Vogue Editors on the Best Winners and Looks of the 2026 Golden Globes

Summary

The Run-Through with Vogue: "Vogue Editors on the Best Winners and Looks of the 2026 Golden Globes"

Episode Date: January 12, 2026
Hosts: Chloe Malle, Chioma Nnadi
Guests: Taylor Antrim, Christian Allaire, Rebecca Ford

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Overview

In this annual special, Vogue editors and correspondents regroup after the 2026 Golden Globes to dissect red carpet fashion, surprising wins, notable snubs, and the evolving landscape of awards season style. Joined by regular guests, the discussion buzzes with their signature blend of expertise, wit, and camaraderie, providing a detailed insider’s look at what defined the year’s most talked-about awards night.

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Key Discussion Points & Insights

1. Red Carpet Fashion: Standout Looks and Trends

Selena Gomez in Chanel

• Praised as the top red carpet look by both British and US Vogue, particularly significant as a "coup for Matthew’s Chanel" ([04:11]).
• The feathered organza dress took over 300 hours:

  "Apparently took over 300 hours to put them on the dress, which is a lot of labor." — Christian Allaire [04:33]

• Benny Blanco's jewelry (pendant and brooch) also noted, as were the many male stars embracing brooches.

Brooches for Men

• Seen especially on Coleman Domingo, who wore "all boucheron brooches" ([05:12]).
• "The men give them a run for their money. [...] I had at one point more men than women." — Christian Allaire [08:17]

Texture, Black, and White Themes

• Charli XCX (Saint Laurent) and Odessa A’zion (vintage Dolce) both highlighted for their textured/feathered looks.

  "She looked cool, effortless, and gorge. [...] She looked like herself, which I thought was fab." — Cho Minardi [06:22]

• Bright jewel tones, black and white, and red dominated the carpet, with tinges of mermaid and old Hollywood vibes ([07:15], [16:05]).

Indie Designers’ Red Carpet Impact

• Jenna Ortega in Dilara Findikoglu and the Palestinian-Jordanian designer Rima Debord also highlighted as refreshing indie successes ([41:53]).

  "It's always great when I'm discovering new designers on the red carpet. That's always something. It's rare." — Cho Minardi [42:57]

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2. Memorable Red Carpet Moments

Wunmi Mosaku’s Pregnancy Reveal

• Broke the news with Christian Allaire.

  "She kind of was talking about feeling conflicted about announcing her pregnancy at the Globes. [...] She wanted to celebrate herself and all of the success that Sinners has had." — Christian Allaire [10:24]

• Chose yellow as a nod to Oshun, Yoruba goddess, symbolizing "Mother is golden" ([11:38]).

Teyana Taylor’s "Bejeweled Whale Tail" in Custom Schiaparelli

• Called the red carpet delight of the night—a cheeky evolution of the naked trend ([12:06], [13:16]).

  "She just commands such [...] the whole room. She just takes over." — Cho Minardi [12:13]

Gen Alpha and the Young Stars

• Owen Cooper’s Bottega look and his viral moment filming an acceptance speech, embodying “Gen Alpha energy” ([08:47]).

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3. Winners, Snubs, and Surprises

Major Winners Discussed

• K-Pop Demon Hunters — Song and Animated Feature wins, predicted to be an Oscar frontrunner.
• Hamnet — Chloe Zhao’s surprise win; her "paralyzed" reaction was memorable ([25:29]).
• Marty Supreme — Only Timothy Chalamet scored a win, surprising some due to Leo DiCaprio’s widely praised performance.

  "I think there's nobody beating Timothy Chalamet." — Rebecca Ford [26:26]

Snubs and Misses

• White Lotus received less attention than expected, despite continued critical acclaim ([37:52]).
• Zootopia 2 not winning despite commercial success ([38:52]).
• Sentimental Value, a celebrated non-English language film, overshadowed by The Secret Agent ([36:36]).

Trend Toward Safe Choices

• The panel lamented a lack of truly wild fashion, longing for the days of “Bjork and the Swan” and more risk-taking ([18:11]).

  "I do miss those moments [...] where it’s a kind of out-there ‘I just came with the clothes I had’ moment." — Cho Minardi

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4. Comedic and Presenting Highlights

Nikki Glaser as Host

• Compared to a possible “Billy Crystal of the Golden Globes” ([20:03]).

  "She's so self-assured. And like, the humor is more barbed than you think when you're listening." — Rebecca Ford [20:01]

Comedic Moments & Bits

• White Lotus “Property Brothers” joke, musical interruptions, and unique pairings added levity ([20:29], [20:50]).

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5. Notable Style Shoutouts and Crew Acknowledgments

• Many acceptance speeches featured shout-outs to technical staff and crew—“thanking the AD, thanking the grips”—making for a more unpredictable Golden Globes experience ([31:43]).

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6. Other Noteworthy Talking Points

• Kylie Jenner’s approach to award season as “my boyfriend is the hottest thing in Hollywood” reference, akin to Elizabeth Hurley ([29:07]).
• The rise of the podcast category at the Golden Globes raised eyebrows ([37:15]).
• A generally strong night for British talent, with pride in deep actor benches and a fun, self-aware tone throughout ([33:34]).

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Quotes & Memorable Moments (with Timestamps)

• “Apparently took over 300 hours to put them on the dress, which is a lot of labor.” — Christian Allaire on Selena Gomez’s Chanel gown [04:33]
• “The men give them a run for their money. [...] I had at one point more men than women.” — Christian Allaire [08:17]
• “She just takes risks. [...] It never kind of feels like the dress takes over because she just commands the entire, you know, the whole room.” — Cho Minardi on Teyana Taylor [12:13]
• “It’s interesting that she chose to wear yellow because I saw. As soon as I saw it, I thought of Oshun, the Yoruba goddess, because yellow is very much associated with it.” — Cho Minardi on Wunmi Mosaku [11:18]
• “I do miss those moments that we don't. And we say this, I guess again and again. You're, you know, Bjork and the Swan or whatever.” — Cho Minardi [18:11]
• “Nikki Glaser…she’s gonna have this job for the next 10 years. She’s so fun. She’s so self-assured.” — Rebecca Ford [20:03]
• “I appreciate it.” — Chloe Malle on Julia Roberts’ “mom talk” acceptance speech [35:38]

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Important Segment Timestamps

• [02:40] Introduction to the Golden Globes morning-after special
• [03:39] Selena Gomez in Chanel: Look Breakdown
• [06:04] Textured Looks and Up-and-Comers (Charli XCX, Odessa Azion)
• [08:12–09:04] Menswear and Youthful Talent (Owen Cooper, Coleman Domingo)
• [10:24–11:44] Wunmi Mosaku’s Pregnancy Reveal and Symbolism
• [12:00–13:40] Teyana Taylor’s Red Carpet Moment
• [16:00–17:05] Trends: Black, White, Red, and Jewel Tones
• [20:01–21:28] Nikki Glaser’s Hosting Performance
• [23:59–27:53] Major Winners & Acceptance Speech Anecdotes (K-Pop Demon Hunters, Hamnet, Marty Supreme)
• [31:43–34:44] Crew Recognition and Golden Globes' Unique Charm

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Style Rankings & Final Thoughts

• Top stylists of the night: Danielle Goldberg (Jesse Buckley), Kate Young (Rose Byrne), Waymond Amica (multiple stars) ([35:56])
• Discussion on indie and international designer breakthroughs, including British and Palestinian designers ([41:53])
• Reflections on award show evolution, with a consensus that the Globes have bounced back and now offer a blend of tradition, innovation, and increased global influence.

