don't think that just randomly.

[Paul F. Tompkins]

Wow. I think that's also the difference in ages. I think you're a pack.

[Nicole Parker]

And also, don't you remember when you think she held your hand, you were imprinting on each other at that moment. You were absolutely having a moment. Oh, Twilight is real.

[Glendon]

He's real.

[Nicole Parker]

Wow, Glendon.

[Glendon]

I don't know.

[Nicole Parker]

I feel like I werewolf on the podcast before. You probably will probably not hear it cuz they're dead.

[Glendon]

Yeah, yeah, yeah. The other.

[Paul F. Tompkins]

Yeah, it might explain all the missing persons files in Dignity Falls.

[Nicole Parker]

We have so many.

[Paul F. Tompkins]

Some per cap.

[Glendon]

We don't need to look into that though.

[Nicole Parker]

Well, I mean, if everyone's at peace for the families. I mean, this is quite a. What was that? Oh no, see also the sounds. The sounds make me concerned as well. Like a little bit or some insert turning into a werewolf and regretful about stirring.

[Glendon]

Yeah. I don't know much about this culture I'm part of. I got. I got most of my information just now.

[Paul F. Tompkins]

Right.

[Nicole Parker]

This is a lot, Glennon, to be fair. This is a lot. And it's happening in real time in front of strangers and I'm so sorry for that.

[Glendon]

Oh, it's okay.

[Nicole Parker]

Well, she's a very pleasant werewolf, I gotta say. Really kind.

[Paul F. Tompkins]

Yeah.

[Glendon]

I mean, in one world. This is a big relief for you. Yeah.

[Paul F. Tompkins]

To understand some things.

[Glendon]

To understand some things, to draw some new lines and. And you know, that's interesting information.

[Paul F. Tompkins]

Absolutely.

[Nicole Parker]

Sure.

[Glendon]

And there's also a lot of, you know, pain. I'm understanding I. Oh dear. Have and may have caused.

[Nicole Parker]

And if I'm correct, my husband has something to say about all this. I mean, babe, we have a werewolf.

[Paul F. Tompkins]

Shockingly silent.

[Nicole Parker]

I mean, what do you Think.

[Doug]

I guess that explains what I'm seeing in the green room.

[Nicole Parker]

Oh, no.

[Paul F. Tompkins]

What are you seeing in the room?

[Nicole Parker]

What are you seeing?

[Glendon]

That was a dick move, dog. I have five minutes to myself before the show. I was nervous. I know I was in human form.

[Paul F. Tompkins]

Doug. What? What? Delicately.

[Doug]

Wet spot in the corner.

[Paul F. Tompkins]

A wet spot in the corner.

[Glendon]

I don't know. I probably spilled tea.

[Nicole Parker]

Or does maybe she, you know, lift her leg even.

[Paul F. Tompkins]

If you think that's what Doug is implying.

[Nicole Parker]

Yeah, I think that's what he's implied.

[Doug]

I said.

[Glendon]

Oh, so I'm also a man wolf.

[Nicole Parker]

That would be the worst.

[Glendon]

Worst.

[Nicole Parker]

She squatted. That is true. That's a good point.

[Paul F. Tompkins]

That's true. Because.

[Nicole Parker]

Because lady. Lady dogs, basically, they never lift their.

[Paul F. Tompkins]

But also werewolves, I think, are on two legs.

[Nicole Parker]

Oh.

[Glendon]

Oh.

[Nicole Parker]

Well, we. That's a question for Glendon.

[Doug]

In the were form, only when they're.

[Glendon]

In the form are they ever in.

[Nicole Parker]

Only when they're in the were form. Only when they're. They're in the where.

[Paul F. Tompkins]

Only when they're in the.

[Nicole Parker]

Only when they're in the war. That's a good one. That's a good one.

[Glendon]

I don't know how you guys just did that. Your lips were moving so fast.

[Paul F. Tompkins]

But you're asking, are they ever wolves? Just wolves.

[Glendon]

I don't know much about any of this, as it turns out.

[Nicole Parker]

It looks like you've got some research to do, Glendon. I, I, I, I feel bad that we're not sending you out with resources.

