B (2:46)

Bernie, what exactly is Ramadan campaigning on.

C (2:50)

It's all about infrastructure. It's about social services, the kind of things that municipal governments deliver. What kind of services are you talking about?

E (3:01)

I talk the services. First of all the buildings, they are destroyed. Many of buildings here and Arab places here because they don't have a license for building permit. Building permits, yes. This kind of service we need. The second thing, we need the education service and the schools. And we need roads we don't have. Also we don't have pools. We don't have enough places for the old men and women and for the child. We don't have enough service because that we need to change our mind and to start in the first step here to be inside the municipality.

B (3:51)

Bernie, if he wins and he gets on the City Council, how effective can he be and how can he come across as a successful politician to his constituency?

C (4:02)

Well, he's already shown that he knows how to work the system. Just as the mukhtar of his neighborhood. He successfully squeezed millions, really out of the Jerusalem government for infrastructure, including the community center we were sitting in. The point is that that's hardly enough at this point.

E (4:22)

We need 3 or 4 billion shekels here in the east bank to be a good life here.

C (4:29)

That's billion with a B.

E (4:32)

Yes, that's the billion with a B.

C (4:34)

And what you managed to get for Surbacher before was something like 300 million over how many years?

E (4:41)

Three, four years? Yes.

C (4:43)

So there's a big gap there to close.

E (4:46)

Yes, a big gap to close. Because if it is 50 years until this day, nothing move. Nothing interesting for us.

B (5:01)

You're a secular Jew who lives in a particularly more or less secular neighborhood of West Jerusalem. But the city is becoming more and more Hasidic and the rest. What does that imply as a political challenge to him on the Council?

C (5:17)

It seems that the Orthodox community is actually quite open to making deals on infrastructure projects. Because in many ways they mirror his problem. For the most part, these are fairly right wing people who see the city as being annexed, see the Arab population as being inevitably part of Israel, and so are becoming more and more open to investing on that side of the line. I should say here that part of the reason why he's running here, he's really trying to gain genuine political leverage. He's not just interested in counting on his ability to recruit goodwill on the other side. At the same time, ironically, he's taken as a political advisor, a Likud activist, not at all a secular liberal, but an Orthodox Jew who's extremely supportive of the settlement movement. So it was quite an eerie feeling to be sitting there talking to Ramadan on the one hand and listening to his advisor whisper to him and his advisor sitting there with a knitted yarmulke and a clipboard full of data. Ramadan, you're running with some political advisors.

E (6:41)

Yes, he's Mr. Gilad. He's giving me service for advisors, my political advisors.

C (6:50)

Gilad, would you introduce yourself?

F (6:53)

Hi, I'm Gradis Roeri.

C (6:57)

It's not usual that people wearing knitted yarmulkes are interested in helping to elect Palestinians to the Municipal Council of Jerusalem. Tell me about yourself.

F (7:13)

I'm from the right wing of the political map in Israel. And I think in the recent years, after the right wing in Israel established himself, people started to realize that you can't say we want Jerusalem united and Jerusalem belongs to Israel and ignore the people who live in Jerusalem. If you want Jerusalem united, Jerusalem is not just lands, Jerusalem is also people living in these lands.

G (7:50)

And.

F (7:50)

And you need to unite the people, the Arab people and the Jewish people around the city, around the Israeli Jerusalem city.

B (8:01)

I have to say, Bernie, this is a remarkable thing. Here's an Orthodox right wing Jewish Israeli trying to get a Palestinian elected to the Jerusalem City Council. I don't quite get his motives.

C (8:19)

Well, I'd be lying if I said.

B (8:20)

I did, but it's kind of incredible. On the one hand, you've got the Orthodox Jewish Israeli whose vision of the future is that all of Jerusalem, to say nothing of the west bank, be included in what we have long called Greater Israel. Whereas Ramadan is clinging to what we've called for now many, many years, the two state solution in which there would be a Palestinian state formed out of what we call the West Bank, Gaza and East Jerusalem. They're at such innate ideological loggerheads. And to see them sitting here together with you, to hear them together with you in common political causes, is mind boggling.

