Adventures Of The Falcon and Hallmark Playhouse

Summary

Summary of "Adventures Of The Falcon and Hallmark Playhouse" - The Relic Radio Show

Release Date: January 28, 2025
Host: RelicRadio.com

"The Relic Radio Show" episode titled "Adventures Of The Falcon and Hallmark Playhouse" masterfully intertwines two captivating narratives from radio's golden age: "Adventures of the Falcon" and "Hallmark Playhouse: Our Own Kind." This detailed summary delves into the intricate plots, character developments, and thematic explorations presented in each segment, enriched with notable quotes and timestamps for enriched understanding.

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1. Adventures of the Falcon: The Case of the Double Nephew

Introduction to the Falcon's World
The segment begins with the host introducing "The Adventures of the Falcon," a detective series sponsored by Kraft Foods Company. Les Demon stars as the Falcon, a suave and intelligent detective modeled after the popular crime-fighting heroes of the time. The specific episode, "The Case of the Double Nephew," first aired on October 12, 1950, sets the stage for a classic whodunit filled with suspense and unexpected twists.

Plot Overview
The story unfolds in early Sunday morning New York, where Tom Lacy enters his apartment under a cloud of anxiety. He is immediately embroiled in personal turmoil as he confronts his wife, Julie Lacey, about her concerns over his apparent drinking habits and emotional distress.

• Initial Confrontation ([00:11] - [05:15])
  Tom reveals a desperate act driven by professional frustration: he has robbed the vault, stealing over a quarter of a million dollars worth of jewelry. This act stems from his anger over being overlooked for the managerial position at Forest Jewelers despite his long-term dedication.

  Tom Lacy ([04:21]): "Do you blame me, Junie? Do you blame me for getting sore?"

• Desperate Plans ([05:19] - [10:26])
  Faced with the impending arrival of Ev Forrest, the inexperienced nephew from the Forrest family estate set to take over the company, Tom and Julie plan their escape to South America. Their dialogue reveals tensions and fears about the consequences of Tom's actions.

  Julie Lacey ([07:08]): "Oh, you're gonna have to wear it. A little too tight for comfort."

• Introduction of Michael Waring, the Falcon ([11:04] - [23:00])
  Enter Michael Waring, known as the Falcon, who is enlisted by James Carraway of Forest Jewelers to investigate the mysterious robbery. The Falcon's methodical approach and keen instincts quickly set him on the trail of the Lacey couple. His interactions with Tom reveal a cat-and-mouse dynamic, with underlying hints of psychological manipulation and strategic maneuvering.

  Michael Waring ([13:36]): "But it's a long time until Tuesday. We're sunk."

• Climactic Confrontation and Revelation ([23:48] - [56:32])
  As the Falcon delves deeper, he uncovers the truth about Ev Forrest's presence and the Lacy's ulterior motives. The narrative crescendos with the Falcon's realization of Julie's betrayal, leading to a tense showdown. In a clever twist, the Falcon anticipates Julie's ploy to frame Tom, turning the tables with his deductive prowess.

  Tom Lacy ([25:54]): "I can't. I can't."

  Julie Lacey ([26:09]): "Give me the gun."

Notable Quotes:

• Julie Lacey ([03:09]): "Do you love me? Do you love me?"
• Tom Lacy ([04:22]): "I robbed the vault when I closed up last night."
• Michael Waring ([11:04]): "What makes you think I can speed up the cracking?"
• Julie Lacey ([17:05]): "We don't have to expose him. The important thing is to wait..."
• Tom Lacy ([40:07]): "We've been shanghaied. They're taking us to England."

Themes and Insights
This segment explores themes of desperation, betrayal, and the timeless battle between good and evil. Tom's moral deterioration contrasts sharply with the Falcon's unwavering commitment to justice, embodying the classic detective narrative's moral dichotomy. The psychological manipulation between characters adds depth, making it not just a tale of heist but also of complex human emotions and relationships.

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2. Hallmark Playhouse: Our Own Kind

Introduction to the Hallmark Playhouse
Following the thrilling detective story, the host transitions to the "Hallmark Playhouse," presenting "Our Own Kind" by Edward MacSorley. Introduced by James Hilton, this drama emphasizes heartfelt family dynamics and personal growth, tailored to celebrate the spirit of St. Patrick's Day.

Plot Overview
The drama centers around the Lacey family in Providence, Rhode Island, focusing on Tom Lacey, his wife Julie Lacey, and their grandson Willie McDermott.

• Family Struggles and Willie’s Misbehavior ([32:03] - [47:57])
  Tom and Julie grapple with Willie’s behavioral issues at school, stemming from his inability to read and write—a skill Tom himself lacks. This impasse creates tension, highlighting the generational struggles and the impact of education on personal development.

  Tom Lacey ([44:30]): "Maybe it'd be the help in the boy if you could teach me to read and write."

• Efforts to Bridge the Gap ([44:35] - [56:32])
  Determined to support Willie, Tom enlists the help of Catherine Daly, Willie’s schoolteacher, to teach him reading and writing. This endeavor not only aids Willie’s academic performance but also strengthens the familial bonds, illustrating the importance of patience, perseverance, and love in overcoming personal deficiencies.

  Willie McDermott ([48:16]): "I won't do it again, grandpa."

• Cultural Heritage and Community ([51:28] - [56:32])
  The narrative culminates with a St. Patrick's Day parade, symbolizing cultural pride and unity. The family’s participation in the festivities underscores themes of identity, belonging, and the celebration of heritage. Through interactions and shared experiences, the Lacey family finds harmony and understanding, reinforcing the episode's central message of embracing one's "own kind."

  Tom Lacey ([52:00]): "Our own kind is the family. And the family sticks together."

Notable Quotes:

• Tom Lacey ([32:52]): "What's the matter with you, Ned? You've ruined them, old man."
• Julie Lacey ([44:10]): "He was my best student."
• Tom Lacey ([52:00]): "Our own kind is the family. And the family sticks together."

Themes and Insights
"Our Own Kind" delves into the complexities of family relationships, the significance of education, and the challenges of bridging generational gaps. It underscores the transformative power of support and understanding within a family unit. The play also touches on broader societal issues such as prejudice and the importance of inclusivity, as seen through Willie’s interactions with peers. The celebration of St. Patrick's Day adds a cultural layer, reinforcing themes of heritage and community solidarity.

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Conclusion

This episode of "The Relic Radio Show" adeptly showcases the versatility and enduring appeal of old-time radio dramas. "Adventures of the Falcon: The Case of the Double Nephew" captivates listeners with its intricate plot, suspenseful twists, and embodiment of classic detective storytelling. In contrast, "Hallmark Playhouse: Our Own Kind" offers a moving portrayal of family dynamics, personal growth, and cultural pride, resonating with listeners on an emotional level.

By seamlessly transitioning between genres—moving from the high-stakes intrigue of a detective series to the heartfelt narratives of Hallmark Playhouse—the episode exemplifies the rich tapestry of stories that old-time radio has to offer. Notable quotes punctuate key moments, enhancing the listener's connection to the characters and their journeys.

Overall, "The Relic Radio Show" continues to honor and preserve the legacy of classic radio entertainment, delivering engaging and meaningful content that remains timeless.

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Notable Quotes with Timestamps:

• Tom Lacy ([03:05]): "What have you done?"
• Julie Lacey ([05:10]): "A hundred thousand? You shouldn't have done it, Tom."
• Michael Waring, the Falcon ([11:04]): "I can guarantee that Lacy is uncomfortable."
• Tom Lacy ([25:55]): "Yes, Julie, I'll try."
• Julie Lacey ([26:10]): "We're caught at the electric chair. Don't you realize that?"
• Tom Lacey ([44:30]): "I'm asking you, please, girl, to teach an old man the ABC."
• Willie McDermott ([48:16]): "I won't do it again, grandpa."
• Tom Lacey ([52:00]): "Our own kind is the family. And the family sticks together."