[Paul F. Tompkins]

She's like, yeah, yeah, she's the alpha.

[Glendon]

The first incident, we just were women hunting. Well, so I got a lot of questions for the gals. We came. Deb provided the weapons. It was sort of a grab bag. I got lasso.

[Nicole Parker]

What is this clue?

[Paul F. Tompkins]

That's like getting the net in the coliseum.

[Glendon]

It was a bummer. I tried to play it off because again, nobody asked me to do much, so I said yes and then just tried.

[Paul F. Tompkins]

What would have been your dream weapon?

[Glendon]

Well, one of the gals got a crossbow.

[Paul F. Tompkins]

Fun.

[Glendon]

That one looked good.

[Paul F. Tompkins]

Absolutely.

[Nicole Parker]

For sure.

[Glendon]

You don't even have to know where it. Just the sending it off is the empowering part. And with the lasso, it's harder than it looks. You know what a lasso is?

[Nicole Parker]

Yeah, well, of course. Course.

[Glendon]

Yeah. You know how in the pictures they go up and they make a flat.

[Nicole Parker]

Circle in the pictures? You mean like in the movies or like in just pictures?

[Glendon]

Illustrations.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

I was gonna say in the picture. Sounds older than 57.

[Nicole Parker]

Sure does.

[Glendon]

Well, I have not seen many movies about him, but I've seen a lot of illustrated cowboy books.

[Doug]

I know what you mean. The kind of hover above the head.

[Glendon]

That's right. And it's a black circle.

[Doug]

Oh, you guys seem like.

[Glendon]

It's like if you're walking a dog.

[Doug]

I'm pretty sure you didn't get it.

[Nicole Parker]

You don't have to lasso. Explain to us, babe.

[Paul F. Tompkins]

I guess I wasn't thinking of all the pictures.

[Nicole Parker]

In all them cowboy books.

[Glendon]

Well, I didn't. I didn't have a natural touch for it.

[Paul F. Tompkins]

Right, Right.

[Nicole Parker]

You know, that's too bad.

[Glendon]

Yeah, it's too bad.

[Paul F. Tompkins]

Were you able to lasso anything?

[Glendon]

I was able to swat some things with a rope. That's right. Okay. No kills.

[Paul F. Tompkins]

What were you hunting for, if I may ask? Ask.

[Glendon]

Deb said it didn't matter.

[Nicole Parker]

Oh, anything living. Chilling. Yeah. You know, really scary.

[Glendon]

It was so fun.

[Nicole Parker]

Oh, see, there. There's a.

[Glendon]

The gals. We did again. Deb's the connector here.

[Paul F. Tompkins]

Yeah, sure.

[Glendon]

Most of us, we've never seen it.

[Nicole Parker]

I think you keep saying deb's the connector in a way that makes you. Somehow it absolves you of all the kids. And I'm gonna let you know it does.

[Glendon]

For sure.

[Paul F. Tompkins]

You can't just say, deb's in charge.

[Nicole Parker]

This is where.

[Paul F. Tompkins]

And you were just.

[Nicole Parker]

My husband should be saying, overruled.

[Glendon]

But.

[Nicole Parker]

But. But he's missed his cue. But I'm sorry that we.

[Paul F. Tompkins]

He's in that green room.

[Nicole Parker]

Green room of mine.

[Paul F. Tompkins]

Yeah.

[Doug]

Yeah.

[Glendon]

It's another world in there, man.

[Nicole Parker]

It literally. I. I hate sending you off with less resources, but. And we usually say we wish you well.

[Glendon]

Well, I got that word. Lycanthropy.

[Nicole Parker]

That's right. Look that up.

[Glendon]

Yeah, that's something new. The handcuff idea.

[Nicole Parker]

Start slow. Handcuff idea. Good. Killing humans. Bad. Bad.

[Glendon]

I wouldn't know.

[Paul F. Tompkins]

Have you ever gone to a therapist?

[Glendon]

Nope.

[Paul F. Tompkins]

Because you might. Could do.

[Doug]

You might. Could.

[Paul F. Tompkins]

That stopped me in my tracks.

[Nicole Parker]

It sure did.

