Big Winners and Best Looks at the 2025 Golden Globe Awards

Summary

The Run-Through with Vogue: Big Winners and Best Looks at the 2025 Golden Globe Awards

Release Date: January 6, 2025

Episode Summary:

In this vibrant and insightful episode of The Run-Through with Vogue, Vogue’s style director Leah FA Cooper, deputy editor Taylor Antrim, and host Jonah delve into the highlights of the 2025 Golden Globe Awards. The discussion spans the best-dressed celebrities, standout fashion moments, memorable speeches, and the overarching impact of the event on the fashion and film industries. Skipping over the mid-break advertisement, the conversation resumes with fresh perspectives and detailed analyses of the evening's most talked-about moments.

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1. Opening Remarks and Best Dressed Highlights ([00:06] - [10:35])

Late-Night Preparations: The episode kicks off with Leah FA Cooper and Taylor Antrim sharing their excitement and early-morning dedication to covering the Golden Globes. As Cooper recounts at [00:25], “At like 6pm, Taylor texted me and Marlee being like, golden Globes tonight. I was like, are you kidding?”

Top Fashion Picks: Jonah initiates the discussion on the best-dressed celebrities, highlighting Mikey Madison’s stunning Bottega ensemble. Cooper adds at [01:33], “She looked like a goldfish,” referencing Madison’s eye-catching attire. Taylor Antrim praises Chanel’s Margaret Qualy, describing her look as “really beautiful” ([01:41]).

Notable Red Carpet Moments:

• Emma Stone: Celebrated for her chic pixie cut and elegant Vuitton outfit. At [03:00], Marlee notes, “Special mention to Emma Stone. Looking amazing with that pixie cut.”
• Elle Fanning: Admirably wore a vintage-inspired gown that masqueraded as a leopard bralette top from a distance ([03:11] Marlee).
• Andrew Garfield: Garnered praise for his green ensemble, though Cooper suggests a pendant necklace might elevate his look ([03:28]).

Menswear Excellence: Colman Domingo’s Valentino suit and Andrew Garfield’s green attire stood out among male celebrities. At [03:54], Cooper remarks, “Men looked great,” emphasizing the notable presence of men in green hues.

Bold Choices: Jeremy Strong’s daring look—combining a turtleneck and sunglasses by Laura Piano—sparked mixed reactions. Taylor Antrim commented at [04:16], “Adrien Brody looks really good too. For me, a three-piece suit.”

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2. Memorable Outfits and Style References

Vintage Glamour: The panelists appreciate the resurgence of Hollywood retro glam, noting how Eli Fanning’s gown and other vintage-inspired outfits paid homage to classic styles. Cooper reflects on the 1950s atelier feel of some dresses ([03:28]).

Designer Tributes:

• Saint Laurent Influence: Jonah observes at [05:02], “Saint Laurent had a big night with all those,” referring to the prominence of Saint Laurent designs throughout the evening.
• Zendaya’s References: Zara mentions how modern celebrities are drawing inspiration from iconic styles, such as Zendaya’s chainmail Versace dress reminiscent of Elizabeth Hurley’s 1999 look ([17:42]).

Innovative Fashion Statements: Ayo Edebiri’s homage to classic Hollywood with references to Julia Roberts and Whoopi Goldberg showcased Vogue’s emphasis on blending contemporary fashion with nostalgic elements ([14:43]).

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3. Standout Speeches and Moments ([10:35] - [22:13] Skipped Advertisement)

Note: The segment between [10:35] and [22:13] contains advertisements and promotional content, which has been excluded from this summary.

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4. Post-Advertisement Insights and Continuing the Conversation ([22:13] - [28:50])

Accessories Spotlight: Post-break, the discussion shifts to favorite accessories:

• Kieran Culkin: Appreciated for his temporary tattoos.
• Salma Hayek: Lauded for her emeralds, with Cooper exclaiming at [22:13], “Salma Hayek’s emeralds were behind me.”

Unique Styles:

• Jeremy Strong’s Choices: Taylor Antrim highlights Jeremy Strong’s consistent sartorial choices, particularly his refusal to wear brown ([23:01]).
• Anna Sawai: Admired for her stunning dress at the after-party, though Cooper wishes for a more daring choice ([23:34]).

Cinematic Influences: The panel discusses how fashion intersects with film, referencing Julia Roberts’ iconic 1990 Golden Globes gray suit and its influence on contemporary styles ([15:01]).

Memorable Moments:

• Kylie Jenner’s Versace Dress: Jenner’s chainmail Versace dress, replicating Elizabeth Hurley’s look from Four Weddings and a Funeral, was a significant highlight. Cooper narrates at [16:01], “She wore the exact chainmail Versace dress that Liz Hurley wore in 1999.”

Award Surprises: The team reflects on unexpected wins, such as Fernanda Torres for I'm Still Here, and discusses the implications for the upcoming Oscars:

• At [27:10], Antrim comments, “It sort of complicates the picture, makes the Oscars more interesting.”