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Tone & Atmosphere

Witty, informed, and lively, the conversation felt like a Vogue office roundtable multiplied, mixing playful banter (“year of the butt crack”) with deep analysis of global and cultural meaning in style choices. The hosts' genuine enthusiasm, pop culture breadth, and mutual validation (“just wanted you to confirm I’m right”) create an inviting insider vibe for listeners.

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Conclusion

This exhaustive Golden Globes recap blends sharp fashion critique, earnest praise, and humor, mirroring the endlessly churning, trendsetting world of Vogue’s editorial rooms. The podcast is a must for those who want spirited expert insight into the year’s biggest red carpet and award show moments, all distilled into a single, high-energy episode.

Transcript

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[Chloe Mao]

This is the run through. I'm Chloe Mao.

[Cho Minardi]

And I'm Cho Minardi and we are.

[Chloe Mao]

Back for our annual Golden Globes morning After special episode where we recap all the looks, moments, wins and snubs from the big night. Joining me in the New York City studios are my colleagues Taylor Antrim and Christian Allaire. Good morning.

[Rebecca Ford]

Hi, guys.

[Christian Allaire]

Good morning.

[Chloe Mao]

And of course, Choma Nati dialing in like Charlie from Charlie's Angels from London. Chomo, did you see anything from across the pond?

[Cho Minardi]

No. You know, this is my educational moment, so I know we like this. I'm very excited to hear. You didn't see everything.

[Christian Allaire]

No.

[Chloe Mao]

This is what's fun when Choma joins. She's like, oh, I saw Gemma red carpet was. Had flowers and nothing else on.

[Cho Minardi]

I can't. I mean, it's literally on in the middle of the night.

[Chloe Mao]

No, I know. I'm saying this is a valuable part of the. The interaction is like informing Choma of what. What she missed. What did you. What was on your feed this morning? What was the buzz in the British Vogue offices?

[Cho Minardi]

I felt like Selena Gomez. Selena Gomez as far as red carpet fashion in Chanel. And everybody was just talking about how good the carpet look. Like everybody was. Looked very grown up and very chic.

[Chloe Mao]

And the actual carpet, which looked like the met gala steps.

[Cho Minardi]

Yeah, it did. I mean, because you had all these angles, so it was quite. Yeah. So, yeah, it looked from a red carpet fashion perspective. We woke up to. To some lovely fashion. I.

[Chloe Mao]

It's so interesting that Selena was your number one. I thought she looked so fabulous. And what a. It felt like a coup for Matthew's Chanel. It felt like a really. A big, high wattage moment. I really had a lot of questions about those sort of.

[Christian Allaire]

I don't know.

[Chloe Mao]

What would you call them? They're not feathers, right, Christian?

[Christian Allaire]

Yeah, they are feathers.

[Chloe Mao]

They are feathers.

[Christian Allaire]

Feathers. Organza. Apparently took over 300 hours to put them on the dress, which is a lot of labor.

[Chloe Mao]

But they look ticklish. It would have stressed me out.

[Rebecca Ford]

They were exactly.

[Chloe Mao]

You're tickling your armpits all night.

[Christian Allaire]

She looked great, though.

[Cho Minardi]

The things we do for fashion.

[Chloe Mao]

Yeah. No, I thought her hair looked great. I also liked that Benny. He was dripping. He had a beautiful pendant on and a brooch. He was like, celaena can wear the feathers, but I will wear the diamonds.

[Rebecca Ford]

There's a lot of brooch talk, actually.

[Chloe Mao]

So much brooch talk.

[Christian Allaire]

A lot. Coleman Domingo had, like, 10,000 brooches on which I.

[Chloe Mao]

Were those brooches?

[Christian Allaire]

Yeah, they were all boucheron brooches.

[Rebecca Ford]

Oh.

[Chloe Mao]

I thought it was, like, embroidered. Oh, yes. He did say his interview.

[Christian Allaire]

You're right.

[Chloe Mao]

I did I somehow thought that was part of the Valentino situation.

[Christian Allaire]

Yeah, he really went with it. A lot of men.

[Cho Minardi]

There must have been a security guard waiting in a. In the wings just for those brooches.

[Chloe Mao]

That would be a good diary, actually. The golden, like, the award. Seasoned security. Mad diamond security team.

[Rebecca Ford]

On brooch watch.

[Chloe Mao]

On brooch watch.

[Rebecca Ford]

And one of those things hits the carpet and you really got to, like, you know, scoop it up.

[Chloe Mao]

Oh, yeah, yeah.

[Rebecca Ford]

Coleman looked great. He always looks great.

[Christian Allaire]

He's the best dressed man in Hollywood, you know, forever.

[Chloe Mao]

And I love how much he loves it. Like he just said to him in his interview last night on E. He was like, I love getting dressed and I love throwing parties. I was like, you know what good goals?

[Christian Allaire]

Life goals. Life goals right there.

[Chloe Mao]

All right, choma. What else?

[Cho Minardi]

I mean, there was so much. I loved Charli XCX's beautiful Saint Laurent look, which was also kind of textured. So I guess texture, black and white were a big theme for the night.

[Chloe Mao]

She bought us texture.

[Cho Minardi]

Yeah. Yeah. I mean, I guess some people are calling it hairy, but I think I'd like to call it textured.

[Christian Allaire]

It was feathers.

[Cho Minardi]

It was feathers, too. She looked incredible. And then I thought Odessa Azion, also in a textured. I never usually love all black, but she looked incredible in vintage Dolce. And I think it's hard to do pants on the red carpet. She just looked cool, effortless, and gorge. Like, I love to see a newbie on the red carpet. Really kind of own it. She looked like herself, which I thought was fab.

[Christian Allaire]

She has no stylist either, which I love. She's all just.

[Cho Minardi]

She has no stylist.

[Christian Allaire]

No, it's all her.

[Sponsor/Ad Voice]

Obsessed with her.

