
We begin with Vincent Price in The Saint, on this week's Relic Radio Show. We'll hear his broadcast from April 30, 1950, titled, The Murder Of A Champion. (28:54) The Adventures Of The Falcon follows with, The Case Of The Puzzling Pinup, from November 19, 1950. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/RelicRadio989.mp3 Download RelicRadio989 | Subscribe | Spotify | Support The Relic Radio Show If [...]
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Announcer
This is the relic radio show. Old time radio entertainment still standing the test of time from relicradio.com welcome to the Relic Radio show where we feature two Golden Age radio stories every Tuesday on relicradio.com. our first story features Vincent Price as the saint. We'll hear the murder of a champion from April 30, 1950. After that, it's the adventures of the falcon and the case of the puzzling pinup. That story aired November 19, 19.
Narrator
The adventures of the saints starring Vincent Price,
Louis (Cab Driver)
The Saint.
Narrator
Based on characters created by Leslie Charteris and known to millions from books, magazines and motion pictures, the Robin Hood of modern crime now comes transcribed to radio starring Hollywood's brilliant and talented actor Vincent price as
The Saint (Simon Templar)
the saint.
Joe Collins
Hello, Mr. Templer?
Simon Templar
Yes.
Joe Collins
Joe Collins. Remember me, Joe?
Louie
Sure I do.
Simon Templar
How are you, Chev? It's been a long time.
Joe Collins
Yeah, I know.
Simon Templar
Your fight still on for tomorrow night?
Joe Collins
Yeah.
The Saint (Simon Templar)
Say, could you do me a big favor, Saint?
Joe Collins
Could you come down to the gym right away?
Simon Templar
Sure, but what is it?
The Saint (Simon Templar)
I'll tell you when you get here. I need to talk to somebody I can trust.
Joe Collins
I need to real bad.
Simon Templar
Ah. I'll phone for a cab and be there in 20 minutes.
Joe Collins
Oh, thanks, saint.
Louis (Cab Driver)
Thanks.
Simon Templar
Oh, don't thank me, Joe. After all, I've got a bet on you tomorrow night. I've got to protect my investment.
Joe Collins
You got a bet on me? Call it off, Saint. Call it off.
Louis (Cab Driver)
What?
Joe Collins
So long.
Louis (Cab Driver)
Yes, Louie? Mr. Templar, your cab is here.
Simon Templar
Oh, come on in, Louie.
Louie
I'll be with you in a minute.
Louis (Cab Driver)
Maybe you should better open the door right away.
Simon Templar
Well, why didn't you come in, Louis? The door was up.
Louie
He's asleep.
Simon Templar
Oh, who is that?
Louis (Cab Driver)
Sleep, Mr. Templar.
Louie
Look down, Louie.
Simon Templar
It's a baby.
Louis (Cab Driver)
You are so right.
Simon Templar
But why did you bring him here?
Louis (Cab Driver)
I found him here on your doorstep, Mr. Templar.
Simon Templar
Louie, don't you look at me that way.
Louis (Cab Driver)
Who ain't opened his mouth? Even Louis.
Simon Templar
Well, let's get him inside.
Louie
You want to carry him?
Louis (Cab Driver)
Maybe you better.
Louie
All right, up we go.
Louis (Cab Driver)
Oh, he's waking up.
Louie
He's cute, he is.
Simon Templar
What's your name, old fella?
Donnie (Child)
Oh, Danny.
Ms. Barton (Nurse)
Hey, he talks.
Simon Templar
What's your last name? Danny.
Donnie (Child)
Daddy.
Simon Templar
Danny. Danny, how did you get here? Danny.
Louie
Danny.
Louis (Cab Driver)
Let me try him, Mr. Temple. I got away with kids. Danny, tell your uncle Louie how you got here, huh?
Donnie (Child)
Hey, Donnie.
Louis (Cab Driver)
The gold mine of information.
Louie
Wait a minute. Look, there's a note pinned on his coat.
Louis (Cab Driver)
I understand that's traditional in such cases.
Donnie (Child)
Hey, darling.
Louie
Just a minute, Danny. Here, please, please. Keep him for a few days.
Simon Templar
And don't tell anyone, not even the police.
Louis (Cab Driver)
Sounds like trouble, Mr. Templar.
Simon Templar
Yes, it does.
Louis (Cab Driver)
Well, I guess you won't be needing my cab now, huh?
Louie
Hey, the champ. I forgot.
Simon Templar
Louie, how are you as a babysitter?
Louis (Cab Driver)
Who mid? Oh, no, wait a minute, Mr. Templer. I'm a cab driver. You can't drive while you sit. My locals got rules.
Simon Templar
I'll be back in an hour. Louis, just to make it official, I'll borrow your cab.
Louis (Cab Driver)
Hey, hey, hey, what are you. It looks kind of funny on you at that. Hey, look at the funny man with the hat.
Sam Chadwick (Manager)
Donnie.
Louis (Cab Driver)
Isn't that funny?
Simon Templar
See you later, Louie.
Louie
Come on.
Frankie
Can you use a little more left there.
Louis (Cab Driver)
Get your shoulder under it.
Simon Templar
That's it.
Joe Collins
That's better.
Simon Templar
Excuse me, but where could I find Joe Collins?
Frankie
Hold it a minute there, kid.
Louis (Cab Driver)
Hold it.
Frankie
The chair. He's right there, my friend, on a table. We're getting a rub down.
Louie
We?
Frankie
Yeah, Chadwick. The name's Sam Chadwick. I'm the chair's manager.
Simon Templar
Oh, I'm Simon Templar. Joe said he wanted to see me.
Frankie
Well, we did, eh? Well, I don't remember us doing that. Well, let's go in. Come on, let's go in. Take a blow, kid. I'll be right back.
Simon Templar
How's Joe feeling?
Frankie
Oh, we're in the greatest shape of our lives. The greatest. That fish Shelley hasn't got a chance tomorrow night. Don't belong in the same ring with us.
Simon Templar
Two against one. Hardly themed stare chorus, huh?
Louie
Oh, yeah.
Frankie
Well, here we are, Mr. Templet. Hey, Chip. You know this Chip?
Louie
Sure.
Joe Collins
How are you, Saint?
Simon Templar
I'm good, Joe. How have you been?
Frankie
In the pink. The absolute rose colored pig.
Louis (Cab Driver)
I've been all right, that's enough, George, thanks.
Simon Templar
Hey, you want to talk now, Joe? Got here as soon as I could talk.
Frankie
Want to bow? We got anything to talk to Mr. Tuppler about, champ?
The Saint (Simon Templar)
Saint is.
Louis (Cab Driver)
The fact is.
The Saint (Simon Templar)
Well, I'm sorry I called you. It was a mistake.
Simon Templar
It sounded pretty serious, Joe.
The Saint (Simon Templar)
Well, I. I guess I. I'm worked up for the fight tomorrow night with Michelle. You get, well jumpy. It's the training that does it.
Frankie
Yeah, sure, that's it.
Sam Chadwick (Manager)
We're on edge.
Frankie
You know, race a sharp condition. We always get this way right before a fight. With us, it's a sign.
The Saint (Simon Templar)
Sorry I bothered you, Saint. I. I'm sorry.
Simon Templar
And if you're sure you don't need me, I guess that's it.
Louis (Cab Driver)
Yeah, sure.
Frankie
And look, if you want to make yourself some easy money, Mr. Templar. Sock it on. A champ to win tomorrow night. We won't even draw a deep breath.
Simon Templar
I've already got my money down, Mr. Chadwick. On Joe.
Louis (Cab Driver)
Ah, that's great.
Frankie
That's the greatest cinch. Better the entire season.
Louis (Cab Driver)
Sam Saint, call off your bet?
Simon Templar
No, I think you're a pretty good man, Joe. In the ring and out. Morning, Louie.
Louis (Cab Driver)
Hi, Mr. Templer. Came over as soon as I got your call. How are you?
Simon Templar
I'm not so good.
Louis (Cab Driver)
I have your responsibility, being a father.
Simon Templar
Yeah, I'm getting some help. Fortunately, I phoned an employment agency, sent over a nurse.
Louis (Cab Driver)
That's a shrewd move, Mr. Templer. There's nobody quite has a woman's touch like a woman has. You know what I mean?
Simon Templar
Well, it's deep, but I'll figure it out.
Louie
Come on in and see Donnie.
Joe Collins
Where is he?
Simon Templar
In bed.
Louis (Cab Driver)
Oh, keeps pretty late hours.
Simon Templar
You'd be tired, too, if you said Donnie 15,000 times a day.
Louis (Cab Driver)
How are you, Donny, old man, huh? If you like talking this morning, watch me. Watch me get some information out of him, Mr. Temple. You just got to be firm.
Simon Templar
Well, I wish you luck, Louie.
Louis (Cab Driver)
Donny. What's your last name? Who brought you here? Where are you from, huh?
Sam Chadwick (Manager)
Donnie.
Donnie (Child)
Donny.
Sam Chadwick (Manager)
Donny.
Simon Templar
At any rate, he's consistent. Oh, that must be the nurse.
Ms. Barton (Nurse)
Mr. Templar.
Simon Templar
Yes.
Louie
Come in.
Ms. Barton (Nurse)
Thank you. I'm Ms. Barton, Mr. Templar. The agency sent me over.
Simon Templar
Right in here, Ms. Barton. Ms. Barton. This is my friend Louis.
Louis (Cab Driver)
How did you.
Simon Templar
And your charge, Donnie.
Ms. Barton (Nurse)
Hello, Donnie.
Simon Templar
Well, he seems to approve of you, Ms. Barton.
Ms. Barton (Nurse)
He's beautiful, Mr. Templar. Don't you think so, Louis?
Simon Templar
And I consider him one of the most beautiful babies we have ever seen. Right, Louie?
Louis (Cab Driver)
Right. Talks fluently, too, says Donnie.