C (9:06)

Well, naturally I put the question to both of them. Can you see this as a model for Palestinian Israeli relations in the future?

F (9:17)

I think the Jewish side is afraid to lose its majority. That is why I don't think the Jews in Israel will want to make the Palestinians an equal citizens. However, there are some rising approaches that the Palestinians will have local authorities, vast local authorities to run their own lives with an Israeli authority like in East Jerusalem today.

C (9:55)

So Gilad has a vision of the future where the Arabs are slowly brought in through municipal governments and are given a great deal of autonomy within Greater Israel. Is that your view?

E (10:09)

As Well, I don't want to be in the future in a big jail like Gaza Strip or like the Palestinian theater. The problem here is the people first of all to be equal like the Jewish people and also to be in the united Jerusalem and the Palestinian to be part of this united. So this is my idea. I think the people also need this idea.

C (10:44)

So the two of you may not necessarily have the same long term vision, but you're willing to see the importance of the short term cooperation.

E (10:54)

I want to be freedom first of all, to be freedom, to be person, to be. I have like another side, like the. I am a human like the Jewish people.

B (11:06)

Bernie, I must ask you, as somebody who's been an Israeli for a long time, you began life in Canada and you lived part of the year in America, but you were an Israeli and you wrote the tragedy of Zionism. I don't know how many years ago have you yourself given up on the notion of what has been long called a two state solution?

C (11:30)

Oh no, I haven't. I mean you can't give up on the two state solution because you have two separate distinct national peoples, you have two languages, two different majority religions, two very different cultures. And at some level you have to imagine drawing a political boundary around these cultural facts. But I think what Ramadan is implying, what I certainly do believe today is that to make the two state solution real, both sides are going to have to start coming to terms with confederal ideas. They're going to have to figure out ways that the existing integration will find political expression.

B (12:16)

Bernie, where are you seeing signs of confederation in that sense?

C (12:21)

Look, Jerusalem Arabs have ID cards. They work in, in the Israeli part of Jerusalem, the Israeli Jewish part of Jerusalem. Something like 50% of wage earners from East Jerusalem work in the west. And they've started to identify with the institutions of Israel, even if they're not identifying with the self determination of the Jewish people. Ramadan. Many people in Sur Bacher work in Israel?

E (12:54)

Yes, all the people, all the people working in the Israeli sites, what kind.

C (12:58)

Of jobs are they doing?

E (13:01)

Many of jobs. They are working teachers, they are working in the engineering and driver and everything. They are working cleaning everything. They are working inside. We don't have jobs here. We don't have nothing to do in this area. All the jobs inside the Israel site.

C (13:21)

Construction.

E (13:22)

Also construction. Many people working in construction.

C (13:26)

Tourism.

E (13:27)

Tourism. Also they have a company of bus service for tourism. A lot of people here in the Palestinian side, they are working inside in the south and north Israel.

C (13:41)

But it also should be Clear that even though we're talking about construction, tourism, jobs, et cetera, it's not all menial labor. The joke in West Jerusalem is that if the Arabs struck, the metal system in West Jerusalem would fall apart. That's how many doctors, anesthesiologists, nurses, and pharmacists there are coming from East Jerusalem to work in the West.

B (14:03)

Bernie, recently the Trump administration moved the US Embassy to Jerusalem from Tel Aviv. And how has that changed the status quo? How has that changed the picture?

C (14:13)

Well, I think it's had the perverse effect of mobilizing Jerusalem Arabs recognizing that they have to start acting and not simply wait for the great powers or for PA Israeli negotiations to make decisions for them over their heads. I actually talked to Eliezer Yari, a journalist, my friend who introduced me to Ramadan. So, Eliezer, we're on your porch. Tell us what we're seeing from your porch here.

H (14:47)

If you look to the south, you see Kibbutz Ramatrakhel, who lives in the.