[Cho Minardi]

Officially obsessed.

[Christian Allaire]

Yeah.

[Cho Minardi]

She looked. She looked incredible. And I mean, we also saw some great. There was also, like a mall in vintage Balmain. So some always loved to see some vintage on the red carpet. So that was great. And in addition to Odessa's. And then I thought Emma Stone looked quite incredible in that butter yellow Vuitton.

[Sponsor/Ad Voice]

Right?

[Cho Minardi]

It was Vuitton.

[Christian Allaire]

Yeah. Bearing the abbe abs.

[Sponsor/Ad Voice]

Yeah.

[Cho Minardi]

Bearing the abs. It looked great with her hair. I thought the glam. I thought the hair. Everybody had this great. There was a lot of bob action. I thought IO's hair was great. I thought Selena's hair was great. This kind of like old school bob and then those very old school Hollywood waves that Charlie XCX wore was really great too.

[Chloe Mao]

It was a good night for glam waves, I would say, wasn't it?

[Cho Minardi]

Yeah. Glam Waves. We love the glam waves. Tessa Thompson also looked incredible. And oh, I love the glam waves.

[Chloe Mao]

Balenciaga sort of. We're very into mermaids in my house and that was giving like mermaid award season in the best way.

[Cho Minardi]

Yeah, I just thought everybody sort of let the, Let the dress do the talking. And the hair was. Nobody overdid it with accessories or with hair. It was very kind of easy, which I, which I thought was great. So lots of wins, I thought. And the. And the guys looked great too.

[Chloe Mao]

We've been seeing the past couple years great, great, great male flair.

[Christian Allaire]

The men give them a run for their money. I gotta say, when we were doing best dress last night, I had at one point more men than women.

[Rebecca Ford]

Which you like, though.

[Christian Allaire]

I mean, I really loved Owen Cooper. I know he's like 16 years old, but.

[Chloe Mao]

Yeah, so did Anna. Anna emailed for to make sure he was in our best dress.

[Christian Allaire]

Oh my God.

[Chloe Mao]

This is his age child.

[Rebecca Ford]

The like monochrome woven belt in the like Bottega jacket though. I mean it looked good on the red carpet board and he's like moving up to the.

[Cho Minardi]

I just thought.

[Rebecca Ford]

I sort of. My heart broke for the 16 year old who has a dress for the Golden Gloves.

[Christian Allaire]

It was a cool take on suiting Taylor.

[Rebecca Ford]

Oh, he killed. I mean, he was great. Everyone was adoring him. I also liked when was it Stephen Graham was giving his acceptance speech and Owen was filming it on his phone, standing up and filming the whole thing. It was like such gen Alpha energy. It was great. It was great.

[Christian Allaire]

Giant Alpha.

[Rebecca Ford]

Considering that the night started with like two 74 year olds back to back winning with Stella and Starsgar, which I love. I mean, he looked fabulous, I thought.

[Chloe Mao]

Actually my favorite Nepo daddy.

[Rebecca Ford]

Yeah, yeah. And then Gene Smart from hacks back to.

[Cho Minardi]

I sat next to him at dinner and he was so charming.

[Chloe Mao]

Wait, Stellan or Owen Cooper?

[Cho Minardi]

Stellan. Stellan.

[Rebecca Ford]

Everyone knew she meant Stellan.

[Cho Minardi]

Very charming. Nepo Daddy. He looked great.

[Rebecca Ford]

He had no tie on, but he really like pulled that look off. I was like props to Stellan Starsk second Golden Globe. He also won for that HBO series Chernobyl in 2020, which was great, actually, like totally terrifying. Watch.

[Sponsor/Ad Voice]

But.

[Rebecca Ford]

But he was great in it.

[Chloe Mao]

Digression. Christian had one of the big new scoops of the night. I was very excited about and the Internet agrees with me. Wunmi Mosaku, who is really, to me, the breakout star of Sinners and is someone. I'm really excited to see what she does on the red carpet. This awards season, she revealed her pregnancy with Christian Allaire. Yeah, she looked so beautiful. She looked like an ethereal sun goddess. She was wearing this diaphanous dress by Matthew Reisman. Christian, why did she tell you she wanted to reveal her pregnancy on the red carpet?

[Christian Allaire]

Yeah, well, she was. She wrote a beautiful piece for us on Vogue, so go read it if you haven't. And she kind of was talking about feeling conflicted about announcing her pregnancy at the Globes. You know, on one hand, in Nigerian culture, I guess it's very. You don't really announce your pregnancy until you give birth or. She said she was, like, a little superstitious about.

[Chloe Mao]

It's like Judaism. You don't want to jinx it.

[Christian Allaire]

But she also felt like she wanted to celebrate herself and all of the success that Sinners has had. And I guess her way of doing that was to sort of bring her baby along with her in a way that everyone could see, quite literally because she's been keeping it a secret. So it just felt like sort of a reclamation of. You know, people have been commenting on her body this award season and speculating if she's pregnant, has she gained weight? And she really felt like she wanted to reclaim that moment and celebrate herself. So I loved that. And she looked beautiful. That yellow color really made her shine. And. Yeah, I just thought it's such a good moment.

[Cho Minardi]

It's interesting that she chose to wear yellow because I saw. As soon as I saw it, I thought of Oshun, the Yoruba goddess, because yellow is very much associated with it, and it's a color that. That Beyonce has used as well, when to reference Oshun. And yes, I don't know if that's what she was thinking, but just given her Yoruba heritage.

[Christian Allaire]

Yeah, she said it was. The saying was mother is golden and Yoruba, so that's why she wanted to wear yellow.

[Cho Minardi]

Uh, that's amazing. That's amazing. Yeah.

[Chloe Mao]

Choma. I'm not sure if you saw it, but the major. A major red carpet gasp delight for the Vogue Golden Globes chat was Teyana Taylor's.

[Cho Minardi]

Oh, the butt crack, the bejeweled, the.

[Rebecca Ford]

Bijou thong, whale tail.

[Christian Allaire]

Schiaparelli.

[Cho Minardi]

Loved it.

[Chloe Mao]

She is so sassy. She just does what she wants, and it's works so well for her.

[Cho Minardi]

Oh, she owns it. I love Tiana. I love Tiana. I think. I think she really has fun with red carpet fashion in a way that I think few people do. She takes risks. That's why she wears the likes of Thom Browne and Schiaparelli. Because I think she can. She can own it. It never kind of feels like the dress takes over because she just. She just commands such. She commands the entire, you know, the whole room. She just takes over.

[Chloe Mao]

So I think it was custom Schiaparelli.

[Christian Allaire]

Yes. Apparently she designed it herself with him. It was a collaboration. So the thong was probably her idea. Let's be real.

