The Falcon and Gunsmoke

Summary

The Relic Radio Show: "The Falcon and Gunsmoke" – Episode Summary

Release Date: July 8, 2025

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Introduction

In this captivating episode of The Relic Radio Show, RelicRadio.com transports listeners back to the golden age of radio with two enthralling segments: "The Adventures of the Falcon" and "Gunsmoke." Hosted by Ed Hurley and Mike Waring, the show masterfully weaves classic detective noir with the rugged Western drama, providing a rich auditory experience for enthusiasts of old-time radio.

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Part 1: The Adventures of the Falcon – "The Case of the Rich Racketeer"

Broadcast Date: November 5, 1950
Starring: Les Damon as the Falcon

Plot Overview

The segment opens with the Falcon embroiled in a tense encounter with Larry Sullivan, Solomon Sullivan's business associate. Sullivan demands a $30,000 cash payment for clearing Sullivan of an income tax evasion charge, escalating the situation into a standoff that nearly results in violence.

Key Characters

• Ed Hurley / Mike Waring (Host/Narrator): Guides listeners through the unfolding drama.
• The Falcon (Les Damon): A suave private detective navigating complex criminal entanglements.
• Bonnie Shaw: Larry Sullivan's sister, whose unexpected arrival complicates the Falcon's investigation.
• Tom Shore: Bonnie Shaw's brother, adding another layer to the mystery.

Significant Scenes and Quotes

1. The Confrontation:

   • Timestamp [02:55]
     Garland Sullivan: "Finagler is a nasty word. Almost as nasty as racketeer."
     The tension between Sullivan and the Falcon sets the stage for the ensuing conflict.

2. Bonnie Shaw's Intervention:

   • Timestamp [05:28]
     Bonnie Shaw: "Larry, what in the world."
     Bonnie's sudden appearance defuses the immediate threat posed by Sullivan.

3. Hiring the Falcon:

   • Timestamp [10:30]
     Sullivan: "I want to hire you. Right now?"
     Sullivan's desperation highlights the high stakes of the Falcon's mission.

4. Revelation of the Murder:

   • Timestamp [15:07]
     Bonnie Shaw: "He's dead."
     The shocking discovery of Sullivan's death propels the Falcon deeper into the mystery.

5. Climactic Discovery:

   • Timestamp [26:45]
     Ed Hurley: "That's irony for you. The murderer couldn't find it, but his bullet did."
     The Falcon uncovers hidden money, leading to the identification of the true culprit.

6. Conclusion:

   • Timestamp [27:58]
     Ed Hurley: "Garland made one little slip... How else would Garland have known Sullivan had been shot unless he himself had done the shooting?"
     The Falcon deduces that Arthur Garland, Sullivan's lawyer, orchestrated the murder.

Insights and Themes

• Deception and Greed: The narrative delves into the lengths individuals will go to for financial gain, showcasing complex relationships and hidden motives.
• Justice vs. Vengeance: The Falcon embodies the pursuit of justice, navigating personal vendettas and moral dilemmas.
• Female Agency: Bonnie Shaw's character challenges traditional roles, actively participating in the resolution of the conflict.

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Part 2: Gunsmoke – "Absalom"

Broadcast Date: March 7, 1953
Starring: William Conrad as Matt Dillon, U.S. Marshal

Plot Overview

"Gunsmoke" presents a gripping Western tale centered around Matt Dillon's relentless pursuit of Billy Mallard, a notorious outlaw threatening Dodge City with violence. The story explores themes of law enforcement, honor, and the struggle between order and chaos in the Wild West.

Key Characters

• Matt Dillon (William Conrad): The principled U.S. Marshal dedicated to maintaining law and order.
• Billy Mallard: A violent drifter causing havoc in Dodge City.
• Chester and Nora Beale: Supporting characters who add depth to the central conflict.
• King Mallory and Tom Wayne: Members of Billy's entourage, representing the entrenched power structures in the town.

Significant Scenes and Quotes

1. Arrival at Dodge City:

   • Timestamp [31:22]
     Billy Mallard: "But I hate them."
     Billy expresses his contempt, setting the tone for his antagonistic role.

2. Confrontation at the Plaza:

   • Timestamp [34:12]
     Matt Dillon: "You're not giving anybody the word, King."
     Matt's firm stance against corruption highlights his unwavering commitment to justice.

3. Shootout Climax:

   • Timestamp [55:47]
     Mike Waring: "Was that. Is he dead?"
     The aftermath of the shootout showcases the brutal reality of frontier justice.

4. Final Resolution:

   • Timestamp [56:48]
     Mike Waring: "We'll have to bury him in Kansas."
     The determination to restore peace underscores the thematic resolution of the episode.

Insights and Themes

• Law vs. Outlaw: The dynamic between Matt Dillon and Billy Mallard epitomizes the eternal struggle between law enforcement and criminality.
• Moral Integrity: Matt's decisions reflect the complexities of maintaining ethical standards in a lawless environment.
• Community and Influence: The involvement of prominent town figures like King Mallory illustrates the influence of power and money in shaping societal norms.

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Conclusion

"The Falcon and Gunsmoke" episode of The Relic Radio Show offers a compelling blend of detective intrigue and Western justice, encapsulating the essence of old-time radio storytelling. Through meticulously crafted narratives and memorable dialogues, the show pays homage to classic radio dramas, providing listeners with an engaging journey through suspense, action, and moral contemplation.

Notable Quotes:

• [02:55] Garland Sullivan: "Finagler is a nasty word. Almost as nasty as racketeer."
• [15:07] Bonnie Shaw: "He's dead."
• [26:45] Ed Hurley: "That's irony for you. The murderer couldn't find it, but his bullet did."
• [55:47] Mike Waring: "Was that. Is he dead?"
• [56:48] Mike Waring: "We'll have to bury him in Kansas."

Listeners are encouraged to explore The Relic Radio Show for more nostalgic and thrilling audio adventures that continue to celebrate and preserve the rich legacy of old-time radio entertainment.

Transcript

[Ed Hurley]

This is the Relic Radio show. Old time radio entertainment. Still standing the test of time from.

[Mike Waring]

Relicradio.Com.

[Ed Hurley]

This week on the Relic radio show we begin with the adventures of the Falcon and the case of the rich Racketeer from November 5, 1950. After that it's Gunsmoke and Absalom. From March 7, 1953. The Craft Foods Company brings you the Adventures of the Falcon starring Les Demon.

[Mike Waring]

Hello?

[Ed Hurley]

Yes, this is the Falcon speaking. Oh, June, I was just thinking about you. Angela. The theater tonight.

[Mike Waring]

Now.

[Ed Hurley]

I'm sorry, I'm working on a case.

[Mike Waring]

Of course.

