John Steele, Adventurer and Molle Mystery Theater

Summary

Detailed Summary of "John Steele, Adventurer and Molle Mystery Theater"

Published on July 15, 2025, on RelicRadio.com's "The Relic Radio Show," this episode delves into two captivating old-time radio dramas: "John Steele, Adventurer" featuring the adventure titled "Three Minus Two," and "Molle Mystery Theater" presenting the intriguing mystery "The Bride Wore Black." The following summary encapsulates the key points, character dynamics, and pivotal moments from both stories, enriched with notable quotes and timestamps for reference.

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John Steele: Three Minus Two

Setting and Characters: The adventure unfolds in the vast and unforgiving deserts of Australia, a region depicted as one of the most challenging landscapes on Earth. The primary characters include:

• Rosie: A resilient and determined woman from Oregon, unafraid of the rugged Australian desert.
• Panting Leo: Rosie's husband, who is a hard worker in the gold mining expedition.
• Snowy: A brash and scheming partner who harbors ulterior motives.

Plot Overview: The story kicks off with Rosie, Leo, and Snowy discovering a significant gold vein in the Australian desert, leading to tensions over the division of the newfound wealth. Snowy grows increasingly dissatisfied with his share of the profits and develops an obsessive attraction towards Rosie, planting the seeds for conflict.

Key Developments:

• Conflict Over Profits ([03:14] – [03:27]): The trio debates the fairness of the gold split, with Snowy expressing discontent:
  Snowy: "That ain't fair."
  Rosie: "The agreement stands."
  This disagreement underscores the fragility of their partnership.

• Snowy's Obsession ([04:14] – [10:00]): Snowy's advancing flirtations and aggressive behavior towards Rosie escalate, culminating in a confrontation where his true intentions become apparent. Notable exchange:
  Snowy: "I said you're beautiful."
  Rosie: "Get your filthy hands off of me." ([04:32] – [04:34])

• Murder and Deception ([05:11] – [13:36]): Snowy murders Leo in a fit of jealousy, burying him in the sand to conceal his crime. Rosie initially appears to accept Leo's death but soon becomes suspicious and determined to uncover the truth.

• Survival and Retribution ([14:09] – [21:02]): As Snowy contemplates abandoning the camp, Rosie arms herself and confronts Snowy, leading to a deadly encounter amidst a pack of aggressive dingoes. A pivotal moment occurs when Rosie neutralizes Snowy to secure her safety and the gold.

Conclusion of the Adventure: Rosie emerges as a resourceful and formidable survivor, ultimately selling the gold claim and achieving financial independence. She becomes a symbol of strength and resilience, having navigated betrayal and danger in the harsh Australian desert.

Notable Quotes:

• John Steele (Narrator): "They say you get used to anything. After a while..." ([07:13])
• Rosie: "Like what? You know why I wear this gun?" ([04:46]–[04:47])

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Molle Mystery Theater: The Bride Wore Black

Setting and Characters: "The Bride Wore Black" is a suspenseful mystery set in a suburban estate near New York City. Key characters include:

• Julie Killeen (Mrs. Killeen): A beautiful red-haired woman seeking revenge for her husband's murder.
• Lieutenant Wanger (Disguised as Leo): An undercover NYPD officer investigating the murders.
• Joe Mitchell: One of the intended victims.
• Additional characters: Friends and associates who become entangled in Julie's quest for vengeance.

Plot Overview: The narrative centers on Julie Killeen's calculated revenge against those she holds responsible for her husband's death. As Lieutenant Wanger delves deeper into the case, he uncovers the web of deceit and motives that tie the victims to Julie's past.

Key Developments:

• Introduction of Julie's Plot ([27:31] – [33:10]): Julie's methodical approach to eliminating her targets is established, highlighting her determination and the lengths she's willing to go to achieve her vengeance.

• Confrontation and Revelation ([36:10] – [47:23]): Lieutenant Wanger, disguised as Leo, confronts Julie, revealing his true identity and the evidence against her. The tension peaks as Julie attempts to manipulate the situation, leading to her eventual arrest.

• Climactic Unveiling ([50:05] – [52:03]): Wanger meticulously reconstructs the events of the night of the murders, demonstrating Julie's false accusations against others and exposing her as the true culprit. The culmination sees Julie's plans unravel as law enforcement closes in on her.

Conclusion of the Mystery: Julie Killeen's reign of revenge is exposed and halted by Lieutenant Wanger's incisive investigation. Her character arc transitions from a vengeful bride to a captured murderer, delivering a satisfying resolution to the mystery.

Notable Quotes:

• Lieutenant Wanger (Leo): "You can't keep me here." ([29:00])
• Julie Killeen: "You put up the money to pay expenses. Leo and you did the rest." ([03:33])
• Lieutenant Wanger: "Mrs. Killeen, you can get up now. You don't have to hurry." ([49:09])

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Host's Closing Remarks

Don Douglas, the host of "The Relic Radio Show," provides insightful commentary and reflections after both dramatizations. He shares personal anecdotes and praises the performances, particularly highlighting the character of Rosie as a blend of iconic figures like Elizabeth Taylor and Marilyn Monroe. Additionally, he teases future episodes and engages the audience with promotional content seamlessly integrated into the narrative.

Final Notes: The episode masterfully blends adventure and mystery, showcasing the depth and versatility of old-time radio dramas. "John Steele, Adventurer" and "Molle Mystery Theater" present compelling stories of survival, betrayal, and justice, all enriched by dynamic character interactions and suspenseful plot twists.

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Conclusion: This episode of "The Relic Radio Show" offers listeners a nostalgic journey through meticulously crafted radio dramas that capture the essence of their respective genres. Whether it's the rugged adventure in the Australian desert or the intricate mystery of revenge and redemption, both stories deliver engaging narratives complemented by memorable dialogues and immersive storytelling.

Transcript

[Don Douglas]

This is the Relic Radio Show. Old time Radio entertainment Still standing the test of time from relicradio.com welcome back to the Relic Radio Show. This week's hour of radio drama begins with John Steele, adventurer. We'll hear 3 minus 2 from December 14, 1980. 1954. After that, it's the Mole Mystery Theater and the Bride Wore Black. That story aired February 7, 1947.

[John Steele]

This is John Steele reporting on adventure. I was going to title this yarn Girl of the golden west, but somebody else got there first with that label a long time ago. Anyway, the story takes place in the desert of Australia. It involves a redhead named Rosie, a guy who tried to double cross her a million dollars in gold and a dingo pack. I call this transcribed yarn. Three minus the middle of Australia represents one of the biggest and about the worst deserts on the face of this earth. In texture, it's something like the big salt flats of Utah. It was once a big inland sea. Right after gold was found in California back in 1848, it was also discovered in Australia. And they had their big bonanza just like ours. There's still a lot of gold there. And in parts of Western Australia you'll still find wooden sidewalks, swinging doors, and miners in red shirts packing guns. I remember you had to duck real fast on the Saturday night when you heard six guns blazing. After World War II, a lot of our guys went back there to settle. A few more went back there to look for gold. But the gold is up there in that desert. You'd say it was no place for a girl. Nor is it. But one gal went up there. She'd been raised in the state of Oregon. And the rugged desert of Australia didn't scare her. She went there with her husband, a guy named Panting Leo.

[Snowy]

Panting.

[John Steele]

They had a partner, a big fellow called Snowy. And when they found gold, Snowy had ideas.

[Rosie]

Just like home.

[Snowy]

Yeah.

[Rosie]

Those dingoes, they sound like coyotes.

[Snowy]

Yeah.

[Rosie]

Funny, huh?

[Snowy]

We're rich, baby.

[Rosie]

That's just what I was thinking.

[Snowy]

You, me and Leo.