C (14:52)

Very neighborhood that the embassy is. The new embassy is right down the street from here. You find it ironic that it's there of all places. You want to say why?

H (15:05)

I wouldn't call it ironic. I think it's futuristic in a way. From my point of view, the story of Arnona, my neighborhood and Soba, is actually a microcosm of the entire conflict and also a prospect of partnership and good neighbors, good relationship between the neighbors. It's funny, when they moved the embassy, actually they moved it to the neighborhood. One of they're very concerned about security, so they covered the fence, which was open, with some kind of a plastic, black plastic, that now we cannot look at a new American embassy. But if you stand in Soba, it's right in front of you. So the view of the new embassy is blocked from us, but it's open to the other side. And the ambassador is not here anyways because he lives on the ocean in Tel Aviv. I hope that when he comes and lives here, he will wake up in the morning together with me to the sound of the prayers, and realize that the new embassy is right at the heart of the conflict. Their job is also to help to find a just solution for all the partners who actually are neighbors.

C (16:41)

Given all the obstacles, what do you think is Ramadan's definition of victory?

H (16:49)

I don't want to be. I don't want to sound cynical. But first, the first thing, that he will physically survive it.

C (16:56)

So his car could get blown up by Hamas because of his secular politics, by fatah because of his collaborationist reputation, by another family in Surbacher because of.

H (17:11)

His presumption, and by Israelis because he's an Arab.

C (17:16)

So when you speak of courage and surviving this election season, you literally mean the courage to survive?

H (17:27)

Almost, yes.

C (17:30)

Are you afraid for your life?

E (17:34)

Look, I am, yes, I am afraid for my life, but I don't afraid because I am now 50 years my age. So I don't think I would be more 50 years. So because that I have to do something for the my children, all the children from the Arab side to change the situation. We need roads, we need schools, we need everything. We don't have nothing. So I start before four years to make just four service. So because that I succeed.

B (18:07)

Bernie, what are the chances that Ramadan wins his seat and could his party hold real sway on the City Council?

C (18:14)

If you're asking how many seats is he going to win, I really can't say because in many ways this is a test also for the Palestine authorities, moral prestige in East Jerusalem. It's quite possible that there will be a very small turnout, but if there will be a big one, and if you look at the polls, only 14% of Arabs in East Jerusalem oppose running. 58% approve, according to the poll. So there's obviously a shift on the street. A lot of Palestinians are beginning to see that this is their fate and they had better make the best of it.

B (19:02)

And they're making that decision out of a sense of resignation.

C (19:05)

Well, resignation, but it's merged with a sense that what do you lose if in the end there's going to be a Palestine capital in East Jerusalem? Having seats on the City Council will not preempt that. It does in a way imply resignation, but it doesn't really give away the game and in some ways prepares the ground for the only realistic kind of two state solution which you will eventually have.

B (19:37)

Bernie Ivishai, thank you very much.

C (19:39)

Thank you, David.

B (19:46)

That was Bernard Avishai, a contributor to the New Yorker, who spoke with Ramadan Dubash, who's running for City Council in Jerusalem. The Jerusalem Elections are on October 30th. This is the New Yorker Radio Hour. More to come. Now, summer is officially unofficially over this week, which is awful. Whatever the weather may be doing, the vacations are taken and the kids are now back at school. And so we're gonna bring you an end of summer kind of story from no less a writer than the great Calvin Trillin. Trillin has been writing for the New Yorker for more than 50 years. He's done crime Reporting, memoir, loads and loads of humor, everything. And for nearly that long, Trillin and his family have been getting together in the summer and he would show off a very different side of his work as a screenwriter and director of films that you might describe as, at best, niche.

D (20:59)

My name is Calvin Trillin and our movies began many years ago. My girls, who are now in their 40s, were 3 and 6 and we had a Super 8 silent camera. And I don't know how, why or how we decided to make a movie with a plot.

