Rocky Fortune and The Key

Summary

The Relic Radio Show: "Rocky Fortune and The Key" Release Date: May 13, 2025 Host: RelicRadio.com

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Episode Overview

In this captivating installment of The Relic Radio Show, listeners are treated to two enthralling narratives from the golden age of radio: "Rocky Fortune and The Key". The episode seamlessly weaves together a tale of suspense and mystery with a thrilling adventure in the heart of the Amazon jungle. Below is a detailed summary of both stories, highlighting key discussions, insights, and memorable quotes.

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Part 1: Rocky Fortune – “On the Trail: Betrayal of a Killer”

Timestamp Highlights:

• [01:34] Frank Sinatra introduces his role as Rocky Fortune, the quintessential footloose and free-spirited young gentleman.
• [05:43] A pivotal moment where Rocky confronts Elmer Bruff about Ellie's death.
• [09:26] Sammy's impassioned declaration: “He killed her. I tell you. He killed her and I'll kill him.”
• [16:22] Rocky negotiates with Elmer Bruff, revealing deeper layers of betrayal.
• [17:35] Sergeant Finger provides crucial intelligence on Elmer Bruff’s pattern of behavior.
• [21:03] The climax unfolds inside a train compartment, leading to Elmer Bruff's demise.
• [25:18] Frank Sinatra wraps up the Rocky Fortune story, teasing future adventures.

Plot Summary:

Rocky Fortune embarks on a relentless quest to uncover the truth behind the mysterious death of Ellie, a beloved member of his community. Initially believed to be an accidental death caused by carbon monoxide fumes, Rocky’s intuition tells him otherwise. His investigation leads him to Elmer Bruff, a cultured gentleman with questionable motives.

Ellie’s husband, Elmer, claims that her death was an accident, but Rocky’s skepticism is evident when he declares, “It was no accident” ([07:44]). The tension escalates as Elmer attempts to manipulate Rocky, hinting at financial gains and insurance policies, while Rocky remains steadfast in seeking justice.

The emotional climax occurs when Sammy, Ellie's brother, confronts Rocky with raw emotion: “He killed her. I tell you. He killed her and I'll kill him” ([08:10]). This moment underscores the personal stakes involved and Rocky's determination to prevent further tragedy.

Rocky’s strategic maneuvering culminates in a face-off with Elmer Bruff aboard a train. Utilizing his wits and courage, Rocky ultimately ensures Elmer's arrest, bringing peace to Sammy and closure to Ellie’s untimely death.

Notable Quotes:

• Rocky Fortune on betrayal: “This guy wasn't even domestic. We imported him. This is real slime.” ([01:34])
• Sammy’s anguish: “He killed her. I tell you. He killed her and I'll kill him.” ([08:10])
• Rocky’s resolve: “I know what happened, but I didn't want to harm Ellie's memory.” ([13:10])
• Climactic confrontation: “How do you spell cyanide, pal? I want to order some dessert for you.” ([15:55])

Character Insights:

• Rocky Fortune: Embodies the heroic archetype, combining charm with unwavering moral integrity.
• Elmer Bruff: Presents as a refined individual but reveals hidden motives centered around financial gain.
• Sammy: Represents raw emotional turmoil and the personal impact of betrayal and loss.

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Part 2: The Key – “Lost in the Amazon”

Timestamp Highlights:

• [25:44] Introduction of the protagonists, John and Sammy, as they navigate the Amazon jungle.
• [30:07] Tension rises when Sammy warns of impending danger.
• [35:04] The arrival of Sergeant Finger injects urgency into the narrative.
• [43:23] Revelation of a rocket threat, adding a layer of geopolitical intrigue.
• [48:59] Climactic efforts to prevent a catastrophe, culminating in a daring escape.
• [50:14] Teaser for the next episode, hinting at future mysteries.

Plot Summary:

The Key transports listeners deep into the perilous Amazon jungle, where John and Sammy find themselves lost and desperate for rescue. Their predicament intensifies upon discovering a seemingly abandoned and immaculate homestead, leading them to question its authenticity.

As they investigate, they encounter Brazely, a man whose intentions are shrouded in mystery. Tensions escalate when Sammy, protective and wary, perceives Brazely’s presence as a threat, declaring, “I'm going in back of the house. If either of your fire follow me in through that door, you'll have your head shot off” ([30:08]). This confrontation sets the stage for a suspense-filled standoff.

The plot thickens with the introduction of a larger threat: a rocket directed toward their location. Judge and Brazely reveal a nefarious plan to hijack American rocket technology, posing an existential threat. The protagonists must navigate treacherous dynamics with Brazely's group while racing against time to thwart the impending disaster.

The climax sees a high-stakes battle where Sammy and John must outwit Brazely and prevent the rocket from reaching its destructive path. In a combination of bravery and quick thinking, they manage to neutralize the threat, ensuring the safety of their community and restoring peace.

Notable Quotes:

• Sammy’s warning: “I’m going in back of the house. If either of your fire follow me in through that door, you'll have your head shot off.” ([30:08])
• Judge’s revelation: “We have warhead Malat. If it hits here, your next stop is a billion miles away and you arrive in pizzas.” ([47:38])
• Climactic confrontation: “You do your own Jenny.” ([48:53])
• Final resolution: “Somebody else can do the unlocking. A closing door finishes a story next week...” ([48:49])

Character Insights:

• John: The cautious and rational thinker, striving to keep the group safe amidst chaos.
• Sammy: Protective and fierce, willing to confront threats head-on to safeguard loved ones.
• Brazely: A cunning antagonist with hidden motives, orchestrating a plan that endangers lives.
• Judge: The mastermind behind the rocket threat, embodying the dangers of unchecked ambition and deceit.

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Conclusion

Rocky Fortune and The Key delivers a masterful blend of suspense, drama, and adventure, capturing the essence of old-time radio storytelling. Through intricate plots and well-developed characters, the episode keeps listeners engaged from start to finish. Memorable dialogues and unexpected twists exemplify the timeless appeal of these radio narratives, making this episode a standout in The Relic Radio Show series.