[Rosie]

Maybe a million dollars, huh? Yeah, it could be Leo says it's a rich vein over there.

[Snowy]

Sleeping? How can he sleep?

[Rosie]

He's tired. He does most of the work.

[Snowy]

I do my share, Rosie.

[Rosie]

Well, you ought to do more.

[Snowy]

More?

[Rosie]

You're a big guy. Leo's small.

[Snowy]

It's his hard luck.

[Rosie]

Well, he's got a right to be tired.

[Snowy]

Let him sleep. Okay by me.

[Rosie]

Throw me a cigarette.

[Snowy]

Here.

[Rosie]

Thanks. I keep thinking, but how to spend.

[Snowy]

Your share don't make sense.

[Rosie]

What don't?

[Snowy]

Three way split made sense.

[Rosie]

When we agreed.

[Snowy]

Yeah, I know.

[Rosie]

The agreement stands.

[Snowy]

You and Leo. Two thirds. Me, one third.

[Rosie]

That's right.

[Snowy]

That ain't fair.

[Rosie]

That's the way it is, Snowy.

[Snowy]

We ought to figure a better way.

[Rosie]

The agreement stands. I put up the money to pay expenses. Leo and you did the rest. That makes it a three way partnership.

[Snowy]

You and Leo hog two thirds between you. You're his wife.

[Rosie]

Look, be happy with what you'll get.

[Snowy]

You know.

[Rosie]

Yes, I know.

[Snowy]

Me and you.

[Rosie]

I know what you've had in your mind for a long time.

[Snowy]

Why not?

[Rosie]

You're not my type, Snowy, and he is. That's why I married him.

[Snowy]

That lousy little shrimp.

[Rosie]

I wouldn't say that if I were you.

[Snowy]

Why? Might get mad.

[Rosie]

No, I might. You heard me?

[Snowy]

Sure, baby, I heard you.

[Rosie]

Leo's not a big guy, but he's a man.

[Snowy]

Going to sleep, leaving you with me.

[Rosie]

Why don't you go to sleep, too? Maybe I could.

[Snowy]

Then I'm not tired. A day's work don't knock me out.

[Rosie]

Try doing a day's work tomorrow and then we'll find out.

[Snowy]

You're beautiful, Rosie.

[Rosie]

What?

[Snowy]

I said you're beautiful.

[Rosie]

I will be when I get back home. Start living it up like you are now.

[Snowy]

In a man's shirt and slacks. Your red hair shining in the moonlight. The real beauty, Rosie. You know what I mean?

[Rosie]

Yeah, I know what you mean, Snowy.

[Snowy]

How about it, baby?

[Rosie]

Listen. Get your filthy hands off of me.

[Snowy]

Kiss. Just a little kiss. What's wrong with that?

[Rosie]

Maybe you understand that.

[Snowy]

Yeah, I understand, baby.

[Rosie]

Well, that's fine.

[Snowy]

But you shouldn't have done that, Rose.

[Rosie]

I'll do more than that if you ever touch me again.

[Leo]

Like what?

[Rosie]

You know why I wear this gun?

[Snowy]

Snakes? Wild dogs?

[Mole Mystery Theater Character]

No.

[Rosie]

You. Now, keep that in mind.

[Snowy]

You still awake?

[Rosie]

I feel safer when I'm awake.

[Snowy]

You don't know what it means.

[Rosie]

What?

[Snowy]

Always.

[Rosie]

Being with you gets monotonous, I'd say.

[Snowy]

Seeing you with him.

[Leo]

Oh, look.

[Rosie]

Why don't you sleep it off?

[Snowy]

All these weeks, me Getting ideas. Thinking you had the same ideas.

[Rosie]

I never gave you any ideas.

[Snowy]

Sometimes the way you looked at me.

[Rosie]

You must have imagined it.

[Snowy]

Yeah.

[Rosie]

Now just forget about it.

[Snowy]

No dice, huh, Rosie?

[Rosie]

No dice.

[Snowy]

Not anytime.

[Rosie]

Never.

[Snowy]

Just you and him, huh?

[Rosie]

Just me and Leo and 2/3 of all this gold.

[Snowy]

Only it can't work out that way.

[Rosie]

What?

[Snowy]

Come here, baby. Give me that. All right, Rosie. Okay, sweetheart. Now we'll see.

[Mole Mystery Theater Character]

Leo, shut up. What?

[Rosie]

What are you gonna do?

[Snowy]

First, take care of Leo.

[Mole Mystery Theater Character]

Leo. Honey. Oh, baby. Baby.

[Snowy]

Little guy. No more.

[Mole Mystery Theater Character]

He's dead.

[Rosie]

Leo.

[Mole Mystery Theater Character]

Dead. You killed him.

[Snowy]

No. Three way split, Rosie. Just me.

[Mole Mystery Theater Character]

He's dead. My Leo's dead.

[Snowy]

I'll teach you.

[Mole Mystery Theater Character]

Oh, Leo. Honey.

[Snowy]

Get away from him.

[Mole Mystery Theater Character]

Leo.

[Snowy]

Get up. Get away from him.

[Mole Mystery Theater Character]

Don't touch me. Don't touch me.

[Snowy]

Don't touch you, baby.

[Mole Mystery Theater Character]

You killed. Don't you understand?

[Snowy]

Yeah, I understand. It's okay. You never know what happened. Okay, okay, okay. Enough of the water works.

[Mole Mystery Theater Character]

Let me go. Let go of it.

[Snowy]

It's been building up, baby.

[Mole Mystery Theater Character]

Let me go.

[Snowy]

Been building up all these weeks.

[Mole Mystery Theater Character]

Leo. Leo.

[Snowy]

I kept saying if Rosie gets to like me, okay, she can give Leo the brush. But you didn't like me, Rosie.

[Mole Mystery Theater Character]

So quiet. He'll never talk to me again. He'll never talk to me again.

[Snowy]

It's the way it's gotta be, Rosie. Nobody else can have you. Just me. Nobody else can't hear me, baby. Just me, Rosie. Just me. Now.

[John Steele]

They say you get used to anything. After a while. It looked like Rosie had gotten accustomed to the idea her husband was dead. She stopped crying. And after Leo had been buried in the sand, she smoked a cigarette. Snowy watched her very cautiously. He made sure she didn't have her hands on a gun. He wasn't sure what to do about her. She had loved her Leo and she hated him. There's a law against murder down in Australia. And Rosie could accuse him of that crime and bring the police to the grave where Leo is buried. Snowy didn't like the picture of that situation. So he watched Rosie very carefully. Wondered what was going on in her mind.

[Snowy]

And. Lousy dingoes. Why don't they shut up?

[Rosie]

What?

[Snowy]

This does it. It's time we got out of it.

[Rosie]

I've been thinking.

[Leo]

Yeah?

[Rosie]

No use crying over spill milk.

[Leo]

No.

[Snowy]

That's right, baby.

[Rosie]

Leo's a nice guy. Sweet guy.

[Snowy]

Yeah, sure.

[Rosie]

But maybe he wouldn't have fitted in with. With, you know, things.

[Snowy]

How you talking, Rosie?

[Rosie]

You know what I mean. Like New York and Paris and London and all them places.

[Leo]

Yeah.

[Rosie]

Leo wanted a ranch. Me, I've seen all the ranches. I want to see, baby.

[Snowy]

I like what you're saying.

[Rosie]

We can say he just died in the desert.

[Snowy]

Sure we can.

[Rosie]

And that's what we'll say.

[Snowy]

Poor Leo.

[Mole Mystery Theater Character]

Yeah.

[Snowy]

He died out in the desert.

[Rosie]

I'm young. Can't spend my life moping.

[Snowy]

And we got a million bucks to spend, Rosie, you and me.

[Rosie]

Want to pour me some coffee?