Ms. Barton (Nurse)
Come here, darling.
Simon Templar
I'm going to have to go out
Louie
for a while, Ms. Barton.
Simon Templar
Ms. Barton?
Sam Chadwick (Manager)
What?
Ms. Barton (Nurse)
Oh, excuse me, Mr. Templar.
Simon Templar
I said I'll have to leave for a short while and I'll be back. We can discuss arrangements then, huh?
Ms. Barton (Nurse)
Arrangement.
Sam Chadwick (Manager)
Oh.
Ms. Barton (Nurse)
Oh, anything will be all right, Mr. Templar.
Donnie (Child)
Anything at all.
Simon Templar
Well, I'll call if I'm more than an hour.
Louie
Goodbye. Goodbye. Dining.
Donnie (Child)
Oh, Danny.
Louis (Cab Driver)
Hey, tell your Uncle Louie.
Simon Templar
Goodbye.
Louis (Cab Driver)
Donnie.
Donnie (Child)
Danny.
Louis (Cab Driver)
Better than nothing. Where to, Mr. Templar?
Simon Templar
I want to go see Kid Fishel.
Louie
Louie.
Louis (Cab Driver)
Well, the guy that's fighting columns tonight.
Joe Collins
Yes.
Simon Templar
I wasn't at all satisfied yesterday that Joe Collins didn't have something to tell me.
Louis (Cab Driver)
Something going on there, Mr. Templar? You got Donny. How many mysteries can you handle at one time?
Simon Templar
Sometimes One and one can be added together to get one, Louie.
Louis (Cab Driver)
What does that mean?
Simon Templar
Just a hunch as yet.
Louis (Cab Driver)
Oh, I thought they came out with a new multiplication table. I ain't even learned the old one yet. Well, shall we be off, Mr. Templer?
Simon Templar
There is an obvious answer to that, Louis, which I shall spare you. Let us by all means be off.
The Saint (Simon Templar)
Yes?
Simon Templar
My name is Templar. Simon Templer. They told me down at the desk this was Kid Fishell's suite.
Joe Collins
It is.
Sam Chadwick (Manager)
Come in. Thank you.
Louis (Cab Driver)
To their school.
Sam Chadwick (Manager)
Ms. Templer, one of kids sparring partners.
Louis (Cab Driver)
How are you, chum?
Louie
How do you do?
Sam Chadwick (Manager)
My name is Alexander. Fritz Alexander.
Simon Templar
You manage Kid Fishel?
Sam Chadwick (Manager)
I look after him. And very well too, eh, Frankie?
Louis (Cab Driver)
The best, Mr. Alexander.
Simon Templar
Can I see the kid, Mr. Alexander?
Sam Chadwick (Manager)
Unfortunately, right now he's sleeping. Go down the way in for the fight in an hour.
Simon Templar
Then perhaps I can talk to you about the fight, huh?
Sam Chadwick (Manager)
It would be a pleasure. I can discuss the kid with the hour and never tire. I'm quite fond of him, you see. He's a perfect young machine. Strong, healthy, handsome. He wants the championship. He shall have it. Nothing can stop him.
Simon Templar
You sound quite confident. I am.
Sam Chadwick (Manager)
If I didn't think he could win, I wouldn't send him into the ring tonight. I wouldn't take a chance on his being hurt. I won't have him hurt. You understand?
Louis (Cab Driver)
Don't worry, Mr. Alexander, he ain't gonna get hurt.
Louie
Yes.
Sam Chadwick (Manager)
You see, Mr. Templer, I can become quite emotional over the kid. Usually I'm. I'm not an emotional man.
Louie
I see.
Simon Templar
And does Joe Collins know that the kid is not to be hurt?
Sam Chadwick (Manager)
He knows.
Simon Templar
You're telling me that the fight is fixed?
Louis (Cab Driver)
Hey, watch your mouth, chum.
Sam Chadwick (Manager)
I'm not telling you anything, Mr. Templar. But whoever you are, whomever you represent, remember this. The kid wants the championship and he shall have it. Because I find pleasure in giving the kid what he wants. And if anything or anyone stands in my way. No, Mr. Templar, I refuse to be worried by you. The kid will not be hurt.
Louis (Cab Driver)
Good day. Mr. Alexander said good day, chum.
Simon Templar
Thank you for interpreting Frankie and Mr. Alexander. My money still rides on Joe Connecticut.
Sam Chadwick (Manager)
In that case, Mr. Templer, I hope you can spare it.
Louie
Good day.
Louis (Cab Driver)
So long, chum. Mr. Templar.
Sam Chadwick (Manager)
Mr. Templar.
Louis (Cab Driver)
Been looking for you.
Simon Templar
What is it, Louie?
Louis (Cab Driver)
I called your house to check if everything was all right like you told me. And Ms. Barton said Sam Chadwick have been calling. Wants you to call right away.
Simon Templar
Hey, that's Joe Collins.
Louie
His manager, Louie. Wonder what he wants.
Louis (Cab Driver)
I don't know, but it's supposed to be urgent. Here's the number. And there's a phone booth out here by the elevator.
Louie
Oh, thank you, Lou.
Joe Collins
Hello?
Simon Templar
Mr. Chandry?
Ms. Barton (Nurse)
Yeah.
Frankie
Yeah, who's this?
Simon Templar
Simon Templer, Mr. Chandry.
Frankie
Oh, Mr. Templer. Hey, I've been trying to get you. I've been trying to get everybody that Joe knows. The champ is gone.
Simon Templar
Gone?
Louis (Cab Driver)
Gone where?
Sam Chadwick (Manager)
I don't know.
Frankie
There's 50,000 already in the box office for the fight tonight. And he walks out? He can't, Jonas.
Simon Templar
You mean we can't do this?
Joe Collins
You're in on it too.
Simon Templar
Skip it. Have you got any idea where Joe went to?
Frankie
I think he went out to get blind. The guy must be crazy. I'll find him. Will you, Mr. Tley? You got to.
Simon Templar
And I'll do what I can.
Frankie
I'll pay. I'll pay anything.
Joe Collins
Anything within reason, that is.
Frankie
The fight has to go on.
Simon Templar
Well, I'll do what I can. This is one fight I wouldn't like to miss.
Louis (Cab Driver)
This must be about the last bar in town. Mr. Templar. I ain't hit so many bars since the night my nephew went into the navy.
Simon Templar
And if we don't have any luck here, I'm about ready to give up.
Louie
Louie.
Simon Templar
Come on, let's give it a try.
Louis (Cab Driver)
You see him?
Louie
No, I. Yeah.
Simon Templar
Yeah, I do. Down at the end of the bar.
Louis (Cab Driver)
She looks sober.
Louie
I don't know.
Simon Templar
You wait here, Louie. Hello, Joe.
The Saint (Simon Templar)
Oh, hello, Saint. What brings you here?
Simon Templar
Looking for you, champ. You been drowning your troubles?
Sam Chadwick (Manager)
No.
The Saint (Simon Templar)
I started to, but. No, I'd forgotten I was champion.
Louie
And when you.
The Saint (Simon Templar)
Champ, there's a pride that goes with it. I'd forgotten I had that pride.
Simon Templar
Care to tell me what's wrong, Joe?
Louie
I'll tell you.
The Saint (Simon Templar)
Sure. Maybe I should have told you yesterday, but things got very bad after I phoned you.
Louie
How bad?
The Saint (Simon Templar)
I can't win this fight tonight, Saint.
Simon Templar
You can't beat Kid Fishell.
The Saint (Simon Templar)
I can't try to beat him.
Louie
He won't let me.
The Saint (Simon Templar)
He got my son.
Simon Templar
Huh? Who's they?
The Saint (Simon Templar)
Joe Alexander. I guess he had somebody do it. I knew he was a little crazy, but I didn't think he was that crazy. I guess Marie was in on it, too.
Simon Templar
Marie?
Louie
That isn't your wife?
The Saint (Simon Templar)
Was my wife. She left me right after the kid was born, two years ago. She's no good.
Simon Templar
And if you don't let Fichelle win tonight.
The Saint (Simon Templar)
Yeah, it's nice, isn't it?
Louie
What can I do, Sage? Joe, what's the name of your Son. Don. Donnie, come on.
Louis (Cab Driver)
Where?
The Saint (Simon Templar)
What for?
Simon Templar
I'll explain in the cab.
Louie
Joe.
Simon Templar
We've got to get to my place. Right. This way, Joe.
Louis (Cab Driver)
Right behind you.
Louie
Saint.
Louis (Cab Driver)
Mr. Templar in front door.
Louie
So, Donnie.
The Saint (Simon Templar)
Donnie, boy, are you here?
Joe Collins
Donnie.
Louie
Wait a minute, Joe. What? Behind that couch.
Louis (Cab Driver)
That's Ms. Barton.
Louie
Oh, no.
Louis (Cab Driver)
Marie. Marie?
Louie
Yeah. Danny's mother.
Simon Templar
Louie.
Louie
Joe's wife. Marie.
Joe Collins
Marie.
Louie
She hurt bad? I don't know.
Sam Chadwick (Manager)
I.
Louie
Here, now. Let me help you. Joe, I. Oh, I'm afraid.
Charles Sylvester Braden Senior
No.
Louie
Marie. Marie, can you hear me?
Ms. Barton (Nurse)
Oh, Joey. I didn't know what they were doing until yesterday. Then I got Donnie and left him here where he'd be safe. This morning I took the place of a girl who sent over as a nurse. But I guess they followed me.
Louie
Who did?
The Saint (Simon Templar)
Alexander?
Ms. Barton (Nurse)
No, no, not him. He sent somebody. They took Donnie. I tried to stop them, but they.
Louie
Where did they take him? Do you know?
Ms. Barton (Nurse)
I think the training camp on the river right above Milford.
The Saint (Simon Templar)
I know the one.
Louie
Joey. Yes, Marie?
