hey ya'll.

This is a little audio drama I've made about being stuck inside a Space Whale.

It's a fun little thing, based in a universe that I've been working on for a potential tv show.

Chapters:

0:00 Welcome And Premise

0:30 Mission Log: Trapped In A Space Whale

1:34 Angels And Five-Dimensional Tech

3:48 The Whale’s Shanty Town

5:00 Finding The Inverter

6:21 The Escape Plan

8:12 Inversion And Aftermath

10:24 Sign Off

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The story opens with a wry greeting and a bold promise: a compact sci‑fi audio drama that tests the limits of survival and imagination. Our narrator, a hired gun with a mission to recover a five-dimensional inverter, discovers that the target sits within a living maze—an enormous space whale that has swallowed starships, krill, and entire human micro‑civilisations. The podcast leans into vivid worldbuilding without slowing the pace: jet thrusters fighting digestive storms, car‑sized space krill dissolving on contact, and a mission log that reads like a confession. It’s not just spectacle; the premise asks a direct question about problem‑solving under pressure. When an object can reshape time and space, does the shortest path to safety become the only acceptable one, even when it leads through something alive?

From there, the episode unspools a brisk history of the angels, five-dimensional beings who seeded the galaxy with tech that lets humanity collapse distance and converse across time. The lore of “five-dimensional wishes” adds texture: shimmering artefacts that let mortals parley with entities outside linear time, bending causality like wire. These elements create SEO‑rich touchpoints—time travel technology, five-dimensional objects, angelic aliens, space opera survival—that ground the drama in a mythology that feels both wondrous and perilous. By framing the inverter as a cousin to other angelic devices, the story hints at rules: inversion as a principle, not a miracle, and consequences that ripple through biology and vacuum alike.

The whale’s interior becomes a setting and a society. The narrator stumbles on a shanty town cobbled from swallowed hulls, where barter buys calories and superstition stands in for physics. The tone swings from deadpan to grim as we meet Cricket, the elder guide who understands the currents and the acids better than any star map. Hunger turns neighbours into predators, and engines become lifelines that determine who floats and who dissolves. When our mercenary admits to stealing fuel after being targeted as food, the episode forces a hard look at scarcity ethics: at what point does survival collapse into cruelty, and can anyone claim clean hands inside a stomach where the rules are digestion and decay?

The pacing tightens once the inverter appears. It sits lodged on an asteroid trapped above the digestive depths, a visual metaphor for opportunity hovering over entropy. The device itself is described as a canister housing an impossible geometry, an object that looks like many things ageing and collapsing all at once. The science‑fantasy logic is crisp: an inverter inverts signals, so a five-dimensional inverter should invert space and time. This is where the episode hits its thesis—tool choice shapes destiny. The narrator chooses action over caution, trusting that inversion will create an exit even if the cost is irreversible. The tension is physical and moral as jetpacks ignite, the canister opens, and the whale’s body begins to shrink against an unseen gradient.

What follows is both triumph and horror. The inversion works, ejecting our narrator into open space while the whale is turned inside out, a corpse

Send me Fan Mail! It could be anything, we are desperate at this point.