I (21:23)

The Golden Egg Once upon a. Once upon a. Once upon a time in a beautiful land there was a princess. She had a stableman named Zolman. He was very loyal, hard working stableman, although quite stupid.

D (21:48)

Our first movie was about a golden egg stolen from a haughty princess by a robber with a fox like grin. And my wife Alice was the camera person or the cinematographer, I guess, and I guess I wrote the movies. I added a narration on a tape recorder which sometimes was in sync with the action on the screen and most often was not in sync with the action on the screen. We've never been complimented on our production values.

I (22:23)

One day the loyal stableman came in a terrible excitement. He had something to give her. A golden egg. Even Princess Rosalie had never seen a gift.

D (22:35)

We started going in 1972 to Nova Scotia. I liked arriving on July 1. It was just Canada Day because I like the bands playing for us as we went down the South Shore. I perfected sort of a Prince Philip wave. It's in the wrist. We gradually got a sound camera and kept making movies. And then we occasionally came back to the Golden Egg. It was sort of like one of those franchises in Hollywood where they keep going where they need some money.

I (23:19)

Hanton's Productions, in conjunction with the Kishka King Trust presents the Return of the Golden Egg.

D (23:33)

My girls were typecast as two lovely little girls at the beginning, the first movies. And the haughty princess was played by Josie Joel, our friend's daughter. She was pretty haughty. I mean she did haughty very well.

G (23:51)

Come immediately. Come all tea free and hurry. Oh, so nice of you to have us for tea. Yes, isn't it? And do be tidy.

D (24:01)

The robber with a fox like grin was played by her little brother Danny.

G (24:06)

Where do we get the money? Why not try stealing? Hey, aren't you the robber with the foxlight grin?

D (24:11)

The dumb stableman role was the robber with the foxlight grin's father, who had an excellent chicken imitation because it turned out that he was the one laying the golden egg. The grownups had only bit parts and usually sort of embarrassing or humiliating parts. In the old days when we had film we would have people to our barn the next summer to see the last summer's movie. Alice and the girls would make cookies and I got beer and had a sheet and we had a projector. We call it South Shore Film Festival. A trilling retrospective. Nobody else's movies would be shown in our barn.

G (25:09)

It's just not right. It's just not right. I must tell you how I feel. Even though we need the money.

D (25:24)

It.

G (25:24)

Just can't be right to steal.

D (25:29)

Then my girls sort of aged out. My older daughter was 15 when we quit. She didn't complain about it, but I think we all felt that it was about time to stop before my younger daughter Sarah, she got married just about a year before Abigail. We made like a short documentary on Sarah's career as a movie star and we showed it the night before the wedding and just indication that parents will never run out of ways to embarrass their children.

G (26:15)

I just can't say. I just can't say. It's so difficult to know. Oh, I know the stealing's naughty.

D (26:29)

We thought with our grandchildren we would just start over again. My wife died just before the first grandchild arrived. But we did exactly that. We waited and I don't know how old they were, but only a few years before we started again.

I (26:51)

Passport please. What is the purpose of your visit?

G (26:55)

We're looking for Robert With a fox like grin. He stole the egg from our princess.

D (27:03)

My younger daughter Sarah had an emergency appendectomy and the kids, particularly her kids were sort of worried about it. I guess we were all a little tense about it. So we did it partly just to take their minds off of it and to take our minds off of it. From there on out we had regular movies, I think.

G (27:27)

Well, I must say, really, this is so silly. Mr. Porn was such a lovely beehive.

D (27:39)

Isabel, my older granddaughter played the proprietor of a snooty inn. She does a good snooty. And my older grandson Toby pretty much had a lock on the robber with a fox like grin rule. I think he had watched Danny play it many times in that movie. And my younger granddaughter often played the marshal who got to the dock just in time to see the robber with a fox like grin flee in a boat. And always said black foil again. I love the way she said particularly before she got her R is under control.

G (28:28)

Rat foiled again.

D (28:33)

It's the Same escape route where it's always in the boat from the dock.

G (28:38)

Where's the egg rat foil? The dead.