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This comprehensive summary encapsulates the essence of the episode, providing both intrigue and emotional depth through its dual narratives. For enthusiasts of classic radio dramas, this episode offers a nostalgic yet fresh experience, preserving the charm and storytelling prowess that defined radio's golden age.

Transcript

[Host]

This is the Relic Radio Show. Old time Radio entertainment still standing the test of time from relicradio.com with another 60 minutes of radio drama. This is the Relic Radio Show. Thanks for joining me this week. Good hear from the Adventures of the Falcon. First off with the case of the Double Nephews. That story aired October 12, 1950. After that it's our own kind. From the Hallmark Playhouse. That story was first heard March 17, 1949. The craft foods Company brings you the Adventures of the Falcon, starring Les Demon. Hello? Yes, this is the Falcon speaking. Oh, Denise, thanks for calling, but I can't make it tonight. Angel, A quarter of a million dollars worth of jewelry is missing. And when that much ice is on the loose, someone is likely to get frozen stiff. This is Ed Herlihy, friends, inviting you on behalf of the Kraft Foods Company to listen to the Adventures of the Falcon. You met the Falcon first in his best selling novels. Then you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves the case of the Double Nephew. Before we join the Falcon in his latest adventure, I'd like to tell you folks about Kraft's golden Cheese food. Velveeta. Velveeta is such good eating. Just taste that grand rich yet mild cheddar cheese flavor. And Velveeta is so good for you. It's rich in important food values. From milk itself for swell tasting snacks, for good hearty sandwiches, for thrifty easy hot dishes. It's smart to keep stocked with Velveeta. Get it tomorrow in the handy quarter pound package or or in the economical two pound loaf. The cheese food of top quality Velveeta is made only by Kraft. And now, the case of the Double Nephews. It's early Sunday morning in New York when Tom Lacy enters his apartment. He clicks on the light, looks around nervously, then walks quickly to the door to the bedroom. Goes in, turns on the bedside lamp between the twin beds, tosses a briefcase on his own bed, then turns to the other bed and shakes the shoulder of his pretty wife. Julie. Julie, wake up.

[Julie Lacey]

What is it? I've got to talk to you in the morning.

[Host]

Do you love me? Julie, do you love me?

[Julie Lacey]

What kind of a Do you owe?

[Host]

I've got to know.

[Julie Lacey]

You've been drinking.

[Host]

Look, I'm serious.

[Julie Lacey]

What time is it anyway? Oh, no. 3:00. Go to bed, will you?

[Host]

Now, Joanie, listen to me. Joanie. I've done something. It's hard to explain.

[Julie Lacey]

Another woman?

[Host]

No, no, no, nothing like that. It's Gonna mean. Well, I'm gonna have to go away. I want you to go with me. I want you to stick by me, Will you?

[Julie Lacey]

What have you done?

[Host]

Will you stick by me no matter what?

[Julie Lacey]

What have you done?

[Host]

I. I robbed the vault when I closed up last night. Robbed? Yeah. More than a quarter of a million dollars worth of jewelry. I know it was a crazy thing to do, but I blew my top. For four years, I've almost been running the firm. You know that. Yesterday I found out Caraway's retiring. You know, I've been counting on them making me manage it when he quit and they didn't. Wire came from the Forrest family estate in Oregon. Old man Forrest is sending one of his nephews. Ev Forrest. A kid right out of school, never been in New York. Doesn't know a thing about the business he's gonna take over.

[Julie Lacey]

Wouldn't you know?

[Host]

Well, do you blame me, Junie? Do you blame me for getting sore? That's why I looted the safe. I was sore so. Good.

[Julie Lacey]

They'll know you did it.

[Host]

I didn't stop to think. Just said to myself, they don't want me here. Okay, I'll get out. Only I'm taking my share with me. I'm entitled to it.

[Julie Lacey]

What, now?

[Host]

But now, well, I don't know. South America is something you can go a long ways on. What I took. Johnny.

[Julie Lacey]

Where's the jewelry?

[Host]

Right here in my briefcase.

[Tom Lacey]

I see it.

[Host]

Why?

[Julie Lacey]

Just want to see what a quarter of a million looks like.

[Host]

Okay, Pretty. Hurry.

[Julie Lacey]

Down. Beautiful. How are you gonna sell?

[Host]

Oh, there's always a market. We'll find someone in South America. Won't get what they're worth, but we ought to clear somewhere around 100,000.

[Julie Lacey]

A hundred thousand? You shouldn't have done it, Tom.

[Host]

Well, it's too late to think of that now. I can't put it back. There's a time lock on the vault.

[Julie Lacey]

You're a thief.

[Host]

What do you want me to do?

[Julie Lacey]

You know, I think I'm gonna like south.

[Host]

Are you sure there's nothing? No, no, no, no, no. That'll be too late. I see. All right, never mind. Goodbye, Julie. I've tried all the lines. No planes until Tuesday. We're sunk.

[Julie Lacey]

We can't be sunk.

[Host]

But it's 10 o'clock already. We're not out of the country. By the time Carraway opens the vault tomorrow, there'll be an alarm out for us and we'll never get away.

[Julie Lacey]

I know that.

[Host]

Could only get to Miami and we could cross to Cuba. And once we're there. We can make arrangements. But the way things are.

[Julie Lacey]

Stop babbling and let me think.

[Host]

There's nothing to think. No planets.

[Julie Lacey]

I know, I know, I know. Let's get ready. We'll go to the airport anyway.

[Host]

What good is it?

[Julie Lacey]

Maybe a last minute cancellation. If not, we'll charter a private plane.

[Host]

That's right.

[Julie Lacey]

Only pull yourself together. You started this, now help me see it through.

[Host]

Yeah, yeah, sure, Juliet. Now what?

[Julie Lacey]

We'll answer it and find out.

[Host]

Yeah. Yes? Hello. Are you Thomas Lacey? That's right. I'm pleased to know you. I'm Ev Forrest. Ev Forrest? Yeah. I see. You're surprised. Well, we didn't. Didn't expect you so soon. Yeah, I know. My uncle had a special reason for having me get here today. May I come in? Well, yeah. Yeah, sure, sure. Thanks. This is my wife. Dear, I'd like you to meet Mr. Forrest. Ev Forrest. You know, I was just telling you he's gonna be the new manager.

[Julie Lacey]

Oh, yes. How do you do, Mr. Forrest?

[Host]

How do you do? Now I'd like a word with Mr. Lacey. Oh, go right ahead. You don't have to worry about Junie. This is very confidential. Whatever you say to me, you can say in front of her. Very well. It's about Mr. Carraway. Oh, how do you get along with him? So? So. Why? Well, my uncle's a little concerned about the last few reports he's received from Caraway. Concerned? How? Well, the figures don't look right. And now Carraway's resignation uncle wants me to look into it. That's why I came right to you. I came up directly from the station. Caraway doesn't know I'm in town. Well, what can I do? Well, we'll go down to the firm. I want to look over the books today before Caraway can find out. Oh, well. Well, I. I'm sorry, Mr. Forest, but Junior and I were just leaving. We have a date. I'm sorry, but you'll have to cancel it. This can't wait. John. I don't know what to say. If you should only given us some notice. I couldn't. Now, I'll be frank, Lacey. We suspect Caraway, not you. But we don't know how close you are to him. We didn't want you to warn him. I see. That's why I'm gonna have to ask both of you, you and your wife to come along with me. I'm awfully sorry to have to do this, but. Well, you see how it is. And I'm awfully sorry to have to do this. All right, Julie, come on. Let's get out of here.