[Ed Hurley]

I know those tickets were hard to get, but so was the murderer. And I've got a date with one in exactly half an hour. This is Ed Hurley. He friends inviting you on behalf of the Kraft Foods company to listen to the adventures of the Pulkin. You met the Pulkin first in his best selling novels. Then you saw him in his thrilling motion picture series. Now join him on the air when the Balkan solves the case of the rich racketeer. Before we join the Falcon in his latest adventure, I'd like to tell you folks about Kraft's golden cheese food.

[Mike Waring]

Velveeta.

[Ed Hurley]

Velveeta is such good eating. Just taste that grand rich yet mild cheddar cheese flavor. And Velveeta is so good for you. It's rich in important food values. From milk itself for swell tasting snacks for good hearty sandwiches for thrifty, easy hot dishes. It's smart to keep stocked with Velveeta. Get it tomorrow in the handy quarter pound package or in the economical two pound loaf. The cheese food of top quality Velveeta is made only by Craft. And now, the case of the rich Racketeer. It's Sunday afternoon in New York City. A cab pulls up in front of a large Central park west apartment building and two men get out. One of the men is big, beefy and florid, while the other is slim and quick moving. The two men hurriedly enter the building and ride the elevator up to the 10th floor where Florid Face leads the way to one of the apartments and opens the door.

[Mike Waring]

Flo.

[Ed Hurley]

Hey, Flo. Guess my wife's not home yet. Come on, Garland. Come on in. Let's get over. Excellent idea, Solomon. Excellent. Wait there and leave your hat and coat on. Won't take me but a second to write a check. Check? Yeah, check. I think I'd rather have cash, Sullivan. I was much too good in court this afternoon to warrant a check. Okay, so you were good, you were swell. You were better than usual. You're still the best business finagler in New York. But you're going to get a check. Finagler is a nasty word. Almost as nasty as racketeer. Yeah, but racketeer is better, Garland. You see, in my business, you don't have to pretend to be something you're not. But you do have to be smart. Yeah, that's right. You have to be smart. Now then, here's your check. Take it and blow. I got a date in a little while. Only a thousand dollars. You're lucky to get that much. Hey, hey. Don't tear that up. Why, you cheap chiseling punk. I saved your fat neck this afternoon. An income tax evasion charge is the only way they catch guys like you. And I cleared you. I got you off scot free because there wasn't any evidence of the money you made. They could have ruined you. Yeah, but they didn't. No, they didn't. And I'll tell you why they didn't. Because I advised you not to keep any records of books. I told you to keep your profits on hand in cash and not to keep it in any banks. So what? So I want my share now and I want it in cash. I know you got more than 300 grand solid away. You're crazy, Colin. No, no, I'm not. I know you've got that money, Sullivan. I want my share. I want it right now and Fast. I want $30,000 and I want it in cash. Why you stupid little. Say, hey. That's the way you want to play it, eh? That's the way, Solomon. I'm not bluffing. It's loaded and I'm not afraid to use it. So if you want to enjoy your freedom, hand over the 30 grand. Now look, Garland, be reasonable. Put that gun away. Not a chance. But you're wrong. I swear you are. I'm broke. That thousand dollar check I just wrote will practically wipe me out. You expect me to believe that? It's true. Now listen, I know you deserve a bigger fee, but I can't give it to you now. Later I'll tell. Quit stalling, Sullivan. Where's the money? I know you got it. I dumped it in an oil deal out west. I thought I could really clean up, but something went wrong. You never took a chance in your life. And an oil well is a gamble. You're a sure thing, player. Come on, Sullivan. Getting tired of holding this gun. Where's my $30,000? I tell you. God. Get it, Sullivan, or I'm gonna Pull this trigger. What the.

[Bonnie Shaw]

Larry, what in the world.

[Ed Hurley]

Look out, Flo. This gun might know. You don't. Oh, yes I do.

[Bonnie Shaw]

Oh.

[Ed Hurley]

That'S better. I'll just keep this gun as a souvenir. Now get out of here before I break it over your head.

[Bonnie Shaw]

What's going on here anyway?

[Ed Hurley]

Shut up. Okay, Garland, get going. You made a mistake, Mr. Sullivan. A big mistake. I want that 30 grand and I.

[Mike Waring]

Intend to get it.

[Ed Hurley]

That little bum might have killed me with this gun if you hadn't opened the door and banged into him.

[Bonnie Shaw]

That's too bad. If I'd known, I'd have waited outside in the hole.

[Mike Waring]

What?

[Bonnie Shaw]

You heard me.

[Ed Hurley]

What's eating you?

[Bonnie Shaw]

You are.

[Ed Hurley]

Come on, come on, spill it. What's on your mind?

[Bonnie Shaw]

A blue eyed, baby faced, little blonde named Bonnie Shaw.

[Ed Hurley]

Bonnie? What are you talking about?

[Bonnie Shaw]

Get wise to yourself, Larry. Did you really think you were kidding me? Don't you think I know where you've been spending your evenings?

[Ed Hurley]

Now wait a minute. Blow. You don't know what you're doing.

[Bonnie Shaw]

I've been a SAP for a long time. But now you're gonna pay and pay plenty.

[Ed Hurley]

How did you find out about Bonnie and me?

[Bonnie Shaw]

A little bird told me.

[Ed Hurley]

I said, how did you find out?

[Bonnie Shaw]

And I said, a little. You're going to be sorry for that, Larry. Very sorry.

[Ed Hurley]

Yeah, but not as sorry as you're going to be. Your little bird didn't tell you quite enough. Sure. I've got a girl named Bonnie Shaw and I'm nuts about her. I'm going to divorce you and marry Bonnie just as soon as possible.

[Bonnie Shaw]

Really?

[Ed Hurley]

And I got more news for you too, baby. Just in case you think you're going to hook me. I'm broke. I've been wiped out completely. You can't get a dime out of me.

[Bonnie Shaw]

That's too bad, isn't it?

[Ed Hurley]

Yeah, it's a shame. I feel so bad about it. I'm have to bust out crying if I hang around here any longer. So get away from that door and let me out.

[Bonnie Shaw]

Sure, Larry, I'll let you go. But not with Barney Shaw.

[Ed Hurley]

Try and stop me.

[Bonnie Shaw]

Wait, Larry. You're forgetting something, aren't you?

[Mike Waring]

Now look. Blow.

[Ed Hurley]

Put that gun down, Larry.

[Bonnie Shaw]

I only wanted to hand it to you. It belongs to your lawyer friend. Don't you want to give it back to him?

[Ed Hurley]

Why, why, yes. Maybe I'd better.

[Bonnie Shaw]

No, on second thought, I don't think he needs it as badly as I do.

[Ed Hurley]

You?

[Bonnie Shaw]

Yes, darling, I've just thought of a wonderful use for it.

[Ed Hurley]

Well, what are you going to do?

[Bonnie Shaw]

Can't you guess, Larry? I'm the forgotten middle aged wife who's been dropped without a scent. I'm going in the bedroom and blow my brains out.