Whether it's Rocky Fortune's quest for justice or the harrowing adventure in the Amazon, this episode underscores the enduring power of radio dramas to captivate and entertain. Join us next week as Rocky Fortune continues his adventures, promising more mystery and excitement.

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Notable Mentions:

• Host’s Closing Remarks: Frank Sinatra teases the next Rocky Fortune adventure, hinting at a thrilling rodeo mishap.
• Safety Advisory: A timely message about night driving safety, a nostalgic nod to classic radio public service announcements.

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Thank you for tuning into The Relic Radio Show. For more timeless stories and vintage radio gems, visit RelicRadio.com and support the preservation of radio’s golden age.

Transcript

[Host]

This is the Relic Radio show. Old time Radio entertainment Still standing the test of time from relicradio.com this is the Relic Radio Show. 60 minutes of radio drama every Tuesday at relicradio.com our first story comes from Rocky Fortune. This week it's on the trail. Betrayal of a killer. That story's from January 5, 1954. After that, we'll hear from the key and a story from 1956 titled Lost in the Amazon.

[Frank Sinatra]

Frank Sinatra transcribed as Rocky Fortune NBC presents Frank Sinatra starring as that footloose and fancy free young gentleman, Rocky Fortune.

[Rocky Fortune]

5. You know, it takes a real artist to get real involved. And brother, when it comes to that art, I'm the original Mike Angelo. But I gotta admit, I asked for it sometimes. This was one of those times. I was mad. Mad enough to dream this rack of mine up to seven feet of steel. Maybe I was just a lox looking for a bagel blanket, but some smooth creep put a permanent curl on my lip. It's not tough to understand when circumstances puts a guy on the wrong road. Slums make monsters out of a lot of good citizens. But when a creep uses education, money and a decent background to give him a background of crime, this is real slime. This guy wasn't even domestic. We imported him. I met this here gentleman when he was going with a sister of one of my neighborhood buddies. Her name was Ellie. She was fast, frustrated, 40, but it wasn't her fault. She spent her manhunting years looking after five brothers and sisters and heating the Saturday night bath water on a stove of the cold water flat. I didn't know there was a guy in the picture till we were talking one night.

[Ellie]

Rocky, you got a good head on your shoulders. What do you think I should do?

[Rocky Fortune]

What's with this Dorothy Dix jazz? Do about what?

[Ellie]

Well, now that all the kids except Sammy are married, I'd like to get married too.

[Rocky Fortune]

You mean Ellie's got a fella?

[Ellie]

Didn't you think it was possible?

[Rocky Fortune]

Oh, come on, honey, I'm kidding. Who said it wasn't possible? The guy who gets you is real lucky. Only I didn't know there was a guy. Who is he? Where'd you meet him?

[Ellie]

I, I, I can't tell you, Rocky.

[Rocky Fortune]

So you picked up a guy. That's something.

[Ellie]

It's not that I never picked up a man in my life. Only it's not easy for a girl my age to meet eligibles. I, I answered nad Ellie.

[Rocky Fortune]

You fell for that routine, so why not?

[Ellie]

There's some nice refined ads you see, most of them are like me, Rocky. They're lonely. I figured I'd maybe meet a nice widower who wanted somebody to look after me.

[Rocky Fortune]

But you asked me what I thought. Does that mean you met somebody?

[Ellie]

That's right, Rocky. Rocky wants to marry me.

[Rocky Fortune]

Well, how come your brother Sammy never mentioned this? Doesn't he know about it?

[Ellie]

No, no, Rocky. And don't tell him. I know already what he'll say about Elmer.

[Rocky Fortune]

About who?

[Ellie]

Now, don't you laugh, Rocky. His name is Elmer. Elmer Brock.

[Rocky Fortune]

Ouch.

[Ellie]

I met him through an exceptionally well worded ad. And I consider myself very fortunate. And if you're going to make fun of me, I'm sorry I ever burdened you with my problem.

[Rocky Fortune]

Now, honey, take it easy. Ellie. You know I love you like you were one of my own. Only you should talk this over with Sammy and let him meet this guy.

[Ellie]

Sammy has nothing in common with Elmer. They speak different languages.

[Rocky Fortune]

What does this guy talk, Hindustan or something?

[Ellie]

He happened to be a very cultured and refined gentleman.

[Rocky Fortune]

So what's a cultured, refined gentleman with so much on the ball doing advertising for company? What's the matter with him?

[Ellie]

He's lonely, Rocky. But, like I'm lonely. You make people laugh. You got charm. You got lots of friends. You don't know what it's like to sit and have a conversation all by yourself. You sit and you talk to yourself. And then you realize that no words are coming out. It's only your mind can hear you. And you start thinking maybe you're losing your mind. A horrible thing to be lonely, Rocky. Like having a hole in your heart.

[Rocky Fortune]

Sure, I guess. Maybe I got a hole in my head, not my heart. I'm sure he's a wonderful guy, Ellie. Sure, I guess you ought to marry him at that.

[Ellie]

Thanks, Rocky. Thanks for telling me that.

[Rocky Fortune]

She thanked me for advising her to marry him. That was almost funny because I found out a lot of things after that. For example, I found out why she didn't want to tell Sammy and have him meet the Selma. Ellie knew she shouldn't marry him. She was afraid Sammy would talk her into being sensible. She didn't want to be sensible. She just wanted to be married. So Ellie got her fella and got married. Sammy wasn't too happy about it. Six months later, he got the real reaction. You know what that sound is? That's a man crying, crying his guts out. You know what it's like to sit and listen to a grown man, a guy you grew up with, tear himself in two Nothing you can do about it. Just sit and talk to yourself. Bleed and cry inside with him till finally you can't stand it any longer. Stop it, kid. Come on, stop. Rocky. Huggy. I. I can't. I can't help it, Rocky. What's in you, kid? What is it? It's Ellie, Rocky.

[Narrator]

Ellie's.

[Rocky Fortune]

I'll give you the details. Just like the lonely Mr. Fancy Pants from abroad gave it to the coroner at the inquest.