[Julie Lacey]

Wait a minute, Tom. Well, why don't you use your head instead of jumping into things?

[Host]

Well, he was gonna delay us.

[Julie Lacey]

I know, I know. How far do you think we're gonna get when Mr. Forrest wakes up? Call the police the first thing.

[Host]

Yeah. Yeah, that's right. I didn't think. I've got the jitters. I've got to have a drink.

[Julie Lacey]

Take a good stiff one. You'll need it.

[Host]

Why did he have to show up today?

[Julie Lacey]

Maybe it's a good thing he did. Now we don't have to rush to get away. We can take our time.

[Host]

What do you mean? When Forrest wakes up.

[Julie Lacey]

Who says he's gonna wake up?

[Host]

What?

[Julie Lacey]

Take your drink.

[Host]

Oh, yeah. No. Now what are you talking about?

[Julie Lacey]

Mr. Forrest would look good in one of my scarves, don't you think? Of course, he's gonna have to wear it. A little too tight for comfort.

[Host]

Oh, no.

[Julie Lacey]

No, Jimmy, you can't quit now. Tom, you're gonna do what I tell you.

[Host]

No, I can't.

[Julie Lacey]

You've got to. Oh, no time to argue. He's coming too. Take another drink. I'll get the scarf.

[Host]

We shouldn't have killed him. To do is tie him up.

[Julie Lacey]

You still don't get it.

[Host]

Now we have a body to dispose of. It all takes time.

[Julie Lacey]

Now we have time.

[Tom Lacey]

How?

[Host]

We still have to get away.

[Julie Lacey]

No, we don't. That's what you can't seem to get through to your thick head.

[Host]

But Joni, tomorrow the robbery will be discovered and maybe the body.

[Julie Lacey]

Who's to say you committed the robbery?

[Host]

Well, it couldn't have been an outside job that there's a burglar alarm in a time locked vault. Besides. Besides? I locked up. I'm the only one who could have done.

[Julie Lacey]

Who knows? You locked up Caraway.

[Tom Lacey]

That's right.

[Julie Lacey]

Only suppose you say he locked up. It's your word against his. Now that we know old man Forrest already suspects Carraway of being a crook. Carraway hasn't a chance.

[Host]

Say, that's right.

[Julie Lacey]

Yeah, sure it is.

[Host]

Still, there'll be an investigation. Our place may be searched.

[Julie Lacey]

That's why we had to get rid of Ev Forest. We have to have time to hide the stuff and plant a little of it where it'll do Carraway the least good. The robbery's sure to be pinned on him. And if Ev Forrest's body is ever found, he'll take credit for that too. Ev Forrest found out about the robbery. So Caraway killed him?

[Host]

Yeah, it might work.

[Julie Lacey]

It will if you just sit tight and keep your mouth shut.

[Host]

Hello? Hello, Is that Michael Waring, the Falcon? Yes, this is the Falcon speaking. How do you do, Mr. Waring? This is James Calloway. Something dreadful's happened. Frightful. I don't know how to. Can you come over here right away? Over where? Forest jewelers. I. It's fantastic. But I'm suspected of robbery. Fantastic. Well, nothing like a little fantasy now and then. All right, Carraway, I'll be over. And you will, of course, bring references. Will I? Well, I've heard you're a competent detective, but this is a highly important matter. Great deal at stake, and I must be sure I'm dealing with a completely trustworthy and capable person. You have my word for it. No need references. Nevertheless, I prefer to see the references. You doubt my word? Fantastic. Well, There it is, Mr. Waring. The whole story. Only two possible suspects. My assistant, Thomas Lacey, and myself. And since I know it's not myself, it must be Lacy. Though it's hard to believe. Been with us for years. Quiet chap. Respectable whole things. Fantastic. Yeah, but where do I fit? The police and insurance detectives are on the case. I want my name cleared and a little peace. I've been grilled for hours. So is Lacy. Now they're waiting, hoping one of us will crack. What makes you think I can speed up the cracking? There are ways. Oh, you don't say. I. I think you know what I mean. I think so, too. Good. I think I can trust you to see that Lacy is properly uncomfortable. Of course. You understand, Mr. Waring, I deplore such tactics, but. Well, under the circumstances, what can one do? One can go to blazes. And you're just the one to do it. What's that? You hired yourself the wrong boy, Caraway. Third degree is out of my line. Oh, now, now, now, I. Did I say anything? Yes, you certainly did say. Well, you misunderstood me. I don't think so. Well, you. You're not going to mention this? I'm making no promises. I'll. Look, let's be reasonable. Nothing hasty, eh? I'm prepared to pay, but I'm not prepared to accept. Suppose we forget what I just said. Use your own methods, whatever you prefer. Only continue to work for me. See if you can't get something on Lacy. No rough stuff. No, no, I. I had no idea you private detectives were so concerned with propriety, as it were. Well, maybe I'm an exception. Now, suppose you send for Lacy. I'd like to talk to him here. Here. Very well.

[Julie Lacey]

Yes, Mr. Carraway?

[Host]

Send Mr. Lacy in.

[Tom Lacey]

Yes, sir.

[Host]

And now our little conversation. I, I trust it'll go no further. All right, Caraway. It's not that important. I'm glad you see it that way. Unless something happens to Lacy. Oh, what do you want, Caraway? Come in, Lacy, come in. And My name is Mr. Carraway. I thank you to remember I'm still in charge until Mr. Forrest arrived. Now, why don't you fire me if you think I'm a crook? When I can prove it, I shall. Now I'd like you to meet Mr. Waring. Mr. Michael Waring, the falcon. How do you do, sir? Hello, Lacy. You crazy? What's that? Well, one of you is to pull a job like this. Well, I, I, I guess.

[Julie Lacey]

Mr. Forrest is here, Mr. Carraway.

[Tom Lacey]

Good.

[Host]

Send him in. Yes, Mr. Forrest. The old man, has he come? Certainly not, Lacy. The nephew, Everett Forrest, you know we're expecting him. Well, yes, yes, but I. What's the matter with you? Well, nothing. Nothing at all. Oh, hello, Mr. Forrest. Come in. Thank you. It's not the old man. Of course it isn't. What makes you think. Oh, nothing, nothing. Never mind, I. Hello, Mr. Forrest. I'm delighted to meet you.

[Julie Lacey]

It's lighter bodied, it's super fine.

[Host]

It's craft salad oil. The first salad oil ever offered for home use by the maker of all those wonderful craft prepared salad dressings. Yes, there is something new under the sun at your grocer's right now. A new salad oil. Craft salad oil. The first salad oil ever offered for home use by the makers of all those wonderful craft prepared dressings. Wait till you try it in those wonderful salad dressings you make yourself. Those light as air chiffon cakes you're so proud of in all your special recipes that call for liquid shortening. For craft salad oil is more than just a new oil. It's a new kind of oil. Super fined for better blending by a special new craft process. Because it's lighter bodied, it mixes perfectly with all ingredients. Puts new magic into dressings, cooking and baking. Don't wait. Put this new Saladoid on your shopping list right now.

[Tom Lacey]

Remember, it's lighter bodied, it's super fine.

