Podcast
The Pulp Writer Show
Hosted by Jonathan Moeller · EN
Hosted by Jonathan Moeller (author of the FROSTBORN and SEVENFOLD SWORD fantasy series and the SILENT ORDER scifi series), the Pulp Writer Show discusses how to write, format, publish, and sell your novel.
Sometimes there are jokes.
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Episode 284: Why is WIZARD-ASSASSIN in Kindle Unlimited?
Jan 500:12:03Tap to summarizeIn this week's episode, I explain my reasoning for putting my new book WIZARD-ASSASSIN in Kindle Unlimited, even though the majority of my books are wide and will remain so. I also examine the phenomenon of British Christmas chocolate boxes. This coupon code will get you 25% off the ebooks in the Frostborn series at my Payhip store: FROST25 The coupon code is valid through January 12, 2026. So if you need a new ebook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction, Writing Updates, and British Christmas Chocolate Boxes Hello, everyone. Welcome to Episode 284 of The Pulp Writer Show. My name is Jonathan Moeller. Today is January the 1st, 2025 and today we are discussing why Wizard-Assassin is in Kindle Unlimited. We'll also talk a bit about British Christmas chocolate boxes, something I just learned about recently. We will also have a Coupon of the Week and an update on my current writing and publishing projects. But first off, Happy New Year to everyone. I hope you had an enjoyable Christmas and New Year's holiday, whatever form that may take for you and I hope that 2026 turns out to be a great year. Now, let's move on to Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in the Frostborn series at my Payhip store. That code is FROST25. And as always, the coupon code and links to my store will be available in the show notes. This coupon code is valid through January the 12th, 2026, so if you need a new ebook series to dig into this snowy winter, we have got you covered. Now an update on my current writing and publishing projects. I said I wanted to take the week off between Christmas and New Year's and I mostly did. Played a lot of video games, saw a lot of family, ate a lot of good food, but I do get a bit bored. So I did get some work in and I'm currently at 35,000 words of Blade of Storms, which will be the third book in the Blades of Ruin epic fantasy series. I think the book's going to end up about 100,000 words or so, maybe a little more, maybe a little less, so that means I'm about 35% of the way through the rough draft. So that's good progress and it's back to full speed now that the New Year's and Christmas holidays are over. I am also 5,000 words into Cloak of Summoning, which will be the 14th Cloak Mage book. I'm hoping that Blade of Storms will be out in January and Cloak of Summoning will be out in February. In audiobook news, Brad Wills is working on recording Blade of Shadows, the second book in the Blades of Ruin series and Leanne Woodward has signed up to record Wizard-Assassin, the fifth book in the Half-Elven Thief series, and she's hoping to start work on that in March, if all goes well. So that is where I'm at with my current writing and publishing projects. And now for a brief digression into the subject of British Christmas chocolate boxes. Now, I'm grateful for all my readers, but I am surprised by how many UK readers I have. Mathematically, it is surprising because based upon which statistics you read, the UK has about 25 to 20% of the total population of the United States. So do you think that the UK book sales would be only about 20% of my US sales, but that isn't the case? In December of 2025, the US made up about 58% of my sales, but the UK did 34. I think the reason for that is that fantasy is generally a more popular genre in the UK than it is in the US. Like numerically speaking, the US probably has more fantasy readers because of the larger population, but the UK population's overall percentage of fantasy readers seems higher. Of course, maybe I'm completely wrong since the US and the UK are very different places, even if they both speak English. Anyway, that was a long-winded introduction of saying that before I started self-publishing in 2011, I knew practically nothing about the contemporary UK. I couldn't have told you if the UK was on the Euro or the Pound. However, in the 15 years since, I've absorbed a fair few facts by osmosis. One of them is Christmas chocolate boxes. I didn't know about this until recently, but apparently Christmas chocolate boxes are very popular in parts of the UK, with frequent debates about the best brand, quality, et cetera and this has been a tradition going back almost to the 1930s and the 1940s. Now, this was only an abstract fact I knew for a while, but a nice person got me a Quality Street chocolate box for Christmas. That's the brand name, if you're not familiar with it, Quality Street, which I suppose is better than Cheap Street. It was pretty good. There are apparently great debates about which chocolate ones are best, but honestly, I think I like the red cherry flavored ones the best. I know not everyone feels this way, but I do like that sort of artificial cherry taste that it has and that sometimes turns up in other things. So all in all, it was pretty tasty and [an] interesting way of experiencing a different culture. 00:04:28 Main Topic: Why is the Half-Elven Thief Series in Kindle Unlimited? Now onto our main topic this week: why is the Half-Elven Thief Series in Kindle Unlimited? Now with the release of Wizard-Assassin recently, the fifth book in that series, a few people wrote in to ask why Half-Elven Thief was in Kindle Unlimited (KU) and not wide and on all the other ebook stores. Short answer: business of publishing reasons. The "too long; didn't read" answer: of my three unfinished series, I determined that one of them needs to be in Kindle Unlimited and Half-Elven Thief drew the short straw, so to speak. What I've realized over the years I've been self-publishing is that if you have a new book that does well in Kindle Unlimited, Amazon puts its thumb on the scale for the book in a big, big way. More eyeballs get on the book. It stays higher in the rankings for a lot longer than it would otherwise, and therefore more people read and buy it. More people get email or app notifications about it. A new Kindle Unlimited book that does well even has a halo effect on the rest of my backlist, even for books that are not in Kindle Unlimited. Blade of Flames and Blade of Shadows had their best days in a couple of weeks in the days after Wizard-Assassin came out and even Stealth & Spells Online got a boost. And of course, the price for this buffet of algorithmic bounty from Amazon is that a Kindle Unlimited book must be exclusive to Amazon. Now, a lot of writers get really mad about this fact, but the truth is that this is how retail works and in fact is how retail has always worked. Like for example, let's say you go to Walmart, Target, Costco, Tesco, or some other big box store and see a big display of Tide detergent towards the front of the store and near the registers. It's partially there because the store thinks it will sell, but it's mostly there because Procter & Gamble paid big bucks to have Tide detergents featured at the front of the store. This is even frequently true when the big box stores send out emails with discounts and coupons for this and that, though there is more of an algorithmic component to that than in traditional brick and mortar retail, since it's very often the case that, for example, from Target, no two customers will get identical offers. Now, admittedly, compared to the kind of draconian contracts between a big box store and an industrial conglomerate like Procter & Gamble, Kindle Unlimited by comparison is relatively mild. Amazon doesn't charge anything for it, and the term is only three months if you want to take your book out of it. The exclusivity requirement is probably anti-competitive, but the US government can't even rouse itself to do something very popular like changing Daylight Savings Time, so there's no way it will address a more complicated and more obscure issue like ebook exclusivity anytime soon. Of course, traditionally in US antitrust law, you only get in trouble for raising consumer prices and Kindle Unlimited is objectively a very good deal for heavy readers. And for that matter, exclusivity is fairly common in retail arrangements, which is why you occasionally see things like special edition holiday themed body wash available only at Target or something like that. Or in the book world, this happens as well, which is why Barnes & Noble sometimes has B&N exclusive hardback editions of various books. So that's just the reality of Kindle Unlimited since the program settled into more or less its current form around 2015 or so. To deal with it, indie writers typically settle on one of four strategies. #1: they go all in on Kindle Unlimited. #2: they ignore Kindle Unlimited, perhaps as a point of ethics and protest of Amazon. #3: they split the difference with Patreon, and #4: they split the difference with publishing windows. Strategy #1's big, big drawback is that book revenue becomes entirely dependent on Amazon, and Amazon's algorithms occasionally go berserk and start banning accounts at random. A smaller but still significant drawback is that you cut yourself out of every market that Amazon doesn't address, which means if your Amazon sales tank, there's no fallback position. Strategy #2 is much more viable across the long term, and I did it for a lot of years, but it does mean you are operating under a permanent handicap on Amazon, which remains the largest bookseller in the US and the UK. The most successful example I've seen in strategy #3 is with indie author Lindsay Buroker, who first offers her books to her Patreon subscribers and then puts the series on Kindle Unlimited. Once the series is complete, she takes them out of KU and puts them on all the other retailers and starts a new series that is first up on Patreon and then on Kindle Unlimited. I've thought about doing something like th...
Transcribe →Episode 283: Audiobook Sampler Platter For 2026!
Dec 2900:18:55Tap to summarizeIn this week's episode, I provide an update on my writing projects, and then share samples from four of my audiobooks to start 2026! This coupon code will get you 50% off the audiobook of Shield of Power, Book #6 in the Shield War series, (as excellently narrated by Brad Wills) at my Payhip store: POWER2025 The coupon code is valid through January 5, 2026. So if you need a new audiobook this winter, we've got you covered!