[Snowy]

Anything you want, baby. Anything.

[Rosie]

Me in a mink coat.

[Snowy]

I can see in one. Rosie.

[Rosie]

I'll spend $10,000 on one.

[Snowy]

Here. Drink your coffee.

[Rosie]

Thanks.

[Snowy]

All the time, Rosie. All the time. We'll be dolled up. You and your mink coats, me and my tailored suits. Living it up. Ritz Carlton and all them joints.

[Rosie]

Doesn't seem possible. We got all that gold. What do we do with it?

[Snowy]

Yeah. In the morning I'll fill another couple of sacks. We'll take back all we can, then register the claim. After that, I don't know. Maybe we work the mine. Maybe we sell it.

[Rosie]

Sell it? I want to start living.

[Snowy]

Yeah, we sell.

[Rosie]

You go down and get more gold. First thing in the morning. Then we get out of here.

[Snowy]

Sure.

[Rosie]

What's the matter, Snowy?

[Snowy]

Okay, baby. You're not fighting me anymore.

[Rosie]

Who wants to fight all the time?

[Snowy]

Guy goes crazy, Rosie. You know what I mean.

[Rosie]

Stop talking about it.

[Leo]

Yeah.

[Snowy]

Only I want that. You understand?

[Rosie]

I do.

[Snowy]

It was crazy to bring you along. Gave me a chance to fall in love with you, baby. I know I'll be good to you, Rosie. I'll make you happy. Nothing will be too good for you.

[Rosie]

Just so long as you don't get sickening. I can't stand a guy who gets sickening.

[Snowy]

I mean, I'll take good care of you, see?

[Rosie]

You do, huh?

[Snowy]

What'll it be, baby? We get married, huh? I'd want to marry. I'm that kind of a guy.

[Rosie]

You work fast, don't you? I've met a guy who works so fast.

[Snowy]

I'm nuts about you. Rosie.

[Rosie]

Wait a minute. You're hurting me. Don't hold me so tight. I want to go on breathing.

[Snowy]

Yeah. I didn't mean to hurt you.

[Rosie]

You're a rough guy, Snowy. You're awful rough with a girl. Do you know that?

[Snowy]

Maybe. Maybe it's the way you like a guy to be, huh?

[Rosie]

Huh?

[Snowy]

Rosie. Bab.

[Leo]

Yeah?

[Snowy]

Here. Gold nuggets. What's the matter, baby?

[Rosie]

I was just wondering.

[Leo]

Wondering what?

[Rosie]

What we're going to do with all this gold.

[Snowy]

We're going back with it.

[Rosie]

What makes you think so?

[Snowy]

What do you mean?

[Rosie]

What makes you think we're going anywhere?

[Snowy]

Hey, wait a minute.

[Rosie]

We're staying.

[Snowy]

You want to stay? Okay. Me, I'm going back.

[Rosie]

But you're not.

[Snowy]

What is this?

[Rosie]

How you gonna drive that jeep without any gas in it?

[Snowy]

Gas? We got plenty of gas.

[Rosie]

Gone.

[Snowy]

What?

[Rosie]

It's gone.

[Snowy]

What are you talking about?

[Rosie]

I emptied the cans. I spread the gasoline across the ground. It's all gone. Evaporated. You did what I just told you, Snowy. Finish on the gasoline.

[Snowy]

You threw it away.

[Rosie]

Yeah. We're staying here with Leo. You and me. With Leo and all this gold.

[Snowy]

I get it.

[Rosie]

No, it's too late.

[Snowy]

Pretending you'd forgotten Leo. Pretending you like me. Just so I let down my guard.

[Rosie]

Leo was my guy, and I was crazy about it. You do anything you like, I'll break in small pieces. You kill me. Do anything you like, I don't care anymore. But you're gonna stay here alone.

[Snowy]

Oh, I'll teach you.

[Mole Mystery Theater Character]

And I'll teach you. Mr. Trap.

[Snowy]

Make some monkey out of me. Makes me trust her, my back's turned, she throws away the gasoline. I'll show.

[Leo]

Shut up.

[Snowy]

Shut up. You, too, baby.

[Rosie]

I was just looking at the stream. It's awful dry. Leo said it would dry up altogether in a few days. And no more water till the spring rains.

[Snowy]

You figured it'd stay here, huh?

[Rosie]

Till the end of time. For you and for me. Like it was for Leo.

[Snowy]

I don't get one thing. For instance, while I was away, you could have taken the jeep and driven off. You could have left me here to starve and die.

[Rosie]

I thought of that.

[Snowy]

I bet you did.

[Rosie]

Only I knew I couldn't make it alone.

[Snowy]

You lose your way, huh?

[Rosie]

Yeah.

[Snowy]

You could have got back there and registered the claim.

[Rosie]

I thought of that, too.

[Snowy]

Why'd you do this, baby?

[Rosie]

Impulse. I thought of Leah when I had to do something. Anything at all. So I got rid of the gasoline.

[Snowy]

Just like a crazy dam, huh? Okay. You want to stay here, you stay. Me, I go.

[Rosie]

What?

[John Steele]

It's not all desert.

[Snowy]

There's mountain country, bushlands. And there's fresh water 20 miles from here. We filled up there on the way here, remember?

[Rosie]

You'll never make it, not walking.

[Snowy]

A million bucks in gold is waiting to be spent. And you think I won't make 50 miles across this country?

[Rosie]

You think you can do I think?

[Snowy]

I know. Without me, solo, just me. I wouldn't trust a dame like you no more. You spoil it for yourself, Rosie. So you stay here with Leo. Why don't I kill you?

[Leo]

Nah.

[Snowy]

I wouldn't shoot a dame. I don't have to. How long will you last out here all alone? A few days, a week. Then curtains. You'll go nuts, baby. You'll run out there in the desert, get ideas about making it alone, and that'll be the end. Too bad, Rosie, too bad. Enough water to see me. 20 miles. That's all I need. I'm on my way, Rosie. Have fun here.

[John Steele]

Have real fun. A million dollars in gold can do that to a guy. Old timers who had crossed that desert had used mules and burrows, same as they did in this country. Nobody, as far as I know, had ever made 500 miles of desert on foot. But Snowy had that in mind when he set out. On the other hand, maybe it made some sense. If he stayed in that camp, he had to die anyhow, just like Rosie would die. She watched him walk away into the desert, into the blinding glare of the sun. Then she picked up a couple of sharp rocks and put one in each of her pockets. When Snowy glanced back, he saw her following him, her hands in the pockets of her slacks. He grinned back at her.

[Snowy]

Go back, baby.

[Rosie]

I told you once. No, you're not going anywhere.

[Snowy]

Go on back, Rosie. You can't keep up with me.

[Rosie]

You're not leaving. You don't seem to understand.

[Mole Mystery Theater Character]

Understand?

[Snowy]

I'm on my way. Too bad it had to be this way, Rosie.

[Rosie]

If you look over that way, you'll.

[Mole Mystery Theater Character]

See what I mean.

[Snowy]

Where?

[John Steele]

I don't see anything.

[Mole Mystery Theater Character]

Keep looking. You'll see what I mean.

[Snowy]

I don't see anything.

[John Steele]

The girl couldn't afford to miss. And she didn't. She found her target. Twice the rocks struck Snowy's face. He staggered, his face covered with blood. In a split second, the girl sprang. She kicked him in the stomach and the man sprawled on the ground. It took Rosie just two more seconds to lug the man's gun from its holster.

[Rosie]

Whenever you're ready and get up. You'll live. For a while, anyway.

[Snowy]

Lousy Dave. You can't trust them.

[Rosie]

Not this one. You can't.

[Snowy]

I'm sick.

[Rosie]

My heart bleeds for you.