[Host]

Get crafts salad oil tomorrow at your grocers. Look for the bottles with the beautiful labels. Now back to the Adventures of the Falcon. Half a day has passed since Tom Lacy was startled by the appearance of a second Everett Forest. The first, so far as Lacy knows, is still in the east river, which makes the second a Serious problem. Now in his apartment, Lacy paces the floor while his wife watches him. I didn't know what to do, Tony. I just didn't know what to do.

[Julie Lacey]

What'd you say to him?

[Host]

Nothing. Nothing. I was too startled. I couldn't say this man's a fake. I know he's not F. Forrest because I've killed the real F. Forrest.

[Julie Lacey]

All right, as long as you didn't say anything.

[Host]

Well, now, what are we doing?

[Julie Lacey]

Just sit tight.

[Host]

Well, we've got to expose him.

[Julie Lacey]

We? Can't you just.

[Host]

Well, they make him expose himself. We could only get the old man here face to face with this fake.

[Julie Lacey]

We don't have to expose him. The important thing is to wait until word comes from the old Mr. Forrest. Not about the nephew, he doesn't matter, but about Carraway. Now that there's been a robbery, Forrest is sure to wire the police's suspicions about Caraway.

[Host]

Well, the old man's away from his home. He's on a hunting trip. They haven't been able to contact him.

[Julie Lacey]

So we wait.

[Host]

But it's getting me. Joanie, what's this faker up to? What does he want? What does he hope to gain by impersonating young Forrest?

[Julie Lacey]

I don't know.

[Host]

Wait a minute. I know. He must know about the murder. Sure, sure. Otherwise, how could he be sure the real nephew won't show up? Yeah, that's it. He knows. And this is a subtle form of blackmail. His way of telling me he knows. Soon he'll be coming to me direct. Joanie, what am I gonna do now?

[Julie Lacey]

You're gonna do nothing. Just sit tight and wait.

[Host]

But he knows.

[Julie Lacey]

Are you listening to me? There's nothing anyone can prove.

[Host]

How do you know?

[Julie Lacey]

Because if there were, the police would be holding you. Pull yourself together, you hear?

[Host]

Yes. Yes, Julie, I hear. Which one do you think did it? Waring Lacy. Why, that's easy, Forrest. I'm working for Carraway. Yes, but you have no proof against Lacy. No, not yet. I'm still looking for the angle. Why? What angle? Only an idiot would pull a job where he was sure of being one of only two possible suspects. So he must have some angle, some scheme to clinch it against the other suspect. Yes, but you don't have any idea what it is. No. You? How can I? I just got here. I hardly know either of the men. Neither do I. What has your uncle told you about them? Oh, nothing much. Sent you here without instructions. Oh, instructions, yes, but not on personalities. Except he did say I might expect a little jealousy from Lacy? Jealousy. Well, Lacy counted on getting Carraway's job when Carraway retired. He probably resents me for taking it. Yeah, he probably does. I wonder just how much. Well, does it matter? Might be an answer. You mean the angle? Well, not the sort of angle I was looking for. But I was trying to follow the script and it's just possible Lacy has been ad Living. Hello, Mr. Wearing? Yes, this is Caraway. I'm in jail. Imagine. In jail? Fantastic. You took the word right out of my mouth. No fancy that. How come they joked you? Because they're idiots, that's why. They should know it's a plant. What's a plant? The diamond. What diamond? In my car. Oh, there were diamonds in your car? Yes. Yes. Lacy must have put them there. Most likely. So that's his angle. Well, I guess he is ad libbing. What's that? That sort of plant is pretty feeble. He's working off the cuff. Well, I'll be seeing you, Caraway. Are you coming down here? No, I'm going to visit Lacy. I may do some ad libbing of my own. Yes? Hello. Are you Mrs. Lacy?

[Julie Lacey]

Yes.

[Host]

My name is Mike Waring. I'd like to see your husband, please.

[Julie Lacey]

He isn't in.

[Host]

You mind if I come in and wait?

[Julie Lacey]

I don't know when he'll be back.

[Host]

But I'm in no hurry.

[Julie Lacey]

I'm sorry, Mr. Waring, my wife. I can't ask you in.

[Host]

Can you keep me out?

[Julie Lacey]

Well, that depends on how determined you are. What do you want?

[Host]

I told you, Lacey.

[Julie Lacey]

I told you he's not here.

[Host]

You alone?

[Julie Lacey]

Yes, but I have a gun. Do you want to see it?

[Host]

No. I'll take your word for it. I'm not so sure I'll take your word for being alone. Unless you smoke cigars.

[Julie Lacey]

But Tom went out just a few minutes ago. The smoke hasn't cleared yet.

[Host]

Oh, I see. Well, I won't press the point, angel. If Lacey doesn't want to see me.

[Julie Lacey]

I don't know if he wants to see you or not. Does he know you?

[Host]

We met today at Forest Jewelry.

[Julie Lacey]

Oh, you're working on the robbery.

[Host]

Yeah.

[Julie Lacey]

Well, when Tom comes in, I'll tell him you were here. But he's told all he knows.

[Host]

But I haven't.

[Julie Lacey]

What do you mean?

[Host]

Just tell him I know how the stones got in Carraway's car.

[Julie Lacey]

Well, what stones?

[Host]

The ones in Carraway's car were there. There were? Hadn't you heard?

[Julie Lacey]

No.

[Host]

Well, you just ask your husband. I'm sure he knows all about it. And so do I.

[Julie Lacey]

Are you accusing Tom?

[Host]

Just give Tom my message. See what he says. Good night, Mrs. Lacy.

[Julie Lacey]

Good night, Joanie.

[Host]

What was all that? Who was it?

[Julie Lacey]

It was Michael Waring.

[Host]

The falcon. What did he want?

[Julie Lacey]

You.

[Host]

Well, why? What?

[Julie Lacey]

He's on to you.

[Host]

Oh, no.

[Julie Lacey]

He's onto you, I say.

[Host]

Oh, no.

[Julie Lacey]

I stole him because I didn't want anybody to see you till you pulled yourself together. With what he knows, I'm afraid the jig's up.

[Host]

Anyway. What does he know?

[Julie Lacey]

Everything.

[Host]

About Forest?

[Julie Lacey]

I think so.

[Host]

I might have known. It's no use. I'm no good at this sort of thing. There's only one thing to do. I'm gonna give myself up.

[Julie Lacey]

Don't be absurd. Put down the phone. Put it down, I tell you.

[Host]

But, Joanie.

[Julie Lacey]

I said put down the phone. We're caught at the electric chair. Don't you realize that?

[Host]

What can we do?

[Julie Lacey]

I got out your revolver. Here it is. Be careful. It's loaded.

[Host]

Well, what good's this gonna do?

[Julie Lacey]

We're gonna get away.

[Host]

Joanie. There isn't a chance.

[Julie Lacey]

Excellent chance, if you'll do what I tell you. Now go on, start packing while I go out for a few minutes.

[Host]

Where to?

[Julie Lacey]

Never mind where to. While I'm out. Pour yourself a long glass of courage. You'll need it.

[Host]

Hello?

[Julie Lacey]

Mr. Waring?

[Host]

Yes?

[Julie Lacey]

This is Mrs. Lacey.

[Host]

Oh, not Little Miss Sunshine.

[Julie Lacey]

Maybe I wasn't friendly. I'm usually not when strange men try to force their way into the apartment. My husband's home now. He wants to see you.

[Host]

You gave him my message?

[Julie Lacey]

Yes.

[Host]

What did he say?

[Julie Lacey]

Well, I told you, he wants to see you.

[Host]

Is that all?

[Julie Lacey]

Well, he claims he doesn't know anything about the diamonds in Mr. Carraway's car.

[Host]

Diamonds? Did I say they were diamonds?