Transcribe →Episode 232: Writing Goals For 2025
Dec 23, 202400:15:16Tap to summarizeIn this week's episode, I take a look back at my writing goals for 2024 and see how many I met, and look ahead to my writing goals for 2025. 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 232 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the 20th, 2024 and today we're looking back to see if I met my writing goals for 2024 and looking ahead to see what my writing goals will be in 2025. This will also be the last episode of 2024 so I can take a few days off for Christmas and New Year's, so tune back in 2025 for some more exciting episodes. In the meantime, we'll start with an update on my current writing projects and then do Question of the Week. My main project right now is Shield of Deception, the fourth book in the Shield War series. I am at 33,000 words into it as of this recording, which if my math is right means I'm about 24% of the way through the rough draft. I’m hoping that will come out in January, but there's good chance it will slip to February because I'm think it's going to be pretty long. My secondary project right now is Ghost in the Assembly and I am 2,000 words into that and I'm hoping to have that out in February, but if Shield of Deception slips to February, then it'll probably be out in March. In audio news, recording for Cloak of Masks, the eighth Cloak Mage book, is nearly done and I expect to have some files to proof for that before much longer. That will be narrated by Hollis McCarthy. Leanne Woodward has started working on the audiobook version of Orc Hoard, so both of those should be coming along shortly in 2025. So that's where I'm at with my current writing and audiobook projects. 00:01:34 Question of the Week And now let's move on to Question of the Week. Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question: what is your favorite movie or TV version of A Christmas Carol by Charles Dickens? No wrong answers, obviously. The inspiration for this question was I was scrolling through movies on various streaming services and of course this time of year you can watch a billion different versions of A Christmas Carol. Todd says: my personal favorite of A Christmas Carol is from 1971. This animated classic had the original Scrooge and Marley actors voice the respective characters. Another Christmas television program would also have to be Emmett Otter's Jug Band Christmas. It's got Frank Oz! I have to admit, I have never heard of Emmett Otter's Jug Band Christmas before this comment. Justin says: I would have to say the 1951 version with Alastair Sim, although the Muppets are a close second. Bonnie says: This is one of my hubby's favorite Christmas traditions. Unsure of how many different versions we have. His two are American Christmas Carol with Henry Winkler and the George C. Scott one. I like the Albert Finney musical version and the Alastair Sim one. Paul says: Yes, sentimental favorite is the George C. Scott version from 1984. I like the version with Patrick Stewart as Scrooge as well. We'll watch many versions through the season if I see them on. The Muppet version is great as well. Not a fan of the Jim Carey cartoon version. It is okay, but prefer the first three mentioned. Andrew says: The Muppet version is the best. Randy says: Another vote for Kermit here! “Light the lamp, not the rat!” Jenny says: OMG Yes, the Muppet's version! Jeremiah says: Alastair Sim version for classic and modern, the Patrick Stewart version. Catriona says: The Muppets- just iconic! Gary says: The Muppets. Tom says: Yes, A Muppet’s Christmas Carol, nothing else comes close. Becca says: Muppets Tracy says: I like the one with Patrick Stewart. For myself, I pretty much closely agree with the commenters here. I think my sentimental favorite is the George C. Scott version from 1984, since that's the one I used to watch when I was younger. Rewatching it as an adult, it's impressive how Scott doesn't even attempt a British accent. It's actually rather surprising that his version of Scrooge is actually pretty funny, with a dry wit. That said, as many of the commentators here already said, I think the best overall best version of A Christmas Carol is Muppet Christmas Carol from 1992. It works because Michael Caine plays it stone dead serious even when he is sharing the screen with a bunch of Muppets. Caine famously said that he played against the Muppets like he was playing against the Royal Shakespeare Company, and the contrast with Caine’s serious performance against the silliness of the Muppets creates a sort of alchemy that works really well. Also, The Man Who Invented Christmas from 2017, a highly fictionalized version of Charles Dickens writing a Christmas Carol, is definitely worth watching even though it takes a few, well, more than a few creative liberties with the facts. So that is it for Question of the Week this week. 00:04:26 Writing Goals 2024/2025 Now let's look back at my writing goals for 2024, see if I was able to meet them or not, and then look ahead to my writing goals for this coming year of 2025. First of all, I would like to very much thank everyone who bought one of my books or audiobooks this year. I am glad you enjoyed them. I would also like to thank the narrators I worked with this year, C.J. McCallister, Hollis McCarthy, Brad Wills, and Leanne Woodward, who actually did the work of creating amazing audiobooks. Additionally, I would also like to thank my podcast transcriptionist, my Excel bookkeeper, and my audiobook proof listener (all three of whom wished to remain anonymous), who really helped out and took a lot of work off my plate this year so I could focus on writing. 2024 for me on a personal level was a pretty good year. However, I admit it was a rough year for book sales. I was down about 12% overall. This came from two causes. One, a significant portion of the book reading American public disappeared into doomscrolling their news and social media apps from July to about November. Two, I scattered my attention too much across too many series. I think in 2025, I'm going to focus up and do an Andomhaim book every other month like I did from oh, 2013 to 2023 or so. But all that is to come. Let's first look back and see if I met 2024’s writing goals. #1: Write as many words as possible while trying to hit 1 million new words. I did it! I am very pleased to report that I published 1 million words of new fiction in 2024, for the first time since 2020. In 2021, I only published 971,000 words. I figured I had slipped and would get to it the next year. In 2022, however, I only published 814,000 words. This happened due to a combination of a lot of travel and various real-life stresses. In 2023, I published 935,000 words, a significant improvement over the previous year, but I had COVID twice pretty close together in the early spring/summer of that year and that really messed me up for a couple months. But in 2024 (as of Orc-Hoard), I published 1,490,000 new words of fiction for the year. My ten 10,000 word days for 2024 probably helped with that a great deal. I am very happy about this since I tried to hit a million words in 2021, 2022, and 2023 but just couldn't quite get there. So it is very satisfying (after four years of not quite making it) to have finally published a million words of new fiction in 2024. Naturally, I hope to repeat this feat in 2025, but more on that in a little bit. #2: Start The Shield War. I did that as well, publishing Shield of Storms, Shield of Darkness, and Shield of Conquest all in 2024, and they're even all in audiobook (as excellently narrated by Brad Wills). #3: Continue Cloak Mage. I did that as well with Cloak of Titans and Cloak of Illusion. Both books were interesting challenges to write, since Titans burned up a lot of the ongoing subplots for the series. No spoilers. Cloak of Illusion had to work with a new game board, so to speak since so much had changed in the previous book. #4: Continue Ghost Armor. I did that as well with Ghosts in the Veils and Ghost in the Tombs and both of them are in audiobook (as excellently narrated by Hollis McCarthy). #5: Continue Half-Elven Thief. I was able to do that as well with Wizard Thief, Half-Orc Paladin, and Orc-Hoard. Half-Elven Thief, Wizard Thief, and Half-Orc Paladin are in audiobook, as excellently narrated by Leanne Woodward. #6: Continue Sevenfold Sword Online. Around June, I renamed this series to Stealth and Spells Online since so many people were getting confused with Sevenfold Sword. I did release Stealth and Spells Online: Leveling in February. Both books in the series are in audio, as excellently narrated by C.J. McAllister. #7: New audiobooks for new books. There's only so much time, energy, and especially budget for audiobooks, so I decided that I was only going to do audiobooks in new series going forward rather than trying to have old books recorded. I think this worked out pretty well, all told, because 2024 will be the best year so far for my self-published audiobooks. We did end up recording some of the older Cloak Mage audiobooks because I promised Hollis McCarthy a recording spot in April for Ghost in the Veils, but I just couldn't finish that book in time. So we did Cloak Mage #7 instead, with #8 and #9 to come in 2025. So I'm pleased I met all my writing goals for 2024. As might have guessed, I'm especially pleased about the million words, sinc...