D (28:41)

My grandchildren, fortunately, are very close. Even though they live far away from each other, they see each other in Nova Scotia and at Christmas and various times. And yeah, it helps that I think it's great to have a kind of multi generational summer place and the satisfaction of gathering blueberries with your grandchildren in the same place you gathered them with your children.

G (29:09)

No one ever knows what he has designed. Marshall and the boss are always way behind. You can always tell the chase is over when you hear the marshal saying that she's foiled again. Will these people ever catch him as they chase him? All about the answer. Maconpelia. Sorry, we can't tell you. You must watch the sequel to find out.

D (29:34)

The summer of 2016, the kids were getting a little old. We were about done with the movies we made. So I think we all had the idea that maybe this was the last summer that we would do it. And that's why we did another golden egg.

C (29:50)

And finally this evening, a mystery story from Nova Scotia about the legendary golden egg whose whereabouts have captivated the world for years.

I (29:59)

Here reporting.

D (30:00)

Isabel, who had often been the innkeeper, this time was a TV reporter.

G (30:06)

Where is the golden egg that was stolen from a haughty princess by a robber with a fox like grin many years ago?

D (30:14)

Toby played the robber with a fox like grin.

B (30:17)

Yes, when I was 12, I found out I could do a fox grin. And you stole the golden egg? Yes, but I lost it in a poker game. So now I can't do the grin. So I've lost my identity.

C (30:28)

You must believe in yourself.

G (30:29)

I think you can do it.

C (30:31)

Just try.

D (30:32)

Another aspect that seems sort of to put a punctuation mark on this, the original robber with a fox like grin, Danny Joel. Now Daniel SS Joel qc, a barrister in London, was coming to North America with his three kids and his wife. And so we were putting back in the movie, he played Lord Cholmondeley of Snarf.

G (31:00)

Lord Cholmondeley, as you know, there have always been rumors that you were the original robber with the fox like grin who stole the golden egg from Princess Rosalie.

A (31:10)

Rubbish.

G (31:12)

Rubbish. Absolute rubbish.

D (31:16)

At the end of this movie, and this is a spoiler alert, at the end of this movie, the egg actually gets scrambled and eaten. They insisted on that. The cast insisted that it get eaten, even though I always assumed it was solid gold and not edible. Delicious. Maybe next time I'll try sunny side up.

G (31:38)

Rat foiled again.

D (31:51)

One of my grandchildren, I think it was Toby, my older grandson, said the other day, what are we going to do next summer without a movie? And the kids are used to it and they look forward to Nova Scotia. My granddaughter Rebecca, who is interested in writing, has already decided that she'll be the screenwriter when they make them for their kids. And she's a little worried about the plot. She's a little concerned about how to bring the egg back if it's already been eaten. But I told her she could actually start with some other franchise. She doesn't necessarily need the golden egg. And she said she might just do that.

C (32:40)

Eat the egg.

G (32:41)

That's so groovy. Cause this is our final movie and we no longer need the egg of gold. And we no longer need that egg of gold.

B (33:04)

Members of the Trillin family and friends singing a number that I believe is called Egg of Gold, you can find everything Calvin Trillin has written for the New Yorker for 50 plus years, including his essay Final Cut about their home movies@newyorker.com and that's it for us today. Thanks for joining us and have a great week.

A (33:28)

The New Yorker Radio Hour is a co production of WNYC Studios and the New Yorker. Our theme music was composed and performed by Meryl Garbus of Tune Yards, with additional music by Alexis Cuadrado. This episode was produced by Alex Barron, Emily Botin, Ave Carrillo, Rhiannon Corby, Jill Duboff, Callalea, Karen Frillman, David Krasnow, Louis Mitchell, Sarah Nix, Steven Valentino and Richard Yeh, with help from Zach Dyer, Eric Malinsky, Michi Harmon, Michelle Moses, Emily Mann and Jessica Henderson. The New Yorker Radio Hour is supported in part by the Turina Endowment Fund.