[Elmer Bruff]

We had been out visiting some friends. My wife had been kind of quiet all evening. Usually she only takes a single drink. This night she had four or five and they seemed to depress her. When we arrived home, she said she had something on her mind and wanted to drive and think it out alone. Since it already been a most unusual evening, I didn't question it. I was tired and had a few myself. So I fell asleep immediately and. And slept quite soundly. I. I found her in the morning. Evidently she had driven into the garage and fallen asleep at the wheel with the engine running. It must have been an accident.

[Rocky Fortune]

It was no accident.

[Sammy]

Ellie didn't.

[Rocky Fortune]

This court finds the deceased Ellie brought came to her death on the night of December 2nd by inhaling carbon monoxide fumes. Death was accidental. There was no accident.

[Sammy]

He killed her. I tell you. He killed her and I'll kill him.

[Rocky Fortune]

He's easy, kid. Come on, Sam.

[Judge]

Quiet.

[Rocky Fortune]

I finally got the kids sat on, but the damage was already in. Anything happens to Mr. Fancy Pants and the kid is booked solid for a one way trip to Sing Sing. I make coffee time with him and try to bring sense to some plan. I only know one thing, Rocky. Ellie gave her whole life to raising us kids for herself.

[Sammy]

She had nothing.

[Rocky Fortune]

All she knew was work, take care.

[Sammy]

Of the house, go to the movies once a week.

[Rocky Fortune]

Rocky. Sure, sure. She wound up with a few grand after the kids got married. She had herself a time. I know that, Sam. I know. Your kids were a whole life. And if anything happens to you now, that means she wasted her life. The other kids got families, Rocky.

[Elmer Bruff]

They.

[Rocky Fortune]

They can't take any chances. Ellie was all the family I had left. Ellie's dead and he killed that.

[Sammy]

Rocky.

[Rocky Fortune]

The law don't say that, kid. The law says it's an accident. And unless you got proof, you gotta go by the law. I don't need proof.

[Sammy]

She was my sister, Rocky.

[Rocky Fortune]

She was all I had. This creep killed her. I got nobody left.

[Sammy]

Nothing more to lose.

[Rocky Fortune]

Rocky.

[Elmer Bruff]

I'm gonna get him.

[Sammy]

I'm gonna get him.

[Rocky Fortune]

Two things told me the kids Words were Ms. The look in his eye and the bulge in his coat pocket. Sammy was a fighter and a rough and goat kid. But he never packed a heater. So I had to get the Mr. Fancy Pants and get him to leave town before Sammy killed. I knew Sammy would take the subway downtown and take the train out to the island where they had their house. Me with my no expense account had to beat him out there. A 15 cent phone call could maybe save me 4 bucks. Taxi. I invested. Hello, Elmer, this is Rocky Fortune.

[Elmer Bruff]

I'm glad you called, Rocky. I feel very badly about Sammy. It's horrible enough that Ellie is gone.

[Sergeant Finger]

But can't you possibly convince Sammy that.

[Elmer Bruff]

It was an accident?

[Rocky Fortune]

That's why I'm calling you, pal. I can't convince Sammy. We better do some talking right away.

[Sergeant Finger]

That's fine.

[Elmer Bruff]

Can you come out here?

[Rocky Fortune]

Wouldn't do any good. You're having company. And you better not be home when the company gets there.

[Elmer Bruff]

What you mean?

[Rocky Fortune]

I mean Sammy's on his way out and he's liable to want some target practice for the heater in his pocket. You could be the target. That's all I had to say. 20 minutes and one speeding. Dug it later. It's open.

[Elmer Bruff]

I got here as quickly as I could.

[Rocky Fortune]

I noticed. Sit down and listen to some news, Mr. Bruff. Tune in real close because there ain't gonna be a second time.

[Elmer Bruff]

I'm awfully sorry to do it, Rocky, but if Sammy actually has a gun, I should be forced to go to the police for protection until I leave town.

[Rocky Fortune]

Where you going?

[Elmer Bruff]

Well, I. I don't know yet. There too many memories around the house and around the town. You know how it is.

[Rocky Fortune]

You know, Elmer, somehow I got no tears for you. I think you're a rotten liar. You got Ellie's insurance, you're selling a house and you're blowing town. A nice, pretty convenient package.

[Elmer Bruff]

So you think as Sammy does?

[Rocky Fortune]

Don't put words in my mouth, Mr. Bruff. I'm liable to spit them back at you. And I'm getting mad. I'm getting real mad just looking at you. You just gave me the whole bit. I think Sammy's right. What would a fancy pants like you want with a 40 year old sweetheart like Ellie? Why would you marry.

[Elmer Bruff]

I married her because I loved her.

[Rocky Fortune]

Nice try, but no cigar. Mac, you married her for the 10 or 11,000 bucks you're in line for.

[Elmer Bruff]

I won't bother denying anything to you. There's no reason why I should. Elliot's case is closed. By the police.

[Rocky Fortune]

And aren't you real lucky? So Ellie's case is closed and off you go with the loot. Let's just get a repeat performance on what happened.

[Elmer Bruff]

I already told you the entire story. To the police, and the case is closed.

[Rocky Fortune]

I just now opened it, Mr. Bruff. And I just might open your head.

[Elmer Bruff]

Take your hands off me.

[Rocky Fortune]

Stop making with the Shakespearean drama. I'm only making sure you're sitting in that chair, not running to the cops. Not till you satisfy one question that bothers me.

[Elmer Bruff]

There's no reason for me to have to satisfy you.

[Rocky Fortune]

It hurts that I should have to disagree with such a distinguished man, but sit still or I'll beat your brains in.

[Elmer Bruff]

What do you want to know?

[Rocky Fortune]

Now you're getting smart. In my head, I've been running over the details on the first place. Like Sammy says, Ellie never went much on the liquor kick. And even if she did get loaded and did fall asleep in the garage with a motor running, who closed the garage door?

[Elmer Bruff]

I don't remember that it was closed.

[Rocky Fortune]

You told the coroner at the beginning of the inquest that it was closed.

[Elmer Bruff]

Yes, I suppose I did.

[Rocky Fortune]

So I get a picture of Ellie getting out of the car, closing the garage door, getting back in the car and falling asleep. Something's wrong with that picture, pal.