Transcribe →Episode 231: Six Tips For Writing While Traveling
Dec 16, 202400:22:42Tap to summarizeIn this week's episode, we share six tips and tricks for writing while traveling. 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 231 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the 13th, 2024, and today we're discussing tips for writing while traveling, which seems a timely topic as the Christmas holiday is coming up. First, we'll have an update on my current writing projects and do Question of the Week. For my current writing projects, I'm very pleased to report that Orc-Hoard, the fourth book in the Rivah Half-Elven series is now out. You can get it at Amazon US, UK, Australia, Canada, and in Kindle Unlimited. I am also very pleased to report that I have now published a million new words of fiction for 2024, which is the first time I've been able to do that in a year since 2020. I will probably talk more about that in an upcoming episode. Now that Orc-Hoard is done, my main project is Shield of Deception, the fourth book in the Shield War series. I'm 11,000 words into that and I'm hoping to have that out in January 2025, if all goes well. My secondary project will be Ghost in the Assembly. I haven't actually started that. I'm still in the outline writing phase, but I'm hoping that will be out in February or potentially March, depending on how long it takes to write Shield of Deception. In audiobook news, Ghost in the Tombs is now out in audiobook (as excellently narrated by Hollis McCarthy) and you can get it at Audible, Chirp, and most of the usual other audiobook stores. She's also recording Cloak of Masks for us right now, and that should be out in January, if all goes well. 00:01:29 Question of the Week Now it's time for Question of the Week, which is designed to inspire enjoyable discussions of interesting topics. This week's question: where do you obtain free media like free ebooks, free audiobooks, free movies, and so forth? There are no wrong answers though for obvious reasons please keep answers limited to legal media sources. No piracy, please. The inspiration for this question was our 12 Days of Short Story Christmas, during which I’ll give away a new free short story every business day until December 23rd. If you want some of those free short stories, head to my website now. They will remain free at my Payhip store until December 31st. Now on to answers from Question of the Week. Our first response is from Grimlar who says: Well, it's not exactly free, but I do find myself buying books from LMBPN publishing every Saturday for $1 each (their new releases from earlier in the week, usually Thursday or earlier). They drop the price of new books for Saturday as a loyalty bonus for their readers. Also, when a series has been completed, they tend to release a box set (or several for a long series), also priced at a dollar per box. They tend to release several books a week, which is handy, provided you like their stuff, which is mostly urban fantasy with some fantasy and some sci-fi. As I said, not free, but does make reading a much more budget friendly pastime. I should note that LMBPN publishing also puts nearly all their stuff in Kindle Unlimited so if you're paying for a Kindle Unlimited subscription already, that is an easy way to check out their books. David says: Some places I buy ebooks and audiobooks from offer some free material from time to time. So when I’m looking for something new I stumble across the odd book that is free that I am interested in, when I do stumble across these free offerings, I sometimes look to see if these authors have other free books. I don't bother with free movies. Jeanne says: I get emails from BookBub, which sometimes has free ebooks, but most of the ebooks are between $0.99 and $2.99. That's probably actually how I came across you (you being Jonathan Moeller in this case). Otherwise, Kobo has a selection of free ebooks, if small. Jenny says: I love Libby, and back when it was available, Axis 360 and Hoopla. I'm not sure if they've just gone from my library or gone forever. (Side note from transcriptionist: Axis 360 changed names to Boundless in 2023. Hoopla is still in business.) Adeline says: The only time I ever received free items is when they're directly given away by the owner. Downloading virtual freebies from somewhere just seems wrong since they would still belong to someone. Although I don't have any movie subscription services myself, I still don't download free movies. Bonnie says: I use Amazon for ebooks. I usually pay quite often though. I get a free town newspaper every two weeks. I don't watch TV anymore, so that isn't an issue. Rob says: Amazon (you can search and order by cost) and authors do free downloads with their newsletter, not just Jonathan Moeller, but PA Mason, Kelly Armstrong, etc. Chris says: Kindle Library, following you online gets me updates. For myself, I get free ebooks through Libby (the local library system’s ebook app) and very rarely audiobooks as well. I also, if I see something I like on the Kindle store that's free, I will download that right away. For free and legal movies and TV shows, I usually go to Tubi, which is free but ad supported and has a surprisingly large collection of stuff. So that's it for Question of the Week. 00:04:38 Main Topic of the Week: Writing While Traveling Now onto our main topic this week, tips and tricks for writing while traveling, since of course many people travel over the Christmas holidays, so this seems like a timely topic. Two principles to start with: First, think of why you are trying to write while you're traveling. Is this something you really need to be doing and more to the point, is this really something you should be doing? This obviously depends on the nature of your trip. If you are traveling for business reasons and you're sitting in an airport for four hours waiting for your flight and then you have a five hour flight, that would be an excellent time to get some writing done since otherwise, you would just be like everyone else in the airport paying too much for coffee and staring at your phone. If you are on the kind of trip that is a vacation, it might be a good idea to put aside writing while you are doing that just for the sake of your own mental health. If you are on a trip that involves a lot of family obligations, like for example, a funeral, then it might be a good idea just to set aside writing for that time, focus on the emotional needs of the moment and then pick it back up once the trip is over. The other thing to keep in mind if why you are writing is if you have a deadline. That sort of focuses the mind quite a bit and if you have a deadline, you're going to have to plan accordingly. The other thing to keep in mind is flexibility, why you are writing and flexibility because as we know, modern travel is utter chaos. I mean, it was worse in the past. I mean, Odysseus tried to get home from the Siege of Troy and got lost for 10 years, which is less likely nowadays, but travel is still unpleasant and a lot of things can go wrong, and you have to be flexible and seize the moment when you can and accept that sometimes things are beyond your control. If you are working on a deadline while you are traveling, then you'll have to treat it like any other remote work job while you are traveling. Having a true external writing deadline means you need to plan your vacation or trip differently and in a more structured way if possible. You absolutely need to plan this with your traveling companions in advance (if you're traveling with people), so everyone's prepared for this and pick your destination based on internet access instead of relying on standard hotel Wi-Fi because as we all know if you travel, standard hotel Wi-Fi generally is pretty terrible. You may need to bring some sort of mobile hotspot with you or pay extra to use your phone as a mobile hotspot while you are traveling. If you are genuinely on a deadline and don't want to burn through your mobile data, check the internet setup of your destination before you arrive. It might also be wise to check on guest internet use policies at nearby libraries or universities if your destination does not have reliable internet and you'll need to use the internet for a significant amount of time. Many of these places require registration or a fee for non-residents/non-students but tend to have far more reliable internet than coffee shops or hotels. Also, if you're in the phase of writing where you're writing your rough draft, if you're not editing and relying on an online editing tool like Grammarly or Pro Writing Aid, then you can probably do without internet if you absolutely have to. If you're just writing, just open up your laptop, sit down and write, it actually might be beneficial to have the internet off if you are prone to being distracted by the internet, but if you do need internet, bear that in mind. For the next part of this episode, we're going to focus on the second type of writing while traveling, the feeling that many writers have that they should be writing while traveling or on vacation and fear of missing progress or falling out of their hard-won routine. I'll also provide some suggestions if you decide you want to write while traveling in spite of the various obstacles you might face. If you don't have a deadline and this isn't a necessity for you and you really want to get some writing done while you're traveling, you need to ask yourself why. Writing because you want to means you can be flexible, but you still want to plan your expectations in ...