[Ed Hurley]

Don't kid me, baby. You'd never do that.

[Bonnie Shaw]

You're so right, darling. I'd never, never do that.

[Ed Hurley]

Sorry I'm late, Bonnie, but. Nice little hideaway you got here, Sullivan. Miles from the city, woods all around, lake out front. You couldn't have picked a sweeter love nest. Who are you? My name's Shaw. I'm Tom Shore. Shaw. Yeah. I got a sister named Bonnie. Mean anything to you? You're Bonnie's brother. That's right. Where is she? She'd probably be along in a few minutes. Say, I don't get this. Bonnie didn't tell me you'd be here. She didn't know it. And what are you doing here? I'm telling you to stay away from Bonnie. Maybe she'll have something to say about that.

[Mike Waring]

Bonnie's just a kid.

[Ed Hurley]

She doesn't know what she's doing. Now look, Joa, you got the wrong idea. I'm crazy about Bonnie. We're in love. We're gonna get married now. You're wrong, Sullivan. And even if you meant it, I'd die before I'd let her throw herself away in a grafting racketeer like you. Guy is old enough to be a father who's already married. You told my wife about Bonnie? Sure, I told her. Why, you little Soup.

[Bonnie Shaw]

My jaw.

[Ed Hurley]

Next time it won't be your jaw, it'll be your neck. Now get out of here and stay out.

[Bonnie Shaw]

Yeah, yeah, I'll get out soon, but.

[Ed Hurley]

I'm coming back with a gun. Operator, I want to call New York City.

[Bonnie Shaw]

What number, please?

[Ed Hurley]

You'll have to look it up. I want to make a push into person call to Mike Waring, the private detective who's known as the Falcon. You know, angel, you got the bluest eyes. Yeah, they go so well. Hand me the phone with Angel.

[Bonnie Shaw]

Don't answer it, Mike. Let it ring.

[Mike Waring]

Oh, all right.

[Ed Hurley]

Yes? Is this Mike wearing the Falcon? Yes. Is the Falcon speaking? Must be something wrong with this connection. For a second I thought. Well, never mind what you thought. Just tell me what you want. I want to hire you. Right now? Yes. Why? Are you working on something else? Yes, I am. Well, then drop it. This job is important to me and I'm willing to pay plenty if you'll come out here right away. Where are you? My cottage at Tallow lake. Oh, it's 10:30 now. I couldn't get there much before midnight. I know that. All right, what's the job? I'm working on a very important deal at the moment and it's absolutely necessary to keep my movement secret. I'm pretty sure that somebody's been following me this evening. I want you to find out who it is. You say money is no object, Sullivan? None at all. Okay, keep talking then. Just exactly where is this cottage of.

[Bonnie Shaw]

Hello, Miss Sullivan? Yes? Who's this?

[Ed Hurley]

The same guy who called you this morning.

[Bonnie Shaw]

You mean about my husband?

[Ed Hurley]

That's right.

[Bonnie Shaw]

Who are you anyway?

[Ed Hurley]

Never mind who I am. I just found out where your husband is meeting Bonnie Shore.

[Bonnie Shaw]

Where?

[Ed Hurley]

In the last cottage down the road on Tallow Lake. He's there now waiting for him. If you're interested in keeping him, you better go out and bring him home right away.

[Bonnie Shaw]

And if I'm not interested?

[Ed Hurley]

Well, in that case, you might drop him a farewell note. Because I have a hunch he's going on a long, long trip.

[Bonnie Shaw]

It's lighter bodied. It's super fine.

[Ed Hurley]

It's craft salad oil. The first salad oil ever offered for home use by the makers of all those wonderful craft prote prepared salad dressings. Yes, there is something new under the sun at your groceries right now. A new salad oil. Craft salad oil. The first salad oil ever offered for home use by the makers of all those wonderful craft prepared dressings. Wait till you try it in those wonderful salad dressings you make yourself. Those light as air chiffon cakes you're so proud of in all your special recipes that call for liquid shortening. For craft salad oil is more than just a new oil. It's a new kind of oil. Super fine for better blending by a special new craft process. Because it's lighter bodied, it mixes perfectly with all ingredients. Puts new magic into dressings, cooking and baking. Don't wait. Put this new salad oil on your shopping list right now.

[Bonnie Shaw]

Remember, it's lighter bodied. It's super fine.

[Ed Hurley]

Get craft salad oil tomorrow at your grocers. Look for the bottles with the best beautiful labels. Now back to the Adventures of the Falcon. It's an hour and a half later. Mike Waring has just stopped his car outside Larry Sullivan's secluded cottage at Tallow Lake. The light is on in the living room, but the house and countryside are strangely quiet. Mike walks up to the front door and knocks. There's no answer. No sound from inside. He opens the door, stops suddenly. Across the room, with her back pressed tensely against the closed bedroom door stands a beautiful, young, very frightened blonde. Oh, sorry. I didn't mean to scare you. When I knocked and nobody answered.

[Bonnie Shaw]

Not scared.

[Ed Hurley]

Better try again, angel. It's not that cold in here.

[Bonnie Shaw]

I don't understand.

[Ed Hurley]

You're trembling.

[Mike Waring]

Why?

[Bonnie Shaw]

I don't know.

[Ed Hurley]

Okay, have it your way. Where's Sullivan, Larry? I don't know his first name. He called himself Sullivan and he hired me to come out here.

[Bonnie Shaw]

Why?

[Ed Hurley]

Said he needed a detective.

[Bonnie Shaw]

You're a policeman?

[Ed Hurley]

No, I'm a private detective. What's the matter with you, anyway? Where's Sullivan?

[Bonnie Shaw]

He. He's not here. He's gone. He won't be back. Please, you'd better go.

[Ed Hurley]

Now, wait a minute, Angel. Not so fast. What's behind that closed door?

[Bonnie Shaw]

It's. It's just the bedroom.

[Ed Hurley]

Who's in there?

[Bonnie Shaw]

Nobody. Nobody at all. Please.

[Ed Hurley]

Now, don't try to kid me, Angel. If Sullivan's changed his mind about needing a detective. He's not going to brush me without getting out his checkbook.

[Bonnie Shaw]

No, no, please don't open it.

[Ed Hurley]

No wonder you got the shakes. Blood gives me the jitters, too. The Sullivan?

[Bonnie Shaw]

Yes.

[Mike Waring]

Bullet hole in the back of his head.

[Bonnie Shaw]

Larry.

[Ed Hurley]

Okay, you can cut out the act. I'm not impressed. Yes. Where's the gun? The gun you killed him with. It's not here. Where is it?

[Bonnie Shaw]

You think I killed Larry?

[Ed Hurley]

You just tried to get rid of me. You're scared silly. And you knew he was in there.

[Bonnie Shaw]

No, no, you're wrong. I didn't shoot Larry. I just got here a few minutes ago.

[Mike Waring]

I found him in there.