[Paul F. Tompkins]

This isn't To Kill a Mockingbird. You might could go to a hypnotherapist.

[Glendon]

Oh.

[Paul F. Tompkins]

Someone who can. Who can probe your memories more deeply because it sounds like you. You're. You're hiding a lot of things from.

[Nicole Parker]

Yourself, by the way. I think that we can justify it by a mic. Could is what you call a movie where, you know, the romantic couple could meet up, but they didn't. It's a mic good.

[Paul F. Tompkins]

It's classic Hollywood.

[Nicole Parker]

Classic might good.

[Paul F. Tompkins]

Yeah.

[Glendon]

Wow.

[Nicole Parker]

Okay.

[Glendon]

I really I really look into that.

[Paul F. Tompkins]

Great. Great.

[Nicole Parker]

And I feel like we're helping. Yeah, I really do. I mean, we do wish you well and the best of luck. And also the best of luck to us all. And everybody may be on a full moon. Moon. Just keep an eye out.

[Paul F. Tompkins]

Yes.

[Nicole Parker]

Like our last guests.

[Paul F. Tompkins]

I don't know what the rules are. I don't know if you. If you can find. Hunt down the wolf that bit you and then kill it. And then maybe you will be.

[Nicole Parker]

Maybe that from the curse. Yeah. I don't know how it works. I don't know the. The legend.

[Glendon]

I got bit at a Cracker Barrel. You're saying.

[Nicole Parker]

Well, I mean we're just positing, but. But I would also start there. I would maybe look into.

[Paul F. Tompkins]

Look into Google.

[Nicole Parker]

Cracker Barrel dog. Cracker Barrel deaths.

[Paul F. Tompkins]

Go to the library. Check out that microfiche.

[Glendon]

I love going fishing.

[Paul F. Tompkins]

Gotta fish. Gone fishing. And then look for something like Cracker Barrel Massacre.

[Glendon]

Oh.

[Paul F. Tompkins]

See if you can find something like that.

[Nicole Parker]

That's the word.

[Glendon]

A little girl could be in the picture. And that could be me.

[Paul F. Tompkins]

That could be you.

[Nicole Parker]

Could be you.

[Paul F. Tompkins]

Exactly.

[Glendon]

Oh, I didn't. If I was in the paper, that would be the silver lining to this whole mess.

[Paul F. Tompkins]

Even it was for turning into a wolf and massacring an entire Cracker Barrel.

[Glendon]

I don't love the content, but I do the paper every day. Right. Of it.

[Paul F. Tompkins]

Oh, that's right.

[Nicole Parker]

Okay.

[Glendon]

Did you do today's?

[Nicole Parker]

I did not yet.

[Paul F. Tompkins]

Tough one.

[Glendon]

Yeah.

[Doug]

Jumble.

[Nicole Parker]

The jumble.

[Glendon]

It's like it's Sunday one, but it's on a Tuesday. Oh, it's that hard.

[Nicole Parker]

That's a Duffy.

[Glendon]

Save some time for that one.

[Nicole Parker]

Well, thanks, Glendon. And thanks for so hard. I don't know. Thanks for sharing your story and yes, thank you, Glend. Please take care of yourself and others.

[Paul F. Tompkins]

Absolutely.

[Glendon]

This went differently than I thought. Thank you.

[Nicole Parker]

Same.

[Paul F. Tompkins]

We'll be back when the neighbor listen returns with us. Hello, It's Peaches. Fasting. My son does a fasting about every month for seven days. Says his vision is better and can feel his body healing. Pain is gone. Scolios goes to show you what we eat. Carbs.

[Nicole Parker]

Gluten.

[Paul F. Tompkins]

Preservatives keep our body inflamed. So I guess if we stick to organic veggies, poetry, fish, our bodies will stay healthy. Check with your doctors first. Maybe try a three day fasting. This is Peaches. The oracle of dignity falls. My son is healthy. Scolios. And welcome back to the neighborhood. Listen. Well, that was.

[Nicole Parker]

Wow.

[Glendon]

Wow. Wow.

[Nicole Parker]

Wow.

[Paul F. Tompkins]

Wow. A little scary.

[Nicole Parker]

Yeah, it really was. I got a little freaked out.