Ms. Barton (Nurse)
Isn't Donnie the most beautiful boy you ever saw? Marie, I know that this is what all mothers say, but isn't he really.
Louie
He is, Marie.
Ms. Barton (Nurse)
And Joey, when he gets old enough, will you just tell him. Just tell him that his mother loved him very much. Just that. Not all the rest.
Louie
Just that. Marie.
Ms. Barton (Nurse)
Thanks, Joey. You're
Louis (Cab Driver)
Marie.
Louie
I'm sorry, Joe. She gave her life for Donnie. Yes, she did. Now we've got to find him. I'll find him.
The Saint (Simon Templar)
And if they've done anything and.
Louie
No, Jo, if you do find him, they might. Well, look, I'll go after him.
Louis (Cab Driver)
I'll go along.
Louie
Mr. Templer.
Sam Chadwick (Manager)
I don't like the guys that did this.
Louie
Thanks, Louis.
Simon Templar
You better go down to the arena,
Louie
Joe, and we'll let you know as soon as we can.
Ms. Barton (Nurse)
All right?
The Saint (Simon Templar)
I guess it wouldn't be much use in finding Donnie. I'd probably put him in more danger.
Louie
Joe, do you want me to. No.
The Saint (Simon Templar)
No, I'll look after Marie.
Louie
She was my wife. This looks like the place, all right. Mr. Templar. Want to look through that window where the light is? All right, Louie, come on. Sorry. Twig. Keep down, Lily. I'm gonna take a look. What did you see? This is it. Danny's in there and that pug Frankie that I met with Alexander. You think we can take him? I think so. He's listening to the radio. Come on, let's see if we can get in the back way.
Sam Chadwick (Manager)
If you say so, Mr. Templer.
The Saint (Simon Templar)
Come on.
Louie
You got that tire iron, Louis?
Louis (Cab Driver)
Not only have I got it, I
Louie
love it like a brother. Good. Here's the kitchen door. Is it open? Yeah. We're in luck. Come on in, Louis. Quiet.
Joe Collins
And here at ringside, we're watching the
Louis (Cab Driver)
introduction of various celebrities by the ring announcer before the Collins Fischel title goes.
Joe Collins
Pat Kavotny, clever young welterweight from Syracuse, has just been introduced from the ring.
Louis (Cab Driver)
Gets a nice hand.
Sam Chadwick (Manager)
And now there goes I Spy with that guy.
Louis (Cab Driver)
Two months and the night he's to win the title.
Sam Chadwick (Manager)
I'm playing nurse maid.
Louis (Cab Driver)
What are you laughing about?
Donnie (Child)
Oh, darling.
Sam Chadwick (Manager)
Ah, shut up, Louie.
Louie
Stand beside the door. I'll try to get him out here in the kitchen. And when I do, just get him out here, Mr. Templer. I'll take it from there.
Simon Templar
Here you go.
Sam Chadwick (Manager)
Hi, Frankie.
Donnie (Child)
What?
Louis (Cab Driver)
Who's that?
Simon Templar
You've got company.
Louis (Cab Driver)
Who's in there?
Simon Templar
Little Boy Blue.
Louis (Cab Driver)
Wise guy, are you? Well, you'll end up so full of
Frankie
holes that you'll look like
Simon Templar
Bullseye Louie.
Louis (Cab Driver)
That was for Marie, Mr. Templar.
Simon Templar
Yeah. Should keep him quiet until the police get here.
Louis (Cab Driver)
Maybe I should give him another one for myself.
Simon Templar
I know how you feel, Louie, but no.
Louie
Let's get Donnie and get out of here, huh?
Louis (Cab Driver)
Sure, Mr. Temple.
Louie
How are you, Donnie?
Louis (Cab Driver)
Say hi to your Uncle Louie, Donnie.
Donnie (Child)
Hello, Donnie.
Sam Chadwick (Manager)
Can't you say hi? Hi.
Donnie (Child)
Hi.
Louis (Cab Driver)
I learned him a new word.
Sam Chadwick (Manager)
How about that, Mr. Templar?
Louis (Cab Driver)
Now he can say two words.
Louie
Yes.
Simon Templar
You have a way with you, Louie.
Louis (Cab Driver)
What do you say to Uncle Louie, Donnie?
Donnie (Child)
Hi.
Sam Chadwick (Manager)
That's it.
Louis (Cab Driver)
And what's your name?
Ms. Barton (Nurse)
Donnie.
Donnie (Child)
Hi, Louie.
Simon Templar
You should have given up while you were ahead.
Louie
Come on.
Louis (Cab Driver)
Hey.
Donnie (Child)
Hey. You can't go in there. That's a chance. Dressing room. Nobody allowed in.
Simon Templar
Fight's not over, is it?
Donnie (Child)
Not yet. Six round. But Collins has taken an awful pace. And I was just up there.
Louie
Look, kid, get this straight.
Simon Templar
There isn't much time. Go up to Joe Collins's corner. Tell him Simon Templer has Donnie here safe. Have you got that?
Donnie (Child)
Sure, but I can't go up there. And here, look.
Simon Templar
Does this persuade you?
Donnie (Child)
Yes, sir, Mr. Temple. Thank you. I'll tell him right away.
Ms. Barton (Nurse)
Okay.
Simon Templar
Right. Let's go in and sit down.
Louie
Louie.
Simon Templar
Donnie's about all in.
Louis (Cab Driver)
Yeah, look at him. He can't keep his eyes open. Why couldn't we go right up to Joe's corner ourselves, Mr. Temple?
Simon Templar
Couldn't risk it with Donnie. I couldn't tell what Alexander might do.
Louis (Cab Driver)
Yeah, sure. Oh, poor Joe. You think we got here in time?
Louie
I don't know, Louie. I don't know.
Louis (Cab Driver)
I must be taking a beating and can't fight back.
Louie
Yeah, but he can.
Louis (Cab Driver)
Now he's got anything left to fight with. Quiet up there now.
Simon Templar
Must be the end of a round.
Louis (Cab Driver)
See that crowd noise? I. I never heard it from down here.
Sam Chadwick (Manager)
You know, it scares you.
Louie
It should, Louie.
Simon Templar
The voice of the mob howling for blood. Same voice that howled in the Coliseum
Louie
at Rome 2000 years ago.
Louis (Cab Driver)
For whose blood?
Louie
The champs are for shells.
Simon Templar
Mob doesn't care, Louie. Just blood.
Sam Chadwick (Manager)
Yeah. Scares you.
Louis (Cab Driver)
What makes people go to these things, Mr. Templar?
Sam Chadwick (Manager)
Will they ever stop?
Louie
No, they.
Simon Templar
They go because this is an allegory of their own lives, Louis. They'll stop when their lives cease to
Louie
be conflict and pain.
Louis (Cab Driver)
And when will that be?
Louie
That's a good question.
Louis (Cab Driver)
Hey, light's starting up again. It means the champ is still on their speed anyway.
Louie
Come on, Joey boy. Come on.
Louis (Cab Driver)
Come on. Hey, is it wrong to root, Mr. Temple?
Simon Templar
We're all part of the crowd, Louie, one way or another.
Louis (Cab Driver)
Yeah, something is happening up there. They don't yell like that for nothing. Come on. Come on, Joey. Come on, Joey. Do it. You can do it, Joey. Donnie's down here. You can fight now, Joey.
Simon Templar
Careful of that tire iron, Louie.
Louis (Cab Driver)
Oh, sure, sure. I'm sorry.
Simon Templar
Come on.
Louis (Cab Driver)
The straight left, champ. Come on. A straight left in the face, Joey, and cross with the right. Oh, what am I talking about? I can't even see him.
Louie
Come on, Joe. Come on.
Louis (Cab Driver)
Yeah, you too, Mr. Temple.
Simon Templar
Yeah, me too, Louie.
Louis (Cab Driver)
Something happened. Mr. Temple. That was too short for a round. That was a knockout.
Louie
It was Louis. But who?
Louis (Cab Driver)
Yeah. Yahoo. Oh, keep everything crossed, Mr. Templar. Fingers, toes, eyes, everything.
Simon Templar
Maybe he didn't get our message, Lou.
Louis (Cab Driver)
Mr. Templar. Don't say that.
Simon Templar
Sounds like people coming down the hall.
Louis (Cab Driver)
Yeah, but Joey could know. One would have had too much taken out of him. He couldn't have come back after.
Frankie
Hey, we took him, Mr. Temple.
Donnie (Child)
We took him.
Mr. Wingate (Editor)
Clear everybody out of here, will you?
Donnie (Child)
Yeah, you hoist everybody out.
Frankie
Come on, give us a chance to get our breath, will you?
Donnie (Child)
Everybody out. Come on, fellas.
Frankie
Come on, will you, fellas?
Sam Chadwick (Manager)
Come on. Come on. That's it. Hola, champ.
Frankie
Hey, that was a great fight. I thought it was even better than the one we fought against Babyface. Oh, boy, am I proud of us, Joe.
Louis (Cab Driver)
Thanks, Sam.
Frankie
Well, you gotta excuse me now.
Mike Waring (The Falcon)
I got some dough to collect.
Louie
Donnie. Donnie, come on now, wake up and
Simon Templar
say hello to your daddy.
The Saint (Simon Templar)
No, now let him sleep, Saint. I'm not very pretty right now, but you should see Fischel.
Louis (Cab Driver)
You clobbered him, champ.
Simon Templar
Good.
The Saint (Simon Templar)
He was a very Surprised, young man?
Louie
Yeah.
Simon Templar
How about Alexander?
Louie
I don't know.
The Saint (Simon Templar)
I didn't see him.
Louis (Cab Driver)
After it was over, I rushed right
Simon Templar
down here and I'd better get the police on his trail. He might be able to get away
Louie
if I don't tell them to
The Saint (Simon Templar)
Alexander.
Sam Chadwick (Manager)
Joe, did you think you could get away with it? And, Joe, did you think I'd stand by and see you?