[Bonnie Shaw]

I was frightened.

[Mike Waring]

I didn't know what to do.

[Ed Hurley]

Why were you tailing him tonight?

[Bonnie Shaw]

I don't understand.

[Ed Hurley]

He told me on the phone that somebody was following him. That's why he hired me. He wanted me to find out who it was.

[Bonnie Shaw]

I wasn't following Larry. I came here to meet him tonight. I loved him. We were going to be married just as soon as his wife divorced him.

[Ed Hurley]

He already had a wife?

[Bonnie Shaw]

Yes. She killed him. She must have found out about us and come here tonight.

[Ed Hurley]

It's possible. She might have been the person who was following him.

[Bonnie Shaw]

Of course, it must have been his wife. Don't you see?

[Ed Hurley]

Well, not yet. But a little outside help might clear it up. Where's the phone?

[Bonnie Shaw]

What are you gonna do, call the police? No, no, wait. I. I mean, you've got to understand about us, about Larry and me.

[Ed Hurley]

Yeah, sure, sure, I know. You can tell me all about it after I put in this call.

[Bonnie Shaw]

No, please don't call him until.

[Ed Hurley]

Look, angel, you can't pump bullets at a ball spot without letting the police in on the funeral. Somehow I don't think they'd like it at all. Bunny Shaw?

[Bonnie Shaw]

Yes, Mr. Waring. I've told you the truth. Larry and I love each. Loved each other. I had no reason to kill him.

[Ed Hurley]

Solomon told me he was working on some sort of big deal. You know anything about it?

[Bonnie Shaw]

No. He never told me about his business.

[Ed Hurley]

What about Sullivan's wife? Did you know?

[Bonnie Shaw]

What's the matter?

[Ed Hurley]

Just heard somebody out on the porch. Keep talking, Angel.

[Bonnie Shaw]

I'm sure she must have found out about us.

[Ed Hurley]

You're looking for somebody?

[Bonnie Shaw]

Tom, what are you doing here?

[Ed Hurley]

You know this fellow?

[Bonnie Shaw]

Yeah, of course I know him. He's my brother.

[Ed Hurley]

Bonnie, you've got to listen to reason. Come home with me. You can't throw yourself away in a no good racketeer like Sullivan.

[Bonnie Shaw]

Tom, you heard what happened to your jaw.

[Ed Hurley]

I came here earlier tonight to talk to Sullivan, but he couldn't see things my way. We had a fight and he hit me. Is that why you shot him? Why? Wait a minute. What's going on here? Who are you? A lot of people call me the Falcon. The F. Bunny. What's happened? Where's Sullivan? He's lying in there on the bedroom floor with a bullet hole in the back of his head. He's dead? Definitely. Go on. Me? What's the idea? Just wanted to see if you had a gun.

[Bonnie Shaw]

What?

[Ed Hurley]

Are you satisfied?

[Mike Waring]

No.

[Ed Hurley]

You could have thrown it away out there in the woods. You think I killed Sullivan? You said you had a fight with him tonight. Yes, we had a fight. But I didn't kill him. I was plenty sore when he threw me out, but I cooled off. After I called his wife, I. You call Sullivan's wife tonight? Yes.

[Bonnie Shaw]

Why you contemptible.

[Ed Hurley]

Take it easy, Angel. I did it for your own good. Bonnie. And Sullivan's wife did know about him and Bonnie. Of course she knew. Wait a minute.

[Bonnie Shaw]

Maybe she did. Of course she did it.

[Ed Hurley]

Why did you come back here, Shaw? Well, after I called Sullivan's wife, I got to thinking. I. I thought that if she came out here, maybe the two of us could break this up. Oh, sure. The police are going to love that story. Did you call the cops? Yes, of course. They'll be here any minute. I'm getting out. They're not gonna find me here.

[Mike Waring]

Get out of my way.

[Bonnie Shaw]

You knocked him out? Yes.

[Ed Hurley]

Well, he'll get over it. And it might jar him into telling the Truth? When the police wake him up for a chat.

[Bonnie Shaw]

Took the gun away from Mr. Garam and told him to get out.

[Ed Hurley]

Did you tell the police about that?

[Bonnie Shaw]

Certainly I told them. They seemed to think that Tom Shaw was the killer. Of course. They said they'd question Mr. Garland this morning.

[Ed Hurley]

Did you leave this apartment last night after your husband went out?

[Bonnie Shaw]

Why, no.

[Ed Hurley]

Could you prove that?

[Bonnie Shaw]

I don't think so. Why? What are you driving at, Mr. Waring?

[Ed Hurley]

Her husband was running around with another woman and you had just found it out.

[Bonnie Shaw]

Do you think I killed Larry?

[Ed Hurley]

Your motive was even better than the others.

[Bonnie Shaw]

That's ridiculous. I couldn't kill anybody.

[Ed Hurley]

You seem to be taking your husband's death pretty calmly. No tear stained handkerchiefs or swollen eyes.

[Bonnie Shaw]

Why should I pretend he meant nothing to me anymore? I didn't even mind the fact that he had this girl, Bonnie Shaw.

[Ed Hurley]

You weren't jealous?

[Bonnie Shaw]

Certainly not. I knew he was going to leave me, but I didn't care at all. I'll be honest with you, Mr. Waring. If I could have gotten money from Larry, I might have tried to hang on to him or at least make him pay plenty to get rid of me. But he was wiped out. He didn't have a dime.

[Ed Hurley]

Your husband was broke?

[Bonnie Shaw]

Yes, he told me so last night just before he went out. So you see, he was of no more use to me. I actually was glad he was going to leave me, but I certainly had no reason to kill him.

[Ed Hurley]

I see.

[Bonnie Shaw]

Oh, excuse me.

[Ed Hurley]

Yes, of course.

[Bonnie Shaw]

Mr. Garland.

[Ed Hurley]

Forgive me for calling so early in the morning, Mrs. Sullivan. I wanted to see Larry before he went out. I'm sorry about that trouble we had last night and I want to apologize.

[Bonnie Shaw]

You don't know about.

[Ed Hurley]

Is this the business manager you were telling me about?

[Bonnie Shaw]

Yes, this is Mr. Gar.

[Ed Hurley]

What's wrong, Mr. Sullivan? Where's Larry? He was murdered last night. Larry's dead?

[Bonnie Shaw]

Yes.

[Mike Waring]

Why?

[Ed Hurley]

Well, that's terrible. I had no idea. Did you read the morning papers? No.

[Mike Waring]

No.

[Ed Hurley]

You see, I was upset about that quarrel last night and I wanted to hurry over here as fast as possible. That quarrel last night gives you a pretty swell motive, darling. I didn't even know about the murder. Well, you could be lying about that. No, I'm not lying. But you did threaten him. Well, I was only bluffing. He owed me money and I wanted it. I swear I didn't shoot Larry. I couldn't have done it. They took my gun away from me. Still here. There are other guns. Well, I tell you, I didn't do It. Tell me about this money you say Sullivan owed you. Well, I. I did some financial work for him and I felt he owed me a much larger fee than he was willing to pay. Naturally, that made me angry and I guess I lost my head. I had the gun in my pocket.