[Paul F. Tompkins]

Do you think we're. I mean, I'm not saying 100 werewolves are. Are real. I know, but she could think that she's a werewolf and block it out during her.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Sort of more sane moments.

[Nicole Parker]

Also, I will say I. I never believed in werewolves. And I think pros. I. I just don't think they. There's a way they exist, you know, globally. But, boy, it would be so. Dignity falls. I. I'm getting my. My point. It would be so very. Dignity falls. Oh, it would be so very.

[Doug]

Let me finish.

[Nicole Parker]

What I mean is it would just be so very Dignity falls of us to have a werewolf. It really is classic Dignity. Dignity falls.

[Paul F. Tompkins]

You're right. You're right.

[Doug]

There's a lot of stories.

[Paul F. Tompkins]

A lot of stories.

[Nicole Parker]

There's so many stories.

[Paul F. Tompkins]

A lot of stories in this crazy neighborhood.

[Nicole Parker]

I mean, you know, we've already had, you know, people think they saw Bigfoot here several times. We've had people on. I mean. Yes. Does it turn out they're just running a goofy marathon? Yes.

[Doug]

But a lot of hybrid creature spottings. Jackalopes.

[Paul F. Tompkins]

The thing about the werewolf is that where does. So the werewolf gets big, right? Person turns into wolf. Get big.

[Nicole Parker]

Get big.

[Paul F. Tompkins]

Where does the bigness go? How does it shrink back down to being a person?

[Nicole Parker]

Well, I mean, I don't know. It's like, if you're already talking about something so otherworldly, then why does that logic have to be applied to it? I guess.

[Paul F. Tompkins]

Well, that's the thing. And really what it always brings me back to do is a werewolf is just a murderer who thinks he's a wolf. Or she, in this case.

[Nicole Parker]

You think that it's. It you call on people who are werewolves? I don't know. I don't have any memory.

[Paul F. Tompkins]

I don't think there's any transformation happening.

[Nicole Parker]

I think it's just them.

[Paul F. Tompkins]

I think a switch flicks in their brain and they say, I'm a wolf now.

[Nicole Parker]

Well, I. Hopefully we'll never know. Is there late stage werewolvery? Late age.

[Paul F. Tompkins]

Like you could get bitten in there.

[Nicole Parker]

Be on set later. Yeah. Can it happen at any time in life? What a story that would be. An old lady, a real older lady who has to just become a werewolf.

[Paul F. Tompkins]

Werewolf granny. It's like Little Red Riding Hood.

[Nicole Parker]

Werewolf granny. Eli Roth is writing that script somewhere.

[Doug]

We do have a lot of invasive species. She should just stick to those.

[Nicole Parker]

Oh, you mean attacking them?

[Doug]

Yeah.

[Nicole Parker]

Yeah. We could get her Going on our flowers, you know that, that, that are carnivorous, odorous. That causes so much trouble during allergy season.

[Paul F. Tompkins]

Absolutely.

[Nicole Parker]

Yeah. She could just start eating those because they're pretty meaty.

[Paul F. Tompkins]

They're very meaty. It looks so delicious. They're so beautiful.

[Nicole Parker]

And they look so beautiful. They look so delicious.

[Doug]

Feed a family with one, probably.

[Paul F. Tompkins]

All right, we have time for one more post. And this was submitted by a listener, one of our neighbors. J.T. grant three. Thank you. But submitted before many times.

[Nicole Parker]

Okay.

[Paul F. Tompkins]

All right. This is in the general section. And this is posted by someone named Maria. Maria's headline is car banana. I live in Dignity Village Apartments. Marie goes on, and have now woken up twice in the past month to someone having smeared bananas all over my car. My windshield, windows and mirrors and handles all come. Could be a scornful X. But also starting to think it's a neighborhood property. Frank, has anyone else experienced something like this?

[Doug]

Could be a. What?

[Nicole Parker]

Is there a picture or. No, there's not a picture. Because I'm wondering, are we talking like full smashed banana on your. Or just a smear? I'm having a hard time picturing, like, you know what I mean?

[Paul F. Tompkins]

I think I know what you mean, but I think if they're gonna go to the.

