632: The Pete and Sebastian Show - EP 632 - "Down In The Comedy Cellar"

Summary

Podcast Summary: The Pete and Sebastian Show - Episode 632: "Down In The Comedy Cellar"

Release Date: December 10, 2024

In Episode 632 of The Pete and Sebastian Show, hosts Pete Corielli and Sebastian Maniscalco delve into a myriad of topics ranging from their tour experiences at the legendary Comedy Cellar to personal anecdotes about fashion choices and culinary preferences. Filmed live at the Comedy Cellar podcast studio in New York City, the episode captures their effortless chemistry and sharp comedic insights.

---

1. Live from the Comedy Cellar

Sebastian Maniscalco: "[02:56] We're at the Comedy Cellar podcast studio. Kind enough to lend us the studio."

The episode kicks off with the hosts expressing gratitude to Robert Kelly and Noam, the proprietors behind the Comedy Cellar. They reminisce about the club's storied history, highlighting figures like Louis CK and Jerry Seinfeld who contributed to its legendary status.

Pete Corielli: "[04:28] ...the real way it started was Louis CK did the low Louis show and kind of put it on the map."

---

2. Tour Schedule and Thanksgiving Plans

As the conversation shifts to their schedules, Pete shares his plans to stay home for Thanksgiving, emphasizing family gatherings and traditional meals.

Sebastian Maniscalco: "[06:27] So, so we are here. Pete had just done a corporate gig yesterday. I am here in between shows... we're off for Thanksgiving. What are you doing for Thanksgiving?"

Pete Corielli: "[06:46] Staying home, getting a turkey, having the family over and cooking it."

---

3. Fashion Choices: Outfits and Sunglasses

A humorous exchange ensues about Sebastian's sophisticated attire and eyewear, drawing comparisons to George Clooney.

Pete Corielli: "[07:10] Your outfits throwing me off. I feel like I'm hanging out with Clooney."

Sebastian Maniscalco: "[07:12] I appreciate that, number one. Number two, I don't like it."

The discussion extends to the practicality and style of wearing sunglasses indoors, touching upon maintenance and the social perceptions of such choices.

Sebastian Maniscalco: "[08:54] You don't see anybody else pulling off the indoor sunglass look like Jack Nicholson."

Pete Corielli: "[14:01] Yeah. There's a coolness factor."

---

4. Glasses Maintenance: Cleaning and Care

The hosts share their methods for keeping sunglasses clean, debating the efficacy of different cleaning agents and materials.

Pete Corielli: "[11:48] I put them in the case and wipe them up with Windex and a paper towel."

Sebastian Maniscalco: "[12:13] Windex tends to streak, and paper towels can scratch the lens. I use a soft microfiber cloth."

---

5. Stevie Wonder's Vision: Myth vs. Reality

A quirky topic arises about Stevie Wonder's eyesight, sparked by an anecdote about a falling microphone stand.

Pete Corielli: "[15:07] They said Stevie Wonder can see because he caught a falling mic stand."

Sebastian Maniscalco: "[15:57] Do you think that takes away from how good of a piano player he is?"

---

6. Culinary Conversations: Cannolis vs. Cookies

Food takes center stage as Sebastian and Pete debate the merits of cannolis versus chocolate chip cookies, sharing personal preferences and cultural observations.

Sebastian Maniscalco: "[26:19] I'm a chocolate chip cookie guy."

Pete Corielli: "[27:28] Chocolate. Nothing really beats a Thunderbird."

They humorously explore the authenticity of cannoli toppings and the Americanization of traditional Italian desserts.

Sebastian Maniscalco: "[28:22] We'd put pistachio dust on the tips."

Pete Corielli: "[28:50] You think those cannolis had a little dust of pistachio on them?"

---

7. Private Gigs and Party Etiquette

The duo recount experiences from private shows, including unexpected situations like the absence of beer at a hosted party.

Sebastian Maniscalco: "[62:37] I was surprised there was no beer at the party."

Pete Corielli: "[63:47] I said I was surprised you don't have any beer... almost got kicked out."

They discuss the importance of beverage offerings at social gatherings and the delicate balance of guest-host interactions.

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8. Fitness and Shadow Boxing Insights

Fitness routines come under the microscope as the hosts discuss unconventional training methods like shadow boxing during runs, blending humor with genuine curiosity.

Pete Corielli: "[50:55] ...I saw a guy running and shadow boxing. Was he training seriously or just showing off?"

Sebastian Maniscalco: "[52:00] I was on the treadmill with dumbbells, doing almost housewife exercises with five-pound weights."

---

9. Navigating NYC's Unique Transportation and Driving Styles

A lively conversation unfolds about the eclectic mix of motorized vehicles in New York City, highlighting the challenges pedestrians face.

Sebastian Maniscalco: "[46:19] I saw a guy on a unicycle in a suit. How is he going to work?"

Pete Corielli: "[47:31] The cars are blowing horns and making traffic chaotic."

They humorously critique the blend of traditional and modern transport methods, emphasizing the city's frenetic pace.

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10. Denzel Washington's Wine Consumption: A Reflection

Drawing parallels between personal habits and those of celebrities, the hosts reflect on Denzel Washington's admission about his wine consumption.

Pete Corielli: "[54:16] Denzel Washington has a love of wine... he stopped at 60 after doing some damage."

Sebastian Maniscalco: "[55:27] I relate to his struggle and admire his self-awareness."

---

11. Maintaining Comedy Material: Old Bits vs. New

The conversation shifts to the preservation and evolution of comedy routines, inspired by Jerry Seinfeld's approach to Q&As.

Sebastian Maniscalco: "[57:05] Jerry Seinfeld does his Q and A at the end, and I want to get your take on this."

Pete Corielli: "[57:25] I don't think so. Do you like the Q and A?"

They debate the feasibility of recalling old bits verbatim and the importance of continually refreshing comedic content to engage audiences.

---

12. Closing Thoughts: The Comedy Community

As the episode winds down, Pete and Sebastian share their appreciation for repeat audiences and the sense of community within the comedy scene.

Sebastian Maniscalco: "[58:50] When you go see a Pearl Jam concert, do you think everybody there has been to a concert once in their life?"

Pete Corielli: "[59:03] Certainly. I see people I've seen before."

They emphasize the importance of building a loyal fan base while welcoming new listeners, highlighting the balance between familiarity and freshness in live performances.

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Notable Quotes:

• Pete Corielli: “[07:10] ...you look like I'm fucking working for you. You look unbelievable.”

• Sebastian Maniscalco: “[14:32] I think Jack might have. And I don't know if we could pull this up, guys.”

• Pete Corielli: “[22:57] ...I turn off almost every lamp but one. I like it dim like that.”

• Sebastian Maniscalco: “[43:47] ...I have never done this before. Oh no, I'm on a treadmill.”

---

Conclusion:

Episode 632 of The Pete and Sebastian Show offers listeners an intimate glimpse into the lives of two comedic powerhouses navigating the challenges and joys of touring, personal preferences, and the ever-evolving landscape of stand-up comedy. Their candid discussions, sprinkled with humor and relatable anecdotes, make for an engaging and entertaining listen, especially for fans keen on the behind-the-scenes workings of comedy life.

Transcript

[Pete Corielli]

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[Sebastian Maniscalco]

This is the Pete and Sebastian show.

[Pete Corielli]

With Pete Corielli and Sebastian Maniscalco. Guys, don't forget, if you haven't heard yet, every Tuesday, we do loose ends live. I host the show on the Pete and Sebastian channel where, you know, we discuss things that, you know, loose ends from the cast. We also get into other stuff. Me and cans do this video thing each week. DJ Lou calls in each week, and most importantly, all the listeners can call in. We take tons of calls face to face. You get to talk to me often. You get to talk to Sebastian every Tuesday. For five bucks a month. You get loose ends. You get four regular episodes of the cast commercial free and a bonus one. I mean, it's. It's. I don't know what else to say, man. You should join us.

[Sebastian Maniscalco]

It's. We're having a lot of fun over there. Hey, everybody. Pete and Sebastian show. Live from New York City. Big, big, big show here at the Comedy Cellar. Good to be face to face once again with the one and only Pete Corielli. We are at the Comedy Cellar podcast studio. Kind enough to lend us the studio.