Emotional Highlights: Heartwarming speeches include Adrien Brody thanking his parents, which Marlee finds “very sweet” ([26:14]), and reflections on supporting and sisterhood themes by Fernando Torres.

Cultural Impact: The panel underscores how the Golden Globes set the stage for the Oscars by distributing awards across various categories, enriching the narrative and anticipation for the major awards ceremony ([27:20]).

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5. Concluding Thoughts and Final Observations

Balancing Art and Mainstream: Taylor Antrim emphasizes the diversity in award recipients, noting the balance between art-house films like Emilo Perez and mainstream favorites like Conclave:

“It's a real toss-up and it'll make the Oscars ever more interesting” ([27:28]).

Fashion as Cultural Commentary: Throughout the episode, the interplay between fashion choices and cultural statements is evident. From vintage glam to bold modern statements, the panelists illustrate how red carpet fashion serves as both personal expression and cultural dialogue.

Final Reflections: As the episode wraps up, the hosts express gratitude for the insightful conversation and anticipation for future episodes:

“That's it for the Run Through. See you Thursday.” ([28:15] Jonah)

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Produced by Chelsea Daniel, Alex DePalma, and Joanna Solotarov. Engineered by Jake Loomis and James Yost, and mixed by Mike Kutchman. Executive Producer Stephanie Karaoke and Chris Bannon, Conde Nast's head of global audio.

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This episode of The Run-Through with Vogue offers a comprehensive and engaging analysis of the 2025 Golden Globe Awards, seamlessly blending high fashion with cinematic achievements. Whether you're a fashion enthusiast or a film aficionado, the conversation provides valuable insights into the evolving landscape of red carpet culture and its broader implications.

Transcript

[Jonah]

So welcome to another special episode of the Run Through.

[Leah FA Cooper]

And today we are talking all things Golden Globes with Vogue style director Leah FA Cooper and deputy editor Taylor Antrim. And it is very early in the morning and we were up very late.

[Taylor Antrim]

Anything for the Golden Globes.

[Jonah]

Yeah.

[Marlee]

Yes.

[Leah FA Cooper]

True story. At like 6pm, Taylor texted me and Marlee being like, golden Globes tonight. I was like, are you kidding?

[Taylor Antrim]

It was such a nice Sunday. And then it snuck up on me.

[Jonah]

And I thought, oh, my goodness, let's.

[Leah FA Cooper]

Get straight into it. Who did we think was best dressed of the evening?

[Jonah]

Oh, that's a hard one.

[Taylor Antrim]

Straight to the top, I think.

[Jonah]

I don't know if there was like a. Like a one person, but there were a few people who really stood out for me.

[Leah FA Cooper]

Okay, give us your five, Jonah.

[Jonah]

For me, obviously, Mikey Madison, who I've been talking about a lot recently. Cause I just think she's fantastic. I love Dinora, and I think she's going to get snapped up by one of these brands. And now she's kind of having fun experimenting.

[Leah FA Cooper]

It's true. It's rare that someone who's so has such frison around her doesn't have a contract.

[Jonah]

Exactly. So she's able to experiment. And she wore Bottega, which is obviously potentially Mathieu Blase's last red carpet look before he takes on Chanel, which we'll have to wait a while for because his first collection isn't until October. But I thought that was nice to see her. There were a couple of vintage moments.

[Leah FA Cooper]

She looked like a goldfish.

[Jonah]

Yeah, she did look like a goldfish.

[Taylor Antrim]

A goldfish or a gold.

[Leah FA Cooper]

Gold space fish.

[Jonah]

Okay.

[Taylor Antrim]

I just wanted to clear that up for the listeners.

[Jonah]

Speaking of Chanel, I thought Margaret Qualy and Chanel was really beautiful. Super pretty. Anya Taylor. Joy. I'm always here for an archive Dior moment. And I thought that looked stunning with her kind of icy blonde hair and that very pale pink. Great to see that. The sort of finale dress from McQueen's Fantastic Show. Love, Sean McGurr. And it was. I've kind of felt great to see it on Angelina Jolie. That was a major moment. You know, that's another house that doesn't. Isn't able to kind of have these. These big faces or contracts. So they're usually relying on people to really wear the clothes because they love them. And it was so good to see that. That look on Angelina. So I think those were some of my favorites. How about you, Leah? What did you like?

[Marlee]

I loved Naomi Watts.

[Jonah]

Oh, Naomi Watts. That was great.

[Marlee]

I thought Schiaparelli and Schiaparelli. I thought Janelle James looked fab.

[Jonah]

What was she wearing?

[Marlee]

She was wearing Siriano.

[Jonah]

Oh, I did know that.

[Marlee]

Yes.

[Leah FA Cooper]

But her little pixie cut was great.

[Jonah]

Yeah. The glam was really good.