Transcribe →Episode 230: Autumn 2024 Movie/TV Show Roundup
Dec 9, 202400:24:24Tap to summarizeIn this week's episode, I take a look back at the movies and TV shows I watched in Autumn 2024, and rate them from my least favorite to my favorite. TRANSCRIPT Hello, everyone. Welcome to episode 230 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the Sixth, 2024, and today we are looking at my movie/TV show roundup for Fall 2024. Before we get to that, we'll have an update on my current writing projects and then we will do Question of the Week. First up, I'm pleased to report that the rough draft of Orc Hoard is done at 78,000 words, so it'll probably end up being about exactly the same length as Half-Orc Paladin, the previous book in the series. I've also written a short story called Commander's Wrath that newsletter subscribers will get a free ebook copy of when Orc Hoard comes out and hopefully we're on track to have that out before Christmas. I'm also 7,000 words into Shield of Deception, which will be the fourth book in The Shield War series and if all goes well, I'm hoping to have that out in January or February. In audiobook news, recording is currently underway for Cloak of Masks and that will probably be out towards the end of January or perhaps February, depending on how long processing takes. 00:01:02 Question of the Week Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question, what do you listen to while working: genre of music, audiobooks, podcast, nothing else so you can concentrate, et cetera. No wrong answers obviously, and we had quite a few answers. David says: I listen to audiobooks and music. Music ranges from classical to country to pop, bands and soul artists to instrumental. No rap or heavy metal or dance music or I listen to music from YouTube channels. If I have to really focus on what I'm doing, I'll turn it low so it doesn't distract. Justin says: video game music is my first choice. It can help you grind in real life just like it does in the game. If that isn't working for me, then rock or classical music with movie soundtracks at third. Brooks says: I tend to gravitate towards hard rock/punk rock. I have to stay adrenalized. Outside work, I'll listen to almost anything. Michael says: I find I can't listen to words or lyrics without getting distracted by them, so instrumental music is the way to go. Usually video game music too (the Stelara soundtrack is particularly epic), movie scores (Kingdom of Heaven is one of my favorites), or Dungeon Synth, an amazing music genre I only discovered recently. Barbara says: sometimes I play music while writing, but most of the time I prefer the silence so I can better hear the voices in my head. Of course, I prefer very specific types of music that always end up coming back no matter how much I try to stray. Jenny says: lots of EDM and techno if words would distract me or my solid nineties pop punk angsty mix. I also have a giant one I called “I heard it in a video game” for background music. John says: When I did/could work, I enjoyed outlaw country music, particularly that from Texas. Put me in a kick butt and take names kind of mood. When you're a plumber who gets paid by the work done, not the hour, that's where one wants to be. (A different) John says: I only listen to music when I'm working in the kitchen. I'm eclectic. Sometimes classical music, sometimes ‘80s prog rock with Hawaiian music and occasionally jazz tossed in. Juana says: I like rock and roll from many eras. I put my eclectic music on shuffle. I also listen to movie soundtracks: Star Wars, Star Trek, Harry Potter, Animal House, et al. Brandy says: If I'm cooking, I listen to Pandora. There's a pop ‘90s - ‘20s station. I do have a few that are specifically listed, angry or sad, one more angry German metal or Mongolian throat metal, the other more goth and industrial. I read books instead of listening. If I'm proofing, I usually have something on in the background. Today it's Sanctuary Season One. Morgan says: ADHD means I jump around a lot on what I'm listening to depending on the day, but audiobooks- usually fantasy or horror. Podcasts- Pathfinder actual play podcasts, horror podcasts, and wrestling/gaming news podcasts. Music, whatever artist/album I'm obsessing over at the time, but usually prog rock, metal, or rap. Matthew says: I always have my iPad for background noise. If I'm particularly invested in getting chapters done, I'll put on something largely audible. Gary says: audiobooks, podcasts, worship music, Christian hard rock. Bob says: Retired now, but when I was working I didn't listen to anything-needed to concentrate on what I was doing. When paying bills, I sometimes have some Morse Code on in the background (one of my previous means of paying the bills). On long car trips, it's nice to have some distraction -whatever radio station I can find, preferably one with a story. In truck stops, we used to find some stories on disc that had the actors doing the voice of the characters and some of them were pretty good. For myself, I almost always listen to music while I'm working and that genre is usually soundtracks and video games, movies, and TV shows (in that order) that I liked, which makes it difficult to discuss music with people, I have to admit. I do listen to podcasts when I'm working outside, so long as I'm not using a power tool that requires earplugs for safe operation (which sadly seems to be most of the time). 00:04:42 Main Topic: Autumn 2024 Movie/TV Review Roundup Now on to our main topic, the review roundup of the movies and streaming shows I watched in Autumn 2024. I was going to do a combined Autumn/Winter 2024 one, but it was getting a bit too long, so Winter 2024/2025 will be its own post in a few months. I seemed to watch a lot of time travel movies this time around and quite a few with Space Magic. As ever, the grades are totally subjective and based on nothing more than my own thoughts and opinions. Now let's take a look at the movies and streaming shows from least favorite to most favorite. First up is Escanaba in Da Moonlight, which came out in 2001 and it is a surrealist comedy about hunting traditions set in Michigan's Upper Peninsula. 42-year-old Reuben Sodi is the only man in his family who has never shot a buck, so when he complains about this to his Native American wife, she casts a spell to help Ruben bag his first buck, which results in a very bizarre nighttime journey/vision quest. This includes UFOs, visitations by nighttime spirits, and a Department of Natural Resources officer having a mental breakdown. This was a funny movie, but it was definitely very weird and even more specific. If you're at all familiar with the hunting culture of Upper American Midwest, you'll get the humor. If you're not familiar with it, this will be like watching a movie from another planet. Overall grade: C. Next up is Looper, which came out in 2012. I didn't actually like this movie very much, but I respect how well done it was. Joseph Gordon Levitt plays Joe and is a type of assassin called a looper living in the US in 2044. About 30 years after 2044, time travel is invented but immediately outlawed. Since it's difficult to get away with murder in 2074 due to advanced technology, crime syndicates have taken to sending people they want eliminated back in time to 2044 where the loopers immediately execute the target in exchange for a big fat payout. Loopers can live like kings, but there's a price. Eventually the loop is closed and the looper’s future self is sent back to be killed by his past self. Failure to comply results in an extremely grisly fate at the hands of the syndicate. Joe, being a hardened killer and drug addict, is fine with all this and even helps turn in a fellow looper who failed to close his own loop. Then Joe's future self arrives. Joe is about to kill Future Joe (played by Bruce Willis), but Future Joe escapes and Present Joe has to hunt down and kill Future Joe if he wants to survive. In the process, Present Joe stumbles across the farm of a woman named Sarah (played by Emily Blunt) and her young son Sid. Present Joe realizes that future Joe has traveled back to kill the child, Sid, who will be responsible for the death of Future Joe's wife in the future. Despite everything he's done, Present Joe is not okay with this and gears up to help Sarah defend Sid from Future Joe. This movie was on the very dark side of noir filmmaking: no good characters, essentially only various degrees of bad people trying to navigate their way through the maze of time crimes. I did strongly dislike how fundamentally nihilistic the movie was and the addition of telekinesis did seem like kind of a plot crutch. There is also some unnecessary nudity. Rian Johnson is actually an excellent filmmaker. Knives Out and Glass Onion were both very good, but I cannot imagine how someone will watch Looper and think, hey, this guy is a good choice for a Star Wars movie. Overall Grade: B- Next up is Agatha All Along, which came out in 2024. It was extremely well written and well-acted. You almost have to watch it twice just to admire how well put together the plot was. I wasn't expecting to like Agatha All Along, but it is an excellent example of writing a show with a villain protagonist and actually pulling it off. The show is also a good example of something I've talked about before on the podcast and the blog: characters can be likable, emotionally sympathetic, or both. It's sometimes tricky to write a character who's both, unlikable but emotionally sympathetic. By contrast, Agatha...
Transcribe →Episode 229: November Writing Challenge, Part V - A Look At The Five Principles Of Writing
Dec 2, 202400:19:21Tap to summarizeIn this week's episode, we wrap up the November Writing Challenge by taking a look back at the Five Iron Laws Of Storytelling, which have often been discussed on this show before. Be sure to get your free copy of STORYTELLING: HOW TO WRITE A NOVEL at my Payhip store. The book will remain free until December 9th: https://payhip.com/b/JPDoT TRANSCRIPT Note: Spoiler alert at 3:35. Please check this section of the podcast before proceeding if you are concerned about spoilers for several older television shows, movies, video games, and books. 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 229 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 26th, 2024, and today we are wrapping up our November Writing Challenge with a look back at The Five Iron Laws of Storytelling. You may note that I am recording this a bit earlier than I usually do, but that is because I want to take a couple days off for Thanksgiving. To celebrate the end of our November Writing Challenge and to congratulate you all for listening to these shows, I am giving away free copies of my nonfiction book, Storytelling: How to Write a Novel on my Payhip Store. The link will be in the show notes, and if you follow that link, you can get a free copy of Storytelling: How to Write a Novel from my Payhip Store until December 9th. So follow that link in the show notes to my Payhip store and you can get a free copy of Storytelling: How to Write a Novel until December 9th. Before we get to our main topic, let's have a look at my current writing projects. My main project right now is Orc Hoard, the fourth book in the Rivah Half-Elven series, and that puts me at 55,000 words into it and that puts me on chapter 11 of 18. So I think the final draft will be around 85,000 words or so, which will make it the longest book in the series to date. And if all goes well, I very, very, very much want to have that out before Christmas. I'm also about 4,000 words into Shield of Deception, which will be the fourth book in my Shield War series and if all goes well, I am hoping that will be the first book I publish in 2025. In audiobook news, the audiobook of Cloak of Spears, as excellent narrated by Hollis McCarthy, is now available at all the usual ebook stores. I will include a short preview of the audiobook of Cloak of Spears at the end of this episode, so you can listen to that then. And that is where I'm at with my current writing projects as we wrap up November and head into December. 