Simon Templar
That gun Must be heavy, Mr. Alexander. You'd better put it down.
Louie
No.
Simon Templar
The police won't like your negative attitude. What do I care?
Sam Chadwick (Manager)
After what he did to the kid, do you think I care any more about anything?
Simon Templar
The kid will be all right. He was just knocked out.
Sam Chadwick (Manager)
Just. Just that beautiful physical machine. Blooded ballads stretched out in the dirt.
Louie
Oh.
Sam Chadwick (Manager)
Do you think the kid can ever feel the same again? Do you think I can ever feel about him as I did? He had the championship. Had it before Collins double crossed us.
Simon Templar
That's one way of looking at it.
Sam Chadwick (Manager)
Why didn't you keep out, Mr. Templar? Why?
The Saint (Simon Templar)
Put the gun away, Alexander. You haven't a chance.
Sam Chadwick (Manager)
Maybe I haven't, but neither have you, Collins. I warned you not to hurt the kid, but you wouldn't listen.
Simon Templar
You're a sick man.
Sam Chadwick (Manager)
Perhaps I am. Perhaps the world is sick and I'm well. But I know what I'm going to do. You first, Collins. You know how the kid felt.
Simon Templar
Mr. Alexander, I'm afraid you'll have to take care of me first.
Sam Chadwick (Manager)
Stop where you are, Templar. Don't come any closer. I warn you once more, templa, and then I'm going to.
Simon Templar
Louie.
Ms. Barton (Nurse)
Nice work.
Louis (Cab Driver)
Lucky I kept this tire iron.
Louie
Yeah.
Louis (Cab Driver)
You know, I think he was serious.
Simon Templar
I don't think there's much doubt about it. A very twisted man, Mr. Alexander.
The Saint (Simon Templar)
Hey, look, Donnie's awake. You gotta smile for your old man, Donnie.
Donnie (Child)
Oh, Donnie.
Louie
Hi.
Simon Templar
Hey, he knows a new word.
Louis (Cab Driver)
How about that thing?
Simon Templar
Ain't that some kid? He's another champ, Joe.
The Saint (Simon Templar)
Oh, he'll be a champ in something. Not in this racket, but something good. Something he can take a real pride in.
Louie
He'll be proud of you, Joe.
The Saint (Simon Templar)
He'll be proud of his mother, too.
Louie
After I tell him about her.
Simon Templar
Just a minute.
Louis (Cab Driver)
Hi, Mr. Templar.
Simon Templar
Well, look who's here.
Louie
Hi, Danny.
Louis (Cab Driver)
Champ. Let me take him out for a walk. Hey, you know what, Mr. Templar? I've been teaching him all sorts of words. Honestly, Larry, the smartest kid there is. Watch this, Thompson.
Simon Templar
Templar.
Louie
Watch.
Louis (Cab Driver)
Donnie. What's my name?
Donnie (Child)
Wally.
Louis (Cab Driver)
How about that?
Sam Chadwick (Manager)
I'm a smart kid.
Louis (Cab Driver)
That's not all. Now, Watch this. Donnie, what's Mr. Templar's name?
Simon Templar
Something go wrong?
Louis (Cab Driver)
No, no, wait just a minute.
Louie
Wait a minute.
Simon Templar
Donnie.
Louis (Cab Driver)
Mr. Templar's name? All right. Something else. Donnie, where do you live? Donnie, what's your daddy's name? No. Goodbye, Mr. Templar.
Sam Chadwick (Manager)
Goodbye.
Simon Templar
Louie. Louie.
Louis (Cab Driver)
Louie.
Simon Templar
Louie, Louie.
Narrator
You have been listening to another transcribed Adventure of the Saint, the Robin Hood of modern crime. Now here's our star, Vincent Price.
Simon Templar
Ladies and gentlemen, there are certain things in our daily life which we take for granted. Only when we are deprived of them do we realize what precious commodities they really are. Air may become the most vital thing in the world to the suffocating man and water to the thirsty one. In the same way, freedom, when it is missed, suddenly becomes life's greatest treasure. In this country, we possess freedom.
Louie
It is part of us.
Simon Templar
It is our American heritage. This liberty, which we so casually accept was created and nurtured. It didn't just materialize. And so Americans are justly proud of their heritage. And much of the world around us is fascinated by it. If we are to justify our own pride and the yearnings of those in other countries, we must make this freedom a personal thing. We must take it as it was handed to us and preserve it. Preserve it with conscious effort. That is our job as Americans, as free men. For freedom is everybody's job. This is Vincent Price inviting you to join us again next week at this same time for another exciting adventure of the Saint. Good night.
Narrator
This Adventure of the Saint was written by Dick Powell. In our cast, you heard Larry Dobkin as Louis and Mary Ship as Marie. Sheldon Leonard played Sam and Bonnie Phillips. Joe Donnie was Jerry Hausner and Victor Rodman Alexander. Frank Gerstel was Frankie. The Saint, based on characters created by Leslie Charteris, is a James L. Sathir production and is directed by Helen Mack. Vincent Price is soon to be seen co starring with Errol Flynn and Mika Lynn Prell in William Marshall's production of Bloodline. All you Saint fans will be glad to know that the Saint comic books are now on all newsstands. Your announcer, Don Stanley. Three chimes mean good times on NBC. Who's on the Big show tonight? Listen. Bob Hope, Dean Martin and Jerry Lewis, Rosalind Russell, Frankie Lane, Dorothy McGuire, Louis Armstrong, Meredith Wilson and glamorous, unpredictable Tallulah. No wonder it's the Big Show. And Sunday evening also means another outstanding production by Theater Guild. On the air tonight, it's Boomerang, starring Kirk Douglas. Remember Bob Hope and Martin Lewis. Join the Big show today on NBC.
Commercial Announcer
The craft foods Company brings you the Adventures of the Falcon starring Les Demon.
Simon Templar
Hello?
Mike Waring (The Falcon)
Yes, this is the Falcon speaking.
Walter Shelley (Reporter)
Oh, Phyllis, I'm glad you called.
Mike Waring (The Falcon)
You'll have to give me a rain check, angel. I'm all tied up. But that's only temporary. Some efficiency expert is dropping around to demonstrate that if I plan my work properly, I'll have time to kill.
Commercial Announcer
This is Ed Hurley. He friends inviting you on behalf of the Kraft Foods company to listen to the Adventures of the Falcon. You met the Balkan first in his best selling novels. Then you saw him in his thrilling motion picture series. Now join him on the air when the Falcon solves the case of the Puzzling Pinup.
Laura Allen
Miracle Whip has a flavor so pleasing. Miracle Whip tastes so lively, so teasing. Miracle Whip, only one of its kind. Miracle Whip, best salad dressing you'll find.
Commercial Announcer
Miracle Whip is the only one of its kind because it's a different type of salad dressing. Made from a secret craft recipe. Miracle Whip combines the best qualities of old fashioned boiled dressing and fine mayonnaise. So it's truly distinctive and delicious with a flavor millions of folks call just exactly right. Try it, won't you? One taste will tell you why it's America's favorite salad dressing. The one and only Miracle Whip. Now the case of the Puzzling Pinup. It's Sunday afternoon in New York and a young man named Charles Sylvester Brayton II breaks all records, dashing up the steps of a small rooming house in New York's west side. And when he gets to the top floor, he begins hammering on the door of room 413.
Charles Sylvester Brayton II
Come on, Pat, open up.
Ms. Barton (Nurse)
Who is it?
Charles Sylvester Brayton II
You know who it is.
Frankie
Now open up.
Mike Waring (The Falcon)
Go away, Charles.
Simon Templar
No, no.
Charles Sylvester Brayton II
You can't send me away like this. I've got to talk to you.
Laura Allen
All right, just a second.
Charles Sylvester Brayton II
Lock it.
Laura Allen
No, it's all right. Nobody will disturb us.
Charles Sylvester Brayton II
I said lock it.
Laura Allen
Look, Charles, you're not well.
Charles Sylvester Brayton II
Don't you believe it for a second. Don't you see, Pat? It was just a scheme to keep us ap. But I fooled them.
Laura Allen
Charles, please don't lock that door.
Charles Sylvester Brayton II
What's the matter, Pat? Don't you trust me either?
Laura Allen
Of course I do. It's just that I don't like to see you so upset. Look, I've got an idea.
Charles Sylvester Brayton II
What are you doing with that phone?
Laura Allen
I was just going to call your father.
Louie
Put it down.
Laura Allen
But Char.
Simon Templar
Put it down.
Sam Chadwick (Manager)
So?
Charles Sylvester Brayton II
So you're working with them too.
Laura Allen
No, I'm not.
Charles Sylvester Brayton II
Then prove it. Marry me.
Laura Allen
You're in set.
Charles Sylvester Brayton II
What did you say?
Laura Allen
Nothing.
Mike Waring (The Falcon)
Charles, you're lying.
Charles Sylvester Brayton II
You were going to say I was insane.
Laura Allen
I wasn't.
Charles Sylvester Braden Senior
I swear.
Charles Sylvester Brayton II
I'll give you one last chance. I've got a car downstairs. Will you come with me?
Simon Templar
Look, Charles, answer me.
Laura Allen
But, darling.
Joe Collins
All right, Pat.
Charles Sylvester Brayton II
You had your opportunity.
Laura Allen
What are you doing with that gun?
Charles Sylvester Brayton II
I gave you your chance, Pat. You'll have to admit that.
Laura Allen
Darling, listen to me. I've changed my mind.
Charles Sylvester Brayton II
How do I know that you won't change it again?
Laura Allen
Charge. You can't do this. They'll hang you.
Lieutenant Webster
No.
Mr. Wingate (Editor)
No, they won't.
Charles Sylvester Brayton II
You see, I'll be dead.
Donnie (Child)
No.
Louis (Cab Driver)
Yes.