[Nicole Parker]

You think a light banana film is on your windshield or it's just full smash banana.

[Paul F. Tompkins]

Tell it's a white. A light banana.

[Nicole Parker]

Because I picture. Fair question. I picture. I picture the banana there. Do you mean like they left the banana and then just. Yeah, this did this.

[Paul F. Tompkins]

This did this.

[Nicole Parker]

This did this.

[Paul F. Tompkins]

I am picturing banana chunks on all of these surfaces.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Like they, like one banana per area. Smush into the rear view mirror, smush onto the windshield.

[Nicole Parker]

Huge. What an annoying thing to do.

[Paul F. Tompkins]

Cash for the Cracker Barrel. And it's interesting that Maria says could be a scornful ex.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Or it could be an emerald prank.

[Nicole Parker]

I mean, how many scornful exes does she have?

[Paul F. Tompkins]

And also, what would lead you to that? Yes, Unless there's history of banana play in the relationship.

[Doug]

Sounds like she has someone in mind.

[Paul F. Tompkins]

Oh, you know, this was probably Jake.

[Nicole Parker]

I see.

[Paul F. Tompkins]

See, I know who did this.

[Doug]

Could be the grocery gang.

[Paul F. Tompkins]

Could be the grocery gang.

[Nicole Parker]

It could be. Yeah. But this doesn't. See, this feels really personal.

[Doug]

My first thought was that it would take a whole bunch of bananas. You can't just do that with one banana. What she described.

[Paul F. Tompkins]

I. I agree. I agree.

[Doug]

Unless it was just the film that.

[Nicole Parker]

Makes me think of the. What one.

[Paul F. Tompkins]

A light banana film.

[Doug]

Light banana Film an lbf.

[Nicole Parker]

That reminds me of the business we had, the failed business, A Bunch of Men Bananas, which really just did sell bananas and which was crazy because it was like, I can go get those at the grocery store. How is this business operating? It's just bananas. And you know what? They didn't do banana cream pie. They didn't do banana smoothies.

[Paul F. Tompkins]

Just bananas.

[Nicole Parker]

Just bananas.

[Paul F. Tompkins]

And those bananas. Boy, oh, boy, you could. When you went in there, you could tell, oh, somebody should have bought these bananas years ago.

[Nicole Parker]

Yeah, they were. They were, you know, some sometimes. And they didn't even do a good job of keeping them. Sometimes they were all Brian. And then they would just say, I should make banana bread, which no one ever does.

[Paul F. Tompkins]

Yeah.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

They might as well name the store Pre Banana Bread.

[Nicole Parker]

Pre Banana Bread would have been Banana Bread Fixings. And I want everyone to know that when Burnt is doing these titles, he's throwing one hand up in the air, like he's showing us the sign or doing a commercial for it.

[Paul F. Tompkins]

I'm throwing my hands up is what I'm doing. This is ridiculous.

[Nicole Parker]

And you'd throw both up if you didn't have to hold the microphone.

[Paul F. Tompkins]

And that store was only in business.

[Nicole Parker]

For about three years, which is surprising.

[Paul F. Tompkins]

Longer than I thought.

[Nicole Parker]

Yeah, that's a record for a terrible business like that.

[Paul F. Tompkins]

Absolutely.

[Nicole Parker]

Anyway, you know that I saw a picture once of how. I think either it's in Japan or Korea, how they sell a bunch of bananas. They sell it in its different stages. So you can buy a bunch. One is green, one is like just kind of getting brown. One is. And then one's in, like a. One is open in sort of like a package so that you can eat it right away so that it's perfectly brown, ripe. So very smart. They're different. They're kept in different stages.

[Paul F. Tompkins]

Right. So this is not a bunch that is connected by a central stalk.

[Nicole Parker]

I don't believe so. No. It was like a package. Correct.

[Paul F. Tompkins]

Right. The evolution of the banana.

[Nicole Parker]

Yes. It starts brown at the end. The banana can walk.

[Doug]

Well, the cool thing at Bunch of Bananas was they would refuse the stock. So you could get a bunch, however many you wanted.

[Paul F. Tompkins]

You could go. You take like half an hour, different bananas.

[Doug]

Yeah.