[Pete Corielli]

For Robert Kelly and Noam, who owns all the comedy sellers. Sellers are put in plural. Every time a building gets vacant, he puts a new theater in there. But thank you for letting us use this.

[Sebastian Maniscalco]

Give me some history here, because I'm not so familiar with the comedy seller like you. You've. You've kind of came up in this.

[Pete Corielli]

Yes.

[Sebastian Maniscalco]

Comedy club. The Israeli woman is her name Etsy?

[Pete Corielli]

Estie. Esti. Esti Legend, Absolute legend.

[Sebastian Maniscalco]

She don't own it anymore.

[Pete Corielli]

She never owned it.

[Sebastian Maniscalco]

She never owned it.

[Pete Corielli]

She ran it for Manny. Manny was the owner. Esty ran it for him. And she made it the legendary club that it is. And then no took over for his pop and kept it just growing and just being a beast. And in my opinion, and I know they do all these things about the history of the comedy cell. I know. I was there, man. They're there. So, you know, the real way it started was a tell. You know, like sometimes they say, oh, Louis CK did the low Louis show and kind of put it on the map. But a tell would come here and he would tell all the other comics. You should Come there, should come there. And early on nobody came here, man. The Audi, the MC and the staff would have to sit in the crowd to make it look like there was a show she'd be forming for waitresses and waiters and then people would come in and sit down and then they could get up and actually, actually work. But then the key was a tel started to get like Colin Quinn to come and then when Seinfeld ended, Colin got Jerry to come and then it started to really. All that started to pop and then, and then it was like. So by the time Louis did the show here, this place was already humming, man.

[Sebastian Maniscalco]

So this was what, what 19? In the mid-90s. This place opened.

[Pete Corielli]

No, I don't. Lou, when did it open? Way. And there was a whole history of it before me. But I'm saying by the time and started MCing here when I started out, it was like not very popular in comparison to like the strip.

[Sebastian Maniscalco]

Oh, gotcha.

[Pete Corielli]

And then, and then now there's no comparison. Yeah, about 1980. Yeah, there you go.

[Sebastian Maniscalco]

So, so we are here. Pete had just done a corporate gig yesterday. I am here in between shows. I didn't want to go all the way back home and come back to the east coast. We're going to Canada tomorrow. Montreal, two Toronto's and one Ottawa. And then we are off for Thanksgiving. What are you doing for Thanksgiving? What's the vibe?

[Pete Corielli]

Staying home, getting a turkey, having the family over and cooking it. Now by the way, we got so much to get into in such a short period of time, bro. Your outfits throwing me off. I feel like I'm hanging out with fucking Clooney. Literally getting ready to go on his little wooden boat there in Cuomo. I mean, what's with the glasses cases, Suede glass case, the jacket. What's going on? You look unbelievable.

[Sebastian Maniscalco]

I appreciate that, number one. Number two, I don't like it.

[Pete Corielli]

The balance is I look like I'm fucking working for you.

[Sebastian Maniscalco]

So this is my outfit for the day and night. So we're going to dinner tonight? Yeah, so I'm going to be in this for dinner. It's my dinner outfit. I'm wearing it in the morning because I'm not going to be going back to the hotel. So yeah, I got a couple things I'm doing after this and then I'm going to bleed it right into dinner. So I had to prepare for dinner at 7:00 in the morning.

[Pete Corielli]

For you people that don't know that's a New Yorkers day, leaving the apartment or the hotel room early and I ain't even coming home till after dinner. That's a. It's a man right there. This is one of three outfits for me today. Change and walk through Central Park. Then I'm going to shower and put on my Milos. What is this? Why are we doing Greek guy? What are we doing with the Greek? I don't like the lamb. And I'm grateful for the impending check that you're going to grab. I told Jack. What does this guy want me to do? If you tip on something, he treats for he thinks that's tacky. But I can't cover the missiles. And you and Milos, by the way.

[Sebastian Maniscalco]

It'S me, you and Mazilli.

[Pete Corielli]

Damn.

[Sebastian Maniscalco]

We're going. You don't like fish? They got beautiful fish there.

[Pete Corielli]

Listen, I'll go eat anywhere, you know, I mean, you have great restaurants, but I'm just surprised you don't go Italian.

[Sebastian Maniscalco]

No, no Italian. This is my staple when I go to. When I come to New York, I gotta go to Milos.

[Pete Corielli]

I know.

[Sebastian Maniscalco]

So we're going to Milos tonight. The outfit. Glasses. Speaking of the glasses, they look beautiful.

[Pete Corielli]

Case alone.

[Sebastian Maniscalco]

Well, I'm not. I'm not. I'm not showcasing the case. What I am showcasing and I want to get your take on this.

[Pete Corielli]

All right.

[Sebastian Maniscalco]

You're a sunglass guy.

[Pete Corielli]

Yes.

[Sebastian Maniscalco]

Do you carry the case around to store your glasses if you're out and about, or do you just hang them off today? How do you store the glasses when you're not using them? When you're out?

[Pete Corielli]

I. When I'm home, I put them in the case. But the minute I take them out to wear them for the day, they dangle on the shirt like you said.

[Sebastian Maniscalco]

Okay. Or they're on other.

[Pete Corielli]

I don't bring the case out. It's a little weird that you have the case out.

[Sebastian Maniscalco]

I'll tell you why I got the case. I don't know how you do your case, but my case has a little cloth.

[Pete Corielli]

Sure. They mostly come with a wipe.

[Sebastian Maniscalco]

And then I do a little pre moistened wipe. So we get a little. I do a. I do one of these and then after I clean it with that.

[Pete Corielli]

Right.

[Sebastian Maniscalco]

Glasses tend to get a little from the eyebrows. I don't know if you get like the. The eyebrow on the. On the Here.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

You get like marks from the eyebrows. Because sometimes the eyebrows are a little like.

[Pete Corielli]

It'll leave an indentation like. Like hat head, but with an eyebrow. Is that what you say? Yeah. So what? But what you're saying with the cleaning and the glass is. Don't you do that before you put them on or before you go out in the morning and then that's it.

[Sebastian Maniscalco]

So, like the whole day, though.

[Pete Corielli]

You're not going to keep this up, bro. What are you doing? You're not going to carry this case out all the time. It's not what. Yeah, everything about what you do there. You're dressed so nice. It's really uncomfortable. Lou, isn't he dressed so nice? I think it's too much.

[Sebastian Maniscalco]

I have a jacket out of the T shirt.

[Pete Corielli]

Jesus Christ.

[Sebastian Maniscalco]

I think throughout the day, your glasses, they take a beating, right? I'm going to be out, like, nighttime. These glass. What are you. What are you doing? Oh, no.

[Pete Corielli]

Yeah, right?

[Sebastian Maniscalco]

This is. This is. This is one of my pet peeves. And my wife. My wife often asks me, could you.

[Pete Corielli]

The camera. That's it.

[Sebastian Maniscalco]

Yeah. Now the shirt's dirty.

[Pete Corielli]

Oh, the shirt's dirty.

[Sebastian Maniscalco]

You gotta wash the shirt.

[Pete Corielli]

It's not that dirty to begin with. It just.

[Sebastian Maniscalco]

There's oil. There's oil on the shirt. Now, I'm not into this, like, use the clothing for a wipe. I ain't into that. I'm sorry. My wife often does that. You know, she's driving. Can you clean my sunglasses? I go, I got no wipe. She goes, just use your shirt. I go, you're walking around with dirty sunglasses. Because I'm not gonna be using my shirt as a. As a napkin.

[Pete Corielli]

Well, you know what I use at home, and nothing works better. I taught this to my daughter because she wears glasses. She loves it, too. You take the glasses by the in between, right between the two, hold it over the sink and just go, full Windex, four hits. One, two, one, two. And then you just wipe them up with a paper towel. Do you. So, like, I don't know what moisture you're doing, but Windex is the best.

[Sebastian Maniscalco]

I got a couple things wrong with that. Number one, I found that Windex tend to streak. And number two, a coarse paper towel might scratch the lens. That's why I use a. Just a soft microfiber cloth.

[Pete Corielli]

What kind of shades are those?

[Sebastian Maniscalco]

What are these?

[Pete Corielli]

Are these Ray Bans?