00:01:57 Main Topic: The Five Iron Laws of Storytelling So now let's go right into our main topic, The Five Iron Laws of Storytelling. I figured this would be a good main topic to wrap up our November Writing Challenge with as it is a good reminder and a good summation of many of the things we talked about in the past month. The Five Iron Laws of Storytelling is a concept I first talked about on my website like 10 years ago now. The name Iron Law is sort of a tongue in cheek joke because I got the idea from a science fiction author Jerry Pournelle, who termed what he called Pournelle's Iron Law of Bureaucracy, where describing that after a certain amount of time, a bureaucracy will cease to attend to the function to which it was created and instead devote its attention to sustaining and perpetuating the bureaucracy. And I'm sure we can all think of examples of that, so that's where I took the name from, but it's not so much Iron Laws as these are useful principles to guide you while you are writing a fictional story, whether it's a short story, a screenplay, or a novel. I would say it's fair to argue that storytelling does have some laws you can follow (or at least if you don't like the term laws, best practices) and a writer will ignore those best practices to his peril. When people get ticked off about the ending of a story like the ending of The Sopranos or the ending to Stephen King's Dark Tower series, if they simply don't like a novel or a TV show, it’s usually because the writer ignored one of more of these Iron Laws that we're going to talk about. These then are what I believe to be The Five Iron Laws of Storytelling. When discussing them, I will cite five examples that I think to be excellent examples of the craft of storytelling: the movie the King’s Speech, the movie Wreck-It Ralph, the movie Gravity, the novel Pride and Prejudice, and the TV series Breaking Bad. I should note that I did not personally care for Breaking Bad because it was too nihilistic for my taste, but nonetheless, it was an excellently crafted example of a well-written story. I'll also cite four things I believe to be examples of bad storytelling: the final two volumes of Stephen King's Dark Tower series, the Dragon Age 2 computer game, the original ending of the Mass Effect 3 computer game, and the ending of the Sopranos TV series. So note that there will be spoilers for all of these shows, films, books, and games. Now onto the five laws. #1: The protagonist must have a problem that results in a conflict because if there is no problem, there is no story. Conflict and problems are engines that drive the story. A happy life with minimal conflicts and problems might be the ideal that we all want in real life, but it does make for an exceedingly dull story. The main character of his story needs to have a problem that results in some kind of conflict. Note that this conflict doesn't necessarily have to have an actual villain, it just needs a problem to solve. The movie The King's Speech doesn't have a villain (though the future and former King Edward VII is kind of a jerk) but instead revolves around George VI’s efforts to deal with his speech impediment. Gravity likewise has no villain but centers around Dr. Stone's efforts to survive in the harsh environment of space. So the protagonist must have a problem. The story is about how he or she deals with said problem, which leads us on to number two. #2: The protagonist’s problem and conflict must be consequential to the protagonist and have real stakes for the protagonist. The problem has to be serious because if it is not, there are no real stakes, the reader will get bored and cease to care about the character. The worst of all worlds is an unlikeable character with a trivial problem. Walter White in Breaking Bad is a thoroughly unlikable character, but he becomes sympathetic to the audience because of the nature of his problem. He's dying of cancer and so he turns to meth production to ensure his family's security after his death. Walter's problem, of course, has very real stakes, his own mortality and his family's future, but the stakes need not be life and death, but nonetheless, they need to be emotionally serious and significant to the protagonist. In the King's Speech, at no point in the movie is George VI in any kind of physical danger. He is wealthy and respected, his wife and children love him, and he does not have the self-destructive impulses and nature of his brother. Nevertheless, his problem is real. It is emotionally painful and opposes a risk to both himself and his sense of duty to the monarchy and the country. Likewise, Elizabeth Bennett in Pride and Prejudice is in no physical danger throughout the book. Nonetheless, the stakes of her problem and her feelings for Mr. Darcy are consequential. If she does not secure a good marriage when her father dies, there is a very real possibility she'll be impoverished. Or if she marries an unsuitable man like Mr. Wickham, her life will be miserable. So while a young woman dealing with her feelings seems like a trivial problem, it will nonetheless have potentially dire consequences for Elizabeth and her family if she chooses wrongly. Physical danger is likewise an easy way to introduce high stakes to a story. In Gravity, Dr. Stone faces constant risk of death in a variety of agonizing ways due to the harsh nature of space. Wreck-It Ralph faces the prospect of non-existence if he dies outside his game. In Breaking Bad, other than the inevitable death from cancer, Walter White faces increasingly high odds of getting shot in the head by his business partners and customers, since crystal meth is clearly not a business for conservative-minded investors. Regardless of the nature of the problem and the conflict, it must be consequential and carry high risks and dangers for the protagonist. That said, the problem must be something the protagonist can conceivably deal with. Too vague of a problem or too powerful of a problem, and the story goes off the rails. When I'm recording this in November of 2024, it's a few months since the fourth Dragon Age video game came out, and if you look at the internet at all, there are of course frequent debates about which Dragon Age game was the best and which one was the worst. But in my opinion, Dragon Age 2 is the weakest of them because it runs smack dab into the problem we've been talking about. The central conflict in the game was strife between the mages and the Templars who are supposed to police the mages. The Templars claim that the mages are demon worshiping abominations while the mages claim that Templars are arbitrary and brutal. As it turns out both sides are right, regardless of which faction the protagonist chooses to aid, making the conflict of Dragon Age 2 to be human nature/social injustice. Regardless, it's not a problem that can be resolved within the game and in the ending, the Templars and the mages go to war no matter what decisions the player actually makes, so I'm afraid that the story falls flat. #3: The protagonist must take action and struggle to resolve his or her conflict and problem. A common failure in s...
Transcribe →Episode 228: November Writing Challenge, Part IV - Questions From Beginner Writers
Nov 25, 202400:32:46Tap to summarizeIn this week's episode, we conclude our November Writing Challenge with questions from beginner writers. We also check in with our transcriptionist and see how she did with the challenge. Bonus! The transcriptionist's official Writing Playlist: Now I’m in It-HAIM Build Me Up From Bones- Sarah Jarosz Outnumbered- Dermot Kennedy Pain is Cold Water- Noah Kahan Orpheus- Vincent Lima Flight Risk- Tommy Lefroy If I Don’t See You Again- Wyatt Flores Brink of Love- Teddy Thompson The Wire- Patrick Droney Coming Home- Leon Bridges More Love- Sara Bareilles White Flag-JOSEPH TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 228th of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 22nd, 2024, and today we are discussing the fourth and final part of our November Writing Challenge, which will answer questions from beginning writers. Before getting into that, we will have an update on my current writing and audiobook projects and our Question of the Week. First up, Cloak of Illusion, as I mentioned last week, is now out. You can get it at Amazon, Barnes & Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip Store. There was a bit of a processing glitch on Kobo that slowed it down this week, but now the book should be available at Kobo, so if you're a Kobo reader, you can buy it for your Kobo reader or read it in Kobo Plus without any difficulty. Now that Cloak of Illusion is out (and selling very well, thank you all for that), my next project is Orc Hoard. That will be the fourth Rivah Half-Elven Thief book and I am 44,000 words into it (on chapter 10 of 18, which means I'm over halfway through). I very, very much want to have this book out before Christmas and I will be doing my best to make that happen. I am also about 2,000 words into Shield of Deception, which will be the fourth Shield War book (and hopefully will be my first book in 2025). The outline has 31 chapters, which means this will be the longest book I have tackled in a while, so I'm glad I'm getting kind of a head start on it as the secondary project while I work on Orc Hoard. In audiobook news, as we mentioned last week, Shield of Conquest is out at all the audiobook stores (as excellently narrated by Brad Wills), and you can get that at your favorite audiobook store. In other good audiobook news, Cloak of Spears (as excellently narrated by Hollis McCarthy) is now out at all the audiobook stores and if you are looking for something to listen to on your long Thanksgiving drive or plane trip, I should mention that Cloak of Spears is about 12 hours long, so it will have you covered. 00:02:01: Question of the Week So that's where I'm at with my current writing and audiobook projects and let's move on now to Question of the Week. Question of the Week is designed to inspire enjoyable discussions of interesting topics and this week's question ties directly into what we just talked about: what do you do for entertainment while traveling (whether by car, plane, train or otherwise- podcasts, audiobooks, portable games, that kind of thing)? No wrong answers, obviously. The inspiration for this question, as you might guess, was the upcoming Thanksgiving holiday, which for many people was a great deal of travel and finding ways to amuse yourself while traveling. So in answer to this question, Justin says: music- classical, rock, movie scores, and video game tunes. If I'm traveling, I'm almost always driving. Music helps relax and entertain without demanding my attention. Brett says: I read- very often one of your books. You've published 100+ books, but because I've read them multiple times, I may be at 1,000 plus reads of your books. (I got to say Brett has a good taste here.) If I'm driving, I don't usually have any entertainment. Surabhi says: I love reading while traveling. Kindle is a nice advantage, being easy to carry, and I usually have easy to read books to read for traveling, which of course is why I have so many of your books in my Kindle Library. They're simple yet enjoyable to read. I got to say Kindle does make traveling with books a lot easier. I remember in the old days all I had was space for two books to bring on a trip, and so I was trying to pick out which two books to bring. Venus says: Reading and geocaching. Bonnie says: about all the traveling I've done recently is to work and back, usually local radio station and ‘80s music. Juana says: so my dad drove like he was in NASCAR. Consequently, I read books, because I was not brave enough to watch death coming for us. The habit is still with me. Darla says: riding in car listening to Sirius XM, looking at scenery or talking to the driver, driving by myself- listening to radio or CD music and singing. On an airplane, I read hard copy books or ebooks on my tablet, maybe try to sleep. Cheryl says: read the Kindle, but mainly keep an eye on the road, even as a passenger. You never know what is going to jump out into a country highway here in Australia. Ashley says: I listen to audiobooks while driving and that has made working overnights more bearable. Adeline says: Apple's Books app on my phone has been my best friend while on the move for years-planes, trains, London's public transportation. MW says: while driving, I listen to either music or a podcast. When I'm being a passenger, I love to read or draw. I'm always carrying my Kindle and my sketchbook everywhere, or I try to catch some sleep. I generally avoid conversing unless I'm actually traveling with someone, but even then I reserve some time for myself. John says: audiobooks while driving, Kindle on my phone while flying or lounging around, physical books while camping, though I use the phone at night. I like to hang out in restaurants and pubs at the bar, reading books and talking to strangers. If there's a beach or river, occasionally fish and walk around either the city, beach, or trail. Jenny says: all the books or podcasts/radio shows. BBC has a fun one I have on CD called Cabin Pressure. It's hilarious. And if I'm alone in the car, singing along at full volume with my singalong playlist. Just a comment quick, I did listen to all of Cabin Pressure in 2022 and early 2023, and it is indeed hilarious and I recommend listening to it if you get the chance. JT says: when I travel, I generally intend to read and thus take several books. Instead, I listen to YouTube videos, audiobooks, music, play games, or nap. It is rather frustrating. Brandy says: I haven't been able to drive myself since 2010, so I generally read books, coordinate meds, snacks, and travel stops since my partner is diabetic and I am epileptic. I navigate, take pictures of interesting scenery for attempted art later, bug people through texts, and Facebook. Barbara says: if I'm not driving, I usually just watch the traffic and scenery. Of course, depending on whom the driver is, I may just close my eyes so I don't panic. Unfortunately, I have to board an airplane in a couple of weeks for an out-of-state wedding. I'll distract myself from the agony of the flight by reading. Morgan says: I don't travel much, but I'm a delivery driver for work and I do a lot of audiobooks and podcasts, especially tabletop RPG actual play podcasts. And Rob says: usually talk to the driver/navigate. If it's by bus or train. I read. For myself, whenever I travel, most of the time I'm the one who's doing the driving, which obviously narrows down the entertainment options. So when I travel any long distances, I'm usually listening to audio books. A quirk I have with that is that I prefer to listen to audiobooks of books I've already read. So if I need to tune out the audiobook and focus on heavy traffic for a while, which happens often, then I don't feel like I'm missing anything. 