[Paul F. Tompkins]

And then say, I'd like these to be a bunch, please.

[Glendon]

Yes.

[Paul F. Tompkins]

And then half hour later, they give you one of those Cheesecake Factory buzzers.

[Nicole Parker]

And I hate to say this because this is so embarrassing and. And just there's a lot of issues with this, but they. Yeah, they only play DEO On a loop over and over and over again.

[Paul F. Tompkins]

That's right.

[Nicole Parker]

And there's a lot of problems with it. But anyways, I, I, I really hope to not get bananaed.

[Paul F. Tompkins]

I hope not, too. But I, I have not heard of this happening. You think this one, this is a.

[Nicole Parker]

One off because this was at 100. Yeah.

[Paul F. Tompkins]

You think it was a scornful X?

[Nicole Parker]

I definitely think it was a scornful X.

[Paul F. Tompkins]

And how many times did it happen? Twice in the past month.

[Nicole Parker]

Wow.

[Paul F. Tompkins]

Twice in the past month.

[Nicole Parker]

Yeah. That's personal.

[Paul F. Tompkins]

So this person said, well, I can't do. I can't do it again tomorrow.

[Nicole Parker]

Banana me once.

[Paul F. Tompkins]

I want to do it so bad. Banana me once. Shame on you. Ban me twice. Also shame on you. You shouldn't be doing this. The shame is never on me.

[Nicole Parker]

That's right.

[Doug]

Well, three times a lady.

[Paul F. Tompkins]

Doug. When you're right, you're right.

[Nicole Parker]

Oh, boy. Well, everybody be safe out there. And you know what? Absolutely.

[Paul F. Tompkins]

I agree, Joan.

[Nicole Parker]

Yeah.

[Paul F. Tompkins]

Everybody be safe out there.

[Nicole Parker]

Yeah. Weird times with these werewolves and these bananas running around.

[Paul F. Tompkins]

Yeah, it's. It's our neighborhood and we love it.

[Nicole Parker]

It sure is. What are you going to do?

[Paul F. Tompkins]

Banana smearers. Werewolves.

[Nicole Parker]

For some reason, at the end of this podcast, I can't say dignity falls really hard. There we go. That one. That one got out clean.

[Paul F. Tompkins]

Do we get a clean one?

[Doug]

We got to clean.

[Paul F. Tompkins]

Okay, good. You can just put that in the. In place of the others.

[Nicole Parker]

Splice it.

[Doug]

Oh, every time.

[Nicole Parker]

No, there were a couple that I know. We'll keep it. We'll keep it.

[Paul F. Tompkins]

I think you should go back and replace.

[Nicole Parker]

We want. We want them to know he falls with. We want them to know this podcast isn't scripted. So keep it in.

[Paul F. Tompkins]

Well, of course the podcast is not. Okay, how about give a, Give a nice clean one right now, and Doug will capture it and then he'll splice that in.

[Doug]

Yeah.

[Paul F. Tompkins]

To all the times you say dignity falls throughout the episode.

[Nicole Parker]

Dignity falls now, Joe, feel it quick. Do you think that'll sound weird when it comes? It's not going to match my rhythm at all.

[Paul F. Tompkins]

I don't think it'll sound weird. All right, well, thank you so much for listening. If you'd like to hear ad free versions of the show and get access to our bonus content, go to cbbworld.com Sign up on the Maximus tier, and you're going to get a whole bunch of other content in addition to ad free episodes. And yeah, I guess that's it for this. This week's episode. We'll be back next week with another one. And until then, goodbye.

[Nicole Parker]

Bye. All of the posts used in this episode were real. Only some geographical specifics have been changed.

[Paul F. Tompkins]

The Neighborhood Listen is hosted and produced by me Paul F. Tompkins and me.

[Doug]

Nicole Parker and me Bret Morris.

[Paul F. Tompkins]

This episode's guest was played by Vanessa Ragland. The Neighborhood Listen is a production of Comedy Bang Bang world.

[Nicole Parker]

Go to cbdworld.com to unlock the entire history of the show ad free as well as brand new full length book bonus room episodes exclusive to Maximus subscribers. Your support keeps the show going.