[Julie Lacey]

What? Oh. Well, Tom seemed to think that that's what you meant.

[Host]

He did, huh? May I speak to him?

[Julie Lacey]

Well, why not come over? He wants to talk to you in person.

[Host]

All right, Mrs. Lacy. I'm on my way.

[Julie Lacey]

All right, Tom, that's enough.

[Host]

Joni, what are we gonna do?

[Julie Lacey]

It's all set. I've got a taxi waiting downstairs.

[Host]

Oh, and then we're going.

[Julie Lacey]

Leave it to me.

[Host]

All right, all right. Let's go.

[Julie Lacey]

In a minute.

[Host]

What are we waiting for? You said taxi.

[Julie Lacey]

You'll wait. I just want to.

[Host]

Who's that?

[Julie Lacey]

I don't know.

[Tom Lacey]

Who is it?

[Host]

Mike Waring. Waring? What's he want?

[Julie Lacey]

This spoils everything. Unless. Where's the gun?

[Host]

Right here.

[Julie Lacey]

Good. Only one thing to Do? We've got to shoot our way out of here.

[Host]

Oh, no, Junie. I can't.

[Julie Lacey]

You've got to.

[Host]

I can't. I can't.

[Julie Lacey]

You want the electric chair? This is our only chance. I'll throw the door open and you shoot.

[Host]

No, I can't.

[Julie Lacey]

You shoot fast enough, Waring will never have time to get his gun out.

[Host]

Hey, remember me? I'm waiting.

[Julie Lacey]

All right, I'm coming. Now, you do what I tell you. As soon as I open the door. Don't give him a chance. Then we can make a run for it.

[Host]

Miracle Whip has a flavor so pleasing.

[Tom Lacey]

Miracle Whip tastes so lively, so teasing.

[Julie Lacey]

Miracle Whip only one of its kind.

[Tom Lacey]

Miracle Whip best salad dressing you'll find.

[Host]

Miracle Whip is the only one of its kind because it's a different type of salad dressing. Made from a secret craft recipe. Miracle Whip combines the best qualities of old fashioned boiled dressing and fine mayonnaise. So it's truly distinctive and delicious with a flavor millions of folks call just exactly right. Try it, won't you? One taste will tell you why it's America's favorite salad dressing. The one and only Miracle Whip. Now, back to the adventures of the Falcon. Only a few seconds have passed since June Lacey and her husband set themselves for Mike Waring's entrance with a gun.

[Julie Lacey]

You ready, Tom?

[Host]

Yes, Julie, I'll try.

[Julie Lacey]

Remember, as soon as I open the door. What the devil?

[Host]

Close the door, Junie. Close it. We're caught. He jumped back. Now we'll send for the police.

[Julie Lacey]

Wait a minute. There's still one thing.

[Host]

What's that?

[Julie Lacey]

Give me the gun.

[Host]

What are you gonna do with it?

[Julie Lacey]

Let me have it.

[Host]

Here. But now what?

[Julie Lacey]

Now you're going to commit suicide, huh? You saw you were trapped, so you turned the gun on yourself.

[Host]

No, no, no. Julie, wait. Don't try to kill your husband. Mrs. Baker. Anything happens to him, we'll know you did it. He hurts.

[Julie Lacey]

He couldn't help.

[Host]

Come on. Open the door again and this time come out slowly. Both of you, with your hands up.

[Julie Lacey]

And if we don't?

[Host]

You will when the police get here.

[Tom Lacey]

Or they'll drive you out.

[Host]

Now hurry up.

[Tom Lacey]

Come on.

[Host]

What are you gonna do now, Juni? What are you gonna do now? You're such a good one at figuring things out. Well, go ahead, Juni. Start fantastic wearing. Absolutely fantastic. To think he'd go to such lengths. Fantastic. Well, once they got rolling, there was no stopping. Especially when they were given what looked like a sure chance to frame you. Yes. Has the body been recovered? Yeah. Forrest identified it as his chauffeur. His chauffeur? That's right. You see, the fellow knew Forrest was expected, so he beat him to New York and tried to trick Lacey into letting him into the building. Ooh, that would get him past the burglar alarm. Then he could knock out Lacy and either blow the lock on the vault or wait until the next day when the time lock went off. But by then, I'd be back at the place and he'd meet you with a gun. Anyway, once inside, his job was much simpler. That's why he tried it. And got killed for it. Yes, because the story about old Farah suspecting you of monkey shines fit in too well with the Lacy's plans. Yes, yes, but you see, then Lacy lost his nerve, so his wife tried to get rid of him so he couldn't implicate her. She wanted him to take the whole blame. She tried to get him in a gunfight with me, and she had his gun loaded with blanks. Oh, so he'd be killed trying to make a getaway. That's it. She hoped to have me do her dirty work for him. And when I tumbled to it, I knew she tried to frame a suicide, so I called her on that. But what made you tumble, as you put it? Oh, well, the whole thing added up wrong. Her not letting me see Lacy when he was obviously in, then her calling me right back, saying Lacey wanted to see me, but not letting me speak to him on the phone. I see. So you anticipated the trap. And I didn't figure that even with my bluffing, I could represent enough of a threat to make them go gunning for me. So it looked like the trap was set for Lacy. That's why I was ready to duck instead of shoot. Well, I'm glad you figured it out. Nice bit of deduction. Very nice, in fact, I might almost say fantastic. Exactly. How did you know? Do you like rich, delicious chocolate flavored malted? Well, you can make a malted just like that right in your own kitchen with craft chocolate flavored malted milk. Just make a tasty paste of craft chocolate flavored malted milk and a little milk in the bottom of a big glass. Fill the glass with chilled milk, stir it once more, and there. A craft malted is mighty nourishing too, because it's filled with all the food values in milk. Get a jar of craft chocolate flavored malted milk from your grocer and enjoy a craft malted often. This is NBC, the National Broadcasting Company. Remember, a Hallmark Card when you care enough to send the very best. Tonight, from Hollywood, the makers of Hallmark greeting cards bring you Barry Fitzgerald in Edward McSorley's Our Own Kind on the Hallmark Playhouse. Each week, Hallmark will bring you Hollywood's greatest stars in outstanding stories chosen by one of the world's best known authors, the distinguished novelist, Mr. James Hilton.

[Tom Lacey]

Good evening, ladies and gentlemen. This is James Hilton. Tonight on our Hallmark Playhouse, we present a story ideally suited to the day, St. Patrick's Day. It is called Our Own kind by Edward MacSorley. And Mr. MacSorley is evidently the man with experience to write it. For he has been at various times a farmer, a sailor and a fisherman. And not only do we have this warm hearted and appropriate story, but we are especially lucky to have in the starring part that superb Irish actor, Barry Fitzgerald, a man whose genius I have admired ever since the days many years ago when I used to line up outside the Abbey Theatre in Dublin to see his wonderful performances in that famous, almost fabulous theatre. So here we are on St Patrick's night, all ready to enjoy ourselves with Barry Fitzgerald in Edward MacSorley's Our Own Kind. And now, Frank Goss. Have you a word or two about Hallmark?

[Host]

There are Hallmark cards for every memorable occasion on your calendar. For birthdays, anniversaries, holidays. Yes, for a friendly greeting, a word of good cheer, an expression of sympathy. There is a Hallmark card that says just what you want to say, the way you want to say it. And that identifying hallmark on the back that says you cared enough to send the very best. Now, Hallmark playhouse presenting Edward McSorley's Our Own Kind and starring Barry Fitzgerald.