[Chloe Mao]

Well, I thought the thong. I mean, Hannah Jackson did predict that 2026 was going to be the year of the butt crack, based on McQueen's bumpsters. And Zoe Kravitz and Hailey Bieber have had a sort of Saint Laurent crack moments recently.

[Rebecca Ford]

But let's talk about SEO in this trend. In the Vogue offices. One of the keywords.

[Christian Allaire]

It does feel like a continuation of sort of the naked trend. Like, sort of. Yeah, I guess evolution.

[Chloe Mao]

One step further. But I also, to me, this was very cheeky because. Because you do always have sort of big satin bows on the back of dresses. And this was like, I'll show you an unholy bow.

[Rebecca Ford]

She was so good. From the podium, too, Winning her award.

[Christian Allaire]

Yeah, she really was.

[Chloe Mao]

It was so sincere.

[Rebecca Ford]

I think there's no stopping her at the Oscars now for supporting.

[Sponsor/Ad Voice]

Right.

[Rebecca Ford]

Because.

[Chloe Mao]

Hot take.

[Rebecca Ford]

She was so charming and so, like, you know, I don't know. Just everyone's rooting for her. And also, I mean, I just urge people to see this movie, 1001, that she was in, like, a few years ago, which to me, was her real acting breakout.

[Cho Minardi]

Brilliant.

[Rebecca Ford]

If you liked her in one battle after another, you should seek out 1001. Cause it's just, like, such a beautiful movie, and she has a lead role in it, and it really convinces you that she's like, you know, formidable actress.

[Cho Minardi]

So I 100% agree. That film just took my breath away. I thought she was so great. And I. And I'm so happy that Paul. I'm sure Paul Anderson spotted her in that movie and just thought, oh, my God, I need. We need to have. We need to cast her immediately. She is. Yeah, she's. She's a force in that. In that film. It's such a good. It's such a great movie. I should actually go and watch it again. I loved it when I saw it.

[Sponsor/Ad Voice]

Yeah.

[Chloe Mao]

Christian, you had one of the biggest breakouts of the night.

[Christian Allaire]

Because I know what you're gonna say.

[Chloe Mao]

Tell us about the two people who everyone was watching.

[Christian Allaire]

Well, everyone was tuning in for the heated rivalry. Boys. We know this Hudson, Williams, Connor story. They looked amazing. Connor wore Saint Laurent. Hudson Moore, Armani. I just thought they did, like, classic suiting, but in a really cool, modern way. Like, not too stuffy, not too traditional. It felt young, it felt hip. And it's just funny to see all the celebrities fangirl over them too. They are celebrities to celebrities. I always find that funny. And their presenting bit was really funny of them needing these big UFC fighters as added security to keep them safe from all the crazed fans in the crowd.

[Chloe Mao]

Totally didn't get that.

[Christian Allaire]

I had to take a sec to understand who was this person.

[Rebecca Ford]

So there were all these UFC fighters, and they were gone immediately.

[Christian Allaire]

It was wild, but they looked great. And I think they're gonna have, like, staying power. I don't think they're gonna be a flash in the pan just based on their fashion.

[Rebecca Ford]

I think first time I saw Connor Story, I thought he was somber.

[Christian Allaire]

I mean, different hair color, but sure.

[Rebecca Ford]

But these, like, elongated, super skinny, like, handsome young men, they're. They're proliferating.

[Christian Allaire]

They're.

[Rebecca Ford]

They're. They're popping up. Jacob Elordi sort of looks like somber too.

[Christian Allaire]

Everyone looks like somber. Great.

[Chloe Mao]

That's the headline of this.

[Christian Allaire]

Everyone's somber was somber even there. I don't even think poor somber was there.

[Rebecca Ford]

Exactly.

[Chloe Mao]

All right, let's move on to any fashion trends or moments. We did do a piece on brights because there were these really strong jewel tones we saw from Chase Sui Wonders, who looked amazing in this sort of old school strapless Balenciaga dress, to Rose Byrne, who wore this clover green Chanel dress. But I also felt like, and this continued throughout the awards season with the present, throughout the evening with the presenters, it was so much black and white and red. So I feel like we could do a black, white, and red and all over.

[Christian Allaire]

I loved the color, though. I feel like the past few years, awards season, there's been no color. It's been so drab sometimes. And I really. It felt like an explosion of colors, maybe a little bit too much, but I loved it. It just was like a breath of fresh air for the past few years. From the past few years, Taylor didn't.

[Chloe Mao]

Like my black, white, and red all over.

[Rebecca Ford]

Well, you sort of missed it. You said, I liked it and it red. You need to do it again. I was like. I was like, really, really expecting the delivery to be seamless.

[Chloe Mao]

And so I did wonder, what's black, white, and red all over?

[Cho Minardi]

Well, with the Weathering Heights wardrobe, just a complete segue into another thing is. Is exactly that. So you. So maybe that.

[Chloe Mao]

I love when I Delight Choma with a bun. The Wuthering Heights costumes. We can discuss more in headlines. We don't. But I.

[Cho Minardi]

They. Let's not go there because they were.

[Chloe Mao]

I loved Radhika's piece about that.

[Cho Minardi]

I know. I saw, I saw it and it was, it was fab. I saw a screening for it, so. Oh, you went. I'm very.

[Chloe Mao]

Chloe Shamal went last week.

[Sponsor/Ad Voice]

I'm so excited.

[Cho Minardi]

Get ready. Get ready, guys. Anyway, I digress.

[Rebecca Ford]

I know we like everybody here at the run through, but were there any, like moments you thought were a little like, were missed?

[Cho Minardi]

I feel like it has become a real. It has become very safe. I will say, like everybody looked perfectly perfect. And I do miss those moments that we don't. And we say this, I guess again and again. You're, you know, Bjork and the Swan or whatever. It is like a kind of a. A sort of like out there. I just came with the clothes I had moment and I'd love to hear that Odessa didn't have a stylist. But that's so rare, you know, literally that never happens anymore. But I do think just having one of those wild kind of, oh, is it good? Is it bad? Is it crazy? Is what's sometimes missing.

[Rebecca Ford]

Or even like a Jeremy Strong kind of thing where it's like, yeah, you know, individuality. Individuality.

[Cho Minardi]

Yeah.

[Chloe Mao]

I mean, Tiana really. I think that's why we all reacted so strongly to Tiana's was like, it felt like. And that is fun to see.

[Rebecca Ford]

So I don't get to complain about John Krasinski in his intellectual turtleneck grad student era.

[Christian Allaire]

That's what you can do.

[Rebecca Ford]

Yeah, I didn't like that. I was like, come on, John, He's a totally handsome guy. Every time he stood up to let someone go by, he was like in his glasses and his like, you know, I was like, you're not a PhD student, John Krasinski.