[Sebastian Maniscalco]

Armani. Giorgio Armani.

[Pete Corielli]

Now I feel like you're getting. Bro, I want to put you on the spot with this. This is a compliment. And I said this the other day to my manager, and this is going to go and bleed into your shades. You were talking to my daughter backstage in Buffalo, and you were making her laugh, and you're talking about the piano, but where you're at in your career. It was like a moment I was having. This is trippy, man. But, like, where you're at in your career, your age, the way you carry yourself, I feel like you're starting to morph into legendary steppers. No, no. I know it's hard to hear, but there's like a legendary. Like a Don Rickles talking to a kid. You. So I really felt that was a really cool moment, but I feel like with that older status, what do you. What you take on starting to maybe wear in shades like Jack all the time. No one else has pulled that off, and it needs to be brought back. Has anyone else pulled that off that we. Whoopi tries to, but she fails miserably. But the indoor shades, it was, like, fucking legendary. What. What is he seeing? Is it everything yellow, right? I. I always wondered that at Lakey Games.

[Sebastian Maniscalco]

You're right. I don't think anybody, particularly male, has pulled off the indoor sunglass.

[Pete Corielli]

Right.

[Sebastian Maniscalco]

Other than Jack Nicholson, however, I find that black people.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

Could pull it off. And it just looks.

[Pete Corielli]

Yeah, right. It. It's like. It's like a shaved head on a black man, too. It almost looks like you want to do that out of the gate. Right? Yeah. There's a coolness factor. You're right.

[Sebastian Maniscalco]

There is a coolness factor. It just. I don't know any white male that's been able to pull it off since Jack Nicholson. I mean, I don't know. I. You think you put. You put. Listen. Yeah, put. Put mirrored sunglasses on a Tom Cruise and he walks into a restaurant. I don't think anybody says a damn thing. That's. That just looks good.

[Pete Corielli]

But do you think that with him, it's a little. A tad bit of, all right, take the shades off? Like, nobody says that about Jack. I've never looked at him and thought, all right, guy, take the shades off.

[Sebastian Maniscalco]

I think Jack might have. And I don't know if we could pull this up, guys. Did Jack Nicholson wear sunglasses at the Oscars?

[Pete Corielli]

Yes. Yes. I'm almost positive, man. You're goddamn right I did.

[Sebastian Maniscalco]

I mean, that's. That's bold.

[Pete Corielli]

And by the way, while we're speaking to this, I had some. I don't know if you call it disturbing. I guess it's positive news. But they were telling me backstage at one of the shows were doing on your tour. I was talking to a couple of the guys, A woman, she was making coffee, and she goes, I did a private thing yesterday for Stevie Wonder and blah, blah, blah. And we got to talking. He's. He can see.

[Sebastian Maniscalco]

Stevie Wonder.

[Pete Corielli]

He can see. Stevie Wonder can see.

[Sebastian Maniscalco]

I've heard this, but I. What?

[Pete Corielli]

False advertising. Way in the neck, like this all the time.

[Sebastian Maniscalco]

How good could the guy see?

[Pete Corielli]

They said, like, if you put, like, cloth over your eyes, like. Like. So somebody in the room then said that there was a woman that was beautiful somewhere, that he was there. Oh, that woman's beautiful. And he turned around, looked at her, and turned back and said, you're right, she is. What is that? I thought he'd have to rub his hand over her face. And based on the contours.

[Sebastian Maniscalco]

Okay, yeah. Now, if Stevie Wonder could see, do you think that takes away from how good of a piano player he is? Do you think the blindness adds to the lure of. My God, this guy's playing the piano. He can't see.

[Pete Corielli]

I. Bro, don't we all cheer a little harder at the Special Olympics than we do at the regular Olympics? I mean, yeah, I think he was getting a little bit of a free pass because he can't see. Lou, can I get a Google on that? I don't want to get too ahead of myself on this.

[Sebastian Maniscalco]

There is a video of Stevie Wonder that a mike stand falls, and he. He catches it, which is why that rumor started.

[Pete Corielli]

I'm sorry, what's your name? I know we met right before the show.

[Sebastian Maniscalco]

Danny.

[Pete Corielli]

Danny, you're already better than anyone we've had working for us for 10 years. Holy shit. The way he just slid right in with the info. Well, I can't even. Thank you, Danny. So he caught a falling mic.

[Sebastian Maniscalco]

Yeah, yeah, I did see that. And there are some rumors that this man could see, and there's been some videos where he's turned to the right when you know, or whatever. I mean, there's videos out there that this guy. But what I'm saying I'd like to know from a trained pianist is what he's doing on the piano unbelievable. Even if he can see right? That's. That's.

[Pete Corielli]

Is he right?

[Sebastian Maniscalco]

Is. Is it. Or is it like, oh, he's blind and.

[Pete Corielli]

Right.

[Sebastian Maniscalco]

And he's doing. It's like.

[Pete Corielli]

Well, I mean, the music's unbelievable. Let's be honest.

[Sebastian Maniscalco]

It doesn't take away from what I heard when I hear him sing. But do you think other blind pianists, like a Ray Charles, for example, is going, this guy's fraud.

[Pete Corielli]

Guys coming over into my lane, and he's got 2020, the. Is this the Pete and Sebastian show? What you say? Okay, thanks to Prolon for sponsoring this episode. Are you aware of the revolution that has taken place in fasting that helps weight loss, mental and physical performance and gut health? It's called Prolon. Introducing Prolon, a revolutionary plant based nutrition program that nourishes the body while making cells believe they're fasting. Prolon is fasting with food. That's right, it's fasting. But with food. It all starts with Prolon's five day program. Snacks, soups and beverages are all designed to activate your body's fasting state. It's unlike anything you've ever experienced. With Prolon, you get everything you need prepackaged and ready to go. Each order of Prolon's five day program comes with five boxes labeled by the day so you know what to eat each day. Support metabolic and cardiovascular health and change your relationship with food in just five days. Prolon really isn't like any other diet we've tried because it's not a diet. It's truly science. It's so convenient. They set everything up, all you need in one box. And after trying it, I'm telling you, I think you're gonna feel light and energetic, baby. Right now, Prolon is offering the Pete and Sebastian show listeners 15% off their five day nutrition program. Go to prolonlife.com Pete that's prolon. P R O L O N life.com Pete for this special offer. Okay. Thanks to Aura for sponsoring this episode. Your favorite photos are just stuck on your camera. Roll right. That's where mine lived. Wouldn't it be great to have an easy way to share and enjoy them with friends and family? That's where Aura comes in. Named the number one digital photo frame by wirecutter, Aura makes it effortless. Less to upload unlimited photos and videos directly from your phone, so your favorite memories are always within view. Plus you can personalize and preload an aura frame for a truly special, unforgettable gift. I'm personally sick and tired of looking at photos and videos on my phone. Too small. I need a bigger screen with an aura. I get a nice beautiful picture as I took an awesome frame. So many sweet and funny and hilarious memories to share right there in that nice aura frame. Save on the perfect gift by visiting aura frames.com to get 35 off Aura's best selling Carver matte frames by using promo code the cast at checkout. That's a U R A frames.com promo code the cast. This deal is exclusive to listeners, so get yours now in time for the holidays. Terms and conditions may apply so we.

[Sebastian Maniscalco]

Do got to get into a few things here that had happened last week on the tour. Pete was playing a home game. He was in his hometown of Fredonia, and he was driving back and forth to the Youngstowns, the Rochester, the Syracuse. What have you brought his family? Beautiful family. Had them all in his dressing room. I got to tell you, I went into the dressing room and I found it. I was kind of startled. They were in the dark, and I don't know if you were trying to catch a mood there or what was going on, but it seemed kind of somber in there. Everybody just kind of just sitting there looking at one another. Now, if I would have known that you would add a group of people coming. Yeah, we would have, you know, at least brought in a cheese plate or some. Some alcohol. Do. Do. Do you. Do you think any of this shit.

[Pete Corielli]

Well, Lindsay actually did have a little cheese plate.

[Sebastian Maniscalco]

Oh, she did?

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

Okay.

[Pete Corielli]

But it was like, I. I'm not. I don't. I don't. I'm not comfortable with, like, the hang before the show, like.