00:06:30 Main Topic of the Week: November Writing Challenge Week 4 Now it's onto our main topic, the fourth and final week of our November Writing Challenge. As you know, if you've listened to the previous three episodes, our November Writing Challenge is sort of a let's call a low stress way to build a writing habit and get into writing and do writing because the traditional way of getting into writing in November, NaNoWriMo, may be a bit overwhelming for some people. If you feel like you're missing out when others are working on a bigger writing challenge this month, and if you want to start writing but feel overwhelmed, a smaller writing challenge for the absolute beginner- 300 words a day or some other small number of your choosing. The key is that it should be small and something you can manage daily. Follow along with our podcast transcriptionist who has never finished writing a book and feels overwhelmed at the idea of starting one. Follow her progress and see what advice I have for her and other beginner writers. So with that in mind, let's start with our transcriptionist update for the fourth and final week of the challenge. She says, “I completed another week of the challenge. I averaged 355 words per day, taking an average of 14 minutes per day. It's getting easier as the challenge goes on this month. For my overall challenge, I averaged 363 words per day, taking an average of 14 minutes per day to f...
Transcribe →Episode 227: November Writing Challenge, Part III - Overcoming Roadblocks
Nov 18, 202400:25:14Tap to summarizeIn this week's episode, we continue our November Writing Challenge, and take a look at the most common roadblocks writers face. We also check in with our transcriptionist, and see how she is progressing in our November Writing Challenge. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 227 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 15th, 2024, and today we are discussing part three of our November Writing Challenge, which will deal with overcoming roadblocks in your writing progress. First we'll have an update on my current writing projects and then we will have Question of the Week, and then we'll get to our main topic of overcoming roadblocks. First up, writing projects. I am almost/very nearly done with Cloak of Illusion. In fact, I would have finished completely yesterday, but I had some unexpected home repairs come up and now that those are resolved, as soon as this podcast recording is completed, I'm hoping to finish up completely on Cloak of Illusion and publish it this weekend. So hopefully when this show comes out on Monday the 18th, the book should be showing up on the various ebook stores. Be sure to subscribe to my new release newsletter as well and you will get a free Nadia short story called Trick or Treat in ebook form. I am 24,000 words into Orc Hoard, which will be the next Rivah book, and I'm hoping to have that out in December as my final book of 2024. My secondary project while I'm working on that will also be Shield of Deception because I am hoping to have that out as my first book in 2025. Hard to believe we're about halfway through the 2020s already. In audiobook news, Shield of Conquest came out this week and you should be able to get it at all the usual audiobook stores, and that is excellently narrated by Brad Wills. Cloak of Spears, as excellently narrated by Hollis McCarthy, should be out before too much longer as well. So that is where I'm at with my current writing projects. 00:01:36 Question of the Week Now on to Question of the Week, which had a lot of responses this week. Question of the Week is designed to inspire interesting discussions of enjoyable topics. This week’s question: do you buy any hardback books? No wrong answers, obviously. I asked this question because I was reading an article about for many traditionally published authors, hardbacks used to be the primary source of royalties. Nowadays, for many authors, that has been superseded by audiobooks. Since I’m indie, my main source of revenue has always been ebooks. We had many different responses to this question. JL says: I only read ebooks now. I have not bought a physical book in over a decade. Surabhi says: Hardcovers, being very expensive, are a big no-no for me. I’d love to be able to afford hardcovers, it’s always either paperbacks or ebooks. Justin says: If I’m getting paper, I will do my best to make it hardback. Paperback books have a limited lifespan and number of readings in them compared to hardback books. Most of my book purchasing is ebooks but reference works and great stories get the hardback treatment. Mary says: Only if there’s no paperback. Dave says: Ebooks and audiobooks all the way. They’re generally cheaper or easier to read, or with audiobooks I can do other things while I listen. Also as I get older, being able to increase the font size makes it easier to read. I definitely agree with Dave on that, let me tell ya. Jenny says: Can’t afford it usually. My hardcover budget goes to RPG books. I myself do have quite a few RPG books, which is amusing because I don’t actually play the game but I just like looking at the artwork. Juana says: Yes. I have 60+ signed editions of authors I like. Some paperbacks of the Frostborn series (Wonder who wrote those?). That is indeed a mystery. Catriona says: I used to collect hardbacks of favorite authors- buy each new release e.g. Terry Pratchett. But when I moved from Hong Kong to Thailand I got rid of most of my fiction books and bought the Kindle versions. Shipping after COVID was just extortionate! Morgan says: I don’t really buy physical books anymore. My brain is too fried to read so I mostly do audiobooks while I work. I only have so much money, so it is hard to justify buying a physical copy of a book I already have the audio copy for when I know I probably won’t physically read it. Gary says: I prefer hardbacks. When buying new though, I generally buy paperbacks unless it is for reference or one of my favorite authors. I always check though because now the hardbacks are often not much more. Jeanne says: Depends on the book. I would totally invest in hardcover copies of Lord of the Rings, for example. I am currently investing in leatherbound versions of the Word on Fire Bible, which is a step up from the hardcover. Authors I don’t know or who I read for light fun, I’ll get as ebooks. Marilyn says: No, but used to buy only hardback books. Ran out of room on my bookshelves and didn’t like to get rid of my books. I ended up buying an ereader. I have 1,729 books. I do have a few hardbacks but not many. Not everything is in an electronic format. When I used to travel, my suitcase would be full of books. Now I have room for clothes. That is one nice advantage of the ebook revolution. Back in the day when I would pack for a trip, I would have to choose which books I would bring but now you can just bring your phone and you’re set. MG says: If I can get a hardback I do, but I haven’t bought any recently. Barbara says: I purchase very few print books these days and those I do purchase tend to be theology related. Whether I purchase hard or soft bound print books will depend on the availability and price. And since I’m no longer in seminary (I graduated in 2021), my theology books tend to be digital because that’s what I read. If I purchase print books, I’d run out of room to store them. Especially since I’m already out of bookshelf space. Michael says: Not really, not anymore. They take up too much space. I might buy a very posh one if it looks amazing (stuff from the Folio Society perhaps) but that’s it. Bonnie says: I mainly read ebooks now. I think the last hardcover I bought was Zora Neale Hurston’s Barracoon. Jeff says: Since I got a Kindle in 2010, I haven’t bought a physical book. I am approaching 500 ebooks. I was a SF Book Club member for many, many years so I do have hundreds of hardcover books. A lot of them are stored in totes because of lack of room. Juan says: Used to. Space is a factor now. So now only for my son because I don’t want him to have an electronic device in his face so much, but usually the first thing I do at a bookstore when I see a good book is look for it on Apple Books. Usually half the price or so. Always less expensive as well. Barbara says: Used to buy lots of books, got at least 3,00 but with arthritis in my hands, I’m now stuck with ebooks. Got at least 3,000 of them, too. I’ve got to get rid of some of my physical books, but I’ll still keep the ones that aren’t replaceable. John says: I only buy collectible editions at this point, or if there isn’t an ebook for something I want to reread (but then it’s usually paperback). Sometimes old hardbacks have been cheaper than the Kindle versions. When I reread Wheel of Time a few years ago in anticipation of the Amazon series that was the case. Ended up just donating the books just a couple of years later. Carol says: I do love the feel of a hardcover book, the smell, the sound of pages turning, but I’m fully converted to ebooks. So convenient, can read anywhere, carry everywhere, so sadly I haven’t bought a physical book for years. Cheryl says: I only have hardbacks of the “classics” as collections to hand down to my grandchildren. Haven’t bought any paper versions of books for a few years now and they were paperbacks. Most were on Kindle. Venus says: I will buy certain books in hardcover but only the ones I wish to have available after a collapse of society. David says: I have always preferred hardback, but space constraints have left only those of my favorite authors. I have over 2,000 books on my Kindle. Michael says: I do. For myself, I do buy hardbacks but still very, very selectively. If Timothy Zahn, Jim Butcher, and a few other select authors I’ve been reading for decades have a new hardcover, I’ll buy it. Otherwise, it’s ebooks or paperbacks. For nonfiction books, I’m a bit less choosy. If I read say, a historical ebook and liked it, I might get the hardback or possibly the paperback to keep as a reference book. It’s interesting from the general consensus of the comments that it seems like ebooks are the dominant format for books now and that if you really want to know if you’re someone’s favorite author or not, see if they buy your hardbacks. Given the expense and space premium of hardbacks, that’s how you know they really like your book. 00:07:43: Main Topic of the Week: November Writing Challenge Now on our main topic of the week, week three of our November Writing Challenge. The topic we are discussing this week is overcoming roadblocks. If you're not familiar with our podcast series for November, you can listen to the previous two episodes, and we have a short summary here. If you feel like you're missing out when others are working on bigger writing challenges this month and you want to start writing but not to feel overwhelmed, a smaller writing challenge for the absolute beginner, 300 words a day (or some other small number of your choosing). The key is that it should be small and something you can manage daily. As I mentioned on previous episodes with this topic, I wonder if National...