[Elmer Bruff]

Well, I didn't want to bring that out, but it. It bothered me, too. I know what happened, but I didn't want to harm Ellie's memory. She. She must have committed suicide.

[Rocky Fortune]

Why didn't the cops say that at the inquest?

[Elmer Bruff]

I had no idea. There's no use digging that up, Rocky. You can. You can only harm Elliot's memory.

[Rocky Fortune]

The man's worried about Ellie's memory. That's real touching. It also stinks. That felt real good. That felt right.

[Elmer Bruff]

Get something straight, Rocky. I can defend myself.

[Rocky Fortune]

You better get something straight, buddy. If I'm right, you're gonna have to.

[Elmer Bruff]

I'm not going to sit here and have myself set up either as a punching bag for you or a clay pigeon for Sammy. I'm getting police protection while I'm in town.

[Rocky Fortune]

If you go near the cops, I go to the insurance company and tell them you told me Ellie committed suicide. There was a double indemnity on that policy. And I'll bet you collect double because it was ruled an accidental debt.

[Elmer Bruff]

What do you want me to do?

[Rocky Fortune]

That's better. I'm calling the shots now, Mr. Fancy Pants. And I'll level with you. I tell Sammy nothing. Because if I do, he sure, to kill you. That helps nothing. You're gonna remove yourself from the local scene as of right now. And I'm gonna get you, mister, and I'm gonna do it nice and legal. I want you in one piece and very healthy. I'm gonna see to it that you get an extra special crew cut in a drape shape with a slip pants leg. We got no case now, but one day you're gonna be happy to turn yourself into the cops. Because that's the only way you'll ever get away from me. Make your plans, mister. Play your traveling music. Because you're traveling fast and I'm walking. While Fancy pants get set for his trip, I call my pal, Sergeant Hamilton J. Finger of the local gestapo. He verifies what I already know. You need fact to hold a guy for murder. The cops don't play hunches. He gets one bright idea and he figures the pattern is pretty set, could be brought. Worked the same gimmick back in the old country. He'd run a make through Scotland Yard. Finger reminded me of something else. If Mr. Bruff is a killer, I stand to lose something mighty important to me. Namely, my life. With the financial aid of those who lose their heads easily, I'd get set to chapel. Bruffs buys the drawing room to Los Angeles. Two days later, figuring I'm as good as him any day, I'd buy the same style. Two days later, finds us leaving Chicago. I keep low at first and then accidentally on purpose, just as he's ordering dessert in the diner. How do you spell cyanide, pal? I want to order some dessert for you.

[Elmer Bruff]

What's the idea, Rocky?

[Rocky Fortune]

I told you I was working a mustard plaster deal on you. Figured it was time I showed.

[Elmer Bruff]

What do you want now?

[Rocky Fortune]

I want to know how you got Ellie so loaded that she sat still while you killed her.

[Elmer Bruff]

I didn't kill her.

[Rocky Fortune]

I know. You said that she committed suicide. Ellie actually committed suicide when she married you. Only you helped to get to the burying stage.

[Elmer Bruff]

Look, Rocky, I'll make a deal. You, you're a young chap. You never had too much money. If you call off this insane chase, I'll. I'll give you $5,000.

[Rocky Fortune]

Five grand? I'm flattered. So you're that afraid of me?

[Elmer Bruff]

Get something through your head, Rocky. Physically, I'm not afraid of you. This much I'll admit. I married Ellie because I needed the money. Her money. I may even have made her slightly unhappy. Unhappy enough to commit suicide? I may even have made her suicide look Accidental. So I could collect on the double indemnity. But you have proof of nothing. Now be clever. Take the 5000.

[Rocky Fortune]

Do you know what Sammy would do to you if I ever repeated this conversation?

[Elmer Bruff]

Well, you won't do that. You protected me against Sammy simply because you knew he'd kill me and would have to pay for it. In the eyes of the law, he would have killed an innocent man.

[Rocky Fortune]

I wonder what would stop me from killing you. I hate you enough to carve your guts.

[Elmer Bruff]

You better be careful, Rocky. I may just grow to hate you that much too.

[Rocky Fortune]

That's when I was sure. I was looking into the eyes of a cold blooded murderer. And he was looking into the eyes of the guy he wanted most to kill. Hey, that's me. Like a flash, it came to me that for a change I was running off of the mouth much too much. The next stop the train made found me making a collect call of one Sergeant Finger.

[Sergeant Finger]

Soon as I heard the call was collect, I knew it was you, Rocky. You still with Bruff?

[Rocky Fortune]

Like chewing gum on a baby. Only I got a feeling I may be sorry. Finger, this guy's a killer.

[Sergeant Finger]

I know. How long a stopover where you are?

[Rocky Fortune]

Only a couple of minutes. Why?

[Sergeant Finger]

Well, never mind now. There's no time. Listen, I just got word back. This guy's wanted more countries than money. Three dames had fatal accidents and he was married to them when they had their accident. We got orders to grab him right away. And I tell you what. You have the train held. Get the police immediately. And don't you try anything yourself.

[Rocky Fortune]

What am I using for authority? My chicken inspector's badge?

[Sergeant Finger]

Yeah, yeah, that's right. And if he gets wind of anything, he'll skip. I'll tell you what. I'll rush a wire through to your next stop. It'll verify your story. When you get to Ogden, you show the wire to the authorities and have them hold him. Then call me.

[Rocky Fortune]

Now I'm working for the cops. What's with the loot, pal?

[Sergeant Finger]

Talk about that when you get back.

[Rocky Fortune]

If I get back. I was one nervous Joe when I got back on the train. Here I was, back to back with a killer. And I set myself up as a kingpin in his bowling alley. I spend my time keeping a make on my neighbor and my ear glued to the compartment wall between us. I'm concentrating on the sound next door so much and the lullaby of the rail starts ushering in the sandman. I fight to stay awake. I lose the fight. A little later, I shake myself awake Happy that I still can. A telegram of finger. This I need quickly. I could have slept through the delivery. So I ring to find out. Yes, Mr. Fortune, there was a telegram for you. Where is it, son? Well, I started to knock at your door, but the man in the next compartment said you were asleep and didn't want to be disturbed. My neighbor told you that? That's right. He said I had a telegram in my hand. And you gave him the telegram for me. Well, I always see you both together, so I figured it would be okay. By now he knows the whole story. Did I do wrong? Man, you just gave me a one way ticket to paradise. Only who wants to be an angel? I'll go get the telegram from him. By now it's in pieces. Where are we? How soon do we get into Ogden? Almost there, sir. About 10 minutes.

