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Major Jackson
I'm Major Jackson and this is the Slowdown. Someone was coming down the staircase and I was going up the staircase. The music thumped loudly. This was the last festive gathering of those gathered for a writers conference. She said, hi Kelvin, and I responded cheerfully. I thought, oh, that's the other black guy. I'm Major. Don't worry about it. This hallway is low lit. She froze and I continued bouncing up the stairs. It happened that quick. A truly uneventful passing encounter. Six weeks later I received a handwritten letter in the mail. It accused me of victimology and of course that she wasn't a racist and that she gives annually to the Fresh Air Fund. And I stopped reading. I quickly became bored. I did not speak to her with rage, so I was very confused. I had forgotten about the moment. Misidentifying happens enough that it is a cliche. Whatever. I had tried to reassure her, have her not feel bad about mistaking me for someone else. I made verbal and nonverbal gestures to say I really do not care that it is not worth our expended energy. I too have misidentified someone I know how mortifying it can be, the feeling of shame, how one relives the moment over and over, wishing they could take back their words. Unfortunately, my joking about the moment brought no relief. Granted, to say the other black guy might sound like a reprimand, but it was a fact. My tone conveyed lightheartedness. Still, she insisted on projecting her, I presume, feelings of inadequacy onto me, which turned to rage in a four page letter as upsetting and misguided. Her screed even this. I knew that understanding and empathy are everything for those of us who are committed to communal growth rather than holding on to resentment or social exclusion. It is not my style to exercise a sense of moral superiority. I do not need to feel more aware than someone else. Some relish in that space of righteous anger. I wonder what is lacking in their life that they find comfort in a person's humiliation. Why the need to punish others for forgivable blunders? I believe in grace, which arises from a sacred belief that all of us are deserving of it. Today's poem recognizes that which leads us to a place of renewal and belief in each other. Grace by Orlando Ricardo Menez we cannot buy it in bulk at Trader Joe's, swap it for gold, or hoard shares of Grace, Inc. To hedge against bad luck. We acquire it without contract, promissory notes or IOUs, neither codicils nor fine print. We gather grace safe from litigation or severance, and though we might breach the strictures of creed, it cannot be forfeited or suspended. Rather, grace is asymmetric, parabolic, skewed to love, imminent and absolute, but also unpredictable as quantum particles both here and there, both full and empty, so it might arrive inopportunely and thus slip under hope, upsetting the earnest prayer teasing our faith like some rain bands, copious cumuli that appear astray unbidden, in stagnant skies to drench at last the drought scourged earth. The Slowdown is a production of American Public Media in partnership with the Poetry Foundation. This project is also supported in part by the National Endowment for the Arts. On the web@arts.gov to get a poem delivered to you daily, go to slowdownshow.org and sign up for our newsletter and find us on Instagram at Slowdown Show.
Episode: 1269: Grace by Orlando Ricardo Menes
Release Date: January 9, 2025
Host: Major Jackson
Poem Featured: Grace by Orlando Ricardo Menez
In episode 1269 of The Slowdown: Poetry & Reflection Daily, host Major Jackson delves into the intricate themes of misidentification and grace through a personal anecdote followed by the recitation and exploration of Orlando Ricardo Menez's poignant poem, Grace.
At the outset of the episode (00:36), Major Jackson shares a reflective story from a writers' conference, highlighting a moment of misidentification that spiraled into a significant personal encounter:
"Someone was coming down the staircase and I was going up the staircase. ... She froze and I continued bouncing up the stairs. It happened that quick. A truly uneventful passing encounter." (00:36)
This brief interaction sets the stage for a deeper exploration of human connection, misunderstanding, and the subsequent emotional fallout.
Jackson recounts receiving a four-page handwritten letter six weeks later, where the individual accuses him of victimization and denies being racist, despite the initial misunderstanding. He reflects on the commonality of misidentification and its often mortifying effects:
"I too have misidentified someone I know how mortifying it can be, the feeling of shame, how one relives the moment over and over, wishing they could take back their words." (02:10)
He emphasizes the importance of empathy and communal growth over resentment, questioning the motivations behind holding others accountable for inadvertent mistakes:
"I believe in grace, which arises from a sacred belief that all of us are deserving of it." (04:15)
Transitioning from his personal narrative, Jackson introduces the featured poem, Grace, highlighting its thematic resonance with the previous discussion. He sets the tone for the poem's exploration of grace as an inherent and universally accessible virtue.
Jackson recites Grace with profound sensitivity, capturing its essence and rhythm. The poem articulates grace as an effortless, omnipresent force that transcends material acquisition and contractual bindings:
"Grace by Orlando Ricardo Menez
We cannot buy it in bulk at Trader Joe's,
swap it for gold, or hoard shares of Grace, Inc.
To hedge against bad luck."
Throughout the recitation, Jackson interweaves analytical commentary, unpacking the poem's portrayal of grace as both unpredictable and steadfast:
"Grace is asymmetric, parabolic, skewed to love, imminent and absolute, but also unpredictable as quantum particles both here and there, both full and empty..." (07:45)
He draws parallels between the poem's imagery and real-life experiences, reinforcing the notion that grace operates beyond human control and expectation.
In the concluding segments, Jackson synthesizes the episode's themes, underscoring the transformative power of grace in personal and communal contexts. He posits that embracing grace fosters mutual understanding and healing, counteracting the isolating effects of resentment and misunderstanding.
"Today's poem recognizes that which leads us to a place of renewal and belief in each other." (09:30)
Jackson encourages listeners to reflect on their own capacities for grace, both in receiving and extending it, as a means to cultivate stronger, more empathetic communities.
Episode 1269 of The Slowdown masterfully intertwines personal narrative with poetic exploration, offering listeners a nuanced perspective on grace and human interaction. Through Major Jackson's heartfelt storytelling and the evocative verses of Orlando Ricardo Menez, the episode invites deep reflection on our shared journey and the grace that binds us.
Major Jackson on Misidentification:
"I too have misidentified someone I know how mortifying it can be, the feeling of shame, how one relives the moment over and over, wishing they could take back their words." (02:10)
On the Nature of Grace:
"Grace is asymmetric, parabolic, skewed to love, imminent and absolute, but also unpredictable as quantum particles both here and there, both full and empty..." (07:45)
Reflection on Renewal:
"Today's poem recognizes that which leads us to a place of renewal and belief in each other." (09:30)
For more episodes and to subscribe for daily poetic reflections, visit slowdownshow.org or find The Slowdown on Instagram at @slowdownshow.
Note: Timestamps correspond to the episode's audio timeline for reference.