Transcribe →Episode 226: November Writing Challenge, Part II - Outlining
Nov 11, 202400:18:45Tap to summarizeIn this week's episode, we continue with our November Writing Challenge, and discuss how outlining can be a helpful tool in writing your novel and building a writing habit. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 226 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 8th, 2024 and today we are discussing Part 2 of our November Writing Challenge and that will mostly discuss the usefulness of making outlines. Before we get into that, we will have an update on my current writing projects and Question of the Week. We will also close out the episode with a preview of the upcoming audiobook Cloak of Spears, as narrated by Hollis McCarthy. First up, writing progress. The rough draft of Cloak of Illusion is done at about 96,000 words, and I'm about 25% of the way through the first editing pass. I also wrote a short story called Trick or Treat that will be a companion to the book. Newsletter subscribers will get a free ebook copy of that short story when Cloak of Illusion comes out, hopefully before the end of November. So now would be an excellent time to subscribe to my new release newsletter. After Cloak of Illusion is published, my next project will be Orc Hoard, the 4th book in the Rivah Half-Elven series, and I'm about 21,000 words into that. In audiobook news, as you may have already heard, Cloak of Spears is done. That will be narrated by Hollis McCarthy and it is working its way through processing right now. Shield of Conquest narrated by Brad Wills is also still working its way through processing on the various audiobook platforms. So you can get both audiobooks on my Payhip store right now if you don't want to wait. So that is where I met with my writing projects. 00:01:25 Question of the Week Now let's talk about Question of the Week. It's time for Question of the Week, designed to inspire interesting discussions of enjoyable topics. This week's question: what is your favorite book cover (like in terms of the artwork, the design, etcetera)? No wrong answers, obviously. We had a few answers this week. Justin says: For that, I go back to the guilty pleasures of my youth, a teenager on a Burroughs kick at the time, digging for paperbacks in a secondhand bookstore. Savage Pellucidar, cover by Frank Franzetta (the 1974 Ace edition reprint), which I still have stashed away. Franzetta was an incredible artist. I love his Sea Witch and Death Dealer, but we’re talking about book covers here. Savage Pellucidar was the one for me. Mary says: Maps and Legends by Michael Chabon. Then, that cover was a work of art with three detachable bands. Surabhi says: Hard to choose one. I personally love those young adult “Book Tok” book covers: Shadow and Bone, Six of Crows, The Cruel Prince. I don't know. Something about such covers immediately sparks interest in me. Randy says he always liked the Heinlein juvenile covers. Gary S. says: This was difficult for me because I like hardcovers, but I like to take the jacket off while I read so it doesn't get torn. Consequently, I seldom look at the covers. Gary B says: Anne McCaffrey’s The White Dragon. I’ve got a poster/artwork of it and pretty much anything by Michael Whelan. Becca says: Stoner by Tad Williams, pretty much tops my list of favorite covers, then maybe The Dragonstone by McKiernan. Catriona says: Terry Pratchett’s The Colour of Magic. MG says: That's quite difficult to answer, but I have a Return of the King copy with this Alan Lee cover, going to have to go with this. For myself, I think I would go with a hardback edition of The Silmarillion from the late 1990s. I think it was published in ‘99. It was illustrated by Ted Nasmith and the cover image shows Maglor throwing the final Silmaril into the sea in despair for his deeds. If you know the context of that scene, it's an amazingly powerful cover. So that is it for Question of the Week and tune in again for next week's Question of the Week. 00:03:22 Main Topic of the Week Now it's time to our main topic for our second week of our November Writing Challenge. This week we're going to talk about building story structure and how outlining can help with this. If you haven't heard of my November Writing Challenge, the idea is that you write 300 words or a similarly small number every day in hopes of building up a small but sustainable writing habit. I was thinking of NaNoWriMo, where you write 1600 words a day in an effort to get to 50,000 words a month, is well and good for someone like me, where I essentially write a book every month unless something comes up. But for someone starting out, it can be a bit like the sort of crash diet where you lose 5 pounds in a month and then gain 10 back over the next two months as your habits snap back. That’s because you didn't lose the weight through sustainable means, so that is the goal with the November writing challenge: to build the base of a sustainable writing habit. So let's talk about how story structure can help you do that. In last week's episode, I mentioned that making the outline of your story can help with the process of writing. In this week's episode, we're going to go into more detail about story structure and conflict. Knowing how these work in your stories is essential to building an outline. You will find that having a proper structure to your story makes it easier to write, in the same way that having a proper foundation for your house makes it easier to construct. We'll talk about what I call the five iron laws of storytelling and the importance of your story having conflict and at the end of the episode, we will get a quick update from my podcast transcriptionist, who is following along with the November Writing Challenge. We will see how that is working out for her so far. So first, why write an outline? I think the main value of writing an outline, especially for beginning writers, is that it forces you to think about the story in advance and forces you to work out any potential plot holes in advance, since it's very easy to find yourself writing yourself into a corner and not knowing how to proceed. Obviously, writing an outline is not for everyone, and some writers say it impairs their creativity and they can't write with an outline. And that's fine, if you know that about yourself. But if you're just starting out, you may not be experienced enough to realize that about your writing style, and you may in fact benefit quite a bit from having written an outline in advance. So with that in mind, what does an outline need? First thing you need to understand is the shape of the story. Who is the protagonist? What is the protagonist’s goal? What is the conflict, and what will the protagonist have to do to resolve that conflict? You can, if you want, put in the number of chapters in the outline. The way I usually do it is I write a 2,000 word or so synopsis of the book, and then I chop it up into chapters, though lately my final drafts don't have the same number of chapters as the outline because as I go through, I'll think of things to improve or scenes to move around and so forth. You may find a similar experience when writing from an outline yourself. It is nothing to worry about and can happen. It's also important to keep in mind that the conflict does need to escalate, and you do need to have a strong central conflict. So what do I mean by having a protagonist with the conflict that escalates and he takes action to it? This is something I actually have talked about in this podcast quite a bit, and in my nonfiction book Storytelling: How to Write a Novel. I have something I (rather tongue in cheek) call the five iron laws of storytelling, where if you want to write a good, compelling story, you need to have these five rules you should follow. Now, this is not, you know, true at all times in all places. But I do think you will probably get good results by following these five rules. Now what are these five rules, the five iron laws of storytelling? #1: The protagonist must have a problem that results in a conflict. #2: The protagonist’s problem and conflict must be consequential and have real stakes. #3 The protagonist must take action and struggle to resolve his or her conflict and problem. #4 The protagonist must face challenges and setbacks, and his or her efforts to resolve the problem may even backfire. #5, The ending must absolutely provide satisfactory emotional resolution to the problems raised in the story. That might be the most important one of all. Where outlining can help you with this is if you see the story laid out in an outline as in a chart in something like Plottr or something like that, you can look it over and see- do I have a protagonist who has a interesting problem? Is the problem consequential for the protagonist? Is the protagonist trying to resolve the conflict? Is the protagonist experiencing setbacks and challenges, and perhaps even unintended consequences as he or she tries to resolve the problem? And finally, is the resolution emotionally satisfying? It doesn't have to be a happy ending. It doesn't have to be a totally sad ending. It can be a bittersweet ending. But whatever the ending, it has to resolve the conflict of the story in an emotionally satisfactory manner. Anything else can be absolutely disastrous. So if you are writing an outline for your novel or story, and you follow these five iron laws of storytelling, then I think you are on good track to have a good, well written story with a conflict and a protagonist that readers will find enjoyable and interesting. It is important to have a good conflict in the story. You can jump back to Episode 222 of the podcast, in which we talked about story conflicts, which offered much valuable advi...