[Elmer Bruff]

Happy to see you up and about, Rocky.

[Rocky Fortune]

Yeah, I'm tickled to death myself.

[Elmer Bruff]

Let's get some air.

[Rocky Fortune]

Who needs it? Excuse me, sir. I got some things to take care of.

[Elmer Bruff]

We both need it. For a smart laddie, you make some stupid mistakes. Do you realize you've actually prodded me into killing you?

[Rocky Fortune]

Nice of me, wasn't it? Look, Ralph, use that gun and you'll have the whole train on your back in a minute.

[Elmer Bruff]

Oh, I realize that. I also realize that if I get rid of you before we hit Ogden, there'll be no one to call the police. Most of the passengers are asleep and there'll be no one in the observation car.

[Rocky Fortune]

I don't need a diagram, Mr. Accident Specialist. I didn't need a diagram. I was scheduled for a full. And this time there wasn't even a dame involved. It was a short hike to that observation car and he was right behind me all the time with a gun on my ribs. The trip back was uneventful. Didn't meet a soul and couldn't make a thing happen. Nothing there but a club car, a bar and no drinkers. Suddenly, the rear doors open and my future has arrived. My future home that is. Nestled between two shining steel rails with cinders from my pillow, the man finally made a noise.

[Elmer Bruff]

Turn around, Rocky. I said turn. That's it. Now start backing towards the guardrail.

[Rocky Fortune]

It happened. I saw it happen, but I didn't believe it. Drag him inside, boys. Yeah, drag me with him, boys. I don't think I can make it alone. I don't know where you guys came from, but I'm sure happy to see you. Oh, we've had the front, middle and rear of the train covered since you left your last stop. We were hiding behind the bar when you walked through the club car. How did you know about it? Got a call from Sergeant Finger. He was afraid Bruff would try to kill you before you reached Ogden. We couldn't tackle Bruff while he had the gun in your ribs. When he got you outside, the noise made it possible to sneak up on him without being heard or seen. Why didn't that idiot Finger tell me he was having a train boarded? I just lost 10 years of my life. Don't be rough on that idiot finger, Mr. Fortune. His call saved your life. Get you in tennesset to receive some news, pal. I love idiots from here to Eternity.

[Frank Sinatra]

NBC has presented Frank Sinatra as that footloose and fancy free young gentleman, Rocky Fortune. Others in tonight's cast included Paula Victor, Tom McKee, John Sutton, Barney Phillips, J. Loughlin and Maurice Hart. Tonight's script was written by Norm Sickle. Andrew C. Love directed. Now to tell you about next week's adventure, here's Frank Sinatra as Rocky Fortune.

[Rocky Fortune]

Next week I'll tell you about the time I got hired by the rodeo just before someone shot the boss and rustled the gate receipts. I ended up with a six shooter in my back and an invitation to be guest of honor at a Western fashion show, modeling an 18 foot necktie made of rope.

[Frank Sinatra]

If you're a driver who likes to travel at night because the highways are less crowded than in the daytime, you're courting danger and should be extra careful. Although fewer cars travel the roads at night, the death rate per vehicle is four times greater at night than in the daytime in proportion to traffic volume. If you must travel at night, use the utmost caution. Most of all, slow down from your normal daytime driving speed. The two biggest factors causing an alarming increase in night accidents are bad driving vision and excessive speed. Safety experts say that more than 20 million motorists have bad driving vision at night. About 3 million have vision so bad at night that they are dangerous when they drive. Now, you may have the vision of an owl after dark, but your number may be up if you drive too fast or become involved in an accident with one of these drivers with extremely bad night vision. Avoid driving at night whenever possible and at all times. Drive as though your life depends on does. Visit with fibber McGee and Molly tonight on the NBC Radio Network.

[Narrator]

Every door has a key. There's a key to every situation. Behind every unopened door, there is a mystery. And the opening of this door introduces us to another in the series. The Key. Anyone Here. Anyone at home? No one here, Gene.

[John]

It seems clean and neat for the Amazon jungle, doesn't it?

[Sammy]

Sure does.

[Narrator]

There's nobody about. All the same, somebody lives here, all right. Well, might as well make ourselves at homely. Turn up some water here, winsome.

[John]

Oh, do you think we ought to.

[Narrator]

Amazon hospitality. When you're lost, tired and thirsty, you don't worry where the water comes from nor who it belongs to.

[John]

Thanks. Maybe a planter lives here, or a hunter of some sort.

[Narrator]

In a jungle of this sort, you don't have to hunt. Wait around. The animals will come to you. So we'll just sit here and wait.

[John]

Is there a phone, do you think?

[Narrator]

Thousand miles from civilization.

[John]

It looks so neat and homely. Wouldn't be surprised if there's a refrigerator, tv and the milk delivered every morning.

[Narrator]

Well, whoever it is, he'll have heard of the McKinley expedition to be able to guide us back. I'm a university professor. Leave this sort of stuff to Davy Crockett.

[John]

Davy Crockett never got lost in the Amazon jungle. If he had, he'd have thought twice about wearing that coonskin hat of his.

[Narrator]

Notice something?

[John]

No. You need a shade.

[Narrator]

The water, it's ice cold. Maybe you were right about that refrigerator. You know, there's something screwy about all this. Neat and tidy. So it can't be an Indian. They've been with the McKinley expedition three months now. But we haven't heard of any white men around these parts. How did this place get here? Grow overnight, maybe?

[John]

A film set for an epic 2000 miles up the Amazon in Technicolor or Headhunters I have known made me to.

[Narrator]

Somebody coming.

[Sammy]

Say, what are you doing here? How did you get here?