[Tom Lacey]

St Patrick's Day. A great day for the Irish, but especially so for me. For wasn't it on St. Patrick's Day that I got my first glimpse of America? That was a long time ago. I was a young one then. And so was we, my ne'er. But we found happiness here in Providence, Rhode Island. We lived and we raised two fine sons. But we found sadness too when the oldest, God rest him, was lost. There, there, Nell. It's all over now. But don't hold in. Go into your room. Have a good cry. It'll do you good. That's right, Mom.

[Host]

And try to get some rest, dude. Chris.

[Tom Lacey]

Chris, you're all we have left. Poor Will.

[Host]

Will is in good hands now, mom. Remember what Father O'Connor told you. Here.

[Tom Lacey]

Now I'll sleep. I'll try. I'll try.

[Host]

You ought to get some rest yourself, dad.

[Tom Lacey]

Ah, there'll be time enough for resting later. We've somebody else to be thinking about now. Little Willie.

[Host]

Well, you can stay at Aunt Tessie's for a while. He'll be all right there. And until we can make some arrangements.

[Tom Lacey]

Arrangements? Arrangements for what? Have them taken into the boy's home.

[Host]

Get good care there. Anyway, he'd be better off in an institution.

[Tom Lacey]

Do you really think so, Chris? Would you think so if he were your own?

[Host]

Without being sentimental about it? Yes.

[Tom Lacey]

All right, then. Let's be sentimental about it. Now there's something a lad needs Somebody to run to when the world gets too big for. Not only somebody to treat his bruises, but somebody to pat his head when they're doing it. A boy needs comfort, and you can't crawl into the lap of an institution. I'm bringing him home here where he belongs because his secrets is our own kind. What's the matter with you, Ned? You've ruined them, old man. You're acting like it was your first day in the foundry. I'm sorry, Tim. I've got something on my mind. Little Willie again? How old is the boy now? He'll be 7 years old Come October. I'll be glad when he's old enough to come to work. And then maybe you can forget about him. Well, he'd not be working here, so you needn't wait. He love reading and writing. And he'll not be a sod like his grandfather. Aye, and worse yet, like you. Oh, it's the sod I am, is it? At least I can read and write me your name, which is more than you can do. Oh, I'll tell them about that in the office. Maybe they make you president of the company. MacDermott.

[Host]

Lee, what's going on down here?

[Tom Lacey]

Well, we were. We were just reminiscing about old times.

[Host]

Well, talk on your old time.

[Tom Lacey]

Yes.

[Host]

Yes, sir.

[Tom Lacey]

A man can't even talk to his old friend. I don't mind for myself, Ned, but I don't like him yelling at you like that. If he wasn't a foreman, I'd go up and give him a taste of his shovel. Ah, never mind. A man's home is his own. Come over and have supper with us Sunday. Ah, that was a fine meal, Nell.

[Host]

Well, I'm going out.

[Tom Lacey]

Goodbye, Tim, everybody. Good night, Chris. You seen that young school teacher again? That's it.

[Host]

Catherine Daly.

[Tom Lacey]

Yeah. Good. Willie's in our class at school now. Might as well have the family on the right side. Well, I'd best be getting the dishes done. Take Tim into the parlor. Time for you to go to bed, Willy boy. But how about the funnies? Grandpa, you haven't read me the funnies. I will let it go for another day. Tim and I want to talk. Oh, don't let me be a bother. Your Palma's grandpa. Well, now, seeing that Tim is a guest, maybe he'll read you the funnies. Oh, not at all. I'd like to have you read them. All right. Well, sit on me. La. Yes. Well, now, we'll start with this one. I'm all ears. Yes, that's typical of a donkey. Read, Grandpa. Well, now, this here fella, this is. He's a tinker with the name of a rogue. What's a tinker? He's a man who fixes pots and pans as good as new. Now, this one over here. Oh, he's the bad fella. He's an Englishman. It. It goes without saying. And who's the lady, Grandpa? Oh, she. Well, let me see now. Oh, she brought the pots and pans from the Englishman. Yes. Robbed her, too, he did. They were no good until O'Rourke fixed them.

[Julie Lacey]

Now they're all right.

[Tom Lacey]

Yes, but the Englishman wants to take them back now because the poor woman can't pay these sorrels. I wonder if the paper noise have got that comic strip in there. Shut up, you.

[Host]

Tim. Go on, Grandpa. Go on.

[Tom Lacey]

Well, then, O'Rourke and the Englishman get in a fight, as you can see, with O'Rourke naturally getting the best of it, you know. That's enough for tonight. All right, Grandpa. Good night, Uncle Sam. Good night, Willie. I never heard such a comic strip before in all my life. And you want him to know that I can't read or write. I don't want him to follow me, Tim. I don't want him to follow his father or Chris, who learned a little and then stopped. He's got to see things, too, now he's started a school. I'd like to take him on a little trip. Take a trip? You want to take a trip? Get all dressed up and put on tight shoes. For what? Well, I don't want the boy to think that the whole of America has been squeezed into one little city called Providence, Rhode Island. Well, we can go someplace of a sounder, can't we? Well, there's the boats to Block island and other places that live from the wharf Loch Island. That doesn't sound bad at all. There's two boats that makes the trips the war work and the Mount Hope. The war works a bit slower, but it's. It's a Half a dollar cheaper. Well, then we take the board. However, the captain of the Mount Hope is named Authority. Authority? Well, no, I think it's worth the extra half dollar to ensure a man's life getting there safely. We'll take them out, Hope. Get a lord of this fellow coming along the deck with the hat. I haven't seen him do a lick of work since we left the dock. The purser, they call him. Look, Grandpa, over there. Yeah, another boat. Yeah, Look. Pretty sight, isn't she? M or you? Grandpa, it's the Mount Hope. No, this is the Mount Hope. Willy. We're on the Mount Hope ourselves. Now try to read it again. Now we'll see. Do you make it out any better this time? I can spell it out for you if you want me to. Go ahead, lad, spell it out. M, O, U, N, T, H, O.

[Julie Lacey]

P, E. That says Mount Hope.

[Tom Lacey]

Now try again. Try again. Practice makes perfect, as you must say. Oh, good heavens, did I believe the boy is right. It is the Mount Hope. And what kind of a dosage trick is this? Hey, you. You with the hat there.

[Host]

Is there anything wrong?

[Tom Lacey]

Well, I'm. None of your tricks. Now. What ship is that we're on?

[Host]

When we left the wharf, she was the edgeman. He probably still is.

[Tom Lacey]

Well, where's the Mount Hope, then? What's become of the Mount Hope?

[Host]

That's her alongside of us there.

[Tom Lacey]

That's her, all right, Ned. Well, then, where's Captain O'Flaherty? Who's he? He's the master of this vessel, that's who he is.

[Host]

There's no Captain O'Flaherty aboard this ship. The master's name is Reginald Crippingham, and we're bound for New London. Tim.

[Tom Lacey]

Tim, we've been shanghaied. They're taking us to England. Take it easy, Ned. New London's in Connecticut. Just the same, we've been trapped. Now, look here, you. I bought tickets for the Mount Hope this morning to go to Block Island. Here are me tickets.

[Host]

You can read what they say, can't you? Steamer Edgemont to New London, Connecticut. We don't go near Block Island. You bought your tickets at the wrong window.

[Tom Lacey]

Don't you New London me. Your game is up. We're going to Block island, and that'll be all it has.

[Host]

Not on this ship. And don't make any disturbance unless you want to see the inside of the New London jail.