[Chloe Mao]

He could be. He went to Brown.

[Rebecca Ford]

Seriously?

[Cho Minardi]

Yeah.

[Chloe Mao]

He was like a year above us.

[Rebecca Ford]

It makes it so much worse, though. And one more like menswear shout out. Snoop looks so good.

[Christian Allaire]

Snoop is forever.

[Cho Minardi]

Snoop looked amazing.

[Rebecca Ford]

He was the only one in double breasted that I thought looked good. I thought all the other double breasted tuxes were a little much like Noah Wiley's. Double breasted tux did not work for me. Sort of like a brown. Quite wild.

[Christian Allaire]

You don't like brown on the red carpet?

[Rebecca Ford]

I don't like. I don't like. But then I, then I saw Snoop and I was like, oh, he understands how to rock sunglasses. Which were weird. There were a lot of sunglasses. But on Snoop, it seemed perfect. And he knows how to do the double breasted thing.

[Christian Allaire]

He was wearing Thalia Kohl's.

[Chloe Mao]

Oh, okay.

[Rebecca Ford]

Can we talk about Nikki Glaser?

[Chloe Mao]

We can and we shall.

[Rebecca Ford]

I mean, watching that opening monologue, I was like, she's gonna be like the Billy Crystal of the Golden Globes. Like, she's gonna have this job for the next 10 years. She's so fun. She's so self assured. And like, the humor is like, it's more barbed than you think when you're listening to it. You know, like when she said when she was like, wicked for money, I was like, so good. So good.

[Chloe Mao]

Also, the Bari Weiss CBS jokes were really funny.

[Rebecca Ford]

Also the White Lotus joke about the first time that incest had been in mainstream culture since Property Brothers Season 6 or whatever. I was like, this is really good joke writing.

[Christian Allaire]

The one moment I was kind of annoyed with her was when she started singing that musical number, but then Fran Drescher cut her off. I was like, yes, thank God. But it was part of the bit.

[Rebecca Ford]

She was great. She was great. She looked great. And I love all the costume changes and sort of like, this is where. This is where stand up comedy really wins, you know, at the Golden Globes. Wanda Sykes was so funny doing her bit and she was doing all the, you know, comedians and, oh, the Hans Zimmer thing was funny too. She was like, keep on making movies with soundtracks that go like, bong. So goofy. But she's really funny in the rock paper scissors joke with the rock.

[Christian Allaire]

Like, sometimes simple is better.

[Rebecca Ford]

You know, I realize I'm just, like reeling off the jokes that she said, but she was like, she's a total delight. That's what you want.

[Christian Allaire]

I love that.

[Chloe Mao]

We're going to take a quick break. When we come back, we are going to talk about all of the wind snubs and moments you shouldn't have missed. You come to the New Yorker Radio Hour for conversations that go deeper with people who you really want to hear from, whether it's Bruce Springsteen or Questlove.

[Rebecca Ford]

Or Olivia Rodrigo, Liz Cheney or the.

[Chloe Mao]

Godfather of artificial intelligence, Geoffrey Hinton, or.

[Rebecca Ford]

Some of my extraordinarily well informed colleagues at the New Yorker.

[Chloe Mao]

So join us every week on the.

[Rebecca Ford]

New Yorker Radio Hour. Wherever you listen to podcasts.

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[Chloe Mao]

Every idea starts with a problem. Warby Parker's was simple. Glasses are too expensive. So they set out to change that.

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[Chloe Mao]

Get glasses made from the good stuff. Stop by a Warby Parker store near you. And we're back. Okay, let's talk about some of the biggest wins of the night. I want to say how happy I was that K Pop Demon Hunters got the love that it deserved.

[Rebecca Ford]

That's where you're going to start.

[Christian Allaire]

The.

[Rebecca Ford]

Juggernaut that is K Pop Demon Hunters.

[Cho Minardi]

Did it win for the music?

[Rebecca Ford]

It won for the song, obviously, like goodness. I mean golden is like the only song that anyone cares about from that set and it won for best animated.

[Chloe Mao]

Speak for yourself. I love Soda pop too.

[Rebecca Ford]

Oh, no, no. I love all the songs from K Pop Demon Hunters. I was talking about the other nominees. Like are you, are you up on the. Are you up on the Avatar song?

[Chloe Mao]

I'm not, no.

[Christian Allaire]

I love Miley Don't Shade Miley, but I actually don't know that song. Not at all.

[Rebecca Ford]

Yeah. So K Pop Demon Hunters did really well. I think those two categories it's in are a layup and it's scored. But I mean it's like a one battle after another kind of confirmation. Right. I think there's very little stopping that movie from performing just as well on Oscars night as it did last night. With a couple of exceptions like I think Hamnet winning.

[Chloe Mao]

You didn't expect that?

[Rebecca Ford]

No, I sort of did. I wondered how award season was going to properly reward sinners which Is to my mind, not like a great movie, but a movie that people really loved and did extremely well. And I just wondered if something funny might be afoot in that category because Sinners was in it. But Hamnet is like, it's like a real award season movie, but it's also, like, extremely good.

[Christian Allaire]

You know, Chloe Zhao seems very surprised she won.

[Rebecca Ford]

Yes, yes. There was a lot of. There were a lot of people performing excitement. I'm not suggesting that Chloe Zhao was not surprised.

[Christian Allaire]

I think she was surprised.

[Rebecca Ford]

Well, I know she was, like, completely paralyzed with surprise. And Steven Spielberg had to be like, now you have to go up to.

[Christian Allaire]

The stage, get on stage, girl.

[Rebecca Ford]

Yeah, exactly. But then when she got up on stage and got in front of the microphone, she had like a totally fluent, you know, acceptance where she, like, quoted this inspirational thing that Paul Mescal had said to her, like, verbatim, you know, she didn't stumble over any of the words, you know. And anyway, I love Chloe Giles, so I was very, very happy for her. But yeah, I think that one. One battle after another is definitely the frontrunner heading into Oscars. And, you know, let's see what happens with Hamnet, too.

[Chloe Mao]

I want to talk about Marty supreme situation. Was Timmy the only person who won for Marty Supreme?

[Rebecca Ford]

Timmy was the only person who won for Marty Supreme.

[Chloe Mao]

Okay.

[Cho Minardi]

And that would seem like a surprise, right?

[Rebecca Ford]

Well, I mean, he's up against Leo DiCaprio for battle. And, you know, that performance was really fun in that movie, but I don't know. I think there's nobody beating Timothy Chalamet.

[Cho Minardi]

I think he's gonna get the Oscar, don't you?

[Rebecca Ford]

Yeah.

[Christian Allaire]

I mean, he's sweeping so far.