[Mike Waring]

Why?

[Ed Hurley]

Well, I always carry it. I have a license for it. There are certain people who threaten me from time to time. Okay. Okay. So you pulled the gun on Sullivan? Yes. Yes, I. I thought I might frighten him into paying me what I wanted. It did frighten him. And he told me the truth. The truth? Yes. He was broke. He literally couldn't pay me. At first I didn't believe him. But he finally convinced me that he was telling the truth when Mrs. Sullivan came in and unexpectedly and. And gave him the chance to grab the gun. Did Bonnie show know that Sullivan was broke? Who was she? But didn't you know Solomon had a young girlfriend? No, I had no idea. I mean, I only knew him professionally. He never discussed his personal life with me.

[Bonnie Shaw]

Mr. Waring, isn't it just possible that.

[Ed Hurley]

Bonnie Shaw killed your husband?

[Bonnie Shaw]

Yes.

[Ed Hurley]

That's why I wondered. If she knew Sullivan was broke, he might have been stringing her along, telling her he was rich. And last night she may have found out the truth.

[Bonnie Shaw]

Hello, Mike.

[Mike Waring]

What.

[Ed Hurley]

What are you doing in my apartment, Bunny?

[Bonnie Shaw]

Mike, I've been trying to find you all morning.

[Ed Hurley]

You don't waste much time, do you, angel? It was Mr. Waring last night.

[Bonnie Shaw]

Oh, I. I'm sorry. It just slipped out.

[Ed Hurley]

Well, make it a habit, huh? I like the intimate touch.

[Bonnie Shaw]

You look tired.

[Ed Hurley]

I know. Working for nothing always wears me out.

[Bonnie Shaw]

I don't understand.

[Ed Hurley]

I've been using my talents out of pure curiosity. This morning. Sullivan hired me last night, but he didn't pay me any money.

[Bonnie Shaw]

Then maybe you let me hire you.

[Ed Hurley]

You?

[Bonnie Shaw]

Yes. Mike, you've got to help Tom.

[Ed Hurley]

Have they arrested him?

[Bonnie Shaw]

Not yet. But they. They held him for questioning all night. He denies the murder, so they had to let him go this morning because of lack of evidence. But I want to hire you to find a real murderer.

[Ed Hurley]

Are you sure about that?

[Bonnie Shaw]

Of course. Please, Mike. Please let me hire you to clear Tom.

[Ed Hurley]

I cost money, you know.

[Bonnie Shaw]

I don't have very much, but I'll try.

[Ed Hurley]

The mink coat you're wearing doesn't exactly look like a ticket to the poor house.

[Bonnie Shaw]

Don't let this coat fool you. I didn't pay for it. Larry gave it to me as a present.

[Ed Hurley]

Sullivan gave you that coat?

[Bonnie Shaw]

Yes.

[Ed Hurley]

When?

[Bonnie Shaw]

About a week ago. Why? What's wrong?

[Ed Hurley]

Sullivan claimed he was broke.

[Bonnie Shaw]

But that's ridiculous. He had lots of money. In fact, he told me he just made a tremendous killing in some sort of business deal. And that's why we.

[Ed Hurley]

That's why you what?

[Bonnie Shaw]

No, nothing.

[Ed Hurley]

Now, come clean, Angel. If you want my help, you've got to tell me the truth.

[Bonnie Shaw]

All right, Mike, I'll tell you the truth. Larry wasn't broke. I know. We see. We weren't going to wait for his divorce. We were going to South America together. In fact, he already had the steamer.

[Ed Hurley]

Tickets and a stack of money in cash.

[Bonnie Shaw]

Yes.

[Ed Hurley]

Know where that money is?

[Bonnie Shaw]

No, Mike, I don't. I swear I don't.

[Ed Hurley]

He wouldn't lie to me. Would change along.

[Bonnie Shaw]

No, Mike, I wouldn't lie to you. I couldn't. You know that, darling.

[Ed Hurley]

Well, that's a nice try, but you'll have to do better than that. All right. Wrap that mink around your lovely shoulders. We're going treasure hunting.

[Bonnie Shaw]

Where to?

[Ed Hurley]

Out to Sullivan's cottage on Tallow Lake.

[Bonnie Shaw]

Miracle Whip has a flavor so pleasing.

[Ed Hurley]

Miracle Whip.

[Bonnie Shaw]

It tastes so lively, so teasing. Miracle Whip, only one of its kind. Miracle Whip, best salad dressing you'll find.

[Ed Hurley]

Miracle Whip is the only one of its kind because it's a different type of salad dressing. Made from a secret craft recipe, Miracle Whip combines the best qualities of old fashioned boiled dressing and fine mayonnaise. So it's truly distinctive and delicious with a flavor millions of folks call just exactly right. Try it, won't you? One taste will tell you why. It's America's favorite salad dressing. The one and only Miracle Whip. Now back to the Adventures of the Falcon. An hour has passed since Mike set out for Tallow Lake with Bonnie Shaw. Now they've arrived.

[Bonnie Shaw]

Mike, look.

[Ed Hurley]

It looks like a cyclone hit the place. Well, I'm not surprised.

[Bonnie Shaw]

The murderer was here searching for the money.

[Ed Hurley]

Yes, of course.

[Bonnie Shaw]

And he's beaten us to it. He must have found it. If Larry had it hidden here.

[Ed Hurley]

Now, don't be too sure about that, Angel.

[Bonnie Shaw]

You don't think the money was here?

[Ed Hurley]

Oh, yes, I'm sure it was here. And I think it still is.

[Bonnie Shaw]

Why?

[Ed Hurley]

Well, look at this room. Everything is torn up. Drawers are empty, pillows slash, rugs thrown back. Nothing's been overlooked.

[Bonnie Shaw]

I don't understand.

[Ed Hurley]

Simple, Angel. If the place was only partly torn up, it might mean the killer had found the money. But everything in here has been going over carefully, and more than once. That means he hasn't found it yet.

[Bonnie Shaw]

And Mikey may still be here. Maybe we interrupted him as.

[Ed Hurley]

Maybe. But I've got another idea I like a lot better.

[Bonnie Shaw]

What?

[Ed Hurley]

The murderer knew about the money, but didn't get a chance to search for it last night after killing Sullivan. So this morning, early, the killer came back out here, went over the cottage, but couldn't find the money. So the murderer got the bright idea of hiring me, a detective, to help find the missing cash.

[Bonnie Shaw]

Mike, you don't think that I.

[Ed Hurley]

After all, angel, you knew about the money and the others didn't.

[Bonnie Shaw]

Oh, Mike, the others could have known. Even Tom could have known about it.