[Marlee]

The glam was good. And the ch.

[Jonah]

I'm here for a pixie cut because I have to say. Oh, actually, special mention to Emma Stone. Looking amazing with that pixie cut. And that Vuitton was very pretty.

[Marlee]

And then I also loved Elle Fanning. I will say, when I first saw it from a distance, I thought that it was like a leopard bralette top with the full skirt.

[Leah FA Cooper]

Yeah.

[Marlee]

Which I would have been into. But then when I saw that it was actually a gown. Like, it looked like. It looked like a gown. Yeah, it looked like a gown that was made in the atelier. Like you had to get an appointment like in 1950. I loved that.

[Jonah]

Yeah. It was very feeding into that. That Hollywood retro glam look that's been percolating for a past year, I feel.

[Marlee]

I also thought Colman Domingo looked great in Valentino, but I always love everything that he wears.

[Leah FA Cooper]

Fluffy, fluffy bow.

[Marlee]

I know. The bow was great and great volume. And I thought Andrew Garfield looked good too, in his green. He needs to shave a little pendant necklace.

[Leah FA Cooper]

Men looked great.

[Marlee]

They did. The men looked great. There was a lot. There were a lot of men wearing green, which I thought was.

[Jonah]

I don't know how we feel about Jeremy Strong. I don't know if I'm very.

[Marlee]

Oh, my gosh.

[Jonah]

There's a lot of accessories at once.

[Marlee]

It was great. I loved it. I loved it.

[Jonah]

I don't know.

[Leah FA Cooper]

Wearing a turtleneck and sunglasses.

[Jonah]

What was it?

[Marlee]

It's like, it's a.

[Jonah]

Someone tell me.

[Marlee]

It's camp.

[Jonah]

Do we know who made it?

[Marlee]

Oh, Laura Piano.

[Leah FA Cooper]

Oh, it was Laura Piano. I wondered.

[Jonah]

Very unusual look for Loro Piano.

[Leah FA Cooper]

I do respect his commitment totally. I really do.

[Marlee]

I thought it was so fun.

[Taylor Antrim]

Adrien Brody looks really good too.

[Jonah]

Yeah. Adrien Brody. For me, a three piece suit.

[Leah FA Cooper]

That. That's the way Tom Brown. Yeah.

[Jonah]

Yeah. It was very.

[Leah FA Cooper]

It was a winner's outfit.

[Jonah]

Yeah, it was a winner's outfit. I was surprised. Like, for me, like, I like. I thought Zoe Saldana, who always looks fantastic. I love the cape that she wore on the red carpet. But I didn't feel like her dress was quite low key for a winner's look. Like she won. She could have gone with a more vibrant color. She could have. I mean, she could take. She could Wear anything. I mean, Saint Laurent had a big night with all those. With the whole cast of Emilia Perez. I thought they did.

[Leah FA Cooper]

Because for those who don't know, Anthony Vaccarello and Saint Laurent produced Emilia Perez. And did they do all the clothes or they just consulted?

[Jonah]

Pretty much. I mean, watching. I felt like watching the film, I could spot all the Saint Laurent shoes.

[Leah FA Cooper]

Oh, really? Yeah, it was like, Where's Waldo For.

[Jonah]

Yeah, it was very. Yeah. If, you know, your Saint Laurent was a fun one to watch because you could tell all the clothes.

[Marlee]

Her dress was really simple, but I thought Zoe Kravitz looked very pretty.

[Jonah]

Always. Yeah, she always, Always, never misses. I've never seen her. Miss.

[Marlee]

Yeah.

[Taylor Antrim]

Do you guys think Emilia Perez is widely seen or not at all seen?

[Jonah]

No.

[Leah FA Cooper]

Yeah.

[Taylor Antrim]

Cause we're a little widely seen in the world, right? Like, a lot of people at TOHO have seen it.

[Marlee]

No, I don't. I saw it, but I don't.

[Leah FA Cooper]

No, I don't think anyone. And actually, in Nikki Glaeser, when she came in, she was like, it's really hard doing jokes for this year because it's basically Wicked and Timothee Chalamet are the only thing that everyone knows. And she was like, emelia Perez is nominated for 10 awards on Netflix. Star Selena Gomez. And she's like, not a single one of my friends have seen it, so how can I make a joke about it? And it's sort of true that it's just not something that's in common parlance.

[Taylor Antrim]

A lot of people might check it out now, though. I mean, it did really well. So I do think it's a very strange movie, though. So for me, I am not surprised that it has not become like a Wicked. Yeah, Nikki Lacer did, like 10 minutes on Timothy Chalamet.

[Marlee]

She did.

[Taylor Antrim]

I love that.

[Leah FA Cooper]

I'm sorry.

[Marlee]

And she kept going back to Stanley Tucci as well.

[Taylor Antrim]

No, totally.

[Jonah]

He loved.

[Taylor Antrim]

No, he loved it.

[Marlee]

He loved it.