[Cho Minardi]

I think for. I think it's the perfect role for him. His performance was. Was really spellbinding for me anyway. I think it was impossible not to sort of love his, like, crazy character. I thought it was brilliant.

[Rebecca Ford]

It was one of those things where it's like a good movie with a really great performance driving it. You know, I think he was by far and away the reason to see that movie, Marty Supreme. And the best thing about it, he also. The, like, slightly escalating Kylie shout outs from the podium are going to be, like, irresistible to Oscar voters.

[Cho Minardi]

Like, what is he gonna say at the Oscars?

[Rebecca Ford]

He said, right, it's all working out. He's like. He's like, you're my foundation, which I like. Some other people on staff thought he was talking about his charitable foundation, you and Amanda Seyfried. Turns out, like, maybe he doesn't have a charitable foundation. Then he's just like, he needs my partner. I love you. He said I love you from the podium. So then it's just like, you know, let's make a life together and have a baby. He teased wanting to have a baby in the Faux cover story too.

[Cho Minardi]

You know, oh, my goodness. Maybe he's just going to. Maybe he's going to make the Oscars a moment to actually propose. What happens if that.

[Rebecca Ford]

He knows what he's doing. This is what I'm saying. He's like, this is. He missed on the whole Bob Dylan campaign, you know, like, the man learned how to sing exactly like Bob Dylan and, like, got almost nothing for it in the end, you know, I never.

[Cho Minardi]

Watched that film, though, but did anyone see it?

[Rebecca Ford]

I just couldn't bring myself. Sorry. It was a fun night.

[Christian Allaire]

The costume design in that movie was insane in the best way.

[Rebecca Ford]

I mean, it's not a great movie, but, like, a totally enjoyable one, you know?

[Christian Allaire]

But I do love Kylie this awards season. Just living her best life in the audience. She looked great. What was she wearing again?

[Cho Minardi]

What was she wearing, guys?

[Chloe Mao]

Something random, but she skipped the carpet. She skipped the carpet, but did, like this dramatic slow motion Instagram reveal. She was like, I don't need the red carpet. I don't need your best dress lists. I just need Instagram.

[Christian Allaire]

She wore Ashi Studio. Very interesting choice.

[Cho Minardi]

Okay.

[Christian Allaire]

Saudi Arabian designer. But seeing her just live her best life. She's always, like, having the most fun in the crowd. Like, you can tell. It's, like, not really her environment, but I think she's just going with it. I love this for her.

[Cho Minardi]

And I do think she's still using Elizabeth. Are we agreed that she's still using Elizabeth Hurley as the template for her start?

[Christian Allaire]

For sure.

[Cho Minardi]

It just feels like she's. I mean, love, love. I think it's a really great reference for her, but she is using, like, my boyfri, my boyfriend is the hottest thing in Hollywood wardrobe. Like, I'm having the best time. I'm here to look fab and nothing else. Like, which is kind of unashamedly, unabashedly, like, unapologetically so, like, she just zoning it.

[Christian Allaire]

So real. Best reference. Yeah.

[Cho Minardi]

Okay. I was just. I just wanted to confirm my hunch.

[Chloe Mao]

I just wanted you all to confirm that I'm right.

[Cho Minardi]

You know, a little bit of validation.

[Rebecca Ford]

I don't think Hugh Grant would have ever called Elizabeth Hurley his foundation, though.

[Cho Minardi]

No, I know, you're right.

[Rebecca Ford]

It was more fun back then. Who didn't worry about having foundations, you know.

[Cho Minardi]

The run through will be back in just a moment.

[Christian Allaire]

Right now, in movies, in the opera.

[Cho Minardi]

Even in pop music, divinely inspired women are everywhere.

[Christian Allaire]

This week on Critics at Large, we make our case. Saints are having a moment.

[Chloe Mao]

Look, I can spout off any number of cliches, but they're all true.

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The world is moving faster and faster.

[Chloe Mao]

Materialism is now reaching every single corner of the globe. It's very hard to say no and to say stop and to say I will do without. And I think that explains some of the modern cultural appeal. I'm Vincent Cunningham.

[Cho Minardi]

Join me and my co hosts on Critics at Large from the New Yorker.

[Christian Allaire]

Find us every Thursday, wherever you get your podcasts.

[Rebecca Ford]

Speaking of inevitabilities, I think Jessie Buckley is your other Oscar inevitable after Hell yeah.

[Cho Minardi]

Our British Vogue cover star.

[Rebecca Ford]

Yeah, yeah, she was great. I love that story, too. Gemma. Well done. That's a great feature.

[Cho Minardi]

That's great, right? I know. I mean, Hailey. Hayley. Hayley killed it.

[Rebecca Ford]

Hayley did a really good job.

[Chloe Mao]

Hayley Maitland wrote the British Vogue cover story and did an excellent job.

[Cho Minardi]

She did. She did. And actually, you got sight of Jesse's partner at this award show.

[Rebecca Ford]

He was enjoying the free drinks and canapes.

[Cho Minardi]

So fun. I love that. The rare sighting of her partner. He's a mental health worker.

[Chloe Mao]

Yeah, she's so charming. And I loved at the end when it won where they were all standing on stage and she was with the little boy and they had the exact.

[Rebecca Ford]

Same haircut or her shouting out the, like, polish grip. Who was making soup? Oh, who's making soup?

[Chloe Mao]

That was one of my favorite moments of the whole awards was everyone shouting out people working on set. There was a lot of thanking the ad, thanking the grips, thanking the crew. All the crew shouts.

[Rebecca Ford]

I mean, I think Golden Globes delivered in being this, like, place where acceptance speeches are, you know, a little more unpredictable, funnier, you know, a little off the cuff. Like, it's also the other thing I love about Golden Globes, which I was reminded of last night, is, you know, sometimes it's critiqued for having the, like, musical comedy category and the drama category, which is a little like, you know, just, I guess a more is more kind of opportunistic thing. But because of that, you don't just have Jessie Buckley, who's such an inevitable. You have, like, Rose Byrne coming out of nowhere and winning for this, like, really cool indie. If I Had Legs, I'd Kick youk. And she gets up on the microphone and she's totally charming. And she talks about how her husband Bobby Cannavale is not there tonight. Cause he's at a like, what, lizard expo?

[Christian Allaire]

Bearded dragon.

[Rebecca Ford]

Getting a bearded dragon for the family. I mean, you just gotta love the Golden Globes for stuff like that.

[Christian Allaire]

It is wackadoodle.

[Cho Minardi]

Isn't it crazy to think that just was it like five years ago that the Golden Globes is on the brink of extinction?

[Rebecca Ford]

Totally. And we were all so snobby about it. We were like, good riddance, you know, but like, thank goodness we have it back. And I question some of the production choices, which are sort of wacky.