[Ed Hurley]

Sure, but I don't. Down on the floor.

[Mike Waring]

Quick.

[Bonnie Shaw]

What happened.

[Mike Waring]

Now?

[Ed Hurley]

Yes, I owe you an apology, Angel. We did interrupt the murderer and he just tried to kill me.

[Bonnie Shaw]

And he's out there in the woods. He may try to come up here.

[Ed Hurley]

Hold it.

[Bonnie Shaw]

What is it?

[Ed Hurley]

Listen.

[Bonnie Shaw]

Car.

[Ed Hurley]

He must have hidden it in the woods. He missed once and decided not to try again.

[Bonnie Shaw]

So what's the matter?

[Ed Hurley]

Look over there on the floor.

[Bonnie Shaw]

Wall mirror. The bullet smashed it.

[Ed Hurley]

Yes. And look what was hidden behind the glass.

[Bonnie Shaw]

An envelope.

[Mike Waring]

An envelope?

[Ed Hurley]

And full of thousand dollar bills.

[Bonnie Shaw]

Larry's money.

[Ed Hurley]

Oh, brother. That's irony for you. The murderer couldn't find it, but his bullet did.

[Bonnie Shaw]

He's not a very good shot.

[Ed Hurley]

Wait a minute.

[Bonnie Shaw]

Shot what?

[Ed Hurley]

Thanks, Angel. You just told me something I should have known three hours ago.

[Bonnie Shaw]

What do you mean?

[Ed Hurley]

The murderer. I know who it is now.

[Bonnie Shaw]

Who?

[Ed Hurley]

Mike Sullivan's lawyer, Arthur Garland. Would you like a drink now?

[Bonnie Shaw]

Not until you tell me how you knew Garland was the killer.

[Ed Hurley]

Well, now that the police caught up with him, I guess I can. You see, Garland made one little slip. A slip that I didn't recognize until you mentioned the word shot. Then it clicked suddenly.

[Bonnie Shaw]

What?

[Ed Hurley]

Well, you see, when I talked to Garland this morning, he claimed he didn't even know about the murder. Yes, well, neither Mrs. Sullivan nor I told him any of the details. Yet he knew Sullivan had been shot. He said, I swear I didn't shoot. Larry Sullivan might have been stabbed, poisoned or bashed over the head for all he knew. How else would Garland have known Sullivan had been shot unless he himself had done the shooting?

[Bonnie Shaw]

Mike, you're wonderful. I'd never thought of that.

[Ed Hurley]

Well, you're not a detective, Angel.

[Bonnie Shaw]

No, but I might like to be a detective's wife.

[Ed Hurley]

All right, swell. I know a couple of boys on the force who'd love a wife like you.

[Bonnie Shaw]

Okay, Mike, you win. But you can't blame me for trying, can you?

[Ed Hurley]

No, not me. I like persistent Women.

[Mike Waring]

Oh, good.

[Bonnie Shaw]

I'll have that drink now. Okay, then I promise to try again.

[Ed Hurley]

Do you like rich, delicious chocolate flavored malteds? Well, you can make a malted just like that right in your own kitchen with craft chocolate flavored malted milk. Just make a tasty paste of craft chocolate flavored malted milk and a little milk in the bottom of a big glass. Fill the glass with chilled milk, stir it once more and there. A craft malted is mighty nourishing too because it's filled with all the food values in milk. Get a jar of craft chocolate flavored malted milk from your grocer and enjoy a craft malted offer.

[Mike Waring]

This is NBC, the National Broadcasting Company. Around Dodge City and in the territory on west, there's just one way to handle the killers and the spoilers, and that's with a U.S. marshal and the smell of gun smoke. Gunsmoke, starring William Conrad. The story of the violence that moved west with young America. The story of a man who moved with it. Matt Dillon, United States Marshal. He sure made himself scarce In a hurry, Mr. Dylan. Yeah, it looks that way. The plaza seems pretty quiet. Maybe got the wind up and rode right on out of town. You're giving him credit for too much sense, Chester. Yes, the only time that Mallard bunch stops is when somebody stops him. Hey, come on, let's take a look in the Texas tree. All right. Something wrong, Kitty? I'm looking for Billy Maller. Ah, has he been around? Take a look at the mirror back of the bar. He's shot up half the town already and passed the word out that he's going to shoot up the rest of it before midnight. When was he here? Half an hour ago, Matt. Drunk, mean. I can't stand him or his father. Maybe they do own half of Texas.

[Bonnie Shaw]

But I hate them.

[Mike Waring]

Well, they're Texans, Miss Kitty, and that means they've always got to be. I told the mothers when they brought their cattle up here last year that they'd have to act civilized. Come on, Chester. Sounded like it's up at the west end of the Plaza. Yeah, it's probably the Occidental. Oh, just a second, Marshall. Oh, what is that, Mr. Covey? About those pistol shots, Marshall? I reckon that's young Billy Meller picking up his heels. Well, in about five minutes he's going to be kicking him up in jail. Let's not be hasty, Marshall Dylan. We have to think of the best interests of Dodge City in a situation like this. What? Those Mallards are mighty important people, you know. Own One of the biggest ranches in Texas. Always throw a lot of money around when they come up here with a herd. Well, as far as I'm concerned, he gets the same treatment as any other drunken cowboy. I'm sorry, Mr. Toby. Now, wait a minute. All you're going to do is antagonize him. They'll turn their drives east from now on. They'll ship their stock out of Hays City or Abilene. And you can't arrest Billy anyways. He's got that gunman, Tom Wayne and 30, 40 Maloranche riders back in the river. Look, I'll argue with you later. I got a job to do. Dylan, you can't do that. Chester, let's go pick him up. That's him all right, Mr. Dylan. Standing there in the light. Yeah, I see it must be a dozen or more of his riders with him. Chester, you keep Tom Wayne covered. The rest of them will wait for him to make the first move. I'll take Billy. Mallard. Hold on, Billy. Well, now, what do we got here? Local marshall, huh? Put the gun away, Mallard. Why don't you try to put it away for me, Marshall? All right, Mr. Wayne. You'll keep your hands still and in plain sight. I said put the gun away, Billy. You're talking mighty big, Marshall. A man with empty hands. That 10 star of yours makes a good target. I got me a whole collection of stars like that. That's far enough. You better hold it right where you are. I gave you two warnings, Billy. That's one more than I usually give a man. Now, you hand over that gun. I told you to take it. If you think you. You bend that gun barrel someday, Marshall. Laying it over man's head that way. Don't worry about it, Wayne. As long as it's not your head. I'm not worried. I would be, though, if I was wearing that star yours. Why? Oh, King Mallory, he don't like badge toters much. Especially when they buffalo the boy here. And he better leave the boy at home when he brings a herd north. Does he get away with this kind of behavior? Down there, he does. Well, here it's different. You can see for yourself. Maybe it ain't over yet, either. You weren't figuring on drawing a hand, were you, Wayne? It's nothing to me, Marshall. Not unless I get orders from King. Well, he knows where he can find me. Yeah, I reckon. All right, the rest of you men, you can stay up all night, spend your money, do as you please. With one exception. If any one of you Pulls a gun inside the city limits of Dodge, you'll get the same treatment as young Mallor here. Is that clear? Come on, let's go. All right, Chester, let's drag him over to the jail. There you are, Mr. Dillon. All right, in you go, Billy. Sure, he is out cold. Well, it's better than having a bullet in the stomach. That's what he was asking for. He certainly was. I declare, Mr. Dylan, if you don't stop taking chances when a man's already got a gun in his hand, you can't shoot every cowboy who has a snort or two and starts to take it out from the town. I know, sir, but. Hand me that bucket of water there in the corner, will you? Yes, sir. Yeah. All right, Billy. Now that ought to bring him around. All right, Chester, lock up the cell. Just a minute there, Marshall. Don't lock that cell. Lock it up. Chester. Yeah? I just told you to stop that matter. Didn't you hear me? I can probably hear you clear back in Texas. Now what's on your mind? I'll tell you what's on my mind. I want my boy out of that cell. I want him out in a hurry. Come around the morning when the court opens. He's under arrest. Arrest you? I can buy you in this 30 cent town of yours. Never know the difference. Maybe, but we'd know it. Now you shut up and get out of here. I've argued about this long enough. Either you'll open that cell or hand over the key. I'm sorry. You there. Come on, hand them over here. Now, Mr. Mallory, give him something. Horns going in. I said leave them alone, Chester. Unlock herself, Chester. I'm warning you, Marshall, for the last time, if you don't get your hands off me. Sure, King. Now lock it up, Chester. Yes, sir. How. How break you doing? Break you and run you out of the country. Sure, sure, I know. But you'll have to wait till tomorrow morning. Kind of quiet around town, Mr. Dillon, with them mallards locked up. You and Chester look thirsty, Max. I brought you a kitchen. Beer or in the house. Well, it's not a bad idea, Kitty. Well, thank you. I have heard about the mallards. They ought to be locked up in the same cell. They're two of a kind. Well, Kitty, it's. I don't know. Kid always has had his way paved for him. But old man's money, I don't know who's more to blame. Excuse me, Kitty.

