
Hosted by WQXR & WNYC Studios · EN

All classical musicians are devoted to the art of reinterpretation — of trying to make the old feel new again. Pianist Víkingur Ólafsson actually manages to pull it off. Whether he’s performing keyboard music hundreds of years old or a piece hot off the press, one has the feeling that they’ve never heard this music before, or this music played in this way. As Ólafsson puts it, “I have this feeling that everything I do is contemporary.”In this episode, Ólafsson reflects on some of his earliest musical memories, what it was like to grow up amid the harsh and unpredictable beauty of Iceland, and how discovering the keyboard music of Baroque composer Jean-Philippe Rameau changed his life.To learn more about Víkingur Ólafsson and his latest recording, J.S. Bach’s Goldberg Variations, visit his website at www.vikingurolafsson.com. This episode of The Open Ears Project had additional production assistance from Curtis Macdonald. The recording of “Le Rappel des Oiseaux” featured was performed by Víkingur Ólafsson on the 2020 Deutsche Grammophon album, “Debussy · Rameau.”

The Open Ears Project returns for a new season on February 12! From tales of memorable moments in nature and fleeting encounters with strangers – to recollections of music that helped in difficult times – The Open Ears Project features people sharing a personal story about the classical track that means the most to them, and why. This season’s guests include a wide range of voices – many in creative fields – including actors, authors, and journalists, as well classical and genre-busting musicians and conductors about the music that inspires their journey. Part mixtape, part sonic love letter, each episode creates a moment to reflect on the question, what if we made a habit of opening our ears — to classical music and to each other? Whether listeners are seeking an introduction to new pieces or encounters with powerful storytelling, listeners will enjoy brief but enduring meditations with artistic works and soulful stories spanning the range of the human experience. The Open Ears Project was created by Clemency Burton-Hill. This season will be hosted by Terrance McKnight. New episodes drop every Monday so listeners can start their week on the right note.

For the final episode in our opening season of The Open Ears Project, relationship therapist Esther Perel talks about the first time she heard Fauré’s Requiem as a young woman and how it seemed to “understand” an inexpressible sadness she was carrying inside her. She describes with great tenderness the way music connects her to her mother, a survivor of the Holocaust, and how this piece transports her to something akin to a religious experience. Keep listening after the episode to hear the full track.

Project Coordinator Krystal Hawes explores the perfect imperfection of Maurice Ravel's Pavane pour une infante défunte. Keep listening after the episode to hear the full track.

Rapper Dessa discusses how the craft, structure and emotion of Bach's Chaconne in D minor resonates through her life and work, revealing dynamic connections between classical and rap music.

TV producer Megan Reid talks about Arvo Pärt’s Spiegel im Spiegel helped spark a lifelong obsession with ballet. Keep listening after the episode to hear the full track.

Broadcaster Terrance McKnight links family, art, a late Beethoven piano bagatelle, and the extraordinary poetry of Langston Hughes.

Architect Daniel Libeskind reflects on the healing power of music and architecture and reveals his lifelong obsession with the dazzling Toccata and Fugue by JS Bach.

Opera singer J'Nai Bridges discusses what she learned about forgiveness, memory and legacy from Henry Purcell's heartbreaking Dido's Lament.

Violinist Nicola Benedetti reveals what hearing Beethoven’s Violin Concerto as a child taught her about listening, empathy and vulnerability. Keep listening after the episode to hear the full track.