[Christian Allaire]

The music, the walk up music for the people.

[Chloe Mao]

Oh, no, that was fab. I was really into the walk up music. Apatow playing for Judd Apatow. I delighted in.

[Rebecca Ford]

Oh, wait, what was playing for him?

[Chloe Mao]

It was like Apatopataw.

[Christian Allaire]

The Bruno Mars Patow. Shout out. Bruno Mars.

[Rebecca Ford]

John Aptow really made the most of his. He really made the most of his time at the microphone, though. I was like. I was like, are you still going, John? Charming guy. But my goodness, it was a big night for adolescents guys. Like, I felt like the thing that I really liked about adolescence.

[Chloe Mao]

Yeah.

[Rebecca Ford]

So.

[Cho Minardi]

But I have to say, British. British.

[Chloe Mao]

It did feel like a British. Big, big Brit night.

[Rebecca Ford]

I know when like Aaron Dougherty is up on stage getting a Golden Globe. You're like. And she's shouting out therapists. I was like, this is great. We're going deep on the British actor bench. It was fun.

[Cho Minardi]

I know. Feeling very proud over here.

[Rebecca Ford]

And we love Stephen Graham, his wife towering above him. Sort of a Nick and Priyanka moment.

[Sponsor/Ad Voice]

There was.

[Chloe Mao]

There was a few of those.

[Rebecca Ford]

A few of those. Yeah.

[Christian Allaire]

Totally.

[Chloe Mao]

All Fanning and Gus Weiner. Gemma, were you excited that Noah Wylie won? I know that you're ecstatic. Newly converted.

[Cho Minardi]

I rarely get pulled into a new show. I just rarely do. And especially not anything as hard hitting as the Pit. I'm usually like, oh, I can handle Emily in Paris or something.

[Rebecca Ford]

Season six.

[Sponsor/Ad Voice]

I'm in.

[Cho Minardi]

And suddenly I'm like, oh, my God. I'm just like, I'm gripped. I'm totally in it. I watched 5 episode on the plane.

[Rebecca Ford]

And yeah, it was so charming that he walked right by Noah Wiley walked right by George Clooney and they hugged. I know, it's like, God, you gotta love that. Noah Wiley's career sort of like was up and then no one had heard of him for a long time. And he comes back and it's so triumphant. I'M sorry. I didn't like his suit because I was really happy to see him up there.

[Chloe Mao]

Yeah. K pop Demon Hunters was a big moment for me when the three of them were on the red carpet in their sort of cuckoo black and white looks. I made Alice run out of her bath to come see them because she was so excited and she was like, which one is roomy? And I was like, I honestly don't know, but.

[Rebecca Ford]

Well, the singer who won for the. For the best song, who came up and almost had a nervous breakdown on stage but was so like, you know, I washed out as a K pop star. They told me I couldn't make it. And now like the other songwriter kept like, like jumping in and grabbing the mic and talking. I was like, no, dude, you need to stay where you are and let this like towering, you know, K pop singer have her moment. What else did you like, Chloe? Did you like Julia Roberts at the end? Were you still awake at that point?

[Chloe Mao]

I was. I love Julia Roberts. She can get away with whatever she wants. Went a little long for me, but.

[Rebecca Ford]

She was like, guys, have you seen. Sorry.

[Chloe Mao]

I know. That was so charming.

[Rebecca Ford]

It was charming. It was a little bit like mom talk. Like. Yeah, but you can mom talk.

[Chloe Mao]

But I. I appreciate it. You.

[Rebecca Ford]

Victor is a friend of the pod though, right?

[Chloe Mao]

Yeah. There you go. See you a Victor, friend of the po. We love her in her loewe. Her bright red lueve. Christian, were there any, if you had to do like a stylist ranking of the night or anyone who like really stood out? I feel like Danielle Goldberg.

[Christian Allaire]

I was just gonna say it's awesome.

[Chloe Mao]

Ava Goldberg and Jesse Buckley. I thought that Kate Young did a great job with Roseburn. I thought she looked really fresh and chic.

[Christian Allaire]

But Waymond Amica. Yes, for anyone they do, I feel like, are always a standout for awards season.

[Chloe Mao]

Coleman looked fab.

[Christian Allaire]

They did like five or six people. Their rep told me last night. So they styled a lot of people last night.

[Chloe Mao]

Wow.

[Christian Allaire]

Yeah, so they're always.

[Chloe Mao]

And Jason Bolden did Ryan Coogler and Michael B. Jordan, who I thought both looked great.

[Christian Allaire]

Chris Horan with Charlie I feel is always cool and interesting.

[Chloe Mao]

Yeah, that was very cool.

[Cho Minardi]

That was beautiful.

[Chloe Mao]

Taylor, I want to know what you feel like were snubs or misses.

[Rebecca Ford]

I mean, for me it's sentimental value. I confess I haven't seen the Secret Agent but I'm a little dismayed that the Secret Agent seems to be kind of riding high on the non English language film front because I just thought Sentimental Value was one of the most beautiful movies of the year I saw. So I'm sort of a little bit low key bummed about that. But mostly it just seems like this is a year where solid films, Hamnet One battle after another and Marty supreme movies like that are kind of getting their due and they're spreading the love around. One award show after another, one more show after another. Can I, can I revisit? Does anyone understand why the Golden Globes decided to honor podcast this year?

[Chloe Mao]

No, I would love to understand that.

[Rebecca Ford]

That was completely confusing to me.

[Christian Allaire]

I guess it's a new me. A new me popular medium. I don't know.

[Rebecca Ford]

I guess so. I just. It seemed like weirdly pandering. But then at the same time I was kind of like, you're pandering by like adding podcasts.

[Christian Allaire]

You know, I know it did seem interesting. Why now?

[Rebecca Ford]

But I did like the fact that Amy Poehler won and. And thereby beating her Jeremy Strong bit was very funny. It was very, very funny. Thereby beating Will Arnett's smartless podcast. Yeah, exactly. You know, but they seem to be very friendly, so, like, I don't need to stir up any trouble there. Yeah, exactly. Jason Bateman was funny doing his bit for.

[Chloe Mao]

They were great.

[Christian Allaire]

I did think the White Lotus was a little snubbed. Like, I know we kind of have moved on and it feels like it came out five years ago, but it.

[Chloe Mao]

Was Mike White there.

[Christian Allaire]

I think I saw him in the audience. Mike White.

[Rebecca Ford]

Goggins was definitely there.

[Chloe Mao]

Oh, he was there.

[Rebecca Ford]

I did not love his look per se, but like Saint Laurent, that man looks great.

[Christian Allaire]

Parker Posey, I feel like should have won.

[Rebecca Ford]

Just gonna say that she's in her like Grand Dam era, you know, she looks incredible.