[Taylor Antrim]

Yes. He loves the attention. What'd you think of all the dresses Nikki Laser wore?

[Jonah]

I understood that she was going with, like a metallic theme and some of.

[Leah FA Cooper]

She was trying to be very femme because she was. I want to knock him. I want to surprise him.

[Jonah]

She's so gorgeous. I mean, like, she's so gorgeous. I thought the glam was great. I think it's hard to pull off that many dresses in one evening. And some of them had to be kind of. I mean, the Pope look was kind of.

[Leah FA Cooper]

Obviously I was thinking that all morning when I was getting dressed. Wanna be Pope.

[Jonah]

You love.

[Taylor Antrim]

I mean, I think she epitomized the night for me because it seemed like such an eager to please Golden Globes and like, it did. Please. Like, it was a very enjoyable.

[Leah FA Cooper]

I like that she was sort of the butt of her own jokes. Like, she was. Was not taking herself too seriously. And I found that quite charming.

[Taylor Antrim]

She was barbed, but she wasn't like, you know, too harsh or ugly. You know, she just really. I thought she set the tone for the night.

[Jonah]

Yeah, she was great. I give her 10 out of 10.

[Taylor Antrim]

Yeah.

[Leah FA Cooper]

Wow. Choma.

[Marlee]

I don't know. That's a hard job. That's actually laughing.

[Jonah]

I mean, I laugh a lot. I mean, I'm a laugher, so it's not that hard to get a joke out of me. But like, she was funny and it felt like she wasn't. Like you said, it wasn't like below the belt too often. It was. She struck the right balance.

[Taylor Antrim]

You know who else was funny? Seth Rogen, when he criticized so funny. The really weird camera thing they were doing and he was like, this is stupid. I was like, more Seth Rogen, please.

[Leah FA Cooper]

Oh, my God. Can we talk about those little fun facts?

[Marlee]

The bubble too much. Okay. Obsessed with the bubble. Gene Smarts. Never had a day job outside of acting.

[Taylor Antrim]

No, I liked. I liked the pop up video, like text bubbles. But the guy voiceovering, like filling the space with more facts. I was like, no, no, no, no.

[Marlee]

I did think the bit, but for.

[Leah FA Cooper]

Those who can't read, they were like snapping.

[Jonah]

I didn't have my glasses. I couldn't see it. So I appreciate in the voice I.

[Marlee]

Did like the bit about like the count of the shout outs and how Mario Lopez had one.

[Taylor Antrim]

Oh, that was really funny. Yeah. See that back to Nick Glaser. She was great.

[Leah FA Cooper]

Yeah.

[Taylor Antrim]

I mean, the other thing it did really well, I think is that it sort of added some drama to the Oscar question. You know, if the Golden Globe is sort of supposed to set the table for the Oscars, like I thought last night did it really well because it spread the awards around. It recognized a lot of, like, very little scene movies. We talked about Emilia Perez. There's also a different man, which I defy you to find one person who has seen it and I'm still here. The Fernanda Torres. The best actress win was unexpected. So it sort of scrambled the narrative around the Oscars and makes the Oscars more interesting.

[Leah FA Cooper]

Oh, you didn't think it was like brutalist Emilia Perez sweep?

[Taylor Antrim]

No, because I think the Oscars is inclined to favor Movies that are much more conventionally like awards based movies like Conclave or even in Nora, which I loved, but just straight up enjoyable movie. And it shut out last night.

[Jonah]

Yeah, it's true.

[Taylor Antrim]

And Conclave. Only one. What did it win? Screenplay or something like that.

[Jonah]

Oh, yeah, yeah, yeah, yeah. Very dry speech.

[Taylor Antrim]

Yes, indeed. Indeed.

[Jonah]

Anyway.

[Taylor Antrim]

Oh, my God.

[Leah FA Cooper]

I was obsessed with Odr just taking his time with his translator when he went from the press and then just.

[Jonah]

Sent me over the edge saying the name.

[Taylor Antrim]

Names.

[Leah FA Cooper]

He's like, that was great. Who did he say? He's like jerome Seydoux. And the woman's like, jerome Seydoux.

[Taylor Antrim]

I know. It was very dual lingo.

[Leah FA Cooper]

Exactly.

[Jonah]

The translator was excellent, though. She didn't miss a beat.

[Taylor Antrim]

No, no, she was a star.

[Leah FA Cooper]

Oh, God.

[Jonah]

More.

[Leah FA Cooper]

Oh, you know who else was a star I was very into? I love an unexpected speech moment. I feel like last year I forgot who it was. Was it Melanie Lynskey who thanked her nanny? But this year, Colin Farrell thanking Carolina and craft services was a highlight for me.

[Marlee]

I want to know more about Carolina.

[Leah FA Cooper]

I know.

[Jonah]

Me too.

[Leah FA Cooper]

Profile and Carolina.

[Jonah]

Yeah, his speech was very charming.