[Snowy]

You shouldn't have done this, Rosie.

[Rosie]

I'm walking back to camp. And I'm taking your water back with me. You please yourself. What you do?

[Leo]

Yeah.

[Snowy]

My face. You cut it.

[Mole Mystery Theater Character]

We're in trouble.

[Rosie]

You want to take a look at some real trouble?

[Snowy]

Dingo pack.

[Rosie]

I didn't see him come this way.

[Snowy]

Lousy dingoes. Standing there looking at us.

[Rosie]

They're gonna do more than look at us.

[Snowy]

Give me that gun.

[Rosie]

You stay where you are.

[Snowy]

These dogs will attack any minute. Maybe more like a bunch of wolves. Just like wolves.

[Rosie]

I'm gonna try and shoot that one. See what happens. Look out. Kill One seems scared.

[Snowy]

Give me that round.

[Rosie]

I'll take care of it. They won't go away as long as they don't attack.

[Snowy]

Come on.

[Leo]

We'll get back to camp.

[Rosie]

You walk in front of me.

[Snowy]

Look.

[Rosie]

I said walk in front of me. I gotta watch you. Too.

[Snowy]

We're in that jam.

[Rosie]

You better walk slowly.

[John Steele]

Your Australian dingo is no former domestic pooch gone wild. He's a ferocious killer from way back. He looks like a wolf and acts like one. He usually runs with a pack. A pack will operate near a big sheep station or in the bushlands. It will seldom go into the desert. When it does, there's some good reason. It's probably following an expedition, hoping to attack the horses. In lean country, a dingo pack will attack anything or anyone. The pack that threatens Snowy and rosie numbered about 20. And the animal Rosie had killed just wasn't enough to go around.

[Rosie]

Hold up a minute, will you, Snowy? Stop, I said, or I'll shoot.

[Snowy]

I ain't gonna stop. Come on. Hey, you would, wouldn't you? All right, come on.

[Mole Mystery Theater Character]

Now.

[Rosie]

Get going. And I'm holding this gun on you. Don't forget.

[Snowy]

All right. Come on.

[Rosie]

Come on. This time I won't miss.

[Snowy]

Well, come on. Come on. Let's take this.

[Rosie]

I'm coming. I'm coming.

[Snowy]

Big dame with a gun in her hand. Yeah. Hot, ain't it?

[Rosie]

Yeah, it's hot.

[Snowy]

Well, come on, walk.

[Rosie]

They look hungry.

[Snowy]

Want some water?

[Rosie]

No, thanks.

[Snowy]

Come on, get it.

[Rosie]

I'm saving it.

[Snowy]

Go on, take a drink.

[Rosie]

You thought you could fool me, huh? I'm warning you, Snowy. I'm a good shot and you know it. Now just keep your hands off of me and keep your distance and start walking.

[Snowy]

Lousy dame.

[Rosie]

How much farther is it?

[Snowy]

Come on, walk.

[Rosie]

I'm walking.

[Snowy]

Yeah, you can have some water.

[Rosie]

No, I don't want any water. Get moving. Get moving.

[Snowy]

Go on, take a drink.

[Rosie]

I said I didn't want any water. Now, will you get going? I want to make it back to camp.

[Snowy]

Come on, Rosie. Take one little drink on me.

[Rosie]

Listen. They're getting closer and closer.

[Snowy]

Well, come on, walk. Come on. They're closing in with your. Pick it up. Come on, walk. Walk. Walk.

[Rosie]

They attack in force.

[Snowy]

They'll tear us to pieces.

[Rosie]

All right. What'd you do with my gun and Leo's?

[Snowy]

Put them in a jeep. I unloaded them.

[Rosie]

Where are the bullets?

[Snowy]

I got them.

[Rosie]

Get the guns in.

[Snowy]

Now you're making sense.

[Rosie]

Walk to the jeep. I'll cover you.

[Snowy]

Okay. Watch them lousy dogs.

[Rosie]

I'll watch.

[Snowy]

I'll load both guns. Over here, Rosie.

[Rosie]

Okay. Don't waste time.

[Snowy]

Gives you a different feeling when you got a gun in your hand, baby.

[Rosie]

But it makes you feel like a man again.

[Snowy]

Watch that. Later. I am Bullseye, baby. Who taught you to shoot like that?

[Rosie]

You watch them. Now, that's something I can't bear to look at.

[Snowy]

They're hungry.

[Leo]

If they'll go away, they won't go far.

[John Steele]

They'll hang around.

[Rosie]

Do we have to kill them all?

[Snowy]

Every time they look like they're gonna rush us, we kill one, maybe two. That'll hold them for a while. We don't want to waste the bullets.

[Rosie]

That big brown one.

[Snowy]

Yeah, I see him.

[Rosie]

He's not eating. He just stands there looking at us like he's trying to figure something out.

[Snowy]

Maybe he's figuring they outta rush us.

[Rosie]

Now let's read what's going on in his mind.

[Snowy]

What's he looking at now?

[Rosie]

I don't see a thing.

[Snowy]

They're scared, all right.

[Mole Mystery Theater Character]

Look.

[Leo]

Yeah.

[Snowy]

Yeah. Dust clown.

[Rosie]

Somebody riding a horse.

[Snowy]

Just one guy. One guy riding a horse, scaring a dingo pack. Don't add up.

[Rosie]

There's only one man coming.

[Leo]

Yeah.

[Snowy]

They must have heard the shooting. Yeah, that's it.

[Rosie]

Whatever it is, I'm awful glad to see him.

[Snowy]

Wait a minute.

[Rosie]

All right. Put those guns down.

[Snowy]

Now listen, baby.

[Rosie]

No, you listen. They hang you for murder in this country, and you murdered my Leo. Now drop those guns before I drop you.

[Snowy]

A guy has a horse. I could use that horse.

[Rosie]

You heard what I said.

[Snowy]

You won't shoot me, Rose.

[Rosie]

Don't make me prove it.

[Snowy]

Yeah, Those lousy dogs. If they hadn't come this way, there'd have been no shooting. That guy wouldn't have heard the shots. Lousy dingoes. A million bucks in gold and you think you're going to see me turned over to the cops? I'll show you. Okay, mister. I can take care of you, too.

[John Steele]

Are you all right?

[Rosie]

I'm okay.

[John Steele]

My name's Steel. John Steele.

[Rosie]

I'm Rosie Panning. You American?

[Snowy]

Yeah.

[John Steele]

Let's take a look at this guy. Who is he?

[Rosie]

He murdered my husband.

[John Steele]

Hey, he's alive.

[Rosie]

I'm glad.

[Mole Mystery Theater Character]

I'm glad.

[John Steele]

Yeah.

[Mole Mystery Theater Character]

How'd you get here?

[John Steele]

An expedition. We're camped in the hills. I heard shooting.

[Rosie]

Some dingoes were here.

[John Steele]

Yeah, I know. We killed about 30 of them. They finally left us. You'll be okay now.

[Mole Mystery Theater Character]

He killed my Leo. He killed him. Leo never had a chance. He was asleep.

[John Steele]

That'll be taken care of.

[Snowy]

Help me. I need a doctor.

[John Steele]

You'll get one, chum. My friends will be here in a few minutes.

[Snowy]

I got a million dollars in gold, pal. What do you think of that.

[Leo]

Leo?

[Snowy]

I told him not to bring a dam.

