
As we meditate with the painting entitled Prayer of Jesus in Gethsemane Garden by Alessandro Maganza, Fr. Mark-Mary notices that all of the movement, lines, and action in the painting points towards Jesus. Sharing a story about one of his fellow friars, Fr. Mark-Mary explains how we can direct ourselves to Jesus and surrender our fears, worries, and pain. Today’s focus is the mystery of the Agony in the Garden and we will be praying one decade of the Rosary. All of the Sacred Art we’ll be meditating with can be found in the Rosary in a Year Prayer Guide, for free linked in the complete prayer plan, or in the Ascension App. For the complete prayer plan, visit https://ascensionpress.com/riy.
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Foreign. Mark Mary with Franciscan Friars of the Renewal and this is the Rosary in a Year podcast, where through prayer and meditation, the Rosary brings us deeper into relationship with Jesus and Mary and becomes a source of grace for the whole world. The Rosary in a Year is brought to you by Ascension. This is day159. To download the prayer plan for Rosary in a year, visit ascensionpress.com forward/rosaryinayear or text RIY to 33777. You'll get an outline of how we're going to pray each month and it's a great way to track your progress. The best place to listen to the podcast is in the Ascension app. There are special features built just for this podcast and also recordings of the full rosary with myself and other friars. I encourage you to pick up a copy of the Rosary in a Year Prayer Guide, a book published by Ascension that was designed to complement this podcast. You'll find all the daily readings from Scripture, saint reflections and beautiful images of the sacred art will be reflecting on today. We will be meditating upon and praying with the first sorrowful mystery, the Agony in the Garden, with help from a painting entitled the Prayer of Jesus in Gethsemane Garden by the artist Alessandro Maganza. And now an introduction to our artist and artwork. Alessandro Maganza, Born in the year 1556, he was an Italian painter of the Mannerist style, born and active in Vicenza in Venice, and he was likely trained by his father, Giovanni Battista. Maganza spent time in Venice from the years 1572 to 1576. Maganza's style is described as derivative of Palma el Giovanni, and he was known for his religious paintings and frescoes. The time period of this specific painting is from the years 1587 to 1589. Just a little more on the style Mannerist style is a style in European art that emerged in the later years of the Italian High Renaissance, around the year 1520. In mannerism, it exaggerates proportion, balance and ideal beauty, often resulting in compositions that are asymmetrical or unnaturally elegant. Notable for its artificial as opposed to naturalistic qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. And now our description. On a dark canvas, three disciples are depicted up close, sound asleep, their faces blank and resting, one a youth with curly hair, another older with a beard and a red cloak, another lays face down further back, all nestled into a garden floor, contrasting the swaths of dense darkness. A light emanates from the top left corner and from it emerges a small winged angel Bearing a chalice towards Jesus. Jesus kneels, bent over, hands clasped in sincere prayer, wrapped in a green garment, barefoot in the thick grass with leaves and bushes around him, eyes closed, the light illuminates his body. This angelic light dimly reveals the features of the drowsy disciples. A faint flame deep in the somber dark hues reflects the approach of a group of soldiers into the garden towards the kneeling, praying savior. Okay, with our painting today, like, notice how all of the lines, all the movement, all the actions, the angel, the disciples, bodies, the soldiers in the background, right? They all point to Jesus. It all points to. Flows to Jesus, the law and the prophets, they point to Jesus, Jesus, they point to this moment. All of salvation has been leading to this point, to this person, to Jesus. And Jesus, like, freely takes all of it upon himself, like this role of saving us, the role of revealing to us the Father, the role of shedding his own blood. And he draws to himself also in this moment. He says, yes, and receives, like all sin, all pain, all suffering. He, like the priest, the victim, the sacrifice, the divine scapegoat, he takes it all upon himself. We see also in this moment, right already at work, the mystery of God's providence bringing all things together for good and ordering, like, all chaos, all darkness into what will be glory and light, even this darkest of nights become glory and light. And I encourage you, as we sit before this painting today, like, feel yourself drawn to him and surrender to this, what we call this, like, holy gravitational pull, this divine attraction. Like he who proclaimed that he would draw all men to himself now draws you. Like, don't resist. Give to Jesus here in the garden, like your sin. Give to him your worries, Give to him your pain, Give to him your doubts. Give to him all of your darkness. Let him receive it all. Let him redeem it all. Let him order it all for the good. Jesus in the garden demands all of you to save all of you. Like, give it to him. A friar, priest, one of the guys I lived with, he has a biological brother who is a doctor, he's an orthopedic surgeon. And this priest had some pain. I think it was in, like, one of his shoulders. And so he was back home visiting his brother. And his brother was kind of feeling and trying to help, like, realign it as he was doing this, like, he was feeling like, resistance. And so the doctor brother said, like, strongly, like, hey, give it to me, give it to me. And he was feeling again, like there was like a resistance and. And. But he was like, give it to me. Give it to me. And something happened where this, like the priest, brother, like, he surrendered it, like, he really trusted. And then the doctor was able to realign the joint, the shoulder, like, he was able to reorder it. But in a sense, like, before he could reorder it, he needed to receive it. And that required, in this case, like the patient, the priest, to give it. As we pray today, like, I want you to feel Jesus pulling on your heart, like drawing not only your stuff, your sin, your worries to him, but you and all of you. And in adoration and praise, like, surrender, give yourself to him. Let him take it, he says, like, give it to me. Give it to me. My brothers and sisters, let us surrender. Let us surrender it all so that he can redeem it all and glorify it all. And now with Mary, let us pray. In the name of the Father and of the Son and of the Holy Spirit. Amen. Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, Thy will be done on earth as it is in heaven. Give us this day our daily bread and forgive us our trespasses as we forgive those who trespass against us. And lead us not into temptation, but deliver us from evil. Amen. Hail Mary, full of grace, the Lord is with thee. Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace, The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace, the Lord is with the Blessed art thou among women and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace. The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners now and at the hour of our death. Amen. Hail Mary, full of grace, The Lord is with the Blessed art thou among women, and blessed is the fruit of thy womb, Jesus. Holy Mary, mother of God, pray for us sinners, now and at the hour of our death. Amen. Glory be to the Father and to the Son and to the Holy Spirit. As it was in the beginning, is now and ever shall be, world without end. Amen. In the name of the Father and of the Son and of the Holy Spirit. Amen. All right, friends, thanks so much for joining me and praying with me again today. I look forward to continuing this journey with you again tomorrow. Poco. Poco. Friends, God bless y'. All.