[Sebastian Maniscalco]

Oh, you don't like that?

[Pete Corielli]

No, I get the way too. In my head is a lot of moving parts. I just, like, I've told this before. I really like to hang out with comics on the show.

[Sebastian Maniscalco]

That's.

[Pete Corielli]

That's what I. Before show. That's fine. Or alone. But I don't, you know. Okay. My wife and daughter's fine. But. So. Yeah, but first Sadie had a headache, so we did that for the beginning, but then she started feeling better. But I like it dim like that, man, Even when I play on these road gigs with you, and I get in the grain room, they got the fluorescence fired up. I. I turn off almost every lamp but one. I like a dim. You know what I'm saying? What?

[Sebastian Maniscalco]

A candle on the road, I had a candle.

[Pete Corielli]

In Ottawa, Winnipeg, I had a candle and I liked it. But I left to go outside, and when I came back, I thought to myself, jesus Christ, I can't leave it on a lit candle. If I burned down the whole arena, the Winnipeg's got to play on the road the rest of the season because I burnt down the arena.

[Sebastian Maniscalco]

Well, Lindsay has a candle. I think she. She's into candles, but she seems like.

[Pete Corielli]

She'S always around it.

[Sebastian Maniscalco]

But yeah, I mean, like, maybe you blow it out when you would. You're not in there. Yeah, but I mean, just like to set a mood, to set a vibe right before the show, you light it up. What's your take on scented unscented? Or unscented on the road.

[Pete Corielli]

Oh, I always like scented, but, you know, it's amazing with candles, I find that, like, the spent more expensive, the better the scent. Like, you can get a scented candle for cheap and the scent smells shitty.

[Sebastian Maniscalco]

Yeah.

[Pete Corielli]

So does somebody sniff them? Go. Oh, God, five bucks. Jesus Christ. I almost threw up my breakfast. I feel like the price is directly based on the smell.

[Sebastian Maniscalco]

I think they notice smell before they make the can. So. Yeah, it was great to have them there.

[Pete Corielli]

Thank you for spending, coming back there. And you're awesome for that, man.

[Sebastian Maniscalco]

I appreciate Problem there.

[Pete Corielli]

Shows were fun.

[Sebastian Maniscalco]

John Petrelli mother made an enormous amount of food. So much so that my mother was inspired by seeing John Petrelli's mother make food that she knocked out a plate of lasagna this week. She's like, jesus, that woman cook. Yeah, what am I doing? So she got in the kitchen and she brought over a tray of lasagna to my sister's house. Unfortunately, I'm not home to catch any of that. But that's how much food this woman's making. She's inspiring other grandmothers to make food now.

[Pete Corielli]

It was unbelievable that.

[Sebastian Maniscalco]

Oh, my God, bro, I'm on a canoli run right now.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

And I don't know if you know this, because you should know this, and if you don't, you gotta get up to speed. You lived in New York City for, I don't know, 20 years.

[Pete Corielli]

22 years. New York City. Yeah.

[Sebastian Maniscalco]

You got a cannoli spot in New York.

[Pete Corielli]

Italian bakery and just the neighborhood. I go to Little Italy. And you know, most of the restaurants there, they always have the little area up front where they're selling the Italian pastry. Yeah. But I kind of have.

[Sebastian Maniscalco]

That's a general.

[Pete Corielli]

I know, but, guy, I honestly. You put three cannolis in front of me and I probably. If they're all good, I probably couldn't. Oh, no, I'm sorry. I'm not a cannoli expert, man.

[Sebastian Maniscalco]

Well, I tell you, I think northern New York gets a bad rap. Not a bad rap. I was like, oh, it's not Manhattan, Right. I gotta tell you, I had some of the best food up there, Italian food that I've ever had, so. And particularly these cannolis, which very gracious of a lot of the people. Who. One guy, I told John, I go, I got a taste for cannoli. He goes, oh, I told the people that were coming that we know we didn't need that. I go, what do you mean, don't need? Get the fucking Cannolis over. So a guy went and that John knew that has a cannoli. A bakery got up and went to the bakery and knocked out half a dozen cannolis. I think it's. We'll get the name. God, I forget the name of it, but we'll get the name. I posted it online.

[Pete Corielli]

Delicious. It's as. I'm older now, too. I'd say about 10 years ago, it kicked in where, like, I had a cannoli and I just never went back. I was like, jesus Christ. Now I get it. Like, when I'm younger. When I was younger, I was more into, like, you know, American cooking. Chocolate chip. But there's not. It's. Again, they crushed it with the desserts. It's ridiculous. Well.

[Sebastian Maniscalco]

I was not into eating cannolis because I had some certain friends of mine that kept talking how cannolis are the best dessert ever, and it made me not want to have cannolis because they were so passionate about cannolis, and we've talked about this, that I tend to go the opposite way. If someone is so pro. Whatever. It turns me off. And I don't want to participate whatever they're participating in because they're talking it up too much.

[Pete Corielli]

That's Trump. Like, you know, with all of his cabinet members. If you say you. You're. You would be happy to be a cabinet member before he mentions you being one, he's like, well, you're out now. You're too excited. You're too excited. So. Jesus. No wonder why you don't like Billy Joel. So. But now you. You've gotten past that, and you're. You're really appreciating it. Canoli. Is that your favorite dessert?

[Sebastian Maniscalco]

Not my favorite. I. I'm a chocolate chip cookie guy.

[Pete Corielli]

Oh, God. You just fucking tainted the whole cannoli discussion.

[Sebastian Maniscalco]

What?

[Pete Corielli]

Jesus. It's like talking about wine and then going, but, yeah, nothing really beats a fucking Thunderbird.

[Sebastian Maniscalco]

Come on.

[Pete Corielli]

Chocolate.

[Sebastian Maniscalco]

Yeah. It's not really a dessert, per se. It's more like a.

[Pete Corielli]

But is a cannoli considered a cookie?

[Sebastian Maniscalco]

I would consider it in the cookie family, just based on the outer shell.

[Pete Corielli]

So, death row, time for dessert. Gonna have a cookie. And they offer you either like, the most delicious, perfect, fresh homemade chocolate chip cookie, or all the same fresh, delicious cannoli. Only can have one.

[Sebastian Maniscalco]

I gotta go. Cookie warm out of the oven, chocolate melted. Maybe even a little nuts in there, maybe some walnuts.

[Pete Corielli]

You know what you're saying, though, when you're biting into that cookie before you like your chair instead of cannoli. You're saying I'm dying as an American, not as an Italian.

[Sebastian Maniscalco]

I don't think so.

[Pete Corielli]

I think so, bro. Jesus Christ, the cookie. I mean, your Italian fans are rolling over right now.

[Sebastian Maniscalco]

I'm American, though. I mean, it's not like I grew up in Italy.

[Pete Corielli]

You make. You make it sound like everything Italian is better, and then on your deathbed, you're having a white trash fucking chocolate chip cookies. I have another problem too, with the cannoli. And you could tell me better. Is it trashy? I'm finding a lot of stuff on the tips that usually weren't a chocolate chip sprinkle. Like, it's getting a little Americanized now, right?

[Sebastian Maniscalco]

We're gonna put I like a pistachio dust on the tips.

[Pete Corielli]

And now, would they do that in Tuscany, or would they be like, what the fuck are you.

[Sebastian Maniscalco]

Dustin. I'd have to go and see if this is something that the Italians, the true Italians, are in favor of. But generally speaking, it adds another dimension to the cannoli that's just not there with just the plain.

[Pete Corielli]

Well, like the Godfather, what he said, leave the gun, take the cannolis. You think those cannolis had a little dust of pistachio on them?

[Sebastian Maniscalco]

I don't know. But I gotta tell you, the dust of pistachio, for me is. Yeah, it does it.

[Pete Corielli]

They were great cannolis, though. And I think John Petrelli has introduced me to. What I didn't realize is there's such a strong Italian community in western New York and. Yeah, really strong.

[Sebastian Maniscalco]

Yeah.

[Pete Corielli]

So.