Transcribe →Episode 225: November Writing Challenge, Part I
Nov 4, 202400:19:48Tap to summarizeIn this week's episode we take a look at a November Writing Challenge and offer tips for new writers to develop a sustainable writing habit. TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 225 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November the 1st 2024 and today we are discussing part one of our November Writing Challenge. Before we get into that, we will talk about my current writing projects- we’ll see where I'm at with that and do Question of the Week (because we did have time for Question of the Week this week). First up, writing progress. I am 85,000 words into Cloak of Illusion, and I am hoping to finish the rough draft next week, if all goes well. I think we'll end up about in the neighborhood of 100,000 words for the rough draft (with possibly 5,000 words either way, see how it goes). I'm also 17,000 words into Orc Hoard. That will be the 4th Rivah Half-Elven book, and I'm hoping to have that out in December before the end of the calendar year. In audiobook news, production on Shield of Conquest is done. It's all paid for and ready, and it's just working its way through processing on various platforms, so it should be available soon. And you get it on my Payhip store right now, if you don't want to wait for the other platforms. Audio for Cloak of Spears is almost done. I should have a file to proof soon, which is very exciting. And then Hollis McCarthy, who did Cloak of Spears, is also going to be working on Ghost in the Tombs and that should be out before too much longer and also Shield of Conquest was excellently narrated by Brad Wills. So that is where I'm at with my current writing projects. 00:01:30 Question of the Week Now let's move on to Question of the Week. Now it's time for Question of the Week, which is designed to inspire interesting discussions of enjoyable topics. This week's question: do you keep a record of the books you have read? Obviously Goodreads is a giant website designed to do just that, but there are other methods, obviously. This question was inspired by one of those other methods. I was at a Barnes and Noble the other day and was bemused by the giant wall of reading journals that you can use to keep track of the books you have read. This elicited quite a few responses, this Question of the Week. They tend to fall into one of two camps, as we shall soon see. Joaquim says: No. No time, at least not for the physical books, even an app supporting barcodes was not successful and was later discontinued. For ebooks it’s different because all your books are available on a list in Kindle/Digital Editions/Calibre (depending on their type). Justin says: No, it would look like bragging. I am a speed reader and don't watch TV. Reading is my primary mode of leisure. JD says: I have never even considered making a reading log. Surely that would be time better used for reading. AM says: I use a dot grid journal to make my own reading log and enjoy customizing what I track and adding some artistic embellishments. It's just a fun offline project for me and it made me self-conscious of what I read when I tracked on Goodreads. Adeline says: not keeping track at all. Doing that at the rate I go through books would just be a loss of a lot of time which could be spent reading. Barbara says: No, I don't keep any record of the books I read. I've been a voracious reader since I figured out what the alphabet was for back in first grade, used to get in trouble in class for reading ahead. I read fiction and nonfiction, although not equally. I have favorite authors, some of whose books I reread regularly. My digital library contains over 2,000 books, most of which I've read and while I think I don't read all that fast, in reality I read something over 700 words per minute. What's worse, I retain most of what I read, but if someone wants to keep track of what he or she reads, that doesn’t bother me at all. Different strokes for different folks, as the song says. Jesse says: If I pick one up I have already read and don't immediately recognize it within a paragraph or two, it is probably time for a reread. Roger says: I buy a book before I read it, so my record is either on my bookshelves or on the Kindle. Kim says: I used to note in each paper version when I read/reread the books. Since ebooks, I keep a spreadsheet of book title and series, author, date read, major characters, reading order, my own personal ranking. Helps me keep track of authors, their series, crossovers, same-universe stories, and when the next books are coming out. I track all of that. Brandy says: It's impossible for me to do so. I reread whole series each time the new book comes out (yes, from the beginning). I’ll often proofread, read for review, read for pleasure, reference, and beta. I'm also a foreign language and capture reader for translation of books. It was recommended therapy to help with linear retention after seizures and was always my main hobby. Jenny says: I use Goodreads but wish there was a better alternative. Tracy says: I just use Goodreads. Becca says: Since I started reading so much on Kindle, I've been letting it keep track of which books I've read. Me by myself, never kept track except in grade school when we had reading achievements. So it looks like the common options were either nothing or Goodreads, but one other person did what I did, which is I've kept a spreadsheet of every book I've read since 2010, since it felt like I was reading less than I used to, and I wanted to keep track of it quantifiably, since hard data is better than feelings. So I think in the last 14 years, the most books I've read in a single year is around 110 and the lowest would be a little over 40, though I think this year I will probably end up around somewhere around 75. My spreadsheets are not as detailed as Kim's. I just keep track of the day I started, the day I finished the title, the author’s name, the genre, and whether or not it is an ebook or a paperback book. 00:05:12 Main Topic: Week 1 of November Writing Challenge So on to our main topic of the week: week one of our November Writing Challenge. What do I mean by that? I talked a little bit about it last week, but what I mean is that I do get lots of questions about how to start writing or questions about whether or not National Novel Writing Month or NaNoWriMo is worth doing. The difficulty of that is NaNoWriMo the organization is currently experiencing troubles. They've had some problems with some of their volunteers and this year they had a big blow up where they endorsed artificial intelligence in writing in a way that offended most of their user base and as I mentioned last week, I'm wondering whether that sort of shock therapy of writing 50,000 words in 30 days is the best approach for everybody. I mean, for some people it's a good thing. I usually write more than 50,000 words every month, but that's my job. But for someone else who’s starting out, that kind of shock approach might be a bit like yo-yo dieting. We talked about that last week, how it's better to lose 1 pound a month and have it stay off than it is to lose 5 pounds a month only for you to change habits and then gain 10 pounds back. I wonder for some people National Novel Writing Month might be the equivalent of that sort of yo-yo crash diet where you make this massive effort and that burns you out and you give up on it again. If it feels like you're missing out when others are working on a bigger writing challenge this month and you want to start writing but feel overwhelmed, how about a smaller, more manageable writing challenge for the absolute beginner? That is what our November Writing Challenge will be-maybe 300 words a day or some other small number of your choosing, whether 300 or 500 or 1,000 or some other number. The key should be that the key is that it should be something small and something that you can realistically manage daily based on your current schedule and responsibilities and health and so forth. The inspiration for this idea was, as you may know, for the last year I've had a transcriptionist working on my podcast, which has been very helpful because that's something I would never have had the time to do myself. She too wants to write a novel and has started writing one and has experienced challenges trying to start one. She often says she has felt overwhelmed at the idea of starting one, and so let's follow along with her progress this month as well. So let's start. #1: What do you need to begin? Number one is a common question, technology/equipment. Someone once came to be concerned that they couldn't start writing because they didn't have software that “real” writers used only to be surprised that I used Microsoft Word and have been using Microsoft Word pretty consistently for the last 10 years. However, you don't even need to use Scrivener, Microsoft Word, or some other fancy software. I wrote Ghost in the Storm and Soul of Serpents and a couple of other books entirely using LibreOffice on Ubuntu Linux, which is of course free. That was back in like 2012/2013/2014 and back then I was more enamored of writing on, you know, small 10 inch screen laptops that I would install Ubuntu on and then enjoy the portability of them, that I could write anywhere using these very small laptops. That, however, was 10 years ago, and both the writer in question (me) and my eyes are 10 years older. These days I prefer to write on the biggest screen possible whenever possible, and my preferred laptop has a 17 inch screen which is less portable but definitely easier on the eyes. But the point is you don't need to spend a lot of money on software. You can write in Word on a cheap Windows 11 laptop. You can write on LibreOffice, which is and remains 100%...
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