[Bonnie Shaw]

Uh huh.

[Mike Waring]

But I don't know exactly what I'm.

[Bonnie Shaw]

Supposed to do here.

[Mike Waring]

Well, you'll learn, honey. Matt, I don't think you've met Nora Beale. Matt Deal and Nora.

[Bonnie Shaw]

And just account for it.

[Mike Waring]

Proud to know you. That's how you do, ma'. Am.

[Bonnie Shaw]

Well, no, honey, all you gotta do.

[Mike Waring]

Right now is just stand around and look beautiful.

[Bonnie Shaw]

I'll be along in a second, show you the rope. Oh, well, thank you, Kitty. I'm very pleased to have met both of you.

[Mike Waring]

Thank you. Likewise, ma'. Am. Where'd she come from? She's new in Dodge, isn't she?

[Bonnie Shaw]

Oh, yeah, she's real sweet, Matt.

[Mike Waring]

She's a singer from Chicago or somewhere. She got stranded here a couple of days ago. She only plans to work a week. Ms. Dillon. Look, there's King Malik over to buy their acoustic. Tell me, what's he doing out of jail? Master. My gracious. You arrest the man and throw him in jail. An hour and a half later, he's out, loose again. It's aggravating, But I'm sure he mean any harm by him. Mr. Beller suggested. Sometimes he's got hell. Now, now, Marshall, let's keep our temper. King, how did you get out of jail? When I've got anything to say to you, Dylan, I'll look you up. Now, now, Marshall, it's all perfectly legal. Mayor came down to his office, he fixed bail and he released Mr. Mallor and his son. They're both out, huh? Who went bail for this covey? Now, it's all in the best interest of the town marshal. Just like I've been telling Mr. Mallory here. It was just a misunderstanding. And all of us hope he won't hold it against it. Kelvie ought to run you in for obstructing. Just. Was somebody fired from the street, Mr. Dylan? I'll go out there. What is a kitty? Nora? Bill got hit. Now she's hurt bad. We will return for the second act of gunsmoke in just a moment. But first, giving medical and welfare assistance to our armed forces and veterans. Collecting much needed blood. Training our citizens for service in case of a national emergency. And always on the spot. First with disaster relief. These are some of the many services of the American Red Cross. But this all costs money. $85 million this year. So please answer the call. Give generously to the Red Cross. Now for the second act of gun smoke. I'll be here. Matt, lay over here on the poker table. All right, kitty. Easy now. It's all right. Sorry, boys. All right.

[Bonnie Shaw]

Here, let me slip this coat under her head.

[Mike Waring]

How did somebody send for Doc? Yeah, the dealers Went after him. Oh, I'll ignore him.

[Bonnie Shaw]

Don't try to move now.

[Mike Waring]

Looks like she was hit twice. Matt, do you think. Does she have a chance at all? I don't know, Kitty. Poor kid.

[Bonnie Shaw]

It's all right, honey. Doc will be here soon. What? Why did they shoot me?

[Mike Waring]

I. I think they were trying to get me, Nora. Not you. I do. Why?

[Bonnie Shaw]

Oh.

[Mike Waring]

Oh. Where's Doc? Why doesn't he get here? You want me to go after Mr. Dunn?

[Bonnie Shaw]

Oh, please, I. I feel so. I.

[Mike Waring]

No, Chester. There's no need for doctor. Hurry now. Mad she was. So. So. Yeah, well, Doc can take care of her when he gets here. Looks like Billy Mallor really posed something this time, Mr. Dillon. No. How do you know it was Billy, Chester? Half a dozen people saw him fire through the window and then ride off down the street. I got a feeling those shots weren't wild. They were aimed. Only they were aimed at me. You were just lucky, Mr. Dillon. Where's Billy now, Chester? I don't know, sir. I heard the Maller bunch is getting ready to pull out. They're milling around the street out in front of their hotel. King Mallard and Tom Wayne are there. Yeah, well, they'll cover Billy, of course. It's gonna be a lot tougher this time. Yes, a whole lot tougher, I reckon, Kitty.

[Bonnie Shaw]

Yeah.

[Mike Waring]

Well, you sort of take charge of things here until Doc shows up. Oh, sure, Mac.

[Bonnie Shaw]

You go on, get your posse.

[Mike Waring]

Posse? You'll need one, Mac. When you move in with a posse, you ask for a gunfight. Works on a man like an out and out challenge. Gonna handle it alone.

[Bonnie Shaw]

But There must be 50 of them, Matt.

