Transcript
Matt Rogers (0:00)
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Bowen Yang (0:39)
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Sarah Longwell (1:06)
Just like to state for the record that I resent you saying I'm the Susie Wiles of this podcast.
Tim Miller (1:15)
Hello everyone. Welcome to the next level. I'm JVL here with my best friends Sarah Longwell and Tim Miller of the Bulwark. And guys, Festivus came early this year because on Tuesday Vanity Fair gave us the airing of the grievances with a long, long, two part, two year long interview. Now I guess more like an 18 month interview, ongoing interview with Susie Wiles. The interviewer is Chris Whipple of Vanity Fair, which is the whitest name I've ever heard. And, and it is holy mother forking shirtballs. I don't know where we want to go with this first. This is going to be a special 7 hour next level because there's a lot to talk about here. Sarah, would you like to take a swing at the pinata first?
Sarah Longwell (2:15)
So I don't even know where to start. There is, there is a lot to do. I actually want to open with though with a, with a question for all of us. But maybe Tim has some thoughts on it that I've been trying to figure out, which is why did Susie Wiles do this interview? Because this is if it's not career ending for her, it is sort of the, then it is a like this is one of history's greatest monsters kind of interview. And so what, what makes, what makes them decide in a, in a like for an administration that is uniquely hostile to the press, why sit for the Glamour shot, Vanity Fair, like, what. What is.
Tim Miller (3:00)
What is the. Before you answer this, please understand that it can't. The answer can't have an ego, because she says herself that she is remarkably free of ego. So that can't be the reason.