Podcast: The Rosary in a Year (with Fr. Mark-Mary Ames)
Episode: Day 159: Surrender Your Suffering
Date: June 8, 2026
In this episode, Fr. Mark-Mary Ames invites listeners to meditate on the first Sorrowful Mystery—the Agony in the Garden—using Alessandro Maganza’s painting "The Prayer of Jesus in Gethsemane Garden". The core message centers on surrendering our suffering and burdens to Jesus, who draws all pain, darkness, and humanity to Himself for redemption. Through artful reflection, personal story, and gentle guidance, Fr. Mark-Mary encourages full surrender and trust in Christ.
[00:50]
“Mannerism... exaggerates proportion, balance and ideal beauty, often resulting in compositions that are asymmetrical or unnaturally elegant.” (Fr. Mark-Mary, 02:45)
[03:10]
“All of the lines, all the movement, all the actions... they all point to Jesus. It all points to... flows to Jesus. The law and the prophets, they point to Jesus... all of salvation has been leading to this point, to this person, to Jesus.” (Fr. Mark-Mary, 04:05)
[04:35]
Jesus freely takes upon Himself the role of savior, willingly embracing suffering, sin, and pain.
He is depicted as priest, victim, sacrifice, and “divine scapegoat”—mirroring biblical imagery.
“He, like the priest, the victim, the sacrifice, the divine scapegoat, he takes it all upon himself.” (Fr. Mark-Mary, 04:55)
God’s providence orders chaos and darkness into glory, even in moments of deep distress.
“We see also... the mystery of God's providence bringing all things together for good and ordering, like, all chaos, all darkness into what will be glory and light...” (Fr. Mark-Mary, 05:15)
[05:45]
Fr. Mark-Mary encourages listeners to experience a “holy gravitational pull” toward Jesus—to let oneself be drawn and not to resist.
“Like he who proclaimed that he would draw all men to himself now draws you. Don't resist. Give to Jesus here in the garden your sin... your worries... your pain... your doubts... all of your darkness. Let him receive it all. Let him redeem it all.” (Fr. Mark-Mary, 06:10)
Jesus “demands all of you to save all of you.” A full surrender is needed for full redemption.
[06:45]
Fr. Mark-Mary shares a personal anecdote: a priest with shoulder pain visits his brother, an orthopedic surgeon.
The priest resists letting go, but the doctor insists, “Give it to me, give it to me.” Once the priest relaxes and trusts, the joint is realigned.
“Before he could reorder it, he needed to receive it. And that required... the patient, the priest, to give it.” (Fr. Mark-Mary, 07:55)
The analogy: to let Christ “reorder” our suffering, we must first give it—surrender it—to Him.
[08:20]
“Let us surrender it all so that he can redeem it all and glorify it all.” (Fr. Mark-Mary, 08:30)
Fr. Mark-Mary's tone is gentle, encouraging, and contemplative, filled with warmth, pastoral care, and approachable wisdom. His language is accessible and laden with scriptural and spiritual resonance—inviting listeners into lived, prayerful participation.
Day 159 of the Rosary in a Year podcast centers on the Agony in the Garden, meditating through art and prayer on Christ’s willing embrace of all human suffering. Fr. Mark-Mary frames the episode with Maganza’s painting, leading listeners to see every element—both in art and in life—ultimately pointing back to Jesus. He gently exhorts listeners to entrust every sorrow, doubt, and darkness to Christ, drawing on a personal story of healing that illustrates the need for surrender before restoration. The episode concludes with a heartfelt call to give oneself fully to Jesus, confident in His power to redeem and glorify our suffering.