[Narrator]

Well, you see, it was like this. My wife and I were with the McKinley expedition. Birds, butterflies, things like that. In the upper reaches of the Amazon. Well, we got lost. You know how it is. Missed camp and found ourselves in a walking tour. Good luck would have it, we happen to hit here.

[Sammy]

Good luck.

[Narrator]

Don't mind us arriving here. After all, it probably saved our lives.

[Sammy]

Well, you better go again. It's not safe around here.

[Narrator]

Not safe?

[Sammy]

Indians. We've had a lot of trouble with the Indians.

[Narrator]

We haven't? Our camp can't be so far from here.

[John]

We only walked an hour or two.

[Narrator]

Yeah, we're not explorers. We don't take naturally to this sort of thing. Well, if you could tell us what direction our camp's in, you'd better wait.

[Sammy]

Wait?

[Narrator]

But you just said it.

[Sammy]

Wait till my friend gets back he's used to this jungle. He'll tell me you what to do.

[Narrator]

Well, thanks. Thanks, Mr. Brazely.

[Sammy]

Name's Brazely. Won't you sit down?

[Narrator]

Thanks.

[John]

Thanks.

[Narrator]

Quite a setup you have here. We didn't know any white people were around here. You live and learn, don't you?

[Sammy]

Yeah. You get here by yourself, did you? I mean, the people with you, they don't know where you've gone? No.

[Narrator]

Saw a butterfly we hadn't seen before, and we gave chase. Well, you know, the excitement of the hunt. Next thing, we look around and Powie lost.

[John]

We didn't even have a gun, so we couldn't let off a shot for them to come and find us. I wanted to stay where we were, but John said walk, so we walked. So we're here.

[Sammy]

My friend should be here any moment.

[Narrator]

You're a planner, Hunter, explorer, that sort of thing?

[Sammy]

Yeah, that sort of thing. Maybe I better fix your drink. We've got call us. You stay here. No matter what happens, you stay here.

[Rocky Fortune]

Sure, sure.

[Sammy]

I'm going in back of the house. If either of your fire follow me in through that door, you'll have your head shot off. Get me? Shut up. I'm not fooling.

[Narrator]

Whatever you say.

[Sammy]

I'll be back. And when I get back, you'll be here. Understand? Well, well, well.

[Narrator]

Cheerful customer. Of course, after he said that, there's only one thing to do.

[Rocky Fortune]

John.

[John]

John. Don't you dare go near that door.

[Narrator]

I've got to find out. Maybe he's from Mars and he'll be sitting on a couple of flying saucers in there.

[John]

He who laughs last laughs on the other side of his face.

[Narrator]

I laugh all over, and right now I'm not laughing particularly. Threats get me riled.

[John]

Of course, you can't help wondering, can you?

[Narrator]

That's my girl. Now let's see. Maybe if I get up to the door, I could get me a look through the keyhole. If he comes back, I'll be tying my shoelace. Mr. Brazely. Just tying my shoelace, that's fine.

[Sammy]

I can understand how difficult it must be for you.

[Narrator]

Difficult?

[Sammy]

You're wearing riding boots and they don't lace up.

[Narrator]

No wonder I couldn't find them. Now look, Mr. Brazely, this is a friendly visit.

[Sammy]

Friends don't do what they're told not to do. Sit down.

[Narrator]

And you look here, Brazely.

[Sammy]

This is a America in the Amazon jungle. The man with the guns, the bot. Sit down.

[Narrator]

I'm not going to.

[John]

John, Sit down.

[Narrator]

Two against one. That Ruled me out. What now, Brazely? Do we all sit staring at that gun?

[Rocky Fortune]

Yep.

[Sammy]

Any movement and the gun will go off. You know there's no questions asked in the Amazon. Man, that jungle buries so fast, I shoot you. The both of you. And all I gotta do is leave your bodies outside. Three, four minutes. Not a trace. Not a single trick. Ah, friend's coming. Now he'll know what to do with you.

[Narrator]

If it's all the same to you, we can take a walk. We got lost coming here. We'll lose ourselves going back even faster.

[Sammy]

You'll stay here. You won't walk any place. Wouldn't be surprised if you never did get back.

[Narrator]

What's going on here? We didn't get here on purpose. Hey, that's a helicopter. Hey, Gene, that's a helicopter landing. Out.

[Sammy]

Stay where you are. Sit down.

[Narrator]

What's a helicopter doing here?

[Sammy]

You'll find out. At least I don't think you will. Not when my friends got through with you. He's the one gives the orders. If he says shoot you, I shoot.

[Narrator]

Nice playmates. Nice friends. Get lost in what happens?

[Sammy]

Get shot.

[Judge]

Die.

[Narrator]

You bluffing?

[Judge]

That captain's paid up a bitchy, won't it? Hello, hello. What have we got here, Brazy?

[Sammy]

I'm glad you got back, Mr. Cowson. Not only has the launching buzzer gone, but these two birds have called in as well.

[Judge]

Called in?

[Narrator]

Seems they're lost.

[Sammy]

Seems there's some sort of exploration over the waves. Seems we got here by mistake a lot.

[Judge]

How long ago did the buzzer sound?

[Sammy]

Two, three minutes ago.

[Judge]

Well, that gives us time to settle these two first. So you're lost, eh?

[Narrator]

See here, I don't know who you stand over types are, but I'm not being pushed around by anybody. You maybe have the upper hand now, but right soon the McKinley boys are coming looking for us. And if you're thinking of letting that gun off, a shot will only bring him quicker, that's all.

[Judge]

Oh, that's the outfit I saw, McKinley. Yeah, heard about you. Didn't know you were around these parts though.

[Narrator]

You know now?

[Judge]

Sure, sure, there's a hill between you and your friends. And this. You must have walked right around it. Shots don't carry round hills. And as for them coming looking for you, I never yet met a white man could track through this jungle. So sort of puts you out on a limp.

[Sammy]

Yeah, I didn't quite know what to do with them, Mr. Calton. I guess they got in when I was in the back room. Buzzer went Off. And when I came back, they were sneaking up. So I drew my gun, held them till you came.

[Judge]

Right. Only one thing to do with them. Get rid of them, but fast.

[Sammy]

Yeah, I thought that'd be it.