[Mike Waring]

Only three that count. As long as we can control the Mallards and Tom Wayne, the others don't matter. Marshall. Oh, Kelvin. You got another suggestion? For the best interests of the town. Now, listen here. You can't go up there, Marshall. That'll just lead to more killing. Won't do anybody any good. This wouldn't have happened, you know, if you'd taken my advice, not thrown that boy in jail. And it wouldn't have happened if you'd have stayed out of it and left him in jail. Kelvin. Tomorrow morning, he'd have sobered up and cooled off. Well, what's done's done. But they're getting ready to leave now. You can pass the word for King not to bring the boy along when he comes up next year. And let it go at that. Don't make it any worse. Now, Marshall. Let it go at that. Don't antagonize him, huh? Look the other way. It's just Billy Mallard kicking up his heels. So let's stay real quiet. Maybe he won't commit another murder. Murdered? It wasn't murder. That was an accident. It was murder. He meant to kill somebody and he did. The only accident about it was the fact that he didn't kill me. Well, it just a common dance hall girl. Nobody's gonna pay any mind. I mind. Calvi. No. All mines. And you stay out of this from now on. You understand me? Now, Dylan, you're not talking to some saddle bum. Chester. Yes, Matt. Yeah, I'm kidding. Not gonna help to go get yourself killed. It seems to me I'm being sold awful short. Around here, they outnumber you 20 to 1. Kitty, if I let Malag get away with this, I'd be through in Dodge City. And so would the law. It was hard work bringing the law in here. It's been hard work keeping it here. And it'd be 10 times harder trying to bring it back if it ever got shoved up.

[Bonnie Shaw]

Yeah, all right, Max.

[Mike Waring]

But do one thing, will you? What?

[Bonnie Shaw]

Wait here.

[Mike Waring]

I'll be right back.

[Bonnie Shaw]

Give me the shotgun, Rick.

[Mike Waring]

All right. Here, take this shotgun with you. Red keeps it back of the bar. But you take it, Matt. It'll help the odds a little. At least. It's a good idea, Mr. Dillon. I'd sure feel a lot easier in my mind if you took it. Well, all right. Thanks, Kitty. I'll see you. She was a pretty little thing. Yeah. Seems a shame. There they are, Mr. Johnson. Out there in the street in front of the hotel. Yeah, I see him. Looks like the whole Mallard mob. This ain't gonna be very easy. King and Wayne are there, but I don't see Billy. No, sir. I don't either. Those two are the ones to watch. Chester, don't let them start a play. Yes, Mr. Dillon. I understand. Here comes Marshall. Mr. Mallor King. I want that boy of yours. What's he charged this time, Dylan? Murder. That girl died. She died. Now, where's Billy? Where did you get the idea he had anything to do with him? Half a dozen people saw him fire the shots from the street. Well, I say he wasn't near that spot. Well, don't say it to me. Say it in court. Now, where is he? King? Marshall, there's 40 of my riders standing here in the street, every one of them packing a gun. I suppose you just turn around, start walking. I said, where's Billy? All I got to do is give the word, Dylan. These boys will drop you right in your track. You're not giving anybody the word, King. Buckshot's got a pretty fair spread. Note the first sign of any move by this bunch and I'll get you and Wayne with one blast. Now you better warn him, King. Dylan, you're barking up the wrong tree here. Billy rode out of town, headed south. That's his horse tied there to rail, isn't it? All right, where is he, King? Inside the hotel. Now look, Marshall, there's no call for all this. Maybe Billy did get a little bit out of line. He's always been a high spirited young un. But there's no reason for us to lose our heads. You know. You got no case against him. Every one of my men here will swear he wasn't anywhere near that shoot. They'll get their chance at the trial. Well, now, that's just trouble. We can't hang around here waiting for a trial. Cost me money, but I'm willing to spend quite a bit, Marshall, to avoid the inconvenience. Never mind, King. Don't be a fool. Marshalla. Wayne, move over a little closer to him. All right, that's it, right there. All right, the rest of you men, fish your guns out and drop them on the ground. Now, slow and easy. No sudden moves. Watch him. Check. Yes, sir, I am. All right, back up now, out into the street away from those guns. A whole bunch of you move. Here, Chester, take the shotgun. Keep him covered. Yes. Find it now, just like you are. Nobody will get hurt. Dylan, what you gonna do? I'm going in the hotel and bring out that kid. Watch him, Chester. Yes, Mr. Dillon. Yeah. Upstairs. Alone? Yes, sir. Everybody else cleared out. Oh, now's your time. Go ahead if you want. The mallards won't bother you. Thank you, Marshall. The best of luck to you. Billy. Billy, you better give up. Bill. 8. You haven't got a chance if you know what's good.

[Ed Hurley]

Now hold it, Billy.

[Mike Waring]

Throw your gun out into the hole. I'm gonna kill you, Dylan. It's your last chance, Billy. Now come out under the hall and give yourself up it. Dylan.

[Ed Hurley]

Dylan.

[Mike Waring]

Was that. Is he dead? Yeah. I gave him two chances. He wouldn't take them. Headstrong. Always was. Guess maybe. Maybe I didn't bring him up right. It's too late to worry about that now. But I'm sorry, King. For Billy and for the girl. Both. He had it coming. I know that, Martin. I tried to stop it too late, the only way I knew. But you wouldn't bluff. Tom.

[Bonnie Shaw]

Go get him.

[Mike Waring]

We'll have to bury him in Kansas. All right, King. We'll be leaving Dodge right after. Gunsmoke under the direction of Norman McDonald, stars William Conrad as Matt Dillon, U.S. marshal. Tonight's story was specially written for Gunsmoke by Les Crutchfield with music composed and conducted by Rex Corey. Featured in the cast were Sam Edwards, John Dana, Lawrence Dobkin, Harry Bartel, Charlotte Lawrence, and Barney Phillips. Lari Bear is Chester and Georgia Ellis is Kitty. Gunsmoke is heard by our troops overseas through the facilities of the Armed Forces Radio Service. Join us again next week as Matt Dillon, U.S. marshal, fights to bring law and order out of the wild violence of the west in Gunsmoke. Every Sunday evening, CBS Radio presents My Little Margie, a hilarious comedy show starring Charles Farrell and Gail Storm. It's a worthy addition to the Sunday Funday lineup, a program that's packed with laughs from start to finish. Listen for My Little Margie on most of these same stations tomorrow night, presented by CBS Radio. This is the CBS Radio Network. It Sam.

[Ed Hurley]

There'S more from the Adventures of the Falcon, Gunsmoke, the Relic Radio show, and all of the Relic Radio podcasts and our shoutcast stream at the website relicradio.com. you can find us on Spotify, search for Relic Radio Network, or click on one of the Spotify links on the website. And while you're there, click that donate button. Your support makes all of this possible. Thanks to those who have helped out. Thanks for coming joining me this week. I'll be back tomorrow with an hour of mystery on Case Closed and next Tuesday with our next episode of the Relic Radio Show.