[Taylor Antrim]

So into Colin Farrell.

[Leah FA Cooper]

Okay, we're gonna take a quick break, and we'll be back shortly. Ready to add a touch of Vogue to your collection? Browse shop.vogue.com for exclusive merch, like, limited edition mugs. And here's a treat. Get an exclusive 15% discount with code VOGUEPOD15 at checkout. Happy shopping. And we're back.

[Taylor Antrim]

Okay, guys, so I want to know what you all thought of Demi Moore. Did you clock the speech where she talked about being in the industry for, like, 30 years and being a popcorn actress?

[Jonah]

I like the speech.

[Taylor Antrim]

Yeah, it was great.

[Marlee]

Yeah, the speech was good.

[Jonah]

And I loved the film. I love the film.

[Taylor Antrim]

Oh, you did?

[Jonah]

Yeah. And I don't really love a gory film, but I thought it was really good.

[Leah FA Cooper]

On Twitter, someone was like, name the producer's name. Did she say that?

[Marlee]

Like, yeah, that's what I wanted her to do.

[Taylor Antrim]

She had. What did she say? She said some producer called me a pop.

[Marlee]

Yes. She said that years ago, she was called a popcorn actress. And they were like, you're gonna make movies that, you know, draw people to the box office and are popular, but you're not an actress that's going to win awards and get accolades.

[Taylor Antrim]

And she said this was the first time she'd ever. That she'd ever won or that she'd ever won. Yeah.

[Marlee]

Which I'm surprised because Ghost is a Masterpiece. I mean, in truly. I was like, wait, what do you mean he didn't nominated for Ghosts?

[Taylor Antrim]

Chloe, what's your favorite genie war movie?

[Leah FA Cooper]

GI Jane.

[Taylor Antrim]

I was gonna say the same. I didn't want to be embarrassed, though.

[Marlee]

I was gonna say the same. G.I.

[Jonah]

Jane.

[Marlee]

You know what, though? If they had the box office category when GI Jane was out, that probably would have been a continuity.

[Taylor Antrim]

What is it called?

[Leah FA Cooper]

What is that category? Cinematic Experience.

[Marlee]

It's a.

[Leah FA Cooper]

It's a stretch.

[Taylor Antrim]

It's such a stretch. And it was so annoying because it led to the Wicked, like, moment with John Chu, who. I mean, very talented guy. I'm really happy for him and his success.

[Leah FA Cooper]

You didn't like his metaphor about the yellow brick road?

[Taylor Antrim]

And did you watch Ariana Grande behind him while he was talking?

[Leah FA Cooper]

No, but I like that Jeff Goldblum was holding his. He seemed like he wanted to be holding his heart. Like that was jester. But he was actually sort of holding his stomach. Like he was in, like, deep, like, having gi.

[Taylor Antrim]

Yeah, that was. That was a lot. But I haven't seen Wicked and it's not. It's not. Not my thing. Saw both Sebastian Stan movies this year, though. No Wicked, though.

[Leah FA Cooper]

Sebastian Stan. Excellent podcast guest. Really great with our friend Jeremy Strong.

[Taylor Antrim]

Huge fan.

[Leah FA Cooper]

Jeremy Strong. Presaged. He said, I will not wear brown this year.

[Taylor Antrim]

And he sure did. You can take credit for it because he asked the question.

[Leah FA Cooper]

Yeah. I was like, why do you only wear brown? He's like, God damn it, I raised you some. What was that color?

[Taylor Antrim]

Claymore.

[Leah FA Cooper]

It wasn't seafoam.

[Jonah]

It was kind of a. It was close to seafoam. And there were a lot of interesting. I mean, there was like a.

[Marlee]

Who else did a turquoise.

[Leah FA Cooper]

Andrew Scott.

[Jonah]

Not my favorite.

[Leah FA Cooper]

Yeah.

[Taylor Antrim]

Oh, he was shut out, though. I thought Ripley was so good, and I thought he should have won something.

[Jonah]

Yeah.

[Taylor Antrim]

Andrew Scott.

[Leah FA Cooper]

There were a lot of referential dresses. Like, it was. There was big old Hollywood energy, opera gloves. Sort of what someone joked was like the Audrey Hepburn biopic contest, which was like Ariana Grande and Selena Gomez, and Selena looked amazing. Someone else was sort of doing it. I forget who, but, I mean, I.

[Jonah]

Guess Zendaya was doing it.

[Leah FA Cooper]

Zendaya. But it is just funny to see how much of a thing it has been to reference not just a period, but a very specific look. Like Ayo Edebiri. Leah wrote about her moment.

[Jonah]

Yeah, the Julia Roberts moment. Tell us more.

[Marlee]

Yeah, so she. I mean, she's been working with Loewe for a while, and she Said that she was really inspired by what movie did Jonathan Anderson Costume design.

[Leah FA Cooper]

Queer.