[Judge]

Yeah, but not too fast, Bracelet. We've got to consider these things now. Being alone here, it gets lonesome. Female company might be just what we need.

[Narrator]

Oh yeah, I see what you mean.

[Judge]

Nice girl. Friendly. I shouldn't be surprised.

[Narrator]

Lay off.

[Sammy]

You lay off, mister. Shooting to me is no more than swatting flies and hot headed fools. Them I shoot easiest of all.

[Judge]

You're going to be shot anyway if you want to make it. Now, come on. No. Look, Bracey, I don't want to make it worse for him than need be. After all, he's not an animal. Go stand in the doorway, mister. Looking out. Make it in the back. Easiest for all. That way.

[Sammy]

Start, mister.

[Narrator]

Bluff never did worry me. You've got the gun. You've got me wide open. Go ahead, shoot outside.

[Rocky Fortune]

You.

[Sammy]

No.

[Judge]

Sorry. Try shooting the girl instead. Bravely expect they fight like cat and dog. But harm comes to his wife and he'll do the noble act. Go on, Brazely, shoot the girl.

[Sammy]

No.

[Narrator]

Okay. But I still think you're bluffing, John. Bluffing, Gene? Maybe they found gold. Something like that. But that won't make them go as far as shooting. Not actual shooting.

[Judge]

Well, game of poker, huh? With all the bluffing? If it is bluff on our side. Go stand in the doorway, mister, and we'll see. Go on. Open it, mister. The idea is you die outside, not in.

[Rocky Fortune]

Go on, Bracery.

[Judge]

Blast him out of that door with your bluff. Go on.

[Sammy]

Yeah, yeah, sure.

[John]

Mr. Brainsley.

[Sammy]

What is it?

[John]

Don't bother shooting him. Get to know me better, huh? I'm quite a girl. Run, Brigg, run.

[Sammy]

Come back here.

[Judge]

You.

[Narrator]

Come back. Get him.

[Sammy]

Bracely. What hit me? Give me that gun.

[Judge]

Give it to me.

[Sammy]

Over here.

[Judge]

Come back here, you.

[Sammy]

Come back, you fool.

[Judge]

Brazely.

[Sammy]

You big fool. He hit me. Well, something hit me. Hey, did you get him?

[Judge]

It got clean away, thanks to you.

[Sammy]

Oh. Oh. He still got the girl.

[Judge]

Got the girl? What's the use of the girl with him getting away?

[Sammy]

Oh, I don't know. It hurts worse than an earthquake.

[Judge]

You're about as useful as rats under the house.

[Sammy]

I didn't know she was gonna slug me. Boy, am I gonna do some sluggin back here. Give me that gun, Mr. Callison. She's gonna be awful sorry.

[Judge]

Wake up to yourself, Brazy. He's out there in the Jungle. Sooner or later he's going to contact his party. That means they come back here.

[Sammy]

Oh, yeah, so it does. So it does.

[Judge]

It'll be bad enough them coming here, let alone finding the woman killed.

[Sammy]

Yeah, I hadn't thought of it.

[Judge]

Hadn't we be in enough trouble without having murder on our hands?

[Sammy]

We can't let her go now, not knowing what she does. If you hadn't wasted so much time getting to the door, he wouldn't have got away.

[Judge]

I'm the boss, praisely. Orders and beeps come strictly from me.

[Narrator]

Yes, Mr. Calliton.

[Judge]

I say you do.

[Sammy]

Yes, Mr. Caledon.

[Judge]

Now he's lost. But that doesn't mean he hasn't got a chance of getting back to his base. I'll take an hour, hour and a half maybe, walking straight there. Allowing for losing his way, say another half hour. Two hours. Two hours there, one back three hours. And we've got an hour 50 to do our job and get. Give us an hour at least. Hours lead should be enough.

[Sammy]

Yeah, 50 till it gets here. But what we gotta do'll take two days.

[Judge]

Yeah, maybe he won't make it, but we can take the risk. Looks like you could still be a hostage, lady.

[Narrator]

In two days.

[Sammy]

Going fast. They could get the police.

[Rocky Fortune]

The copter.

[Judge]

Oh, how dumb can you get? Here's the gun, Basie. I've got another in the copter. Hold her. Don't let her out of your sight. Keep her covered and shoot if you have to. I hope it's not too dark to spot him. I'll pick him up and pick him off from the capture in no time. Seems like all our troubles are over.

[Sammy]

I hope so. Seems I'm the man calling the tune again, lady. Seems you'll have to be nice to me. Nothing to say, huh? Oh, well, you'll do plenty of yelling in a bit. The dame who knocks me around with a vase is asking for plenty of trouble.

[Narrator]

Getting dark inside here.

[Sammy]

The oil lamp needs fixing. Not that I hold it against you. That's pretty smart. Not quite smart enough. I like my women with a bit.

[Rocky Fortune]

Of fight in them.

[Sammy]

Oh, now Mr. Caledon's out of the.

[Narrator]

Way and your husband's out of the way.

[Sammy]

Just you and me.

[Narrator]

You be good and do as you're told.

[Sammy]

I'll do more than smash a vase over your head.

[Rocky Fortune]

What's that?

[Sammy]

Who's that outside holding your bluff again, Brazely? You again?

[Judge]

Yeah.

[Narrator]

Coming out to get me.

[Sammy]

Quick dot that lamp.

[John]

You do your own Jenny.

[Sammy]

Well, you don't blow that Lamp out. I'll blow you out. Don't waste time turning it down. Pick it up and blow over the.

[Judge]

Top of the grass.

[Sammy]

Funnel.

[Judge]

That's better.

[Sammy]

Coming out to get me. Bravely.

[Narrator]

Quiet now. Get him as he comes to the door. What are you doing?

[Sammy]

I'm coming, Dean.

[Narrator]

What happened? I heard a crash. You all right?

[John]

He gave me the lamp. He said, pick it up. So I picked it up and I hit him over the head with it.

[Narrator]

Nice work, kid. You'll do all right.

[John]

I think so.

[Narrator]

Fine. Look, I'll have to tie this guy up and then I'll attend to you. Rope, Wire. That'll do fine. That coil over there. Wire. Wonder what copper wire's doing here.