[John Steele]

Australia is a big land. It draws all kinds of people to it. A land of big opportunity always does draw all kinds of people. There's nothing American about it. And yet you feel a sort of kinship with the places and the people. You feel at home. Rosie never did come home again. She stayed out there where her Leo was buried. She sold the claim and she's a rich gal in dollars or pounds. Maybe someday she will drift back to Oregon. Anyway, she's the only gal I ever ran across who struck a million dollar gold mine. And I hope you like hearing about it. What was I doing in the Gibson Desert when I met her? I've been investigating a scene of what could be the dusty remains of an ancient civilization. But that's another story. I'll tell you about it sometime. Be around next week, huh? For a story that takes place in North Africa. The gal in this story is a cross between Elizabeth Taylor, the Queen of Iran, and Marilyn Monroe. She's my candidate for the most beautiful dame in the world. We had a lot of fun together. There were three of us. The gal, a guy named Cardew, and yours truly. It's a real adventure I like to call High Test Heard. With me on today's transcribed John Steele adventure were Mary Ashworth and Charlie Holmes. I'm Don Douglas. So until next week then, and High Test. Remember, adventure is where you find it. But don't look for it. It may find you.

[Leo]

John Steele, adventurer was brought to you through the facilities of the United Armed Forces Radio and Television Service. And now, the Mole Mystery Theater. Presented by M O L L E Mole the heavier brushless shaving cream for tough whiskers and a tender skin.

[Mole Mystery Theater Character]

Oh, it's so wonderful, Nick. So, so beautiful. I'm going to make you happy, Nick. Really happy. I'm going to be a good wife. Darling. Nate. What's the matter, Nick? What's happened? Oh, no. N.

[Leo]

Good evening. This is Jeffrey Barnes welcoming you to the Mole Mystery Theater, the program that presents the best in mystery and detective fiction. You've just heard the opening scene of tonight's story by Cornell Woolridge, starring Miss June Havoc. And bearing the rather unusual and bizarre title, the Bride Wore Black. After all, black is the color we associate with death and funerals, not with weddings and romance. But tonight, black is the color of a woman's revenge. Well, gee, Mr. Barnes, you know, some men could cope with such a dangerous woman. And yet, strangely enough, be worried stiff when it comes to shaving. Tough whiskers or a tender skin? Well, men, we don't blame you. All we say is try Mole the heavier Brushless shaving cream. Yes, sir. It's smooth. So smooth. It's slick. So slick. It's a smooth, smooth, slick, slick shave you get with M O L L E Mole. The heavier brushless shaving cream for tough whiskers or a tender skin Mole. Now for tonight's Mole mystery presentation. The bride wore. In the library of a suburban estate not far from New York City, a young and beautiful woman, a red hair drawn into a prim knot, sits typing. She does not look up as a tall, heavily built man enters the room and approaches her softly. Almost finished. The manuscript.

[Mole Mystery Theater Character]

Oh, Mr. Holmes. I didn't hear you.

[Leo]

Camellia, I asked you. Almost done?

[Mole Mystery Theater Character]

Well, not quite, Mr. Holmes. I still have a few more pages.

[Leo]

Well, let it go for now. I'd like to talk to you.

[Mole Mystery Theater Character]

Talk?

[Leo]

Yes, a rather long talk. So why don't you take my armchair?

[Mole Mystery Theater Character]

Oh, no, I. I couldn't. Thank you.

[Leo]

I insist. I want you to sit there. But I. I insist on it.

[Mole Mystery Theater Character]

Where will you sit?

[Leo]

I'll take your chair now, if you don't mind.

[Mole Mystery Theater Character]

There.

[Leo]

That more comfortable?

[Mole Mystery Theater Character]

I. I suppose so.

[Leo]

Now, just to make things a little cozier suppose I put a little more wood on the fire?

[Mole Mystery Theater Character]

Oh, no, it's too warm in here already. Warm?

[Leo]

I feel a chill. These two logs. Ah, look at them catch fire. Now, I suppose I just turn on this recording machine.

[Mole Mystery Theater Character]

Why? What for?

[Leo]

I want this little talk of ours recorded. You see, there's something I want to clear up between us.

[Mole Mystery Theater Character]

Something you want to clear up?

[John Steele]

Yes.

[Leo]

Mrs. Killeen.

[Mole Mystery Theater Character]

Mrs. Killeen.

[Leo]

Oh, I know that's not the name you gave me when you came to work as my secretary.

[Mole Mystery Theater Character]

But it isn't my name I happen to know better.

[Leo]

Then let's not get off on any tangents. We both know who you are.

[Mole Mystery Theater Character]

What on earth are you?

[Leo]

The one thing I don't know yet, the thing I'd like you to tell me now is just how and when you intended to murder me.

[Mole Mystery Theater Character]

Murder you? What? Oh, you're joking. Why? Why should I want to kill you?

[Leo]

I think that'll come out in our talk, Mrs. Tilly.

[Mole Mystery Theater Character]

Well, I don't.

[Leo]

No, no, no. Sit right where you are. You're not going to get up out of that chair, will you?

[Mole Mystery Theater Character]

You can't keep me here.

[Leo]

Yes, I can. And I will. Or you just listen to me without interruption.

[Mole Mystery Theater Character]

But you have no right.

[Leo]

Interruption? I don't flatter myself. I wouldn't be the first man you murdered.

[Mole Mystery Theater Character]

None.

[Leo]

No, as a matter of fact, I was to be the last. I want to go back to the first man and Bliss. Bliss was at a party given in the penthouse of a friend of his named Corey when he noticed you.

[Mole Mystery Theater Character]

Hey.

[Snowy]

Hey, Corey, come here, will you?

[Mole Mystery Theater Character]

Come here.

[Leo]

Come here. What do you want, Ken? Want to ask you something. Who's that blonde dish over there in the corner? Huh? Which one? I wanted a black net dress. Oh, yeah. Wonder what she's doing here. Well, let's go over and find out.

[Mole Mystery Theater Character]

Well, come on.

[Leo]

What are you waiting for, huh? Pardon me. Yeah, I brought our host over to introduce us to one another. Well, go on, Corey. Start hosting. I'm not sure I remember the young lady's name.

[Mole Mystery Theater Character]

Why, of course. You do it, Nora.

[Leo]

Nora. You sure?

[Mole Mystery Theater Character]

Of course I am.

[Leo]

Oh, of course. Maybe I got you mixed up with someone else.

[Mole Mystery Theater Character]

Uhhuh. Perhaps you have.

[Leo]

Perhaps. I don't know. What is all this?

[John Steele]

I am Ken Bliss.

[Mole Mystery Theater Character]

How do you do?

[Leo]

Come on, Laura. Come out in the terrace. Well, I'll show you this city all lit up.

[Mole Mystery Theater Character]

All right.

[Leo]

Beautiful terrace. Beautiful terrace. Don't know how Cory can afford it, but there have been rumors. Shut up, Ken. Okay, okay. Cory. Are you coming, Nora?

[Mole Mystery Theater Character]

Yes, I'll come along.

[Leo]

Ah, you've got your guest. I'll come along.

[Mole Mystery Theater Character]

Oh, chilly out here. Could you bring me my vest?

[Leo]

Atta boy.

[Mole Mystery Theater Character]

Would you?

[Leo]

Okay. I'll get your coat. Which one is it?

[Mole Mystery Theater Character]

It's a blonde, meek. Initials N.R.

[Leo]

Right. I'll be back. Oh, it seems it's chilly out here. To me.

[Mole Mystery Theater Character]

It isn't. It's just that I wanted to talk to you, Mr. Gibbs, alone. How about something important?

[Leo]

Important? Why's important? You.

[Mole Mystery Theater Character]

Some things about you.

[Leo]

Yes? What about me?

[Mole Mystery Theater Character]

About the time we met once before.

[Leo]

We met, and I forgot.

[Mole Mystery Theater Character]

Well, we didn't exactly meet. You saw me.

[Leo]

I forgot you. Oh, no, no, no. Impossible.

[Mole Mystery Theater Character]

You were in a car with three other men.

[Leo]

That could be a hundred times.