[Jonah]

Queer and challenges.

[Marlee]

Okay. Yeah. So she said that she was really inspired by Queer and his work on that film. And as her and her stylist Danielle Goldberg were, you know, dreaming up what she was gonna wear, they thought about Julia Roberts 1990 Golden Globes wearing a gray suit. Another reference was also Carmelo Anthony. I'm not sure if it was from. I'm not sure if it's the suit he wore when he got drafted, but it was of that era, early 2000s, very oversized, baggy, gray.

[Leah FA Cooper]

Well, and last year she referenced Whoopi Goldberg in Whoopi Goldberg had an iconic white suit moment and I.O. did a version of that by the Row, which that I have to say was one of my favorite ayo moments.

[Marlee]

She really went all out though. Cause she also dyed her hair red and had like long wavy red hair moment.

[Jonah]

Yeah, she looked great. And she had some fronts or something happening with the dress.

[Marlee]

Yeah, she had a grill. She had a grill that she this, I think it's called metal frames that makes them that she loves and follows on insta.

[Jonah]

I like how much she experiments and she just seems to be having so much fun and she looks adorable.

[Leah FA Cooper]

And then my favorite moment, I mean we were all, as the kids say, gagged by.

[Jonah]

I know what's coming. I hear it coming. Come on.

[Leah FA Cooper]

Yes. Kiley and Timmy only make their public appearances annually inside the Golden Globes and they did not walk the red carpet together. But as soon as the ceremony started, we saw them canoodling at the Bob Dylan table. What's that movie called? A Complete Unknown.

[Marlee]

Yes.

[Leah FA Cooper]

Bob Dylan was not there. And Kylie Jenner, what you could see. Cause we didn't see photos of full length. We just saw her from the back and we're like, oh, slinky dress. And then some eagle eyed Twitter user matched it and said Kylie Jenner, the last two years has been cosplaying Elizabeth Hurley with Hugh Grant. Last year she wore a sort of black lace dress, also vintage. And this year she wore the exact chainmail Versace dress that Liz Hurley wore in 1999 for what Was It? The premiere of Four Weddings and a Funeral. It was a big story in the vogue in the 90s document that she. It was like before celebrity dressing and she just called Versace and was like, do you have anything? And they sent her just like a shopping bag with like a little dress in it. And Kylie wore it last night and it was a major moment for all of us.

[Jonah]

Yeah.

[Taylor Antrim]

I mean, makes me wish they'd actually used Hugh Grant in some way.

[Leah FA Cooper]

Like, either gives you.

[Taylor Antrim]

I'm obsessed. First of all, that movie's good. Heretic. Second of all, that man is on one. Like, he is pleasing everyone he comes into contact with. He's fantastic. And he was there in the room, and nobody did anything with him. Sad. But I was glad Timothy. Timothy did win. I have to say, I was.

[Leah FA Cooper]

I was glad he didn't win.

[Marlee]

Oh, my gosh.

[Taylor Antrim]

Well, I had this premonition that he was going to steal it from Adrien Brody, and I actually think the Brutalist. I mean, I've, like, seen all the movies that are up for awards, and the only one that I think I'll remember from this year is probably the Brutalist. Like, it's a challenging movie. It's three and a half hours long, but it's really something, you know? And Adrian Brody's performance is, like, amazing. And I also.

[Leah FA Cooper]

I have to go to a theater, right?

[Marlee]

Yeah, you do.

[Taylor Antrim]

You do. It's like a. Yeah, it's like a proper cinematic experience.

[Jonah]

So how does the intermission work? Can someone explain that to me?

[Leah FA Cooper]

It's truly like, you know, popcorn actress.

[Taylor Antrim]

The screen has like a. Like a text slide that says intermission.

[Jonah]

And you just leave for 10 minutes.

[Taylor Antrim]

You can. I was at a screening, but they. They ran it the same way they would run it in theaters. And then there's a clock that ticks down. So you kind of usefully know when it's about to end. Yeah, I mean, I'm mixed on it because, like, I kind of. Anything that adds to length, I'm a little bummed by. But, like, you know, if you have.

[Marlee]

To make it to the restaurant, I appreciate that.

[Taylor Antrim]

Yeah.

[Marlee]

That's the case in a number of Bollywood movies.

[Jonah]

They have. Intermissions are so long. Yeah, I didn't.

[Leah FA Cooper]

All the old movies do Sound of Music, the Great Escape, Dances With Wolves.

[Taylor Antrim]

Remember that?

[Marlee]

Oh, my goodness.

[Taylor Antrim]

We were talking about GI Jane a second ago. Kevin Costner is not admissible. Anyway, so I thought that movie, really. I was glad to see it win and did not know that Mr. Brady Courbet. I did not know that his surname was pronounced Corbet. And I actually thought the Golden Globes announcer had it wrong. And then for the podium, he was like. Remember when he shouted out his daughter, his adorable.