[John]

Here you are.

[Narrator]

Thanks. Saw Kellerton taking off in his copter. Going looking for me? I suppose as soon as this character's trussed up, we go see what's in that back room. Funny. You sit up here. Okay, honey. We'll soon be out of here. Crude, but if he struggles, he'll cut his wrists and legs to ribbon, so I guess he won't. Help yourself to his gun and all set. Come on. Take ourselves a look.

[John]

What if the other man comes back?

[Narrator]

Copters aren't exactly quiet. We'll hear him. Come on. Well, what sort of a setup do you reckon this is?

[John]

Like radio. A bit like a radio station or something.

[Sammy]

Oh, say.

[Narrator]

Expensive equipment. Whoever brought this all the way here did so for a pretty important reason.

[John]

Talking to somebody over a distance.

[Narrator]

I wouldn't say that.

[John]

Those men, when you'd gone, they were talking something about it getting here in an hour and 50 minutes.

[Narrator]

That's so now. I wonder what it could be. Could be anything. Can't see a microphone.

[John]

There's a sort of TV screen over here.

[Narrator]

So there is. It isn't tv. It's radar working, but it doesn't seem to be picking anything up. Craziest joint I ever saw. No good wasting time here. Not being scientific, it doesn't mean a thing. We'll get back to the other room, hide our friend and await developments.

[John]

I've had enough developments. Can't we go back to our camp?

[Narrator]

How can we? We don't know the way.

[John]

We've got the revolver now, and we know there's a hill in the way. If we walk over the hill firing the revolver every now and then, they're bound to hear us.

[Narrator]

Look, Jean, we don't know what's going on here, but it must be pretty important. It's our duty to find out.

[John]

Sort of men always Hide behind duty. All I mean is they're boys at heart and can't resist.

[Narrator]

Cop is coming in enough time to hide. Brazely. Room's dark and there's still some light outside with the junk caliber. You get over there in that corner and keep quiet. I'll hide up behind the door. Can't know I'm back. Surprise on our side, anyway. And a gun. Come on, Kelleton. Come on in and see what Santa Claus has got for you.

[John]

Hubie K. Careful. I haven't got another lamp to break over his head.

[Narrator]

I'll be careful. He's coming.

[Judge]

Raisley.

[Narrator]

Raisley doesn't live here anymore. Recognize me in one. And while you're dizzling, see if he can touch the ceiling. That's a good boy. Why, honey, I've got another pig to truss up.

[John]

The funniest thing. I've got the wildest desire to tickle him.

[Narrator]

Playing with dangerous animals isn't fun. Thanks. Hands behind your back, Mr. Kellerton. Hold the gun, Gene. Now, while we're about it, Kellerton, you might as well tell us what gives around this direction. What's the game? What's arriving here in one hour, 50 or less? Now about one hour 30. Okay? Okay. You don't have to talk unless you want to. I tell you what, though. We'll all stay here until whatever it is does arrive. Make yourself comfortable. Have a chair. Settle down, Gene. Looks like we've got quite a wait in front of us. 40 minutes. Going to talk, Mr. Kelton? All right, all right. We're in no hurry. By my watch, I may get four minutes. What's the matter, Mr. Keller? You don't mind my saying, sir, you look a little pale around the gills, Kind of nervous.

[Judge]

We better get out of here. We better all get out of here.

[Narrator]

Sure, sure, I'd like to. But why?

[Sammy]

What's going to happen?

[Judge]

The whole place is going up, that's what.

[Narrator]

Interesting.

[John]

I've got a feeling he knows what he's talking about. John, I think we'd better go.

[Narrator]

Sure, Gene. As soon as he tells us what is going to happen.

[Judge]

Look, something's gonna happen. Isn't that enough? It's gonna happen pretty soon. Let me get out of this dumb platoo.

[Narrator]

All you've gotta do is tell us what exactly you do expect. Not much time left.

[Judge]

I tell you, unless we get out fast, we'd all be blown sky high.

[John]

He's telling the truth. John, hadn't we better go?

[Narrator]

Sure, honey, you go. Mr. Kellet and I will stay here until he Decides to tow.

[Judge]

Oh, it's a rocket.

[Narrator]

Rockets in Batman.

[Judge]

There's a remote control radio. Pretty powerful. The army launched a rocket from Florida. We picked up a controlling wavelength from here. That rocket, instead of going back to its base when it should, will come straight on here. It's riding down a beam. A radio beam directed from here. Unless it's controlled, this is where it'll end.

[Narrator]

You mean you're trying to swipe an American rocket flying?

[Judge]

We have warhead Malat. If it hits here, your next stop is a billion miles away and you arrive in pizzas.

[Narrator]

There it is.

[Judge]

Hacket in the other room. A lever. Doesn't matter which way you pull it, so long as you do quick.

[Narrator]

Ask us ever what lever, which lever, where?

[Judge]

By the radar screen. Quick, man.

[Sammy]

Got it.

[Narrator]

Boy, things happen too fast for me around here. Come on, honey.

[John]

Where are we going?

[Narrator]

Matter so long as it's away from here. Come on. You too, Brazely. On your feet. Wow. And I think that might have been us instead of jungle. Get moving, you two. Outside. And no breaking away.

[Sammy]

Go on.

[Narrator]

When we open this door, it was to ask our way. From now on, I find a locked door, I leave it locked. I'm not curious about anything anymore. Well, you two, either you find our camp or we all starve. As for this place, I'll take the key. Somebody else can do the unlocking. A closing door finishes a story next week another key will open another door to another story. Mystery, romance or adventure all start when a door is unlocked by the key. Foreign.

[Host]

There'S more from Rocky Fortune, the Key, the Relic Radio show and all of the other shows@ Relicradio.com. you'll also find our Shout cast stream there with even more old time radio lots to listen to there. All made possible by your support. If you'd like to help out, visit donate. Relicradio.com or click on one of the links on the website. Thanks for to those who have thanks for joining me this week. Be back tomorrow with an hour of mystery on Case closed and next Tuesday with our next episode of the Relic Radio show.