[Mole Mystery Theater Character]

But this time the car's license number was D3827. Remember?

[Leo]

No. I got a rotten head for figures.

[Mole Mystery Theater Character]

Besides, what's the difference?

[Leo]

We're here, here and now.

[Mole Mystery Theater Character]

This car was. It was kept in a garage up on Exterior Avenue in the Bronx, and they left it there. They never called for it again. But I traced it. I found out who was in it.

[Leo]

Look, who's interested in some car. I mean, a beautiful girl, and all she gives me is a routine about a car. Oh, no. Come here. Well, now, let's just stay interested in life.

[Mole Mystery Theater Character]

You, me, and.

[Leo]

What's the matter?

[Mole Mystery Theater Character]

By my scarf, you've knocked the Door to my shoulders.

[Leo]

You weren't wearing any scarf.

[Mole Mystery Theater Character]

It flew over the railing. You sure? There it is. It's caught on something right down there. Well, maybe I can reach it.

[Leo]

No, no, no, no. I'll do it. I'll do it.

[Mole Mystery Theater Character]

Here, look out. Let me.

[Leo]

Now, where's the thing?

[Mole Mystery Theater Character]

Huh? Right there. Don't you see it? Watch out. Don't lean over too far. Boy, it makes me dizzy.

[Leo]

I don't see you.

[Mole Mystery Theater Character]

Scarf right below you. A little further. A little more. What you doing? Getting even for Nick Killeen. No, don't you.

[Leo]

When Corey came back after searching for your non existent coat, Mrs. Killeen, you were gone. You had killed your first man. No, no, no, don't get up. Sit there. Right there. You still have a good deal to talk about. About Joe Mitchell, for instance. He lived in a cheap hotel on the west side. Lived a cheap, drab life until that evening that he came back to the. Hello, Mr. Mitchell. Want your key?

[Mole Mystery Theater Character]

Yeah.

[Leo]

Ch.

[Mole Mystery Theater Character]

Me?

[Leo]

Yes, sir. Let's see what we got here. Advertisement here. You want to buy a custom tailored suit? No, thanks. I couldn't afford it. Neither can I right now.

[Mole Mystery Theater Character]

Hey, you sure this one is for me?

[Leo]

Your name's on the envelope, isn't it?

[Mole Mystery Theater Character]

Yeah, yeah, yeah, but a theater ticket? Belgian theatre box a 480 seat. And for tonight. Why should anyone send this to me?

[Leo]

I don't know. Mr. Mitchell, were you ever connected with the theater? No, I used to tend bar where a lot of actors hung out.

[Mole Mystery Theater Character]

Maybe that's it. Maybe somebody remembered me.

[Leo]

Well, it's a break. I might as well go. After all, what can I lose?

[Mole Mystery Theater Character]

Hey, Tom, is that Mr. Mitchell?

[Leo]

Yeah, he's right here.

[Mole Mystery Theater Character]

I got a call for him.

[Leo]

Okay, you can take it here. Mr. Vincent.

[Mole Mystery Theater Character]

Hello, Joe, it's me. Maybelle.

[Leo]

Yeah, what do you want?

[Mole Mystery Theater Character]

Well, what are you snapping for?

[Leo]

Uh, I'm not feeling so good.

[Mole Mystery Theater Character]

Sounds all right.

[Leo]

Well, I don't feel good. Listen, I gotta hurry. Call me tomorrow or I'll call you.

[Mole Mystery Theater Character]

Well, you going in such a hurry? I thought you said you'd think. I am.

[Leo]

I'm going to bed. I'm sorry about our date.

[Mole Mystery Theater Character]

Ah, don't be foolish though. That's all right. I tell you what, I'll bring over some chicken soup.

[Leo]

No.

[Mole Mystery Theater Character]

Yes, some nice warm chicken soup from the restaurant. The cook will give it to me.

[Leo]

No, no, I told you. Look, I gotta hang up. I'll talk to you tomorrow.

[Mole Mystery Theater Character]

Yeah, but Joey, chicken soup. Oh, excuse me. Do you mind if I take this heat?

[Leo]

Why no, not at all. Plenty of room. Oh, you're just in time. They're dimming the light.

[Mole Mystery Theater Character]

Want to come?

[Rosie]

Too early?

[Leo]

Tell me, someone send you a ticket too?

[Mole Mystery Theater Character]

No, this is my box. But I must confess. I sent you your ticket. You sent me? Yes, I. I wanted to see you again.

[Leo]

Again? But I never saw.

[Mole Mystery Theater Character]

We can't talk here. I want to be alone with you.

[Leo]

Yeah, but the shows of a. Well, why don't we go over to my place? It's a hotel, but it's respectable, sort of.

[Mole Mystery Theater Character]

I. I wouldn't want to be seen going to your room.

[Leo]

Oh, I understand. Well, we can go up the stairs. It's only the third floor and no one will notice it. What do you say?

[Mole Mystery Theater Character]

All right. That'll be as good a place as any. Well, I can see by all the girls pictures on the walls that you're really a ladies man, aren't you?

[Leo]

Oh, those. No, they don't mean a thing. You know, I've always been looking for something. The right one. Someone with class, like you.

[Mole Mystery Theater Character]

I can imagine.

[Leo]

No, there's no gag. I mean it. Just by being here, you make this room seem. Well, I don't know how to say it. Something wonderful. You give it a kind of feeling, you understand? It's like I'd arrived somewhere. Somewhere I always wanted to go.

[Mole Mystery Theater Character]

Maybe we can arrange that. Let's have a drink.

[Leo]

Oh, swell. I've got some rye here in the closet.

[Mole Mystery Theater Character]

Don't mind having it straight. No, I can have mine with water.

[Leo]

I'd known I would have gotten something good.

[Mole Mystery Theater Character]

This will serve it, Professor. Then on the radio. I'll pour it out. Okay.

[Leo]

Want anything special?

[Mole Mystery Theater Character]

No, just the music.

[Leo]

Ah, now for a drink.

[Mole Mystery Theater Character]

Here's yours.

[Leo]

Okay. Is to a long life when a merry one.

[Mole Mystery Theater Character]

Yes, a long life.

[Leo]

Well, aren't you having any? What's the matter? It's not bad stuff.

[Mole Mystery Theater Character]

I was just thinking.

[Leo]

Thinking about what?

[Mole Mystery Theater Character]

About our first meeting.

[Leo]

Yeah. Yeah, I've been wondering about that. Where'd I ever see you before?

[Mole Mystery Theater Character]

On the steps of a church.

[Leo]

On the steps of a.

[Mole Mystery Theater Character]

What's wrong?

[Leo]

It's funny. Nothing, nothing. Just a pain in my stomach. Go away.

[Mole Mystery Theater Character]

What's this about you on the steps of a church? I was getting married. Married? Don't you remember now?

[Leo]

No, I.

[Mole Mystery Theater Character]

Darn the slang all of a sudden too. Oh, enough of this radio. It's burning. Don't you remember? The church, the wedding, and then right after. Look, something's wrong. I'm gonna call a doctor. No, you're not going to call A doctor.

[Leo]

What?

[Mole Mystery Theater Character]

You're too late for a doctor. Too late? What'd you do to me? I don't know you. Yes, you know me. I'm Mrs. Nick Killeen. Nick Killeen? I don't understand. You don't remember Nick Killeen and the girl in the steps in her wedding dress? You don't remember that? Open the door. My wedding day, and you were there. You and three others. Oh, yes. Cut me. Oh. Next up, let's. Joe, it's Maybelle. Open the door. Just a minute. Yes? What do you want? Oh, well, I don't want to barge in, but I got some chicken soup for Joe. Listen, get out of here quick. Make sure people see you leaving. And take that jar of soup with you. Why? What's the matter? Do as I say. I don't want you to get into any trouble. I don't have anything against you. You must be nice. All right, all right. Go on in and have a good look.