[Sebastian Maniscalco]

So. So, yeah, we were doing the shows out there. We had. I'm kind of upset. What's on that? You were kind of commuting because. Wattage. J.J. watt, fan of the show. I met him for a drink in the lobby of the Buffalo Hotel. Now, I went down there. This guy ordered. It's about, I don't know, 10:30. Ordered a pasta Bolognese. I'm starving. Right. I actually got jealous because he's at the age where he can metabolize that within an hour or two and just not have it affect his body. If I have Bolognese before I go to bed, I gained seven pounds.

[Pete Corielli]

Well, you're taking out the fact that at five in the morning, he's lifting a tractor tire, doing flops with a big tractor tire. I mean, you know, you're making a reservation of curves to stretch. It's not metabolism. Do you see his videos he's still working on. You told me about The Peloton.

[Sebastian Maniscalco]

Yeah, no, he's in bed with Peloton now. And he's like a. Him and his brothers are. Are doing commercials for them. So, yeah, listen, he's working out, but like, this guy knocked out a bowl of pasta. And I'm sitting there going, God, I wish I could have that. So we. We had a nice time. Go ahead.

[Pete Corielli]

I don't like that, like pro athlete. The eating aspect, it's like. It's like a high school kid. When you're in high school, a boy, you'll go into your fridge at 10:30 and just eat a bowl of cold spaghetti or something, right? Like. Like din is done. It's 10:30, JJ. Like, if I was married to him, I'd be like, the kitchen's closed. You know, this is big. Guys that need fuel all the time.

[Sebastian Maniscalco]

It's like a furnace. You need to feed it. The guy's huge.

[Pete Corielli]

It's unbelievable.

[Sebastian Maniscalco]

This guy might wake up at 3 o'clock in the morning and knock down a dinner.

[Pete Corielli]

Right.

[Sebastian Maniscalco]

And go back to bed. Yeah.

[Pete Corielli]

And it's not even like, oh, having trouble sleeping? No, I'm starving in the middle of the night. I need meat. Unbelievable, man. Is he. Is he noticeably, like, not as big, muscular wise as he used to be in his playing days?

[Sebastian Maniscalco]

I seem pretty. Pretty. Same. I didn't. Yeah.

[Pete Corielli]

Does it look like he could play tomorrow?

[Sebastian Maniscalco]

I would guess, yeah. He had the guys there that he does the NFL today, they all came down nice too. And so we all kind of hung out talking football and whatnot. And then I watched the show the next day and I don't know, they dove on a table. I don't know if you saw that. Did you see this?

[Pete Corielli]

I saw the video. Yeah.

[Sebastian Maniscalco]

And Bill Coward did it. I saw that and I was like, I'm sitting there going, do you think. Do you think you could dive on that table and get up with no injury?

[Pete Corielli]

I don't know, man. It would be 50. 50.

[Sebastian Maniscalco]

That's what I was saying. Nate Burls. I don't know if you saw how high he got this guy. It was like a WWF coming off the third rope.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

That's how much air he got. But then when I saw Bill Coward do it, I go, this guy's gonna do it. How old is Bill Coward? Danny. Danny, Right. But they. And again, did you see the urgency in Danny's voice? Yeah, just the way he came back with looking it up. Right now he's 67. 67. Jesus. The return time on that, it's like Tennis.

[Pete Corielli]

I know. Boom.

[Sebastian Maniscalco]

And then right back.

[Pete Corielli]

There's an anticipation going. Right now he's googling Tennis. I. Bro. We noticed the same things. Watt did a little. He didn't even do much. He did a little, broke the table. And then, you know, the next guy got a little more, and the Burlston guy you said did a big one. And when Calla did it, I'm like, is he even going to get up? And then he just pops right up.

[Sebastian Maniscalco]

Yeah, he. Yeah. I don't know. His neck looked like it snapped back. But I wanted to bring up the whole want thing. Speaking of sunglasses, I don't know if you noticed, but he's the only one that had sunglasses on while doing the show. Now, my problem with that is there was no sun. What should take sunglasses. No sun.

[Pete Corielli]

I know. I said, well, we've been kind of talking about that, man.

[Sebastian Maniscalco]

Well, do you wear sun? If you wear sunglasses, you came out that you got your sunglasses right now. You go outside, it's not sunny. Do you put the sunglasses on?

[Pete Corielli]

Sometimes you do. There's a brightness. There's an overall brightness as you get older, that kind of, like, affects the site.

[Sebastian Maniscalco]

Okay.

[Pete Corielli]

And. But I've, like, I've. What I've done a few times lately, I'll be outside in Walmart, and I'll put them on going through the parking lot, just. And then when I get in, I keep them on. And Jackie, she's been with me, she turned around, she's like, hey, what the fuck with your sunglasses? And I was going to keep them on if she didn't say anything, but if she's saying it, everybody else must be thinking that.

[Sebastian Maniscalco]

Well, you bring up another point. How long can you wear sunglasses indoors before taking them off? So as soon as you open the door and you come in, are they coming off as soon as you step inside, or do you come in, let everybody know, hey, guys, this is what I look like, right? With the sunglasses on. Few steps, and then take.

[Pete Corielli]

It's interesting you say that this is the move. The move is you go in with them on until you see something that makes it worthy of you taking them off. And like, whether it's a price tag or something, then you go, did you see this baby? And then you put them right back on. When you. When you get out, man. That's all. That's all the move I feel.

[Sebastian Maniscalco]

I did this move today. All right, I want you to get your take on. This came out of my hotel room immediately. Put the sunglasses on. While I was waiting for the elevator. Love it, right?

[Pete Corielli]

Yes.

[Sebastian Maniscalco]

So I got into the elevator with the shades on.

[Pete Corielli]

I think you can do a. I'm going outside within five minutes. So I'm putting them on ahead of time. Yeah, you can pull that off.

[Sebastian Maniscalco]

You could do that. Because I felt like I'm a douchebag. Getting the elevator. If you got an elevator and you saw a guy sitting there with sunglasses on, would you go, man, this guy's prepared to go outside and like a guy. Let's just wait till we.

[Pete Corielli]

I'm leaning towards cool. I'm leaning towards this guy's cooler. All right, look at this guy. And then the thing is too, you're in there and your eyeball, you're leaning against the back wall of the elevator. Everyone's coming on. Your eyes are dot and judge and judge and judge.

[Sebastian Maniscalco]

I think the. The elevator sunglass to your point is a beautiful. Because you're looking at everybody and no one could see you. And by the way, I don't like, I don't like my eyes being seen through a sunglass. I like a co Cabretti glass mirrored. You don't see nothing but yourself.

[Pete Corielli]

Yeah, yeah.

[Sebastian Maniscalco]

People look at me. I want them to see them. Yo, I can't get mad cuz you look at me. Uh huh.

[C]

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[Sebastian Maniscalco]

This episode is brought to you by United Airlines. When you want to make the most of your vacation, book with United. They're an airline that cares about your.

[Pete Corielli]

Travels as much as you do.

[Sebastian Maniscalco]

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[Pete Corielli]

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[Sebastian Maniscalco]

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[Pete Corielli]

And with their app, you can skip.

[Sebastian Maniscalco]

The bag check line, get live updates and more. Change the way you fly. Book your next trip [e-mail] tell me what's your take?

[Pete Corielli]

International show.

[Sebastian Maniscalco]

So what's your take on this? Maid comes into the room, right? Are you ever in the room while they're cleaning or do you feel like you have to leave in order for them to kind of.

[Pete Corielli]

I went recently when we were on the road. I forgot something in my room and when I went back in, there's the sign that says the housekeeper's in here. It's on my door. Right. Which I don't know why they don't. What are we doing? Why don't we do a wide open door? That's the old move. Like, why isn't the door opened all the way propped open while you're working in there?

[Sebastian Maniscalco]

I'll give you a take on that. I think they do that in to like you pass the room, right?

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

You look in the room, oh, they got a laptop and steal it. Next time you're like, oh, it's more of like you showcasing the merchandise in the hotel room. I don't want anybody knowing what I got in the room. Right? No.

[Pete Corielli]

By the way, I have to say this because now I'm remembering it. We're talking before about seeing people in the elevator. You know what I can't stop doing lately? Ever do this? I'm looking at people in New York City. Weird people, especially people that like, aren't homeless, but, like, they're weird. I'm not interested in where you live, but I'm, I'm Wondering where people sleep. Like, where do you lay your head? Like.

[Sebastian Maniscalco]

And you're trying to, like, figure out what.