Charles Sylvester Brayton II
You don't think I'd let you go without Charles? Please don't be afraid.
Sergeant
Path.
Charles Sylvester Brayton II
I'll be right by your side.
Sergeant
Goodbye, darling.
Ms. Barton (Nurse)
No.
Lieutenant Webster
Oh,
Sergeant
Well, I was down in the basement fixing the border when I heard the shots, Mr. Shelley. So right away I got on the phone and called your newspaper.
Walter Shelley (Reporter)
Anybody else here in Driscoll?
Sergeant
Oh, no, it wasn't nobody else home.
Walter Shelley (Reporter)
What about the cops?
Sergeant
I ain't notified them yet. You know, that was smart, Driscoll.
Walter Shelley (Reporter)
We'll take care of you. All right. Where do we go now?
Sergeant
It's this room here. Okay.
Walter Shelley (Reporter)
Open the door. Well, what are you waiting for?
Sergeant
Your editor, Mr. Wingate, said you'd have a little present for me.
Walter Shelley (Reporter)
Oh, yeah?
Simon Templar
Yeah.
Walter Shelley (Reporter)
Well, I'll give you 50 when we get inside.
Sergeant
But Mr. Wingate promised me 100.
Walter Shelley (Reporter)
Okay, here it is.
Sergeant
Oh, thanks.
Walter Shelley (Reporter)
Thank you. Now, where's your pass key? Shut that door. What's the girl's name?
Sergeant
Patricia Brooks.
Walter Shelley (Reporter)
You know the guy?
Simon Templar
No.
Mike Waring (The Falcon)
Pull up the shade.
Walter Shelley (Reporter)
I want to get a good look at his pussy.
Sergeant
Holy smoke. What's the matter, Mr. Shelley?
Walter Shelley (Reporter)
Well, you know who this is? Charles Sylvester Braden ii.
Louie
Who?
Simon Templar
Skip it.
Walter Shelley (Reporter)
Hand me some flashbulbs. They're in a case by your feet.
Sergeant
Oh, okay.
Walter Shelley (Reporter)
You know, something tells me these shots are going to be every bit as sensational as Mr. Braden's.
Frankie
Don.
Walter Shelley (Reporter)
Hi, Mr. Wingate.
Mr. Wingate (Editor)
Hello, Shelly. I'm sorry that tip didn't pay off. The way the janitor spoke on the phone. I thought we had something.
Simon Templar
Huh?
Walter Shelley (Reporter)
What are you talking about, boss?
Mr. Wingate (Editor)
Yarn I sent you out on. Whole story just came over the ticker. Cops were just there.
Sergeant
Too bad.
Mr. Wingate (Editor)
There was nothing to it.
Walter Shelley (Reporter)
Nothing to it?
Commercial Announcer
Do you realize?
Mr. Wingate (Editor)
Look, Shelly, maybe in the hick town you come from, a pretty girl committing suicide is big news, but in New York, it happens every day in a week.
Simon Templar
Yeah, but what about? Well, what about what?
Walter Shelley (Reporter)
Well, what did the cops find?
Mr. Wingate (Editor)
The same thing you did dead girl named Pat Brooks holding a gun in her hand.
Walter Shelley (Reporter)
Nothing else?
Mr. Wingate (Editor)
What are you getting at? Should there have been anything else?
Walter Shelley (Reporter)
No, no, of course not.
Joe Collins
Where are your pictures?
Sergeant
Pictures?
Mr. Wingate (Editor)
That's what I sent you there for, remember?
Simon Templar
Where are they?
Sergeant
They? They ain't.
Walter Shelley (Reporter)
You see, I forgot to take a long film.
Lieutenant Webster
You what?
Joe Collins
I'm sorry, boss.
Walter Shelley (Reporter)
I feel like an awful jerk.
Mr. Wingate (Editor)
Okay, forget it. At least there was no harm done. But it'll teach you to be more careful in the future.
Walter Shelley (Reporter)
Oh, yeah, Yeah. I Learned my lesson, Mr. Wingate. I bet I'll pick up plenty from an experience. We're in the money.
Sergeant
We're in the money.
Walter Shelley (Reporter)
Yes, I'd like to see Mr. Charles Braden Senior, please.
Laura Allen
I'm afraid that's impossible. Mr. Braden's only son died yesterday in an automobile accident.
Walter Shelley (Reporter)
Yes, I know.
Simon Templar
I read all about it.
Walter Shelley (Reporter)
But I still think he'll see me. Tell him it's Walter Shelley of the Gazette.
Charles Sylvester Braden Senior
Who is it?
Walter Shelley (Reporter)
Laura, it's me, Braden. I'm the guy you spoke to on the phone this morning.
Joe Collins
Yes, yes.
Charles Sylvester Braden Senior
Won't you come in, sir?
Mike Waring (The Falcon)
Thanks.
Charles Sylvester Braden Senior
This is the young man I've been telling you about, Laura.
Laura Allen
Yes, So I gather.
Charles Sylvester Braden Senior
Ms. Allen is my secretary, Mr. Shelley.
Walter Shelley (Reporter)
Good enough.
Charles Sylvester Braden Senior
Now, suppose we get down to business. You told me you had some pictures I might be interested in.
Mr. Wingate (Editor)
That's right.
Charles Sylvester Braden Senior
May I see them, please?
Walter Shelley (Reporter)
Sure. Here they are.
Charles Sylvester Braden Senior
Very interesting.
Laura Allen
Like a drink, Mr. Chalet?
Walter Shelley (Reporter)
Well, thanks, doll face. Well, here's to what we all want.
Charles Sylvester Braden Senior
I'll join you in that, too.
Walter Shelley (Reporter)
Had time to look at those pictures yet, Mr. Braden?
Charles Sylvester Braden Senior
Yes, indeed.
Walter Shelley (Reporter)
Notice anything peculiar about them?
Charles Sylvester Braden Senior
I presume you mean that one of the bodies is that of my son Charles.
Walter Shelley (Reporter)
Yeah, and he's holding a gun.
Mike Waring (The Falcon)
So?
Walter Shelley (Reporter)
So when I heard that the cops only found one stiff, I immediately jumped to the conclusion that you must have taken care of the other by bribing the janitor of.
Charles Sylvester Braden Senior
But why should I do that?
Walter Shelley (Reporter)
Look, let's stop kidding each other, Braden. The guy with your name couldn't stand the disgrace. You wouldn't want to go through life known as the father of a murderer.
Charles Sylvester Braden Senior
There's something in what you say, Mr. Shelley. How much do you want?
Walter Shelley (Reporter)
Ten grand for the set of pictures you've got in your hand.
Charles Sylvester Braden Senior
And how much for the negatives?
Mike Waring (The Falcon)
Negatives?
Charles Sylvester Braden Senior
Oh, come, come, come. You mustn't take me for a child, Mr. Shelley. I'm aware of the elementals of photography. Now, where are those negatives?
Joe Collins
Cut it out.
Walter Shelley (Reporter)
Brady choked.
Commercial Announcer
Where are they?
Joe Collins
Give me a chance.
Charles Sylvester Braden Senior
All Right.
Walter Shelley (Reporter)
You could have killed me then.
Charles Sylvester Braden Senior
Negatives, please.
Sergeant
Yeah, sure.
Walter Shelley (Reporter)
Got them right here in my pocket.
Laura Allen
Mr. Braden.
Charles Sylvester Braden Senior
I'd advise you to put away that gun, sir.
Walter Shelley (Reporter)
You're not as smart as you think.
Charles Sylvester Braden Senior
Apparently not.
Walter Shelley (Reporter)
Wouldn't I be a chump to keep those negatives on me?
Simon Templar
Oh, no.
Walter Shelley (Reporter)
You're gonna pay for them, mister, and pay through the nose.
Mr. Wingate (Editor)
Hello?
Joe Collins
I'd like to speak to Mike Waring, please.
Mike Waring (The Falcon)
Who's calling?
Joe Collins
Walter Shelley.
Charles Sylvester Braden Senior
Who?
Joe Collins
Walter Shelley. I'm a reporter on the Gazette.
Mike Waring (The Falcon)
What can I do for you?
Joe Collins
You mean, what can I do for you? I understand you're one of the best
Walter Shelley (Reporter)
private dicks in New York.
Mike Waring (The Falcon)
Where do you understand that from?
Joe Collins
All the usual reliable sources. Don't they call you the Falcon?
Mike Waring (The Falcon)
Only when they can't think of anything worse.
Joe Collins
Look, will you be home for the next half hour?
Simon Templar
Why?
Joe Collins
Well, I'd like to come around, drop a fortune in your lap.
Simon Templar
Why?
Joe Collins
Well, let's just say it's only a few weeks before Christmas and I like
Walter Shelley (Reporter)
to play Santa Claus nice and early.
Joe Collins
I'll be seeing you, Erythro.
Commercial Announcer
This is Ed Herlihy again.
Lieutenant Webster
Friends, I have a little suggestion for you ladies who wonder what you're going to do for some interesting menu ideas. And my suggestion is this. Just get a two pound loaf of Kraft Smooth melting pasteurized processed cheese food.
Commercial Announcer
Velveeta.
Lieutenant Webster
You can melt Velveeta for smooth, delicious cheese sauce that'll add extra goodness to vegetables or seafood or rice or just plain toast for a fine main dish. And it's such an easy sauce to make. All you do is melt a half pound of Velveeta in the top of your double boiler. Notice how smooth it melts without any lumps at all. Then slowly stir in a quarter of
Mike Waring (The Falcon)
a cup of milk.
Lieutenant Webster
Season to your taste. And there you have it. A delicious cheese sauce with a wonderful rich yet mild cheddar cheese flavor. A flavor that everyone, the youngsters and grandma included, will enjoy often. And it's a wholesome dish because Velveeta is so rich in important food values from milk. So whether you melt Velveeta for a swell cheese sauce or slice it thick for hearty sandwiches, you'll find Velveeta is a mighty handy helper. Mother, get a two pound loaf tomorrow, won't you? It's America's favorite cheese food.