[Leo]

As the curtain falls on Act 1 of tonight's Mole mystery, Julie Killeen has been accused by her employer of killing two of the three men she believed to have murdered her husband. And from what we've seen of Mrs. Killeen so far, you might say she shows a particular knack for dealing out punishment. Ain't there? Well, it's funny, Mr. Barnes, rather. It's sad. But a lot of men hand out almost the same kind of punishment to themselves every time they shave. Well, men shaving needn't be painful. Not when you shave with mole, the heavier brushly shaving cream for tough whiskers or a tender skin. That's right. Mole is the heavier cream. The cream you need for wiry whiskers or a sensitive skin. Because mole is heavier, it not only softens your whiskers, it stands them up straight while your razor whisks them off like a feather. With mole, you shave faster, closer, easier, and you shave painlessly.

[Mole Mystery Theater Character]

Try it.

[Leo]

See if you don't say it's smooth. So smooth it's slick. So slick it's a smooth, smooth, slick, slick shave you get with M O L L E. Mole. The heavier brushless shaving cream for tough whiskers or a tender skin. And now back to Jeffrey Barnes and Act 2 of the Bride Wore Black, starring Ms. June Hav. Julie Killeen, a bride whose beloved was murdered on their wedding day in blind rage, has vowed to avenge him. One of her intended victims, however, has uncovered her whole plot. That, Mrs. Killeen, was how you murdered Ken Bliss and Joe Mitchell. The first you pushed from the terrace of Corey's apartment.

[Mole Mystery Theater Character]

No, I didn't.

[Leo]

The second you poisoned in his hotel room. Now you can see why I wanted this recorded.

[Mole Mystery Theater Character]

Mr. Holmes. You know this is a pack of lies. You know it's not true.

[Leo]

On the contrary, every word of what I've said is gospel. No, no, no, don't get up. Now I'll go over what happened to Frank Moran. I said don't get up. Sit there and let's begin. In the streets outside Frank Moran's house in Scarsdale, five year old boy riding a tricycle is stopped by an attractive young woman.

[Mole Mystery Theater Character]

Hey, you got in my way. You got in my way. Oh, I'm sorry, but I found this ball. Is it your ball? Huh? No, mine's a high bounce. Oh, do you want this one? I'll give it to you. Gee, thanks. What's your name? Cookie Moran. And what's your father's name? He's Mr. Frank Moran. Do you have any brothers or sisters? No, but I got a grandma though. She lives in Garrison, but she comes to stay with us. Well, don't you ever go to Garrison to visit her? Oh yeah, but Dr. Bixby says I make too much noise for Grandma. She's sick. Dr. Bixby's your grandma's doctor? Sure, he goes to see a lot. My Aunt Ada takes care of her. Tell me, have you started school yet? Oh, sure, I go to kindergarten every day. What do you do there? We draw ducks and rabbits. And Miss Baker gave me a gold star for drawing a cow. I brought it home. Really? Well, you run along and play now, pussy. And don't lose the ball. Frank. Frank.

[Leo]

What is it, dear?

[Mole Mystery Theater Character]

A telegram for my sister Ada. Mother's very sick. She had a stroke.

[Leo]

A stroke?

[Mole Mystery Theater Character]

Dr. Bixby wants me to come to Garrison right away.

[Leo]

Well, you better go. I'll drive you to the station.

[Mole Mystery Theater Character]

No, no, I'll take a cab. You stay here with Cookie and Frank. Don't let him get into any trouble while I'm gone.

[Leo]

Hello?

[Mole Mystery Theater Character]

Hello, Mr. Moran?

[Leo]

Yes?

[Mole Mystery Theater Character]

This is Ms. Baker, Cookie's kindergarten teacher.

[Leo]

Yes, I've heard.

[Mole Mystery Theater Character]

Mrs. Moran had to go away and I've been worried about Cookie. You know, he's so active. I'd like to come over this evening and help you take care of him.

[Leo]

Well, certainly, Ms. Baker. And thank you for being so thoughtful.

[Mole Mystery Theater Character]

You're an honor for Baker. You're not. What? You're the lady on the street.

[Leo]

No, son, that's not the way to talk.

[Mole Mystery Theater Character]

Nothing to be alarmed about, Mr. Moranis. It's just that he's very imaginative.

[Leo]

What's the matter with you, Cookie? I thought you liked Ms. Baker.

[Mole Mystery Theater Character]

He isn't Ms. Baker. Let me handle him. I'm used to this. Now, Cookie, didn't I just give you a gold star the other day for drawing a cow? Huh? And didn't I tell you I was going to see your parents someday and tell them how good you are in school? Did you? You know I do. Well, if you're Ms. Baker, how come you don't look like Ms. Baker? That's because I'm not wearing my glasses. You see, Mr. Moran, there's a fine point of child psychology involved here. Cookie's used to seeing me in the kindergarten and not in his home. Now that he's getting used to me here, I think he's beginning to recognize me. Aren't you, cookie? Yes, Ms. Baker. Yes. That's better. Now, how would you like to show me? There's a closet under the stairs. I used to hide in here when I played hide and seek. Me? Now I can't. Why not? Daddy won't let me. He says there's no air in there. Look, look, I'll show you. I'll crawl in. There's nothing in here. Just in. Mr. Moran. Mr. Moran. Yes? Come here, please. Please.

[Leo]

What is it, Ms. Baker? What's happened?

[Mole Mystery Theater Character]

Well, it's gotten locked in the closet and I can't get the door.

[Leo]

Now, don't get frightened. There's nothing to it. Can't be open from the inside. But all we have to do is unlatch it like this and the door comes open. All right, Cookie, come on out.

[Mole Mystery Theater Character]

It was dark in there. I couldn't see anything at all.

[Leo]

Well, you get upstairs and go to bed. No, Daddy, it's getting late.

[Mole Mystery Theater Character]

I don't want to.

[Leo]

I'm having fun now, you heard me.

[Mole Mystery Theater Character]

Well, all right, but it's still early. Good night. Good night. Oh, that gave me a fright. He's getting locked in there.

[Leo]

I know.

[Mole Mystery Theater Character]

I was afraid the door had jammed.

[Leo]

I don't let Cookie go in here. The door is solid oak, about 2 inches thick. There's hardly any space at all.

[Mole Mystery Theater Character]

Yes, it is small. How long do you suppose a person would last if he got caught in there?

[Leo]

Oh, I don't know. An hour or two at the most. The closet's airtight, and I don't.

[Mole Mystery Theater Character]

Oh, my goodness.

[Leo]

Something the matter?

[Mole Mystery Theater Character]

Oh, my bracelet.

[Leo]

Your bracelet?

[Mole Mystery Theater Character]

Cookie had it, and he must have left it in that closet.

[Leo]

Oh. Oh, well, I'll get it. I just feel around Here. And I'm sure I'll find it for you. Just hold the door open, will you?

[Mole Mystery Theater Character]

Frank Moran. What? Did you say something? This is for Nick Killeen.

[Leo]

You won't ever be forgotten, Mrs. Killeen. By the widow of Frank Moran or by that little boy.

[Mole Mystery Theater Character]

Well, you must be out of your mind, Mr. Holmes, making these accusations against me.

[Leo]

I assure you I'm entirely sane. You see, Mrs. Killeen, I've been on to you right from the beginning. From the moment you wangled an introduction to me through my publisher. From the moment you came here to work as my secretary. As a matter of fact, Mrs. Killeen, I've been waiting for you.

[Mole Mystery Theater Character]

Waiting for me?

[Leo]

Yes. Ever since I put it together. The connection between Bliss, Mitchell, Moran and now Holmes. The auto ride following a drunken party, the wedding at the church, the murder.