[Pete Corielli]

What's your bed?

[Sebastian Maniscalco]

What's your bed?

[Pete Corielli]

Look, Are there other people around you? I feel like you don't sleep in a room by yourself.

[Sebastian Maniscalco]

Funny, I thought about that myself. I. I look at people sometimes and go, do you got a bed frame?

[Pete Corielli]

Right?

[Sebastian Maniscalco]

But that.

[Pete Corielli]

Dude, that's a great one. I would say half of America doesn't even have a bed frame. But you look at someone, you're like, oh, you're a mattress on the floor, not. And like, is it like, you ever look at someone go, do you. Are you a bed maker? Like, I do not see certain people.

[Sebastian Maniscalco]

Like, what?

[Pete Corielli]

Like, I'm looking at a guy yesterday. I'm like, you gotta be sleeping in the basement of a fucking bodega. I just don't see a good bed situ. I almost want to be like, that's a great show.

[Sebastian Maniscalco]

What's your bed look like?

[Pete Corielli]

Here's 500. If you'll take us to your bed right now. We got the cameras. No stopping. You don't get five minutes to fix it. I just want to see what you lay in at night.

[Sebastian Maniscalco]

All right. So when I first moved out to Los Angeles, I went to go buy a bed. Came with a frame and came with a box spring, right? So I set it up, and that was my bed. I didn't have a quote unquote bed set, which I thought was a little white trash. Not having, like, a proper setup for your bed. Right. The bed was pushed up against the wall, so the wall was my headboard.

[Pete Corielli]

That's Bro, that's most. That's most of America's head. A headboard is a luxury.

[Sebastian Maniscalco]

So I did. Geez, I didn't get a headboard until 32. I think I said. Yeah, 32. I think I bought myself actual proper beds.

[Pete Corielli]

I don't have a headboard now.

[Sebastian Maniscalco]

What do you mean on a headboard?

[Pete Corielli]

We got a beautiful sleep number bed, and we got this, like, wall of paneling that we had made. And the bed just goes. That's the headboard. The bed goes right up to that.

[Sebastian Maniscalco]

Yeah.

[Pete Corielli]

Not bro. It's a beautiful. I guarantee you, Lou don't have no head. No, of course not.

[Sebastian Maniscalco]

Do you think a headboard is something people even think about?

[Pete Corielli]

Well, you need. You need an ending so your pillow doesn't fall off when you're laying off, you know, beyond your head. But I think. I think 90% of America uses the wall as a headboard.

[Sebastian Maniscalco]

Okay. Well, I'd like. I'd like to get the stats on that.

[Pete Corielli]

Me too.

[Sebastian Maniscalco]

Number two, you're telling me you could push off the wall and your bed would move with, like. What's the bed sitting on?

[Pete Corielli]

Well, the bed's on a frame with wheels. No, no, the wheels aren't on it.

[Sebastian Maniscalco]

You know, so it's. It's a. It's the bed frame you get with the bed or it's a bed frame that you bought separately from the actual.

[Pete Corielli]

It's a bed frame you get with the bed because it's asleep. Number. But it's like just a metal. I think it's just a metal frame.

[Sebastian Maniscalco]

No wheels on it. It's stationary.

[Pete Corielli]

Yeah, it's just stationary.

[Sebastian Maniscalco]

Gotcha. Yeah, I would like. I would like to know. I would like to interview 10 people and see if they have a headboard.

[Pete Corielli]

I've had the ones with wheels, too. My younger day. Yeah.

[Sebastian Maniscalco]

Yeah.

[Pete Corielli]

Jack and I would fool around. By the time we're done, we'd have to wheel the bed back up against the wall.

[Sebastian Maniscalco]

Were you just hard?

[Pete Corielli]

I said back in the day. Back in the day, like, Jesus. I prefaced it. Yeah. I had a. There was a time I was a good lover.

[Sebastian Maniscalco]

All right, so how do we get on this topic?

[Pete Corielli]

Oh.

[Sebastian Maniscalco]

Oh, the bed.

[Pete Corielli]

You can't say one thing about that. Jeez.

[Sebastian Maniscalco]

The what?

[Pete Corielli]

One thing.

[Sebastian Maniscalco]

I said.

[Pete Corielli]

Give myself one little compliment about it.

[Sebastian Maniscalco]

Oh. I mean, you're gonna get ripped to shreds.

[Pete Corielli]

That was a little dirty. We don't talk like that. All right, so where were you going?

[Sebastian Maniscalco]

So I went out to dinner. And we get your take on this by myself. Wow. On Monday and such a thing. That's what I love about New York City. You fall out of your hotel, you're into a sushi restaurant. Right. In Los angeles. It's a 23 minute drive. And, you know, for a tuna roll here, here. You walk a couple blocks and boom, you're at a. You're at a sushi restaurant. So I walked in, sat down, and I noticed this is a nice sushi place. Right.

[Pete Corielli]

Do you do the bar?

[C]

No.

[Pete Corielli]

You're alone? You don't set up the sushi bar?

[Sebastian Maniscalco]

No, no, sushi bar. Sushi bar was downstairs. I was upstairs near the bar. The bar bar. Oh. So I'm looking, and it's a revolving door of guys coming in with motorcycle helmets and a back pack. They got like an oven on their back. Right. It's like a. It's a heat warmer. It's all these postmates. Uber Eats all this stuff. And they're coming in, right, to collect the food with the thing on the back. And it's just. It looks like a. An F1 pit stop.

[Pete Corielli]

The fuck.

[Sebastian Maniscalco]

You know, I'm waiting to get a thing. I got three guys in front of me with. I mean, and these, these packs come off 3, 4ft off their body. Have you seen these things?

[Pete Corielli]

I have, yeah. Yeah.

[Sebastian Maniscalco]

New York has to do something with the amount of, I'm going to say, either one or two wheel motorized vehicles on the road, right? It's gotten to a point. Now, I saw a guy on a scooter, he had on the back of his helmet arrows of what, like turning signals lit up on his helmet. So if he turns left, you see it on his helmet. I go, come on, how far are we going with this shit? I saw one guy on A1. You ever see that idiot on a. It's like a unicycle on a wheel.

[Pete Corielli]

The one wheel?

[Sebastian Maniscalco]

Yeah, one wheel. And he's in a suit. I'm sorry. If I'm part of the company, right? And I hire this guy and I see he comes on a unicycle, he's gone the next day.

[Pete Corielli]

You know, a lot of companies, you'll get a bonus for that, for going green and saving, keeping a green imprint and all that. Yeah.

[Sebastian Maniscalco]

What kind of work is this guy going to be doing on a unicycle?

[Pete Corielli]

Oh, God. I haven't seen anybody pedal since 1997 in the city.

[Sebastian Maniscalco]

No, no one's pedaling.

[Pete Corielli]

No one.

[Sebastian Maniscalco]

Everything's motorized, everything's electric and. And it's. It's unsafe, man.

[Pete Corielli]

It's really. You wait for first, the cars go by. And by the way, yesterday, I've noticed too, a lot of cars blowing reds, blowing like. So you got to wait for people to finish breaking the law with the car. Then you stand there and then you wait for like a barrage of electric. Electric shit come flying by, and then you can cross. It's. It's like insane.

[Sebastian Maniscalco]

Well, as a pedestrian, you have to watch for these because they, they. You know what it is, too. And I think. I don't know if we told. I said this on the, on the cast before, but New York has so many people from so many different countries, they're bringing their driving skill set from wherever they're coming from here. So you got about 19 different countries right on the. On the roads out there. Like, I don't know if you've ever seen the way they drive in India, right? That's a whole different thing. I mean, it's. They're whizzing by this and that. No one's listening to signals or none of that. So you got, like, the United nations of driving out there, where everybody comes with their own driving skill sets from the country. They learned how to drive. Right?

[Pete Corielli]

Absolutely. You're bringing up a great thing, though, because yesterday I took an Uber to this private show. The whole drive, he's cranking radio.

[Sebastian Maniscalco]

I don't give a shit if it's loud, it's done, it's off.

[Pete Corielli]

Well.