[Marlee]

Oh, that was so sweet.

[Jonah]

That was very sweet.

[Taylor Antrim]

And I was glad to see Adrian win because I think he was really deserving. And I thought Timothy might steal it from him. That's why I was glad to see him not win.

[Jonah]

Okay, so we're going to make a quick break and we'll be back in a moment.

[Leah FA Cooper]

I'm Nomi Frye.

[Nomi Frye]

I'm Vincent Cunningham.

[Vincent Cunningham]

I'm Alex Schwartz. And we are Critics at Large, a podcast from the New Yorker. Guys, what do we do on the show every week?

[Nomi Frye]

We look into the startling maw of our culture and try to figure something out.

[Vincent Cunningham]

That's right. We take something that's going on in the culture now. Maybe it's a movie, maybe it's a book, maybe it's just kind of a trend that we see floating in the.

[Leah FA Cooper]

Ether and we expand it across culture as kind of a pattern or a template.

[Nomi Frye]

We talked about the midlife crisis starting with a new book by Miranda July. But then we kind of ended up talking about Dante's Inferno.

[Leah FA Cooper]

You know, we talked about Kate Middleton, her so called disappearance. And from that we moved into right wing conspiracy theories.

[Nomi Frye]

Alex basically promised to explain to me why everybody likes the Beatles.

[Vincent Cunningham]

You know, we've also noticed that advice is everywhere. Advice columns, advice giving and we kind of want to look at why. Join us on Critics at Large from the New Yorker. New episodes drop every Thursday. Follow wherever you get your podcasts.

[Alex Schwartz]

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[Leah FA Cooper]

And we are back. I want to know what people's favorite accessories were for me was Kieran Culkin's temporary tattoos and Salma Hayek's emeralds.

[Marlee]

Salma Hayek's kind of Salma Hayek emeralds were behind me.

[Jonah]

I mean, they were bonkers. I thought she looked incredible.

[Leah FA Cooper]

I know we were very into her grays.

[Jonah]

Yeah, yeah, yeah. She looked just kind of embracing your.

[Leah FA Cooper]

Grays and your emeralds is a real flex.

[Taylor Antrim]

Pinot energy.

[Leah FA Cooper]

Totally.

[Jonah]

Yeah. She definitely, Definitely. She. I can't think of. And I guess I appreciated IO's grill.

[Leah FA Cooper]

Yeah.

[Marlee]

Taylor, the bucket hat, is that your.

[Taylor Antrim]

Fave back to Jeremy? Yeah, yeah. No, I was into all things Jeremy. All things Jeremy.

[Leah FA Cooper]

There were some male hat energy. Odr, Jacques. Odr also was wearing a pork pie hat for one award and not for the other.

[Jonah]

Maybe he decided it wasn't quite the.

[Leah FA Cooper]

Look it was the second. I was like, you decided you needed to put that on.

[Taylor Antrim]

The Eddie Redmayne suit was a lot for me.

[Leah FA Cooper]

Oh, I like it.

[Taylor Antrim]

Okay. We haven't talked about the Shogun actors. What'd you guys think? I think Anna Sawai is so beautiful. I wasn't sure. That was the most amazing dress I've seen her in. But you guys tell me she actually.

[Leah FA Cooper]

Wore a cool dress to the after party that I kind of wish she'd done. Like, I just felt a bit safe.

[Jonah]

Her dress, it was very safe. But, I mean, she looked beautiful also.

[Leah FA Cooper]

I don't need peplums to be back.

[Jonah]

No, there was a lot of peplum going on.

[Leah FA Cooper]

The entire Shogun cast had great swagger. Hiroyuki Sanada loved him.

[Taylor Antrim]

He looked great.

[Leah FA Cooper]

He looked great.

[Marlee]

Amazing. And the velvet. The grooming was also impeccable.

[Leah FA Cooper]

Who was the guy who was so charming who got up there and yelled.

[Jonah]

You don't know me?

[Taylor Antrim]

It was Tadanobu Asano, and he's one of the actors in Shogun. And I really appreciated that he, like, introduced himself to the audience.

[Marlee]

Totally.

[Taylor Antrim]

He seemed to be having a great time. Shogun really got its due. I mean, that. That was a hit of a show. But it swept all four awards it was nominated for. So it had a big night last night.

[Leah FA Cooper]

He was actually my favorite character in the show.

[Taylor Antrim]

Oh, yeah?

[Leah FA Cooper]

Yeah. Now that I know who it is.

[Taylor Antrim]

I'm a big Cosmo Jarvis fan.

[Leah FA Cooper]

Oh, yeah. He's so handsome.

[Taylor Antrim]

He was up there on stage.

[Leah FA Cooper]

Also, I haven't watched Matlock yet. I love Matlock And Kathy Bates.

[Taylor Antrim]

She was funny, though. She really brought it.

[Leah FA Cooper]

Yeah, she's fantastic.