[Christian Allaire]

So nobody does that rich, entitled woman like Parker Posey.

[Chloe Mao]

I mean, that's a good shout out to Choma's point of people actually taking risks and being true to themselves. Like, Parker Posey took a risk. She does her. And you know what? I respect that. Me too. I was sad. We loved Amanda Seyfried, our most recent cover star in Anne Lee Testament of Anne Lee. And I thought she looked great last night in Versace. And I would have loved to see her get some love.

[Rebecca Ford]

Yeah, that's right. That's right.

[Cho Minardi]

She looked amazing, actually. She looked amazing.

[Chloe Mao]

I also couldn't believe that Zootopia 2 got completely shut out.

[Cho Minardi]

Are you serious?

[Rebecca Ford]

Yes.

[Chloe Mao]

It's a great film.

[Rebecca Ford]

That's a great reaction. You divided loyalty to you. You were just like two seconds ago being like K Pop Demon Hunter is finally getting all the love it needs.

[Cho Minardi]

Yeah, you need to get out more.

[Rebecca Ford]

No. I'll have you know that Claymore was at the movie theater to see Zootopia 2. Let us all know. Because she was like. She was like an all hand slack. Guys, I am offline for the next.

[Christian Allaire]

Two and a half hours.

[Rebecca Ford]

Don't bother me.

[Chloe Mao]

I also.

[Cho Minardi]

It's always a little sad to me.

[Chloe Mao]

When George Clooney doesn't win. But I did like him speaking French.

[Rebecca Ford]

Have you seen J. Kelly?

[Chloe Mao]

I like J. Kelly.

[Rebecca Ford]

I knew you would like J. Kelly. That's great. Yeah, no hate on Jake Kelly. I didn't really like Jake Kelly.

[Cho Minardi]

He's had enough love awards season in his life.

[Sponsor/Ad Voice]

Totally.

[Cho Minardi]

I think he's good. He can be on the bench for a minute.

[Rebecca Ford]

I mean, I actually felt a little for Leo. I was like, that's a great performance in one battle after another.

[Cho Minardi]

And that I will agree with because I do think it was great. And I usually am. So I don't know. I mean, I find it hard to love Leo these days. But I loved him in that movie.

[Rebecca Ford]

I agree. Choma. Like he was genuinely funny, you know. And I really like when he does a little like comedy in his performances. And I just found that was my favorite Leo performance in as long as I can remember. You know.

[Cho Minardi]

Same, same.

[Rebecca Ford]

And he's so like self possessed at war shows like this. Like, you know, he laughs at the. When he gets ribbed having the like younger girlfriend. And he's like good nature about everything and he looks good.

[Sponsor/Ad Voice]

All right.

[Rebecca Ford]

I was like, I like my old stars.

[Christian Allaire]

Great.

[Chloe Mao]

Just back to Zootopia.

[Rebecca Ford]

I did got to be kidding.

[Chloe Mao]

I did think it was interesting that someone mentioned that the top grossing films of 2025 were animated. I'm just saying.

[Rebecca Ford]

True for like the last 20 years has kids once goes to see an animated movie movies.

[Chloe Mao]

That's when like 10 years ago I was like, Taylor, you know what? Everyone's having dinner parties. Taylor's like, you get married, turn 30 and suddenly you realize people go to dinner parties.

[Rebecca Ford]

It's like bars are out, dinner parties are in. Yes, yes. Animated movies make a lot of money. They also take a long time to make though. Which was.

[Christian Allaire]

Oh my God.

[Chloe Mao]

K Pop Demon Hunters. There won't be another one for four years till 2029.

[Christian Allaire]

That's crazy. Crazy.

[Chloe Mao]

It's insane. How am I gonna wait for Rumi that long? Rumi's Revenge.

[Rebecca Ford]

Totally lion Kids will be like wizened. You know, 20 year olds by that Point.

[Chloe Mao]

They'll be like dating Leo.

[Rebecca Ford]

They'll be like, I'm not watching this, dad.

[Chloe Mao]

That was a good joke.

[Rebecca Ford]

Rude. Rude for Vivian.

[Chloe Mao]

I also, I was just looking. I saw that Wagner Mora was wearing tabbies on the red carpet, which I. We love a tabby red carpet moment, but I think maybe we can end on a freaky shoe choma.

[Cho Minardi]

Any.

[Chloe Mao]

Any final thoughts?

[Cho Minardi]

I did have one last shout out because I always love it when the independent designers kind of break through. And I know you mentioned Wumi, but Jenna Ortega wore Dilara Findikoglou and looked fabulous and she's a wonderful. And Dilara just won a British fashion award, so it's a bit big year for her. Anok wore Dilara to the fashion awards too. So I was really. I was really excited to see. To see her have her moment because it is really tough for an independent designer to get a look in on the red carpet just because all of these actors, as we know, have contracts with these big houses and are locked in. So it's very little wiggle room for the indies to get a look in. So. So always good to see a British designer shine on the red carpet. And I think there was a Palestinian actor who took to the red carpet that wonderful movie that I was the.

[Chloe Mao]

Voice of, Hindra Job. Yeah. Carrie did a lovely piece on that. Yeah.

[Cho Minardi]

And I thought it was a. She wore a dress, this really beautiful black dress that sort of nodded to her Palestinian heritage. And I think the designer was Rima Debord. I think they're actually Jordanian, but maybe Palestinian Jordanian. Anyway, I thought it was. It's always great when I'm discovering new designers on the red carpet. That's always something. It's rare. And I was first intrigued by the dress and then discovered it was a Palestinian Jordanian designer. So I thought it was really very chic.

[Chloe Mao]

All right, bye. Choma, go charge your computer.

[Sponsor/Ad Voice]

Bye.

[Rebecca Ford]

That was fun.

[Cho Minardi]

Heading straight to tech support.

[Chloe Mao]

That's it for this very special episode of the Run Through. See you Thursday. The run through is produced by chelsea daniel, alex depalma and stephanie kariuki. It's engineered by pran bandy and james yost. It is mixed by mike kutchman. Hi, I'm Rebecca Ford, senior awards correspondent.

[Cho Minardi]

At Vanity Fair and co host of Little Gold Men. Oscar season is upon us. Little Gold Men takes you behind the scenes of the race for the biggest prize in Hollywood.

[Christian Allaire]

There's 100 wrestlers in the room, but only one can be Oscar nominated.

[Cho Minardi]

Whether you're a movie lover or an industry buff, Little Gold Men from Vanity Fair has everything you need to know about this year's Oscar race. Follow and listen to Little Gold Men.

[Chloe Mao]

Wherever you get your podcasts.

[Rebecca Ford]

From.

[Cho Minardi]

Prx.