[Sebastian Maniscalco]

And they have an option on Uber. I think they have an option. And Danny, quick on the keyboard might be able to tell us. Uber black, you can request that. Okay, so Uber black, you could request. I don't want you to talk to me. I don't want you to put the music on, which I think is. Listen. You're an Uber driver. You get a fare and it's. And it comes up. I want a music, and don't talk to me. Do you have an opinion about the guy getting in? If he. If he puts that as his preferences?

[Pete Corielli]

I would just think, well, he's a lot like me. I bet you almost want to write back. I don't. Great. Because I don't want to talk to you anyway, so. Yeah.

[Sebastian Maniscalco]

But.

[Pete Corielli]

Yeah, what do you think? The guy's not nice. Anyone who wants that. Right?

[Sebastian Maniscalco]

Well, I mean, I don't know. I. I don't necessarily want to, like, start up a conversation in a. In a. In a car ride. I could be on the phone, or I could be. Just whatever. If you're going to a show, maybe you're collecting yourself and you don't want to. I just don't know why there. There's a radio even involved in a fair to begin with. I mean, the radio shouldn't be on.

[Pete Corielli]

Well, I mean, I understand you're driving all day and you're going crazy and you need to listen to something, but just put on Sinatra and we're all fine. I've never heard anybody ever go get. Fly me to the Moon. Get that shit off. Doesn't happen.

[Sebastian Maniscalco]

Wynn Hotel does that. Their cars, they play Sinatra. It's in the rules. You got to play Sinatra in the car.

[Pete Corielli]

Oh, my. It's beautiful.

[Sebastian Maniscalco]

That's what I think the whole country should do. Just Sinatra it up.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

And, you know, if you wanted me to turn it off, I'll turn it off. But you're getting in your hair. And just lightly, though. Just a little. Not loud.

[Pete Corielli]

It's. It puts you in A good. Just hearing you humming is making me happy. And it's like, you know, listen, you could go all the way down the line, you know, your Belafonte's, your Dean Martin, your Sammy Day, all that. Just all that. Like, you know, Etta James just hit us with all this beautiful music and no one will have a problem.

[Sebastian Maniscalco]

Yeah, I, I agree.

[Pete Corielli]

What's your take on this? I was walking through Central park yesterday and I saw a guy running in shape, normal looking guy. And every once in a while he was, while he was running, he was shadow boxing as he's doing the loop. I mean, coming hard with the, with the lefts and the rights and then he go back to running and then he do it again. So it was part of his training. And I couldn't decide if I thought this guy was a meatball or if I thought this guy is training on a level that I've never experienced.

[Sebastian Maniscalco]

Did he look like one of these guys? Oh, look at me. Because some guys are actual boxers and are doing this because they're maybe getting ready for a fight. Or do you think this guy's an accountant and then he's going for a run and he decides to shadow box?

[Pete Corielli]

Yeah, I didn't get a. I was, I was looking to see is he training, but I don't, I think he was like, yeah, just. Someone told me you could burn more cardio if you throw some punches that.

[Sebastian Maniscalco]

That you do behind closed doors. You don't, you, you don't start shadow boxing in the shadow in the park. You just run doing the loop right.

[Pete Corielli]

Next to horse and carriage.

[Sebastian Maniscalco]

Well, I guess I'm con. I'm contradicting myself because this is what I did on the treadmill. I said, I have never done this before. Oh no, I'm on a treadmill. What would you take on this? I grabbed two five pound dumbbells and I was doing triceps or biceps as I was walk, walking on the treadmill. And then I was doing, I was doing like, like almost housewife exercises with five power weights. What's your thing?

[Pete Corielli]

I would say, why don't you put the weights down, Mary, and just run fast? I mean.

[Sebastian Maniscalco]

Yeah, I can't run. Like. I know, I know that. I. Listen, I, I did try and run. Yeah, I got it up to seven. I haven't been on seven on a treadmill in three years, bro. I fel. Legs were going to fly off my body. I'm sorry, I don't run.

[Pete Corielli]

I don't run, but I do on the, on the Peloton, not a bike like a peloton. They got the weights there, and I'll do the flies and. Okay, so I'm with you. But it's. It's when you're biking fast and you're doing flies, it looks cool. When you're walking on a treadmill, it's like, carol, are we. Are we still on for Marjan later? You know what I mean?

[Sebastian Maniscalco]

Yeah. It has a aquatic type of feel to it, where you're in a pool and you're using weights and running underwater and stuff like that. I get you there. But, like, I don't know. I got this heart monitor thing that I wear a strap now to monitor my heart rate, which I feel is increasing my intensity when I work out, because I'm looking at my heart rate as I'm doing it. I don't know if you've ever tried this, but for me, I need to see where the heart's at to feel like, all right, I'm at 138 beats per minute. We're cooking now. It's good visual for me. Gives me. Gives me motivation. I highly recommend. It's called Morpheus, by the way. That's the product. That's Morpheus. You get it on Amazon. Not a paid sponsor here. Just something that I use and helps it. It helps.

[Pete Corielli]

I. I was. And I know we're closing out here, but I was reading an article yesterday on Denzel Washington. There was a lot of similarities, I feel, with you. He had a love of wine. Not his level was more than yours, though, because he was talking about how, you know, he had a big wine cellar and, you know, it was his go to. To just, you know, have great wine. And he goes, but I would buy it from this fancy place. I get two bottles delivered every day. And his wife would always be like, why you always just get two? And he goes, because if I get more than two, I'm going to drink more than two. And I would drink two bottles over the course of a day. And he goes, and like, I love my wine so much that sometimes I'd be out of wine. I'd go to get one at my wine cellar, and all I have is $4,000 bottles and, like, whatever, you know. And he goes, and he's admitting, I love good wine. And that creeps up on you because you just think it's okay because it's wine. And he goes, and I was up to two bottles a day when I wasn't working. When I was working, I put it all down Blah, blah, blah. And he goes, and I stopped when I was 60. I did some overall damage. And he's like, but, you know, my mother made it to 97. Will I make it to 97? Maybe I won't. Maybe I will. But the wine. It was like, just the way he was talking was like, I gotta see.

[Sebastian Maniscalco]

This, because I'm a huge Denzel Washington fan.

[Pete Corielli]

Yeah, he's cool guy.

[Sebastian Maniscalco]

Top. Top three actors for me, all time. And I just saw him on an interview because he's playing in this new movie called Gladiators coming out. Yes, he's doing a lot of press right now. He was talking about that he's going to do OTHELLO ON BROADWAY. 70 years old. Last time he did Othello was when he was 22. Right. So 48 years ago. And he still remembers the lines from the play. He was rattling him off on the interview. I'm thinking to myself, 48 years ago, this guy did Othello and he still. He still got it in his brain.

[Pete Corielli]

Wow.

[Sebastian Maniscalco]

I mean, that's. That's something else, but wow, man.

[Pete Corielli]

Well, I mean, I guess, like, that's like going into one of your old bits from your first album.

[Sebastian Maniscalco]

Well, I was with Jerry Seinfeld last night. Not to drop names, but we were talking about comedy. And I said, do you remember? Because he says he does his Q and A at the end. And I want to get your take on this. If somebody said, pete, remember that bit that you did on your first special? Can you. You think you could do it word for word right now?

[Pete Corielli]

No, not word for word.

[Sebastian Maniscalco]

So we have, you know, musicians who could recall songs that they did 30, 35 years ago. Do you think that's just because they're continually doing that song at concerts? That's why they remember it. Yeah, because Seinfeld does his Q and A, which I'm doing a Q and A at the end of the show.

[Pete Corielli]

Yeah.

[Sebastian Maniscalco]

You into that?

[Pete Corielli]

I don't.

[Sebastian Maniscalco]

I don't know.

[Pete Corielli]

I don't think so. I mean, do you like the Q and A?

[Sebastian Maniscalco]

I never thought I would entertain it, but the way he was talking about last night, I go, that's an interesting way to like. Because he says he loves it. The questions that people come up with, you know, like, he has fun with it. So I don't know. Maybe. Maybe try it. I don't know.

[Pete Corielli]

But why was that about your old bits you were bringing?

[Sebastian Maniscalco]

We were saying that he don't remember his old bits either. You know, like, if I had to do the chipotle bit. I don't think I would remember it verbatim. I have to go back and look at it and see what the. What the beats are. And probably have to do it a few times to get the cadence down and whatnot. Because, you know, we were talking about new material, old material. When you do shows and, you know, I was like, I am thinking when I do a show, the people in the room are the same people that were there the last time I came to town. Do you think that way, or do you think it's all new people?