Commercial Announcer
The one and only Velveeta, made by craft. Now back to the Adventures of the falcon.
Mike Waring (The Falcon)
15 minutes have passed since Walter Shelley
Commercial Announcer
called Mike Waring with a promise to drop A fortune in his lamp. And now we find Mr. Shelley as
Mike Waring (The Falcon)
good as his word.
Lieutenant Webster
Yes?
Simon Templar
You're wary.
Mike Waring (The Falcon)
That's right. I'm Walter Shelley. Oh, you're ahead of schedule.
Simon Templar
Come on in.
Mike Waring (The Falcon)
Thanks. You said something on the phone about dropping a fortune in my lap.
Simon Templar
And I never lied.
Mr. Wingate (Editor)
Catch.
Mike Waring (The Falcon)
What's this?
Walter Shelley (Reporter)
That's what I promised in that envelope. A picture's worth half a million.
Mike Waring (The Falcon)
What makes them so valuable?
Walter Shelley (Reporter)
The pose.
Mike Waring (The Falcon)
You interested?
Sergeant
Go on.
Walter Shelley (Reporter)
This party will pay off plenty, Waring.
Louis (Cab Driver)
I know.
Mike Waring (The Falcon)
I've already seen them.
Walter Shelley (Reporter)
We've got all the angles covered.
Mike Waring (The Falcon)
We got a partner.
Walter Shelley (Reporter)
Of course, that means we'll have to split three ways, but it's worth it. Now, this partner of mine has a swell in. See, what we need is someone to handle the detail work. Tried another guy, but he couldn't see it.
Mike Waring (The Falcon)
What made you come to me with a swindle like this?
Walter Shelley (Reporter)
Look, you don't have to take that tone with me.
Louis (Cab Driver)
Wary.
Commercial Announcer
Oh, I don't.
Mike Waring (The Falcon)
All right, now get up.
Simon Templar
Hey, what's going on in here?
Sergeant
Mr. Waring, I was I was cleaning the hall and I heard a fuss.
Mike Waring (The Falcon)
No, it's nothing serious. George, will you get rid of this for me, huh? His character on the floor.
Simon Templar
Throw him out.
Sam Chadwick (Manager)
Oh, come on, buddy.
Louie
Get up.
Laura Allen
Come on, pal.
Mike Waring (The Falcon)
I have
Sergeant
Mr. Waring.
Lieutenant Webster
Yeah?
Sergeant
I think there's something matter with him.
Simon Templar
I know.
Mike Waring (The Falcon)
He ran into my fist. No, no, I I I mean, I
Sergeant
can't feel his heartbeat.
Louis (Cab Driver)
What?
Mike Waring (The Falcon)
Yeah, I think you killed him.
Lieutenant
All right, Waring, let's have the truth now. And don't give me any more stuff about pictures, because we didn't find any.
Mike Waring (The Falcon)
You didn't?
Louis (Cab Driver)
No.
Lieutenant
Why'd you kill Shelly?
Mike Waring (The Falcon)
I tell you, I didn't kill him, Lieutenant.
Lieutenant
You admit you slugged him?
Mike Waring (The Falcon)
Look, Webster, I may brag now and then, but I'm still no Joel Lewis. What do the autopsy report say?
Lieutenant
Hasn't come in yet.
Mike Waring (The Falcon)
But what are they waiting for?
Charles Sylvester Braden Senior
Hey, Lieutenant, open up, will you?
Lieutenant
What do you want, Sergeant?
Charles Sylvester Braden Senior
It's a Mr. Wingate to see Wearing Wingate.
Lieutenant
Well, tell him to beat it. Wearing isn't having any visitors.
Mr. Wingate (Editor)
I've got a court order here, Lieutenant. Maybe you'd like to look at it.
Simon Templar
Let's see there. Anywhere?
Lieutenant
Seems to be all right. Open it up, Sergeant. You can have five minutes, no more.
Mr. Wingate (Editor)
That's fair enough.
Joe Collins
Hello, Waring.
Mike Waring (The Falcon)
Who are you?
Mr. Wingate (Editor)
At the Wingate.
Mike Waring (The Falcon)
Still means nothing.
Mr. Wingate (Editor)
I hold down the slot in the Evening Gazette. Shelley worked for me until he came to me this morning with an idea. How he could make some easy dough.
Mike Waring (The Falcon)
Wait a minute. You must be the guy he told me he had talked to before he came to see me.
Mr. Wingate (Editor)
That's right. I threw him out.
Mike Waring (The Falcon)
What are you doing here?
Mr. Wingate (Editor)
Well, when the story came over the ticker, I thought there might be something I could do for you.
Mike Waring (The Falcon)
Why should you?
Mr. Wingate (Editor)
I want this story for my paper exclusively, and I'm willing to pay for it.
Mike Waring (The Falcon)
Okay, Wingate, you got yourself a deal. Do you know what was on those pictures of Shelley's?
Simon Templar
No.
Mike Waring (The Falcon)
Did he mention any names?
Mr. Wingate (Editor)
Not a one.
Mike Waring (The Falcon)
Well, it doesn't matter. Here are my keys. The superintendent of my building is a character named George Kennedy. Check with him and see what he did with the envelope and bring it back to me.
Mr. Wingate (Editor)
Haven't the police got it?
Louis (Cab Driver)
No.
Mike Waring (The Falcon)
The lieutenant told me they didn't find a thing. It may have been brushed aside in all the excitement.
Mr. Wingate (Editor)
Well, it doesn't sound like much to go on, but keep your fingers crossed, kiddo. I'll do what I can.
Joe Collins
Okay.
Lieutenant
Wearing on your feet.
Mike Waring (The Falcon)
Are you back again, Lieutenant?
Joe Collins
Yeah.
Lieutenant
Get your things and get out.
Louis (Cab Driver)
How come?
Mike Waring (The Falcon)
I'm being released.
Lieutenant
The autopsy on Shelly clears you.
Mike Waring (The Falcon)
What was it, heart attack? No, poison.
Lieutenant
He got it in a drink about six hours before it came to your place.
Mike Waring (The Falcon)
Well, tough luck, Lieutenant. I know how you must feel. Can I use your phone?
Louie
Sure.
Lieutenant
There's a pay phone right over there.
Mike Waring (The Falcon)
Thanks, Webster. Maybe I can do as much for you sometime.
Lieutenant
On Waring.
The Saint (Simon Templar)
Yeah?
Lieutenant
Don't use any slugs.
Simon Templar
Hello?
Mike Waring (The Falcon)
That's you, George.
Joe Collins
Oh, hi, Mr. Waring.
Mike Waring (The Falcon)
Say, is Mr. Wingate there?
Joe Collins
Oh, sure. You want to talk to him?
Mike Waring (The Falcon)
No, I'll see him later. What did you do with the pictures?
Joe Collins
We didn't find them.
Mike Waring (The Falcon)
Well, they can't have disappeared. They were on my desk before I slugged Shelly.
Joe Collins
They ain't there now. We've practically taken the place apart.
Mike Waring (The Falcon)
All right, stop wrecking the joint. I'll be right over.
Mr. Wingate (Editor)
That's no use, Mike. We've looked in the desk already.
Sergeant
Yeah, he's right, Mr. Waring. We went over everything with a fine tooth comb.
Mike Waring (The Falcon)
Well, I don't get it. Now, George, you're sure when the police removed Shelly's body, they didn't take anything?
Sergeant
I'm positive. I was here every minute of the time.
Mr. Wingate (Editor)
Yeah, we might as well give up, Mike.
Mike Waring (The Falcon)
Now, wait a second, Wingate. Shelly was standing right where you are when he tossed that envelope in my lap. When I got up to throw him out, it must have fallen to the floor.
Mr. Wingate (Editor)
Well, I don't see what Difference. That makes sense.
Mike Waring (The Falcon)
Well I could have kicked it over there and then that.
Louie
Kicked.
Mike Waring (The Falcon)
Hey, wait a minute. What's that under the radiator? Whatever you are, George, you're certainly no detective.
Mr. Wingate (Editor)
Is that the envelope?
Joe Collins
Must be.
Mr. Wingate (Editor)
Well, let's get a glimpse of a half million bucks worth of pictures, huh?
Mike Waring (The Falcon)
He was robbed. What's the trouble? Well look, it's a picture of the Brooklyn Dodgers.
Commercial Announcer
Brooklyn Dodgers?
Simon Templar
Yeah.
Mike Waring (The Falcon)
Now you tell me. Who would pay a half a million
Walter Shelley (Reporter)
bucks for a still shot of that
Mike Waring (The Falcon)
group when you could go see them in action for a buck and a quarter?
Mr. Wingate (Editor)
You hear that mike?
Mike Waring (The Falcon)
3:00am I don't care. I'm not leaving until I make head of tailor. These pictures. What makes him worth all that money? Wingate?
Mr. Wingate (Editor)
Ah, Shelly must have been crazy.
Mike Waring (The Falcon)
Well then why was he murdered?
Commercial Announcer
Come in.
Laura Allen
I hate to disturb you gentlemen, but I'm looking for Mike Waring.
Mike Waring (The Falcon)
Well you've come to the right place.
Laura Allen
Are you Mr. Waring?
Louie
Uh huh.
Mike Waring (The Falcon)
What's your name?
Laura Allen
My friends call me Laura Allen.
Mike Waring (The Falcon)
I bet you've got a million of them, Angel. So I can't understand why you should be looking for new ones at this hour.
Laura Allen
I'm looking for something else, Mr. Waring. What do you want for them?
Mike Waring (The Falcon)
What do I want for what?
Simon Templar
The pictures.
Lieutenant Webster
What pictures?
Laura Allen
Don't give me that. Shelley had them before he died. He hasn't got them now. So who does that leave?