[Tom Lacey]

It's no use, Ned. He's right, Jailer. If I was 30 years younger, I'd show that buckle. Now then, Willie, New London's nice enough, just as good as Block Island. And there's ice cream to be had there. There's none at all on Block island, you know. Ice cream, lad. Fancy that. Now, what makes you look so sad? You couldn't read it. You couldn't read the sign on the boat. Oh, well, no, I made a mistake, that's all. You couldn't read it. I. I wasn't wearing these specs. Grandpa. Grandpa, you couldn't read.

[Host]

In a moment, James Hilton will return to present the second act of Our Own Kind, starring Barry Fitzgerald. On this friendliest of days when old friendships are renewed, kept green and fresh as the fields of Kilkenny, I don't think it would be amiss to remind you that the charm of this day lies in the get togetherness of it. Not only the Irish, but all America seems to become one happy family. But as Thoreau wrote back in 1843, nothing makes the earth seem so spacious as to have friends at a distance. Now, no one better understands that truth than those who make Hallmark cards. And because they understand your loneliness when you and your dear ones are separated, they offer you a way of bridging the miles of keeping in touch with friendship cards. And you'll find Hallmark friendship cards always have a way of saying just what you want to say the way you want to say it. It's a talent that those who make Hallmark cards have, like their talent for making cards that are top drawer in design, in materials, in the careful way they're put together. So when you choose your Hallmark cards, do as your friends will surely do. Look on the back for the hallmark that tells them you cared enough to send the very best.

[Tom Lacey]

And now we present Act 2 of Edward MacSorley's Our Own Kind, starring Barry Fitzgerald. No, I couldn't read. And Willie discovered it that day on the boat to New London. He never spoke of it again. But he didn't bring me the funnies of a Sunday either. Nor did we stand together before the picture of brave Robert Emmet that hung in the parlour while I read the words beneath it to him. The words that I had memorized. I had to do something about it. So I went to see Chris's girl, Katherine Daly, the schoolteacher.

[Julie Lacey]

Couldn't I get you something, Mr. McDermott? Perhaps a cup of tea? No, no, no, thank you.

[Tom Lacey]

No, no. I have a matter of grave importance on my mind.

[Julie Lacey]

About Willie?

[Host]

Yes, about Willie.

[Julie Lacey]

I don't know what's gotten into the boy.

[Tom Lacey]

He was my best student.

[Julie Lacey]

I was certain he'd win the class medal. But lately.

[Tom Lacey]

Yes, I know. It's all my fault. My fault for not being able to help him. Mr. Ailey, will you help?

[Julie Lacey]

Of course I will. What would you suggest?

[Tom Lacey]

Well, maybe it'd be the help in the boy if you could teach me to read and write.

[Julie Lacey]

You, Ms. Maternity?

[Tom Lacey]

Yes, me. I'm asking you, please, girl, to teach an old man the abc. C, H, E, B. Brown. C, O, W. The brown cow. Just a minute. Your cousin Larry is here. And what are you locking yourself up in this room for? Every blessed night. Supper's on the table.

[Host]

Hello, Ned.

[Tom Lacey]

Well, I never expected to see you, Larry. I thought the whole police force would be resting up for the St. Patrick's Day parade tomorrow.

[Host]

I had some business over in this neighborhood checking up on a few young boys who'd been getting into some devilment.

[Tom Lacey]

Indeed? What's out of. Gentlemen. Come on. Will you take a seat at the table?

[Julie Lacey]

I'm not too hungry.

[Host]

Bunch of our lads here have been ganging up on kids from other parts of town.

[Tom Lacey]

Sounds bad.

[Host]

Yes, and it's getting worse. A couple of days ago, they picked on an old man, called him names and threw mud at him.

[Tom Lacey]

Go on, now.

[Host]

Well, one of the kids is the McNally boy, Stevie. His parents will take care of him all right, but he won't tell who the others were.

[Julie Lacey]

Grandpa, I don't feel too good.

[Tom Lacey]

I don't want to eat.

[Host]

Can I go to bed, sir?

[Tom Lacey]

Yes, well, you can go to bed. I'll be in later to say good night to you. Are you awake, lad? Yes, Grandpa, I'm awake. What's wrong, Nel? I was with Stevie McNally. I was one of the boys Uncle Larry told you about. Yes, I know you were. What made you do it? Stevie said foreigners are no right being over here. And because Stevie said that, you threw mud at an old man. They're not our own kind. You've always said we should stick to our own kind. Now, that isn't the way I said it, Willie. Our own kind is the family. And the family sticks together. But outside of that, our own kind means all the people who are here in this country with us, working and building as we are. No matter where they come from or what they were before, they are our own kind now. You never told me that before. Well, I didn't think you needed it before. I'm an old man myself, Willie. But I could walk to any part of this town tomorrow and none of the others would lift a hand to harm me. I won't do it again, grandpa.

[Host]

Honest.

[Tom Lacey]

I believe you, lad. Now, how about sitting out of bed for a minute? Okay.

[Host]

Here.

[Tom Lacey]

There's some beef left over your grandmother put in the ice box. And a boy who ate no supper should be a good match for a sandwich. Sit here in the parlour by the cold stove. I'll get the sandwich and then Robert Emmet's picture can watch you while you eat. Been a long time since we read the words under the picture, hasn't it? Ah, look at him. Brave Emmet that the judges condemned for trying to set Ireland free. Will I read his words to you? If you want to. Well, it says here, when my country takes a place among the nations of the earth, then, and not till then, let my epitaph be written. Ah, fine words only. Yes, grandpa shall read them together like we used to. You don't know how to read them. You memorize them. Grandma told me. Oh, she did, did she? Well, now, let's see if she's right. Now, the first word is when. That's w h e n when I believe, isn't it? And then we'll skip on to the my and take. Take country. C o u n t r y Grandpa, you can read. You can. What made you think I couldn't? But the day on the boat. Ah, I didn't have me specs as I told you. You want to read it with me now? Oh, yes, yes, all right. Just once. Judo. Because we have to be up early in the morning and get seats on the grand stand to watch the St. Patrick's Day parade. Now, here we go. When my country takes a place among the nations of the earth. There he is, grandpa.

[Host]

There's uncle Tim.

[Tom Lacey]

Hey, Tim. Up here, Jim. We've a seat for you. Look, grandpa.

[Host]

There they come. There comes the parade.

[Tom Lacey]

I'm coming. If I can ever get through here, I'll let the man through there. Let the man through. But sometimes I wish I wasn't Irish at all. For heaven's sake, will you look at Pete Carton on the white horse in front of the paradem to look at the ears of him, you'd never think he slept on the floor of me kitchen the first few years after he came over here. Would you? He's getting so fat I can hardly see the horse. Well, I'm only assuming there's a horse because I know Pete isn't that hard. The weight of the money in his pockets kept him from growing full size. Oh, look, look, look. There's Teddy Donovan with the bagpipes. Did you ever See such a sight in your life? I did not. With all the blowing he does about other things, you wouldn't think he'd have breath enough left in him for the pipes.

[Host]

Look. Look at the flood with the four.

[Tom Lacey]

Leaf clovers from the midget. Oh, no, those aren't four leaf clovers, those shamrocks. And that isn't a midget. It's a leprechaun. Well, that was quite a parade, wasn't it? Come on back to the house inn.

[Host]

Sure.

[Tom Lacey]

Come along, Willie.

[Julie Lacey]

But I was going to church, grandpa. They're having a play. Katherine Daly, my teacher, is in it.

[Tom Lacey]

A play on a holy day. Does Father O'Connor know about it?

[Host]

Sure.

[Julie Lacey]

He directed it.

[Tom Lacey]

Oh, well. Well, I suppose if he directed it must be all right, huh?

[Julie Lacey]

They're going to do it twice for the kids this afternoon, and you and grandma can see it tonight.