[Pete Corielli]

No, I think that way, which is probably a bad way to think.

[Sebastian Maniscalco]

He goes, okay, when you go see an artist, like, you're gonna say, you go see Taylor Swift next time she comes to town, do you go? I go, no. He goes, so why. Why do you think that other people are the repeat business with you? It could be 70% new people that never seen you before. So why are you thinking that everybody in the arena or the theater or the comedy club has been there before? Yeah, that's the way I think. Because I feel like, okay, if you saw me before, you're coming back to see me again. And maybe you got a few new people, but I think the majority, they were here the last time I was here. Right.

[Pete Corielli]

So you think you got a room full of, like, DJ Lou with Pearl Jam situation, like that? People just.

[Sebastian Maniscalco]

Yeah, yeah. Like, Lou, when you go to a Pearl Jam concert and you look around, do you think everybody there has been to a concert once in their life?

[Pete Corielli]

Certainly. And I see people that I've seen before.

[Sebastian Maniscalco]

Oh, so you even have regulars that you see at these concerts?

[Pete Corielli]

That's right.

[Sebastian Maniscalco]

I'm sorry, what did you say, Lou?

[Pete Corielli]

Yeah, and I look for them the next time I go, too.

[Sebastian Maniscalco]

So can you imagine going to a concert and you start seeing people like, he's gone to so many concerts that he's made friends.

[Pete Corielli]

That's crazy.

[Sebastian Maniscalco]

I know at the concert.

[Pete Corielli]

And Jerry used a bad example because no one goes back to see Taylor Swift again because you fucking tapped out. You can't afford to see. Yeah, but Lou, when you go see Pearl Jam and he says something special, like, you know, like, oh, I haven't done this song in a while, blah, blah, blah, blah, blah. And then you see him someplace else. Does he ever say the same sort of thing and you feel cheapened by the last time he said it, or do you feel like Eddie feels like everyone there has seen him over and over? I think he tries to make it unique. And the one thing he does. When he goes to a different country, he tries to speak the language of those people. So it really is a unique experience. So if he's in Italy, he's speaking. He tries his best to do like, a paragraph in Italian into the next song and stuff. This is what I wanted to do, and someone's gonna steal it because I'm lazy and I haven't done it. And it's almost a little theft over Eddie Veda, he tends to cover. I've seen. He'll cover a famous musician song if he's in the town. Like, if he's in Jersey, he's going to do a Bruce song. I would like to pick every town. I mean, if there's a famous comic from there, do his bit, a bit of his and say it, you know, blah, blah, blah. Or if, like, you know, hypothetically, you're in Cleveland, you don't know anyone from there. Drew Carey used to do a sitcom from here. I love Drew Carey, even though he is from Cleveland. But you find the reason to do a bit from a famous comedian everywhere you go.

[Sebastian Maniscalco]

Now, would you do the famous bit in the comedian's voice, or would you just take the song, take the bit and make it Pete Corielli's bit.

[Pete Corielli]

I would intro it, say how great this guy was. Why? Or gal why I like him so much. And then I would do it in my voice. Like, Eddie Vette is not going to sing like Elvis because he's doing an Elvis song.

[Sebastian Maniscalco]

Yeah, yeah, that'd be interesting. I don't know. Like, that's an interesting concept of other comedians or comedians doing other people's bits in their own voice.

[Pete Corielli]

Right.

[Sebastian Maniscalco]

I wonder how that would.

[Pete Corielli]

Well, last night when I was doing this private gig in my head, it was funny. I was in the hotel room and I'm like, why not just, you know, do somebody else's shit? Like, is somebody literally going to be in the living room going, oh, that's Tom Papa's bit. That's Tom. Yeah, I was gonna know, so. But you don't. It's a weird thing, you don't, because if you got caught. I'd rather get caught stealing stereo than doing another comedian's bit. You know what I mean?

[Sebastian Maniscalco]

Well, at a corporate gig, you're right. I mean, you did a birthday part. How many people were there last night?

[Pete Corielli]

77. Yeah.

[Sebastian Maniscalco]

And you did this at where? What was the venue?

[Pete Corielli]

What's the venue? It's a living room. There's a guy's living room on the Upper east side by the Way. What is your take on this? He's got a little bar, right? It's. The guy's loaded. You know what I mean? It's one of those deals and a real nice man. And he goes, have a drink. Have a drink. Before we start, relax, I want you to come in a tiny bit earlier. Just say, just to relax. So I go up to get a drink, and then he comes back up to me. He goes, what are you doing? I knew you're gonna get a drink. I said, dave, I've never been to a party where you have no beer. You don't have any beer in your whole house. He's no. When I do a party, the bar is just hard liquor only.

[Sebastian Maniscalco]

I got a problem.

[Pete Corielli]

I thought so. I mean, they will. They looked. They almost kicked me out for ordering a beer. Set it from the stage, the living room. I go, jeez, I ordered a bee. Guys almost kicked me out like I was maintenance.

[Sebastian Maniscalco]

I don't like that you said you got no beer. I. What is that?

[Pete Corielli]

What? I said I'm surprised you don't have any beer. I've never been to a party with no beer.

[Sebastian Maniscalco]

Yeah, what is that?

[Pete Corielli]

What is that? What do you mean?

[Sebastian Maniscalco]

You don't say that to the host. Where's the beer?

[Pete Corielli]

I didn't say it like, where's the beer? You keep telling me to go get a drink. You don't have a drink that I drink.

[Sebastian Maniscalco]

I know, but you don't say that like, I don't go to a house and if you don't got wine, I don't go, fuck no wine.

[Pete Corielli]

You got. I don't know. I disagree. If you. I mean, yeah, beer is like.

[Sebastian Maniscalco]

It's like going to a party and then. No, no dip for the chips. Well, Animal.

[Pete Corielli]

Are you. Hard lick is a very aggressive thing to make it the only thing you're offering.

[Sebastian Maniscalco]

You go out and you adj. Give me a patron or whatever. Guys, behind the wall. What's your take on Pete bitching about no beer at a party?

[Pete Corielli]

I would.

[Sebastian Maniscalco]

I would just let it be and have a cocktail and not drink it. That's it. That's it.

[Pete Corielli]

Goodbye, Dan. You don't know how this thing works. Yeah, I. Maybe you're right. And maybe, you know, geez. I texted him today to thank him for the. The thing hasn't gotten back to me.

[Sebastian Maniscalco]

It might have been go, hey, I'm sorry I said that. There's no beer. Don't worry about it.

[Pete Corielli]

I know I said that from the stage. I said it was classy.

[Sebastian Maniscalco]

I don't like. There's another thing I don't like. I don't like you being there. Hob Hobnob.

[Pete Corielli]

I don't like that either.

[Sebastian Maniscalco]

With the people you're going to perform, you got to come in. Like, where'd he come from? You're sitting at the bar and people are walking in. You're like, hey. And then you go up on stage. You might as well be server.

[Pete Corielli]

I know, I listen. I was there about 10 minutes before I performed, but even that. Yeah, you want me to get you.

[Sebastian Maniscalco]

I want you there. Either you come, you come. Like, was there somewhere to hide if you didn't want people to see you?

[Pete Corielli]

Basically not. No, not hide. But I stayed right by the door and no one came near the door. And I was only there like 10 minutes and it was a event plan, so I hung out with her. But no, I hear you. I hear you. The lady, when I did that last private gig and that Eliza, the one who's singing on Broadway.

[Sebastian Maniscalco]

Yeah.

[Pete Corielli]

They whisked her in, like, whisked her out of the car into the living room, straight to the mic. Happy birthday sings and whisked right out. Yeah, me, I'm like eating shrimp in the corner.

[Sebastian Maniscalco]

And then when you do the thing, you get out of there. You.

[Pete Corielli]

You don't hang out. Yeah, like, was he going to sleep over? Get the hell out. The show has ended.

[Sebastian Maniscalco]

Did with my weights.

[Pete Corielli]

What you think I would say, why don't you put the weights down, Mary, and just run fast.

[C]

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