Mike Waring (The Falcon)
Me.
Laura Allen
Yes, what's your prize?
Mike Waring (The Falcon)
I suppose I said I didn't care to do business.
Laura Allen
It won't do you any good if you see what I mean, Mike.
Mike Waring (The Falcon)
Don't worry Wingate. I saw it. Take a blind man to miss a cannon that size. Look, would you mind pointing it elsewhere?
Simon Templar
Laura.
Laura Allen
What's the matter, Mr. Waring? Does it make you nervous?
Simon Templar
Yeah.
Mike Waring (The Falcon)
I don't know what's come over me these past few days, but I can't seem to keep a thing on my stomach.
Walter Shelley (Reporter)
Particularly guns.
Frankie
You let go.
Lieutenant Webster
Come on.
Commercial Announcer
He'll drop it.
Mike Waring (The Falcon)
Oh nuts. Get it? One gate.
Sam Chadwick (Manager)
Okay, it's got.
Simon Templar
Well
Laura Allen
now what are you going to do with me?
Mike Waring (The Falcon)
Nothing. You can leave whenever you like, angel.
Laura Allen
You mean you're letting me go?
Mike Waring (The Falcon)
Sure, I'm a sport. I always throw the little ones back.
Laura Allen
Just what are you fishing for, Mr. Waring?
Mike Waring (The Falcon)
The big one.
Laura Allen
Well I wouldn't if I were you. You know, some big fish are dangerous. And take it from me, this one's a man killer. Good night, angel.
Mr. Wingate (Editor)
Shouldn't let her get away, Mike.
Louie
Why not?
Mike Waring (The Falcon)
That little lady wasn't going to tell Us anything except what she wanted to.
Mr. Wingate (Editor)
Yeah, but remember what Shelly said about a partner?
Mike Waring (The Falcon)
You think that girl.
Mr. Wingate (Editor)
Well, don't you?
Mike Waring (The Falcon)
You know something, Wingate?
Walter Shelley (Reporter)
You're right.
Mike Waring (The Falcon)
Well, she's already gone down the elevator.
Charles Sylvester Braden Senior
Hello, Laura.
Laura Allen
Mr. Braden.
Charles Sylvester Braden Senior
Mr. Rice.
Laura Allen
What are you doing in my apartment?
Charles Sylvester Braden Senior
My dear girl, I think the answer's fairly obvious. I was waiting for you.
Laura Allen
I told you that if I had anything to, I'd let you know.
Charles Sylvester Braden Senior
Well, you can hardly blame me for being anxious. Laura, where are the pictures?
Laura Allen
I didn't get them.
Charles Sylvester Braden Senior
You know, my dear, I find that very difficult to believe. You're such a very determined young lady.
Laura Allen
Well, I ran into a very determined young man.
Charles Sylvester Braden Senior
And yet Mr. Waring let you get away.
Laura Allen
Yes, and don't ask me why, because I don't know.
Charles Sylvester Braden Senior
You must be tired, my dear.
Laura Allen
You're quite right, Mr. Brayden. I am tired. I'm tired of trying to protect your precious name. Why don't you pay off and let it go at that?
Charles Sylvester Braden Senior
I don't like to hear you talk that way, Laura, but knowing you as I do, I'm sure you'll never let this little conversation go any farther.
Simon Templar
Hello.
Joe Collins
Is that you wearing?
Simon Templar
Uhhuh.
Joe Collins
This Laura who? Laura Allen.
Laura Allen
You remember?
Commercial Announcer
Oh, sure.
Laura Allen
Now, listen, Waring, there's something I've got to tell you.
Mike Waring (The Falcon)
Where do you live?
Joe Collins
At the Rainey Apartments. But before you come, I want you to know that I killed Walter Shelley.
Mike Waring (The Falcon)
Oh, you admit it.
Joe Collins
Well, if you want to be convinced. Oh, hello, Laura.
Commercial Announcer
Laura.
Mike Waring (The Falcon)
And that's all I know.
The Saint (Simon Templar)
Wingate.
Mike Waring (The Falcon)
Right after I heard the shot, I grabbed a cab and started over here. Then I remembered my promise to you, so I detoured over to your office
Mr. Wingate (Editor)
to pick you up. I appreciate it, Waring. Hey, what floor do we get off on?
Mike Waring (The Falcon)
Right here, the third.
Simon Templar
Okay.
Mr. Wingate (Editor)
Must be down this way.
Mike Waring (The Falcon)
Oh, here it is. Laura Allen.
Sergeant
Uh.
Simon Templar
Oh.
Mr. Wingate (Editor)
Unlocked.
Mike Waring (The Falcon)
Yeah. So she did commit suicide after all. It seems so. Hey, what do you make of this silver cigarette case? Silver, nothing. This is platinum.
Louie
Huh.
Mike Waring (The Falcon)
They don't hand these out on push carts. Here. Look at the engraving.
Mr. Wingate (Editor)
Can you make it out?
Charles Sylvester Braden Senior
Yeah.
Mike Waring (The Falcon)
To Laura Allen, from the tyrant Charles Braden Senior.
Mr. Wingate (Editor)
Charles Braden Senior. Hey, this girl moved in the big leagues, so.
Mike Waring (The Falcon)
Right. If she was in Braden's employ, then he's the boy who's interested in the pictures. And she was working hand in glove with Shelly.
Mr. Wingate (Editor)
Yeah, but why would Braden want a picture of the Brooklyn Dodgers?
Mike Waring (The Falcon)
He didn't. The pictures we found must have been phony. Say, wait a minute. Wasn't his Son in some sort of a mess recently?
Mr. Wingate (Editor)
Well, he got killed in an automobile accident.
Mike Waring (The Falcon)
No, that's too pat. Braden's hiding something. Who are you calling? The police.
Mr. Wingate (Editor)
Well, make it snappy. I want to pull my paper.
Sergeant
Hey, wait a minute.
Mike Waring (The Falcon)
What's the trouble? I just thought of something. I heard the shot that killed Laura over the phone. Sal. Well, if she died instantly, who hung this receiver back on the hook?
Mr. Wingate (Editor)
Yeah, but that means.
Mike Waring (The Falcon)
Yeah, go on, say it.
Commercial Announcer
Wingate.
Mike Waring (The Falcon)
She was murdered.
Mr. Wingate (Editor)
But you said she talked to Suicide.
Mike Waring (The Falcon)
Someone could have forced her to by holding a gun in her back.
Mr. Wingate (Editor)
Who?
Mike Waring (The Falcon)
That's what I intend to find out. Now, look, I want you to get a fingerprint expert up here. What for? The killer made one blunder when he put the receiver back on the hook. Isn't it possible he made another?
Mr. Wingate (Editor)
I don't follow you.
Mike Waring (The Falcon)
Maybe he left his prints on the instrument. Got any idea where we can find an expert at this time of night?
Mr. Wingate (Editor)
Oh, you got one down the paper.
Mike Waring (The Falcon)
Swell. Get him, Wingate.
Mr. Wingate (Editor)
Where'll I meet you later?
Mike Waring (The Falcon)
Make it Mr. Braden's. Something tells me he'll probably be very interested in the results. Mr. Braden?
Joe Collins
Yes?
Mike Waring (The Falcon)
My name is Waring.
Charles Sylvester Braden Senior
Oh, come in, won't you?
Simon Templar
Thank you.
Charles Sylvester Braden Senior
You were a friend of Walter Shelley's, I believe.
Mike Waring (The Falcon)
I wouldn't say that.
Charles Sylvester Braden Senior
Strange that he entrusted his most precious possessions to you.
Mike Waring (The Falcon)
I don't think I understand you, Mr. Braden.
Charles Sylvester Braden Senior
I'm referring to the pictures, Mr. Waring.
Sergeant
Oh, that.
Charles Sylvester Braden Senior
Yes, that. May I trouble you for them? And the negatives, of course.
Mike Waring (The Falcon)
What's in it for me?
Charles Sylvester Braden Senior
I could promise you any number of things.
Mike Waring (The Falcon)
Yes, but they'd be just that. Promises.
Charles Sylvester Braden Senior
You see my point?
Mike Waring (The Falcon)
Oh, yeah. You don't have to draw me a diagram.
Charles Sylvester Braden Senior
No, I had only to draw a gun.
Mike Waring (The Falcon)
All right. Put that thing away, Braden. You're forgetting something.
Charles Sylvester Braden Senior
I can't imagine what.
Mike Waring (The Falcon)
What's going to happen when the police discover you kill Shelly and Laura?
Charles Sylvester Braden Senior
Shelley and Laura? I hardly think there's any danger of that.
Mike Waring (The Falcon)
Maybe I can prove you're wrong.
Charles Sylvester Braden Senior
I beg your pardon.
Mike Waring (The Falcon)
I think that call is for me.
Simon Templar
May I? Certainly.
Charles Sylvester Braden Senior
You're right ahead.
Mike Waring (The Falcon)
Thank you.
Lieutenant Webster
Hello?
Joe Collins
Hello. Is that you, Mike?
Sergeant
Yeah.
Mike Waring (The Falcon)
How'd you make out, Wingate? Did they finish checking those fingerprints?
Joe Collins
Yes, but there wasn't a single print on it.
Mike Waring (The Falcon)
Oh, that's wonderful.
Joe Collins
What's the matter with you, Mike? Can't you hear me?
Mike Waring (The Falcon)
Didn't miss a word. Now, come up here and bring that report with you.
Charles Sylvester Braden Senior
You look pleased.
Mike Waring (The Falcon)
Yes, I am. Whose fingerprints do you Suppose they found on Laura's telephone.
Charles Sylvester Braden Senior
Nobody's.
The Saint (Simon Templar)
What?
Charles Sylvester Braden Senior
You'll forgive me, sir, but I'm afraid I've been guilty of eavesdropping.
Mike Waring (The Falcon)
Oh, you'll never hear anything nice about yourself that way.