[Tom Lacey]

Ah, no, I'm not much of a one for plays. Run along and come home as soon as it's over.

[Host]

Grandpa. Grandpa.

[Julie Lacey]

Here.

[Tom Lacey]

Here, boy.

[Julie Lacey]

You'll knock the walls down.

[Tom Lacey]

I saw the plate, Catherine. She was beautiful.

[Host]

Yeah.

[Tom Lacey]

Yes, she's a pretty thing, all right. And what was the show about? Dancers doing jigs or rails, I suppose. Oh, no, no.

[Julie Lacey]

It was a play about a British landlord.

[Tom Lacey]

A British landlord? In Church on St. Patrick's Day.

[Host]

The landlord was trying to drive the.

[Tom Lacey]

Irish tenants out of their houses because they wouldn't tell where their leader was hiding.

[Julie Lacey]

He wanted to give the girl.

[Tom Lacey]

That was Ms. Daley money, if she would tell. You see? You see?

[Julie Lacey]

You see, Jim?

[Tom Lacey]

That's the way they work it. That's the way they want you. Meet the girl, Sherman farmer. But she didn't. Oh, he'll spit. She didn't, did she, Willie? No. I knew it. Good girl. The leader, Roy was her bow. She was hiding him. But the landlord went and got the British. And Roy escaped just before they came. You mean he ran away from them? What you want him to do, stay and fight the whole British army? Well, what happened then, Willie? The British shot the poor man in the back, didn't they? No, but they got caught later when a spy named Murphy snitched on him. Murphy? Ah, that's the disgrace of the Irish. There's forever a traitor amongst them. Then the landlord offers to get Roy.

[Host]

Out of jail if Catherine will marry him.

[Tom Lacey]

Ah, so that's his game. Well, he might as well get that right out of his mind. She'll never do it. Never in God's world. She didn't, did she?

[Host]

No.

[Tom Lacey]

Roy escapes and he gets all the rebels. They drive the British out of Ireland and Roy and Catherine get married.

[Host]

Mother.

[Tom Lacey]

Mother. Get your coat. Come on. Come on, Jim, to it. Come on. Where?

[Julie Lacey]

To see the play.

[Tom Lacey]

It's the greatest play you ever heard of. Ah, the play was a delight, Catherine. That's what it is. I'm glad you liked it. Oh, it was grand, Miss Daddy, just grand.

[Julie Lacey]

Well, frankly, I'm a little worn out. I better go.

[Tom Lacey]

I'll get you cold. I hope you come again off. And since I've got a hunch you'll be a member of the family soon. Oh, you're making the girl blush, Ned. Well, it's becoming to her, isn't it?

[Julie Lacey]

I think I have some good news for you about Willie. He came to me after the show this afternoon and begged for a chance to get back into the class contest.

[Tom Lacey]

For the reading matter. And did you refuse him? No.

[Julie Lacey]

I told him he'd have to make.

[Tom Lacey]

Up some ground first. Did he say he would?

[Julie Lacey]

He said you'd help him.

[Tom Lacey]

I will. I will.

[Host]

Are you ready, Kenneth?

[Tom Lacey]

Good night, everybody. Good night, little Willie. He'll be all right now, Jim. He'll do the Irish crowd someday when he hangs out a shingle as a doctor or a lawyer. Willie McDermott MD I can see it in your mind, Ned. Education costs money, lots of it. Willie doesn't need that kind of help, Tim. He needs the kind I've been able to give. He needs the dreams and the ambition. There's a way open here in America. Things called scholarships. Here's for the working for them. You know, Tim, this is the biggest country in the world because it's Ireland as well as America. The kind of Ireland that Robert Emmert dreamed about. And it's every other country that has men like him who dream about liberty and a chance for a man to make good on his own. That's all that Willie needs and that's what he's got. And nothing will ever stop him now. Nothing will ever stop him.

[Host]

In a moment, James Hilton and Barry Fitzgerald will return. But first, is there anyone who doesn't love a bit of blarney? Even if you aren't an O'Brien or a Quinn. Chances are someone sent you a green tinted card today. And didn't it please and flatter you to know that someone was thinking about you? Why not spread this same fond, sincere kind of thoughtfulness among those you care for? Send Hallmark friendship cards the year round if you feel you haven't the gift for expressing what's in your mind. Let the makers of Hallmark cards. Take care of that. Picture the pleased grins that would greet your Hallmark cards, that simply say hello across the miles to those old school pals you only see at class reunions. That favorite aunt you used to visit during vacations, remember? And gruff old Uncle Ben. How many years is it since he used to take you fishing? He was no softy, you would tell you, but it's strange how his glasses sort of cloud up about some things, like having your card to let him know you haven't forgotten him. Yes, there's a host of dear ones who'd welcome a little affectionate greeting from you. The kind you'll find on the legions of Hallmark friendship cards. See them where you buy your Hallmark cards. Send them, you'll be glad you did. Here again is James Hilton.

[Tom Lacey]

Wasn't our play tonight a grand way to close a grand day? A delightful story of one of the most admirable of all human traits, that of wanting your children to have something better than you had. And we also enjoyed the company of one of the most delightful personalities in the whole acting profession. A great actor, as you have heard, and a great Irishman. Thank you for being here, Barry Fitzgerald. Thank you, Mr. Hilton. And I'd like to thank Gilbert Barnett who played my grandson, and Dick Ryan, who played him. I've really enjoyed myself. In fact, I like it here. Well, we're certainly glad you do. Well, I might change some of the decorating around here. I think I could send such more green, you know, around the place and maybe I'd add a couple of more harps to that orchestra. Of course, I'd be sure not to change those Hallmark Greeking cards of yours, the mighty fine cards, just the way they are and so is your players. I've enjoyed being here tonight and I thank you for allowing me to celebrate this happy day with you. Kind to have you with us, Mr. Fitzgerald. Come back and see us soon again. And please listen next week when we bring you a great story of the early American West, Stuart Lake's Frontier Marshal, starring Richard Conte in the role of Wyatt Earp. And the following week, it will be our great pleasure to welcome the current Academy award winning star, Loretta Young, in a dramatization of Irving Stone's book Immortal Life. And the week after that, Betty Smith's novel, A Tree Grows in Brooklyn starring Margaret O'Brien. Our Hallmark Playhouse is every Thursday. Our director producer is Dee Engelbach. Our music is composed and conducted by Lynn Murray. And our play tonight was adapted by Joel Murcott. Until next Thursday, then This is James Hilton saying.

[Host]

Look for Hallmark cards that are sold only in stores that have been carefully selected to give you expert and friendly service. Remember Hallmark cards when you carry enough to send the very best. Barry Fitzgerald will soon be seen in Bing Crosby's Paramount Picture. Top of the Morning this is Frank Goss saying good night to you all and inviting you next Thursday and every Thursday to tune in 1/2 hour earlier and listen to the adventures of Casey Crime Photographer, followed by the Hallmark Playhouse. This is cbs, the Columbia Broadcasting System. That's the Relic Radio show for this week. I hope you enjoyed it. You can find more from the Falcon, the Hallmark Playhouse, this podcast and all of the others@ Relic Radio.com you'll also find our Shoutcast stream there with even more Old time Radio. And if you'd like to help support it all, give that donate button a click. Visit donate. Relicradio.com We've got some downloadable sets for certain donation amounts. Any amount is always appreciated and helpful. Thanks to those who have helped out. Thanks for joining me this Tuesday. I'll be back tomorrow with an hour of mystery on Case Closed and next Tuesday with our next episode of the Relic Radio Show.