1261: Immersive by Joseph Millar

Summary

Episode Summary: The Slowdown – "Immersive" by Joseph Millar (Episode 1261)

Release Date: December 16, 2024
Host: Major Jackson
Guest Poet: Joseph Millar

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Introduction to the Episode

In Episode 1261 of The Slowdown: Poetry & Reflection Daily, host Major Jackson welcomes listeners to a contemplative exploration of Joseph Millar's poem "Immersive." This episode delves into the poet's reflections on personal emotions, societal issues, and the transformative power of poetry.

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Exploring Personal Emotions and Disengagement

Joseph Millar opens the dialogue by addressing personal coping mechanisms amid emotional challenges.

• Disregarding Feelings: Millar shares, “Some days I disregard my feelings of disappointment and instead go on with my life” (00:53).

• Avoiding Analysis: He continues, expressing his reluctance to engage in “Monday morning quarterbacking” and finds theorizing about world problems “exhausting” (01:03).

Millar emphasizes a tendency to detach from negative emotions and discourage overanalysis, highlighting a common human response to stress and disappointment.

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Embracing Values and the Role of Poetry

The conversation shifts to Millar's reaffirmation of personal values and the sustaining influence of poetry.

• Recommitment to Values: Millar states, “In the world in my everyday interactions, decency, love for neighbors, a sense of justice and hope” (01:48).

• Poetry as a Lifeline: He articulates how poetry helps him navigate doubt and uncertainty: “Poetry reorients me, does the work of humanizing, of not letting me devolve to despair” (01:48).

Millar underscores poetry's role in maintaining his moral compass and providing solace during challenging times, serving as a tool for reflection and resilience.

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Themes of Absorption and Paradox in "Immersive"

Joseph Millar delves into the thematic essence of his poem "Immersive," illustrating the complexity of engaging with the world.

• Absorption and Attention: Millar describes the poem as modeling “a necessary absorption and attention to the world” (02:40), emphasizing the importance of being present.

• Embracing Paradoxes: He reflects on the poem’s exploration of paradoxes and the “difficulties of speech as pathways to understanding the inscrutable” (02:44).

Through vivid imagery and intricate metaphors, Millar portrays the tension between understanding and the elusive nature of complete comprehension, portraying life’s intricate and often contradictory experiences.

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Vivid Imagery and Everyday Phenomena

Millar employs rich, sensory details to bring everyday scenes to life, fostering a deep connection between the mundane and the profound.

• Global and Local Scenarios: He juxtaposes grand events like “the huge cargo ship jammed in the throat of the Suez Canal” with intimate moments such as “the spring's rare butterflies jagging along the back fence” (03:07).

• Artistic References: Millar references Vincent van Gogh, describing “the chipped light of wheat fields he carried inside him” and other evocative images like “the black wings of crows and the wreckage of shadows” (03:07).

These descriptions create a tapestry that intertwines significant global events with personal, everyday experiences, highlighting the interconnectedness of different scales of existence.

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Conclusion: The Power of Presence and Reflection

In wrapping up the episode, Major Jackson reflects on the enduring impact of Millar's poetry.

• Staying Present: Millar’s work encourages listeners to “stay present, pay attention, and speak to the beauty in nature and the beauty in us” (01:48).

• Renewing Faith: He encapsulates the essence of his poetic journey as something that “renews my faith” amidst uncertainty and challenge (01:48).

The episode reinforces the idea that through mindful engagement and poetic expression, individuals can find meaning and hope in both personal and collective experiences.

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Additional Resources

Listeners are encouraged to explore more episodes and deepen their poetic journey:

• Back Catalog: Access episodes hosted by previous hosts like Tracy K. Smith and Ada Limón, and guest hosts including Jenny Xie and Brenda Shaughnessy.

• Subscribe & Engage: Sign up for the newsletter at slowdownshow.org and follow on Instagram @downdownshow for daily poetic reflections.

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Notable Quotes:

• Joseph Millar: “Some days I disregard my feelings of disappointment and instead go on with my life.” (00:53)

• Joseph Millar: “Poetry reorients me, does the work of humanizing, of not letting me devolve to despair.” (01:48)

• Joseph Millar: “Immersive” models for me a necessary absorption and attention to the world, but also an embrace of paradoxes and the difficulties of speech as pathways to understanding the inscrutable.” (02:44)

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Listen to Episode 1261: "Immersive"

To experience Joseph Millar's "Immersive" and the insightful conversation with Major Jackson, tune into The Slowdown: Poetry & Reflection Daily on your preferred podcast platform.

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Timestamp Guide

• 00:01 - 00:35: Opening remarks and brief dialogue
• 00:36 - 05:17: Main content featuring Major Jackson and Joseph Millar
• 05:17 onwards: Advertisements and outro (Skipped)

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This summary captures the essence of Episode 1261, providing insights into Joseph Millar's poetic exploration of presence, emotion, and the human condition.

Transcript

[Father]

If you could hear love, what would it sound like? Son, can we talk about your drinking? Yeah, Dad, I think we should Helping those closest to you think about their excessive drinking. Maybe that's what love sounds like. [e-mail] An OHA initiative.

[Major Jackson]

I'm major Jackson and this is the slowdown.

[Poetry Magazine Announcer]

I will fess up.

[Major Jackson]

Some days I disregard my feelings of.

[Joseph Millar]

Disappointment and and instead go on with my life.

[Major Jackson]

I ignore the impact of current affairs.

[Joseph Millar]

I am not keen on Monday morning quarterbacking.

[Major Jackson]

I leave that to the experts. I find it exhausting at times, theorizing.

[Joseph Millar]

About causes and effects, talking in a way that only makes me feel good about my hot take. It feels empty sometimes, approaching the world's problems without in the end, a real plan to act on.

[Major Jackson]

I also hold it as a truth.

[Joseph Millar]

That what's done is done. One must move on. But each day is an opportunity to build from the unimaginable.

[Major Jackson]

I double down on the values I hold dearest, what I wish to manifest.

[Joseph Millar]

In the world in my everyday interactions, decency, love for neighbors, a sense of justice and hope. In our country I recommit doubt and uncertainty about the future is not new. Often my views are challenged, sometimes to a point where I come close to relinquishing what I believe. During such moments I reach for poetry. Poetry reorients me, does the work of humanizing, of not letting me devolve to despair. Its insistence on staying present, on paying attention, on speaking to the beauty in nature and the beauty in us, renews my faith.

[Major Jackson]

Today's poem models for me a necessary.

[Joseph Millar]

Absorption and attention to the world, but also an embrace of paradoxes and the difficulties of speech as pathways to understanding the inscrutable immersive By Joseph Millar I meant to be talking of the huge cargo ship jammed in the throat of.

[Major Jackson]

The Suez Canal, which the full moon's.

[Joseph Millar]

Tide lifted free this morning, and also the spring's rare butterflies jagging along the back fence and my neighbor's accordion music seething under the door in the ways I can't pay attention for long and the value of common sense. I meant to be talking of Vincent van Gogh and the chipped light of wheat fields he carried inside him, breaking apart in the noonday sun, the black wings of crows and the wreckage of shadows, an old wagon on fire in the ditch or the eaves of a barn, its haymow broken in half by time and the rain falling on San Francisco, and the blue pigeon standing alone under the tiny awning where my love and I also stood, watching it come down like mercy, like threads from some astral wardrobe across from the old Fillmore west, drinking takeout coffee from the little kitchen and waiting for the movie to start.

[Major Jackson]

The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the [e-mail] to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram @downdownshow.

[Poetry Magazine Announcer]

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