Charles Sylvester Braden Senior
Perhaps not. But then, Mr. Waring, I'm not a very nice person. I think you're going to find that out.
Commercial Announcer
Remember, tomorrow at your grocers you can get a wonderful new salad oil for your homemade salad dressings. Your cooking, your baking. It's craft salad oil, the first salad oil for home use ever offered by the makers of all those wonderful craft dressings. Craft salad oil is a lighter bodied oil, super fine to blend perfectly with other ingredients. Get a pint or quart bottle tomorrow at your groceries. Ask for craft salad oil. Now back to the Adventures of the Falcon. Two minutes ago, Charles Brayton Senior told
Mike Waring (The Falcon)
Mike that he wasn't, quote, a very nice person, unquote.
Commercial Announcer
And judging by the gun he keeps trained on Mike, Mr. Braden believes in telling the truth.
Charles Sylvester Braden Senior
Really, Mr. Waring, you don't know how this pains me.
Mike Waring (The Falcon)
Well, I'd never guess it, Braden. You certainly hide your grief well.
Charles Sylvester Braden Senior
And you, sir, you're fierce.
Mike Waring (The Falcon)
That's where you're wrong. I don't believe you're going to shoot.
Charles Sylvester Braden Senior
Tell me, Mr. Waring, what is your purpose in glancing at that window every five seconds?
Commercial Announcer
Frankly, I find it very distracting.
Mike Waring (The Falcon)
That was my purpose.
Commercial Announcer
All right, Wingate, grab her.
Joe Collins
Nice work, Wingate.
Mike Waring (The Falcon)
Now give me the gun.
Simon Templar
Okay, here you are.
Mike Waring (The Falcon)
Now phone police headquarters.
Mr. Wingate (Editor)
No, no, my paper comes first.
Mike Waring (The Falcon)
Any way you like, but don't forget the cops.
Charles Sylvester Braden Senior
I don't suppose there'd be much point in appealing to your better nature.
Mike Waring (The Falcon)
Oh, I don't know. What do you think, Wingate?
Mr. Wingate (Editor)
Oh, I'm just an innocent bystander, Waring. You better leave me out of this.
Mike Waring (The Falcon)
That's impossible, friend. You've got a lot to say.
Mr. Wingate (Editor)
You mean because I saved your life?
Mike Waring (The Falcon)
No, because you killed Shelley and Laura.
Mr. Wingate (Editor)
What are you babbling about?
Mike Waring (The Falcon)
Murder, Wingate. I'm just wondering who's going to cover your execution for the Gazette.
Sergeant
Gee, I don't get it, Mr. Waring. You mean Mr. Wingate actually killed Shelly and the girl?
Mike Waring (The Falcon)
Yes, actually, George.
Sergeant
Yeah.
Sam Chadwick (Manager)
But why?
Sergeant
Those pictures? The ones we found in your apartment?
Mr. Wingate (Editor)
No, no.
Mike Waring (The Falcon)
The ones the police found in Wingate's apartment. He got them from my place before he even called you. Then he planted those phony shots and waited for me to make my great discovery.
Simon Templar
Well, why did he do that?
Mike Waring (The Falcon)
Because he knew I wouldn't stop Looking until I found a set of pictures. So he made things easy for me.
Sergeant
Well, I still don't understand why he killed Shelly.
Mike Waring (The Falcon)
He was Shelly's partner.
Louie
Wingate?
Sam Chadwick (Manager)
Mm.
Mike Waring (The Falcon)
He was in from page one, but he got greedy and wanted the whole pie. So he poisoned Shelly and waited for the pictures to drop in his lap.
Sergeant
Instead, they dropped in yours.
Mike Waring (The Falcon)
Well, that he couldn't figure on. But he did okay as it was.
Sergeant
Well, why did he kill Laura?
Mike Waring (The Falcon)
Oh, he had good reason for that. First, he forced her to confess to Shelly's murder. Oh, he thought that would leave him in the clear. If she committed suicide, then the case was closed and he could go ahead and blackmail Braden safely.
Sergeant
Well, how did you know he was the killer?
Mike Waring (The Falcon)
Remember I told you I sent him to check the fingerprints on Laura Allen's phone?
Sergeant
Yeah, and he said there weren't any.
Mike Waring (The Falcon)
Well, that's what gave him away.
Sergeant
Well, I don't see why. Ain't it possible the killer wiped off his own prints?
Mike Waring (The Falcon)
Yeah, sure, but what happened to mine? I handled the phone after the murder when I was going to call the police.
Louie
Oh.
Mike Waring (The Falcon)
Now, does that answer all your questions?
The Saint (Simon Templar)
Well, all but one.
Joe Collins
What's that?
Sergeant
Look, Mr. Waring. What was on those pictures anyway?
Mike Waring (The Falcon)
Ah, you'll never know, George.
Louie
Oh, come on, come on.
Sergeant
Break down. Mr. Waring. Must have been pretty hot stuff, huh?
Mike Waring (The Falcon)
Oh, yes, indeed. They were some of the hottest shots I'd ever seen. Why, just to handle them would blister your hands.
Sergeant
Yeah, what were they, huh?
Mike Waring (The Falcon)
Well, they were 8 by 10 blow
Sergeant
ups of the Chicago fire.
Mike Waring (The Falcon)
Good night, George.
Commercial Announcer
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Announcer
There's more from the Saint, the Falcon, the Relic Radio show, and all of the other podcasts. Relicradio.com you can donate through the website as well if you'd like to help support this and all of the relic radio shows. Thanks for joining me this week. I'll be back tomorrow with Ideal in Crime and Casey, crime photographer on another hour of mystery with Case Closed And I'll be back next Tuesday with our next episode of the Relic Radio Show.
Date: March 17, 2026
Host: RelicRadio.com
This week's Relic Radio Show revives two classic mystery radio dramas:
Both stories plunge listeners into gritty, twist-filled tales of crime, deceit, and justice from radio's golden age — showcasing sharp dialogue, noir intrigue, and the timeless appeal of clever detectives.
Starring: Vincent Price as Simon Templar ("The Saint")
A tough boxing match is set to take place, but champion Joe Collins fears for his life—and his son's safety. Simon Templar is drawn into a web of threats, fixed fights, and kidnapping, determined to uncover the truth and protect the innocent.
Call for Help from Joe Collins
“Could you come down to the gym right away? … I need to talk to somebody I can trust.” – Joe Collins [01:50]
A Mysterious Baby on the Doorstep
“Keep him for a few days. And don’t tell anyone, not even the police.” – Note, read by Simon Templar [03:42]
Babysitting Bonding
“Talks fluently, too, says Donnie.” – Louie [07:50]
Fight-Fixing Suspicions
“The kid wants the championship...and he shall have it. Nothing can stop him.” – Alexander [10:07]
Joe’s Desperation
“I can’t win this fight tonight, Saint...He got my son.” – Joe Collins [13:34]
Tragic Family Toll
“Will you just tell him...that his mother loved him very much. Just that. Not all the rest.” – Marie [15:54]
Rescue and Retribution
“That was for Marie, Mr. Templar.” – Louie [18:37]
Boxing Match Climax
“The voice of the mob howling for blood. Same voice that howled in the Coliseum at Rome 2,000 years ago.” – Simon Templar [20:20]
Alexander’s Breakdown
“Perhaps I am [sick]. Perhaps the world is sick and I’m well.” – Alexander [23:57]
Resolution and Hope
“Only when we are deprived of them do we realize what precious commodities they really are. … Freedom, when it is missed, suddenly becomes life’s greatest treasure.” – Vincent Price / Simon Templar [26:22]
Comic gold from Louie, the cabbie:
“Talks fluently, too. Says Donnie.” [07:50]
“Donnie, what’s your last name? Who brought you here? Where are you from, huh?” [07:09]
Simon’s philosophical edge:
“Mob doesn’t care, Louie. Just blood.” [20:29]
Starring: Les Damon as Mike Waring (“The Falcon”)
A reporter’s quest to cash in on scandalous photographs spirals into murder, blackmail, and a complex web of deceit. The Falcon must outwit multiple suspects to reveal a ruthless killer.
Photo Blackmail Scheme
“That’s what I promised in that envelope. A picture’s worth half a million.” – Shelley [41:01]
A Murder Staged as Suicide
“If she committed suicide, then the case was closed and he could go ahead and blackmail Braden safely.” – The Falcon [56:35]
Twist upon Twist
“Look, it’s a picture of the Brooklyn Dodgers. … Who would pay a half a million bucks for a still shot of that group when you could go see them in action for a buck and a quarter?” – Waring [46:15]
Wings of Suspicion
“He was Shelly’s partner...He was in from page one, but he got greedy and wanted the whole pie. So he poisoned Shelly and waited for the pictures to drop in his lap.” – The Falcon [56:22]
Smart Detective Work
“But what happened to mine? I handled the phone after the murder...” – The Falcon [57:03]
Tongue-in-Cheek Finale
“They were 8 by 10 blow-ups of the Chicago fire.” – Falcon [57:31]
Falcon’s dry wit:
“Only when they can't think of anything worse.” – Waring, when asked why they call him "The Falcon" [38:36] “I always throw the little ones back.” – Waring, letting Laura Allen go [47:53]
Fake-out on the “hot” photos:
“They were some of the hottest shots I'd ever seen...8 by 10 blow-ups of the Chicago fire.” – The Falcon [57:31]
While there’s minimal host commentary (episode skips straight into the dramas), the selected shows for this installment exemplify the blend of suspense, humor, and moral inquiry treasured by fans of vintage radio. From the Saint’s compassion and courage to the Falcon’s shrewd logic, the hour is a reminder of how compelling, layered, and just plain fun radio storytelling can be.
For more relics of radio and ongoing episodes:
Visit relicradio.com
(Support, donation, and next week’s tease for “Ideal in Crime” and “Casey, Crime Photographer.”)