[Taylor Antrim]

Yeah, fantastic.

[Leah FA Cooper]

She's gonna be a Matlock like no other.

[Taylor Antrim]

Melissa McCarthy was funny, too. I'd forgotten how funny she was. I don't remember what the bit was now.

[Marlee]

Oh, it was about bears being addicted to cocaine.

[Taylor Antrim]

Yeah, I thought that was funny.

[Jonah]

Oh, my God.

[Leah FA Cooper]

You know who didn't think it was funny? The bear table. It panned to them and they were like Yvonne Moss. Bagrat was so confused.

[Taylor Antrim]

I thought he had a knowing smile on his face.

[Marlee]

Where was Jeremy Allen White?

[Taylor Antrim]

Where was Jeremy Allen White?

[Leah FA Cooper]

I know.

[Jonah]

Whoa.

[Taylor Antrim]

What's the biopic he's in? Bruce Springsteen. Maybe he was.

[Leah FA Cooper]

Maybe he was the only Bruce Springsteen.

[Taylor Antrim]

Bruce Springsteen set. What do we think of Benny Blanco sitting next to Selena?

[Jonah]

I thought it was very sweet. There's lots of nice couple moments.

[Taylor Antrim]

Yeah, they looked like a real couple.

[Jonah]

Yeah, they look really sweet. And she seemed so happy and just looked gorgeous. I thought she looked so pretty.

[Taylor Antrim]

I was sad Nicole Kidman got robbed. I thought baby girl.

[Marlee]

Okay. Baby girl was so unhinged. We saw it on Saturday.

[Jonah]

I need to see it. It's so nice. I'm seeing it this week.

[Taylor Antrim]

It's a total conversation piece.

[Jonah]

I can't wait.

[Marlee]

Yeah, it's quite good.

[Taylor Antrim]

I still think she might win the Oscar. I think the Fernanda Torres win for I'm Still Here was a little bit of a outlier. It was a surprise.

[Jonah]

Yeah, for sure.

[Leah FA Cooper]

Were there any. I mean, it's not the Oscars, but I do feel like there were some touching speeches. Was anyone teary eyed at anything?

[Taylor Antrim]

Don't look at me stone hearted.

[Jonah]

I was laughing.

[Taylor Antrim]

Broadcasters here.

[Marlee]

I mean, I thought it was very, very, very sweet when Adrien Brody spoke to his parents.

[Jonah]

Yes. Yeah, that was very sweet.

[Marlee]

The director of Amelia Perez reminded me. Yes. I thought that his speech was quite touching too. You know, speaking about this moment in time and people who may be feel overlooked or unsupported. And I thought it was sweet that he talked about sisterhood. I have a sister. Love her so much. And I do think the world would be a nicer place if more people could experience that.

[Leah FA Cooper]

Note. For me, Wallace and Gromit was robbed.

[Taylor Antrim]

Has anyone seen Flo? Apparently Flo is a silent cat movie.

[Marlee]

Oh, no.

[Leah FA Cooper]

I'm gonna go.

[Jonah]

I don't. Has no dialogue.

[Taylor Antrim]

No dialogue, apparently. Well, it was made by Latvians, which actually was a moment, you know, that good for laughing.

[Marlee]

He said that. That put them on the Golden Globes map.

[Taylor Antrim]

Totally.

[Leah FA Cooper]

So I do feel like. And Taylor, we mentioned this a little bit, but I feel like the Globes tends to be like a pre. Sets the stage for what the Oscars is gonna look like.

[Taylor Antrim]

Right, right, right. Yeah, it does serve that role.

[Leah FA Cooper]

And you were saying that that this year sort of sprinkled the love around in a nice way.

[Taylor Antrim]

Yeah, yeah. And it sort of complicates the picture, makes the Oscars more interesting, you know, because I think on the one hand you've got these sort of art movies in Emilio Perez and the Brutalists that really did well last night. But on the other hand, I still am of the opinion that the sort of more mainstream, crowd pleasing Oscar bait movies, by which I mean Conclave first and foremost, but also a Nora, you know, which I think is like, like a genuinely fun couple hours at the movie theaters, I think those two still are looking really good for Oscars. So for me, it's a real toss up and I'll be. Makes the Oscars ever more interesting.

[Leah FA Cooper]

All right, Taylor, Leah, thank you very much for being here very early.

[Taylor Antrim]

Thanks for having us.

[Marlee]

Thank you for having us.

[Taylor Antrim]

What a pleasure.

[Jonah]

That's it for the Run Through. See you Thursday.

[Leah FA Cooper]

The Run through is produced by Chelsea Daniel, Alex DePalma and Joanna Solotarov. It's engineered by Jake Loomis and James Yost.

[Alex Schwartz]

It is mixed by Mike Kutchman.

[Leah FA Cooper]

Stephanie Karaoke is our executive producer and Chris Bannon is Conde Nast's head of global audio.

[Jonah]

From prx.