[Mole Mystery Theater Character]

What?

[Leo]

What's the matter?

[Mole Mystery Theater Character]

It's getting too warm here. This chair.

[Leo]

Don't think you're too warm.

[Mole Mystery Theater Character]

I'm too close to the fire.

[Leo]

No, no, no. Your hands are ice cold. You're trembling.

[Mole Mystery Theater Character]

Let me go. Let me off.

[Leo]

No, stay there. I want you to stay there in my chair.

[Mole Mystery Theater Character]

No, no, I can't.

[Leo]

Please.

[Mole Mystery Theater Character]

Oh please let me go.

[Leo]

Why? Why? Why can't you stay in that chair?

[Mole Mystery Theater Character]

Because.

[Leo]

Why can'. Fireplace. Tell me why. Why?

[Mole Mystery Theater Character]

There's a shotgun loaded behind the zinc partition. The heat of the fire.

[Leo]

Yes, you said it. To kill me.

[Mole Mystery Theater Character]

Yes. Yes, I was going to kill you.

[Leo]

All right, Mrs. Killeen, you can get up now. You don't have to hurry. I found the gun this morning and took out the charge. I think we have enough on the recorder. Mrs. Killeen, you were wrong on three counts. About the gun, about the way your husband was killed. One more thing about me.

[Mole Mystery Theater Character]

About you?

[Leo]

Yes. What about you? I'm not George Holt. I've just been substituting for him.

[Mole Mystery Theater Character]

Substituting? Who are you?

[Leo]

I'm Lieutenant Wanger, New York City Police. Mrs. Killeen, I put you under arrest for the murders of Ken Bliss, Joe Mitchell, Frank Moran and the attempted murder of George Holmes. Although I don't think we'll even bother about that. This is Jeffrey Barnes again. In just a moment we'll bring you Act 3 of the Bride Wore Black. Now a word from Ron Rawson. One thing to remember about the most common type of dandruff is that many outstanding authorities say it is not a natural condition but actually is caused by a germ called Pityrosporum Ovelli. Now the only way you can get real relief is to destroy this germ and simply Washing or brushing away loose dandruff won't do it, but double Dandarine will. Yes, double Dandarine really works because it gets at the cause of this dandruff and kills. It actually kills the germ on contact. Results with double Dandarine have been remarkable, even in many stubborn cases. And the thing that makes double Dandarine so amazingly effective is a special ingredient, an axivatiseptic that's so wonderfully efficient, many hospitals use it in double dandarine. We call it Alzan. So stop trying to combat this dandruff with ineffective methods that actually are no better than plain water. Use double Dandarine and destroy the cause. Get double Dandarine tomorrow. Your money back if not satisfied. Yes?

[Mole Mystery Theater Character]

Mrs. Killeen?

[Leo]

Out here for you, Lieutenant. Okay, bring her in. All right. Marty, wait outside.

[Mole Mystery Theater Character]

Yes, sir.

[Leo]

Sit down, won't you? Mrs. Killeen, I hope you weren't too uncomfortable last night.

[Mole Mystery Theater Character]

Bad enough without your arcade.

[Leo]

Oh, I'm quite sincere. You see, I realize your motive in this whole series of murders. Revenge. Well, I suppose that's a motive anyone can understand, but not condone. And in this case, Mrs. Killeen, you killed three innocent men.

[Mole Mystery Theater Character]

How can you say that? They murdered Nick. Killed him in cold blood, right on the steps of the church.

[Leo]

They didn't kill him.

[Mole Mystery Theater Character]

Yes, they did.

[Leo]

Reconstruct what happened on that day. The wedding was over. You came out of the church, you and Nick, your bridesmaid, the others. And suddenly a car rounded the corner at high speed, came toward the church. There was a series of sounds, like backfires.

[Mole Mystery Theater Character]

And then. Nick. Oh, Nick.

[Leo]

Get the girls out of here.

[Mole Mystery Theater Character]

Get up. Get up.

[Leo]

Nick, you'd better come with me.

[Mole Mystery Theater Character]

Julia, please. Julie, you're getting blood on your dress.

[Leo]

Let me.

[Mole Mystery Theater Character]

No. I don't need any help. Andrea. Yes? Did you see that car? Yes.

[Leo]

Come on, Julie.

[Mole Mystery Theater Character]

No.

[Leo]

No.

[Mole Mystery Theater Character]

Andrea. Did you get a good look? Yes, I did. How many men were in that car? There were four of them. But did you see the license number? It was dash 38 27. I'll remember that. Come with me, please. Andrea, I'm going back inside the church. Pray. No. Make a vow. Another vow to Nathan.

[Leo]

That's what happened on the steps of the church, isn't it, Mrs. Killeen?

[Mole Mystery Theater Character]

Yes.

[Leo]

You made one mistake. A tragic mistake. Those men in a car, they had nothing to do with your husband's death.

[Mole Mystery Theater Character]

They did. They killed. No.

[Leo]

On that day that Bliss and Mitchell and Moran and Holmes tore past the church steps in their car, another man crouched at a window of A rooming house opposite, a gun in his hand, waiting for Nick Killeen. He raised his gun as you came out on the steps. As the car streaked by, its exhaust backfiring, he shot. Just a moment.

[Mole Mystery Theater Character]

Yes, Lieutenant.

[Leo]

Bring him in.

[Snowy]

Okay, sir.

[Leo]

With a former partner of Nick's. Man who worked the rackets with him. Man who couldn't let Nick go straight.

[Mole Mystery Theater Character]

Oh, stop torturing me. Who was it?

[Leo]

Good morning.

[Mole Mystery Theater Character]

Oh, no, it can't be.

[Leo]

How do you do, Mrs. Colleen Cool. Yeah. When you came to my party, I thought I recognized you from a picture Nick showed me once.

[Mole Mystery Theater Character]

And I sent you away so I could kill Bliss.

[Leo]

Yeah. Wasn't it too bad you didn't know who I was? Too bad Nick wouldn't introduce you to his partner. He didn't even trust me to meet you. And now look at the mess you're in. You're on a spot yourself. Sure, I know that.

[Mole Mystery Theater Character]

You know?

[Leo]

Yes. Wouldn't it be something if me and her were hung the same day? And now, this is Jeffrey Barnes again inviting you to join us next week when we present a great tale from the pen of Vincent Starrett entitled the eleventh Juror, which will star Sydney Blackmore, popular star of stage and screen. Maybe you haven't thought about it, but when you're too tired, you often get depressed, apprehensive. You have two strikes on you from the start. Now, if you're often that tired and pale, besides, your doctor may find you have a borderline anemia resulting from a ferronutritional blood deficiency. In that case, take ionized yeast tablets. They help build up your strength by building up your red blood cells. So take ionized yeast tablets to help get back your energy, your enthusiasm, your healthy color. As for ironized yeast tablet, the original music for the Mystery Theater is composed and conducted by Alexander Semler. Any similarity between the names and characters used on this show and any actual persons, living or dead is purely coincidental. Tonight's play was adapted for radio by Paul Monash. This is Dan Seymour saying good night until next Friday at this same time when the Mystery theater presents the 11th juror. This is NBC, the National Broadcasting Company.

[Don Douglas]

You can find more from John Steele, the Mole Mystery Theater, the Relic Radio show, and all of the other podcasts at the website relicradio.com. you can also donate through that website. If you'd like to help support what we have going on here, visit donate.Relicradio.com or click on one of the support links. Got some downloadable sets for certain donation amounts, though Any amount is always appreciated and helpful. Thank you, as always to those who have helped out. Thanks for joining me this week. I'll be back tomorrow with an hour of mystery on Case Closed. And next Tuesday with our next episode of the Relic Radio Show.